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Jonathan Safran Foer’s online flirtation with Natalie Portman inspires a new play
(New York Jewish Week) — When Jewish literary power couple Jonathan Safran Foer and Nicole Krauss divorced in 2014 — amid rumors that he was in love with his longtime friend Natalie Portman — it captivated the nation.
Well, maybe not the nation, but certainly the literary and media worlds, as well as the hipster set in brownstone Brooklyn. Safran Foer and Krauss were rare literary megastars, whose “extremely loud and incredibly expensive” Park Slope brownstone was the subject of numerous articles (and a hefty dose of envy) when it hit the market for $14.5 million in 2013.
Portman, of course, was an actual megastar, and when the confessional correspondence between the celebrated actress and the “Everything Is Illuminated” writer was later published in 2016 in the New York Times, it elicited a fresh round of jealousy, speculation and eye-rolls from the masses, as well as numerous journalistic “takes” on the topic.
I was a teenager at the time, and had only a vague idea of why any of this mattered. But apparently it stayed with me for nearly a decade, because when I saw “The Wanderers,” a new Off-Broadway play running at the Roundabout Theatre Company, it didn’t take long for me to make the connection between this fictional production and the very real but mysterious drama that occurred between these famous Jewish writers.
“The Wanderers,” directed by Barry Edelstein, follows two couples in two different timelines. In the present day are Abe and Sophie, secular Jews and writers who live in Brooklyn and have been together since they were teenagers. The other storyline, set in the 1970s, centers around Esther and Schmuli, a Hasidic couple living in Satmar Williamsburg. The latter are introduced to the audience on the eve of their wedding, one of the first times they’ve ever been alone together.
Throughout the play, the couples, seemingly from different worlds, try to balance their careers, personal lives, internal desires and family obligations.
Abe (Eddie Kaye Thomas) is a writer who boasts a Pulitzer Prize and several other literary awards. But he struggles with certain aspects of his life — his frayed relationships, mostly — and is hamstrung by an immense ego that is tempered only by a hefty dose of insecurity. As I watched the play, I began to feel like I knew the man, but I couldn’t quite place him. Was he just a stand-in for every genuinely talented, semi-pretentious, self-important male writer living in Brooklyn?
Abe eventually finds an outlet for his woes by striking up an email correspondence with fictional Hollywood actress Julia Cheever (Katie Holmes, the real Hollywood actress), whom he met when she came to a reading of one of his novels. Eventually, he declares his love for her — a pronouncement that essentially goes ignored by the actress. (In the play, Holmes sports a chic brunette bob not unlike a Jewish actress near and dear to our hearts.)
It became pretty clear who served as the inspiration for this play — and when I asked playwright Anna Ziegler about it, she said I was one of the few she had spoken with who had made the connection.
“In the summer of 2016, when I was writing, Natalie Portman and Jonathan Safran Foer were writing to each other in a correspondence they published in the New York Times,” she said. “She was promoting a new movie of hers, and I guess they had a previous relationship — that sparked the idea for one of the storylines in the play.”
What’s funny, Ziegler said, was that most audience members haven’t made the connection. “We haven’t really been talking about [Safran Foer and Portman] as one of the inspirations, and not many people have raised it,” she said. “I assumed that that resonance would be there for a certain percentage of the audience but, to be honest, I don’t think it’s there for the vast majority of people.”
At one point in the play, after learning his father died, Abe even says the line “Hineni, here I am,” to ground himself and calm his emotions. It’s a phrase in the Torah that usually translates to “I am ready,” which Abraham says to God before being asked to sacrifice his son, Isaac, as well as a prayer of humility chanted on Rosh Hashanah. But it’s also, possibly, a nod to Safran Foer’s 2016 novel “Here I Am.”
Neither Krauss nor Safran Foer responded to requests for comment on the play. “For people in my generation and younger, the recognition might be there, but it was also so many years ago now,” said Zielger, 44. “So I guess the only people who remember it are the people on whom it made an impact.”
Which is fine — “The Wanderers” stands on its own even if you don’t know the backstory. Plus, the themes of the play stretch far beyond infidelity: It also explores loneliness, free will and inherited family trauma.
