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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.
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Fatah and Palestinian Authority Celebrate Terrorist Mass Murderers on School Books
French President Emmanuel Macron welcomes Palestinian President Mahmoud Abbas at the Elysee Palace in Paris, France, Nov. 11, 2025. Photo: REUTERS/Benoit Tessier
As part of its “national and moral responsibility towards its student members,” the student movement of Palestinian Authority (PA) leader Mahmoud Abbas’ Fatah party distributed free notebooks to students at the Palestine Technical University-Kadoorie at the beginning of the academic year.
Seemingly, this was a praiseworthy act.
But whom did Fatah choose to adorn the cover of the notebook? Was it a Palestinian businesswoman, scientist, or artist?
No.
Terrorist murderer Dalal Mughrabi was the role model chosen to inspire students on the cover. She is, after all, a Palestinian hero according to the Fatah Shabiba Student Movement and the Student Union Council at the university.
Palestinian Media Watch (PMW) has documented that Dalal Mughrabi — who led the attack that, until Oct. 7, 2023, was the most lethal terror attack in Israel’s history — has been turned into a role model for Palestinians by the PA. In the 1978 attack, known as the Coastal Road massacre, Mughrabi and other Fatah terrorists hijacked a bus on Israel’s Coastal Highway, murdering 37 civilians, 12 of them children, and wounding over 70.
Murderer Mughrabi’s picture is also included in a display of drawings of various prominent Palestinian figures at a current exhibition at the Yasser Arafat Museum in Ramallah:
In the front row of figures on the left wearing a keffiyeh (Arab headdress) is terrorist Dalal Mughrabi. Directly above Mughrabi is Fatah terror leader Abu Ali Iyad, above him is terrorist Khalil Al-Wazir, “Abu Jihad,” who was responsible for the murder of 125 people. To the left of “Abu Jihad” is Yasser Arafat, and to the left of Arafat is head of the Black September terror organization Salah Khalaf, “Abu Iyad.”
[Official PA TV, Palestine This Morning, Nov. 11, 2025]
Young Palestinian children are also fed a diet of violence and terror promotion.
At the National Book Fair organized by the PA Ministry of Culture at the Arab American University in Jenin, young schoolgirls read books written by terrorist prisoners at a booth in which the PLO Commission of Prisoners’ Affairs “presented the literary and intellectual works” of terrorists and released terrorists.
One book cover in the center of the table pictured below features a picture of terrorist Marwan Barghouti, who orchestrated three attacks in which five people were murdered:
[PLO Commission of Prisoners’ Affairs, Facebook page, Nov. 4, 2025]
The presentation of terrorists as important cultural and “intellectual” figures at schools, universities, museums, and book fairs follows PA policy of celebrating imprisoned and released terrorists who have written books in prison as esteemed writers
Official PA TV glorified released terrorist Osama Al-Ashqar, who was responsible for the murder of eight people, at an event in Cairo [Official PA TV, Palestine This Morning, Sept. 10, 2025]. Meanwhile, Fatah Movement Deputy Chairman Mahmoud Al-Aloul attended and signed books at the launch ceremony of a book written by released terrorist Raed Abd Al-Jalil, who was involved in the murder of five people:
Fatah Deputy Chairman Mahmoud Al-Aloul signs the book “Love and a Rifle” by released terrorist prisoner Raed Abd Al-Jalil. [Fatah Movement – Nablus Branch, Facebook page, Nov. 5, 2025]
Al-Aloul also stressed another PA ideology — non-recognition of Israel in any borders — presenting the terrorist murderer’s family with an honorary plaque that features the PA map of “Palestine” that presents all of Israel together with the PA areas as “Palestine.”
The author is a contributor to Palestinian Media Watch, where a version of this story first appeared.
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As Fall Semester Ends, the March of Antisemitism Continues on Campus
A Palestinian flag flies at the University of Maryland, College Park. Photo: Students for Justice in Palestine/Instagram
Heading into the new year, the campus situation continues to be a complex one for Jewish students and faculty. Most universities continue to reject the compacts offered by the Trump administration, which would restore Federal funding in exchange for changes in DEI and other policies. But other institutions have reached settlements with the government, notably Cornell University, which will pay $30 million and invest an additional $30 million for agricultural research. The university will also provide the government with data regarding admissions, conduct campus surveys, and comply with Federal law. The settlement was strongly opposed by Cornell faculty.
Elsewhere, Columbia University’s Advisory Committee on Socially Responsible Investing rejected a series of Israel divestment proposals. The committee determined that the proposals did not meet the standard of broad consensus within the university community.
