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LGBTQ Israelis fear setbacks as homophobic parties win a place in Netanyahu’s coalition
TEL AVIV and JERUSALEM (JTA) — It was the day before Israel’s Nov. 1 election. In a classroom in downtown Jerusalem, Avi Rose was teaching about Jewish identity through art to a group of Jewish students from abroad spending a gap year in Israel. Suddenly, movement outside caught his eye.
Rose stopped his lecture and approached the second-story window. He was unprepared for what he saw. Dozens of religious Jewish youth from the homophobic Noam party were marching down Jerusalem’s Jaffa Street, chanting and carrying large anti-LGBTQ signs.
The sight was distressing for Rose, a gay Israeli artist who emigrated from Canada 20 years ago. In 2007, he and his husband, Ben, became the first Israeli citizens to have their same-sex marriage certificate from abroad recognized in Israel.
“I’m teaching this wonderful group of young people that have come from all over the world to have their moment in Israel, to finally be free in their Jewish homeland, to be in this democratic Jewish safe space. And they have to see their own teacher going, ‘Oh my God. There are these people out there who their sole purpose is to hate me.’ And it was a dissonance,” recalled Rose, who lives in Jerusalem with his husband and their 10-year-old twins.
“I mean, what the hell am I doing here if that’s the way we are as a Jewish people?” he continued. “And I was scared. I won’t lie to you. I was scared…. I had flashbacks about what my grandparents went through in Europe. And I had to remind myself we aren’t quite there yet. I’m not at the point [where I am going to] pack my bags and protect my children and get out of here.”
By the end of the next day, 14 members of the union of three far-right parties — Noam, Otzma Yehudit (or Jewish Power) and National Union — became the third-largest slate in the Knesset and the second largest in the governing coalition that Benjamin Netanyahu is now assembling. Netanyahu’s other coalition partners are two haredi Orthodox parties, Shas and United Torah Judaism. It will be the most right-wing conservative, religious government in Israel’s history, and its leaders are already vowing to roll back rights that LGBTQ Israelis have only recently won.
Israel does not permit same-sex marriage. But its Supreme Court has strengthened protections for Israelis who enter same-sex marriages abroad, requiring that the marriages be recognized by the state and ensuring that same-sex couples be permitted to adopt children and pursue surrogacy. Now, a Shas lawmaker could be appointed to head the ministry in charge of granting marriage licenses, and a self-proclaimed “proud homophobe” is poised for a leadership position as well.
“I don’t think they’ll criminalize my marriage or take my children away,” said Rose. “But there is a general sense of fear seizing the LGBTQ community.”
Noam, the smallest of three factions making up the joint Religious Zionism list, has focused on advancing policies that prevent the creation of non-traditional families, such as same-gender parents or children created through surrogacy, which it calls “the destruction of the family.” The party’s election slogan was a call to make Israel “a normal” nation.
A man sits outside Shpagat, a gay bar in Tel Aviv, in November 2022. (Orly Halpern)
In a 2019 tweet, the party outlined its vision for what “normal” means. “A father and a father is not normal,” the list began. It ended by alluding to the party’s opposition to Pride flags: “Asking to remove a flag that represents all this madness — that’s actually quite normal.”
One afternoon last week, two male cooks wearing tight black T-shirts exposing prodigious biceps were preparing for opening hour at Shpagat, Tel Aviv’s first gay bar. “Ohad,” who asked not to use his real name out of fear of being harmed, told JTA that there was great concern among his peers about how the new government would shift budgets, change laws and policies and deny LGBTQ Israelis their rights.
“I’m concerned that we will lose all the rights we gained with the recent government and over the last few years,” said Ohad. The outgoing government, a centrist interlude after more than a decade of right-wing leadership, was the most progressive in Israel’s history in terms of the gay community. “We’re talking about the most basic things, like being allowed to donate blood, being allowed to parent children through surrogacy, cancelling the prohibition of LGBTQ+ ‘conversion therapy.’ It’s both to cancel things and to go backwards.”
