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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.

NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet? 

Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.

“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.

She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”

Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York. 

Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity. 

The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.

Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.

At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.

“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”

Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.

“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”

Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.

Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.

“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.” 

Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)

Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”

Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.

“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.

Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.

“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”

Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.

“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”

Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen. 

But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.

“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”

When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.

“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”


The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.

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Can Breads Bakery workers really demand that the Israeli owners cut ties with Israel? Labor experts weigh in.

(New York Jewish Week) — The news that workers at Breads Bakery, an Israeli chain in New York City, were demanding “an end to this company’s support of the genocide happening in Palestine” as part of a union push has triggered concerns among those worried about surging anti-Israel sentiment in the United States.

“This is going to spread,” Deborah Lipstadt, the former United States special envoy for monitoring and combating antisemitism, wrote on X Thursday. “This is not spontaneous, This is part of an effort to marginalize Jews and Israel.”

But is an Israel boycott as a union demand even possible to achieve? Do workers have rights when it comes to protecting their beliefs about Israel? What role are unions playing in anti-Israel advocacy? And what might happen next at Breads?

To answer these questions, we reached out to two labor scholars — Harry C. Katz, the director of the Scheinman Institute on Conflict Resolution at Cornell University, and Samuel Estreicher, an attorney and scholar on labor and employment law and arbitration law at New York University. We also visited a rally by Breads’ supporters on the Upper West Side on Friday afternoon.

Here’s what we learned.

Is it common for workers to press for political concessions as part of their unionization efforts?

The Breaking Breads workers are doing something unusual, Katz said. He said he was not aware of other examples of employees making demands related to Israel as part of a unionization effort.

“There are unions who have taken out political stances, but the stances are ‘we oppose the Netanyahu government,’ or ‘we oppose the invasion of Gaza,’ ‘we are sympathetic to BDS,’” he said. “They’re allowed to take that stance, but they have not done what you’re asking about.”

Of course, unions can and do use their might to advance political agendas. But that often happens in the advocacy space, with unions reminding decision-makers that they represent a powerful voting bloc, not in bargaining within individual units.

The insertion of Israel demands in a unionization announcement reflects an anti-Israel swing within swaths of organized labor in the United States and beyond.

In December 2023, United Auto Workers, the union that Breaking Breads has filed under, became the largest union to call for a ceasefire in Gaza. It was a sharp departure for the union, which had previously been staunchly supportive of Israel.

In March 2025, UAW came to the defense of two members at Columbia University who had been involved in pro-Palestinian protests there, including Grant Miner, who headed a union chapter representing 3,000 undergraduate and graduate students employed at the school before being expelled.

The “assault on First Amendment rights being jointly committed by the federal government and Columbia University are an attack on all workers who dare to protest, speak out, or exercise their freedom of association under the US Constitution,” UAW said in a statement at the time.

UAW national and the local group representing Breaking Breads, as the union is calling itself, both did not respond to a request for comment.

What are the chances of the Breads workers getting what they want when it comes to Israel?

Slim to none, Katz and Estreicher both said.

For one thing, it’s far from assured that Breaking Breads will even succeed in being recognized as a bargaining union. The employees announced that “over 30%” of Breads’ workers had signed onto the unionized effort, the minimum required under federal labor law — and far less than most unions announce themselves with.

The threshold allows the workers to petition the National Labor Relations Board to hold a union election. In an election, more than half of workers who participate must support the formation of the union for one to be created.

“Thirty percent is an extremely low level of support through the signing of authorization cards,” Katz said. “For them to say, ‘Oh, they have a bit over 30%,’ that suggests they’re going to have an extremely difficult time if this goes to an election.”

Then, even if the union does meet the legal threshold for recognition, Breads is under no legal obligation to engage on issues related to Israel.

“Workers don’t have a right to tell management what management wants to do with its own funds, or personal beliefs and political views regarding Israel,” Katz said. “The law requires bargaining in good faith about wages and other employment conditions. That’s the requirement.”

