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In new miniseries ‘The Calling,’ an NYPD detective’s Judaism helps him solve crimes

(New York Jewish Week) — In “The Calling,” a new miniseries streaming on Peacock, a Jewish NYPD detective fights crime and solves mysteries by letting his Jewishness lead the way.

Jeff Wilbusch plays Avraham Avraham, a detective whose Judaism is both central to his character — in more than one scene he says the Mourner’s Kaddish for a murder victim — and an identity that influences the way he does his job. 

“It is so beautiful that, in our profession, as actors in the storytelling business, that you can play such a character,” Wilbusch told the New York Jewish Week. “Also, in these crazy times now, to have this beautiful role and character brought to life on screen on such a big platform is a really good thing.”

“The Calling” is based on a series of detective novels by Israeli author Dror Mishani. Though Mishani’s books take place in Israel, the show, produced by David Kelley (creator of “Ally McBeal,” “Big Little Lies” and more) and directed by Barry Levinson (“Diner,” “Good Morning, Vietnam”), transports Detective Avraham to New York. Slightly reminiscent of “Law & Order,” it has less of a procedural bent, with cases that span multiple episodes and more emphasis on the character development. 

Detective Avraham — whose double name is not explained in the show further than one off-hand comment “my parents liked the name, I guess” — is a bit of a mysterious and complicated figure who works with his team to solve missing persons cases and a bomb threat at a day care.

Wilbusch, who is Israeli, is best known for his role in Netflix’s “Unorthodox” as Moishe Lefkovitch — the unruly and somewhat dangerous cousin who flies to Germany to track down Esty (Shira Haas), the show’s formerly Orthodox protagonist. For the actor, who grew up in the Satmar Hasidic community of Mea Shearim in Israel until he was 13, and whose native language is Yiddish, he feels a certain responsibility to honor the Jewish characters he plays. 

“As a storyteller you have a lot of responsibility, especially when it comes to playing characters that are specific. I do feel a very strong responsibility to Avi,” the 34-year-old actor said. “I’m Jewish and I’m playing Jewish and it is a strange time for us Jews. The current events don’t really leave my head.”

Avraham is considered the best interrogator in the department because of his willingness to listen and empathize in pursuit of justice. (Heidi Gutman/Peacock)

In some instances, the show seems to combine several different streams of Judaism — Detective Avraham says he grew up in Crown Heights, though in a shot of him saying morning prayers and wrapping tefillin on his roof, he appears to live in Williamsburg. He doesn’t wear a kippah save for a few scenes, and while he attends an egalitarian synagogue, he also seems to speak fluent Yiddish. 

Still, the character’s Judaism is less about the external markers of Judaism on the show — the scenes of him praying, saying a blessing, or performing “shemira,” watching over the dead — and more about how he carries himself and conducts his job. 

“He’s not just Jewish because his name is Avraham, or Jewish because he wears a kippah. He’s Jewish because many different things make him Jewish, storytelling-wise. He’s not a superficial character,” Wilbusch said. “He is such a deep and complex and interesting character with such a strong message of humanity. ” 

Avraham is considered the best detective in the department: He knows how to ask the right questions, how to bear witness to tragedy and how to continue to advocate for justice.

“I learned many things from him — to really listen to people, to really use the senses and to fight to see the good in people,” Wilbusch told the New York Jewish Week. 

“The Talmud teaches us to see every single human being as the whole world, and that each and every person is entitled to infinite respect and concern. It’s not that I didn’t believe in this before, but just to play a character who consciously embodies this in his whole way of living is a very strong thing and a very healing thing,” he added.

Though Avraham is guided by that very Jewish conscience, he still has his blind spots. He prefers to work alone, he keeps his methods to himself and he remains guarded about his background and personality, perhaps aware that his Judaism sets him apart.

Juliana Canfield as Janine Harris, Jeff Wilbusch as Avraham Avraham, Karen Robinson as Captain Kathleen Davies (Heidi Gutman/Peacock)

Upending these tendencies in Avraham is his more junior partner Janine Harris (Juliana Canfield), who is eager to learn more about Judaism in order to understand her colleague better. Throughout the series, she asks about synagogue, shiva and Sukkot in a respectful and curious way.

The Talmud says it’s forbidden for a teacher to reject his student,” she tells him in one scene. “If I ask you, you kinda have to teach me.”

It’s a relationship not often seen on television, a non-Jewish character with an innocent curiosity about Judaism and a recognition of how it influences one’s entire being. For Wilbusch, the relationship between Avraham and Janine was one of his favorite parts of the show. 

“It says in the Torah ‘Lo tov heyot l’adam l’vado,’ a person should not be alone,” Wilbusch said, quoting a line in Genesis. “Avraham thinks he works best alone, but he needs Janine badly. The relationship that they have is not just a master-student. She keeps them in line where he has blind spots.”

