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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Iran to Completely Close Hormuz if Trump Executes Threats on Iranian Energy, Revolutionary Guards Say
FILE PHOTO: A map showing the Strait of Hormuz is seen in this illustration taken June 22, 2025. REUTERS/Dado Ruvic/Illustration//File Photo
Iran will completely shut the strategic Strait of Hormuz if US President Donald Trump executes threats to target Iranian energy facilities, the country’s Revolutionary Guards said in a statement on Sunday.
Trump on Saturday threatened to “obliterate” Iran’s power plants if Tehran did not fully reopen the Strait of Hormuz within 48-hours, suggesting a significant escalation barely a day after he talked about “winding down” the war, now in its fourth week.
In their Sunday statement Iran’s Revolutionary Guards also said companies with US shares will be “completely destroyed,” if Iranian energy facilities were targeted by Washington and energy facilities in countries that host US bases will be ‘lawful’ targets.
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Netanyahu in Arad: Iran Has ‘Capacity to Reach Deep into Europe’
Israeli Prime Minister Benjamin Netanyahu speaks during a press conference at the Prime Minister’s office in Jerusalem, Aug. 10, 2025. Photo: ABIR SULTAN/Pool via REUTERS
i24 News – Prime Minister Benjamin Netanyahu, speaking Sunday at the site of a missile strike in Arad, said recent Iranian attacks demonstrate that Tehran poses a threat not only to Israel but to global security, urging stronger international action against the Islamic Republic.
“If you want proof that Iran endangers the entire world, the last 48 hours have given it,” Netanyahu said, referring to recent missile fire on Israeli civilian areas. He said the intent behind the strikes was “to murder civilians,” adding that the lack of fatalities in Arad was “due to luck, not their intention.”
Netanyahu also cited Iran’s missile launch toward Jerusalem late last week. The missile landed near major religious sites, including the Western Wall, the Church of the Holy Sepulchre, and the Al-Aqsa Mosque. He described the incident as evidence of indiscriminate targeting of symbolic and civilian areas.
In addition, he referenced reports of a long-range missile launch toward Diego Garcia, a British territory in the Indian Ocean, saying it demonstrated Iran’s expanding capabilities. He also claimed Iran had previously targeted European territory, including Cyprus, and warned that such developments place multiple regions at risk.
“They have now the capacity to reach deep into Europe,” Netanyahu said. “They are putting everyone in their sights.”
He further accused Iran of threatening international maritime routes and energy supply lines, saying Tehran was attempting to “blackmail the entire world.”
Calling for coordinated international pressure, Netanyahu said Israel and the United States were acting together and urged other countries to follow.
“The call is not only for the security of America and Israel, but for the security of the entire world,” he said, adding that more global involvement was needed.
Responding to reporters, Netanyahu said Israel’s military response is focused on Iranian leadership and infrastructure rather than civilians. “We’re going after the regime… the IRGC, their leaders, their installations, their economic assets,” he said.
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Iran Threatens to Retaliate Against Gulf Energy and Water After Trump Ultimatum
Symbolic mock-ups of Iranian missiles are displayed on a street, amid the U.S.-Israeli conflict with Iran, in Tehran, Iran, March 22, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Iran said on Sunday it would strike the energy and water systems of its Gulf neighbors in retaliation if US President Donald Trump follows through with a threat to hit Iran’s electricity grid in 48 hours, escalating the three-week-old war.
The prospect of tit-for-tat strikes on civilian infrastructure could deepen the regional crisis and rattle global markets when they reopen on Monday morning.
Air raid sirens sounded across Israel from the early hours of Sunday, warning of incoming missiles from Iran, after scores of people were hurt overnight in two separate attacks in the southern Israeli towns of Arad and Dimona.
The Israeli military said hours later that it was striking Tehran in response.
Trump threatened overnight to “obliterate” Iran’s power plants if Tehran did not fully reopen the Strait of Hormuz within 48 hours, barely a day after he talked about “winding down” the war. He made the new threat as US Marines and heavy landing craft are heading to the region.
But while attacks on electricity could hurt Iran, they would be potentially catastrophic for its Gulf neighbors, which consume around five times as much power per capita. Electricity makes their gleaming desert cities habitable, and most of them produce nearly all of their drinking water by purifying it from the sea.