The workers are alleging a range of unfair employment practices, including low wages, irregular schedules and unsafe working conditions. If their union is recognized, Breads will have to negotiate a contract addressing those issues — and will have to comply or risk a strike.

But on the off chance that questions about Israel somehow make it to the bargaining table, “management can refuse to discuss it,” Katz said.

Breads has indicated that it does not believe political issues are appropriate fodder for negotiation.

“We’ve always been a workplace where people of all backgrounds and viewpoints can come together around a shared purpose, the joy found at a bakery,” it said in a statement responding to the announcement of Breaking Breads. “We find it troubling that divisive political issues are being introduced into our workplace.”

Estreicher put it simply: “They can say whatever they want,” he said about the workers. But Israel-related issues would never be considered a “mandatory subject of bargaining” like wages and working conditions, and workers could be fired if they strike over the issues.

Since there isn’t actually a union yet, can Breads just fire the workers making the anti-Israel demands now?

Some of Breads’ supporters have called for the company to fire the workers who are agitating against its ties to Israel.

“I don’t understand why the owners [don’t] simply fire the so-called unionizing staff. New York is an at-will employer. They’re creating a hostile work environment,” one commenter wrote on an Instagram post by pro-Israel influence Lizzy Savetsky decrying the workers’ demand. “There’s the door, ungrateful employees. Feel free to take a loaf with you on the way out.”

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But firing workers who joined Breaking Breads would be a problem, Katz said, even though they don’t formally have a union yet.

“Management often gets away, due to the weakness in the enforcement of our labor laws, … with the firing of union sympathizers and activists,” Katz said. “But that is technically illegal. It’s illegal for management to fire people because of their views towards the union or their activism within the union.”

Do workers have a protected right to refuse to work on a specific job that offends their beliefs, including about Israel?

One of Breaking Breads’ objections was to catering events that it said involved groups with ties to Israel or to producing custom loaves decorated with Israeli flags.

The question is not the same as the one that recently occupied the Supreme Court, when it ruled on cases about small-business providers — including a wedding cake maker — who declined to serve same-sex clients, citing religious beliefs.

Those cases were about whether the government could compel a business to create custom content that violates the owner’s beliefs — and the court ruled it could not. But workers do not have the same protections individually, nor do they have the right to impose their beliefs on their employer.

“It’s the employer’s business, not their business. That’s my position. I think that’s the legal position,” Estreicher said. “People have all kinds of views with different things. Anyway, an employer should be able to make clear that he makes the decision on who the customers are, and they can’t interfere with that.”

Workers would likely also have a difficult time seeking redress against their employer for serving specific customers against their beliefs, Katz said.

Contract violation claims go to third parties known as arbitrators, who rule whether management ran afoul of its contract with the union and what penalty, if any, should be applied.

As an example, Katz said, “A Palestinian employee says in this case: ‘I’m baking cookies that get eaten or sold at an event that supports Israel.’ I can’t imagine an arbitrator would say you have a right to refuse that kind of work.”

Estreicher said one Israel-related claim by Breaking Breads could be appropriate grounds for redress, if true. The workers said Breads had told workers they could not speak Arabic on the job — a demand that may run afoul of employment law.

“If they’re in public contact jobs, I think they can [have that rule], but there are legal issues about if they’re not in public contact jobs,” Estreicher said. “If they’re in the kitchen, having a prohibition would be problematic.”

What happens next at Breads?

When it comes to the unionization effort, it could be several weeks before there are clear developments. Employers can choose to recognize unions voluntarily, but if they do not, the National Labor Relations Board typically makes a decision about whether it will support an election within about 45 days. Elections are then held several weeks to months after that.

For now, the popular bakery appears to be reaping positive dividends from its workers’ dissatisfaction. Fans of the bakery and pro-Israel activists have asked the New York City Jewish community to buy their products, and even offered to work for Breads for free.

A few hundred showed up at a Friday gathering to buy a coffee or a snack and hang out at the Upper West Side location, called for by pro-Israel activist Shai Davidai.

