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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.

NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet? 

Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.

“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.

She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”

Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York. 

Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity. 

The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.

Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.

At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.

“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”

Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.

“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”

Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.

Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.

“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.” 

Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)

Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”

Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.

“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.

Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.

“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”

Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.

“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”

Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen. 

But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.

“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”

When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.

“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”


The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.

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JD Vance: ‘There’s a difference between not liking Israel’ and antisemitism

(JTA) — Under fire over antisemitism within the Republican Party, Vice President JD Vance said on Monday that “the single most significant thing you could do to eliminate anti-semitism” is reducing immigration to the United States.

Vance also laid out his attitude about criticism of Israel, tweeting, “I would say there’s a difference between not liking Israel (or disagreeing with a given Israeli policy) and anti-semitism.”

Vance made the comments on X while responding to a journalist who had shared an essay by the Jewish commentator Yair Rosenberg expressing concern about antisemitism among younger Americans.

“Research suggests America is becoming more anti-Semitic because its young people are becoming more anti-Semitic,” Rosenberg had written. “This finding flies in face of folk wisdom that prejudice is the province of the old and will die out with them. That may be true of some bigotries, but anti-Semitism is not one of them.”

The quotation caused Vance to respond with a thread that represented some of his most direct and extensive comments on the topic since the Republican Party’s internal divide on antisemitism was thrust into the open following the September assassination of conservative icon Charlie Kirk. Since then, some in the party have urged a confrontation with antisemitic sentiments that appear increasingly common among younger Republicans influenced by online personalities such as Nick Fuentes.

But Vance, while saying he opposes antisemitism, has not heeded the calls, rejecting claims of surging Republican antisemitism and downplaying expressions of antisemitic sentiment by young Republicans as immaturity.

Now, he says those concerned about growing right-wing antisemitism in the United States are barking up the wrong tree.

“Mainstream journalism is just profoundly uninteresting and lame, consumed by its own pieties. To write an article about the ‘generational divide’ in anti-semitism without discussing the demographics of the various generations is mind boggling,” Vance wrote.

His next tweet was a quote apparently intended as a rhetorical statement of what he sees as a faulty view: “We imported a lot of people with ethnic grievances prior generations didn’t have. We celebrated this as the fruits of multiculturalism. Now we’re super surprised that the people we imported with ethnic grievances still have those ethnic grievances.”

Then Vance shared his conclusion. “The most significant single thing you could do to eliminate anti-semitism and any other kind of ethnic hatred is to support our efforts to lower immigration and promote assimilation,” he wrote. “But these guys won’t do that, because they all lack curiosity and introspection.”

Finally, Vance pointed to a researcher who said his research had found higher antisemitic sentiment among U.S. residents who had been born abroad and Americans whose parents were immigrants.

“As I noted in my post on the topic, foreign-origin is a much better predictor of antisemitism than ideology or age,” wrote Charles Fain Lehman, a a fellow at the conservative Manhattan Institute.

The Manhattan Institute released a report earlier this month finding while most Republicans reject antisemitism, 17% met researchers’ definition of “anti-Jewish Republicans” because of their sentiments.

The report described higher levels of antisemitic sentiment about Republicans under 50 and “New Entrant” Republicans, those who voted for Republicans in national contests for the first time only recently.

“Anti-Jewish Republicans are typically younger, disproportionately male, more likely to be college-educated, and significantly more likely to be New Entrant Republicans,” the report found.

Polls show that anti-Israel sentiment is also rising among younger Republicans, fracturing a consensus in a party that has recently boasted of its staunch support for Israel. Vance’s tweet clarifying that he does not believe anti-Israel sentiment is necessarily antisemitic represents his clearest statement yet about his tolerance for anti-Israel sentiment, coming as he is seen as a likely presidential contender in 2028.

Vance’s comments come as the Trump administration takes aim at immigrants, cracking down harshly on those in the country illegally and seeking to block migration totally from some countries, including from countries such as Iran and Yemen where antisemitic sentiments are prevalent.

Jewish groups have tended to align strongly with pro-immigrant stances, in part owing to a shared Jewish family history as an immigrant class, though those views are shifting. However, HIAS, a Jewish immigrant aid group, has taken a strong stance against the Trump administration’s treatment of immigrants and refugees.

The Trump administration has also said it would screen the social media histories of tourists and visa applicants for evidence of antisemitism and has sought to deport some immigrants it alleges are antisemitic, often because of their participation in pro-Palestinian protests.

The post JD Vance: ‘There’s a difference between not liking Israel’ and antisemitism appeared first on The Forward.