Yair Lapid speaks at the Tel Aviv Pride Parade on June 10, 2022, weeks before becoming Israeli prime minister. His government was Israel’s most progressive on LGBTQ issues.(Alexi Rosenfeld/Getty Images)
Indeed, one of the memes that worried Israelis have shared widely since election results came out reads, “Don’t forget that tonight, we are moving the clock back 2,000 years.”
Another issue is the distribution of government funding. Israel’s Ministry for Social Equality, for example, allocated 90 million shekels ($26.7 million) this year to benefit the LGBTQ community, which included funding for LGBTQ centers in some 70 cities. The education ministry and local municipalities also provide budgets to the Israel Gay Youth organization, and for teaching in schools about LGBTQ inclusion. Avi Maoz, the head of the Noam party, said he wants to cancel “progressive study programs” about gender.
A spokesperson for the Noam party was unable to make Maoz available and declined to otherwise offer comment.
Transgender Israelis could face the most stark changes. About 40% of transgender people have attempted suicide at least once in their life, according to the health ministry, and more than half avoid receiving medical care. Last year, the outgoing government’s health minister, Nitzan Horowitz, who is gay, set new policies to make healthcare more accessible to the transgender community.
Now the fear is that these policies will be canceled, as will be subsidies for sex reassignment surgeries and drugs. “For all the boys and girls who are in the process of defining their gender identity physically and emotionally, it will make their treatments very expensive or unaffordable,” said Ohad. “That can jeopardize their lives.”
It’s clear that the right-wing party leaders are not sympathetic to the plight of LGBTQ Israelis. Bezalel Smotrich, the head of the Religious Zionist party, identifies himself as a “proud homophobe.” In August, his party protested the enrollment of a third-grader at a religious boys’ school who had transitioned from his gender assigned at birth.
“There is no place in the national religious school system for such confusion of opinions and views that seriously harm the values, natural health and identity of its students,” Smotrich wrote to the education ministry.
The right-wing parties have trained their sights on Israel’s Supreme Court, which has delivered crucial victories to LGBTQ advocates and other minorities. The parties say the court is out of step with Israeli values.
One of the first legislative measures the next government intends to pass is the High Court Bypass Law, which would allow a simple majority of the Knesset’s 120 lawmakers to override Supreme Court rulings on laws that the court struck down, thereby undermining the court’s ability to protect human and civil rights.
“It will leave us as a defenseless minority,” said Liad Ortar, the head of an environmental, social and corporate governance firm, who spoke to JTA from the Climate Change Conference in Egypt. Ortar and his husband have 8-year-old twins through a surrogate from Thailand.
Liad Ortar, right, is concerned that Israel’s incoming government could enact policies that hurt families like his where both parents are of the same sex. (Courtesy Ortar)
Many LGBTQ Israelis fear that lack of tolerance from government ministers could translate into incitement, harassment and physical attacks in the public sphere, and that the religious right-wing extremists who have directed violence towards Palestinians will now target them as well.
“In recent months there has been a very extreme escalation in what’s happening with the settlers and their violence, including the army, that doesn’t really provide protection,” said Ohad. “Not long ago there was an attack on a left-wing woman activist.… Those people are now going to become the ministers of education and culture. So aside from the Arabs and what the settlers do to them there, the next easy target is the gay community.”
In 2015, a religious Jewish man stabbed and killed Shira Banki, a 16-year-old girl marching with her family in Jerusalem’s gay pride parade — weeks after he completed a 10-year sentence for a similar attack in 2005. Now, members of the Religious Zionism slate have called to abolish gay pride parades.
“It’s not only that we are really afraid and worried about our own future. But it’s also our kids’ future. How will it look? And not just the kids of a gay couple, but gay children,” Ortar said. “We’re going to go back to the time where homosexuality can’t be shown publicly, whether at school or in the public sphere. Where they might beat the hell out of a gay couple because they walked hand in hand. Or cursing children in schools because their parents are gay.”
