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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.
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At the Vatican, two elderly men — one Jewish, one Catholic — exchange gifts and mutual admiration
On Wednesday, two senior citizens, Robert Zimmerman, 85, a Jew originally from Minnesota, and Robert Prevost, 71, a Catholic of Chicago, had a brief meeting at the younger man’s office in central Italy.
Sources on the scene report that Zimmerman was in town for business and Prevost, who goes professionally by Leo, had recently cited Zimmerman’s work in the preface to a book about nuclear disarmament.
Both men dressed in uniform, looking a bit Spy Vs. Spy, with Zimmerman in a black hoodie and Prevost in white with a small white skull cap. The confab was brief, a bulletin from Prevost’s workplace reported, consisting of “greetings and a few lighthearted exchanges.”
Prevost gifted Zimmerman with prayer beads, and Zimmerman presented Prevost with a copy of his memoir, published under his pen name, Bob Dylan.
While Zimmerman was raised in a Jewish home, he had, for a time in the late 1970s to early 1980s, converted to born-again Christianity, confounding many.
The post At the Vatican, two elderly men — one Jewish, one Catholic — exchange gifts and mutual admiration appeared first on The Forward.
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The Michigan Senate race showed the exact wrong ways to fight antisemitism
The campaign against Abdul El-Sayed was example after example of how not to fight antisemitism—a display of conflation, double standards, and bigotry that we need to learn from and reject if we hope to ensure Jewish safety and security in a pluralistic society.
El-Sayed won his election Tuesday with 52.5% of the vote. He won despite an ugly campaign that alleged that he was not only critical of Israel but antisemitic, and that he does not care about or consider Jewish safety, and in which he was repeatedly asked to prove his sincerity on Jewish safety while also being attacked for running for office while being Muslim.
El-Sayed is not above criticism and questions from Jews just because he is a Democrat and most Jews vote for Democrats. It is right and appropriate that Senate candidates have to answer questions about antisemitism. El-Sayed did campaign with Twitch streamer Hasan Piker in the primary, and Piker did liken Zionists to Nazis, and many Jews in Michigan and elsewhere are Zionists; it is appropriate for El-Sayed to be asked about that.
It is also fair for a candidate who is vocal in his criticism of Israel to be asked how he’ll work to ensure the safety of his Jewish constituents, since we know that there is at least a correlation between anger at Israel and violence directed toward Jews. After West Bloomfield, Michigan’s own Temple Israel was attacked, El-Sayed did say, “hurt people hurt people,” and though he was referring to a specific event—the perpetrator’s family was reportedly killed in an airstrike in Lebanon—it is understandable that he was called upon to explain his own remarks to upset Jewish families in his state, whom he is also charged with representing in Congress.
From this point, however, the campaign against El-Sayed developed in several ways.
For one thing, when critics make demands of politicians, they need to actually allow those politicians to meet them. Yet despite distancing himself from Hasan Piker (“a Twitch streamer,” as he repeated to reporters), speaking repeatedly about how and why he took the safety of Jewish Michiganders seriously, and apologizing at length for his “hurt people hurt people” comment, El-Sayed was treated in the media and by his political opponents (and by some Democrats) as suspect and insincere.
These same questions were not asked of his opponent, Republican Mike Rogers, whose student outreach team included someone who defended a Young Republicans group chat praising Hitler.
If El-Sayed had to speak repeatedly about Piker, why did Rogers not have to answer whether he accepted the view of the U.S. president—who like Piker, joined his preferred candidate on the campaign trail—that any Jew who voted for El-Sayed was crazy and should be ashamed of themselves? (This was not a one-off missive, but the latest in the long line of Trump comments insisting on American Jewish responsibility to be loyal to Israel by voting for him, Donald Trump.)
Why wasn’t Rogers grilled on what he made of comments by Ohio’s U.S. Senator Bernie Moreno implying that senators should have to believe in Jesus, a remark that if rendered policy would impact El-Sayed and also, say, every Jew in public office?