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Antisemitism tensions rise as NYC Young Republicans host white nationalists, conspiracy theorists at annual gala

(JTA) — The guest list at the New York Young Republican Club’s annual gala on Saturday included white nationalists, antisemitic conspiracy theorists and a Jewish City Councilwoman, who ultimately decided not to attend. 

Inna Vernikov, a Jewish City Council member who represents a south Brooklyn district with a large Russian Jewish population, did not attend despite being promoted as an “honored guest.” Vernikov, who was one of a few politicians to back out, later suggested on social media that her absence was connected to antisemitism on the right.

Those who did attend the gala included a NYYRC member and former George Santos staffer who had posted a video depicting Jews as cockroaches, costing him his job on Matt Gaetz’s news show; politicians from Germany’s far-right party which the country officially labeled an extremist group; Jared Taylor, the editor of a white supremacist website called American Renaissance; and Sneako, the streamer who posts antisemitic content and has said “people are sick of hearing about the Holocaust.”

Meanwhile, avowed antisemite Nick Fuentes said he received an invite and made the trip to New York — even though the New York Young Republican Club said by email on Monday that he “was never formally invited.”

Fuentes was seen lingering outside Cipriani, the upscale restaurant where the gala took place, Politico reported, but did not attend the event itself. He recorded a stream with Sneako following the black-tie affair, saying his invite had been rescinded at the last minute to avoid a potential “revolt.” 

Saturday’s gala was held during a moment of growing debate about antisemitism on the right, and as Fuentes’ seemingly ascendant role within the Republican Party has emerged as a source of anxiety among more mainstream Republicans.

The New York Young Republicans Club has generated some of the angst. Just weeks ago, the club’s statewide counterpart disbanded in the wake of leaked group chats in which officials joked about gas chambers, praised Adolf Hitler and used racist, antisemitic and homophobic slurs. (Attendees seemingly referenced those texts on Saturday, according to Talking Points Memo, joking with each other that they were “neo-Nazis.”)

The debate on the right has centered largely around how to deal with figures like Fuentes, who calls Hitler “cool” and has been interviewed by major personalities like Tucker Carlson and Piers Morgan. 

Republican politicians, including non-Jewish ones such as Ted Cruz and Lindsey Graham, have scorched Carlson for his friendly interview with Fuentes. Vice President JD Vance, meanwhile, has drawn scrutiny for not condemning Carlson or Fuentes, and for previous instances of not pushing back against antisemitic conspiracies. Vance also downplayed the leaked texts as “jokes” and said critics should “grow up.” Trump, meanwhile, defended Carlson, saying, “You can’t tell him who to interview.” (He also dined with Fuentes and rapper Kanye West in 2022, but later said he didn’t know who Fuentes was.)

On Sunday, the day after the gala, Vernikov took to X to post about the Republicans’ growing antisemitism problem, saying, “I will DISASSOCIATE myself from any event, individual, or organization whether Democrat or Republican, that welcomes these vile bigots into their mist, defends them or amplifies their voices,” referring to figures like Fuentes, Carlson and Candace Owens.

Antisemitic rhetoric “has fully infiltrated the Democratic Party,” Vernikov wrote on X, adding, “Unfortunately today the same venom has entered corners of the conservative movement and the hard RIGHT WING of the Republican Party.”

Then she named names, writing, “Lunatics like Nick Fuentes, Candace Owens and Tucker Carlson, who spew bigoted, racist and antisemitic rhetoric, should be condemned and excommunicated from the Republican Party never to be welcomed again.”

Vernikov declined to comment further on the event.

The gala was hosted by Matan Even, an 18-year-old Israeli-American YouTuber known for his pranks, such as crashing a 2022 Game Awards speech to thank his “Reform Orthodox rabbi, Bill Clinton.” Even’s humor, which involved singing the “Spongebob Squarepants” theme song onstage, seemingly did not land. Even is Jewish but has recorded streams with Sneako despite the latter’s use of antisemitic conspiracy theories.

Right-wing pundit and activist Jack Posobiec was the event’s keynote speaker, and delivered a fiery speech in which he spoke about Charlie Kirk’s death while holding a rosary.

The far-right Alternative for Germany party, or AfD, was represented at the gala by about 20 lawmakers at the state, federal and EU levels. The AfD has drawn criticism for using slogans similar to the Nazi party’s and was classified this year as a right-wing extremist organization by Germany’s domestic intelligence agency.

Rep. Dan Goldman, the Democratic congressman whose district includes Lower Manhattan, where the gala was held, wrote earlier on Saturday that the NYYRC was “rolling out the red carpet for leaders of Germany’s Nazi-cosplaying AfD party.

“I condemn it in the strongest of terms, as should my New York Republican colleagues,” he wrote. “The AfD and their bigotry is not welcome in NY-10.”

