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In new miniseries ‘The Calling,’ an NYPD detective’s Judaism helps him solve crimes
(New York Jewish Week) — In “The Calling,” a new miniseries streaming on Peacock, a Jewish NYPD detective fights crime and solves mysteries by letting his Jewishness lead the way.
Jeff Wilbusch plays Avraham Avraham, a detective whose Judaism is both central to his character — in more than one scene he says the Mourner’s Kaddish for a murder victim — and an identity that influences the way he does his job.
“It is so beautiful that, in our profession, as actors in the storytelling business, that you can play such a character,” Wilbusch told the New York Jewish Week. “Also, in these crazy times now, to have this beautiful role and character brought to life on screen on such a big platform is a really good thing.”
“The Calling” is based on a series of detective novels by Israeli author Dror Mishani. Though Mishani’s books take place in Israel, the show, produced by David Kelley (creator of “Ally McBeal,” “Big Little Lies” and more) and directed by Barry Levinson (“Diner,” “Good Morning, Vietnam”), transports Detective Avraham to New York. Slightly reminiscent of “Law & Order,” it has less of a procedural bent, with cases that span multiple episodes and more emphasis on the character development.
Detective Avraham — whose double name is not explained in the show further than one off-hand comment “my parents liked the name, I guess” — is a bit of a mysterious and complicated figure who works with his team to solve missing persons cases and a bomb threat at a day care.
Wilbusch, who is Israeli, is best known for his role in Netflix’s “Unorthodox” as Moishe Lefkovitch — the unruly and somewhat dangerous cousin who flies to Germany to track down Esty (Shira Haas), the show’s formerly Orthodox protagonist. For the actor, who grew up in the Satmar Hasidic community of Mea Shearim in Israel until he was 13, and whose native language is Yiddish, he feels a certain responsibility to honor the Jewish characters he plays.
“As a storyteller you have a lot of responsibility, especially when it comes to playing characters that are specific. I do feel a very strong responsibility to Avi,” the 34-year-old actor said. “I’m Jewish and I’m playing Jewish and it is a strange time for us Jews. The current events don’t really leave my head.”
Avraham is considered the best interrogator in the department because of his willingness to listen and empathize in pursuit of justice. (Heidi Gutman/Peacock)
In some instances, the show seems to combine several different streams of Judaism — Detective Avraham says he grew up in Crown Heights, though in a shot of him saying morning prayers and wrapping tefillin on his roof, he appears to live in Williamsburg. He doesn’t wear a kippah save for a few scenes, and while he attends an egalitarian synagogue, he also seems to speak fluent Yiddish.
Still, the character’s Judaism is less about the external markers of Judaism on the show — the scenes of him praying, saying a blessing, or performing “shemira,” watching over the dead — and more about how he carries himself and conducts his job.
“He’s not just Jewish because his name is Avraham, or Jewish because he wears a kippah. He’s Jewish because many different things make him Jewish, storytelling-wise. He’s not a superficial character,” Wilbusch said. “He is such a deep and complex and interesting character with such a strong message of humanity. ”
Avraham is considered the best detective in the department: He knows how to ask the right questions, how to bear witness to tragedy and how to continue to advocate for justice.
“I learned many things from him — to really listen to people, to really use the senses and to fight to see the good in people,” Wilbusch told the New York Jewish Week.
“The Talmud teaches us to see every single human being as the whole world, and that each and every person is entitled to infinite respect and concern. It’s not that I didn’t believe in this before, but just to play a character who consciously embodies this in his whole way of living is a very strong thing and a very healing thing,” he added.
Though Avraham is guided by that very Jewish conscience, he still has his blind spots. He prefers to work alone, he keeps his methods to himself and he remains guarded about his background and personality, perhaps aware that his Judaism sets him apart.
Juliana Canfield as Janine Harris, Jeff Wilbusch as Avraham Avraham, Karen Robinson as Captain Kathleen Davies (Heidi Gutman/Peacock)
Upending these tendencies in Avraham is his more junior partner Janine Harris (Juliana Canfield), who is eager to learn more about Judaism in order to understand her colleague better. Throughout the series, she asks about synagogue, shiva and Sukkot in a respectful and curious way.
