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In new miniseries ‘The Calling,’ an NYPD detective’s Judaism helps him solve crimes
(New York Jewish Week) — In “The Calling,” a new miniseries streaming on Peacock, a Jewish NYPD detective fights crime and solves mysteries by letting his Jewishness lead the way.
Jeff Wilbusch plays Avraham Avraham, a detective whose Judaism is both central to his character — in more than one scene he says the Mourner’s Kaddish for a murder victim — and an identity that influences the way he does his job.
“It is so beautiful that, in our profession, as actors in the storytelling business, that you can play such a character,” Wilbusch told the New York Jewish Week. “Also, in these crazy times now, to have this beautiful role and character brought to life on screen on such a big platform is a really good thing.”
“The Calling” is based on a series of detective novels by Israeli author Dror Mishani. Though Mishani’s books take place in Israel, the show, produced by David Kelley (creator of “Ally McBeal,” “Big Little Lies” and more) and directed by Barry Levinson (“Diner,” “Good Morning, Vietnam”), transports Detective Avraham to New York. Slightly reminiscent of “Law & Order,” it has less of a procedural bent, with cases that span multiple episodes and more emphasis on the character development.
Detective Avraham — whose double name is not explained in the show further than one off-hand comment “my parents liked the name, I guess” — is a bit of a mysterious and complicated figure who works with his team to solve missing persons cases and a bomb threat at a day care.
Wilbusch, who is Israeli, is best known for his role in Netflix’s “Unorthodox” as Moishe Lefkovitch — the unruly and somewhat dangerous cousin who flies to Germany to track down Esty (Shira Haas), the show’s formerly Orthodox protagonist. For the actor, who grew up in the Satmar Hasidic community of Mea Shearim in Israel until he was 13, and whose native language is Yiddish, he feels a certain responsibility to honor the Jewish characters he plays.
“As a storyteller you have a lot of responsibility, especially when it comes to playing characters that are specific. I do feel a very strong responsibility to Avi,” the 34-year-old actor said. “I’m Jewish and I’m playing Jewish and it is a strange time for us Jews. The current events don’t really leave my head.”
Avraham is considered the best interrogator in the department because of his willingness to listen and empathize in pursuit of justice. (Heidi Gutman/Peacock)
In some instances, the show seems to combine several different streams of Judaism — Detective Avraham says he grew up in Crown Heights, though in a shot of him saying morning prayers and wrapping tefillin on his roof, he appears to live in Williamsburg. He doesn’t wear a kippah save for a few scenes, and while he attends an egalitarian synagogue, he also seems to speak fluent Yiddish.
Still, the character’s Judaism is less about the external markers of Judaism on the show — the scenes of him praying, saying a blessing, or performing “shemira,” watching over the dead — and more about how he carries himself and conducts his job.
“He’s not just Jewish because his name is Avraham, or Jewish because he wears a kippah. He’s Jewish because many different things make him Jewish, storytelling-wise. He’s not a superficial character,” Wilbusch said. “He is such a deep and complex and interesting character with such a strong message of humanity. ”
Avraham is considered the best detective in the department: He knows how to ask the right questions, how to bear witness to tragedy and how to continue to advocate for justice.
“I learned many things from him — to really listen to people, to really use the senses and to fight to see the good in people,” Wilbusch told the New York Jewish Week.
“The Talmud teaches us to see every single human being as the whole world, and that each and every person is entitled to infinite respect and concern. It’s not that I didn’t believe in this before, but just to play a character who consciously embodies this in his whole way of living is a very strong thing and a very healing thing,” he added.
Though Avraham is guided by that very Jewish conscience, he still has his blind spots. He prefers to work alone, he keeps his methods to himself and he remains guarded about his background and personality, perhaps aware that his Judaism sets him apart.
Juliana Canfield as Janine Harris, Jeff Wilbusch as Avraham Avraham, Karen Robinson as Captain Kathleen Davies (Heidi Gutman/Peacock)
Upending these tendencies in Avraham is his more junior partner Janine Harris (Juliana Canfield), who is eager to learn more about Judaism in order to understand her colleague better. Throughout the series, she asks about synagogue, shiva and Sukkot in a respectful and curious way.
“The Talmud says it’s forbidden for a teacher to reject his student,” she tells him in one scene. “If I ask you, you kinda have to teach me.”
It’s a relationship not often seen on television, a non-Jewish character with an innocent curiosity about Judaism and a recognition of how it influences one’s entire being. For Wilbusch, the relationship between Avraham and Janine was one of his favorite parts of the show.