Despite the Gaza ceasefire, Israeli academics report intensifying boycotts particularly among European faculty and institutions. At least 1,000 incidents have been recorded with approximately 25% occurring since the summer of 2025. Spain has halted academic collaborations almost completely, with Belgium and the Netherlands following behind. Israelis also report a quiet boycott by American colleagues. Warnings regarding the erosion of Israel’s economic and strategic positions as a result of academic boycotts continue to be sounded.
Student associations and governments continue to be the focal point of anti-Israel and antisemitism on campuses.
In a reflection of elite British student politics, after a debate, the Oxford Union overwhelmingly voted in favor of a resolution that Israel was a “greater threat to regional stability” than Iran. Pro-Hamas students attending the debate displayed red hands, a reference to the lynching and mutilation of Israeli soldiers.
Despite the continuing failure of student divestment measures to prompt university action, Harvard’s undergraduate assembly voted on a poll regarding divestment. Reporting was especially convoluted, but the poll apparently showed that 63% of respondents (1,055 of over 7,000) want Harvard to divest from Israel; the precise results were kept secret.
The student government at the University of Maryland unanimously voted to bar Israeli soldiers from speaking on campus. The vote came after an event sponsored by Students Supporting Israel (SSI) was protested by pro-Hamas students. The student government also voted to demand an apology from the university after two student protestors were detained. An event sponsored by SSI at Tulane University was forced off campus by threats of violence, while another at Louisiana State University was met with a violent protest.
Another BDS resolution was narrowly approved by the University of Michigan student assembly, which was then vetoed by the assembly president. The resolution calls on the university to investigate and divest from its financial ties to the Israeli government. The authors of the resolution later accused opponents of doxxing them.
CAIR has been central to both continuing campus pro-Hamas unrest and resulting lawfare. New reports have shown that CAIR provided financial support to pro-Hamas students who had been suspended by their universities for violence and harassment during protests.
In an example of the extremism that characterizes unionized students and potentially the next generation of faculty, the Cornell graduate student union approved a BDS resolution, which included support for terrorism. The resolution stated, “Standing with the strength of Palestinians resisting a genocide, and their unequivocal human right to resist oppression by any means necessary, workers around the world are building power through the belief that we free Palestine, and Palestine frees us.”
The resolution went on to claim that 680,000 Gazans had been killed, ten times the number that Hamas claims, and stated that, “The perpetuation of racist and anti-Muslim rhetoric is part of a broader doctrine of state-sponsored white supremacy that justifies Israel’s atrocities against Palestinians.”
Finally, at Catholic University, the student government debated, “A Resolution to Advocate For A Ban on Clubs in Support of a Nation(s) Commissioning a Genocide.” The resolution targeted the school’s SSI chapter, charging it was supporting “a Nation or organization that is actively pursuing inexcusable evil, such as genocide or terrorism, acts in a way that is contrary to the faith of the Catholic Church.”
In the K-12 sphere, the direct fealty of teachers unions to pro-Hamas causes continues to cause concern. In one case, the Chicago Teachers Union hosted the National Alliance Against Racist & Political Repression annual conference and featured speakers who praised Hamas and “armed resistance,” and called for the downfall of the US. A representative of the union also spoke at the American Muslims for Palestine conference.
Examples continue to multiply regarding individual teachers who promote anti-Israel narratives in classrooms, for example in an Oakland, CA, high school where Palestinian flags were displayed along side posters which decried “genocide” and which praised Cuba.
The pervasiveness of anti-Israel and antisemitic bias in public schools was also documented by a report from the Massachusetts Special Commission on Combating Antisemitism.Hearings and investigations noted that bias was systemic through all of K-12 education including educational materials, teachers, and classroom behavior. Jewish students, teachers, and staff also reported growing harassment and ostracization, with many opting to hide their identity.
Examples of direct harassment and abuse of Jewish students continue to accumulate. In one recent case from Seattle, a Jewish family has sued the public school system alleging that their daughter was exposed to antisemitic abuse from fellow students to the point of being locked in a classroom by a teacher, in order to shelter her from an angry mob.
Arab and Muslim groups have reacted strongly to efforts that combat antisemitism and anti-Israel bias in public schools. In one case, CAIR and other groups blocked the appearance of Luai Ahmed, a gay, pro-Israel influencer, at Bay Area high schools, which accused him of “pinkwashing.”
Responses to antisemitic bias also came under fire in California, where the American Arab Anti-Discrimination Committee has sued over a new law establishing an Office of Civil Rights and an antisemitism monitor. The group claimed that combating antisemitism undermined the First Amendment rights of children and “hands classrooms to a foreign agenda.” The claim is yet another that essentially declares that antisemitism is protected speech. Members of the California Faculty Association, including ethnic studies faculty who develop anti-Israel and anti-Western curriculum, have also called the bill “racist.”