“The Talmud says it’s forbidden for a teacher to reject his student,” she tells him in one scene. “If I ask you, you kinda have to teach me.”
It’s a relationship not often seen on television, a non-Jewish character with an innocent curiosity about Judaism and a recognition of how it influences one’s entire being. For Wilbusch, the relationship between Avraham and Janine was one of his favorite parts of the show.
“It says in the Torah ‘Lo tov heyot l’adam l’vado,’ a person should not be alone,” Wilbusch said, quoting a line in Genesis. “Avraham thinks he works best alone, but he needs Janine badly. The relationship that they have is not just a master-student. She keeps them in line where he has blind spots.”
The relationship on screen bled into their real world interactions on set, Wilbusch said. As production went on, Canfield, who is not Jewish, would slip in Yiddish phrases like “oy gevalt” after messing up a line.
“It means a lot to me. It’s a dream come true — a dream that I never knew I had,” Wilbusch said. “I never thought I would play a Jewish detective, that this would be my first leading role in America.”
All eight episodes of “The Calling” will be available to stream on Peacock on November 10.
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The post In new miniseries ‘The Calling,’ an NYPD detective’s Judaism helps him solve crimes appeared first on Jewish Telegraphic Agency.
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Hamas Is Still in Power — What Does That Mean for the Gaza ‘Peace’ Deal?
Palestinian militants stand guard on the day that hostages held in Gaza since the deadly Oct. 7, 2023, attack, are handed over to the International Committee of the Red Cross (ICRC), as part of a ceasefire and hostages-prisoners swap deal between Hamas and Israel, in Khan Younis, southern Gaza Strip, Oct. 13, 2025. Photo: REUTERS/Ramadan Abed
For weeks, the world praised the so-called “historic ceasefire deal” in Gaza brokered by President Donald Trump. It was hailed as a diplomatic masterstroke, a moment of supposed statesmanship that would stop the war, bring stability, and resolve the hostage crisis.
But peel away the glitter, and the truth is painfully simple: only one promise of that deal was fully kept — the release of the living Israeli hostages. Everything else collapsed into illusion or danger. And once again, Israel was left to deal with the consequences alone.
The ceasefire did not dismantle Hamas, disarm it, or replace it with any mechanism of governance that could prevent another October 7. Hamas remained in power, kept its rockets, rifles, explosives, and tunnels, and continues to kill Palestinians who dared to dissent.
Hundreds of Gazans were murdered by Hamas, while the world looked away. Even after enjoying international legitimacy through a US-sponsored deal, Hamas refused to return the remains of three murdered Israelis to their families. And far from reforming, restraining, or civilizing Hamas, the ceasefire simply gave the group more time, money, and power.
So while the world celebrated a “diplomatic breakthrough,” Israel understood the truth: a deal that leaves a genocidal terror group in power is not peace. It is temporary anesthesia.
The consequences of this deal did not end in Gaza. They reached Washington, and they reached the Oval Office. President Trump has continued building ties with Qatar, ignoring the fact that its government was harboring Hamas leaders, funding extremist propaganda, and fueling anti-Israel operations across the Middle East. Israel was asked to play nice with its enemies because powerful men in fancy palaces were writing very expensive checks.
Even more dangerous was Trump’s plan to sell F-35 stealth fighters to Saudi Arabia, a regime ruled by an authoritarian monarchy with a long record of human rights abuses, zero tolerance for dissent, and a history of anti-Israel rhetoric. There are also serious questions about whether the US and Israel can trust guarantees from Turkey and Syria, which the former being especially unlikely.
The lesson is clear. International guarantees come and go. American presidents change. Arab regimes shift alliances. Tyrants receive gifts, favors, and weapons. But Israel’s enemies remain the same. And the lesson is as old as the State of Israel itself: never trust foreign promises, and never depend on foreign protection. Israel can rely only on herself.
A ceasefire deal that empowers Hamas is not peace. Weapons shipments to dictators are not stability.
Israel’s own courage, strength, and moral clarity is what will keep her safe long after the glitter of these “historic deals” fades into dust.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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The Sacred Power of Challah Bakes and Why I Keep Doing Them
There I was last week, standing on the rooftop of the AISH Institute for Women’s Education, flour dusting my blue apron, watching dozens of young women with their hands kneading dough. The Jerusalem skyline stretched out behind us like God’s own backdrop for our first-ever challah bake at the new seminary in the heart of the city — an event I’ve dreamed of hosting for so many years.
