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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play

(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.

Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.

Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.

I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.

“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.

Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.

Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?

Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)

It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.

“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”

What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”

At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”

Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”

Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.

Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.

“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”

Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.

Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.

In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.

As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.

“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.

“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”

For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”

“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.

Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.

“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here


The post Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play appeared first on Jewish Telegraphic Agency.

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Israel Targets Hezbollah Fighters Disguised as Paramedics as Terror Group Continues to Exploit Civilian Sites

Israeli soldiers walk next to military vehicles on the Israeli side of the Israel-Lebanon border, amid escalation between Hezbollah and Israel, and amid the US-Israeli conflict with Iran, in northern Israel, March 16, 2026. Photo: REUTERS/Avi Ohayon

Israel on Sunday night intercepted a Hezbollah operation in southern Lebanon, targeting a terrorist cell disguised as paramedics who tried to transport weapons in an ambulance toward Israeli forces.

The Israeli strike further exposed the Iran-backed Lebanese terrorist group’s use of civilians and even medical vehicles as cover for attacks.

According to Israeli intelligence, Hezbollah has fired thousands of drones and rockets toward the Jewish state since joining the war in support of Iran earlier this month, brazenly using ambulances and medical facilities as cover and embedding their weapons and operation hubs in various civilian sites.

“This incident is another example of Hezbollah’s cynical and systematic use of medical infrastructure for military purposes,” the Israel Defense Forces (IDF) said in a statement.

Last week, Israel discovered a tunnel used by Hezbollah in a church in southern Lebanon, where the terrorist group has spent years building infrastructure to attack the Jewish state.

Under international law, deliberately using medical teams and ambulances to conceal military activity constitutes a serious violation, as battlefield protections for medical personnel apply only when they act strictly within their humanitarian role.

As the conflict in Lebanon continues to escalate, Israeli officials have repeatedly warned that once ambulances and medical teams become part of Hezbollah’s weapons transport network, they lose their protected status and become legitimate military targets.

On Monday, the IDF destroyed more than 100 high-rise towers in southern Lebanon serving as Hezbollah’s command, control, and attack-planning centers against Israeli citizens – in what officials described as the terrorist group’s “cynical exploitation of Lebanese citizens,” embedding military infrastructure amid civilian areas.

With a ground maneuver underway to expand a defensive zone in southern Lebanon, the IDF says it has eliminated over 850 Hezbollah terrorists so far, while continuing to dismantle the group’s command and weapons infrastructure.

Last week, Israeli forces ordered the evacuation of the southern Lebanese city of Tyre, after identifying Hezbollah operatives launching heavy rocket fire from residential neighborhoods, issuing the order ahead of airstrikes to safeguard civilians from the escalating attacks.

“Hezbollah, which has dragged you into this war in service of Iran’s agenda, is deliberately operating within your neighborhoods, putting your safety at grave risk and bringing destruction to your homes and communities,” the military’s Arabic spokesperson, Col. (res.) Avichay Adraee wrote in a post on X, appealing to Lebanese citizens.

For years, Hezbollah has embedded command posts, weapons depots, snipers, and troops within Shiite villages, situating them in the heart of civilian centers near schools, hospitals, mosques, and main roads to turn entire communities into battlefields.

“We found them hiding weapons in a children’s school. We found them building a tunnel in the complex of a church in al-Kiam,” IDF International Spokesperson Lt. Col. Nadav Shoshani said during a briefing to journalists.

In recent weeks, Israel has intensified strikes targeting Hezbollah, particularly south of the Litani River, where the group’s operatives have historically been most active against the Jewish state.

Israel has long demanded that Hezbollah be barred from carrying out activities south of the Litani, located roughly 15 miles from the Israeli border.

The IDF is now moving into Lebanon to establish what officials described as a “forward defensive line,” targeting Hezbollah infrastructure and destroying buildings that were being used as operational “terrorist outposts.”

As reports surfaced of potential ceasefire talks between Lebanese and Israeli officials, Hezbollah Secretary General Naim Qassem warned Wednesday that negotiating under fire amounts to imposed surrender, adding that his fighters are prepared to continue operations “without limits.”

