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In Ukraine, Hanukkah candles are a lifeline in the midst of power outages
(JTA) — In the days before Hanukkah, which starts Sunday night, a few men and women from two Conservative institutions in Israel will travel to the small Jewish community in Chernivtsi, Ukraine, with a supply of needed items.
Amid the power outages stemming from Russian attacks, the volunteers will have blankets and sweatshirts for the cold, as well as menorahs and kippahs for religious observance purposes.
The 300 boxes of Hanukkah candles will do double duty.
These days, the power in Chernivtsi, a city of around 250,000 (before the war) in western Ukraine, is more off than on. So the candles will do more than allude to the story of the Maccabees — they will help light Jewish homes across the city.
“This year it’s really important” to have and use Hanukkah candles, said Lev Kleiman, leader of the city’s Conservative Jewish community, in a recent Zoom interview.
Although the need is urgent, “We will hold onto the candles until Hanukkah,” Kleiman added, his words in Russian interpreted by Rabbi Irina Gritsevskaya, the Russian-born and Jerusalem-based “circuit rabbi” of the Conservative movement’s Schechter Institutes and executive director of its Midreshet Schechter Ukraine. The organizations are coordinating the transport of holiday supplies to Chernivtsi.
Among a few “couriers” bringing needed items to Jewish communities in Ukraine, Gritsevskaya has made several trips there over the last 10 months. At the start of the war, she urged Jews in other cities to make their way to Chernivtsi, which was far from the intense fighting on the eastern border.
Chernivtsi, which served as a place of refuge for thousands of displaced people from elsewhere in parts of the Soviet Union threatened by the Nazi army during World War II, is again attracting refugees from throughout the country. Earlier in the current war, Kleiman turned his synagogue into a refugee center for some of the millions of Ukrainians fleeing their homeland. The city also became a gathering site for worldwide faith leaders who have denounced the violence and expressed solidarity with the embattled Ukrainians.
In addition to no heat and light in Chernivtsi, lack of electricity means lack of TV and radio use, along with spotty internet service. (Erin Clark/The Boston Globe via Getty Images)
Located on the Prut River, Chernivtsi (known at one time as “Jerusalem upon the Prut” for the strength of its Jewish community) is 25 miles north of the Romanian border and home to one of the country’s most active Conservative communities. The city’s Jewish population before the war began was estimated at 2,000, including many Holocaust survivors.
And today, following the invasion? The number could be larger or smaller, no one is counting — but some western cities have experienced population growth due to all of the migration.
“No one knows,” Kleiman said. “Many left, but many came.”
As in other Ukrainian cities, many Jews in Chernivtsi — especially women, senior citizens and children, everyone except draft-age males — have migrated. But uncounted other ones have come to a place of relative safety, either renting apartments or staying in ones under the auspices of the Jewish community. Most of the Jews in Chernivtsi now are those exempt from military service, Kleiman said. Others stayed in order to be with their husbands and fathers who joined the Ukrainian army after the war began, or to care for their aged parents.
Despite signs of war — rifle-carrying soldiers and policemen on the streets, empty shelves in stores because of shortages, people hurrying to safety when they hear sirens — Jewish life there has continued, according to Kleiman. The most active organizations in the city are the local outpost of the Hasidic Chabad-Lubavitch movement, the JDC-supported Hesed Shoshana Welfare Center and Kleiman’s Kehillat Aviv Synagogue (his official title is coordinator), which sponsors daily Jewish activities.
The synagogue — located near the Chabad center, with which it cooperates on relief activities — is housed in a small, two-story building that contains an office, a kitchen and a large multi-function hall. Kleiman says Hanukkah in 2022 will be more important than in past years because in addition to its ability to bring people together,the holiday also asserts Jewish survival.
“There are a lot of parallels,” Kleiman said of the holiday and his community’s current situation.
Electricity in Chernivtsi flows only a few hours each day, and at night, no street lights are on, thanks to incessant Russian bombing of Ukraine’s infrastructure, and to government-imposed restrictions designed to conserve the little available resources.