“We are dealing with an ideological war, and that ideological war says that if you are a Zionist, if you believe that Israel has a right to exist, if you’re a proud Jew, then you don’t deserve to live here,” Davidai said.

Davidai stressed that the event was all about showing strength in numbers.

“We want to show here a Jewish, Zionist business, that we have their back, and they won’t be cowered by a loud and nasty minority that wants to ruin things for everybody,” Davidai said.

“This isn’t just about buying products,” he added. “So first thing, [almost] everyone who’s buying a product is wearing a sticker that says, ‘Zionist,’ right? So the cashier, the employees, the business owner, and everyone on the street sees that we are coming out as Zionists. We’re not hiding anymore.”

By about 12:10 p.m., the fast-moving line at Breads’ Upper West Side location had begun to wrap around the block. Parents had brought babies, and people of all ages waited in line, as new customers arriving at the scene ended their FaceTime calls — some in Hebrew, some in English — by describing the scene to the person on the other end of the line. Some customers came alone and met new faces while waiting in line; others came with friends.

“Today, they are not just trying to bite the hand that feeds them, they’re trying to gnaw it off,” said Judy, a longtime Upper West Side resident who declined to share her last name, about the workers. “That’s what I was thinking all last night. It’s preposterous. It’s ludicrous. It’s beyond reproach.”

Colleagues Marc Rodriguez and Max Lippman waited in the middle of the line, and, like many, were hoping to land one of Breads’ award-winning babkas.

Rodriguez, who is not Jewish or Israeli but whose wife is both and whose children are Jewish, said he felt obligated to support the store, which he is a fan of and had been to in Israel. He brought a small Israeli flag, and wore one of the “Zionist” stickers that Davidai had handed out.

“I want to support the store, support the owners, and I want to remind the workers over here who is supporting this store, and who is patronizing the store,” Rodriguez said. “I think it’s a nice, respectful way to show support. We’re not shouting, we’re here. We’re all smiling, happy, talking. And also, I’m so excited for carbs.”

Lippman, who is from the Upper West Side, heard about the call to head to Breads on social media.

“In general I’m pro-union,” he said. “But once part of that is saying that they’re anti-Zionist, that seems unnecessary. It’s an Israeli-owned bakery. We’re here to show our support. It seems unnecessary when forming a union to state your beliefs on Israel. It doesn’t matter who the owners are,” Lippman added. “We’re just here to support the bakery and the babka makes that easy.”

The post Can Breads Bakery workers really demand that the Israeli owners cut ties with Israel? Labor experts weigh in. appeared first on The Forward.

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From pop stars to tefillin pop-ups, Oct. 7 changed how Israel’s ‘somewhat observant’ practice Judaism

(JTA) — TEL AVIV — In the weeks after Hamas’s Oct. 7 attack, religiously charged videos started circulating on social media. Dozens of young women posted videos of themselves cutting up their “immodest” clothing, jeans, crop tops, minidresses, vowing to replace them with modest skirts and head coverings. 

In one viral TikTok clip, a young influencer solemnly shears her wardrobe to shreds, declaring it an offering for national deliverance. “Creator of the world, as I cut these clothes, cut away the harsh decrees against Israel,” she says, explaining that she would not even donate the garments lest she “cause someone else to stumble” by wearing them. 

Other images circulated too, of tefillin pop-ups, neighborhood challah-bakes and, on both social media and the street, a noticeable rise in religious amulets and pendants. Hamsas, Stars of David and necklaces shaped like the map of Israel or the ancient Temple in Jerusalem appeared everywhere.

Two years later, as the grinding war in Gaza largely wound down, those early scenes have taken on the feel of a specific moment in time. Still, the spiritual jolt of those first weeks has not fully faded, and increased religious practice has become part of the country’s daily rhythm.

A poll released in November by the Jewish People Policy Institute found that 27% of Israelis have increased their observance of religious customs since the war began. Roughly a third of Jewish Israelis say they are praying more frequently than before the war, and about 20% report reading the Tanach or psalms more often. 

