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India’s Bnei Menashe community in crisis as ethnic violence burns synagogues and displaces hundreds
(JTA) — For the past several years, life was good for Lalam Hangshing as president of the Bnei Menashe Council, the governing body for Jewish communities in the Indian states of Manipur and Mizoram.
While living at his parents’ house, he and his wife enjoyed the clean air and beautiful scenery of Manipur, a state in northeast India home to close to 3 million people. Miles away, Hangshing rented out a newly-built four-story home to a film production company.
Everything changed on May 3, when rioting broke out between the ethnic majority Meiteis and the tribal minority Kukis, a violent conflagration that had been building up for years. Local groups say Meiteis began targeting Kuki institutions and razing homes to the ground, and Hangshing — also the general secretary of a Kuki-led political party — feared his house was next.
“When the problems started on the third of May, with military precision, the mobs went straight to [Kuki] houses,” Hangshing said. “They ransacked them and vandalized them and they burned each and every house in Imphal city within one and a half days.”
According to Shavei Israel, an NGO that helps “lost tribe” Jewish communities immigrate to Israel, over 1,000 members of the community, or 20% of their total, have been displaced. One community member was killed, and another was shot in the chest and is hospitalized. Two synagogues and mikvahs, or ritual baths, were burned down.
(Degel Menashe, an Israeli NGO that is dedicated to supporting the Bnei Menashe and has a longstanding feud with Shavei Israel, said one synagogue was burned.)
Hangshing is Kuki, as are the thousands of other Bnei Menashe Jews in Manipur. On May 4, Hangshing left his home and over a month later, has yet to return.
He spoke with the Jewish Telegraphic Agency from Delhi, more than 1,000 miles from his home. His four-story house has been completely destroyed, but his parents’ home is somehow still standing. He worries about family possessions, such as religious books belonging to his father — who had helped found Manipur’s Jewish community — and a favorite set of golf clubs left behind, all in danger of being looted or destroyed any day now.
Another estimated 292 Bnei Menashe families have fled to Kuki-majority hill areas within Manipur or to the nearby state of Mizoram, according to Shavei Israel.
In Mizoram, over 100 Jews initially took refuge in the Shalom Tzion synagogue in Aizawl, in the houses of other Jewish families or at hotels, but most have moved to a paramilitary camp nearby. Community leaders say the refugees are not facing any immediate danger and have enough food and supplies thanks to the tens of thousands of dollars in aid rolling in from Shavei Israel and Degel Menashe.
“They basically just fled with their documents, and they have prayer books, their tefillin and ritual items, and the clothes on their back,” said Asaf Renthlei, a Mizoram Jewish community member and Degel Menashe volunteer. At relief camps, he said, community members have observed Shabbat every week since they fled.
“This is one of the gravest crises the Bnei Menashe in India have ever experienced,” said Michael Freund, who has been chairman of Shavei Israel since he founded the organization in 2002.
Over 100 Bnei Menashe have taken shelter in a synagogue in Mizoram. (Shavei Israel)
“A state gone rogue”
Violence broke out in Manipur state in early May when tribal groups launched a protest against the Meitei’s demand for Scheduled Tribe status, which is traditionally reserved for minority tribes such as the Kukis and ensures certain rights to education, government jobs and other privileges. The Kukis (which make up about 16% of the population and are majority Christian) say that the Meiteis (who make up 53% and are majority Hindu) already have outsized privilege and political representation.
The May 3 protest was only the spark that has ignited a conflict based on long-standing grievances against the Kuki minority, said Sushant Singh, a senior research fellow at India’s Centre for Policy Research.
“At the core of it, it is about Meiteis claiming that they are the original inhabitants of the state, Kukis are illegal immigrants, and… [the Meiteis] have been forced to occupy only 10% of the land,” Singh said. “And because of the special privileges that tribes have in India, they cannot go and occupy the land occupied by Kukis.”
As the conflict enters its second month, over 100 deaths have been recorded and an estimated 40,000 people have been displaced; some entire villages are destroyed and over 200 churches have been burned, as well as the two synagogues in the Imphal area. A statewide internet blackout has been in place since the beginning of May.
While both Kukis and Meiteis have participated in the violence, Kukis have “suffered the most,” and state police and security forces have joined Meitei groups in targeting Kukis, Singh said. Human Rights Watch has called on India to investigate police violence in Manipur, which local groups have disputed.
“It has essentially been a state gone rogue acting against a minority community,” Singh said.
