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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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California Democrat Scott Wiener Accuses Israel of ‘Genocide’ in Sharp Reversal Following Debate Backlash
California State Sen. Scott Weiner. Photo: Screenshot
California State Sen. Scott Wiener, a Democrat seeking to succeed former House Speaker Nancy Pelosi in the US Congress, announced on Sunday that he believes Israel’s military campaign in Gaza meets the definition of “genocide,” a sharp reversal from a recent debate in which he declined to use the term.
Wiener’s declaration came after a contentious candidate forum last week in San Francisco, during which he declined to answer a direct question about whether he believed Israel was committing genocide in Gaza. That hesitation was met with jeers from the audience.
In a video posted Sunday on the X social media platform, Wiener, who is Jewish, said he had “stopped short of calling it genocide, but I can’t anymore,” citing the “devastation and catastrophic death toll” in Gaza as justification for using the term. Weiner also accused Israeli officials of making “genocidal” statements while justifying their military operations against the Palestinian terrorist group Hamas in Gaza and claimed that Israel schemed to “destroy Gaza and push Palestinians out.”
The state senator also acknowledged the emotional weight the word holds for many Jews, given its origins in describing the Holocaust.
For years, I’ve condemned Netanyahu and his extremist government and the devastation they’ve inflicted on Gaza. It’s why I’ve been clear I won’t support U.S. funding for the destruction of Palestinian communities. I’ve stopped short of calling it genocide, but I can’t anymore. pic.twitter.com/71nIt6K527
— Senator Scott Wiener (@Scott_Wiener) January 11, 2026
Denying accusations of genocide, Israel says it has gone to unprecedented lengths to try and avoid civilian casualties, noting its efforts to evacuate areas before it targets them and to warn residents of impending military operations with leaflets, text messages, and other forms of communication.
Another challenge for Israel is Hamas’s widely recognized military strategy of embedding its terrorists within Gaza’s civilian population and commandeering civilian facilities like hospitals, schools, and mosques to run operations and direct attacks.
Wiener’s accusation of genocide marks a complete reversal not only from his recent debate answer but also from a new profile of him published in The Atlantic, in which he denied accusations of genocide lobbed at Israel and decried the weaponization of the war in Gaza as a “purity test.” He compared such ideological mandates to medieval attempts to divide the Jewish community between “good Jews” and “bad Jews.” Weiner also argued that Jewish liberals are being pushed out of progressive spaces if they don’t demonstrate sufficient hatred for Israel.
“If part of your Jewishness is, you know, that you support the homeland of the Jews and the home of one-half of all Jews on the planet, then that makes you a bad Jew,” Weiner said. “If you’re not willing to use the exact language that we want you to use, then you’re a bad Jew.”
The article came out on Sunday, the same day of his social media post accusing Israel of genocide.
Weiner has been a frequent target of anti-Israel demonstrators. In October, a group of agitators confronted the state lawmaker and accused him of supporting “genocide.”
Mallory McMorrow, a Democratic candidate for US Senate in Michigan, similarly lamented that accusations of “genocide” against Israel are becoming a “purity test” within Democratic primaries. She argued in a new interview with Detroit Public Radio that there exists a “broadly shared goal among most Michiganders, that this violence needs to stop, that a temporary cease fire needs to become a permanent cease fire, that Palestinians deserve long term peace and security, that Israelis deserve long term peace and security.”
However, the candidate argued, “I also feel like we are getting lost in this conversation, and it feels like a political purity test on a word — a word that, by the way, to people who lost family members in the Holocaust, does mean something very different and very visceral.”
McMorrow, who has previously claimed she agrees that Israel committed a so-called “genocide” in Gaza, suggested that some candidates in the race are “using this as a political weapon and fundraising off of it.” Abdul El-Sayeed, a progressive Democrat in the Senate race, has condemned Israel for committing “genocide” and has called for an arms embargo on the Jewish state.
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Megyn Kelly Gushes Over Nick Fuentes: ‘There Is Value to Be Derived From That Guy’s Messaging’
Megyn Kelly hosts a “prove me wrong” session during AmericaFest, the first Turning Point USA summit since the death of Charlie Kirk, in Phoenix, Arizona, US, Dec. 19, 2025. Photo: REUTERS/Caitlin O’Hara
Megyn Kelly expressed her sympathies for white nationalist Nick Fuentes and antisemite Candace Owens, two Holocaust deniers who are rising in popularity among millennials and Gen Zers, in a video interview with fellow right-wing podcaster Tucker Carlson published last week.
Immediately following the murder of prominent conservative activist Charlie Kirk last year, Owens began promoting the conspiracy theory of Israeli involvement, sentiments likewise promoted by Carlson.
