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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.

NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet? 

Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.

“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.

She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”

Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York. 

Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity. 

The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.

Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.

At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.

“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”

Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.

“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”

Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.

Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.

“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.” 

Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)

Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”

Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.

“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.

Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.

“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”

Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.

“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”

Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen. 

But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.

“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”

When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.

“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”


The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.

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More Americans now sympathize with Palestinians than with Israelis, new poll finds

(JTA) — Another major poll has founded that sympathy has surged among Americans for Palestinians and now exceeds support for Israelis.

Gallup, one of the country’s most respected polling outfits, found that 41% of Americans say they sympathize more with the Palestinians, compare to 36% who sympathize more with the Israelis. A year ago, a Gallup poll showed a 13-point advantage for the Israelis.

The poll comes nearly six months after a national poll found for the first time that Americans’ sympathies had flipped. In a New York Times and Siena University poll released in September, 35% of registered American voters said they sympathized more with Palestinians compared to 34% with Israel. Prior to the war in Gaza, 47% of respondents said they sympathized more with the Israelis.

Both pollsters have asked about voters’ sympathies in the Israeli-Palestinian conflict for decades. They each said the sympathy gap in their latest polls was not statistically significant but that the trajectory of sentiments was.

Between 2001 and 2018, the Gallup poll found that Americans were more sympathetic to the Israelis by an average margin of 43 points. The gap began narrowing the following year but did not flip until now.

In both polls, the stark recent shift was driven by sharp shifts in sentiments among Democrats. The Gallup poll found that voters under 55 prefer the Palestinians by a wide margin, while older voters remain more sympathetic to the Israelis. The New York Times poll found that older, college-educated Democrats had seen their sentiments shift most harshly.

The polls add to the data points showing a sharp drop in sympathy for Israelis since Hamas’ Oct. 7, 2023, attack and the subsequent war in Gaza, for which the United States brokered a ceasefire in October. The Gallup poll is the first to demonstrate post-ceasefire sentiments among Americans.

The post More Americans now sympathize with Palestinians than with Israelis, new poll finds appeared first on The Forward.

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Is goy a slur, an antisemitic dogwhistle or a word for non-Jews?

Suddenly the term goy is trending. X is full of memes about “goy pride” and goyim “waking up.” People are debating whether goy is an antisemitic term, or, well, an anti-goyish term. Google Trends shows searches for the term have nearly quadrupled in the last four months.

Why is everyone suddenly obsessed with this bit of Jewish vocabulary?

Well, it’s not so sudden. Antisemites have been obsessed with it for decades. Memes on 4chan and other dark corners of the internet have long passed around quotes from the Talmud discussing goyim as though each use of the term was proof of a nefarious plot against non-Jews. They made up new terms, like “goyslop,” anything unhealthy supposedly created by Jews to weaken the world. White supremacists claim the term as one of pride, creating antisemitic groups like the Goyim Defense League.

Goyim broke into the mainstream discourse thanks to two events. One is the Epstein files, in which Jeffrey Epstein uses the term goy with a pejorative tone. The Epstein files have already birthed a network of conspiracy theories about Jewish cabals and government control, and goy was taken as just another example of Jewish scheming. Candace Owens talked about Epstein’s use of the term at length, incorrectly saying that it means “cattle.”

The other is a viral antisemitic YouTube video about a so-called “Jewish invasion” in New Jersey. The video’s creator, Tyler Oliveira, addressed his video to goyim and claims the label himself, aiming to inform the goyim about the supposedly nefarious threat of Jew moving into a town.

But is goy really such a problematic term? Literally, it just means “nation” — in the Torah, it is used in places to refer to the nation of Israel. In practice, it simply means “non-Jew,” or foreign nation which isn’t inherently insulting; Jews are far from the only group to have a term for outsider — think gringo in Spanish or farang in Thai.

This can, of course, be exclusionary. There is certainly the sense that outsiders cannot understand or participate in certain activities of an in-group — an idea that is not limited to Jews. And sometimes that is used to discriminate or insult.

Goy is used much more commonly among Jews to simply describe something that’s not Jewish. Think of the famous Lenny Bruce bit about pumpernickel being Jewish and white bread being goyish — is it a slur to observe that white bread is not part of Jewish culture? Thanks to a history of poverty and shtetl life, Jewish food is often more humble and less processed. That’s just history. It’s not an insult to white bread, or, for that matter, to pumpernickel.

