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LGBTQ Israelis fear setbacks as homophobic parties win a place in Netanyahu’s coalition

TEL AVIV and JERUSALEM (JTA) — It was the day before Israel’s Nov. 1 election. In a classroom in downtown Jerusalem, Avi Rose was teaching  about Jewish identity through art to a group of Jewish students from abroad spending a gap year in Israel. Suddenly, movement outside caught his eye.

Rose stopped his lecture and approached the second-story window. He was unprepared for what he saw. Dozens of religious Jewish youth from the homophobic Noam party were marching down Jerusalem’s Jaffa Street, chanting and carrying large anti-LGBTQ signs.

The sight was distressing for Rose, a gay Israeli artist who emigrated from Canada 20 years ago. In 2007, he and his husband, Ben, became the first Israeli citizens to have their same-sex marriage certificate from abroad recognized in Israel.

“I’m teaching this wonderful group of young people that have come from all over the world to have their moment in Israel, to finally be free in their Jewish homeland, to be in this democratic Jewish safe space. And they have to see their own teacher going, ‘Oh my God. There are these people out there who their sole purpose is to hate me.’ And it was a dissonance,” recalled Rose, who lives in Jerusalem with his husband and their 10-year-old twins.

“I mean, what the hell am I doing here if that’s the way we are as a Jewish people?” he continued. “And I was scared. I won’t lie to you. I was scared…. I had flashbacks about what my grandparents went through in Europe. And I had to remind myself we aren’t quite there yet. I’m not at the point [where I am going to] pack my bags and protect my children and get out of here.”

By the end of the next day, 14 members of the union of three far-right parties — Noam, Otzma Yehudit (or Jewish Power) and National Union — became the third-largest slate in the Knesset and the second largest in the governing coalition that Benjamin Netanyahu is now assembling. Netanyahu’s other coalition partners are two haredi Orthodox parties, Shas and United Torah Judaism. It will be the most right-wing conservative, religious government in Israel’s history, and its leaders are already vowing to roll back rights that LGBTQ Israelis have only recently won.

Israel does not permit same-sex marriage. But its Supreme Court has strengthened protections for Israelis who enter same-sex marriages abroad, requiring that the marriages be recognized by the state and ensuring that same-sex couples be permitted to adopt children and pursue surrogacy. Now, a Shas lawmaker could be appointed to head the ministry in charge of granting marriage licenses, and a self-proclaimed “proud homophobe” is poised for a leadership position as well.

“I don’t think they’ll criminalize my marriage or take my children away,” said Rose. “But there is a general sense of fear seizing the LGBTQ community.”

Noam, the smallest of three factions making up the joint Religious Zionism list, has focused on advancing policies that prevent the creation of non-traditional families, such as same-gender parents or children created through surrogacy, which it calls “the destruction of the family.” The party’s election slogan was a call to make Israel “a normal” nation.

A man sits outside Shpagat, a gay bar in Tel Aviv, in November 2022. (Orly Halpern)

In a 2019 tweet, the party outlined its vision for what “normal” means. “A father and a father is not normal,” the list began. It ended by alluding to the party’s opposition to Pride flags: “Asking to remove a flag that represents all this madness — that’s actually quite normal.”

One afternoon last week, two male cooks wearing tight black T-shirts exposing prodigious biceps were preparing for opening hour at Shpagat, Tel Aviv’s first gay bar. “Ohad,” who asked not to use his real name out of fear of being harmed, told JTA that there was great concern among his peers about how the new government would shift budgets, change laws and policies and deny LGBTQ Israelis their rights.

“I’m concerned that we will lose all the rights we gained with the recent government and over the last few years,” said Ohad. The outgoing government, a centrist interlude after more than a decade of right-wing leadership, was the most progressive in Israel’s history in terms of the gay community. “We’re talking about the most basic things, like being allowed to donate blood, being allowed to parent children through surrogacy, cancelling the prohibition of LGBTQ+ ‘conversion therapy.’ It’s both to cancel things and to go backwards.”

Yair Lapid speaks at the Tel Aviv Pride Parade on June 10, 2022, weeks before becoming Israeli prime minister. His government was Israel’s most progressive on LGBTQ issues.(Alexi Rosenfeld/Getty Images)

Indeed, one of the memes that worried Israelis have shared widely since election results came out reads, “Don’t forget that tonight, we are moving the clock back 2,000 years.”

