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Letty Cottin Pogrebin wants Jews to own up to the corrosive power of shame
(JTA) — When a lawyer for Donald Trump asked E. Jean Carroll why she didn’t scream while allegedly being raped by Donald Trump, I thought of Letty Cottin Pogrebin. In her latest book, “Shanda: A Memoir of Shame and Secrecy,” she writes about being assaulted by a famous poet — and how the shadow of shame kept women like her silent about attacks on their own bodies.
That incident in 1962, she writes, was “fifty-eight years before the #MeToo movement provided the sisterhood and solidarity that made survivors of abuse and rape feel safe enough to tell their stories.”
Now 83, Pogrebin could have coasted with a memoir celebrating her six decades as a leading feminist: She co-founded Ms. magazine, its Foundation for Women and the National Women’s Political Caucus. She served as president of Americans for Peace Now and in 1982 blew the whistle on antisemitism in the feminist movement.
Instead, “Shanda” is about her immigrant Jewish family and the secrets they carried through their lives. First marriages that were kept hidden. An unacknowledged half-sister. Money problems and domestic abuse. An uncle banished for sharing family dirt in public.
“My mania around secrecy and shame was sparked in 1951 by the discovery that my parents had concealed from me the truth about their personal histories, and every member of my large extended family, on both sides, was in on it,” writes Pogrebin, now 83. “Their need to avoid scandal was so compelling that, once identified, it provided the lens through which I could see my family with fresh eyes, spotlight their fears, and, in so doing, illuminate my own.”
“Shanda” (the Yiddish word describes the kind of behavior that brings shame on an entire family or even a people) is also a portrait of immigrant New York Jews in the 20th century. As her father and mother father move up in the world and leave their Yiddish-speaking, Old World families behind for new lives in the Bronx and Queens, they stand in for a generation of Jews and new Americans “bent on saving face and determined to be, if not exemplary, at least impeccably respectable.”
Pogrebin and I spoke last week ahead of the Eight Over Eighty Gala on May 31, where she will be honored with a group that includes another Jewish feminist icon, the writer Erica Jong, and musician Eve Queler, who founded her own ensemble, the Opera Orchestra of New York, when she wasn’t being given chances to conduct in the male-dominated world of classical music. The gala is a fundraiser for the New Jewish Home, a healthcare nonprofit serving older New Yorkers.
Pogrebin and I spoke about shame and how it plays out in public and private, from rape accusations against a former president to her regrets over how she wrote about her own abortions to how the Bible justifies family trickery.
Our conversation was edited for length and clarity.
I found your book very moving because my parents’ generation, who like your family were middle-class Jews who grew up or lived in the New York metropolitan area, are also all gone now. Your book brought back to me that world of aunts and uncles and cousins, and kids like us who couldn’t imagine what kinds of secrets and traumas our parents and relatives were hiding. But you went back and asked all the questions that many of us are afraid to ask.
I can’t tell you how good writing it has been. I feel as though I have no weight on my back. And people who have read it gained such comfort from the normalization that happens when you read that others have been through what you’ve been through. And my family secrets are so varied — just one right after the other. The chameleon-like behavior of that generation — they became who they wanted to be through pretense or actual accomplishment.
In my mother’s case, pretense led the way. She went and got a studio photo that made it look like she graduated from high school when she didn’t. In the eighth grade, she went up to her uncle’s house in the north Bronx and had her dates pick her up there because of the shanda of where she lived on the Lower East Side with nine people in three rooms. She had to imagine herself the child of her uncle, who didn’t have an accent or had an accent but at least spoke English.
You describe yours as “an immigrant family torn between loyalty to their own kind and longing for American acceptance.”
There was the feeling that, “If only we could measure up, we would be real Americans.” My mother was a sewing machine operator who became a designer and figured out what American women wore when she came from rags and cardboard shoes, in steerage. So I admire them. As much as I was discomforted by the lies, I ended up having compassion for them.