I’ve often held these events in other locations — what I call my “ABCs of Challah Bakes” tour, from Amsterdam, to Brooklyn, to Cape Town, and everywhere in between.
I’ve literally been flown around the world to knead dough with Jewish women. Sounds crazy, right? But there’s something magical about hosting this on the rooftop of our newly inaugurated seminary with young women who have come from all over the world to study Jewish wisdom together.
Through this Challah bake, we joined tens of thousands of women who were participating in similar events in stadiums, synagogues, and community centers worldwide, each of us elbow-deep in flour. We shared something monumental that brought us together in a way that was both moving and invigorating. The Shabbos Project figured this magic out 12 years ago, and honestly, they struck gold.
Want to know the real secret to challah bakes? They’re the Jewish equivalent of a universal welcome mat. I’ve seen women show up who haven’t set foot in a synagogue in decades or ever. Women who don’t fast on Yom Kippur or attend a Passover seder. Women who would typically run from anything remotely religious. Yet somehow, they come out of the woodwork for challah bakes. It’s mind-blowing! Maybe it’s the smell of fresh bread, maybe it’s the laughter and camaraderie, maybe it’s just the promise of those sweet and sumptuous carbs for the special day of Shabbos, but they come, and that’s what matters.
Since October 7, these events have gained even more momentum. For two years, our hearts broke daily thinking about what’s been happening in Israel and what was transpiring for the hostages in Gaza. I believe it is because of the search for connection that many Jews felt after October 7th, that these challah bake gatherings have morphed into something even more powerful.
Women who felt disconnected were suddenly craving community. The simple act of kneading dough has become this beautiful act of resilience. We’re literally taking flour and water, and a few more basic ingredients, and creating something nourishing when so much around us feels impossibly out of control.
I’ve always been a believer in the spiritual side of challah baking — just ask my family. I’ve been preaching about it for years. But then came Ori Megidish’s story. Her mother baked challah and made a special blessing for her daughter’s safe return on October 27, 2023, while Ori was held hostage by Hamas, praying with every fold of her dough for her daughter’s safe return. Three days later, Ori became the first hostage rescued by the IDF. Social media went wild connecting the dots. It made challah bakes look pretty powerful, and women noticed.
This isn’t superstition, mysticism, or folklore; Jewish tradition actually teaches that the moment when we separate a small piece from our dough is an incredibly auspicious time for prayer. Standing there with dough on your hands, preparing food that will nourish people you love and separating a small piece in compliance with Jewish law, our sages teach, is precisely the moment when heaven’s paying extra close attention to our prayers.
At our rooftop event, we aimed those prayers toward healing, physical, mental, and spiritual, for everyone touched by this horrific conflict in addition to very personal, heartfelt prayers and blessings for two new brides in the group. There were belly laughs and quiet tears, sometimes from the same person within minutes.
These gatherings work because you walk away with something real, actual bread that fills your home with that Friday afternoon (aka “erev shabbos”) smell that takes you right back to your bubby’s kitchen. But you also leave with something you can’t Instagram: new friends, renewed purpose, and this crazy warm feeling that you’re part of something bigger than yourself.
That’s why I’ll keep doing these as long as I possibly can. Like I’ve witnessed at the Suzana and Ivan Kaufman AISH Institute for Women’s Education, I’ve watched shy women who came once reluctantly then return year after year with friends in tow. I’ve seen friendships form across decades and continents.
I’ve witnessed the power of flour and water to heal wounds you can’t see, and in a world desperate for healing, there’s something revolutionary about women performing this ancient ritual together. The challah feeds our bodies; the community and spirituality of the moment feed our souls. As we shape our dough, we’re reshaping our world, one prayer, one loaf, and one gathering at a time.
And who knows? With enough flour, faith, and friendship, we might just heal all that divides us.
Jamie Geller is the Global Spokesperson and Chief Communications Officer for AISH. She is a bestselling cookbook author, Jewish education advocate, and formerly an award-winning producer and marketing executive with HBO, CNN, and Food Network.