A holiday of lights sans lights? “We’ve never done it before,” Kleiman said, adding that the Jews in his city understand the holiday’s symbolism.
Some will come to the synagogue for a communal candle-lighting, according to Kleiman. Others will light their candles at home, in their windows. Like all other buildings in Chernivtsi, Kleiman’s office and apartment are subject to periodic electricity blackouts, often announced in advance.
“With G-d’s help we will soon have a generator” – and 24/7 lights and heat in the synagogue, he said. Until then, he and the other residents of Chernivtsi will shiver. The temperature in the city was 29 degrees Fahrenheit during the Zoom interview, and a light snow was falling.
Lev Kleiman is shown with his community’s Torah ark. (Courtesy of the Schechter Institute of Jewish Studies)
Though no Russian missiles have fallen inside Chernivtsi itself, some have reached the outskirts, causing damage to the area’s infrastructure and utilities. Other parts of the country have not escaped the Russian onslaught; two months ago more than 4,000 Ukrainian towns, villages and cities had experienced outages, and 40% of the country’s grid was crippled. The bombing of power stations is a major part of Vladimir Putin’s plan to weaponize Ukraine’s weather to bully the country into submission as winter sets in. (In addition to candles and other supplies, some Jewish groups are sending generators and heaters.)
Home in past years to such prominent Jews as actress Mila Kunis, the late Israeli writer Aharon Appelfeld, former Knesset speaker Yuli Edelstein and the late poet-translator Paul Celan (born Paul Antschel), Chernivtsi has an honored place in the country’s history. On the eve of World War II, some 45,000 Jews lived in the city, about a third of the country’s total Jewish population. The collaborationist Romanian authorities, who ruled the area, established a ghetto in Chernivtsi where 32,000 Jews, including many from the surrounding region, were interned; from there, they were shipped to concentration camps in the nearby Transnistria area, where 60% died.
A third of the city’s Jews survived the war. The population grew to about 17,000 when widespread migration from the USSR began in the late 1980s. Like many cities in the former Soviet Union, Chernivtsi has experienced a modest Jewish revival since Communism fell and open expression of Judaism was allowed again. The revival was spurred largely by the arrival of Chabad emissary couples and programs sponsored by the American Jewish Joint Distribution Committee.
But though Chabad, an Orthodox movement, is the prime Jewish mover in Ukraine, there is also a growing non-Orthodox presence in the country. The Israeli branch of the Conservative movement sent its first full-time representatives to Ukraine a decade ago. The movement’s Jerusalem-based Masorti Olami organization sponsors a network of synagogues, schools, camps, youth groups and kosher certification services across Ukraine. A few decades ago, Kleiman attended the Midreshet Yerushalayim day school in Chernivtsi and Camp Ramah Ukraine.
In addition, the Reform movement’s World Union for Progressive Judaism has established 10 congregations in the country; the movement estimates that 14,000 Ukrainian Jews identify as members.
Even though the need is urgent, Kleiman said his community will wait to use the candles until the start of Hanukkah. (Courtesy of the Schechter Institute of Jewish Studies)
These are boring days in southwest Ukraine. TV and radio are only available when electricity is available, and internet and cellphone service is always spotty. Kleiman calls the war a test of the people’s mettle, a spur to their growing national unity. As a form of solidarity, many have switched the language of their conversations from Russian — the lingua franca during the Soviet days — to Ukrainian.
Nobody in Chernivtsi’s Jewish community is starving, Kleiman said. Kosher food is available at the synagogue, and volunteers bring supplies to people unable to travel. Overall, the morale of the Jewish community is good, he says. Native-born members of the community “support each other,” while some people from other parts of the country, separated from their families, with fewer personal connections, are depressed, he said.
In the boxes of materials that Rabbi Gritsevskaya is to bring to Chernivtsi from Israel are also some Israeli-style dreidels, whose Hebrew letters stand for the words “Nes gadol haya po”: “A great miracle happened here.” On dreidels used in the Diaspora, the last word usually is sham, “there.”
