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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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NYC’s Eric Adams condemns anti-Israel art exhibit: ‘Activism is not an excuse for antisemitism’
New York City Mayor Eric Adams used his podium in City Hall Thursday to take aim at an anti-Israel art installation that appeared on Governors Island over the weekend.
In a virtual address, Adams also took thinly veiled aim at Zohran Mamdani, the frontrunner to replace him after next week’s election, suggesting that the kind of antisemitism that he said had festered even under his leadership would explode under Mamdani’s.
Adams’ address centered on an installation, housed in the House 11 cabin owned by the Trust for Governors Island and occupied by Swale, a floating food forest nonprofit, that featured paintings that included the words “F—k Israel Ln” and “Hamas Lover.”
The exhibit, which was displayed on Sunday, was “unsanctioned by Governor’s Island” and was taken down a few hours after it was installed, Adams said.
“This incident disturbs me, and it should disturb anyone with a conscience,” said Adams in a virtual address from City Hall on Thursday. “I’ve talked a lot about how we’ve seen these incidents erode the fabric of cities across the globe, but in New York City, we must never tolerate this type of prejudice.”
Swale denounced the exhibit in a post on Instagram, writing that it was “devastated that someone would use a restorative project for their own personal platform for sowing discord.”
“The individual responsible was not part of our programming and not an artist-in-residence,” the post read. “The unapproved artist was invited into an empty back studio by a current artist-in-residence during seasonal wind-down without authorization to display work. We view this as a deliberate and malicious act by the artist.”
The artist allegedly behind the installation, Rebecca Goyette, who was identified by the New York Post, authored an op-ed in Hyperallergic where she described developing a relationship with a Palestinian dentist after working on a pro-Palestinian protest at the Metropolitan Museum of Art.
Adams, who dropped out of the mayoral race last month and last week endorsed Mamdani’s rival, Andrew Cuomo, used his address to decry what he described as the normalization of antisemitism in New York City.
“We are now watching as antisemitism is institutionalized right before our very eyes,” said Adams. “Before we know it, hate moves to the mainstream, and once it is in the mainstream, it becomes much harder to mobilize against. We saw that with apartheid. We saw that with the Holocaust, and I would be lying if I said I didn’t see seeds of it planted within our own city government.”
Later, Adams took aim at “those who want to say they want to globalize the intifada,” an apparent reference to mayoral frontrunner Zohran Mamdani who caught fire from Jewish leaders after he declined to condemn the pro-Palestinian slogan during a podcast appearance in June.
A month later, Mamdani told business leaders at a closed-door meeting that he would discourage the use of the phrase.
“I know it is not too late for New York,” said Adams. “We will never surrender our city to hate or to those who want to say they want to ‘globalize the intifada,’ or to choose and believe and not refuse to condemn it, because it’s literally a phrase that means death to Jews all over the world.”
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Heritage Foundation president stands by Tucker Carlson after host platforms antisemitism
The president of the Heritage Foundation, the leading conservative think tank, defended right-wing pundit Tucker Carlson and said the group would not cut ties with him days after Carlson hosted an interview with antisemitic influencer Nick Fuentes.
Kevin Roberts also said in a video on the social network X that Christians should reject calls not to criticize Israel, which he said were coming from a “venomous coalition” of “bad actors,” and that conservatives should further refrain from “canceling” Fuentes.
“We will always defend truth, we will always defend America and we will always defend our friends against the slander of bad actors who serve someone else’s agenda,” Roberts said. “That includes Tucker Carlson, who remains, and, as I have said before, always will be, a close friend of the Heritage Foundation.”
He warned Carlson’s critics: “Their attempt to cancel him will fail.”
It was a striking show of support from the influential conservative organization, which previously put out “Project Esther,” a right-wing plan to counter antisemitism post-Oct. 7. The Heritage Foundation was also behind Project 2025, a right-wing blueprint for President Donald Trump’s second term in office that has been closely adhered to on a policy level, and has farmed many of Trump’s closest associates.
Fuentes has mounted an outside bid for influence within the larger right-wing movement, using overt antisemitism as his main flank. His chummy conversation with Carlson, who agreed with the provocateur on many issues including Israel, was seen as a further mainstreaming of antisemitic views within the right.
Roberts, however, saw it as embodying the conservative ideals of free debate.
“I disagree with, and even abhor, things that Nick Fuentes says,” Roberts said, without elaborating. “But canceling him is not the answer, either. When we disagree with a person’s thoughts and opinions, we challenge those ideas in debate. And we have seen success in this approach as we continue to dismantle the vile ideas of the left.”
Framing Carlson’s critics as dissatisfied online, Roberts continued, “The Heritage Foundation didn’t become the intellectual backbone of the conservative movement by canceling our own people or policing the consciences of Christians. And we won’t start doing that now. We don’t take direction from comments on X.”
Elsewhere, the Heritage head staked out a position that was critical of Israel, at a time when once-sacrosanct support for the country on the right is diminishing.
“Christians can critique the state of Israel without being antisemitic. And of course, antisemitism should be condemned,” he said. “My loyalty as a Christian and as an American is to Christ first, and America always. When it serves the interests of the United States to cooperate with Israel and other allies, we should do so, with partnerships on security, intelligence and technology. But when it doesn’t, conservatives should feel no obligation to reflexively support any foreign government, no matter how loud the pressure becomes from the globalist class or from their mouthpieces in Washington.”
(The term “globalist” has a history of being used as an antisemitic dog whistle.)
Roberts’s remarks on only supporting Israel when it suits the United States echoed similar statements made by Vice President JD Vance in Mississippi Wednesday evening — at an event in which Vance, too, was criticized for failing to condemn a question laced with antisemitism. In his video, Roberts also called Vance a friend and positively referenced his comments.