Another issue is the distribution of government funding. Israel’s Ministry for Social Equality, for example, allocated 90 million shekels ($26.7 million) this year to benefit the LGBTQ community, which included funding for LGBTQ centers in some 70 cities. The education ministry and local municipalities also provide budgets to the Israel Gay Youth organization, and for teaching in schools about LGBTQ inclusion. Avi Maoz, the head of the Noam party, said he wants to cancel “progressive study programs” about gender.

A spokesperson for the Noam party was unable to make Maoz available and declined to otherwise offer comment.

Transgender Israelis could face the most stark changes. About 40% of transgender people have attempted suicide at least once in their life, according to the health ministry, and more than half avoid receiving medical care. Last year, the outgoing government’s health minister, Nitzan Horowitz, who is gay, set new policies to make healthcare more accessible to the transgender community.

Now the fear is that these policies will be canceled, as will be subsidies for sex reassignment surgeries and drugs. “For all the boys and girls who are in the process of defining their gender identity physically and emotionally, it will make their treatments very expensive or unaffordable,” said Ohad. “That can jeopardize their lives.”

It’s clear that the right-wing party leaders are not sympathetic to the plight of LGBTQ Israelis.  Bezalel Smotrich, the head of the Religious Zionist party, identifies himself as a “proud homophobe.” In August, his party protested the enrollment of a third-grader at a religious boys’ school who had transitioned from his gender assigned at birth.

“There is no place in the national religious school system for such confusion of opinions and views that seriously harm the values, natural health and identity of its students,” Smotrich wrote to the education ministry.

The right-wing parties have trained their sights on Israel’s Supreme Court, which has delivered crucial victories to LGBTQ advocates and other minorities. The parties say the court is out of step with Israeli values.

One of the first legislative measures the next government intends to pass is the High Court Bypass Law, which would allow a simple majority of the Knesset’s 120 lawmakers to override Supreme Court rulings on laws that the court struck down, thereby undermining the court’s ability to protect human and civil rights.

“It will leave us as a defenseless minority,” said Liad Ortar, the head of an environmental, social and corporate governance firm, who spoke to JTA from the Climate Change Conference in Egypt. Ortar and his husband have 8-year-old twins through a surrogate from Thailand.

Liad Ortar, right, is concerned that Israel’s incoming government could enact policies that hurt families like his where both parents are of the same sex. (Courtesy Ortar)

Many LGBTQ Israelis fear that lack of tolerance from government ministers could translate into incitement, harassment and physical attacks in the public sphere, and that the religious right-wing extremists who have directed violence towards Palestinians will now target them as well.

“In recent months there has been a very extreme escalation in what’s happening with the settlers and their violence, including the army, that doesn’t really provide protection,” said Ohad. “Not long ago there was an attack on a left-wing woman activist.… Those people are now going to become the ministers of education and culture. So aside from the Arabs and what the settlers do to them there, the next easy target is the gay community.”

In 2015, a religious Jewish man stabbed and killed Shira Banki, a 16-year-old girl marching with her family in Jerusalem’s gay pride parade — weeks after he completed a 10-year sentence for a similar attack in 2005. Now, members of the Religious Zionism slate have called to abolish gay pride parades.

“It’s not only that we are really afraid and worried about our own future. But it’s also our kids’ future. How will it look? And not just the kids of a gay couple, but gay children,” Ortar said. “We’re going to go back to the time where homosexuality can’t be shown publicly, whether at school or in the public sphere. Where they might beat the hell out of a gay couple because they walked hand in hand. Or cursing children in schools because their parents are gay.”

Not all LGBTQ Israelis are alarmed by the incoming government. Gilad Halahmi, a gay man who lives in Tel Aviv, has been active in promoting the Otzma Yehudit and has developed a personal rapport with its leader, Itamar Ben-Gvir. “The fact that he and Smotrich have an anti-LGBTQ agenda doesn’t mean they hate [us],” he said.

Halahmi said he believes his involvement has mitigated Religious Zionist stances on LGBTQ issues, and he also said Amir Ohana, a Knesset member from Netanyahu’s Likud party who is gay, had helped shift right-wing politicians’ views on those issues. But even without that, he said, the tradeoff to get the policies he wants on other issues is worth it.

“I give up LGBTQ rights, but I get something that is much more important to me in return, which is the economic issue, the security issue, the migration issue, governance,” Halahmi said. “It’s things that are 10 times more important to me than public transportation on Shabbat or whether I’ll get married in Israel or abroad.”