In just the first month of the conflict, Israeli officials report that Hezbollah has carried out more than 900 coordinated attacks, marking a sharp increase in cross-border activity and a broader expansion of its operations across the region.

So far, Israel has demolished five bridges in the Litani River area and taken effective control of three others, aiming to dominate the area from the air and prevent residents from returning south of the river until the threat of Hezbollah is removed.

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DNC to Consider Resolution Condemning AIPAC

Crews prepare the stage at the annual AIPAC Policy Conference in Washington, DC, March 6, 2018. Photo: Reuters / Brian Snyder

A newly introduced resolution within the Democratic National Committee (DNC) is putting the party’s relationship with pro-Israel lobbying money under renewed scrutiny, exposing a deepening divide between its progressive base and establishment leadership.

The measure, which is nonbinding, calls on Democrats across the US to reject or distance themselves from funding tied to the American Israel Public Affairs Committee (AIPAC), the premier pro-Israel lobbying group, and its affiliated political entities. While largely symbolic, the resolution would compel party officials and candidates to publicly take a position on whether to accept such financial support.

Allison Minnerly, a DNC member from Florida who sponsored the resolution, argues that the committee needs to take a more aggressive stance in fighting on behalf of Palestinians. 

“At a time when Democratic voters might really not have felt represented or seen when it came to Gaza or seeing their party support Palestinian rights or stand against military conflict, this could be one step toward bringing those voters back into the party,” she told The Intercept.

Minnerly also presented a resolution last August which called for an arms embargo against Israel. That measure failed. 

The new resolution comes as AIPAC and allied super PACs have become increasingly influential in Democratic primaries, spending millions to back candidates aligned with their positions. Critics within the party argue that this influx of money, including donations from Republican-aligned contributors, risks distorting Democratic contests and elevating outside influence.

The resolution condemns AIPAC for its purported attempts to influence Democratic politics surrounding the Israeli-Palestinian conflict and undermining efforts to fortify “Palestinian rights” in Israel. The resolution accuses AIPAC of pouring over $100 million into Democratic competitions in an attempt to shift overall results. 

The resolution raises general concerns about the role of nonprofit and political groups that can obscure the origins of campaign funding, intensifying calls for greater transparency. 

Progressive Democrats and grassroots activists are driving the push for the resolution, framing it as part of a broader effort to limit the influence of big money in politics. Many argue that AIPAC’s policy positions, particularly in the context of the Gaza conflict, are increasingly out of step with Democratic voters. The resolution specifically accuses AIPAC of influencing Democratic candidates to adopt positions on the Israel-Hamas conflict that are not adequately reflective of “the views of their constituents.”

Supporters say the resolution is less about enforcement and more about signaling, drawing a clear line on the type of financial backing the party should accept.

Party leaders and more moderate Democrats have approached discourse regarding the Israel-Hamas war cautiously. Centrist Democrats and those in heavily Jewish districts have balanced their support for Israel’s right to self-defense with concern over the humanitarian toll in Gaza. In progressive districts, however, anti-Israel positions have emerged as a litmus test in primaries, with candidates being grilled on whether they will vote to cease arms transfers to the Jewish state or whether they consider the military conflict in Gaza a “genocide.” 

Despite the pressure campaign to dislodge the Democratic party from Israel, many moderate liberals point to AIPAC’s long-standing support for Democratic candidates and warn that rejecting its backing could put candidates at a disadvantage in competitive races. Others emphasize the importance of maintaining relationships with pro-Israel constituencies, suggesting that a sweeping break could carry political risks. However, others have accused AIPAC of bankrolling Republican and pro-Trump candidates to the expense of Democrats. 

AIPAC contends that it supports pro-Israel candidates regardless of political affiliation, arguing the American-Israeli relationship is bipartisan and advances US interests. Further, other lobbying groups which support foreign countries, such as the National Iranian American Council (NIAC), donate funds and support to American candidates with little controversy. 

The fight over the resolution reflects a larger transformation within the Democratic Party, as shifting voter attitudes and growing skepticism of large-scale political spending reshape internal dynamics. Polling suggests that the Democratic party has largely shifted against Israel, especially among younger voters. Ambitious Democratic hopefuls are reassessing their messaging and position on Israel, with progressive liberals aggressively condemning the country for committing a so-called “genocide” in Gaza. 