The discrepancy suggests that reporters, pundits, politicians, and Jewish leaders do not take antisemitism seriously from all corners, and in fact that they consider it worse and more suspect from a Muslim American who criticizes Israel than a Republican who doesn’t.
Worse, still, is that that Republicans trafficked in vile anti-Muslim hate throughout the campaign. Rozina Ali, author of Seasons of Fury: Four Families and the Rise of Islamophobia in America, wrote on X on Tuesday, “Islamophobia appears to be on the ballot in Michigan, in an unprecedented way.” These tropes weren’t new, Ali explained, but they were at a fever pitch this election, with El-Sayed dubbed a “jihadist leprechaun” by a sitting Senator. The vice president of the United States said El-Sayed has “zero attachment to this land.”
Too often, Jewish leaders and institutions met this rhetoric with silence, or even encouragement. As I argued last week, dual loyalty narratives against one population just make the voting public more comfortable with the trope being used against other groups, including Jews. Moreover: Silence is not going to build solidarity from non-Jews, and Jews — just 1.4% of voters in Michigan and two percent of this country — are not going to fight antisemitism on our own.
Finally and troublingly was the willingness of El-Sayed’s primary opponent, Haley Stevens, to claim that it was Jewish safety that motivated her public questioning of El-Sayed (notably over an ad that his campaign did not put out) and her eventual flip to campaigning and voting for Rogers. Stevens is a staunch supporter of Israel and was backed by AIPAC. However, she is not Jewish (though she said she is considering converting), and yet spoke repeatedly as if she had authority on what Jewish voters in Michigan wanted to hear from El-Sayed. But she was not an emissary from Jewish voters, who are not a monolith — and 60 percent of whom, per one exit poll, voted for El-Sayed.
What can we learn from this race? First, conflating criticism of Israel and calls for more challenging policies toward Israel with attitudes toward Jewish voters needs to stop, even or especially while understanding that anger toward the country can be channeled against the people here.
Candidates of both parties, regardless of their positions on Israel, need to be held accountable with demands for real answers on what they will do for the well-being of all of their constituents, including Jews, and including when those stumping for them challenge the idea of full Jewish participation in civic life.
Jewish voters need to reject the idea that Islamophobia and antisemitism are somehow at odds with each other, and that it costs us something to call out hatred of Muslim Americans when in fact, so often, we are on the same side of racist hatred. (On Tuesday night, X was filled with posts blaming Jews for El-Sayed’s victory and bemoaning what it meant for American culture.)
And reporters, pundits, politicians, Jewish leaders, and for that matter Jewish voters need to stop speaking about Jewish voters on antisemitism and Israel as though all of us understand the intersection of these issues in the same way or want to hear the same things about them from politicians.
Since Abdul El-Sayed will be in the Senate starting in January, we will soon have ample opportunity to put these lessons into practice.
The post The Michigan Senate race showed the exact wrong ways to fight antisemitism appeared first on The Forward.
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Trump’s midterm defeat changes the equation for Netanyahu and Israel
The Republican rout in the U.S. midterm elections may have consequences far beyond America’s shores. The most immediate impact could be in Israel, where the struggle to translate Benjamin Netanyahu’s electoral defeat into a change of government is entering its decisive stage.
In the week that has passed since the Israeli election, there was much anticipation that Trump might intervene to rescue his longtime ally. He endorsed Netanyahu, suggested that Israel’s security depended on his continued leadership, and hinted that renewed war with Iran depended on his victory (seeming to believe, perhaps falsely, that Israelis yearn for this). There was speculation that he might pressure opposition leaders into joining a unity government headed by Netanyahu, reversing the political meaning of Israel’s election.
Now the American electorate may have changed the equation.
The Democrats’ sweeping gains, which enabled them to seize decisive control of both houses of Congress, represent a substantial repudiation of Trump’s administration. The president retains enormous authority over foreign policy and national security – but in January he faces a hostile Congress, increased scrutiny of his decisions and a political environment even less hospitable to another Middle Eastern military adventure.