The linguistic symbolism in a land under siege is clear, said Kleiman, who plans to explain the message to the members of the community taking home a dreidel.
“I understand — they will understand too,” he says. “I hope the miracle will also happen in Ukraine.”
—
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The photos may be black and white, but the klezmer world is drenched with color
In Lloyd Wolf’s evocative photography exhibit, “A Joyful Noise,” you can almost hear the Klezmer music — plaintive and celebratory, earthy and devout, and always with a profound, but not easily definable, outpouring of Yiddishkeit.
Now showing at the Dr. Bernard Heller Museum at New York’s Hebrew Union College, the 45 images feature solo, dual and group portraits of Klezmer musicians performing from the mid 90’s through 2024.
They may be at a wedding, in concert, or practicing alone in a bucolic setting. In one humorous picture, six Klezmer musicians emerge from a row of porta-potties, instruments in hand. Most of the pictures, arranged chronologically, are in black and white.
“The trick in photographing music, which is invisible, is that it has to be translated into a visible form,” said the Dayton, Ohio-born Wolf during a phone conversation from his home in Arlington, Virginia. “You have to pick up on the energy. It’s like jamming, only it’s silent. I’m often up on the stage with the musicians, right up in their faces. Because they know me they’re not posing. I can photograph bad musicians but the picture is much better if the musicians are great. It just raises the level of what you do.”
Wolf, who grew up hearing classical music, show tunes, folk, and Gilbert & Sullivan, has always loved music and musicians and he has photographed many, including Brian Wilson, Wynton Marsalis and The Grateful Dead.
The genesis of the exhibit was Wolf’s stunning book, A Joyful Noise! Klezmer in Motion.
“I’ve worked with Lloyd on several prior exhibits, mostly issue-oriented ones, and knew his work to be very good as well as interesting,” said Nancy Mantel, the exhibit’s curator. “Anything happy at this time seems like a win. And it’s about music and memories — also good.”
“It was the perfect moment to present our exhibition to celebrate nearly four decades of a vital musical genre that has immeasurably enriched Jewish life,” added Jeanie Rosensaft, the museum’s director. “Klezmer has contributed greatly to the growing appreciation for Yiddish language and culture among younger generations.”
A way to engage with the world
Klezmer music emerged from the world of Ashkenazi Jews in pre-Holocaust Eastern and Central Europe. It has roots in both Hasidic rituals and the Jewish (and Romanian, Hungarian and Romani) folk music of the time. In the post- World War II years, Klezmer music largely disappeared, in part because it was a painful reminder of what had been lost. In the 80s and 90s, when ethnicity became cool, it enjoyed a renaissance that continues today.
According to Wolf, there are any number of reasons why young people are attracted to Klezmer, including the fact that it provides a way to celebrate and identify that feels authentic and fun.
“Most of their roots are in the Yiddish world of their immigrant ancestors from Eastern Europe,” he said. “Some of it perhaps has to do with political and cultural gaps that have grown between Diaspora Jews and what they see and feel going on regarding the policies and actions of the current Israeli government.”
Wolf’s favorite picture, and coincidentally mine as well, presents Klezmer musician Michael Winograd sporting a jaunty little hat and playing his clarinet on an otherwise empty Coney Island boardwalk against a backdrop of immobilized rides, the iconic roller coaster and parachute drop. All by itself, the setting brings to mind an old ethnic, Jewish New York fixed in time.
“There is an inherent energy in Coney Island and the architecture is coherent,” said Wolf. “It’s just fun to look at. As Duke Ellington said, ‘It don’t mean a thing if it ain’t got a swing.’ I took that picture because Mike said he needed a cover shot. It was a freezing day, but he took his coat off. I said, ‘start playing.’ It was winter and there were no people out. That made for a much better picture than if we had done it in the summer with all the people.”