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ITV’s ‘Breaking Ranks’: The IDF Soldier Documentary That Broke From the Truth
Then-IDF Chief of Staff Lt. Gen. Herzi Halevi, center, speaking to commanders and soldiers in the Golan Heights on Dec. 13, 2024. Photo: IDF.
A new documentary airing on ITV, Breaking Ranks: Inside Israel’s War, claims to be “the story of the war in Gaza told by the soldiers who fought it.”
An insider account of war sounds promising, especially amid the flood of misinformation online from people who were never on the ground as IDF soldiers and have no experience of the reality of fighting a terrorist organization.
Yet, of all the thousands of soldiers, both in mandatory service and reserve duty, the documentary presents a carefully selected handful of soldiers to tell the story of what they believe really happened in Gaza.
But the story they tell distorts — if not entirely omits — key facts. The film overlooks the reality of what it means to fight a terrorist organization driven by an ideology of extermination, one that deliberately embeds itself among civilians to wage war from within their communities.
That didn’t stop other media outlets from jumping on allegations of war crimes, with outlets such as The Guardian and Independent publishing pieces based on the documentary’s conclusions. That the Tehran Times gleefully pounced on it as well tells a story in itself.

The War Against Hamas
While the film does spend a few minutes showcasing the horrific tragedies of the October 7, 2023, massacre led by Hamas, it quickly shifts its focus to alleged atrocities committed by the IDF in the aftermath.
From the very beginning, the IDF made it explicitly clear that the war was against terrorist organizations only – there was no deliberate targeting of innocent civilians in Gaza. The IDF has maintained this throughout the war, taking every measure possible to warn the civilian population of any potential danger, including sending leaflets before a targeted strike and creating civilian zones to ensure the safety of non-combatants.
The complexity of fighting a terrorist organization is largely overlooked throughout the film. At one point, the use of force in Gaza is called “unprecedented in combat in terms of the number of explosives dropped per square mile,” making it out to be worse than the bombings of Hiroshima and Nagasaki. What it fails to acknowledge is that Israel precisely targets terrorists and terrorist infrastructure.
That viral cartoon comparing Gaza to Hiroshima and London is seriously misleading. Designed to provoke outrage, the reality shows Israel’s precision in targeting terrorists, even in the toughest situations. Context matters. pic.twitter.com/rxvi2YBvl2
— HonestReporting (@HonestReporting) December 14, 2024
Of course, for the documentary to accurately acknowledge the terrorist infrastructure in Gaza, it would have to spend a considerable amount of time discussing the vast tunnel network Hamas has built beneath the entirety of the Gaza Strip. However, this undeniable fact gets quickly glossed over. The filmmakers suggest the tunnels are merely used for “smuggling, warfare, and to avoid Israeli airstrikes.”
This framing subtly shifts blame onto Israel, as if Hamas’s need to “avoid” the Israeli air force is a defensive response rather than a deliberate strategy to wage war from beneath civilian areas. Terrorism? The inhumane holding and torture of hostages in clear violation of every facet of humanitarian law? Entirely unmentioned.
Breaking the Silence
The omission of the true purpose of the tunnels instead becomes spun into a claim based on hearsay that the IDF uses human shields in Gaza. Despite the IDF’s unequivocal denial of such allegations, this assertion is amplified by the interviewees.
However, this should come as no surprise, as one of the interviewees, under the name “Yaakov,” has previously espoused this claim to the New York Times via Breaking the Silence. This highly politicized Israeli organization spends less of its time trying to convince the Israeli public of its case and more on providing the foreign media with fodder to attack Israel.
While the organization seeks to “expose the public to the reality of everyday life in the Occupied Territories,” in reality, it relies on unverified and exaggerated claims provided by IDF soldiers, some of whom receive a paycheck from the organization and therefore may very well have ulterior motives.

“Yaakov” shared photos he took during his time in reserve duty in Gaza, including one now infamous photo that was previously shared in his New York Times article. The photo is said to display civilians who are used as human shields by the IDF when exploring the tunnel network. But the blurry and contextless image offers no evidence whatsoever to support such a serious accusation.