Iran’s Parliament Speaker Mohammad Baqer Qalibaf wrote on X that critical infrastructure and energy facilities in the Middle East could be “irreversibly destroyed” should Iranian power plants be attacked.
Iran’s powerful Revolutionary Guards said it would also mean the shipping lane where a fifth of global oil and liquefied natural gas normally transits along Iran’s southern coast would remain shut.
“The Strait of Hormuz will be completely closed and will not be opened until our destroyed power plants are rebuilt,” the Guards said in a statement.
More than 2,000 people have been killed during the war the US and Israel launched on February 28, which has upended markets, spiked fuel costs, fueled global inflation fears and convulsed the postwar Western alliance.
‘TICKING TIME BOMB OF ELEVATED UNCERTAINTY’
“President Trump’s threat has now placed a 48-hour ticking time bomb of elevated uncertainty over markets,” said IG market analyst Tony Sycamore, who expects stock markets to fall when they reopen on Monday.
Oil prices jumped on Friday, ending the day at their highest in nearly four years.
Markets already under severe strain from blockaded shipping were further rattled last week when Israel attacked a major gas field in Iran, and Tehran responded with strikes on neighbors Saudi Arabia, Qatar and Kuwait, raising the prospect of damage hindering energy output even if tankers resume sailing.
Iranian attacks have effectively closed the Strait of Hormuz, causing the worst oil crisis since the 1970s. Its near-closure sent European gas prices surging as much as 35% last week.
“If Iran doesn’t FULLY OPEN, WITHOUT THREAT, the Strait of Hormuz, within 48 HOURS from this exact point in time, the United States of America will hit and obliterate their various POWER PLANTS, STARTING WITH THE BIGGEST ONE FIRST!” Trump posted on social media around 7:45 p.m. EDT (2345 GMT) on Saturday.
Iranian media quoted the country’s representative to the International Maritime Organization as saying the strait remains open to all shipping except vessels linked to “Iran’s enemies.”
Ali Mousavi said passage through the waterway was possible by coordinating security and safety arrangements with Tehran.
Ship-tracking data shows some vessels, such as Indian-flagged ships and a Pakistani oil tanker, have negotiated safe passage through the strait. But the vast majority of ships have remained holed up inside.
Iran’s Khatam al-Anbiya military command headquarters said on Sunday if the US hit Iran’s fuel and energy infrastructure, Iran would attack all US energy, information technology and desalination infrastructure in the region.
Striking major Iranian power plants could trigger blackouts, crippling everything from pumps and refineries to export terminals and military command centers.
IRAN EXPANDS RISKS WITH LONG-RANGE MISSILES
The United States and Israel say they have seriously degraded Iran’s ability to project force beyond its borders with their three weeks of intensive air strikes.
But Tehran fired its first known long-range ballistic missiles with a range of 4,000 km (2,500 miles) on Friday towards a US-British Indian Ocean military base, expanding the risk of attacks beyond the Middle East.
An Iranian strike also landed near Israel’s secretive nuclear reactor about 13 km (8 miles) southeast of the city of Dimona.
The war has been taking place alongside a confrontation on a separate front between Israel and Lebanon’s Hezbollah, backed by Iran, with Israel saying on Sunday its troops had raided a number of the armed group’s sites in southern Lebanon.
Hezbollah said it had attacked several border areas in northern Israel. Israeli emergency services said one person was killed in a kibbutz near the border, the first fatality in Israel killed by fire from Lebanon since the escalation began.
Hezbollah has fired hundreds of rockets at Israel since it entered the regional war on March 2, prompting an Israeli offensive that has killed more than 1,000 people in Lebanon.
Israel said it had instructed the military to accelerate the demolition of Lebanese homes in “frontline villages” to end threats to Israelis, and to destroy all bridges over Lebanon’s Litani River which it said were used for “terrorist activity”.
Pope Leo appealed for an end to the conflict. “The death and suffering caused by this war are a scandal to the whole human family,” he said.
A Reuters/Ipsos poll conducted last week found 59% of Americans disapprove of US strikes against Iran, while 37% approved. The war has become a major political liability for Trump ahead of November elections for Congress.