The relationship on screen bled into their real world interactions on set, Wilbusch said. As production went on, Canfield, who is not Jewish, would slip in Yiddish phrases like “oy gevalt” after messing up a line.

“It means a lot to me. It’s a dream come true — a dream that I never knew I had,” Wilbusch said. “I never thought I would play a Jewish detective, that this would be my first leading role in America.”

All eight episodes of “The Calling” will be available to stream on Peacock on November 10.


The post In new miniseries ‘The Calling,’ an NYPD detective’s Judaism helps him solve crimes appeared first on Jewish Telegraphic Agency.

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China Signals Increased Support for Iran as US Prepares Potential Strike

An Iranian newspaper with a cover photo of an Iranian missile, in Tehran, Iran, Feb. 19, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

As the United States ramps up its military presence in the Persian Gulf amid rising tensions over Iran’s nuclear program, a symbolic move by China has fueled speculation that Beijing could arm Tehran with cutting-edge stealth aircraft, potentially challenging the US and Israel’s regional dominance.

Last week, a Chinese military attaché in Tehran — a senior official handling defense and military relations — presented Brigadier General Bahman Behmard, commander of the Iranian Air Force, with a scale model of China’s J-20 stealth fighter.

Even though no official contract has been announced, experts interpreted the Chinese gesture as a sharp warning to the US and close ally Israel amid mounting fears of renewed conflict in the Middle East.

If China were to supply fifth-generation jets to Iran, it would not only strengthen Tehran’s deterrence but also break Beijing’s previous stance of neutrality and limited diplomatic support, signaling a direct challenge to US sanctions.

However, it remains unclear whether China actually intends to sell the J-20 to Iran or if presenting its mockup was meant mainly to signal Washington that Beijing is prepared to support Tehran politically, technologically, and otherwise militarily.

While China has publicly urged de-escalation and restraint from both sides in the US-Iran dispute, its latest symbolic move sends a stark signal that Beijing may be prepared to directly challenge US influence in the region.

China’s advanced AI-driven satellites could also give Tehran a strategic advantage by providing the regime with precise intelligence on US military assets in the region, the Eurasian Times reported.

After repeated attempts at nuclear talks between the US and Iran have failed to yield meaningful results, Washington has deployed large numbers of troops and assets to the region in a bid to pressure Tehran back to the negotiating table more willing to make concessions.

With at least a dozen F-22s from Langley Air Force Base in Virginia and F-16s from bases in Italy, Germany, and South Carolina deployed to the Gulf, along with a significant fleet of fighter, surveillance, and intelligence aircraft, the US is marking the fastest military buildup in the region seen over the past month.

According to media reports, F-35 jets from the United Kingdom are also headed to Muwaffaq Salti Air Base in Jordan — a recent hub of US air operations — while a dozen US Navy warships are already active in the area.

Meanwhile, the USS Gerald R. Ford, the world’s largest aircraft carrier, entered the Mediterranean Sea on Friday, joining the USS Abraham Lincoln and the attendant ships that form its carrier strike group.

Advanced air defenses and radar systems have also been deployed to the region to help counter a potential Iranian response to any US military action.

Iranian Foreign Minister Abbas Araqchi said on Friday he expected to have a draft counterproposal ready within days following nuclear talks with the US this week.

US President Donald Trump said he was considering a limited military strike on Iran but gave no further details.

Asked if he was considering such a strike to pressure Iran into a deal on its nuclear program, Trump told reporters at the White House on Friday, “I guess I can say I am considering” it.

The US president was asked later about Iran at a White House press conference and added, “They better negotiate a fair deal.”

Two US officials told Reuters that American military planning on Iran has reached an advanced stage, with options including targeting individuals as part of an attack and even pursuing leadership change in Tehran.

Amid mounting regional tensions, Washington could launch military strikes as soon as Saturday, CBS News reported.

On Thursday, Trump warned that the Islamist regime must reach a “meaningful deal” in its negotiations with the White House within the next 10-15 days, or “bad things will happen.”

US and Israeli officials have argued that a deal should go beyond Iran’s nuclear program and include limits on its ballistic missiles and a cessation of support for terrorist groups across the Middle East. Iranian officials have said that both issues are firm red lines and that they only seek to strike a deal over the country’s nuclear program, although Tehran has publicly rejected a US demand of forgoing all enrichment of uranium.

In the past, particularly during last June’s 12-day war when the US and Israel struck the Iranian regime’s nuclear facilities, China — despite being a close ally and strategic partner of Iran — remained notably on the sidelines, offering only diplomatic support and statements of condemnation rather than any tactical or material assistance.

A key diplomatic and economic backer of Tehran, China has moved to deepen ties with the regime in recent years, signing a 25-year cooperation agreement, holding joint naval drills, and continuing to purchase Iranian oil despite US sanctions.