The use of goy by non-Jews is similarly complicated. Someone can casually describe themself as a goy, simply because they are not Jewish or have little contact with Jewish culture. But the term is also used by neo-Nazi types as a dog whistle that signals familiarity with the world of antisemitic conspiracy theories. The phrase “the goyim are waking up,” which has suddenly entered the mainstream, echoes a much older antisemitic meme — “The goyim know,” which is used to imply there is something sinister to know or wake up to, namely the supposed Jewish control of society. (“Noticing” is another antisemitic meme, referring to the same phenomenon.)

This makes the debate about the term kind of silly. Tone and context is everything, just like with any term. “Jew” can be an insult, too, but it obviously is simply a descriptor as well; I call myself a Jew, because I am religiously and ethnically Jewish. If someone spat “Jew” at me on the street, however, I’d be insulted.

But the supposedly neutral valence of the word goy can make the antisemitism that often accompanies it hard to call out. If Jews use it neutrally, why shouldn’t anyone? Or so goes the defense online.

This is how Tyler Oliveira, the creator behind the “Jewish invasion” YouTube video, spins his use of the term. “Jews are trying to say I’m ‘anti-Semitic’ for using the word ‘goyim’ to describe non-Jews,” he wrote on X. “They can call you ‘goyim’ and it’s fine, but if you call yourself a ‘goy’ you hate Jews…? You can’t make this up.”

But watching Oliveira’s actual use of the term, the antisemitism is clear. He creates false binaries like dismissing antisemitism for the supposedly greater problem of “anti-goyism,” as though Jews, a minority, have outsize power to harm outsiders. He harps on the idea that Jews call themselves God’s chosen people as though it is akin to white supremacy, calling Jews “semite supremacists.”

It’s silly to pretend Oliveira’s use of goy isn’t obviously a loaded one; goy may not inherently be an insult, but when it’s deployed with a conspiratorial wink to antisemites, it’s antisemitic.

That’s really the simple rule for when goy is a slur, or when it’s antisemitic: If the person using it is a bigot, it’s bigoted. Otherwise, it’s just a word.

The post Is goy a slur, an antisemitic dogwhistle or a word for non-Jews? appeared first on The Forward.

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A conservative Jewish professor who rejected Hitler comparisons now invokes one — for Tucker Carlson

(JTA) — In the lead-up to the 2024 presidential election, Jeffrey Lax, a descendent of Holocaust survivors who has lobbied against antisemitism at the college where he teaches, criticized liberals who compared Donald Trump to Hitler.

Now Lax, a law professor who defines himself as center-right and appears frequently on Newsmax and Fox News, is rethinking the idea of modern-day Hitler comparisons. In fact, he’s ringing that bell on a key Trump ally: Tucker Carlson.

“I never, ever, thought this day would come, but for the first time in my life, I am going to compare a human being to Adolph Hitler,” Lax tweeted on Friday. “Understand that I am the grandchild of 4 Holocaust survivors. I’ve spent a lifetime urging people NOT to compare anyone to Hitler. But… Tucker Carlson’s views, rhetoric, and influence remind me of Adolph Hitler.”

Lax was responding to Vice President JD Vance’s favorable comments about the interview Carlson, a far-right pundit, did last week with Mike Huckabee, the U.S. ambassador to Israel. The interview ignited new allegations of antisemitism, but Vance did not suggest any concern. That, Lax says, is a big problem.

“This situation is as dead serious as a heart attack and with @JDVance now expressly and abhorrently legitimizing Carlson’s views, we are in a national Antisemitism State of Emergency,” Lax continued.

It was a dramatic outlay of angst about antisemitism on the right for a figure who has campaigned against left-wing anti-Israel activism at the City University of New York, where he teaches. But Lax said in an interview that he could not remain silent.

“For me to get to this point, it had to be something that was so deeply disturbing on many levels,” he said. Carlson’s call for genetics testing for Jews, he said, crossed that line. “If anything I’ve ever heard is Hitler-esque, when you talk about Jews having to prove that they’re Jews with DNA — if DNA testing was available in the days of Hitler, do you not think that Hitler would have used it?”

Lax emphasized that he was speaking specifically of “early Hitler, the early years, before he took power, before he actually, physically caused anybody to be killed. I’m talking about the rhetoric. He could’ve been stopped at that point. People didn’t take Hitler seriously.”

While Lax has criticized Carlson before, he has in the past refrained from extending those critiques to Vance — despite a mounting record of the vice president minimizing antisemitism on the right. “I’ve had suspicions about Vance for a long time,” Lax said. “I wanted to be sure.”

Vance’s defense of Carlson’s interview provided the certainty he needed.