It’s also a story of thwarted women, and all that lost potential of a generation in which few could contemplate a college degree or a career outside the home. Your mother worked for a time as a junior designer for Hattie Carnegie, a sort of Donna Karan of her day, but abandoned that after she met your dad and became, as you write, “Mrs. Jack Cottin.”
The powerlessness of women was complicated in the 1950s by the demands of the masculine Jewish ideal. So having a wife who didn’t work was proof that you were a man who could provide. As a result women sacrificed their own aspirations and passions. She protected her husband’s image by not pursuing her life outside the home. In a way my feminism is a positive, like a photograph, to the negative of my mother’s 1950s womanhood.
“I’m not an optimist. I call myself a ‘cockeyed strategist,” said Pogrebin, who has a home on the Upper West Side. (Mike Lovett)
You write that you “think of shame and secrecy as quintessentially Jewish issues.” What were the Jewish pressures that inspired your parents to tell so many stories that weren’t true?
Think about what we did. We hid behind our names. We changed our names. We sloughed off our accents. My mother learned to make My*T*Fine pudding instead of gefilte fish. Shame and secrecy have always been intrinsically Jewish to me, because of the “sha!” factor: At every supper party, there would be the moment when somebody would say, “Sha! We don’t talk about that!” So even though we talked about what felt like everything, there were things that couldn’t be touched: illness, the C-word [cancer]. If you wanted to make a shidduch [wedding match] with another family in the insular communities in which Jews lived, you couldn’t let it be known that there was cancer in the family, or mental illness.
While I was writing this memoir, I realized that the [Torah portion] I’m listening to one Shabbat morning is all about hiding. It is Jacob finding out that he didn’t marry Rachel, after all, but married somebody he didn’t love. All of the hiding that I took for granted in the Bible stories and I was raised on like mother’s milk was formative. They justified pretense, and they justified trickery. Rebecca lied to her husband and presented her younger son Jacob for the blessing because God told her, because it was for the greater good of the future the Jewish people.
I think Jews felt that same sort of way when it came to surviving. So we can get rid of our names. We wouldn’t have survived, whether we were hiding in a forest or behind a cabinet, a name or a passport, or [pushed into hiding] with [forced] conversions. Hiding was survival.
I was reading your book just as the E. Jean Carroll verdict came down, holding Donald Trump liable for sexually assaulting her during an encounter in the mid-’90s. You write how in 1962, when you were working as a book publicist, the hard-drinking Irish poet Brendan Behan (who died in 1964) tried to rape you in a hotel room and you didn’t report it. Like Carroll, you didn’t think that it was something that could be reported because the cost was too high.
Certainly in that era powerful men could get away with horrible behavior because of shanda reasons.
Carroll said in her court testimony, “It was shameful to go to the police.”
You know that it happened to so many others and nobody paid the price. The man’s reputation was intact and we kept our jobs because we sacrificed our dignity and our truth. I was in a career, and I really was supporting myself. I couldn’t afford to lose my job. I would have been pilloried for having gone to his hotel room, and nobody was there when he picked up an ashtray and threatened to break the window of the Chelsea Hotel unless I went up there with him.The cards were stacked against me.
In “Shanda,” you write about another kind of shame: The shame you now feel decades later about how you described the incident in your first book. You regret “how blithely I transformed an aggravated assault by a powerful man into a ‘sticky sexual encounter.’”
I wrote about the incident in such offhand terms, and wonder why. I wrote, basically, “Okay, girls, you’re gonna have to put up with this, but you’re gonna have to find your own magical sentence like I had with Behan” to get him to stop.
You write that you said, “You can’t do this to me! I’m a nice Jewish girl!” And that got him to back off.
Really painful.
I think that’s a powerful aspect of your book — how you look back at the ways you let down the movement or your family or friends and now regret. In 1991 you wrote a New York Times essay about an illegal abortion you had as a college senior in 1958, but not the second one you had only a few months later. While you were urging women to tell their stories of abortion, you note how a different shame kept you from telling the whole truth.