Originally, Ziegler set out to write something about arranged marriages, specifically within the Jewish community. “I had always been kind of fascinated and beguiled by the idea of arranged marriage — thinking about what it would be like spending that first night together, that notion always kind of haunted me,” she said.
“I had these two different plays [one about Portman and Safran Foer and the other about arranged marriages], and they seemed thematically related,” she added. “At some point, I concluded that they really were two strands at the same play and so I started weaving them together.”
Ziegler chose to write about the Hasidic Jewish community in particular because she was “somewhat familiar with that culture and community,” she told me.
Still, as a secular Jew, it’s a topic she approached delicately. She hired a cultural consultant and an accent coach for the actors who were both from the community. Ziegler herself, who lives in Brooklyn, spent time in Williamsburg, and read memoirs and watched documentaries.
In the play, the Hasidic wife Esther (Lucy Freyer) struggles to be seen by her community and to feel in control of her life. She doesn’t know where to turn and wonders if she’s fulfilled her potential — as a parent, wife, human and Jew. “One of the great joys of being an actor is being able to learn and dive head first into a community that you ordinarily wouldn’t get to know,” Freyer said.
As the story unfolds, it’s revealed that Esther left the community with her infant son, who grows up to be the renowned Jewish author Abe, who marries his childhood friend Sophie (Sarah Cooper, the comic and actress who broke big with videos mocking Donald Trump). The younger couple is almost entirely secular, yet they grapple with the same search for meaning and belonging, the same doubt as to whether they’ve chosen the right path for themselves — or if it had been chosen for them.
“All five characters, not just Schmuli and Esther, are trying to figure out how can you be happy with what you have, with where you stand in your own skin,” said Dave Klasko, who plays Schmuli.
“We say in the play the Hebrew phrase, ‘Ein ba’al hanes makir b’niso,’ which [Ziegler] poetically translates to ‘We are never aware of the miracles, especially when we are inside them,’” Klasko added. “How can I, in my own life, realize the miracle that I’m living in before I’m on the other side of it?”
For Ziegler, these are very Jewish questions — and the questions of the “Xillennial” generation. “We’re left [with] the complex heritage of feeling chosen, but also self-hating,” said Ziegler, whose previous plays include “Photograph 51,” about Rosalind Franklin, the Jewish X-ray crystallographer who helped Watson and Crick crack the DNA model. “I think this is the most Jewish of my plays, and it’s funny because I’m not that religious, but I have found in my career that there seems to be a hunger for plays about Judaism.”
“At some point in my career, I began to be thought of as a ‘Jewish writer’ — for better or for worse,” she added.
Safran Foer, 46, and Krauss, 48, have also wrestled with the “Jewish writer” term, as well as the play’s big questions of identity, self-doubt and complicated family relationships. In fact, as Ziegler and the actors point out, issues of the play are universal, and have nothing to do with how famous you are, how expensive your home may be, or how strictly you adhere to religious law. The celebrity allusion — plus the chance to see an actual celebrity, Holmes — may be a reason to buy a ticket to see “The Wanderers,” but the timeless message is what will keep you in your seat.
“The Wanderers” is playing at the Roundabout Theatre Company (111 West 46th Street) through April 2. Find tickets and more information here.
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Jewish students report intimidation and closures as Oct. 7 anniversary sparks campus unrest
The second anniversary of the Oct. 7 Hamas-led terrorist attack on Israel was marked by vigils, protests and heated confrontations that Jewish students say left them feeling unprotected on their own campuses, while administrators issued statements about safety and free expression.
In Montreal, one university pre-emptively shut down its downtown campus. At the University of Toronto’s Mississauga campus, a vigil honouring Palestinian ‘martyrs’ ended with Jewish students being escorted out a back door. In Toronto, a high school’s decision to play O Canada in Arabic on Oct. 7 earned a rebuke from Ontario’s education minister.
StandWithUs Canada called Oct. 7 “a challenging day for Jewish and pro-Israel students,” saying many “fell victim to targeted harassment from antisemitic protesters” as they tried to mark the anniversary by displaying hostage photos and Israeli flags.
Montreal: Concordia closes, McGill sees flag burning and police warnings
In Montreal, Concordia University took the extraordinary step of closing its downtown Sir George Williams campus on Oct. 7, citing “the threat of extreme disruption.”
