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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play

(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.

Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.

Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.

I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.

“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.

Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.

Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?

Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)

It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.

“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”

What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”

At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”

Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”

Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.

Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.

“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”

Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.

Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.

In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.

As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.

“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.

“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”

For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”

“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.

Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.

“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here


The post Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play appeared first on Jewish Telegraphic Agency.

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Exclusive: As Ceasefire Extended, Iranian Voice Describes Deepening Repression, Waning Hope Under Regime’s Grip

People attend the funeral of the security forces who were killed in the protests that erupted over the collapse of the currency’s value in Tehran, Iran, Jan. 14, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS

As a fragile ceasefire halting the US-Israeli military campaign in Iran continues, some Iranians say the pause in fighting has not brought relief but rather fear that the regime is regaining strength while internal repression intensifies.

In western Iran, a former schoolteacher who asked to be identified as “Maddie Ali” for security reasons says the ceasefire has left many ordinary citizens feeling abandoned and exposed, watching authorities tighten control while hopes for meaningful change fade.

“People actually felt more hopeful when the war was ongoing. Now, with the ceasefire in place, many feel discouraged and disappointed about the future, which feels increasingly uncertain,” Ali told The Algeminer in an exclusive interview.

Ali lost her job after authorities imposed a nationwide internet blackout when fighting erupted earlier this year — a disruption that continues to shape daily life and restrict communication with the outside world, effectively cutting millions of Iranians off from independent reporting on the war and access to global news.

Internet access remains unstable across much of the country, forcing many people to rely on illegal black-market virtual private networks (VPNs) — tools that bypass government censorship — to stay connected beyond Iran’s borders, with access reportedly costing millions of tomans per gigabyte. (A toman is one-tenth of the rial, the official currency of Iran.)

Iran’s nationwide internet blackout has become the longest recorded of its kind, as authorities continue restricting access to the outside world in an effort to suppress internal opposition and silence domestic dissent.

Iranian authorities have even warned that citizens suspected of accessing the internet through VPNs could face arrest or imprisonment. According to state media reports, Iranian security forces have arrested several citizens in recent weeks for using the Starlink satellite internet system, which allows users to bypass state-controlled terrestrial infrastructure. 

Human rights groups have warned that the regime repeatedly uses nationwide internet shutdowns as a tool to intensify its crackdown on opposition movements and conceal ongoing abuses from international scrutiny.

Ali said many people in Iran fear the ceasefire is giving authorities time to regroup and rebuild.

“People are deeply disappointed that the US and Israeli sides agreed to a ceasefire without taking the Iranian population into account,” Ali told The Algemeiner. “The regime has repeatedly proven its capacity to rebuild and recover time and time again.”

The US–Iran ceasefire, which took effect on April 8, was initially set to expire on Wednesday night if no agreement was reached. US President Donald Trump told Bloomberg on Monday that he was “highly unlikely” to extend the truce without a deal with Tehran.

“I’m not going to be rushed into making a bad deal,” the president said.

On Tuesday, however, Trump announced that he was extending the ceasefire indefinitely, to allow the two countries to continue peace talks to end the war.

In a statement on social media, Trump said he had agreed to a request by Pakistan, which has mediated the talks, “to hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal.”

Noting Iran’s government was “seriously fractured,” Trump said the US military would remain ready and continue its blockade on Iranian ports but continue abiding by the ceasefire “until such time as [Tehran’s] proposal is submitted, and discussions are concluded, one way or the other.”

According to Ali, who spoke with The Algemeiner before Trump’s announcement, reconstruction efforts began quickly after the fighting stopped, even as widespread infrastructure damage remained and internal repression intensified.

“There is frustration that the ceasefire may help the regime recover,” she said. “They started reconstruction for damaged sites and internal repression is still going on.”

Ali also said security forces remain highly visible across the country, especially after a sweeping crackdown earlier this year following mass demonstrations.

“We don’t have an option to really be out on the streets right now. It is really hard because of what happened in January. People are too afraid,” she said, referring to the nationwide anti-government protests, which security forces violently crushed, leaving tens of thousands of demonstrators tortured, imprisoned, or killed.

Checkpoints and surveillance now shape daily movement across many areas of the country.

“There are security forces on the streets stopping people, checking phones to see who they have been in contact with and reviewing messages — and they even make arrests,” Ali said.

Despite the risks, Ali said frustration with the regime runs deep after years of sustained crackdowns and tightening control.