But for those who value religious pluralism and LGBTQ rights — and polls have shown that a majority of Israelis do — the current moment is alarming. On Sunday, Ben-Gvir vowed to revoke government recognition of non-Orthodox conversions to Judaism, in the latest sign that a far-right coalition would seek to create practical changes quickly.

For Rabbi Mikie Goldstein, the new government’s threatened assault on pluralism and LGBTQ rights offers a one-two punch that has him questioning whether he should continue living in Israel. Goldstein, an immigrant from England, was the first out gay pulpit rabbi in Israel when he took the reins of a congregation in Rehovot in 2014. Now, he leads the Conservative movement’s Rabbinical Assembly in Israel, working to support rabbis and their congregations who belong to the movement, known as Masorti in Israel.

“If I can’t do my work properly, if I’m not accepted — how much can you take?” Goldstein said. “I’m not prepared to give up yet [on Israel] but it’s certainly crossed my mind.”

LGBTQ activists say they won’t give up rights without a fight — and that they are prepared to mount one.

“We are very much united,” said Ortar. “We have a very strong civil infrastructure. The LGBTQ community is very well established in social and demographic groups. A lot of us are in the media, industry, high tech. After the statement about abolishing the parade, you could hear the drums beating. There will be demonstrations if that happens.”

In 2018, some 100,000 people demonstrated — outraged after then-prime minister Netanyahu voted against a bill to allow gay couples to use surrogacy.

Members of the LGBTQ community and supporters participate in a demonstration against a Knesset bill amendment denying surrogacy for same-sex couples, in Tel Aviv, July 22, 2018. (Tomer Neuberg/Flash90)

Last week, Netanyahu tried to assuage fears and ordered officials in his close circle to tell the press that his government would not allow any change to the status quo regarding LGBT rights. But he did not come out saying it himself.

“This is the time to be angry, not scared,” said Rose. “We can’t be complacent anymore. The privilege of complacency has come to an end. That has to be the message of this election. You have to fight for what you want.”


The post LGBTQ Israelis fear setbacks as homophobic parties win a place in Netanyahu’s coalition appeared first on Jewish Telegraphic Agency.

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It was once Sweden’s only news broadcast — what did it say about Israel?

The team behind Israel and Palestine on Swedish TV 1958-1989 bares it all with the title of their documentary. It is, in fact, three and a half hours of footage about the conflict from the Swedish public broadcaster Sveriges Television AB (SVT), stitched together in mostly chronological order.

SVT was founded in 1956 and held a monopoly on news broadcasts in Sweden until the early 90s, when the commercial channel TV4 was launched. The intention behind SVT programs was to present impartial news produced solely by Swedes.

In the two years since the beginning of the current war, there’s been a renewed interest in understanding the history of the Israeli-Palestine conflict. For those well-versed in the region’s history, they likely won’t learn anything new here. For those who don’t know much, it’s a good crash course — if one considers three and a half hours to be succinct.

Sveriges Television AB reporter Vanna Beckman and Ghassan Kanafani. Courtesy of Icarus Films

The film, directed by Göran Hugo Olsson, documents many major developments that happened in Israel during those three decades, including big waves of American immigration in the 60s, economic growth, and, of course, the Six Day and Yom Kippur wars. Although the early footage focuses on Israel’s impressive agricultural projects and the modernization of the country’s major cities, as the years go on, the increasing focus is on the plight of Palestinians in Lebanese refugee camps and the Gaza Strip, as well as political unrest within Israel.

The film opens with the statement that archival material “doesn’t tell us what really happened — but says a lot about how it was told,” so the broader implications of the footage are left up to the viewer’s interpretation. Some may see a welcome, growing awareness of Palestinian suffering. Others may see overly harsh criticisms of Israeli policies that disregard the country’s security issues. With no elaboration or editorializing, it doesn’t feel like the film is helping clarify or challenge the audience’s preconceived notions about the conflict.

And although the footage is Swedish, it’s unclear what, if anything, that lends to the conversation. There is barely anything in the film about Swedish attitudes towards Israel, though we get a peek into diverging viewpoints during a 1964 debate between diplomat Gunnar Häglöff and political scientist Herbert Tingsten about the issue of Palestinian refugees. In a 1968 broadcast, two Swedish journalists question Israeli Deputy Prime Minister Abba Eban about the Israeli government destroying Arab homes. There are also interviews with Swedish soldiers from the United Nations who were stationed at a former railway station on the border between Gaza and Egypt in 1975. They have little to say about the conflict, however, and are more interested in discussing how they can build a sauna, a luxury from home they can’t live without.