Jewish girls could be, you know, plain or ordinary, but they had to be smart, and I had been stupid. I could out myself as one of the many millions of women who had an abortion but not as a Jewish girl who made the same mistake [of getting pregnant] twice.
The book was written before the Supreme Court overturned Roe v. Wade. In the book you write powerfully about the shame, danger and loneliness among women when abortion was illegal, and now, after 50 years, it is happening again. Having been very much part of the generation of activists that saw Roe become the law of the land, how have you processed its demise?
Since the 1970s, we thought everything was happening in this proper linear way. We got legislation passed, we had litigation and we won, and we saw the percentage of women’s participation in the workplace all across professions and trades and everything else rise and rise. And then Ronald Reagan was elected and then there was the Moral Majority and then it was the Hyde Amendment [barring the use of federal funds to pay for abortion]. I was sideswiped because I think I was naive enough to imagine that once we articulated what feminism was driving at and why women’s rights were important, and how the economic reality of families and discrimination against women weren’t just women’s issues, people would internalize it and understand it and justice would be done.
In the case of Roe, we could not imagine that rights could ever be taken away. We didn’t do something that we should have done, which is to have outed ourselves in a big way. It’s not enough that abortion was legal. We allowed it to remain stigmatized. We allowed the right wing to create their own valence around it. That negated solidarity. If we had talked about abortion as healthcare, if we had had our stories published and created organizations around remembering what it was like and people telling their stories about when abortion was illegal and dangerous…. Instead we allowed the religious right to prioritize [fetal] cells over a woman’s life. We just were not truthful with each other, so we didn’t create solidarity.
Are you heartened by the backlash against restrictive new laws in red states or optimistic that the next wave of activism can reclaim the right to abortion?
I’m not an optimist. I call myself a “cockeyed strategist.” If you look at my long resume, it is all about organizing: Ms. magazine, feminist organizations, women’s foundations, Black-Jewish dialogues, Torah study groups and Palestinian-Jewish dialogues.
Number one, we have to own the data and reframe the narrative. We have to open channels for discussion for women who have either had one or know someone who has had one, even in religious Catholic families. The state-by-state strategy was really slow, but Ruth Bader Ginsburg wanted that. She almost didn’t get on the court because she didn’t like the nationwide, right-to-privacy strategy of Roe but instead wanted it won state by state, which would have required campaigns of acceptance and consciousness-raising.
So, the irony is she hasn’t lived to see that we’re going to have to do it her way.
You share a lot of family secrets in this book. Is this a book that you waited to write until, I’ll try to put this gently, most of the people had died?
I started this book when I was 78 years old, and there’s always a connection to my major birthdays. And turning 80 – you experience that number and it is so weird. It doesn’t describe me and it probably won’t describe you. I thought, this could well be my last book, so I needed to be completely transparent, put it all out there.
My mother and father and aunts and uncles were gone, but I have 24 cousins altogether. I went to my cousins, and told them I am going to write about the secret of your parents: It’s my uncle, but it’s your father. It’s your family story even though it’s my family, but it’s yours first. And every cousin, uniformly, said, “Are you kidding? You don’t even know the half of it,” and they’d tell me the whole story. I guess people want the truth out in the end.
Is that an aspect of getting older?
I think it’s a promise of liberation, which is what I have found. It’s this experience of being free from anything that I’ve hid. I don’t have to hide. Years ago, on our 35th wedding anniversary, we took our whole family to the Tenement Museum because we wanted them to see how far we’ve come in two generations.
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Jewishness found me on my European vacation
To visit Europe is to look at many old, stone churches. My recent trip was no exception, but a few things set our tour of Geneva’s Cathédrale Saint-Pierre apart.
The most obvious difference between it and your typical Notre Dames and basilicas is aesthetic: Saint-Pierre is a Protestant church at the hub of John Calvin’s ministry in the Old Town. There’s no crucifix or stations of the cross and the stained glass eschews biblical scenes, a rebuke of Catholic extravagance. An exception is a small adjoining chapel.