As the DNC considers the measure, the outcome could serve as a signal of where the party stands in an evolving political landscape.

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Catholic University of America Under Fire for Requiring ‘Opposing Viewpoint’ for Combating Antisemitism Event

A general view of the Catholic University of America (CUA) campus in Washington, DC. Photo: Graeme Sloan/Sipa USA via Reuters Connect

The Catholic University of America (CUA) is being criticized for denying the Students Supporting Israel campus organization approval to host events on combating antisemitism and defending Israeli security unless it agrees to feature “opposing viewpoints.”

The episode began earlier this month when Students Supporting Israel (SSI), a national organization that has faced opposition from CUA before, publicly complained that the university refused to sanction both an event in which US Rep. Randy Fine (R-FL) would discuss “ending campus antisemitism” and another featuring an Israel Defense Forces (IDF) soldier with experience in resisting jihadist terrorism along Israel’s security fence with the West Bank.

According to university policy, civil dialogue on the contemporary issues can’t be held unless it includes “speakers representing both sides.” While the policy purports to promote intellectual exchange, critics say it has the effect of compelling speech or censoring it altogether by imposing conditions on free speech to which no group could agree without undermining its mission.

In SSI’s case, the group has said that CUA’s policy demands the participation of anti-Israel, even antisemitic voices who would leverage a speaking engagement to utter dehumanizing opinions about Jews or propaganda confected by the Hamas terrorist organization and other groups which seek to destroy the world’s only Jewish state.

The case has now become the cause of the Foundation for Individual Right and Expression (FIRE), a group which has at times disagreed with the pro-Israel community’s outlook on free speech issues.

“While CUA is a private university and therefore not bound by the First Amendment, it is legally and morally bound to adhere to the institutional commitments it has voluntarily made to protect students’ freedom of speech,” FIRE said on March 18 in a blistering demand letter to the university. “Forcing student organizations ‘to host or accommodate another speaker’s message,’ even in the service of providing a greater range of views, inevitable ‘alters the expressive content’ of the event. Having made these free speech commitments, it is no more appropriate for CUA to require Students Supporting Israel to host speakers who oppose Israel than it would be for the federal or state government to force CUA to couple its institutional pro-Catholic messages with anti-Catholic viewpoints.”

This is not the first time that the Catholic University of America has allegedly trampled on the rights of pro-Israel advocates.

In October, it allegedly used bureaucratic obstruction to suppress Jewish grieving and commemoration of the children, women, and men whom Hamas-led Palestinian terrorists murdered during the Oct. 7, 2023, massacre in southern Israel by canceling a memorial display that was approved in August.

According to the school’s SSI chapter, university officials cited an arcane policy which proscribes flying the flag of any foreign nation, except for that of the Vatican, on campus. However, SSI maintains that it was selectively applied to it with malice, citing that anti-Israel organizations have flown the Palestinian flag on campus numerous times, with and without official permission, as have many other organizations.

At the time, The Algemeiner requested photographic evidence of SSI’s claims of selective enforcement, to which the group responded by sending several pictures showing dozens of foreign flags flying on the campus, including those representing the nations of Brazil, France, and Ukraine. The group added that after canceling SSI’s memorial for the second anniversary of the Oct. 7 atrocities, university staff marched toward the event spaces and dismantled everything SSI had set up and topped off the act by stuffing Israeli flags into a plastic bag, which was left on a random office chair as an afterthought.

On Monday, SSI president Felipe Avila told The Algemeiner that CUA has a pattern of squelching pro-Israel speech.

“These event details are not isolated incidents; they represent a systemic pattern of discrimination we have faced since our founding,” Avila said. “From the dismantling of our Oct. 7 memorial to the unequal enforcement of event guidelines today, administrators consistently place insurmountable hurdles in front of our students. We should not be forced to platform competing viewpoints as a condition of discussing our own community’s safety and security.”

Citing the Second Vatican Council’s rejection of antisemitism in the Catholic Church, he added, “Students Supporting Israel will continue to vigorously defend our right to speak out against antisemitism, in the very spirit of the Church’s own teaching in Nostra Aetate.”

Follow Dion J. Pierre @DionJPierre.

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