Conscripts for obligatory Israeli military service in 1967. Courtesy of Icarus Films

How the Swedish government or its citizens have felt about Israel over the years remains strangely obscured. Whatever impact this footage may have had on Swedish-Israel relations and how these broadcasts were received is never discussed. It’s especially unfortunate that the films offers no way to compare the countries’ past relationship to current diplomatic tensions around Israel’s treatment of activist Greta Thunberg

With the humanitarian crisis in Gaza growing more dire and the future of Israel’s democracy becoming an increasingly pressing issue, one wonders what can be gained from the rehashing of history on view in Israel and Palestine on Swedish TV. The documentary primarily underscores a point most people already understand by now: The situation in Israel and Palestine is complicated. It’s violent. It feels neverending. Most people probably don’t need to watch a three and a half hour documentary to tell them that.

‘Israel and Palestine on Swedish TV 1958-1989’ opens at Film Forum NYC on October 10th.

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It was one of klezmer’s greatest days — will there ever be another?

18 years ago, America’s finest and most influential klezmer musicians gathered on the steps of the historic Eldridge Street Synagogue, on Manhattan’s Lower East Side, for a photograph.

The picture was organized by Yale Strom, a violinist and klezmer musician who, having watched ‘A Great Day in Harlem,’ a documentary about Art Kane’s celebrated 1958 shot of America’s best-known jazz musicians, sought to do something similar by assembling those responsible for America’s klezmer revival. Strom called the photo, which was taken by Leo Sorel, ‘A Great Day On Eldridge Street’.

Whereas most of the musicians in Kane’s photograph knew each other, and indeed were friendly, a good few of Strom’s klezmer musicians had never met. “It certainly brought together a lot of people who had never been together at the same place at the same time,” recalled Hankus Netsky, a founding member of the Klezmer Conservatory Band and a central figure in the klezmer revival.

For Strom, this remains the photograph’s abiding achievement. “I accomplished something no one had ever done,” he told me. “And most likely never will.”

Several of the 106 musicians photographed that day have since passed away, including Theodore Bikel, one of the founders of the Newport Folk Festival; Elaine Hoffman Watts, the first female graduate of Philadelphia’s Curtis Institute of Music; and renowned Yiddish poet and songwriter Beyle Schaechter-Gottesman. But American klezmer has continued to grow in popularity, thanks to the contributions of Don Byron, John Zorn, Jake Shulman-Ment, and Pete Rushefsky, among numerous other performers.

‘A Great Day on Eldridge Street’ was partly a celebration of American klezmer’s New York roots, and of the Lower East Side’s historic Eastern European Jewish immigrant community, but since 2007, the klezmer revival, which began in the late 1970s, has taken on an increasingly international character. “There’s a lot more access to international workshops now, and klezmer’s presence in the global music scene is only increasing from year-to-year,” Netsky said.

“The music is larger and more varied,” Strom added. “More sounds, more venues, more academic study, and more global cross-pollination.”

And though the 2007 photo cannot be recreated, it is past time for a sequel, Netsky said — one that honors “the incredible dedication and virtuosity of the younger generation.”

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Has the Jewish joke become an endangered species — Òu sont les blagues d’antan?

Is the Jewish joke on the verge of becoming extinct?  The Last Jewish Joke, written by the veteran Parisian sociologist Michel Wieviorka, and newly translated into English by Cory Stockwell, argues that in recent years, Jews began to seem less heimish for at least three reasons: The Holocaust receded from memory; Israel’s government became guilty of actions decried internationally as war crimes; and right-wing antisemites who were always present became more boldly vocal.

Reminiscing about when he heard certain jokes, the author compiles his own consoling self-portrait in an autumnal mood. Wieviorka will be 80 next year, and his prose has a tendency to poignantly deem things as the “last” or at their “end.”

English language readers may need to be reminded that, when Wieviorka alludes to family situations in which he first heard Jewish jokes, it is in the context of his distinguished family of overachievers. His sister Annette is an eminent historian of the Holocaust. Another sister, Sylvie, is a psychiatrist and academic, and a brother, Olivier, is a historian specializing in World War II and the French Resistance. The entire mishpocheh is inspired and motivated by the memory of their paternal grandparents, Polish Jews who were murdered at Auschwitz. Indeed, Annette Wieviorka recently published a “family autobiography,” which asked subtle, eloquent, and nuanced questions about her antecedents.