There is a counterintuitive possibility, of course: Trump might conclude that the period before the new Congress takes office offers a final opportunity to strike Iran. A weakened president is not necessarily a restrained president, and yet another unpopular war, especially one suspected of serving Netanyahu’s political interests, could deepen the backlash against Trump at home as Republicans are already looking fearfully at 2028.
It’s reasonable to think that many of them would not want to be associated with a strong-arming of Israel’s opposition in order to rescue Netanyahu, who is, fairly or unfairly, scarcely less toxic in the United States these days than Vladimir Putin.
The larger point: Trump’s political leverage has diminished. His presidency has an expiration date, and the American political system is already beginning to look beyond him. This will offer headwinds to those Israeli politicians who argue that a government that could serve for years should be cautious about treating the preferences of a politically weakened American president as decisive.
That is an especially potent thought on Wednesday, as Israeli President Isaac Herzog begins consultations with Israel’s newly elected parliamentary factions.
Israel’s election produced a clear numerical result: Netanyahu’s bloc won 53 seats in the 120-member Knesset, while parties opposed to his continued rule secured 67. The opposition has a parliamentary majority, although it is struggling to form a governing coalition.
Under Israel’s system, the president consults representatives of the elected parties, who recommend a candidate to form the government. Herzog must then decide which lawmaker has the best prospect of assembling one. The recommendations are politically important but not legally binding, and the president is not required to select whoever receives the most endorsements, though this is the tradition.
If former IDF chief Gadi Eisenkot receives recommendations representing 67 seats, that would establish the breadth of parliamentary opposition to Netanyahu. Eisenkot would likely be tapped, and then he would face the central difficulty: what to do about Israel’s Arab parties.
Of the 67 seats held by Netanyahu’s opponents, 19 belong to Arab parties, whose electoral success reflected a remarkable increase in Arab turnout – which at around 85 percent exceeded that of Israel’s Jews. Several Jewish opposition leaders promised during the campaign not to rely on those parties to establish a government.
Eisenkot himself has said that he would demand any coalition partners agree that Hamas should be removed as a military and governing body in Gaza, which the Arab parties have not yet done. Polls show that a majority of opposition voters favor finding a way to form a government, even if it’s dependent on the Arab parties.
Indeed, many are arguing that this is a test of Israel’s democracy, and that for the opposition to stick to its refusal to rely on the Arab parties would strengthen enemies of Israel who argue that it is not a true democracy.
Here, too, the American midterms offer an intriguing counterpoint.
According to a voting breakdown in The New York Times, Republicans received 51 percent of the white vote, compared with 48 percent for Democrats. Would anyone seriously argue that the Democratic congressional victory is illegitimate because it depended partly on Black, Hispanic and Asian voters? Should Republicans retain the House speakership because they performed better among white Americans?
Of course not. Yet Israel faces an argument with a disturbingly similar implication.
If a parliamentary majority cannot govern because some of its members are considered unacceptable on ethnic or national grounds, the damage to Israel’s democratic reputation could be immense.
Under Israeli parliamentary rules, a government can win confidence through a majority of those participating in the vote. Abstentions or outside support from Arab lawmakers could therefore make a minority government possible.
With 48 seats for the non-Arab opposition parties, all Eisenkot would need would be the more moderate of the Arab parties, Ra’am, which has eight seats, to show support. The new coalition’s 56 seats could outvote Netanyahu’s 53 to win Knesset confirmation, even with the 11-seat Joint Arab List abstaining. That means Eisenkot does not necessarily require 61 affirmative votes to take office.
The obstacle is Avigdor Lieberman, head of the seven-seat Yisrael Beitenu party. A nationalist West Bank settler, he has fallen out with both Netanyahu and his ultra-Orthodox allies, and has been counted as part of the opposition. This week he reiterated his vow not to support a government dependent on Arab parties. But he also ruled out rejoining with Netanyahu, and described a repeat election as the worst option.
So while the outcome is clear now in the United States, in Israel the guessing game continues.
The post Trump’s midterm defeat changes the equation for Netanyahu and Israel appeared first on The Forward.