Our Swiss guide gave us the name of this alcove, the burial place of Cardinal Jean de Brogny: Chapelle des Maccabées.
I assumed she was giving some French term for “tomb” that shared a root with “macabre.” I was wrong. The chapel, whose gorgeous, 15th-century stained glass depicts the Evangelists, the Last Supper and Jesus seeming to teach what may be the first-ever CCD class, is one of the few Christian structures to boast an explicitly Jewish name. (The Book of Maccabees, replete with martyrs, is part of the Catholic canon, not the Protestant.)
As for that ghoulish word “macabre,” linguists believe it to be a cognate with the name of the Hasmonean rebels, perhaps a reference to many of their grisly fates.
I should say now that when I am on vacation I don’t seek out Jewish landmarks. A lot of times there isn’t much to see: a street sign clinging to the name of a ghettoized population long-since liquidated, an old cathedral built on top of an even-older synagogue, a museum in a basement in Barcelona.
When I arrived in Paris before setting sail on a Rhone river cruise, my
fiancée, her family and I paid a visit to the Shoah Museum there. English-speaking Chabadniks tried to get me to wrap tefillin while I waited in line at L’as Du Fallafel, the kosher-certified institution in the Marais. Nearby we found a Hellenic-themed juice bar — Temple du Jus — which boasts an ancient sandstone wall with inscriptions in Greek and Hebrew (next to a chintzy, fake Ionic column).
France boasts the largest population of Jews in Europe, mostly now from North Africa. There are synagogues in Avignon and Lyon, but on this trip, the less obvious markers were the ones that kept asserting themselves. There was the Rue Léon-Blum in Arles, named for the three-time prime minister of France. Geneva has Rue Albert-Cohen, for the Corfu-born Swiss novelist.
Montreux in Switzerland has a resplendent statue of the resort town’s longtime resident Freddie Mercury, arguably the world’s most-famous Zoroastrian. But when we visited, the construction workers building the Christmas village behind the Queen frontman were listening to Leonard Cohen’s “Suzanne.” (If you stop inside the shopping mall right near it, you’ll find Cohen’s name on the tiles, marking his 1976 performance at Montreux’s Jazz Festival.)
Our hotel breakfast had a version of chocolate babka, part of their “luxury collection,” with a posted explanation of the “sweet braided bread which originated in the Jewish communities of Poland and Ukraine.”
Our second evening in Geneva we went to a chalet-themed fondue restaurant called Edelweiss. There, a Swiss accordion player sang the establishment’s eponymous, invented folk song of Austria penned by a duo of Jewish Americans in English for The Sound of Music.
In the city hosting the UN’s base in Europe, and before that the League of Nations, such an international display was maybe unsurprising, but what struck me more is that it felt so natural.
For years now, watchdog groups have been fearing for the future of European Jewry amid increasing attacks and widespread pro-Palestinian protests. This assessment, rooted in valid concern, at times marches in lockstep with a far-right hostile to immigrants from the Muslim world. That alarm comes at times from the very same parties, and in the case of the National Assembly’s Marine Le Pen, the same family, that once leveled their xenophobia at Jews.
What I saw on my petit tour was a kind of cultural victory that will be harder to shake, even as French and British Jews continue to make aliyah in record numbers. It would perhaps shock those who lived through World War II that so much of the so-called national character, to which new arrivals are being labelled a threat, is now so casually Jewish. Emphasis on the “ish.”
For the most part, this Jewishness blends with the dominant culture, forming the soundtrack to builders putting up their Christmas market, giving the name to a Catholic tomb attached to a Protestant landmark or sitting on the buffet table a few stations away from cured ham. It is at times imported, at times native, like Serge Gainsbourg, or naturalized like Albert Cohen.
It’s not going anywhere, and if you’re paying even the slightest attention, it’s hard to miss.
The post Jewishness found me on my European vacation appeared first on The Forward.