“And then came Candace Owens. And she really drives people crazy. She drives them crazy,” Kelly said, provoking snickers from Carlson. “Very angry. I didn’t call her out for Israel possibly being involved with Charlie Kirk. Well, I didn’t call her out because I was totally fine with those questions being raised.”
Kelly then raised her open palm to her face and declared, “And still am!”
Carlson cackled again in response and Kelly continued, insisting, “But I am. I’m sick of this bulls–t. I’m allowed to have questions about what if anyone aligned with Israel or from Israel might have had to do with Charlie’s death.”
Kelly: “I am sick of this ********! I am allowed to have questions about what if, anyone, aligned with Israel or from Israel might have had to do with Charlie’s death.”
She’s gone, folks. Stop giving her the benefit of the doubt.
— Bonchie (@bonchieredstate) January 8, 2026
In October, Florida state Attorney General James Uthmeier announced charges against Nicholas Ray of Spring, Texas for alleged death threats made with a “zionistarescum” X account against Jewish conservatives identified online by Owens as allegedly involved in Kirk’s murder.
There has been no actual evidence showing Israeli complicity in Kirk’s murder, for which Tyler Robinson, 22, has been charged. He was romantically involved with his transgender roommate, and prosecutors have reportedly argued that Kirk’s anti-trans rhetoric was a key factor that allegedly led him to shoot the Turning Point USA founder.
Kelly also praised Fuentes during her conversation with Carlson.
“He’s very interesting and he’s very smart,” Kelly said of Fuentes, who has praised Adolf Hitler. “And on a lot of things there is value to be derived from that guy’s messaging. I’m sorry, but he actually has a lot of things he talks about that you’re like ‘that’s not a bad point about our country.’”
Adopting a mocking affectation, Kelly said, “I won’t condemn and say that Candace Owens is hateful. They want me really, really badly to condemn Candace Owens. And I’m sorry to break it to them but I am responsible for what I say. Not for what anybody else says. I am not Candace Owens’s policeman. And by the way they’re kidding themselves that if just one more voice will say something nasty about Candace she can finally be controlled.”
In response to right-wing X influencer Ian Miles Cheong (who has 1.2 million followers and reportedly posts from Malaysia) sharing a clip of this statement, Kelly raged back: “You’re a pathetic misinformation whore. I was explaining why young white men are listening to Fuentes & made clear that while I believe he makes interesting points about the govt etc I was not speaking about his thoughts on Jews, women, blacks etc. F–k you & your lies.”
In December, the Network Contagion Research Institute (NCRI) released a report analyzing online support for Fuentes, suggesting he has received a major boost from inauthentic amplification by anonymous actors in foreign countries such as India, Pakistan, Nigeria, Malaysia, and Indonesia. For example, the research revealed that “in a sample of 20 recent posts, 61% of Fuentes’s first-30-minute retweets came from accounts that retweeted multiple of these 20 posts within that same ultra-short window – behavior highly suggestive of coordination or automation.”
Earlier this month, Owens blamed Zionists for inspiring US President Donald Trump to capture Venezuelan President Nicolas Maduro.
On Tuesday, Fuentes wrote on X in reference to Venezuela: “Your oil, our choice. Forever [American flag rmoji],” a reference to his infamous popularization of the phrase “your body, my choice” among his Groyper followers.
Fuentes described his views on Venezuela on Jan. 3, explaining that while he thought the military action “initially seemed like a solid operation to cleanly, bloodlessly, and quickly remove Maduro from power last night” he thought “this new policy of ‘running Venezuela’ with US soldiers sounds like a massive over-commitment. I have zero confidence in nation-building. Big mistake.”
The next day Fuentes continued on X, articulating his foreign policy vision of banditry, fantasizing, “Now that Venezuela has been liberated, we must send every single Venezuelan illegal, refugee, and criminal back home. Take the oil, remigrate the foreigners.”
On Sunday, Fuentes promoted another conspiracy theory, asserting that “the chaos in Iran is totally astroturfed by Israel and the US for regime change. This was always their endgame after over a decade of industrial sabotage, sanctions, political subversion, & espionage. Why do you think Iran wanted nuclear weapons? To prevent this exact scenario.”
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Fundraiser for ICE agent who killed Renee Good includes antisemitic attack on Minneapolis Mayor Jacob Frey
(JTA) — Supporters of the Immigration and Customs Enforcement officer who shot and killed Renee Good, a U.S. citizen, in Minneapolis last week are flocking to an online fundraiser to, in its organizer’s words, “Defend the Agent Who Stopped a Deadly Attack on America’s Border Enforcers!”
Included in the fundraiser’s pitch: antisemitic language directed at the city’s Jewish mayor, Jacob Frey.