China is also the largest importer of Iranian oil, with nearly 90 percent of Iran’s crude and condensate exports going to Beijing.

Last week, the two allies — along with Russia — took part in the Maritime Security Belt 2026 joint naval drills in the Strait of Hormuz, delivering yet another symbolic show of force as regional tensions climb.

According to some media reports, China may be even helping Iran rebuild its decimated air defenses following last year’s 12-day war.

The Iranian regime has reportedly acquired China’s HQ-9B long-range surface-to-air missile systems and YLC-8B radar units, along with thousands of tons of sodium perchlorate, a chemical used to produce fuel for solid-propellant mid-range ballistic missiles.

Iran’s growing ties with China come at a time when Tehran faces mounting economic sanctions from Western powers, while Beijing itself is also under US sanctions.

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Pro-Israel Group Issues Slate of Democratic Endorsements in US Congressional Races

Supporters of Democratic Majority for Israel. Photo: Screenshot

A leading pro-Israel Democratic organization is stepping into a series of competitive US House primaries, aiming to bolster candidates who it says can both defend the US–Israel alliance and help Democrats reclaim the majority in 2026.

The Democratic Majority for Israel’s political action committee, DMFI PAC, on Thursday unveiled its first slate of endorsements this 2026 election cycle, targeting nearly a dozen open-seat and battleground contests across the country. The move underscores how support for Israel remains a defining issue within a party navigating internal divisions over Middle East policy.

Among the most closely watched races are several swing districts seen as pivotal to Democratic hopes of flipping the House from Republican control. In Colorado’s 8th District, state lawmaker Shannon Bird secured the group’s backing. In Pennsylvania, endorsements went to Scranton Mayor Paige Cognetti in the 8th District and former television anchor Janelle Stelson in the 10th.

The PAC also threw support behind former Rep. Elaine Luria in Virginia’s 2nd District, a perennial battleground seat, and Texas candidate Johnny Garcia in the 35th District.

In addition to those high-profile contests, the organization endorsed a group of candidates running in open or crowded Democratic primaries, including Cook County Commissioner Donna Miller in Illinois, former Rep. Melissa Bean also in Illinois, Maryland candidate Adrian Boafo, Michigan state Sen. Jeremy Moss, New York contender Cait Conley, and New Hampshire Democrat Maura Sullivan.

DMFI leaders say the endorsements reflect a dual strategy: reinforcing Democratic support for Israel as a key democratic ally in a volatile region, while elevating candidates viewed as broadly electable in general elections. The group argues that backing Israel’s security and right to defend itself against terrorist threats is consistent with Democratic values and national security priorities.

“These endorsements reflect our belief that supporting Israel and winning elections go hand in hand,” said Kathy Manning, former congresswoman and DMFI PAC board member. “The US–Israel relationship has long been a bipartisan pillar of American foreign policy because it’s critical to our security and intelligence capabilities – and it remains a view shared by the majority of Democratic voters. DMFI PAC is proud to support candidates who reflect those values and who can help strengthen the Democratic caucus in Congress.”

The announcement comes as debates over US policy toward Israel and Gaza continue to animate Democratic primaries. While some progressive lawmakers have pushed for new conditions on US aid and have condemned Israel’s military operations in Gaza, pro-Israel advocates maintain that steadfast support for Israel strengthens both American strategic interests and the party’s standing with moderate and swing voters.

In the two years following the Hamas-led Oct. 7, 2023, massacre in Israel, the relationship between the Jewish state and the Democratic Party has deteriorated dramatically. Overwhelming numbers of Democrats indicate a negative perception of Israel in polling. Moreover, recent surveys have shown a supermajority of Democrats claim that Israel has committed a “genocide” in Gaza, a narrative that Israel vehemently rejects and of which there is little substantiation.

Further, the cratering support for Israel among Democratic voters has caused many liberal politicians to distance themselves from Israel-aligned organizations such as DMFI and AIPAC, the preeminent pro-Israel lobbying group in the US.

“Winning back the House requires Democrats to nominate candidates who can build broad coalitions and win in November,” said Brian Romick, chair of DMFI PAC. “These endorsements reflect that reality. DMFI PAC is the only organization focused on electing Democrats to the majority while also ensuring pro-Israel Democrats can win in competitive primary and general elections.”

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Dear internet: Having Jews in movies isn’t ‘Zionist propaganda’

There’s a joke in Blazing Saddles, about an event that took place several thousand years ago, that maybe hasn’t aged so well.

It’s in the scene where Harvey Korman’s conniving Attorney General Hedley Lamarr brainstorms plans to clear away the town of Rock Ridge. Lamarr’s lackey Taggart, played by Slim Pickens, makes a modest proposal: “We’ll kill the firstborn male child in every household.”

Lamarr considers the idea, before dismissing it. “Too Jewish,” he says.