In a letter to students, vice-president and vice-chancellor Graham Carr said the decision was made “to protect our entire community” after two non-students were arrested the previous day—one allegedly carrying “a metal bar and several incendiary devices.”
“With hundreds of protesters from other universities and CEGEPs expected, as well as counter-protesters not linked to the university planning to gather outside our downtown campus this afternoon,” Carr wrote, “the threat of extreme disruption is simply too high to operate as usual. Acts of intimidation and violence have no place in our society.”
Concordia’s communications office had already reminded students that violence would not be tolerated and that those who wished to attend classes should be able to do so “without disruption or harassment.” But for many Jewish students, the shutdown felt like capitulation.
“It really scared many normal students who just want to go to class,” said Anastasia Zorchinsky, founder and co-president of the Startup Nation Concordia chapter. “It shows the university is giving in to the violence.”
Hundreds of officers—more than 600, according to Montreal police—patrolled the downtown core, sealing off sections of Ste-Catherine Street.
Outside Concordia’s Hall Building, about 80 counter-demonstrators, including Jewish Montrealers, Quebec nationalists and students from both Concordia and McGill, rallied in support of Israel before marching east toward McGill behind a billboard truck streaming images from the Oct. 7 massacre and other global atrocities.
At McGill University, which remained open but under restricted access, tensions escalated quickly. Several hundred pro-Palestinian demonstrators pushed through security gates to occupy the main lawn, setting off smoke bombs and ignoring police orders to disperse.
Zorchinsky who visited McGill, said she saw “fireworks in the middle of campus” and “a bloody Israeli flag” being burned on the ground. “It was just unbelievable and the police did nothing,” she told The CJN.
When a Jewish student unfurled an Israeli flag nearby, she said, police confronted him. “They said, ‘You’re going to get arrested if you don’t leave now,’” she recalled. “Then a few other students got their Israeli flags out and police came to us. They said it’s an order, you must leave now. We’re not negotiating.” Officers then physically escorted them off campus.
She described the experience as “unbelievable,” adding, “in that moment I understood that things are much worse than before.”
A Quebec Superior Court judge had denied McGill’s request weeks earlier for an injunction to restrict campus protests, finding that while evidence of antisemitic incidents was “extremely troubling,” the proposed order would not prevent future harm and could infringe on free expression.
McGill said it had “enhanced campus security measures” and that “academic activities will proceed as planned.”
Students such as Drew Sylver, who attends Concordia, said those promises rang hollow. “Statements are great, but action is what’s needed,” he told The CJN on Oct. 6. “Without visible consequences, the scene just repeats.”
Mississauga: Jewish vigil ends in confrontation
At the University of Toronto Mississauga (UTM), Jewish students gathered for a small vigil to commemorate victims of the Oct. 7 massacre. Hillel Ontario and StandWithUs Canada said the group was surrounded by demonstrators and escorted out a back door by security, calling it “a disgrace that, on the anniversary of the worst mass murder of Jews since the Shoah, Jewish students had to be escorted out a back door to protect them from an angry mob.”
The organizations described the event as “a moral failure and an institutional disgrace,” urging UTM to “immediately and unequivocally condemn this hateful mob and take action to hold those responsible accountable.”
The CJN reached out to the University of Toronto Mississauga for comment but did not receive a reply.
Toronto: anthem in Arabic on Oct. 7 prompts outrage
In Toronto, controversy erupted at Earl Haig Secondary School, where the morning broadcast of O Canada was played in Arabic. In an email statement, a Grade 12 student at Earl Haig told The CJN the anthem was followed by an announcement recognizing Islamic Heritage Month, and that the principal’s later message urging kindness made no mention of Jews, Israel or the Oct. 7 anniversary.
“Many students and parents felt this was incredibly insensitive,” the student wrote in an email statement. “Our administration has continued to ignore Jewish and Israeli voices—this being yet another example.”
StandWithUs Canada said the decision “begs questions at the very least about the school’s sensitivities, and at worst, about an intentional desire to isolate and discriminate against Jewish students.” The group described the timing—on the day marking “the deadliest attack on Jews since the Holocaust”—as “a coincidence too uncanny to ignore.”