Not all LGBTQ Israelis are alarmed by the incoming government. Gilad Halahmi, a gay man who lives in Tel Aviv, has been active in promoting the Otzma Yehudit and has developed a personal rapport with its leader, Itamar Ben-Gvir. “The fact that he and Smotrich have an anti-LGBTQ agenda doesn’t mean they hate [us],” he said.
Halahmi said he believes his involvement has mitigated Religious Zionist stances on LGBTQ issues, and he also said Amir Ohana, a Knesset member from Netanyahu’s Likud party who is gay, had helped shift right-wing politicians’ views on those issues. But even without that, he said, the tradeoff to get the policies he wants on other issues is worth it.
“I give up LGBTQ rights, but I get something that is much more important to me in return, which is the economic issue, the security issue, the migration issue, governance,” Halahmi said. “It’s things that are 10 times more important to me than public transportation on Shabbat or whether I’ll get married in Israel or abroad.”
But for those who value religious pluralism and LGBTQ rights — and polls have shown that a majority of Israelis do — the current moment is alarming. On Sunday, Ben-Gvir vowed to revoke government recognition of non-Orthodox conversions to Judaism, in the latest sign that a far-right coalition would seek to create practical changes quickly.
For Rabbi Mikie Goldstein, the new government’s threatened assault on pluralism and LGBTQ rights offers a one-two punch that has him questioning whether he should continue living in Israel. Goldstein, an immigrant from England, was the first out gay pulpit rabbi in Israel when he took the reins of a congregation in Rehovot in 2014. Now, he leads the Conservative movement’s Rabbinical Assembly in Israel, working to support rabbis and their congregations who belong to the movement, known as Masorti in Israel.
“If I can’t do my work properly, if I’m not accepted — how much can you take?” Goldstein said. “I’m not prepared to give up yet [on Israel] but it’s certainly crossed my mind.”
LGBTQ activists say they won’t give up rights without a fight — and that they are prepared to mount one.
“We are very much united,” said Ortar. “We have a very strong civil infrastructure. The LGBTQ community is very well established in social and demographic groups. A lot of us are in the media, industry, high tech. After the statement about abolishing the parade, you could hear the drums beating. There will be demonstrations if that happens.”
In 2018, some 100,000 people demonstrated — outraged after then-prime minister Netanyahu voted against a bill to allow gay couples to use surrogacy.
Members of the LGBTQ community and supporters participate in a demonstration against a Knesset bill amendment denying surrogacy for same-sex couples, in Tel Aviv, July 22, 2018. (Tomer Neuberg/Flash90)
Last week, Netanyahu tried to assuage fears and ordered officials in his close circle to tell the press that his government would not allow any change to the status quo regarding LGBT rights. But he did not come out saying it himself.
“This is the time to be angry, not scared,” said Rose. “We can’t be complacent anymore. The privilege of complacency has come to an end. That has to be the message of this election. You have to fight for what you want.”
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This isn’t just a dance group; it’s a model for what coexistence could look like
There are three of them onstage. Arielle Rosales, a Mexican Puerto-Rican Jew from the Lower East Side, is dancing flamenco. Amanda Castro, a Brooklyn-born Puerto-Rican from New Haven, is tapping. And Brinda Guha, a Bengali-Indian from New Jersey, is doing Kathak — a form of Indian classical dance. They’re three performers raised in different artistic traditions who became a trio a decade ago.
But as Soles of Duende, these artists never wanted to create a “fusion” that blurs or erases their identities, cultures, dance styles, or legacies. Nothing is stripped of its history or blended beyond recognition.
“We’re not trying to make a smoothie. We’re trying to make a fruit salad,” Rosales told me. “We want you to be able to pick up the pineapple and pick up the watermelon and pick up the mango.”
Together, the women move. They vocalize. They invent rhythms and songs with their feet. The sounds of Castro’s taps, Rosales’s heels, and Guha’s ghungroos — multi-tiered strings of bells that wrap from the ankles up toward the shins and calves — are just as much a part of the music played by their three counterparts in their band: a percussionist, an electric guitarist and a trumpeter.
