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Jewish teens balance pride and safety when navigating public spaces
This article was produced as part of JTA’s Teen Journalism Fellowship, a program that works with teens across the world to report on issues that impact their lives.
(JTA) — After wearing his yarmulke all day at his Orthodox yeshiva on Manhattan’s Upper East Side, Zac Jacobs takes it off before boarding the 6 train home.
“I think it helps mitigate any potential danger that I could be in,” Jacobs, 17, said. “You never know what could happen; the trains are mostly safe, but it takes one person to push you into the tracks.” Besides, he said, he knows that God is above him.
With the 2022 increase in transit crime and with a rise in antisemitic hate crimes, many young Jews in New York City are scared to display their heritage in public settings.
The violence hit close to home for Jacobs last November, when a man threw rocks at his school, Ramaz, damaging a window. It was the anniversary of Kristallnacht, the “night of broken glass” when, in 1938, the Nazis orchestrated attacks on synagogues and Jewish businesses.
For some teens, showing their Jewishness publicly can make them feel self-conscious.
Sima Epstein,16, is always wary of whether people can see the star of David necklace she wears.
“I probably wouldn’t hide it [my Judaism] in a situation or a conversation, but I wouldn’t let it come up” outside of school, said the junior at Yeshivat Frisch,an Orthodox day school in Paramus, New Jersey. “I would avoid discussing religious topics all together.”
Removing their yarmulke in public can be a tough call for a Jewish teen: Halachah, or Jewish law, requires that males wear a head-covering in public. And while the Torah permits Jews to protect themselves when there is a possibility of harm, not all rabbis would agree that riding the subway presents the kind of danger that would allow someone to hide their Jewishness.
“If we are so concerned about appearing Jewish on the subway, what does that say about our ability to live in New York?” says Rabbi Aviad Bodner, a spiritual advisor at Ramaz. As an Orthodox rabbi and mentor, he often deals with students who have concerns about showing their identity in public. “I’m very troubled by the recent uptick [in antisemitism], and it is something we should all be considering when we make decisions.”
Instead of a yarmulke, Bodner wears a fedora-style hat everywhere he goes, so being visibly Jewish is not a concern for him, but he understands and empathizes with students worried for their safety. However, this doesn’t stop him from studying Jewish texts on his morning commute.
He distinguishes between Jewish teens who are not wearing their kippot for safety reasons, and those who do not want to be viewed as “different” by the general public.
“All teens desire to fit in, and sometimes showing off their cultural heritage is not the way to be seen as popular, especially on college campuses, with antisemitism rising,” says Bodner. Day school students in particular are more likely to encounter antisemitic attitudes or anti-Israel hostility at college than they are in their parochial schools.
For Oren Leitner, 16, the issue is personal. A junior at the Torah Academy of Bergen County in Teaneck, New Jersey, Leitner was verbally attacked on the subway as an elementary school student. He was with his older brother and both wore kippot. “He started talking/screaming about how Christianity is the right religion and how we should not be Jewish,” Leitner said. “I was really young at the time, and I did not understand what was going on and was very scared.”
This and other antisemitic instances shaped his Jewish identity. Although in all other areas of his life, he wears his kippah proudly, on the subway he covers it up with a hood.
How Jewish he can look and act in public is a concern for Leitner as he considers applying to college. “It is a risk I would be willing to take if I end up going to one [that is not Jewishly affiliated]. But it is a factor my family and I will have to take into account,” he said.
Emy Khodorkovsky takes the opposite approach. He fights antisemitism by never hiding his Jewishness. “The only way we can combat Jew hatred is by being proud of our heritage,” the 16-year-old said. He understands why some of his friends decide not to display their Judaism openly. He also used to remove his yarmulke on the subway but not since the Ramaz junior became active in his school’s Israel advocacy club and recently attended the Anti-Defamation League’s “Never Is Now” summit on antisemitism.
“I was worried, like other people are, about getting attacked, but then I realized that we can not shy away from showing our beliefs just because others do not like it,” he said. He thinks about his parents who escaped antisemitism in the former Soviet Union for a better life for their children.
Khodorkovsky has never experienced aggression on the subway, and is unruffled by the curious looks he gets when he carries his lulav and etrog on Sukkot or his tefillin bag to school. “New York is a big place, and there are stranger things to look at than a kid carrying a palm tree,” says Khodorkovsky.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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