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Christianity won in the midterm elections — but not Christian nationalism
The midterms saw the election of many new Jewish congressional representatives — Brad Lander in New York, Daniel Biss in Illinois, Scott Wiener in California, Zach Dembo in Kentucky. But another group was surprisingly well-represented in the Democratic wins: Christian pastors.
For decades, Christian clergy have usually been associated with the Republican party, thanks to evangelical groups like James Dobson’s Focus on the Family, Jerry Falwell’s Moral Majority and Pat Robertson’s Christian Coalition. They have rallied Evangelical support for politicians around culture war issues like opposing abortion rights and gay marriage, and white Evangelicals have been one of the defining voting blocs for Republicans ever since.
In 2024, fundamentalist evangelicals voted overwhelmingly for Trump, and they have been influential members of his cabinet and advisory team. Paula White-Cain, a charismatic Christian, is Trump’s personal faith adviser. Defense Secretary Pete Hegseth is a member of an ultra-conservative denomination called the Communion of Reformed Evangelical Churches founded and led by Doug Wilson, a pastor who has said women should not have the right to vote and that slavery was good; Hegseth has instituted prayer services at the Pentagon, something once considered a violation of the separation of church and state, and he and his preferred preachers often promote Christian nationalism in the services.
But in the 2026 midterms, the pastors and seminarians who won their races were overwhelmingly Democrats. And they were not Evangelical — they were mainline Protestants.
This includes James Talarico, a seminarian currently enrolled in the Austin Presbyterian Theological Seminary, who defeated Ken Paxton for the Texas Senate seat; Adam Hamilton, a United Methodist minister who became the first Democrat elected to the Senate from Kansas since 1932; and Rev. Sarah Trone Garriott, who won her House race in Iowa.
The shift in American Christianity that these wins represent, of mainline Protestantism over fundamentalist evangelicalism, may sound esoteric — both groups are, technically, Protestant, after all. And it can get confusing; Garriott’s mainline Protestant denomination is called the Evangelical Lutheran Church in America.
But the difference between the two Christian movements is essential to understanding the appetite for, and power of, Christian nationalism in the U.S., and represents Americans’ changing relationship to Jews and Israel.
What is mainline Protestantism?
The term mainline — or, sometimes, oldline — Protestant emerged in the early 20th century, during a debate between an emergent fundamentalist church movement and more modernist denominations. It referred to a historical group of churches that were influential in earlier American history, known as the Seven Sisters of American Protestantism.
But more colloquially, the term refers to a broader set of churches that share a theologically liberal style of scriptural interpretation, a focus on ecumenism — or acceptance and understanding among different Christian movements — and, usually, a progressive-leaning politics focused on social justice.
While mainline Protestants do not vote as a liberal bloc, the theology is less focused on culture war issues like abortion and LGBTQ+ rights; instead, they center the Social Gospel — a form of theology oriented toward loving thy neighbor and serving the poor. Most mainline churches allow women to be pastors and are accepting of LGBTQ+ members.
For much of American history, these churches were also the mainstream of American Christianity; they were the churches associated with WASPs and with wealthy, influential families like the Rockefellers. In 1970, mainline denominations accounted for 30% of Americans.
But in the 1970s, with the rise of major political evangelical organizations and leaders like Jerry Falwell, the balance of power shifted, and conservative, fundamentalist churches began to gain power. By 2024, only 14% of Americans identified as mainline Protestants according to the Pew Research Center; 23% identified as evangelical.
But judging by the midterms, mainline Protestant progressivism might be making a comeback.
Mainline Protestantism squares off against MAGA fundamentalism
The battle between fundamentalism and progressive mainline churches was not an undercurrent in many midterm campaigns; religion was an overt theme of attacks from the right on the Democrat pastors, and Republicans repeatedly cast doubt on the legitimacy of the Democrat’s Christianity.
In the race for Iowa’s second congressional district, Republican candidate Joe Mitchell jeered at the Christianity of the mainline Protestant ministers running for a variety of seats, including his opponent, Presbyterian minister Lindsay James, who ran as a Democrat.