“It says in the Torah ‘Lo tov heyot l’adam l’vado,’ a person should not be alone,” Wilbusch said, quoting a line in Genesis. “Avraham thinks he works best alone, but he needs Janine badly. The relationship that they have is not just a master-student. She keeps them in line where he has blind spots.”
The relationship on screen bled into their real world interactions on set, Wilbusch said. As production went on, Canfield, who is not Jewish, would slip in Yiddish phrases like “oy gevalt” after messing up a line.
“It means a lot to me. It’s a dream come true — a dream that I never knew I had,” Wilbusch said. “I never thought I would play a Jewish detective, that this would be my first leading role in America.”
All eight episodes of “The Calling” will be available to stream on Peacock on November 10.
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A Jewish lawyer sued Henry Ford and changed how we think about hate speech
When Jewish lawyer and labor leader Aaron Sapiro sued Henry Ford for libel, he was doing more than trying to save his own reputation. Described by Jewish history professor James Loeffler as “the first modern hate speech trial in America,” the case disrupted Ford’s ability to publish antisemitic conspiracies in his paper The Dearborn Independent.
Sapiro took Ford to court in 1925 for publishing 21 articles attacking him as a “globalist” Jew trying to take over the agriculture industry. In the documentary Sapiro v. Ford: The Jew Who Sued Henry Ford, directors Carol King and Gaylen Ross explore the case through archival materials, interviews with historians, and Sapiro’s own writings, recited by actor Ben Shenkman.
“It’s a David and Goliath story,” King said in an interview. “He took on the most powerful, richest man in America at the time.”
The Dearborn Independent was once the second largest circulating newspaper in America, spreading Ford’s antisemitic theories across the country. The legacy of his antisemitism was so strong that Ross’ “family never had a Ford car” when she was growing up in the 1950s. King is not Jewish but was raised in Detroit, where Ford’s company was headquartered. She said his antisemitism “was always talked about as sort of a quirk.”
Sapiro himself didn’t understand the gravity of Ford’s words at first.
“He thought, ‘Who’s gonna believe that stuff? It’s so outrageous,’” King said. “As it turns out, a lot of people did believe it.”
King remembered Ford’s “weird ideas” such as that baseball and jazz were rotting American society — and he blamed their popularity on the Jews. His words had a global impact: Hitler praised Ford in Mein Kampf and, at the Nuremberg trials, Baldur von Schirach, former head of the Hitler Youth, credited Ford with inspiring his own antisemitism.

When Jewish merchants told Sapiro that Ford’s articles were driving away their customers, Sapiro realized he had to try to stop the conspiracies.
“This was one person who stood up, not just for himself, that was important, but also for his community, for his fellow Jewish people,” King said.
King started working on the film over a decade ago with her husband Michael Rose, a filmmaker who provided archival material for Michael Moore’s Roger & Me and worked on the documentary Who Killed Vincent Chin? They spent ten years researching the Sapiro case and gathering archival materials, but when Rose became sick with leukemia, the project went on indefinite hiatus. He passed away in September of 2020.
Before he died, he had shown Ross, known for her documentary Killing Kasztner, an extended trailer for the project. Ross later offered to help King complete the film.
“How could I say no? It was a gift to me at a time when I needed something badly,” said King.
Ross was particularly interested in making Sapiro’s story more widely known.
“Sapiro, in the Jewish canon, didn’t exist,” Ross said. “He was essentially erased.”
Born to a poor family in San Francisco in 1884, Sapiro survived being abandoned in an orphanage and overcame financial hardship to eventually graduate from the University of Cincinnati College of Law. He worked with the National Farmers Union and introduced a new method of agricultural unionizing that allowed farmers to pool their resources and have collective market power.
Because the Model T had also revolutionized farming, Ford saw himself as the champion of the American farmer and was alarmed by Sapiro’s sudden influence. He was particularly troubled by Sapiro’s visits to farmers in Canada.
“Sapiro could organize farmers and cooperatives all over the country,” Ross said. “But crossing the border made him an example of international Jewry and the conspiracy that Ford believed in.”

The film brings Sapiro to life using Shenkmen to recite his speeches and writings, although it omits some aspects of his life, such as his association with Al Capone that made him the subject of trade racket investigations in Chicago.
Ross and King say Sapiro’s story has implications for understanding modern hate speech. An opening montage of antisemitic headlines from the 1920s — “The Jewish Control of the American Press,” “Jews Are The Curse Of America” — is promptly followed by footage from recent neo-Nazi and white supremacist rallies, offering a warning about what happens when bigotry goes unchecked.