When I asked him when he chooses to shoot in black and white as opposed to color, he explained that, while there is usually no set plan ahead of time, he generally prefers black and white, “for its simplicity. It takes it out of a specific time. It’s more abstract, more classic. If I want a picture to be of a specific time and place, I’ll shoot in color.”
Wolf calls himself a documentary photographer and says his aesthetic influences include Gordon Parks, Dorothea Lange and Weegee, whose work combines “meaningful artistry and committed documentary.”
Wolf is very much the social activist. His books depict such topics as the Vietnam Memorial, social diversity in Columbia Pike, and Jewish fathers and mothers.
He says his interest in Klezmer musicians and music was at once improbable and inevitable. But no one was more surprised than his mother, a Bronx-born daughter of Yiddish-speaking Eastern European immigrants who desired nothing more than to be a fully assimilated American woman devoid of any accent or rituals.
“She was shamed by her Christian neighbors into sending me to Hebrew School and I did have a Bar Mitzvah,” recalled Wolf. “But we were not observant.”
His father, a refugee from Nazi Germany was a proud German Jew, highly cultured, intellectual and accomplished. “A computer pioneer, he was the technical director for building the ARPANET, the system that evolved into the Internet,” Wolf said.
The Holocaust, indeed Jewish topics in general, were not discussed in Wolf’s home. A child of the 60s, Wolf came of age during anti-war protests, love-ins and Jimi Hendrix. He majored in political science at Goddard College, though he never had any real interest in pursuing that field as a carer, he said. “For me photography was the way to engage with the world.”
He earned his Masters in photography at Trinity College in Hartford where he started freelancing for local newspapers. One of his outlets was the B’nai B’rith Magazine, which marked a turning point in his life and career. An early assignment took him to Treblinka, Poland and Israel, where he met his father’s cousins who, like his father, were forced to flee their homes. But unlike his father they talked about the Holocaust.
“I learned from them, for the first time, what had happened,” he said. “When I came back home from Israel I started going to shul.”
A music beyond politics?
Wolf was first turned on to Klezmer music in 1992 when he was assigned to cover two of the new Klezmer revival groups: Kapelye and the Klezmatics.
“I met up with Kapelye at a rehearsal space in the Workman’s Circle building,” he wrote to me in an email. “I can’t recall any particular melody at this date but do remember being in awe of Adrienne Cooper’s deep, commanding, matronly voice and presence. The next night I was to meet a guy from the Klezmatics at the Bottom Line club, Frank London. Here was a Jew roughly of my generation, who fully expressed his passion and art in an explicitly ethnic context, and with great skill and brio. He and the other band members at the time delivered a masterfully exhilarating concert: Transcendent, beautiful, sweeping, a grand opening of the soul in sound.”
London played a central role at the exhibit’s festive opening night reception by leading a Klezmer concert, which was, London said, fueled by Wolf’s photography, but also by the other exhibit in the gallery — paintings that explored “Mothers, Prophets, Warriors: Women of the Bible.”
“Both Jewish, both joyous and we were part of the joyous noise,” London said. “Our music is celebratory. The musicians share a common language and repertory. Nobody had sheet music.”
Throughout the performance, which featured two clarinetists (including Winograd), Wolf was moving about and shooting away.
The audience seemed to be having a fine time. For much of the performance they silently emanated a collective satisfaction; midway through, an elderly woman moved to the back where, all by herself, she started dancing to the music.
Then, something else happened. A few women were up and dancing into the aisles. They held hands and moved around the chapel, swaying this way and that. Slowly others in the audience joined in — men and women, young and old, most able-bodied, some less so. Round and round they went.
“When people define Klezmer, they often talk about it as dance music,” said London. “Names of different tunes are often names of dances. Whenever we play this music in its unadulterated form it’s always to celebrate Yiddish Ashkenazi culture that is also universal. It is beyond politics.”
I don’t agree. For me, the wordless dancers exuded an unabashed, unapologetic and perhaps even defiant ethnic identification, joy and pride. It was a deeply moving and searing political statement.