In a comparable emotional aura of reverence, Wieviorka characterizes Jewish comedy of the past as “never malicious” (though apparently insult comics like Jack E. Leonard, Don Rickles, and Joan Rivers never got the memo).

The notion that joking Jews had to be sympathetic victims to elicit empathy from non-Jewish audiences may be true of some raconteurs, but is also belied by historical examples of potty-mouthed rapscallions like Belle Barth, B. S. Pully (born Murray Lerman) and Joe E. Ross (born Joseph Roszawikz), who startled nightclub audiences of their day with profanity.

Later Jewish shock jocks of the Howard Stern variety likewise chose to surprise, rather than charm, the public as a way to win notoriety. And Larry David’s Curb Your Enthusiasm, far from relying on vulnerable Jews as victims, presented characters screaming putdowns to elicit hilarity.

French sociologist Michel Wieviorka, seen here in 2016, is the author of ‘The Last Jewish Joke.’ Photo by Getty Images

To bolster his arguments, Wieviorka refers to the counterexample of Popeck (born Judka Herpstu), a demure, wry entertainer of Polish and Romanian Jewish origin, who at 90 still appears at French theaters with gentle monologues akin to those of the Danish Jewish wit Victor Borge. Popeck presents himself onstage as a grumpy Eastern-European immigrant speaking Yiddish-accented French.

Wieviorka values such exemplars of rapidly vanishing tradition; as a social scientist, he is convinced that because communal settings such as the Borscht Belt no longer exist, the comics who once flourished on hotel stages in the Catskills have disappeared from memory.

To be sure, American standups like Myron Cohen, Jan Murray, and Carl Ballantine, once familiar from TV variety shows, are rarely mentioned now, though  others like Eddie Cantor are periodically rediscovered by a new public, as Cantor was when he showed up as a character in HBO’s Boardwalk Empire. But in his autobiographical deep dive, Wieviorka, who writes here more as a memoirist than a history of comedy, is naturally more concerned with things that he personally saw or heard, rather than any objective history of Jewish comedians through the ages.

Wieviorka also somewhat curiously refers to the “Yiddish-inflected” comedy of Groucho Marx. Apart from the word “schnorrer” which appears in “Hooray for Captain Spaulding,” a song written by Harry Ruby and Bert Kalmar, it is difficult to think of many other explicit Yiddishisms in Groucho’s verbal elan.

Wieviorka’s anecdotes tend to be hefty and hearty, like a family repast of kreplach that remains in the visceral memory for days after being consumed. Some of the quaintly old fashioned tales he refers to recall the precedent of Sigmund Freud’s The Joke and Its Relation to the Unconscious, a dissection of pleasantries that reflects a sturdy Yekke approach to light-heartedness. Of course, in this optic of Jewish humor, there is no room for concise one-liners from the likes of Henny Youngman or Rodney Dangerfield (born Jacob Cohen). For Wieviorka, as with Freud, brevity was so far from being the soul of wit that it might almost seem non-Jewish.

Another of Wieviorka’s claims appears to conflict with Jewish tradition itself, such as when he states that funny Jews laugh at themselves, never at others, negating the othering of mocked and disdained people in Chelm, a legendary village in Yiddish folklore inhabited by fools who believe themselves to be wise.

To support some of his claims, the author discusses the 1970s French film The Mad Adventures of Rabbi Jacob, a box office success, now somewhat frantic and dated-looking, starring the popular Gallic comedian, Louis de Funès disguised as a rabbi. More to the point, Wieviorka justly reveres the French Jewish comedian Pierre Dac for his still-fascinating wartime broadcasts from London for the Free French forces. Dac’s sense of humor simultaneously expressing Yiddishkeit and also undermining the enemy’s Fascist ideology is a subject that might have intrigued Freud himself.

To bolster the essentially serious messages of his book, Wieviorka mentions the writers Elie Wiesel and André Schwarz-Bart as well as the painter Marc Chagall, names rarely seen in books about humor.

Wieviorka’s elegiac, end-of-an-era tone might be cheered up by a glance at the Netflix streaming schedule or a visit to a comedy club. Of course Jewish humor is thriving, as Wieviorka himself admits; Le Monde headlined a relevant story about the aftermath of the Oct. 7 attacks, “Israeli comedians are boosting morale in wartime.”

So, for all its methodical, highly intellectual analysis, The Last Jewish Joke might be best appreciated as a moving Kaddish for the demise of anecdotes that were once considered the height of drollery. It is very much a product of brainy French Jewish creativity, which itself deserves to be cherished and celebrated.

 

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