“I call them PINOs,” Mitchell said at a conference; the term, he explained, means “pastors in name only.”
Republicans ripped Garriott, also a pastor, as “the wicked witch of Woke” and denounced her preaching as “fake.” Zachary Nunn, who lost to Garriott, took a similar tone in lambasting his opponent.
“I don’t need a lecture from someone who pretends to preach from the pulpit,” the Republican said in May during a Des Moines campaign rally with Republican Vice President JD Vance.
Talarico — who is not ordained but is a current seminary student, and who centered Christianity in his campaign — was meanwhile castigated by evangelical Republicans for statements they called un-Christian, such as saying God is “nonbinary.”
His rival, Paxton, castigated his theology, saying Talarico’s beliefs are “literally the opposite of Christianity,” while Texas’ Lieutenant Governor, Dan Patrick, said he has “never seen anyone commit so much blasphemy against the word of God and the Bible” and that the now-senator-elect was “going to Hell.”
At a service in a CREC church — Hegseth’s ultra-conservative denomination — a night was devoted to preachers inveighing against Hamilton’s Christian bonafides. Pastors called on the Democratic candidate in Kansas, a preacher at a large United Methodist congregation, to “repent” for his teachings, including that non-Christians aren’t going to hell. Vance accused him of wearing Christianity as “a skin suit.”
The Democratic pastors’ voting records, such as James’ support for gender-affirming care for minors or Talarico’s support for abortion access, were also framed as damning evidence of fake Christianity by Republican evangelicals.
Meanwhile, the ordained Christian Democratic candidates were open about their hope to reclaim Christianity from Republicans. Talarico made similar accusations to his critics, saying that “Christians in the halls of power are blatantly violating the teachings of Christianity on a daily basis and hurting our neighbors in the process.”
Garriott even stated that the representation of Christianity in Republican politics upset her so much that it motivated her to run for office to offer a different Christianity. “Faith has something to say to politics. And what we are seeing labeled as the faith perspective is not faithful to me,” she said in an interview with Religion News Service earlier in her campaign.
A Christian repudiation of Christian nationalism
Numerous members of Trump’s administration are outspoken Christian nationalists. Hegseth has a Crusades tattoo, and his preacher, Doug Wilson of the CREC, opposes the right of non-Christian Americans to hold office. Numerous architects of Project 2025, which advocated for a government imbued with “biblical principles” are members of the administration. JD Vance has stated that “Christianity is America’s creed.”
For religious minorities in the U.S., however, the mainstreaming of open Christian nationalism has been worrying; the Christianity pushed by these Christian nationalist figures has roots in antisemitism and Islamophobia, and imposing a version of religion that does not allow for diverse beliefs feels dangerous.
For many of these conservative Christians, supporting Christian nationalism is synonymous with being a devout Christian; they equate biblical values with morality, and advocating for a moral country is simple obedience to their beliefs. Not all Christians believe this is part of their religion, however; the mainline Protestants who just swept the midterms preach a Christianity that is overtly opposed to Christian nationalism.
Garriott has preached about the topic directly, saying that “evangelicalism, from a Christian nationalist perspective, is trying to make the nation, the government, and everyone the same.” She argued that her faith requires a diverse republic founded on ecumenism.
Talarico has similarly argued directly against Christian nationalism: “I believe the separation of church and state is sacred. I think a nation with one supreme religion is not just un-American, I also think it’s un-Christian, given how Jesus taught about religious supremacy,” he told Ezra Klein of The New York Times. “I have a special moral responsibility to combat Christian nationalism wherever I see it.”
This repudiation of Christian nationalism from within the majority religion of the U.S. is an essential defense for the minority religions of the U.S. And it comes from the ecumenism at the heart of mainline Protestantism. Though ecumenism historically focused on Christian unity, and acceptance of other denominations of Christianity, the theological bent toward nonjudgment — instead of conservative evangelicalism’s fire and brimstone — opens doors toward interfaith dialogue. Mainline Protestants are capable of antisemitism, of course, but the less literal theological interpretation that defines the movement helps keep minds open.