You can hear these percussive dance forms and you can feel them, too, mingling and building, filling the air and shaking the room in rehearsals.
‘Carrying the blessing and burden of tradition’
The collaboration started as a one-off project. Rosales and Guha were friends, their paths having crossed at Broadway Dance Center, a popular New York City studio where Rosales taught flamenco and Guha ran what was then called the International Student Visa Program. In 2016, they applied to create a short piece and participate in a show together.
“We wanted to do a trio of three different percussive styles,” said Rosales. “We wanted a third sound.” They found it in Castro, who wowed Guha with a tap solo she performed at a competition.
“I was so enthralled with the fact that there were other women percussive dancers making space for other women percussive dancers,” Castro said. “There are still people who think percussive dance is a less-than art form,” she said. “It is something that never gets the flowers that it deserves.”
What started with an eight-minute piece at an experimental theater on the Lower East Side led to a year-long residency that culminated in a full-length production. The question explicit in its title “Can We Dance Here?” reflects the challenges they faced finding rehearsal spaces. Practitioners of percussive forms often find themselves in a perpetual search for floors they can dance on and spaces that will welcome, or at least tolerate, them.
“It was about permission,” Guha said, both literal and philosophical. Not just can we use this floor, she said, but: “Do we have permission to mess with tradition like this? Do we have permission to [have a] dialogue with each other and change a couple of rules?”
Over time, their questions evolved, Guha added: “How far can we go with this thing? How close to our humanity can we get through the form of percussive dance?” They stopped asking for permission as much, though they continue to seek a balance between honoring established practices and pushing them forward.
“All three of us are both carrying the blessing and burden of tradition,” said Guha, who started learning Kathak from her mother, an immigrant from Kolkata, India, at the small dance school she ran out of their garage. “I grew up with lots of students in the house. I grew up with ghungroos, our bells, literally jingling in our house all day long.”
Guha went on to study with other teachers, including in India, much as Rosales inherited the traditions of flamenco not only in New York City, but also in flamenco meccas in Spain and New Mexico. Castro learned about tap legacies and lineages in bits and pieces, from Fred Astaire movies to classes with icons like Jason Samuels Smith.
“The three of us are really open to breaking a lot of rules,” Guha said, “as long as we know what rules we’re breaking and why.”
They bonded fast, not only as artists with shared sensibilities, Rosales said: “We became family pretty quickly.”
‘We’re doing it in each of our own ways”
Two hours into rehearsal, Soles of Duende is floating in and out of choreography, trying steps, checking cues with the musicians, chatting and smiling, making jokes and scat singing rhythms for each other. You can see them through a glass storefront in East Harlem, an unassuming studio tucked between a corner laundromat and a stoop draped with a Puerto Rican flag, under which a few men gather around a card table.
Here at the Rhythmic Arts Center, they’re rehearsing sections from “The Kitchen,” a full-length production the group is currently developing. The show pays homage to the traditions and cultures that shaped them — all of which value gathering around food — and explores family dynamics, celebration, ritual, hardship, and connection. The kitchen, Castro said, looms large as a communal place where families show up, break bread, fight at the table, announce big news, and meet new people.
“We also have a deep, deep love of food,” Guha said, explaining that the three dancers and the band often eat together, whether they’re going out during tour dates, cooking for each other, or hanging out and talking about cooking shows on TV. “We gather around food at all times. When we’re sad, when we’re mad, when we’re creative, when we’re stuck.”
Indeed, inside the rehearsal space, there’s a plate of fruit set out on a bench. The floor vibrates, knocking over the phone Castro set up to film one of their final runs before the next day’s performance. She scurries over to prop it back up, then gives up. It’s no match for them as they dance for and with each other.
“The Kitchen” is about “nostalgia and culture and all of that, but it’s not just that,” Rosales said. “Each of our sounds, each of our instruments is an ingredient, and when you let it simmer, we literally are cooking up something live.”