JPPI head Shuki Friedman said that many Israelis, and especially the young, felt the war had reconnected them to tradition and Jewish identity “not necessarily in a halachic way, but in a way that shows up very strongly in their lives and in the public space.” 

Crucially, the shift has been most dramatic among Israelis who already had one foot in tradition — those raised in “masorti” or traditional but not strictly observant, homes. While the masorti category has its roots in Middle Eastern and North African (Mizrahi) communities, where religious observance was historically more integrated into daily life but less rigid than in European Orthodoxy, today masorti Israelis span all sectors of Israeli society. (The category is distinct from the Masorti movement, the name for Conservative Judaism in Israel and Europe.) Roughly one-third of Israeli Jews identify as masorti, with JPPI breaking the group into two categories: “somewhat religious” and “not so religious.”

The Jewish demographer Steven M. Cohen once quipped that masorti Israelis are those who “violate the laws that they do not wish to change” – meaning they accept traditional Jewish law, known as halacha, as valid, but selectively observe it in practice. Cohen also noted there’s no real American equivalent, though the closest parallel might be “non-observant Orthodox.”

Among young Jews who identified as “somewhat religious” masorti, 51% of respondents in the poll reported deepening their religious practices during the war. 

David Mizrachi is one of them. Raised in a masorti home, Mizrachi had never been consistent about synagogue attendance, Shabbat observance or laying tefillin. Since Oct. 7, he said, he does all three — religiously.

For him, the change grew out of the shock of the attacks and the losses that touched his own circle. He personally knew the Vaknin twins, killed at the Nova party, and Elkana Bohbot, the hostage snatched from the rave who was released after two years in captivity. Those events, he said, pushed him into “cheshbon nefesh,” a Jewish reckoning with his identity. 

“I understood that these enemies and terrorists came because we were Jewish, not because we were Israelis,” he said. 

In some households the response went further still. Rozet Levy Dy Bochy, raised masorti and married to a non-Jewish Dutch man who decided after Oct. 7 to convert, said Oct. 7 drew her deeper into observance. 

“It felt like we were in a horror film, but faith provided an anchor,” she said. “Knowing that everything was part of God’s plan and in the end something different, something good, was waiting for us was comforting.” 

The dynamic experienced by Mizrachi, shaped by the violence that afflicted people he personally knew, aligns with another survey released in September by the Hebrew University, which found that direct exposure to the war, whether through bereavement or injury, was closely associated with changes in religiosity and spirituality. Roughly half of respondents reported higher levels of religiosity and spirituality, including a quarter who said they had become more religious and a third who described a rise in spirituality.

That trend has been reflected most vividly in the accounts of released hostages that have filled Hebrew media over the past year, with former hostages describing making kiddush on water, keeping Shabbat for the first time or rejecting pitas during Passover in the tunnels beneath Gaza. 

It has rippled through pop culture, too. Actor Gal Gadot told her 106 million followers on Instagram that while she’s “not a religious person,” she had decided to light a candle and pray for the safe return of all the hostages. 

Israel’s biggest pop star Noa Kirel, not known for religious observance, marked her November wedding with a mikveh immersion, a hafrashat challah (challah-separation) gathering, along with a henna party of the type that is common among Mizrahi Jews. 

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Another of Israel’s most popular singers, Omer Adam, long considered secular, now wears tzitzit, studies Torah, and keeps Shabbat

It’s now common to see Israeli celebrities sharing Shabbat candle-lighting rituals, including secular TV host Ofira Asayag, who, a year into the war, pledged to do so on-air until the hostages came home. 

For sociologist Doron Shlomi, who studies Israeli religiosity, none of this is surprising, because collective crises often produce similar effects. Drawing on research from earthquakes, wars and the Covid-19 pandemic, he described the two years of war as “a kind of laboratory” for seeing how people turn toward faith. 

“War always brings two things,” he said. “More religiosity and more pregnancies.”