In response to growing reports on the antisemitism crisis in K-12 education, the House Education and Workforce Committee has launched an investigation of the Berkeley Unified School District in California, Fairfax County Public Schools in Virginia, and the School District of Philadelphia. In each case, there are numerous documented incidents of harassment and intimidation led by staff, teachers, and students, as well as the use of biased educational materials. These include student walkouts, staff endorsements of violence, partnerships with CAIR, a reenactment of October 7, and harassment of Jewish students.
The author is a contributor to SPME, where a completely different version of this article appeared.
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The Annual ‘Jesus Was a Palestinian’ Christmas Lie Is Back — and It’s Antisemitic
Worshipers pray ahead of Christmas morning mass at Saint Catherine’s Church, in the Church of the Nativity, in Bethlehem in the West Bank, December 25, 2021. Photo: REUTERS/Mussa Qawasma
Each December, as holiday decorations go up and familiar music fills the air, another relatively new holiday ritual returns with equal predictability — social media fills with declarations that “Jesus was a Palestinian,” often joined by the equally fictional assertion that he was a “Palestinian refugee.”
These claims appear every Christmas season as reliably as ornaments and carols, as though the propagandists believe that repeating the lies might someday transform fiction into fact.
But this isn’t just a harmless anachronism — like depicting Moses checking Google Maps while wandering in the Sinai. It is part of a longstanding effort to erase Jews from their own history, an effort that has resurfaced in recent years precisely because it is politically useful.
The Truth Has Never Been in Dispute
Jesus lived and died as a Jew from Judea. He was born into a Jewish family, observed Jewish law, taught in synagogues, quoted Jewish scripture, and was addressed as “Rabbi” by his followers. Christian scripture traces his lineage directly to the kings of Judah.
No credible historian debates this. There is not a single academic school, anywhere, that regards Jesus as anything other than a Jew living in the Jewish homeland.
Denying the Jewishness of Jesus is not a new mistake. It is part of a familiar form of appropriation — including supersessionism (replacement theology) — that has targeted Jews for centuries.
The Colonialist Name Activists Pretend Was Ancient
The assertion that Jesus was “Palestinian” collapses instantly under the simplest timeline. During the first century CE, the land was known as Judea, Samaria, the Galilee, or the Land of Israel. At that time, there was no place or nation called “Palestine,” no “Palestinians,” and no political or cultural identity by that name. No person during Jesus’s lifetime ever referred to himself as a “Palestinian.” Claiming otherwise is like insisting that a Pilgrim stepping off the Mayflower in 1620 called himself an “American.”
Notably, the first political or national entity in history to use the word “Palestine” emerged nearly 2,000 years after Jesus, in 1920, when the British Empire established the “British Mandate for Palestine.”
And the Roman Empire only introduced the geographic term “Syria Palaestina” in 135 CE — a century after Jesus’ death — to punish Jews for the Bar Kokhba revolt and to try to break their connection to their own land.
Today, anti-Israel activists echo that Roman attempt at erasure and call it solidarity.
The “Refugee” Myth Is Modern Politics Masquerading as History
Equally absurd is the claim that Jesus was a “Palestinian refugee.” The concept of refugee status did not exist in the ancient world. Applying modern political labels to a first-century Jewish family living in Judea under Roman control is not historical analysis. It is propaganda designed to map today’s conflicts onto a completely different era.
It is emotional manipulation masquerading as moral clarity.
This annual rewriting of Jesus’s identity is not isolated. It fits alongside ongoing efforts to detach Jews from their history: branding Jews as “colonizers” in their indigenous homeland; denying Jewish archaeological sites; questioning whether the Jewish Temples ever existed; claiming Jews descend from Khazars; and appropriating Jewish holidays and symbols.
The logic behind this pattern is straightforward: rewrite the Jewish past to delegitimize the Jewish present.
Why Jews Push Back Every December
When Jews correct these narratives, it is not pedantry. It is protection. Jewish history is not a suggestion. It is documented, excavated, remembered, and lived.
Jews are the indigenous people of the Land of Israel. Our language, traditions, texts, and collective memory all originate in the same land where Jesus lived and died as a Jew. To strip Jesus of his Jewish identity is to participate in the same erasure Jews have resisted for centuries.
This is not an academic disagreement. It is not merely historically illiterate. It is an antisemitic political act.
The facts remain simple:
Jesus was a Jew.
From Judea.
Living in the Jewish homeland.
He was not Palestinian.
He was not a “Palestinian refugee.”
These claims are not mistaken; they are deliberate. And when they return this Christmas season, they should be called out for what they are: an attempt to erase Jews from their history and replace fact with ideology.
Micha Danzig is an attorney, former IDF soldier, and former NYPD officer. He writes widely on Israel, antisemitism, and Jewish history and serves on the board of Herut North America.