Watching them close up, it’s striking to pick out moments when these three dancers are performing a phrase seemingly in unison, only to notice that they are each executing slightly different steps using distinct dance vocabularies. If the common thread for a particular step is bringing both arms up overhead and then back down to rest by the sides of the body, they have to ask themselves: What would that look like in tap, flamenco, and Kathak?
The result often looks so smooth — a 2022 New York Times review called their show “a treasure and a triumph” and they graced the March 2024 cover of Dance Magazine — that it belies the struggle it takes to compose coherent, polished choreography out of three different cultural forms and artistic languages.
“We get a lot of people that think they see the quote-unquote product and say, ‘Oh you guys you work so well together!’ And that’s true,” Rosales said. But the ultimate cohesion rarely comes easily. Sometimes they’ll spend a three-hour rehearsal choreographing just one minute of new material. “It is so hard to come up with these things, and it comes with a lot of blocks,” she said, “a lot of friction and sometimes arguments.”
They’ve learned along the way when they need to put an idea in the “parking lot” to deal with later, when they need to sit down and talk, when they need to admit their brains are mush, when they need to explain or understand something about one of their dance forms, and when they need to remember their shared goals.
“We’ve named the idea Greta,” Castro said. “So when we are not on the same page, we say, ‘Greta, what is the answer? … What does the work need?’ Then our feelings can’t get in the way.”
At about 9 p.m., it’s time to call it quits. The dancers, musicians, and Greta all seem satisfied. They’re ready for their show the following evening.
‘Talk to each other and with each other’
First they argue about rice. In an excerpt from “The Kitchen” they perform the next day, the three women congregate over an invisible pot. With all these cooks in the kitchen, Castro tells the audience, “you can imagine that each of them thinks that their pot of rice is the best pot of rice.”
“This is burnt!” one exclaims. Another slaps a hand away: “Get your hand out my pot.”
On this particular evening in August, Soles is the opening act on the opening night of the Battery Dance Festival. The annual event is held on an outdoor stage in a waterfront park at the southern tip of Manhattan, next door to the Museum of Jewish Heritage.
“Part of the mission of the festival is to break down barriers between people, between cultures, introduce new forms of dance to the audience members, and to bring people together,” said Battery Dance’s executive director Emad Salem. “They perfectly embody that mission,” he said, “coming together in this seamless way.”
Though the sky is gray and heavy with the threat of rain, the amphitheater-style seats are packed. And while it started drizzling earlier during the group’s tech rehearsal — leading to a scramble to cover equipment and altering the sound of the wooden flooring onstage — the audience is none the wiser.
Standing behind the last row of seats, Curtis Thomas can’t help but dance along as he cheers and applauds. “It’s just so vibrant. All of the energy comes right at you,” said Thomas, who is a dancer himself. “It immediately opens you up somehow. And I love the way it’s just so multidisciplinary and the way that all of the styles and forms of dance and music talk to each other and with each other.”
The symbolism of the scene is almost too much. Dancing against the backdrop of the Hudson River flowing into New York Harbor, with the Statue of Liberty and Ellis Island visible in the distance, Soles of Duende demonstrates in dance what might be possible outside of it. At a time of entrenched polarization, they show you, Castro said, “what the dreamscape could be or a current reality could be.”
“When people see us performing, it really is a true example and testament to coexistence,” Rosales said. Whether they’re onstage or off, they can converse without changing who they are or how they speak. No one has to dim or diminish themselves. And “just like any musical form, we have to listen to each other.”
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Tidbits: This Jewish couple gives homeless dogs a free makeover
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
אַ גרויסער בלאָער משׂא־פֿור האָט זיך אָפּגעשטעלט אויף אַ גאַס אין סקיד־ראָו, אַ באַקאַנטער אָרעמער געגנט אין לאָס־אַנדזשעלעס, פֿאַר אַ היימלאָזן מענטש מיט אַ הינטל.