Though the government has called for a ceasefire and established a peace committee, those efforts to quell the violence have been unsuccessful. The military has implemented security measures and evacuated Kukis further into the hills and Meiteis into the plains, but Singh said this has only reinforced geographical divides, instead of facilitating a solution that could allow the two groups to live alongside one another in the future.
Citing the government’s failure to protect them, Kukis have called for separation from the state of Manipur. As the conflict stretches into its second month, Indian Prime Minister Narendra Modi has yet to comment on the crisis in his country’s northeast.
“The army has been called in but they are very ineffective because it’s a civil war. They can’t take sides. They just stand around and when the firing gets too heavy, they stand aside so it’s left to us to fend for ourselves,” Hangshing said.
According to one organization, two of the community’s synagogues have burned down and another Torah scroll was torched. (Shavei Israel)
An appeal to Israel
The Bnei Menashe identify as descendants of a “lost tribe” group, tracing their origins to the Israelite tribe of Menasseh. In 2005, a chief rabbi of Israel affirmed their identity as a “lost tribe” group with historic Jewish ties, but researchers have not found sufficient evidence to back the claim. Bnei Menashe Jews began immigrating to Israel in the 1990s, and because of their “lost tribe” status, they all undergo formal Orthodox conversions upon arrival. Around 5,000 remain in the states of Manipur and Mizoram today, and about 5,000 have already immigrated to Israel.
Many have struggled to gain entry into Israel over the past two decades, and they are now asking the Jewish state to expedite the immigration process to help them escape the violence. But despite recent celebrations surrounding the opening of a new Indian-Jewish cultural center in central Israel, to which Netanyahu and President Isaac Herzog sent recorded blessings, Jerusalem has yet to publicly respond to the situation.
Israel’s foreign minister, Eli Cohen, visited India last month on a planned trip aimed at strengthening ties between the two countries. He did not comment on the matter, and his visit was cut short due to a military operation in Israel.
“I think under [Benjamin] Netanyahu, particularly in this stint as prime minister, there are very few expectations. He is very close to Mr. Modi’s government, so I don’t think anybody expects anything from Netanyahu,” Singh said.
The Bnei Menashe’s “grey zone” religious status, in the words of Renthlei, makes their immigration to Israel more complicated for them than most. Before the Bnei Menashe can even apply to immigrate, they must face a panel of rabbis — who usually come all the way to India — for interviews.
“It’s not like Ukraine. The Ukrainians are Jewish without any doubt. But the Bnei Menashe, we are in some gray zone of not exactly not Jews, but not exactly Jews also,” Renthlei said. “It’s unlikely that the Bnei Menashe would just be able to make aliyah, even in this situation, unlike the Ukrainians.” Thousands of Ukrainian Jews have immigrated to Israel since Russia’s invasion began in February 2022.
The Jewish Agency for Israel, which helps facilitate immigration, and the UJA-Federation of New York have provided funding to Shavei Israel to help displaced persons, representatives from Shavei said. The Jewish Agency, the ministry of aliyah and integration, and the Israeli consulate in India did not respond to JTA’s requests for comment.
“We’re too small to matter, I suppose,” said Isaac Thangjom, director of Degel Menashe. Thangjom, who lives in Israel, has been in contact with officials in the ministry of aliyah and integration.
“They are very concerned, but they haven’t given me any explicit answer despite my proddings,” he said. “Their responses have been very tepid.”
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At Berlin screening, former Israeli hostages see film about their captivity rewritten after redemption
(JTA) — BERLIN — They stood outside Berlin’s Babylon theater, bundled against the cold, laughing and dragging on cigarettes: the Cunio twins David and Eitan, and their younger brother Ariel.
David and Ariel were among the last Israeli hostages released in October from Hamas captivity, after 738 days. Their presence in Berlin — for a screening of a film about them, now recut with a redemptive ending — felt almost like an apparition. On the other side of two heavy glass doors were hundreds of theatergoers, people who had long waited for this moment.
The brothers and their extended family were in Berlin for a second premiere of Tom Shoval’s film “Letter to David.” The original film, shown in 2025 at the Berlin International Film Festival, or Berlinale, dove deep into the struggles of a family whose members had been abducted from Kibbutz Nir Oz on Oct. 7, 2023. By then, six kidnapped members of the family, including three children, had been freed. But David and Ariel remained in captivity.
“Last year I was standing before the screening with a poster of David and Ariel. I was determined, every time I showed the film, to say that it’s an unfinished film,” Shoval told the sold-out audience at the theater in former East Berlin.
“And now I’m standing here. I have David in the audience, and I have Ariel in the audience,” he continued. “This is a precious, precious moment.”