“Not only was he prophetic in worrying about what would happen in a society that condemned not only the Jewish community, but people who were different and refugees,” Ross said of Sapiro. “But his focus on democracy — and he says it strongly — that democracy is not just about politics; it’s about how you live your life and how you collaborate and work together.”
Sapiro v. Ford: The Jew Who Sued Henry Ford is showing at the New York Jewish Film Festival starting on January 21 and the Palm Beach Jewish Film Festival starting on Jan. 29.
The post A Jewish lawyer sued Henry Ford and changed how we think about hate speech appeared first on The Forward.
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British Jews could be offered asylum in the US, Trump’s UK-born Jewish lawyer says
(JTA) — The Trump administration might be considering granting asylum to British Jews, according to Trump’s personal lawyer, who said “the UK is no longer a safe place for Jews.”
Robert Garson, a Jewish attorney from Manchester, England, with rising influence in the Trump administration, said he proposed the move to the State Department in an interview with The Telegraph.
Garson said his proposal was well received despite the Trump administration’s general anti-immigration stance.
“I thought: Jews are being persecuted in the United Kingdom,” Garson said. “They fit a wonderful demographic for the United States. They are, on the whole, educated. They speak English natively. They’ve got businesses. They’re exactly the sort of immigrant the United States should want to attract. So, why not?”
Garson said his views on the future of Jews in Britain hardened after the terror attack on a synagogue in his hometown last year. Two people were killed at the Heaton Park Hebrew Congregation on Yom Kippur after a man rammed his car into a crowd of people and stabbed others.
In October, the White House announced that it would restrict the number of refugees admitted to the United States to 7,500 in 2026, mostly reserving those spots for white South Africans. The number represents a steep drop from former President Joe Biden’s ceiling of 125,000 in 2024.
The administration’s privileging of white South Africans has been widely criticized in South Africa, including by Jews. The country’s chief rabbi Warren Goldstein, otherwise a vocal Trump supporter, called the move a “mistake.”
Garson was hired by Trump in 2022 to sue investigative journalist Bob Woodward for $50 million over Woodward’s publication of Trump interviews in an audiobook. (The lawsuit was dismissed in July.) Donald Trump Jr. has also hired Garson as a lawyer for his publishing house, Winning Team Publishing, which has published the president, Charlie Kirk and other prominent conservatives.
Garson’s rise continued with an appointment to the United States Holocaust Memorial Council in May. He was among several Trump allies that the president named to replace members appointed by Biden, including Doug Emhoff, the Jewish husband of former Vice President Kamala Harris.
White House press secretary Karoline Leavitt said at the time, “President Trump looks forward to appointing new individuals who will not only continue to honor the memory of those who perished in the Holocaust, but who are also steadfast supporters of the State of Israel.”
Garson moved to New York in 2008 and now lives in Florida, where he is the head of armed security at his synagogue. After the Hamas attack on Israel on Oct. 7, 2023, Garson became a National Rifle Association-licensed instructor and has offered to train any Jews who are interested.
He believes that “if there had been 6 million guns in 6 million Jewish hands, there would have been 6 million fewer deaths” in the Holocaust, he told The Telegraph.
Garson laid much of the blame for dangers to British Jews at the foot of Prime Minister Keir Starmer, saying that he “allowed rampant antisemitism to become commonplace in society and has allowed it to come from those who really don’t have Britain’s best interests at heart.”
Garson has expressed particular concern about the influence of Muslim immigrants in England, charging that non-Jewish Brits would also soon face “sharia-compliant areas.” He said, “They are coming for the Jews and then they are coming for your pubs.”
Some British Jewish groups have rejected the idea that British Jews would seek to leave for the United States. The Community Security Trust, an antisemitism watchdog, told Haaretz that “Jews were murdered by hateful terrorists in the United States as well as in the United Kingdom” last year, so there was no refuge to be found there.
David Aaronovitch, a British journalist and broadcaster, also rebuked Garson’s proposal in a Jewish News op-ed addressed to Trump.
“British Jews wouldn’t be safer in the US, simply because no one is,” said Aaronovitch. “The homicide rate in your country is six times what it is here; in fact, in Mr Garson’s new domicile, Miami-Dade County, it’s over 20 times the rate here in London.”
He also noted the debate in Trump’s own party over its inclusion of avowed antisemites such as Nick Fuentes.
“It hasn’t escaped the notice of many British Jews that some of the most vocal and influential new media supporters of your administration have either given themselves over to overt, old-style antisemitism or have shown themselves happy to tolerate others who have,” said Aaronovitch.
Ofir Sofer, Israel’s minister of aliyah and integration, also responded dismissively to the idea that British Jews should leave for the United States. “The home of British Jewry, and of Jews around the world, is the State of Israel,” he said.