Shlomi argued, however, that the hostages and their families sit apart from the rest of the population. For many of them, he said, a turn to religion was a survival tool, and he expects some will go on to live fully observant lives. 

But in the broader public he sees two main patterns. The first is piety as a form of public service and solidarity that manifests in personal habits, like observing a single Shabbat or donning tzitzit in honor of the hostages, the fallen, and the soldiers. 

The other pattern runs through institutions and organizations that seized on the moment, from ultra-Orthodox groups like Chabad hosting barbecues on army bases to Christian evangelicals joining support efforts

Although increases outnumbered declines, the Hebrew University and JPPI studies both found a smaller counter-current. About 14% of secular respondents in both surveys said their religiosity had weakened, and 9% of Jewish respondents in the JPPI poll reported a drop in belief in God, a figure that rose to 16% among secular Jews. 

The Hebrew University researchers framed their findings through a psychological lens, drawing on terror management theory, which argues that confronting mortality pushes people to double down on their existing worldviews — deepening religious practice for some and weakening it for others. 

“During periods of prolonged stress, individuals may reorganize their religious or spiritual orientations by either increasing or decreasing their importance,” said Yaakov Greenwald, who led the study. 

It’s not the first time war has nudged Israelis toward faith. After the 1973 Yom Kippur War, Israel experienced a notable uptick in people returning to religion, including high-profile secular figures. Film director Uri Zohar shocked the nation by becoming ultra-Orthodox in 1977. A year later, Effi Eitam, a decorated brigadier general and later a politician, did the same.

Historians debate how large that post-’73 wave really was, but at the time the narrative took hold that the near-death experience of the state — Israel was caught off guard and feared annihilation in the first days of that war — followed by an against-all-odds turnaround felt to many like a miracle.

Shlomi said it is still too soon to make firm predictions about how long the current trend will last, given that the country is only now emerging from the crisis. Even so, he believes the scale of the war and the religious wave it produced were deep enough that, a decade from now, it will still be there. 

And if the experience of Rozet Levy Dy Bochy’s husband, Peter Griekspoor, is any indication, the war may leave the country not only more observant down the line but with more Jews altogether.

At first, Rozet said, her husband responded in a “very European” way, seeking balance and “both-sides-ing” the situation. She told him that was a luxury of not being Jewish, but that “for us, something in our DNA reacts in moments like this. We’ve been here before.”

But it did not take long for the balance to tilt. As protests spread across Europe and North America and conspiracy theories about Israelis and Jews circulated online, Peter said he was “starting to feel like part of the narrative.” 

“I felt the antisemitism was personal,” he said. “Now I actually feel like I’m Jewish. I feel like I want to be part of this people. They are beautiful, they are strong, they are resilient,” he said, before adding with a laugh, “and they are horrible also. Always arguing, always fighting each other.”

Shlomi said that while much of the revival grew out of a real desire for unity and belonging, some of it acquired a coercive edge, with some rabbis and others treating “returning” to faith as the only legitimate response and investing significant funding in amplifying it. “Tefillin and barbecues cost a lot of money,” he said. 

He also noted that the rise in religious practice often moved in tandem with a political realignment, with some public figures openly embracing observance. On Channel 14’s flagship “Patriots” current-affairs show, rightwing host Yinon Magal now speaks frequently about becoming more observant since the war, a change that links faith with nationalist politics. 

A number of survivors from the traditionally left-leaning kibbutzim on the Gaza border that were attacked on Oct. 7 have described similar movement in their own lives, adopting more religious practices, like remarrying in an Orthodox ceremony, and identifying more strongly with the right. JPPI survey data shows the same trend among Jewish youth, with a clear rightward drift across most political camps.

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Mizrachi, however, bucks that trend. A peace activist and board member of Standing Together,  a grassroots Jewish-Arab movement that campaigned against the war, he has grown more observant without changing his politics.  