There is one detail of mainline Protestantism that may concern some Jews, however. Evangelicals have long been a source of stalwart support for Israel, thanks to the conservative movement’s eschatology, which focuses on the End Times when, it teaches, Jews must all return to the Holy Land in order for Jesus to return. In the past several decades, evangelicals who subscribe to this apocalyptic theology, including the current ambassador to Israel, Mike Huckabee, Christians United for Israel founder John Hagee and Texas senator Ted Cruz, have referenced their Christianity as grounds for supporting Israel unconditionally.
Mainline Protestantism has its roots in churches founded before this form of dispensationalism was popularized, and they are therefore less attached — at least theologically — to the state of Israel. And though most of the Democratic ministers are moderate on Israel, that’s far from the hawkish pro-Israel template for religious politicians that has previously been defined by evangelicals.
Still, in 2024, Americans voted for an evangelical, conservative, Christian nationalist government. That made for a government full of people defending their right to say that Jews killed Jesus, to post the Ten Commandments in schools, to make Christian prayer a part of military service. And in the midterms, the vision of Christianity the Republican party promoted couldn’t even accept other Christians, much less minority religions.
But that’s not what Christianity has to be. In 2026, Americans voted for a different Christianity: one that is tolerant of other religions, values and viewpoints. That can only be good for the Jews.
The post Christianity won in the midterm elections — but not Christian nationalism appeared first on The Forward.
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Video: The queen of Yiddish cabaret
אַן אינטערוויו מיט דער אָנגעזעענער ייִדישער זינגערין, אַקטריסע און שרײַבערין עלענאָר ריסאַ איז לעצטנס אַרויפֿגעשטעלט געוואָרן אויף יוטוב.
אינעם שמועס געפֿירט פֿון אלי בענעדיקט פֿון דער ייִדיש־ליגע, דערציילט ריסאַ וועגן אירע ערשטע טריט אויף דער בינע, די מענטשן און פֿאָרשטעלונגען וואָס האָבן אויסגעבויט איר קינסטלערישן וועג, אירע אויפֿטריטן איבער דער וועלט, און דעם אופֿן ווי זי בויט אַ מוזיקאַלישע פּראָגראַם און קלײַבט אויס לידער. זי רעדט אויך וועגן איר בליק אויף דער צוקונפֿט פֿון ייִדיש־טעאַטער.
ריסאַ איז אַ געבוירענע ייִדיש־רעדערין פֿון פּויליש־ייִדיש, קאָן דער ווידעאָ אויך דינען ווי אַ גוטער לערן־מיטל פֿאַר ייִדיש־סטודענטן וואָס ווילן הערן אַ נאַטירלעכן ייִדיש.
עלענאָר ריסאַ איז אַן אַמעריקאַנער אַקטריסע, רעזשיסאָרין, דראַמאַטורגין און זינגערין, און ייִדיש איז איר מאַמע־לשון. זי איז אויפֿגעוואַקסן אין ברוקלין, די טאָכטער פֿון צוויי לעבן־געבליבענע פֿון פּוילן. אין משך פֿון לאַנגע יאָרן האָט זי געשפּילט, רעזשיסירט און געשאַפֿן סײַ אין ענגלישן, סײַ אין ייִדישן טעאַטער, און איז געווען די קינסטלערישע מיטדירעקטאָרין פֿון דער פֿאָלקסבינע.
זי האָט אויך געשריבן, רעזשיסירט און איבערגעזעצט אַ ריי פּיעסעס און מוזיקאַלישע פּראָגראַמען. אין די לעצטע יאָרן פֿירט זי דעם פּאָדקאַסט “Those Who Were There” בײַם פֿאָרטונאָף־אַרכיוו אין יעיל־אוניווערסיטעט און אַרויסגעגעבן אַ בוך זכרונות, The Letters Project.
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