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How ‘a bundle of letters’ became a cornerstone of life advice for American Jews
January 20, 2026 marks the 120th anniversary of A Bintel Brief, the Forward’s advice column, launched in 1906 by the paper’s founder and publisher, Ab Cahan. Tackling the personal challenges of Eastern European Jewish immigrants, Cahan and the Bintel Brief columnists who followed him would dispatch their advice with humor, compassion, and honesty.
By 1906, Der Forverts, as the Forward is known in Yiddish, had grown over its initial three decades to become the leading Yiddish-language newspaper in the United States. But A Bintel Brief — Yiddish for “a bundle of letters” — was something the paper hadn’t tried before. Well, not exactly.
In his introduction to the very first Bintel Brief, which is preserved online at the National Library of Israel, Cahan explained that the new column had been inspired by a section of the paper devoted to letters to the editor that launched three years earlier.
A Bintel Brief, however, would be an advice column, focusing on letters “that expressed issues of … human interest,” Cahan explained. He continued, “Readers will find in the Bintel Brief letters an interesting turning of pages from the Book of Life … Hundreds of diverse emotions, interests and lost opportunities will be expressed here. Hundreds of various vibrations of the human heart will be heard here.”
History would prove him right. Over the next 120 years, A Bintel Brief would explore the “various vibrations of the human heart” with homespun Jewish advice, tens of thousands of times over, and along with its contemporary advice columnists like Dorothy Dix inspire countless advice columns across U.S. newspapers, including “Dear Abby” and Ann Landers (née Esther Friedman).

In his autobiography Pages from My Life, which Cahan published 100 years ago in 1926, he recalled, “I had always wished that the Forverts would receive stories from ‘daily life’ — dramas, comedies or truly curious events that weren’t written at a desk but rather in the tenements and factories and cafés — everywhere that life was the author of the drama … How to do this? Not an easy task — much harder than writing an interesting drama or comedy.”
“One day in January 1906,” he continued, “[my secretary, Leon] Gottlieb told me about three letters that had arrived which didn’t seem suited for any particular department … All three letters were of a personal nature rather than a communal one, and each told an individual story. I considered the three letters and my response was: Let’s print them together and call it A Bintel Brief.”
There’s also the apocryphal version of the story, illustrated by cartoonist Liana Finck while working on a series of cartoons inspired by A Bintel Brief that eventually became a book in 2014. “Rumor has it, the letter on the top of the pile Abraham Cahan’s secretary brought him that strange day in 1906 was two feet long and sewn together with scraps of industrial thread. The spelling was atrocious, but the tears that spewed out of the letter were real — Cahan tasted them to make sure.”
While perhaps nothing more than a mayse, the story rightly captures the willingness of Forverts readers to share their individual problems with A Bintel Brief and seek advice.
And some of them still resonate today.
For example, in the first edition of the column, a bride-to-be reached out because of a debate that erupted with her fiancé after she suggested that mothers are more faithful to their children than fathers because they are the ones saddled with the responsibility of childcare, to which the fiancé angrily replied that women make too big of a deal of their role as caregivers, and that fathers are more dependable. Cahan replied that “smart, serious minded parents raise children that are both truly loyal and have both feet on the ground” like the mother and father. To this, he added, “It’s best for your future children that you read all you can, attend as many lectures as possible, and develop together and grow intellectually. That will create a pair of parents who best know how to raise their children and will be of service in their devotion and love.”
It also did not take long for questions regarding interfaith relationships to emerge in the column. One letter that same year featured a newlywed Jewish man describing the fraying relationship with his Christian wife over the first year of marriage. “Mixed marriage between a Gentile and a Jew is a complicated affair,” Bintel acknowledged, before putting a spin on the then-common story of Jewish parents sitting shiva for their son marrying a Gentile woman: “Not enough has been said about the Gentile family. For while the parents of the Gentile girl may accept the Jewish son-in-law and tolerate the marriage, the girl loses many of her friends, former classmates and relatives.”
Writing for the Forward in 2014 about Finck’s book, Yevegeniya Traps noted that letters like these offered “a succinctly potent representation of the lives of Eastern-European immigrants trying to make their way in early-20th-century New York.” She added, “No artist or journalist could render the doubt, uncertainty and backbreaking work of life in the New World as clearly and honestly as the words of sufferers seeking wisdom” from A Bintel Brief.
Or as Cahan concluded in his autobiography, “Everyone wrote about that which was closest to their hearts. The result was that the Bintel Brief would be assembled out of those letters that revealed the most interesting nooks of people’s souls.”
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