„אײַער הינטל וויל אפֿשר מע זאָל אים צופּוצן אַ ביסל?“ האָט דער מאַן אינעם אויטאָ געפֿרעגט. לכתּחילה האָט דער היימלאָזער אויסגעזען צעטומלט. דערנאָך האָט ער געגעבן אַ קוק אויף זײַן הינטל, וואָס ער האָט שוין ווער ווייסט ווי לאַנג נישט געבאָדן אָדער אָפּגעשוירן, און צוגעשאָקלט מיטן קאָפּ.
מיט אַ שעה שפּעטער איז דאָס הינטל אַרויס פֿונעם משׂא־פֿור, אויסזעענדיק ווי אַ גאָר אַנדער הינטל. זײַן פֿעל, וואָס איז פֿריִער געווען שמוציק און פֿאַרפּלאָנטערט, האָט מען אויסגעוואַשן, צוגעשוירן און געבערשט ביז ער איז געוואָרן ווייך און גלאַנציק. איידער ער איז אַרויס פֿון אויטאָ האָט מען אים געגעבן אַ נאַש, וואָס ער האָט פֿריילעך אײַנגעשלונגען.
די אָרגאַניזאַציע וואָס האָט אויסגעבאָדן דאָס הינטל, „האָליוווּד מאָביל גרומינג“, באַלאַנגט צו טשאָק און יעל רובין. במשך פֿון די פֿאַרגאַנגענע 11 יאָר, האָבן זיי און זייערע מיטאַרבעטער גערייניקט בערך 5,000 הינט פֿרײַ פֿון אָפּצאָל.
דאָס פּאָרפֿאָלק, וואָס האָט אימיגרירט פֿון ישׂראל, האָט אין 2001 לאַנצירט אַ געשעפֿט וואָס ברענגט אַ לוקסוס־ספּאַ צו פֿאַרמעגלעכע אייגנטימער פֿון הינט. אָבער דערנאָך האָבן זיי באַשלאָסן אַז זיי ווילן אויך העלפֿן די מענטשן מיט הינט, וואָס קענען נישט באַצאָלן דערפֿאַר: סײַ הינט וואָס געפֿינען זיך אין אַ מיקלט פֿאַר חיות, סײַ הינט וואָס וווינען מיט זייערע אייגנטימער אויף דער גאַס.
„אַ מאָל האָבן די אייגנטימער מורא אונדז איבערצוגעבן די הינט, אַפֿילו אויב זיי קענען וואַרטן אין דרויסן,“ האָט יעל געזאָגט. „מיר לאָזן זיי אַרײַנקומען און זען וואָס מיר טוען. די הינט פֿילן זיך אויך בעסער. מע קען זען וויפֿל זיי האָבן הנאה פֿון דער באַהאַנדלונג און ווי עס שפּאַנט זיי אויס. דו ווײַזט זיי ליבע, גיסט זיי אַ נאַש, וואַסער צו טרינקען, און זיי באַצאָלן דיר מיט זייערע קושן.“
אויף דער פֿראַגע, צי זיי זאָרגן זיך נישט, וואָס וועט זײַן ווען די הינט גייען צוריק צו די האַרבע באַדינגונגען פֿון דער גאַס, האָט טשאָק באַטאָנט עטלעכע זאַכן: „זייערע אייגנטימער זענען תּמיד מיט זיי און פּאַסן אויף אויף זיי וויפֿל זיי קענען נאָר. די הינטלעך זענען זייערע ׳קינדער׳. עס זענען אויך דאָ אַ סך אָרגאַניזאַציעס וואָס באַזאָרגן זיי מיט עסן אומזיסט און אַנדערע זאַכן. זיי פֿאַרמאָגן ווייניק, אָבער זיי טוען דאָס בעסטע אויפֿצופּאַסן אויף זייערע הינט.“
צו לייענען וועגן דעם אויף ענגליש גיט אַ קוועטש דאָ.
To read about this in English click here.
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The tech worker campaigning for ‘Antisemite of the Week’ doesn’t want to talk about antisemitism
After accusations of discrimination led his San Francisco Tech Week event to be pulled from the schedule, a tech worker has decided to embrace his newfound notoriety.