Ontario Education Minister Paul Calandra criticized the move on X, writing that he was “disappointed that I would have to direct school boards [to] demonstrate appropriate respect for our National Anthem by ensuring that it is played only in its official form.” He said the incident “underscores that school boards should be focused on creating safe learning environments for all students, never at the expense of one community over another.”
Legal push: Tafsik files complaints over Oct. 7 incidents
Tafsik, a Jewish civil-rights organization that describes itself as a grassroots network combatting antisemitism and hate crimes in Canada, responded to the day’s events by announcing a wave of legal complaints to the Human Rights Tribunal of Ontario.
The filings name several institutions, including Earl Haig Secondary School, the University of Toronto, and multiple school boards and student unions.
“Yesterday was a brutal day for our community,” the organization said. “The horror of the October 7th massacre still hangs over us … but it wasn’t just the memory of that bloodshed that left us reeling. It was the sickening reality that once again, universities, schools, and unions chose to rally against us.”
Tafsik vowed to pursue accountability “with maximum intensity,” declaring that “Jewish safety and dignity are non-negotiable.” It also warned that individuals who incite hate or issue threats online would face “real, legal, expensive, and lasting consequences.”
Tafsik is on a rampage! Enough is enough!
Today our legal task force mobilized to go after institutions that mocked our community and celebrated October 7th massacre on campuses and schools across Ontario.
We have filed cases with the Human Rights Tribunal of Ontario against… pic.twitter.com/evTa0RVgBj
— Tafsik Organization (@Tafsikorg) October 8, 2025
‘Campus is unsafe’
By the end of the day, downtown Montreal remained under heavy police watch, and McGill’s lawns were littered with protest debris.
For Zorchinsky, who watched police push back Jewish students for displaying Israeli flags at McGill, the anniversary reinforced a grim pattern. “Campus is unsafe,” she said. “We all have to go there every single day, and the university itself should be changing that. Not us.”
She and others say they want more than symbolic gestures—they want consistent enforcement. “Without consequences, statements mean nothing,” Zorchinsky said.
With files from Joel Ceausu
The post Jewish students report intimidation and closures as Oct. 7 anniversary sparks campus unrest appeared first on The Canadian Jewish News.
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Minneapolis synagogue targeted with antisemitic, pro-Hamas graffiti on Oct. 7 anniversary
Graffiti targeting “zionists” and praising Hamas was spray-painted on the preschool wing of a Minneapolis synagogue on Tuesday night, the second anniversary of Hamas’ Oct. 7, 2023, attack on Israel.
Rabbi Marcia Zimmerman said she was notified by one of Temple Israel’s neighbors about the vandalism. She said her first reaction was outrage and pain.
“This does not solve any problem, and blaming American Jews in Minnesota for what’s happening globally is hate speech, it’s antisemitism. It’s nothing different than that,” she said. “It’s not about political differences. It’s about hate.”
“Fuck Zionism” is spray-painted on the wall of Temple Israel. (Lonny Goldsmith/TC Jewfolk).
On the building was spray-painted “Watch out Zionists,” “Fuck Zionism,” and “Al-Aqsa Flood,” Hamas’ code name for the Oct. 7 attack. There were also 14 inverted red triangles spray-painted on the building — a symbol associated with Hamas, which has used it in videos produced by its military wing to signify Israeli targets. The symbol has appeared in other graffiti of Jewish institutions during theIsrael-Hamas war.
Zimmerman said a report has been filed with the Minneapolis Police Department and video footage has been turned over for the investigation. E-mails to the MPD seeking comment were not returned.
Steve Hunegs, the executive director of the Jewish Community Relations Council of Minnesota and the Dakotas, called the incident “harrowing.”
“It’s targeted and consciously imitating the mass terrorism of Oct. 7,” he said. “It doesn’t get much more antisemitic and violent than that, other than the actual perpetration of the horrific acts.”
Hunegs said the incident represents an escalation of anti-Israel rhetoric.
“We’re seeing that someone would take the time to, in the middle of the night on Oct. 7, to vandalize the synagogue with the most incendiary, venomous message you could possibly find,” he said. The perpetrators, Hunegs said, decided “terrorism against Jews is worthy of celebration, and [they’re] going to take that message to an iconic synagogue in the heart of Minneapolis.”