When I heard that quip in a recent rewatch with my girlfriend (her first time), I saw a new reason why you couldn’t make the film today: Modern audiences, particularly those amateur critics itching to sound off online, seem to have more fluency in blood libels about Jews than the Passover narrative Mel Brooks and Co. were riffing on. For those who think the Epstein files contain damning proof of elites eating babies, “too Jewish” might seem like an admission. For the many more who look upon Zion as the source of the world’s ills, a misreading of the gag would likely go viral.

True, Blazing Saddles was made in 1974, well before the recent carnage in Gaza. But I could imagine the rejoinders — “Israel has been killing kids since 1948!”

I put the “too Jewish” joke out of mind for a bit. I decided I was overstating just how wrong people on the internet could be. And then I encountered a post on X. It was responding to a screenshot from Marty Supreme, where the title character presents his mother with a chunk of the pyramids. “We built that,” he says.

“This is Zionist propaganda,” an eagle-eyed netizen wrote, to the tune of nearly 96,000 likes, 11,000 reposts and 7 million views. The self-professed “archeology (sic) major” took the occasion to correct this humorous expression of the collosal self-regard of an antihero ping-pong hustler with proof that this particular Wonder of the World was the work of well-respected Egyptian craftsmen and so (somehow) invalidates the Jewish national project.

Someone else said the film, which nowhere mentions Israel, was Zionist. A Letterboxd review is terse in its description: “if the spiritually Israeli term was a movie.”

This failure to grasp Jewish references that have their own ontology — or the desire to graft more recent ones onto them — is becoming a theme.

Last year, The Brutalist, was mired in a debate about whether or not its subplot about the newly formed Jewish state was an endorsement or indictment of national ambitions in the Levant. (In entering this particular fray, most missed the point: Recent survivors of the Holocaust discussed and argued about Israel, some moved there, others didn’t and a film can present this reality without offering a judgment either way.)

When I see these takes, I beat my chest as if performing viddui over the death of media literacy.

As a critic for a Jewish publication, whose remit is to read deeply into even the most tenuous of Jewish subtexts, this pains me. Not because I myself have offended (though perhaps I have), but because I take the work seriously and try my hardest not to impose on art something that just isn’t there. I’m reminded of Freud’s famous remark: “Sometimes a cigar is a phallic metaphor for Jewish domination on stolen Palestinian land.”

Sorry, that wasn’t it at all, was it?

What the terminally online crowd often mean to say when they shout “Zionist propaganda” is “there are Jews in this!” It’s not a great way to interpret art, and it undermines the legitimacy of the argument that anti-Zionism is not antisemitism. But a film need not even have Jews in it for some to claim it’s really about Israel.

My colleagues and I have written about how Dune, Superman, and Zootopia 2 have been seized by the internet as part of the monomyth of Israeli villainy. When people make these connections, they may believe they’re thinking deeply, but they’re really just reaching for the nearest headline or playing to their own biases.

This insistence on Israel as the ultimate Big Bad reminds me of a remark made by Denise Gough, an actor in the Star Wars series Andor (another property said to be about Israel-Palestine, even though the creator Tony Gilroy mentioned numerous historical inspirations, most directly the Wannsee Conference). In an interview, Gough said a fan sent her a Star Wars analogy, which she said she only half understood.

The fan argued that just as the Death Star, a planet-destroying weapon, has an Achilles’ heel in its exhaust port, that when fired at explodes the whole thing, the conflicts of the world have a focal point in Palestine from which the architecture of oppression can be demolished.

“If we can free Palestine,” Gough concluded, “it explodes everything.” “Everything,” here, being unrelated atrocities in Sudan, Congo and Nigeria.

Let’s leave aside the fact that Gough, an actor in a Star Wars property, is somehow unfamiliar with the most iconic scene in the franchise, and what that level of research might connote for her understanding of the dynamics of the Middle East.

What she is really demonstrating, when she mentions other countries rocked by violence, is something much scarier: how the conspiratorial, magical thinking that all wrongs lead back to Israel — and that everything is a metaphor for it — echoes tropes of Jewish control and is ultimately an excuse for an exclusive fixation. Turn off the targeting computer that acknowledges complexity. Use the force, Denise! Get rid of the Zionist entity, every other crisis will sort itself out!

And so, I worry that Jewish stories — or even jokes — will stop being seen outside of a context of Israel’s actions and that metaphors and allegory will lose their elasticity, all looping back to a unified theory of evil Jews. Not for everyone, but for enough people to make a difference.

The Jewish story is textured, complex and anything but unified. Marty Supreme, The Brutalist and Blazing Saddles, each make this case. Those who see only one narrative not only miss the plot, they miss out on what good art does best.

The post Dear internet: Having Jews in movies isn’t ‘Zionist propaganda’ appeared first on The Forward.

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