The credits of the documentary give special “thanks” to “Yaakov” from Breaking the Silence, revealing a clear bias in its sources in order to frame a specific narrative about the IDF as a whole. Instead of drawing on a range of credible voices – including a wide array of active-duty soldiers, independent analysts, and military experts – they elevate a figure tied to a controversial advocacy group with a record of misrepresentation.
Amplifying Non-Neutral Voices
“Yaakov” from Breaking the Silence is not the only biased source. Dr. Itamar Mann, a professor of international law at Haifa University, for instance, gives highly critical commentary on the IDF’s actions.
Dr. Mann is listed as an author and legal consultant on a report by Physicians for Human Rights (Israel), claiming there is genocide in Gaza. The organization has been known to spread false, distorted narratives as a way of delegitimizing Israel. In fact, in the immediate aftermath of October 7, the organization stated that it is our “human obligation to contextualize yesterday’s violence.”
The documentary also brings in Amjad al-Shara, the director of the Palestinian NGO Network (PNGO), who refers to the IDF as the “occupation forces,” and is himself described as a “pro-Hamas” figure. PNGO has in the past supported terrorism and hosted conferences or speakers connected to the PFLP.
False Casualty Statistics and Disproved Claims
With the poor sourcing and reliance on problematic organizations, it is no surprise that the documentary also fell into the trap of repeating already thoroughly debunked claims about casualty statistics, genocide, and famine in Gaza.
At one point, the film refers to a previously debunked statistic from a so-called study by The Guardian and +972 Magazine, which claims that 83% of all casualties in Gaza are women and children. This figure is based on data from the Hamas-run Ministry of Health, creating a misleading comparison to the IDF’s confirmed count of 8,900 identified terrorists. By subtracting that number from Hamas’ unverifiable total of 53,000 casualties at the time, these outlets and the documentary falsely present the remaining 83% of casualties as civilians, echoing Hamas propaganda.
Naturally, given the bias of the documentary, the claims of genocide and famine are also leveled against Israel. Even though the definitions of both terms have been distorted in order to accuse Israel of such atrocities, the film presents these allegations as fact, rather than propaganda.
Final Gaza fake “famine” analysis: IPC declared famine on Aug 22. Through ceasefire on Oct 10 there should have been 10,000 starvation deaths. But Hamas/UN counted 192 (most if not all with pre-existing conditions). That’s 98% below famine levels. It was always a hoax. 1/ pic.twitter.com/jWcZOnwdAe
— Aizenberg (@Aizenberg55) October 21, 2025
For a documentary to do its job and remain neutral on such serious allegations, the contrary evidence must be presented, but throughout the documentary, this was deliberately avoided.
War, especially against a terrorist organization that operates using guerrilla tactics, presents immensely challenging scenarios. In the fog of war, mistakes and errors of judgment can and do happen. But it is also true that the IDF has consistently held its soldiers to the highest of standards, investigating any wrongdoing as it occurs.
It would be naive to suggest that every soldier in the IDF or any other comparable army behaves in an exemplary fashion. In September 2024, The New Yorker published a database of what it said is the “largest known collection of investigations of possible war crimes committed [by the US military] in Iraq and Afghanistan since 9/11—nearly eight hundred incidents in all.”
Some of the alleged crimes include “the case of soldiers raping a fourteen-year-old girl and subsequently murdering her and her family; the alleged killing of a man by a Green Beret who cut off his victim’s ear and kept it; and cruelty toward detainees at Abu Ghraib prison and at the Bagram Air Base detention facility.”
All of this is not to claim that the IDF is necessarily more moral than the American military, although there is certainly a good case to be made. The point is that nobody would condemn the entirety of the U.S. Army as an immoral entity that brings shame to its country despite the behavior of a minority of its troops.
And ultimately, ITV’s documentary relies on a tiny number of Israeli soldiers as “eyewitnesses,” most of whom appear to have a political agenda backed by Breaking the Silence.
Rather than offering an honest insight into the complexities of modern warfare against a terrorist organization, the filmmakers chose a simplified, one-sided narrative of Israel’s supposed aggression. In doing so, ITV’s Breaking Ranks fails the very test it set for itself: to tell the story of the war “through the soldiers who fought it.” Instead, it tells a story already written — one shaped by bias, omission, and a refusal to confront the full truth.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.