Mostapha Benhenda cited security reasons last week when he denied an Israeli programmer admission to his AI hackathon event, explaining that he didn’t want the Israeli army to make participants’ electronics “explode in their faces and injure them.”
The Israeli tech worker — a former Israeli soldier named Adam Levi — posted the message online, leading sponsors to pull funding for the event. In the days since, Benhenda has begun openly campaigning for an “Antisemite of the Week” award from pro-Israel watchdog group StopAntisemitism.
“I am a competitor, I play to win, this prize will be my Ballon d’Or,” Benhenda said in a message to the Forward, referring to the annual prize for the world’s best soccer player.
Running this week through Sunday, San Francisco Tech Week draws tens of thousands of tech industry workers to hundreds of panels, competitions and parties across the Bay Area.
The saga began Sept. 29 when Levi posted a screenshot of Benhenda’s messages rejecting his RSVP to the event, called “Build Your Agentic Investment Bank Hackathon.” A page for the hackathon on the digital invitation platform Partiful claimed it had been co-sponsored by Tech Week and the convention’s founder, venture capital firm Andreessen Horowitz.
Levi’s post was reshared on X more than 1,000 times, leading to the event’s de-listing by Tech Week organizers, who said on X that the event had violated the program’s terms of service.
Levi told The Algemeiner that Andreessen Horowitz told him the company had removed its sponsorship.
Benhenda, whose LinkedIn says he attended college in France, declined to participate in phone interviews. But in messages to the Forward, his response to accusations of antisemitism appeared to shift over a manner of days from defensiveness to bemusement.
When first reached for comment, Benhenda denied that his rejection of Levi was antisemitic at all. He said he banned Levi because his LinkedIn indicated service in the Israeli military’s secretive Unit 8200 during September 2024, when the intelligence unit was linked to the simultaneous detonation of thousands of pagers owned by Hezbollah operatives across Lebanon. (Levi declined to be interviewed, but said on X that “building explosive pagers was never my thing.”)
“I understand Adam’s disappointment, and his resulting emotional accusation of antisemitism, but he perfectly knows it’s unfounded,” Benhenda wrote Sept. 29, adding, “I hope that over the next weeks he will get more clarity about this.”
However, after StopAntisemitism posted about Benhenda on X, he seemed to lose interest in contesting the claim — and began leaning into it instead.
On Saturday, Benhenda shared StopAntisemitism’s post about him with a request.
“I am competing for the ‘Antisemite of the Week’ award at the San Francisco Tech Week,” he wrote. “Can you show your support/hate with a retweet?”
Founded in 2018 by a social media influencer who goes by Liora Rez, StopAntisemitism.org frequently bestows its “Antisemite of the Week” awards to public figures — a mix of elected officials, civic leaders and celebrities — who antagonize Israel.
Recent recipients of the award — which is not actually awarded weekly — have included actor Javier Bardem and Rama Duwaji, the wife of New York City Mayor Zohran Mamdani.
Last month, StopAntisemitism sponsored an event where a speaker was later criticized for Islamophobic rhetoric. (Rez did not respond to a request for comment on that story, or for this one.)
Benhenda said in messages to the Forward on Monday afternoon that he did not know very much about the organization, but that he was pining for its distinction, given the group’s 350,000 followers on X.
“What matters isn’t the label, but who puts it,” he added. “Go big or go home, that’s the game in the Silicon Valley.”
Later, though, Benhenda insisted that he still did not understand the accusations of antisemitism against him. His refusal of Levi, he said, had been solely due to Levi’s involvement in the Israeli military.
Meanwhile, he is forging ahead with the hackathon, hosting it Tuesday on the streaming platform Discord for nearly 200 registered participants.
Benhenda blamed the “tremendous lobbying from the Zionist lobby” for the change. But the venue where he had initially planned to host the event indicated there was no change. The supposed host, a coworking space called Frontier Tower, said in an email it had never booked Benhenda’s event to begin with.
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