After the concert, I went back to look at Wolf’s photographs. They worked wonderfully well all by themselves. Still, the music and dancing I had just witnessed shed a new, more complex light on the pictures. Either way, the images on the wall and those that I took from the recital lingered as I left the building and walked up Mercer Street back to the 8th Street subway station.
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On Columbus Day, remember Abraham Zacuto, the Jewish astronomer history forgot
(JTA) — Every October, Christopher Columbus returns not only as history but as controversy. The voyages associated with his name transformed the world, but their legacy is inseparable from conquest, coercion and the destruction that followed European expansion.
Yet the same Iberian age also produced a quieter and far less controversial revolution: advances in astronomy, mathematics, cartography, instruments and practical navigation that made sustained oceanic voyaging possible. Its protagonists included scholars, translators, mapmakers, instrument makers and pilots whose names are far less familiar than those of the captains who commanded the ships.
Among them, one figure deserves particular remembrance on Columbus Day: Abraham Zacuto, a Jewish astronomer born in Salamanca around 1452. Zacuto belonged to the same Iberian world as Columbus, but experienced its monarchies very differently. In 1492, Columbus sailed west under the patronage of Ferdinand and Isabella. That same year, the Catholic monarchs ordered the Jews of their realms to convert or leave. Zacuto left Castile and continued his work in Portugal. The celebrated maritime discoveries and the expulsion of Iberian Jewry were therefore not distinct historical worlds; they unfolded under the same rulers, at the same moment, within the same culture of ambition, knowledge and power.
Zacuto stands out within that larger scientific story. He was a rabbi, astronomer, mathematician and historian whose astronomical work helped give oceanic navigation a new degree of precision and practicality. His contribution belongs not at the margins of the Age of Exploration but within the scientific infrastructure that made long-distance navigation increasingly systematic.
Around 1478, Zacuto completed his great Hebrew astronomical work, “Ha-Hibbur ha-Gadol,” the “Great Composition.” Working within a long scientific conversation that included Greek, Islamic, Jewish and Christian astronomy, he refined and organized astronomical calculations in forms of exceptional practical value.
After the expulsion from Spain, Zacuto entered Portugal at precisely the moment when the kingdom was pushing maritime exploration farther into the Atlantic and down the African coast. Zacuto’s pupil, José Vizinho, a Jewish adviser to Portuguese King John II, was associated with the practical Latin and Castilian presentation of Zacuto’s astronomical material. In 1496, Zacuto’s Almanach Perpetuum was printed at Leiria in four known issues – three with Latin preliminary matter and one with Castilian.
The importance of those tables was intensely practical. They supplied precise, ready-to-use values for the changing position of the sun through the year. For a pilot on the high seas in daylight, far from recognizable coastlines, this meant that a noon observation of the sun could be combined with solar-declination data to determine latitude — the ship’s north-south position. The difficult astronomical calculations had already been embodied in the tables. What remained aboard ship was an operational procedure: Observe the sun, consult the appropriate value and calculate latitude. That combination of precision and usability greatly facilitated daytime position-finding at sea. Solar tables derived from Zacuto’s work entered early Portuguese navigational manuals and became part of the practical scientific culture of oceanic travel.
The clearest measure of Zacuto’s importance may be what happened next. The Almanach did not remain a local Portuguese publication. Its tables were reprinted repeatedly in Venice in 1498, 1502, 1525 and 1528. A work first printed in Leiria moved into one of Europe’s great publishing centers and continued to circulate for decades. That publishing history alone tells us something about the standing Zacuto’s astronomy acquired.
Its reach extended farther still. Zacuto’s astronomical material was translated and adapted into Arabic. One Arabic version was produced, likely in Istanbul, in 1505-06; another, associated with Ahmad ibn Qasim al-Hajari in Morocco around 1624, survives in several manuscripts. The work of a Jewish astronomer writing in Hebrew in 15th-century Salamanca had crossed into Latin, Castilian and Arabic scientific cultures.