“Most Iranians want an end to this regime. People are exhausted after decades of repression, arrests, executions, surveillance, and control,” she said. “Everybody was waiting for Israel and the US to do something and help us.”

“At the same time, people don’t support war itself — they support removing the regime, which is deeply rooted throughout the country,” Ali continued.

She said many Iranians initially saw the outbreak of fighting as a rare opening for change after years of failed internal protest movements.

“When the war began, many people actually felt hopeful,” Ali told The Algemeiner. “It’s not that they didn’t try to overthrow the regime themselves before — they did. But nothing worked.”

Even those who opposed the war, she said, are not necessarily defending the government.

“Those who were against the war mostly believed it would not lead to real change in the end — not that they supported the regime,” she explained.

More broadly, Ali said many citizens viewed outside military pressure as a necessary catalyst rather than something they welcomed.

“For many Iranians, support for the US and Israeli strikes came out of necessity and exhaustion — not because they support war,” she said.

Despite significant leadership losses during the conflict, Ali said the regime’s structure remains deeply entrenched nationwide.

“The regime and its ideology are embedded at every level — in cities, towns, and institutions across the country,” she said.

“From what we can see, the system is still functioning almost completely intact,” she continued. “It remains coordinated at both the national and local levels, and internal repression is actually increasing.”

“It feels suffocating and extreme, but at the same time it isn’t surprising,” she added.

For some inside Iran, Ali said, this reality has reshaped how people understand the scale of effort needed to dismantle the regime’s entrenched security apparatus.

“People support Israel and the United States, but they also believe airstrikes alone are not enough,” she said.

“Many believe that only a military ground intervention with troops on the ground could remove the regime from its roots,” she continued.

At the same time, she said many Iranians feel especially frustrated by what they see as political solidarity between Muslim-majority governments and Tehran’s leadership rather than support for ordinary citizens.

“Just because a government presents itself as Islamist does not give it the right to repress dissidents and crush its own people,” she said.

“Many Muslim countries have continued to cooperate with this regime, shaking hands with a killer regime instead of standing with the Iranian people,” Ali added.

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Netanyahu heckled at Israel’s official Memorial Day ceremony as bereaved families grasp for comfort

(JTA) — TEL MOND, Israel — Thousands of Israelis gathered in cemeteries all over Israel to commemorate the nation’s fallen soldiers and terror victims on Memorial Day, as public mourning collided with political anger, fresh wartime uncertainty and the private aftershocks consuming bereaved families.

In a Memorial Day message to bereaved families, Prime Minister Benjamin Netanyahu also addressed the war against Iran and its Lebanese proxy Hezbollah, saying Israel has “already removed an existential threat.”

A short while later, President Donald Trump told CNBC’s Joe Kernan that he “expects to be bombing” Iran again if talks collapse ahead of Wednesday’s ceasefire deadline.

“We have returned all our hostages, struck our enemies hard, and made Israel a nation stronger than ever before,” Netanyahu said at an official Memorial Day ceremony at Mount Herzl in Jerusalem.

His comments prompted a heckler in the crowd to yell out, “Some of them died in tunnels,” in reference to the Israelis kidnapped to Gaza by the Hamas terror group and held underground.

Skirmishes broke out during a speech by MK Ofir Sofer, of the far-right Religious Zionist party at the Kiryat Shaul military cemetery in Tel Aviv, when attendees attempted to snatch signs held up by protesters that read “Government of death” and “I refuse to hear words of comfort from a government of criminals.”

At a cemetery in Tel Mond, Eyal Golan, whose sister Shirel died by suicide on her 22nd birthday, a year after surviving the Nova massacre near the Gaza border, also had harsh words for the government.

Reflecting on Knesset debates he attended after his sister’s death, as he pushed for a law in her name to provide unlimited, comprehensive mental health care to victims of terror, Golan said he was furious at what he described as the performative behavior of politicians from both the coalition and opposition.

“Off camera, they speak to each other normally,” he said. “But the moment the cameras turn on, it’s showtime. They fall into their roles, shouting and attacking each other. I’m sitting there thinking, how can this be real?”

“Instead of coming together, they just deepen the divide,” he said, but he credited two Knesset members from opposite sides of the political aisle — Moshe Gafni of United Torah Judaism and Merav Michaeli of Labor — with taking up the cause and advancing the legislation.