On X, some conservative Jews criticized Roberts.
“There can be no respectful debate with people who have said the things that Fuentes and Tucker have said about Jews,” replied Mike Ginsberg, a Jewish Virginia Republican. “Regarding Jews, neither Tucker nor Fuentes have taken rational political positions one can debate honestly … Choosing to associate with them — consciously, knowing what they have said about Jews — is a choice.”
One person thankful for Roberts’s remarks was Fuentes himself.
“Thank you for your courage in standing up for open discourse and defending Tucker against the Israel First Woke Right,” he wrote to Roberts on X.
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Islamic Group CAIR Protests Expected Sale of TikTok to ‘Anti-Palestinian Billionaires’
CAIR officials give press conference on the Israel-Hamas war. Photo: Kyle Mazza / SOPA Images/Sipa USA via Reuters Connect
The Council on American-Islamic Relations (CAIR), a prominent Muslim advocacy group linked to extremist organizations, has sent a letter to US lawmakers claiming that the expected sale of the social media platform TikTok’s US operations to a group of investors that includes Jewish and pro-Israel businessmen could suppress online criticism of Israel.
In the letter, dated Oct. 28, CAIR claimed that some of the rumored buyers — Oracle co-founder and board chair Larry Ellison, Fox Corporation CEO Lachlan Murdoch, and Dell Technologies CEO Michael Dell — are “anti-Palestinian billionaires” seeking to silence TikTok users critical of Israel’s defensive military campaign in Gaza. The group urged lawmakers to oppose any sale that, in its words, would replace “Chinese disinformation” with “anti-Palestinian disinformation.”
The letter comes as the Trump administration is reportedly finalizing a deal with China to transfer majority ownership of the popular video-sharing platform TikTok from the Chinese company ByteDance to a group of US investors. The move follows the 2024 passage of the Protecting Americans From Foreign Adversary Controlled Applications Act, which required ByteDance to divest TikTok or face a US ban.
CAIR warned that Oracle could play a central role in the new ownership structure, potentially controlling TikTok’s powerful recommendation algorithm. The organization alleged that such control could be used to downrank content critical of Israel while promoting pro-Israel narratives.
Jewish content creators and employees of TikTok have warned over the past two years, amid the war in Gaza, that the platform promotes antisemitism and has pushed an anti-Israel and anti-Western bias among its young base of users. Specifically, many activists have argued that the algorithm systemically peddles anti-Israel content and disinformation and has become a main vehicle driving antisemitism among the youth.
Ellison, a longtime supporter of Israel, has donated tens of millions of dollars to the Friends of the IDF [Israel Defense Forces] nonprofit organization and maintained a personal relationship with Israeli Prime Minister Benjamin Netanyahu. CAIR also pointed to the Ellison family’s recent media acquisition of CBS News through Skydance Media, calling it evidence of growing influence by “anti-Palestinian ideologues.”
The letter further accused Dell of supporting the Israeli military through his company’s technology subsidiaries, while citing the Murdoch family’s record of “anti-Palestinian propaganda” via Fox News. Venture capital firm Andreessen Horowitz and private equity firm Silver Lake, also rumored to be part of the deal, were criticized for investing in Israeli defense technology firms.
CAIR said TikTok had already begun limiting pro-Palestinian expression, referencing the company’s July 2025 hiring of a former Israeli soldier to monitor user speech. The group claimed this reflected a troubling pattern that could worsen under the new ownership.
While CAIR framed the sale as a threat to free speech, supporters of the divestment argue that US ownership would better safeguard data privacy and national security. The Trump administration has not publicly addressed CAIR’s allegations, and negotiations with China reportedly remain ongoing.
US Treasury Secretary Scott Bessent said on Thursday that China has approved the transfer agreement for TikTok, adding that he expects it to move forward in the coming weeks or months but giving no other details.
CAIR has long portrayed itself as a Muslim civil rights organization but has faced bipartisan criticism for controversial statements about Israel and for defending individuals tied to extremist movements. Israeli officials and Jewish advocacy groups have frequently accused CAIR of spreading anti-Israel propaganda under the guise of civil rights advocacy.
In the 2000s, CAIR was named as an unindicted co-conspirator in the Holy Land Foundation terrorism financing case. Politico noted in 2010 that “US District Court Judge Jorge Solis found that the government presented ‘ample evidence to establish the association’” of CAIR with the Palestinian terrorist group Hamas.
According to the Anti-Defamation League (ADL), “some of CAIR’s current leadership had early connections with organizations that are or were affiliated with Hamas.” CAIR has disputed the accuracy of the ADL’s claim and asserted that it “unequivocally condemn[s] all acts of terrorism, whether carried out by al-Qa’ida, the Real IRA, FARC, Hamas, ETA, or any other group designated by the US Department of State as a ‘Foreign Terrorist Organization.’”
CAIR leaders have also found themselves embroiled in further controversy since Hamas’s Oct. 7, 2023, massacre across southern Israel.
The head of CAIR, for example, said he was “happy” to witness Hamas’s rampage of rape, murder, and kidnapping of Israelis in what was the largest single-day slaughter of Jews since the Holocaust.
“The people of Gaza only decided to break the siege — the walls of the concentration camp — on Oct. 7,” CAIR co-founder and executive director Nihad Awad said in a speech during the American Muslims for Palestine convention in Chicago in November 2023. “And yes, I was happy to see people breaking the siege and throwing down the shackles of their own land, and walk free into their land, which they were not allowed to walk in.”