At the gala, a protester wearing a Nazi armband was removed after popping up from his seat and reportedly yelling “I guess we’re all Nazis!” In a video recorded outside after his removal, the protester, who later said he was Jewish, pointed to the Nazi symbol and said, “This is what this event represents,” naming specifically the invitations of Vish Burra — the man who posted a video depicting Jews as roaches — and of AfD officials. 

The NYYRC’s Twitter account countered accusations of being “Nazis” by writing that “the only swastika in the room was held by a left-wing freak protester who we forcefully booted from the premises.”

The protester was told to “go back to Israel” by an attendee, who then accepted the swastika banner from the protester and left with it.

Stefano Forte, the club’s president, spoke defiantly about the NYYRC’s partnership with the AfD.

“You want us to denounce the AfD? You want us to denounce our allies? You want us to denounce those that stand with us?” he asked.

“Well here’s a denunciation. We unequivocally denounce the fake news media that distorts the truth to put us in danger,” he said, referring to right-wingers being labelled “Nazis” as leading to assassination attempts on Trump and Charlie Kirk.

Forte also declared that the club was “prepared to endorse” Trump for a third presidential term in 2028, drawing loud applause.

The post Antisemitism tensions rise as NYC Young Republicans host white nationalists, conspiracy theorists at annual gala appeared first on The Forward.

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Jewish donors help raise $1.3M for Ahmed al Ahmed, the Muslim man who disarmed a Bondi Beach attacker

(JTA) — A crowdfunding campaign to support Ahmed al Ahmed, the Muslim fruit seller shot after disarming one of the men who was attacking a Hanukkah event in Sydney, generated $1.3 in its first day — with the largest donation coming from the American Jewish billionaire Bill Ackman.

Ackman gave $66,000 to the GoFundMe for al Ahmed and promoted the campaign to his followers, tweeting, “This is the verified link for the Bondi hero.”

In a viral video on Sunday, shortly after the attack on Bondi Beach that left 15 killed and over 40 injured, al Ahmed, 43, can be seen crouching behind a car before jumping into action as one of the terrorists shoots a firearm at the Jewish celebration. Al Ahmed, a Syrian-born father of two who was unarmed, then jumped on the attacker from behind, wresting the firearm from his hands.

“In a moment of chaos and danger, he stepped forward without hesitation,” the sponsors of the GoFundMe, Car Hub Australia, wrote on the page. “His actions were selfless, instinctive, and undeniably heroic, taken without regard for his own safety. Early reports indicate he was shot twice in the process while protecting others.”

As al Ahmed’s heroic actions were shared widely on social media on Sunday, he garnered praise from Israeli Prime Minister Benjamin Netanyahu and Australian Prime Minister Anthony Albanese.

As al Ahmed recovered from his injuries in a hospital on Monday, he was visited by Chris Minns, the premier of New South Wales, the Australian state that includes Sydney.

“Ahmed is a real-life hero,” wrote Minns in a post on X alongside a photo of him visiting al Ahmed in the hospital. “Last night, his incredible bravery no doubt saved countless lives when he disarmed a terrorist at enormous personal risk.”

Praise also poured in on social media from Jewish leaders in the United States, including the United States Holocaust Memorial Museum and Vermont Independent Sen. Bernie Sanders.

“Ahmed al Ahmed, a Muslim father of two, risked his life to disarm a murderer who was shooting down Jews celebrating Hanukkah in Sydney,” wrote Sanders in a post on X. “Religion must not divide our common humanity. We must stand together and end antisemitism, Islamophobia and all hate — no exceptions.”

For others, al Ahmed’s act of bravery during the massacre appeared to be divine intervention — coming as it did at a time when many Jews feel isolated and abandoned by their non-Jewish allies.

“I’ve been thinking about this man Ahmed and his selfless act of courage, and I can’t help but feel that it as an act of God,” wrote Jewish social media influencer Alana Zeitchik in a post on Instagram. “It is a message that could only have been written by something higher than all of us. Like all actions it has a ripple effect. In this moment of immense grief and fear, his actions repair a painful tear in the collective Jewish soul that so badly needed to be tended to.”

She continued, “He will be cherished and spoken about by our people for generations.”

Among the 34,000 donors to the GoFundMe campaign so far are several who said in notes that they were Jewish and explained why they donated unusual sums, in multiples of $18.

“Ahmed, you are a true hero. As a Jewish supporter, I donated $180 USD because 18 (“chai”) represents life. Your courage embodied that meaning in the most profound way,” wrote Craig Gross. “Thank you for what you did, and may you heal fully and quickly.”

The post Jewish donors help raise $1.3M for Ahmed al Ahmed, the Muslim man who disarmed a Bondi Beach attacker appeared first on The Forward.

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