“I am a Jew first, then an Israeli, then a democrat, then a Mizrahi,” he said. “I see God in every aspect of life. But I also ask, until when will we live by the sword and be filled with hate for Gazans? This isn’t the Jewish way.”

For Griekspoor, the Jewish way meant the halachic way, and for the past six months he has been enrolled in an Orthodox conversion program under the Israeli rabbinate, a track that mandates full observance of Jewish law. He says he knows his choice in becoming Jewish defies logic. 

“You have the persecution, the hatred, the antisemitism — and you can’t eat cheeseburgers,” he said. “But there is no rational explanation. It’s stronger than me.”

The post From pop stars to tefillin pop-ups, Oct. 7 changed how Israel’s ‘somewhat observant’ practice Judaism appeared first on The Forward.

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After Australian literary festival drops Palestinian activist, citing Bondi massacre, dozens boycott in solidarity

(JTA) — An Australian writers’ festival is facing backlash after it announced it had removed an Australian-Palestinian author from its lineup over concerns her inclusion would “not be culturally sensitive” in the wake of the Bondi massacre.

The decision by the organizers of Adelaide Writers’ Week to disinvite Palestinian Australian author, lawyer and activist Randa Abdel-Fattah comes weeks after two gunmen motivated by “Islamic State ideology” opened fire on a Hanukkah celebration in Sydney, killing 15 and injuring dozens more.

“Whilst we do not suggest in any way that Dr Randa Abdel-Fattah’s or her writings have any connection with the tragedy at Bondi, given her past statements we have formed the view that it would not be culturally sensitive to continue to program her at this unprecedented time so soon after Bondi,” the festival’s board’s statement read.

While it was unclear what the festival’s organizers were referring to, in the wake of the Bondi massacre, Abdel-Fattah made a post in the wake of the Bondi massacre decrying those who she said were “quickly surrendering to the agenda of those who are using a horrific act of antisemitism to entrench anti-Palestinian racism.”

“Now is the time to insist on principles not abandon them,” she in a Dec. 17 post on Instagram, three days after the attack. “To see through the shameful and dangerous political exploitation of the murder of 16 people by Zionists, white supremacists, the far right to advance their racist, violent, and oppressive agendas.”

The festival’s organizers wrote that the decision will “likely be disappointing to many in our community,” adding that they expected it would be “labelled and will cause discomfort and pressure to other participants.”

Indeed, since the organizer’s decision was announced on Thursday, nearly 50 writers have announced that they would boycott the festival, which is scheduled to take place from Feb. 28 to March 5, according to The Guardian.

Among the authors who have announced their resignation from the event are British author Zadie Smith, Pulitzer Prize winner Percival Everett, former Greek finance minister Yanis Varoufakis and Russian-Jewish writer M. Gessen, according to The Sydney Morning Herald.

Jewish Community Council of South Australia public and government liaison Norman Schueler told the Australian Broadcasting Corporation that he had written a letter to the organizers calling for Abdel-Fattah’s removal. (The progressive Jewish Council of Australia condemned Abdel-Fattah’s removal.)

“The board [has] completely, appropriately disinvited her and personally, I’m very, very surprised it appears a large cohort of people have decided to support her,” Schueler told the outlet.

On Thursday, Abdel-Fattah posted a statement on X where she decried the festival’s decision.

“This is a blatant and shameless act of anti-Palestinian racism and censorship and a despicable attempt to associate me with the Bondi massacre,” she said. “After two years of Isrel’s live-streamed genocide of Palestinians, Australian arts and cultural institutions continue to reveal their utter contempt and inhumanity towards Palestinians. The only Palestinians they will tolerate are silent and invisible ones.”

Abdel-Fattah told the Australian Broadcasting Corporation that she hoped that the festival would reconsider its decision.

“I would like an apology, I would like a redemption in terms of the retraction of that statement, the reinstatement of my invitation and steps by the board to actually hold itself accountable to community for what it has done here,” she said.

The post After Australian literary festival drops Palestinian activist, citing Bondi massacre, dozens boycott in solidarity appeared first on The Forward.

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