The film “is a testament to love, hope and all the people who did not give up during the two years I was in captivity,” David Cunio said in Hebrew, standing on the stage with his extended family. “You gave me a voice when I could not be present. You were there for me.”
The film’s second showing came as tensions over the war in Gaza and Germany’s support for Israel roiled the Berlinale. After the jury’s president, director Wim Wenders, brushed off a journalist’s exhortation for the festival to take a stand against Israel, the Indian author Arundhati Roy announced she would not attend, and some 80 filmmakers and stars signed an open letter of protest.
Festival director Tricia Tuttle issued a statement saying that “artists should not be expected to comment on all broader debates about a festival’s previous or current practices over which they have no control. Nor should they be expected to speak on every political issue raised to them unless they want to.”
Journalists and filmmakers continued to raise the issue, even on the festival’s final weekend, when some award winners — including the Syrian-Palestinian director Abdullah Al-Khatib, who won best debut film — swatted back at the festival jury, criticizing what they see as Germany’s general support for Israel. Al-Khatib’s allegation that Germany has been “partners in the genocide in Gaza by Israel” prompted a German minister to walk out of the awards ceremony on Sunday.
Friday’s screening of “Letter to David” was by contrast a love fest, and the two police cars out front and uniformed officers circulating inside appeared to have little to do. The audience gave the entire family a standing ovation before the screening.
“I think this is a piece of history,” audience member Nirit Bialer, an Israeli who has lived for years in Berlin, said in an interview. “Just seeing the family, and just following the story about this family on the media, going to the Hostages Square in Israel every time I was there in the last two years: Wow, I’m speechless.”
The film’s original ending showed twins David and Eitan Cunio as actors, grappling with each other in an embrace that is both tender and violent, in a scene from Shoval’s feature film, “Youth,” screened at the Berlinale in 2013.
That ending now segues into a new conclusion, in which the reunited Cunio family embraces. They also view the film together, and Shoval captures their faces as the projector beams from behind.
Shoval said in an interview that he had not changed anything in the first part of the film. “I wanted to leave it as a time capsule, in a way, of how we perceived it back a year ago,” he said.
Though he had been invited to be with the family at their reunion, he chose not to, explaining, “I thought it’s a moment that belongs to them and not to me.”
But he spoke with David soon after he was released. And shortly afterward, he visited Sharon and David Cunio at their home. “I came in the morning and we sat until sunset together and we talked. Even when I’m thinking about it now, I’m getting emotional, because it was really…” He paused. “You’re waiting for a moment for this for so long.”
The Friday screening was not an official part of the Berlinale, but the beleaguered festival director Tuttle made a point of taking the stage herself. The film has been “finished in the way that Tom only hoped and dreamed and believed that he would be able to finish it,” she told the audience.
“We were horrified along with the world and all of you when David Cunio and many members of his family were abducted by Hamas,” she said. And on their release “we rejoiced with everyone as well.”
Saying that the new version was completed too late to be included in the festival schedule, Tuttle thanked two co-production companies that work closely with Israeli artists for backing Friday’s screening: the Israel-based Green Productions and the Berlin-based Future Narrative Fund.
Audience members seemed loath to leave the theater after the screening, lingering over what some described as mix of happiness and worry.
“The fact that David is able to see the movie makes us see the movie in a different way,” commented Konstantin, who had seen the original version last year. A young Jewish actor who lives in Berlin, he asked that his full name not be used, out of concerns about antisemitism. “With the ending, it’s like a full circle, completed.”
Seeing the film again with the Cunio family present “was very uplifting and very happy,” said Berliner Julia Kopp, who also saw the film last year. “But at the same time, it’s not a happy ending … I also have a bit of a heavy heart,” worrying about “how life will go on for them.”
Both brothers have indicated that reentry into everyday life has been challenging after two years of captivity for them and two years of traumatized advocacy by their loved ones. And Ariel Cunio and his partner Arbel Yehud, who was held in captivity until January, have raised nearly $1.8 million since launching a crowdfunding campaign last week aimed at allowing them the time and space to “come back to life.”
A crowdfunding campaign launched on behalf of David and Sharon Cunio their twin daughters, also former hostages, says, “The family not only has to deal with the trauma that follows being held hostage and the events that transpired on October 7th, but also needs to rebuild their entire lives from scratch.”
Shoval said the film — and the screening — offered a vision for what a more settled future might look like.
“For me, the film is about the unification of the brotherhood, and what that means to be torn apart from each other, but also to get back,” Shoval said. “They can sit in the theater and they can see themselves. They can see what they missed, what happened. They can project about the past, about the present. This is a power of cinema, I feel. It felt natural for me to do that: to bring them back.”
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.
But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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