“Is he out of his mind?” Lax said. “By saying something like that, you are saying that what Tucker is saying is legitimate and needs to be discussed, including that Jews should have genetic testing done to be sure that they’re Jewish and have right to the land.” He described such a belief as “brain rot.”

Lax joins a growing line of other Jewish conservatives who have expressed alarm about Vance and his closeness to the White House. They include far-right activist Laura Loomer; conservative columnist and Newsweek editor Josh Hammer; Israeli conservative luminary Yoram Hazony; Orthodox right-wing pundit Ben Shapiro; Rep. Randy Fine; pro-Israel activist groups StandWithUs and StopAntisemitism; and publications with a conservative-friendly pro-Israel bent including Tablet, The Free Press and Commentary.

Their alarm comes as Carlson builds a formidable political network of his own ahead of the midterms, made up of figures with growing sway over young voters. He has given friendly interviews to several outsider GOP candidates, including Florida gubernatorial candidate James Fishback, lover of antisemitic memes; Texas congressional candidate and pardoned Jan. 6 rioter Ryan Zink; U.S. Senate candidate Paul Dans, who is challenging pro-Israel Sen. Lindsay Graham; and Iowa gubernatorial candidate Zach Lahn, who used his Carlson interview to disparage non-Christian elected officials.

Influential figures identified with the left are also increasingly coming to Carlson’s side on Israel and Jews. “Hey bitch, the goyim are waking the fuck up. Deal with it,” Ana Kasparian, a co-host on the progressive online network The Young Turks, tweeted as part of an extended defense of Carlson this week.

Amid a backlash, the next day Kasparian doubled down: “I do not regret this comment. I don’t apologize,” she tweeted. “Israel is evil, genocidal and has destroyed our country. They’re about to drag us into another war and all we hear from Israelis and their braindead supporters is ‘ANTISEMITE’ if you disagree with Israel’s agenda.” (Kasparian’s Young Turks colleague, Cenk Uyghur, is a regular Carlson guest.)

While antipathy toward Carlson has been all but fully cemented for Jews on both sides of the aisle, not every Jewish conservative has turned on Vance.

Matt Brooks, director of the Republican Jewish Coalition, harshly criticized Carlson and his defenders last fall after the pundit interviewed white nationalist Nick Fuentes, and the group’s most recent conference was marked by repeated denunciations of Carlson. Yet RJC has refrained from publicly pointing the finger at Vance, and its posts about him to date are uniformly complimentary — as on Thursday, when the group retweeted a speech from the vice president’s X account about Democrats and affordability.

A request for comment to the RJC was not returned.

“That is outrageous that the RJC would not criticize Vance,” Lax said. “That is self-destructive. That is insane.”

Also treading carefully on Vance are many establishment Jewish groups. Neither the Anti-Defamation League nor its CEO, Jonathan Greenblatt, has publicly criticized the vice president since February 2025, when the ADL’s X account docked him for meeting with the head of Germany’s far-right AfD party. The American Jewish Committee, similarly, has critiqued Carlson’s rhetoric in the past but remained muted on Vance as he’s increasingly clarified that he believes the pundit is a valuable part of the Republican coalition. Comments to representatives for the two organizations were not returned.

Because Lax runs a registered nonprofit, the Zionist group S.A.F.E. Campus, he said he was hesitant to comment too specifically on electoral politics. But he said he believes Jews on the right are “coming around” to the problem of antisemitism on their side. And he’s deeply concerned about Vance running for president in 2028 without having distanced himself from Carlson.

“I could never support a candidate who says we need to have a conversation about genetically testing Jews,” Lax said. “What Vance said, I think people’s eyes popped out of their heads.”

And, despite his earlier defenses of Trump, he said the president must more forcefully condemn Carlson and Vance’s rhetoric now. “He can’t have his vice president say that it is an important conversation that we talk about genetically testing Jews to see if they come from Abraham,” Lax said. Vance himself once compared Trump to Hitler, prior to being chosen as his running mate.

Lax is also reflecting more on his 2024 piece decrying Trump-Hitler comparisons. If the president doesn’t issue a more forceful condemnation of his party’s antisemitic wing in the next month, the professor said, ”I may very well change my mind.”

By Friday afternoon, he had drawn a possible line in the sand, tweeting a call for Trump to demand Vance’s immediate resignation.

“Enough. This is a National Antisemitic State of Emergency. Only Trump can end it. And he must do so now,” Lax wrote. “It starts by booting JD and cutting Tucker out from all conservative and Republican orgs.”

The post A conservative Jewish professor who rejected Hitler comparisons now invokes one — for Tucker Carlson appeared first on The Forward.

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