Zacuto’s name also became entwined with the memory of the great navigators. Accounts have long connected his tables with Columbus and Vasco da Gama, including the famous 1504 lunar eclipse in Jamaica. In this episode, Columbus intimidated Indigenous Jamaicans by predicting the disappearance of the moon, relying on Zacuto’s almanac, which he had on board. A manuscript connected with the Almanach also survives in Seville’s Biblioteca Colombina, the library created by Columbus’s son Hernando. Taken together, these associations reveal the stature Zacuto’s work acquired in the historical memory of the Age of Exploration.
Perhaps the most striking part of Zacuto’s story is what happened to the man himself. Portugal valued the kind of expertise he represented. Yet in December 1496, King Manuel I ordered Portugal’s Jews to leave unless they converted, and in 1497 the crown subjected the Jewish population to mass forced conversion. Zacuto left Portugal as well.
Exile did not end either his travels or his scholarship. From Portugal he moved through North Africa, including Tunis, before eventually reaching Jerusalem. There, late in life, he returned once more to the astronomical work that had made his name known across the Mediterranean, recalculating and updating his earlier tables for the Jewish calendar and the meridian of Jerusalem. The strongest recent reconstruction of his life places his death in Jerusalem in Tevet 5274, or late 1513 or very early 1514 — commonly given as 1514.
Zacuto’s story is therefore larger than a footnote to Columbus. It joins two strands of Sephardic history too often told apart: persecution and exile, and the transmission of knowledge, texts and technologies across borders.
Zacuto’s own tables and 15th-century procedures are now obsolete, but their underlying navigational logic endures. Modern celestial navigation still determines position by combining observations of the sun, moon, planets or stars with authoritative astronomical data. The U.S. Naval Academy requires all midshipmen to study navigation, and its current curriculum includes celestial navigation alongside electronic methods. The U.S. Naval Observatory still describes celestial navigation as a critical independent backup to GPS and other electronic systems. And the Nautical Almanac, first published in 1855, remains the standard U.S. Navy resource for marine celestial navigation. The instruments and calculations have changed, but the essential logic remains: Observe the heavens, consult reliable astronomical data and determine position.
Zacuto’s scientific reputation also survives in an unexpected place. In 1935, the International Astronomical Union formally adopted the name Zagut for a lunar crater honoring Abraham ben Shmuel Zacuto. Modern astronomy has, quite literally, written his name onto the Moon.
Columbus remains a household name because voyages leave dramatic images: ships, landfalls, encounters and conquest. The calculations, tables, instruments, translations and printed books that made such voyages possible are easier to forget. Remembering Zacuto widens the story: His tables brought greater precision and practicality to daytime navigation; his work crossed languages and continents; and his life traced the routes of Sephardic exile from Iberia to Jerusalem. The age of maritime discovery was also an age of scientific discovery, and some of the knowledge that carried Iberian ships across oceans was created by scholars whose communities those same monarchies expelled.
The views and opinions expressed in this article are those of the author and do not necessarily reflect the views of JTA or its parent company, 70 Faces Media.
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Recorded anti-Jewish hate crimes rise 10% in England and Wales
(JTA) — Hate crimes targeting Jewish people in England and Wales rose by 10% in the year ended in March, according to the latest data released by the British government.
Police-reported hate crime — including crime influenced by other factors such as race and sexual orientation — overall increased by 7% compared with the previous year, according to the Home Office data released last week.
British Foreign Secretary Ed Miliband posted on X on Monday, “Antisemitism has no place in our society. This morning, I hosted a crucial discussion with the J7 Global Task Force to discuss how we can work together across countries to stamp out the scourge of antisemitism.”
Following the meeting, the Board of Deputies of British Jews issued a statement explaining that Miliband and the task force had discussed, among other things, “the sharp rise in global antisemitism” and the “continued demonisation of Israel.” Representatives from the U.K., the U.S., Canada, Germany, France, Argentina and Australia make up the task force.