After stating that Good had engaged “in a blatant act of domestic terrorism aimed at killing or maiming the men protecting our borders from the endless invasion,” the description continued: “But this didn’t happen in a vacuum — it’s the direct result of anti-American traitors like Minneapolis Mayor Jacob Frey (who is Jewish) fanning the flames of resistance.”
The description went on to call Frey a “sanctuary city traitor” and states, “His rhetoric empowers violent agitators, turning Minneapolis into a warzone for our heroes enforcing the law and deporting the hordes that weak leaders like him protect.”
The fundraiser was posted Jam. 7 on GiveSendGo, a crowdfunding website popular with right-wing causes, and has raised more than $186,000 of its $200,000 goal as of Monday afternoon. The co-founder of GiveSendGo, Jacob Wells, has promoted the campaign extensively and claims to have corresponded directly with the ICE agent, Jonathan Ross.
“God bless you all! Keep sharing,” Wells wrote on the social network X, receiving positive responses from the actor Dean Cain, among others.
After being circulated online and verified by the Jewish Telegraphic Agency, the clause “(who is Jewish)” was removed from the description of Frey late Monday.
The campaign’s organizer is named as “Tom Hennessey,” and appears to have launched the fundraiser before Ross himself was identified. The campaign does not name Ross.
An account named “TomHennessey69” on X who has claimed credit for the fundraiser bills himself as a “white independent journalist” and “soap enthusiast.” In addition to a stream of anti-immigration rhetoric, Hennessey has also made several antisemitic posts, including one on Monday that blamed Jews for the recent Hanukkah mass shooting in Australia.
“Notice the pattern? Jews arrive in Australia, flood it with non-Whites. Non-Whites rampage—eventually turning on Jews. Jews then push new anti-semitism laws aka free speech bans, gun control to disarm Whites, and ban White nationalist groups for noticing,” Hennessey wrote, adding, “Australia, not a good look for jewish diaspora, many such cases.” In another reply to his post, Hennessey endorsed a neo-Nazi account’s pro-Hitler message.
Hennessey has also used similar language as the fundraiser’s to describe his own Jewish opponents.
Online, the GiveSendGo link has been promoted by figures including Turning Point USA pundit Jack Posobiec and Minnesota-based right-wing journalist Liz Collin.
It is not the only fundraiser to have been set up by self-proclaimed supporters of Ross since Good’s killing. A separate campaign without antisemitic language launched on GoFundMe, a more mainstream crowdfunding website, has raised more than $467,000 to date since its launch on Friday.
The largest donation to date on the GoFundMe fundraiser, $10,000, came from Bill Ackman, the Jewish activist investor who has become a prominent advocate against antisemitism.
“I am [a] big believer in our legal principal [sic] that one is innocent until proven guilty,” Ackman wrote on X over the weekend, in a post about why he donated. He added that he had “intended to similarly support the gofundme for Renee Good’s family” but that “her gofundme was closed by the time I attempted to provide support.”
Comments online suggest that the two fundraisers for Ross may be linked and may have a direct line to Ross himself.
In a Sunday update, the GoFundMe campaign’s organizer, Clyde Emmons, wrote, “the creater [sic] of the givesendgo fund has direct contact with Johnathan! so I am in contact with him gave him my number and he said he would pass it onto John himself so I can finally add him as the beneficiary so he can get these funds he deserves.”
On X, Collin wrote that she was in contact with both organizers and that the GiveSendGo campaign is “now the preferred method to donate to the ICE agent.”
The fundraisers for Ross were launched partly as a response to a GoFundMe for Good’s family, which raised more than $1.5 million before its organizers closed donations.
“Renee was a Christian who knew that all religions teach the same essential truth: we are here to love each other, care for each other, and keep each other safe and whole,” that campaign’s organizers wrote.
Comparisons between ICE agents and Nazis or the Gestapo have grown since the agency has stepped up its presence in American cities under President Donald Trump’s mass deportation plans. Some Jewish communal leaders, including several in Minnesota, have vocally criticized ICE’s actions, with a few linking them to the memory of the Holocaust.
Since Good’s killing, Frey has vocally criticized ICE’s presence in Minneapolis, using an expletive in a press conference as he urged the agents to leave. The fundraiser’s description of the mayor notes this, also blasting Frey for his executive orders.
“These agents are the tip of the spear in reclaiming our country from the illegal invasion—deporting criminals, invaders, and threats that politicians like Frey invited in and shield,” the description states.
It concludes: “Stand tall: Donate today to send a message that we back the men removing illegals and invaders from our soil, no matter the sabotage from mayors who put foreigners over Americans. No apologies, no retreat—Mass Deportations Now!”
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