Eyal and other members of his family say the government failed Shirel as she grappled with acute PTSD in the months after the attack. Now advancing the bill, he said he hopes it will spare other families the same fate.

“The whole point of my crusade is to save others. No one will be able to bring back my sister. If I’m able to save one more soul, I’ve done my job,” he said.

The legislation, known informally as the Shirel Golan law, passed a preliminary reading in January 2026.

Sitting close to his daughter’s grave, covered in flowers, wreaths and candles, Eyal’s father Meir said he has fallen into a strange nightly ritual. Every night, he wakes up at 3 a.m. and makes himself a cup of coffee. He opens the smart TV to her YouTube account and for an hour or so watches the videos she had liked and subscribed to, including trance music emblematic of the Nova scene. At 4 a.m., he returns to bed.

“As soon as I turn it on, it says, ‘Hello Shirel, welcome back,’” Meir said, adding that it gives him a measure of tranquility, as if his daughter “is still around.”

Later, as Eyal made the 45-minute drive back to his home in the central Israeli city of Holon, he described the journey as the emotional hinge between mourning and the return to ordinary life.

“It’s a kind of magic hour during which I store the grief of the day in a box in my mind,” he said. “By Independence Day, I’ll go back to my main role, being a father to two daughters.”

He added, “That journey is a microcosm of Israeli society.”

Meir’s late-night visits to his daughter’s digital world are part of a wider private language of mourning that has taken hold among bereaved Israeli families, many of whom continue to reach for their dead through screens. On phones across the country, especially on the popular messaging platform WhatsApp, parents and siblings keep sending messages to loved ones who were killed, writing as if the conversation never ended. The messages, some of which were recorded in a special Memorial Day project by the Ynet news site, come at unguarded moments, during a football game, before a birthday, or in the middle of the night.

“What a goal, Yahav,” one father, Nir Maayan, wrote to his son, Yahav, who was killed in Gaza in January of last year.

Texting his son from his graveside, Nir wrote: “There are days of collapse, of longing, of not being able to accept reality. Moments when I try to imagine your final moments. What did you think? What did you feel? Answers I will never know. So I just rest my head on you, and somehow you comfort me and hold me. Someone is watching over me from above.”

“Tomorrow is your birthday, send mom a message,” a sister wrote to her deceased brother.

“The sky is beautiful today,” another wrote.

Dorit Ron keeps on texting her son Itai, who was killed on Oct. 7 at the Nahal Oz base near the Gaza border. “I expect an answer, a sign that he’s okay and with his father,” she said, according to the report. “Even though I know he won’t reply, to me he’s alive, just nearby, in another dimension.”

The post Netanyahu heckled at Israel’s official Memorial Day ceremony as bereaved families grasp for comfort appeared first on The Forward.

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Israel jails soldiers who smashed Jesus statue in Lebanon, installs a new one

(JTA) — An Israeli soldier who bludgeoned a statue of Jesus in southern Lebanon and another soldier who photographed the act have both been dismissed from combat duty and sentenced to 30 days in military detention, the Israeli military said on Monday.

“The IDF expresses deep regret over the incident and emphasizes that its operations in Lebanon are directed solely against the Hezbollah terrorist organization and other terrorist groups, and not against Lebanese civilians,” the IDF said in a statement.

The military also announced it had replaced the damaged statue with a new one “in full coordination with the local community of Debel in southern Lebanon.” The town is a Christian enclave within a region that is a Hezbollah stronghold.

Photos of the incident, which depicted the soldier striking an overturned Jesus statue, were quickly condemned by Israeli Prime Minister Benjamin Netanyahu and the IDF as they spread on Sunday.

By Monday, a letter condemning the act had drawn over 80 signatures by prominent Jewish leaders, including former Israeli cabinet minister Michael Melchior; American antisemitism activist Shabbos Kestenbaum; and Orthodox rabbis in Israel and the United States.

“This act is a chillul Hashem — a desecration of God’s name,” the letter said. “It is an affront to the ancient Christian communities of the Middle East and to Christians all over the world. It is a vile betrayal of the Jewish values upon which the State of Israel was founded. And it is a wound inflicted upon the fragile Jewish-Christian friendship that is more important than ever.”

The announcement of the punishment comes as the IDF said it was probing an incident in the West Bank in which a reservist soldier reportedly killed two Palestinians, aged 14 and 32.

The post Israel jails soldiers who smashed Jesus statue in Lebanon, installs a new one appeared first on The Forward.

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