“In the meeting, the J7 proposed a new international intergovernmental ministerial task force on antisemitism, comprising the countries represented in the J7 and taking on the key themes discussed. We were pleased that the Foreign Secretary agreed to host an inaugural meeting of J7 countries’ ministers to start this process,” the statement sent to JTA said.
The Community Security Trust, a charity that protects the Jewish community and monitors antisemitism, said on X that the new data show “that antisemitic hate crime remains at an unacceptably high level.”
“As seen previously, Jewish people continue to experience by far the highest police-recorded rate per head of religious hate crime of any faith group,” CST said. “This shows the disproportionate scale of anti-Jewish hatred and its impact on Jewish life in Britain.”
Religious hate crime rose by 13% overall in the 12 months to March 2026, the report said. The overall figure rose from 10,067 to 11,419 offenses.
The two groups most affected were Jews and Muslims, the Home Office said. Religiously motivated hate crimes against Muslims increased 15%, the report found, with spikes reported around public protests in September 2025 and the start of the U.S. war with Iran in February.
The number of recorded offenses affecting Jews rose from 2,874 to 3,162 offenses, spiking after the attack on Heaton Park synagogue in Manchester last year on Yom Kippur.
Two men, Melvin Cravitz and Adrian Daulby, were killed on Oct. 2, 2025, after Jihad Al-Shamie, who was wearing a fake suicide bomb belt, drove into the gates of Heaton Park synagogue and began attacking congregants with a knife. Cravitz died from stab wounds; Daulby was fatally struck by a police bullet during the response.
A spate of violent antisemitic incidents followed this year, including the torching of four ambulances belonging to Jewish volunteer service Hatzola on March 23 and the stabbing of two Jewish men in separate attacks in Golders Green on April 29.
The Home Office figures, which do not include data from London’s Metropolitan Police Service because of a change in how it records crime, showed the second-highest level of religious hate crime directed at the Jewish community since the Home Office began keeping records in 2018. It was surpassed only by the year ending March 2024.
“In the last year, there were 117 police recorded religious hate crimes targeted at Jewish people per 10,000 population, the highest rate for any religious group. The next highest rate was for religious hate crimes targeted at Muslims, with 13 per 10,000 population,” said the Home Office.
The report was published on Oct. 8, at a time of heightened sensitivity. Eleven people were arrested at pro-Palestinian marches in London a day earlier, despite calls by the Metropolitan Police to avoid demonstrating on the anniversary of Hamas’ deadly 2023 raids inside Israel.
Police reported 20 arrests at Saturday’s pro-Palestinian protest in London, where many demonstrators were wearing kaffiyehs, waving Palestinian flags and brandishing banners.
The level of hate directed at the Jewish community has remained at an “elevated level” since the beginning of the Israel-Hamas conflict, the report stated.
The CST said, “There is an urgent need to reduce the amount of incitement connected to conflict overseas,” adding that “much more needs to be done across society to tackle this problem.”
Over the summer the government announced a major funding boost to support the Jewish community, promising £250 million ($335 million) over the next three years for increased policing and protection of Jewish communities.
More remains to be done, according to community organizations.
A spokesperson for the Board of Deputies of British Jews said the report’s publication “confirms the need for rigorous prosecution to ensure deterrence, and a whole of society approach to tackling hatred and extremism, and to stopping conflict in the Middle East being used to incite hatred against the Jewish community.”
The Campaign Against Antisemitism said the report was evidence that the British justice system was failing the Jewish community.
“Antisemites, emboldened by the Hamas terrorist atrocity three years ago, are not only not letting up in their hatred but are doubling down,” it said in a statement. “That’s because there is no real deterrent. So really these figures are most damning for the criminal justice system, which has utterly failed to defend British Jews.
“Even as conflict in the Middle East is easing off, antisemitism in the U.K. is rising, yet there have been essentially no changes in policing policy over the past three years and nobody has been held to account for this monumental failure,” the campaign said.
This article originally appeared on JTA.org.
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