Zimmerman said that she heard from Gov. Tim Walz and Minneapolis Mayor Jacob Frey, who is Jewish and has attended services at Temple Israel. He said in a tweet that the vandalism was “a reminder that hate still tries to find a foothold” but that it would not find on in the city.
“People are reaching out and in that, you feel a connection and camaraderie and support,” Zimmerman said. “Which is very helpful, but it doesn’t take away the horror of the message. It does help to not feel so alone.”
Zimmerman said she is a proud Zionist who also wants to see an end to suffering in Gaza — something that she said whoever spray-painted the graffiti did not understand.
“If you do understand the nuance and the complicated realities of the world and see each other as human, then you don’t do this. It’s disregarding the humanity of others by promoting hate and promulgating hate,” she said. “But it’s not going to stop us from continuing to do our work and to do interfaith work and to move forward in being proud of being Jewish and teaching about Israel and making sure that we work towards peace and towards the mission of being in the city and supporting the city.”
This story originally appeared on TC Jewfolk, an independent publication covering Jewish life in Minneapolis.
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Jewish freelance journalist Emily Wilder is detained as Israeli military intercepts Gaza aid flotilla
(JTA) — Jewish freelance journalist Emily Wilder, reporting for Jewish Currents, a progressive Jewish publication, was detained by the Israeli military on Monday while covering an aid flotilla bound for Gaza.
Wilder set sail from Italy last week aboard The Conscious, one of dozens of boats that aimed to reach Gaza and deliver humanitarian aid to the besieged enclave.
But that effort was cut short when Wilder, along with the other journalists and aid workers on her voyage, was intercepted by the Israeli military and detained. The military has intercepted, detained and deported activists sailing to Gaza multiple times in recent weeks.
Jewish Currents has been staunchly against the war in Gaza, calling Israel’s campaign there a genocide and advocating for the Palestinian cause. In an email to subscribers, publisher Daniel May said the publication sent Wilder on a flotilla because of the value of the reporting she could produce.
“Jewish Currents commissioned Emily’s reporting because we know that Israel’s unprecedented restrictions on journalists have facilitated the war crimes perpetrated in Gaza,” May wrote. “We also know that the flotillas are an important story in themselves.”
Wilder was a member of Jewish Voice for Peace and Students for Justice in Palestine, both anti-Zionist groups, as a student at Stanford University, from which she graduated in 2020. The next year, she was fired from the Associated Press in 2021 due to her social media posts about the Israeli-Palestinian conflict. Since then, according to her LinkedIn, she has worked as a freelancer and a human rights researcher.
Wilder was also documenting the voyage on her Instagram account, which has not posted an update since she and her crew were detained.
“Today, the @gazafreedomflotilla’s Conscience sets sail from the boot of Italy, with hopes of bringing ~70 media and medical workers across the Mediterranean to Gaza’s shores amid Israel’s blockade on international press and killing of doctors and journalists,” wrote Wilder last week in a post.
Israel’s foreign ministry blasted the flotilla participants in a post on X Tuesday.
“Another futile attempt to breach the legal naval blockade and enter a combat zone ended in nothing,” the post read. “The vessels and the passengers are transferred to an Israeli port. All the passengers are safe and in good health. The passengers are expected to be deported promptly.’
In the email, May directed readers to sign a Change.org petition calling for her release and to urge the California native’s representatives, including Democratic Sens. Adam Schiff and Alex Padilla, to advocate for her.
Last week, dozens of other boats that were part of the Global Sumud Flotilla were also intercepted, and hundreds of participants were detained and later deported, including Swedish activist Greta Thunberg who alleged that she had been “kidnapped and tortured” by the Israeli military. (Another flotilla effort including Thunberg was intercepted by the Israeli military in June.)
“My office has now confirmed that a second flotilla carrying vital humanitarian aid … has been intercepted, and nearly 145 passengers and crew detained,” wrote California Democratic Rep. Jimmy Comez in a statement. “Among the detained is my constituent Emily Wilder, a member of the press, who was reporting on the flotilla’s attempt to bring humanitarian aid to the people of Gaza.”
The post Jewish freelance journalist Emily Wilder is detained as Israeli military intercepts Gaza aid flotilla appeared first on The Forward.