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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.

NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet? 

Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.

“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.

She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”

Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York. 

Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity. 

The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.

Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.

At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.

“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”

Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.

“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”

Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.

Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.

“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.” 

Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)

Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”

Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.

“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.

Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.

“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”

Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.

“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”

Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen. 

But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.

“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”

When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.

“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”


The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.

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2 men found guilty in UK of plotting Islamic State-inspired antisemitic terror attack

Two men inspired by Islamic state ideology were convicted on Tuesday in Manchester, England, of plotting what prosecutors said could have been one of the deadliest antisemitic attacks in British history.

Walid Saadaoui, 38, and Amar Hussein, 52, were both found guilty of preparing terrorist acts between December 2023 and May 2024. Saadaoui’s brother, Bilel Saadaoui, 36, was found guilty of failing to disclose information about an act of terrorism.

Prosecutors told jurors that Saadaoui and Hussein had “embraced the views” of the Islamic State and had a “visceral dislike” of Jewish people.

By the time of his arrest in May 2024, following an undercover operation, Saadaoui had arranged the purchase and delivery of two assault rifles, an automatic pistol and almost 200 rounds of ammunition for the attack. The pair had planned to infiltrate a march against antisemitism in the Manchester city center before unleashing their attack.

“Walid Saadaoui and Amar Hussein intended to target members of the Jewish community in an evil act born out of hate and intolerance,” said Assistant Chief Constable Robert Potts, who is in charge of Counter-Terrorism Policing in northwest England, in a statement. “If they had been successful then what followed would have been devastating and potentially one of the deadliest terrorist attacks to ever take place on UK soil.”

The convictions come as threats associated with the Islamic State appear to be on the rise. Earlier this month, two men who authorities said were motivated by “Islamic State ideology” killed 15 people after opening fire on a Hanukkah celebration in Sydney.

In October on Yom Kippur, another man who pledged allegiance to the Islamic State carried out an attack on a Manchester synagogue during which two people were killed.

Last week, three Toronto men, including one with alleged links to ISIS, were arrested for allegedly attempting kidnappings targeting Jews and women.

Ken McCallum, the head of Britain’s domestic intelligence agency MI5, said in October that MI5 and British police had “disrupted 19 late-stage attack plots” since 2020.

“Al Qaeda and Islamic State are once again becoming more ambitious, taking advantage of instability overseas to gain firmer footholds,” said McCallum. “They are both personally encouraging and indirectly inciting would-be attackers in the West.”

Following the convictions Tuesday, the Anti-Defamation League called for “vigilance” from governments and local law enforcement.

“While some plots are thankfully thwarted, others are not, including the recent terror attack in Bondi Beach,” the ADL wrote in a post on X. “The threat of antisemitic terrorism is real and ongoing and vigilance by governments and law enforcement agencies is crucial to keep Jewish individuals and institutions safe globally.”

This article originally appeared on JTA.org.

The post 2 men found guilty in UK of plotting Islamic State-inspired antisemitic terror attack appeared first on The Forward.

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Self-appointed chief rabbi of Saudi Arabia says he was denied entry at border

The self-appointed chief rabbi of Saudi Arabia, Rabbi Jacob Herzog, said he had been denied entry to the Gulf nation.

“With profound regret, I announce that I was barred from entering the Kingdom of Saudi Arabia upon arrival, despite holding a valid entry visa, and despite having spent a significant portion of the past years living and serving in this blessed Kingdom,” Herzog wrote Monday in a post on X.

While the country has no official Jewish community, Herzog has in recent years marketed himself as an emissary for the country’s small population of Jewish visitors and residents, a role that has put him at odds with a community accustomed to flying under the radar of the conservative state.

“This incident has left me — against my will — distant from the Jewish community that I serve with love within the Kingdom, a community that has lived under the spirit of peace and goodwill embodied by the Saudi royal system and the great Saudi people,” continued Herzog.

While Saudi Arabia typically does not allow Israeli passport holders entry to the country, the New York-born Herzog’s dual citizenship in the United States and Israel appears to have earned him leniency in his travels between his home base in Jerusalem and the kingdom.

Herzog’s rejection comes as relations between Saudi Arabia and Israel have been strained in recent months amid the fragile ceasefire deal between Israel and Hamas.

While President Donald Trump has repeatedly pushed for the country to enter a normalization agreement with Israel, Saudi leaders have remained steadfast that a path for Palestinian statehood is a key condition for entering any agreement.

“Saudi Arabia is not considering a normalization deal with Israel. Should Israel become a normal country with normal acceptance of international law, then Saudi Arabia will consider normalization,” Saudi Arabia’s former intelligence chief, Prince Turki bin Faisal, told the The Times of Israel on Sunday.

Herzog said that he did not receive any explanation for the decision from authorities at the airport or the country’s Ministry of Interior, but claimed he was “convinced that this measure did not emanate from the Royal Court or from the Saudi government itself.”

“Despite my complete trust in the integrity of Saudi institutions and the sound intentions of its leadership, I cannot ignore the possibility of the existence of dark forces seeking to obstruct the path of reform, openness, and tolerance that the Kingdom is pursuing with determination,” said Herzog.

The Saudi Arabian Ministry of Interior did not respond to requests for comment from the Jewish Telegraphic Agency on Herzog’s rejection.

While Herzog markets kosher foods at Saudi grocery stores and offers his services as a mohel on his website, Saudi Arabia legally forbids practicing religions other than Islam in public.

In March 2024, a U.S. government delegation on international religious freedom ended a visit in Saudi Arabia early after a rabbi on the trip was asked to remove his kippah while in public.

This article originally appeared on JTA.org.

The post Self-appointed chief rabbi of Saudi Arabia says he was denied entry at border appeared first on The Forward.

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Coast Guard again retracts policy that would downgrade swastika as hate symbol, clearing path for new leader’s confirmation

After renewed objections from Jewish groups, the U.S. Coast Guard again removed language referencing a proposed policy that would have stopped classifying swastikas as hate symbols.

The retraction late Thursday, the second such reversal of the Coast Guard’s swastika policy, was enough to prompt Jewish Sen. Jacky Rosen to drop the hold she had placed on Admiral Kevin Lunday’s nomination to permanently lead the organization.

“While I continue to have reservations about the process by which this happened and the confusion created by leadership at the Department of Homeland Security, I am pleased to see that the policy now directly refers to stronger language against swastikas and nooses,” Rosen wrote on the social network X. A Democrat from Nevada, Rosen had placed the hold together with non-Jewish Democrat Tammy Duckworth, a military veteran.

Lunday was swiftly confirmed by voice vote late that evening, prior to the Senate’s adjournment for the holiday season.

Rosen wrote of Lunday, “I appreciate his lifetime of service to our country and look forward to working with him to continue to strengthen anti-harassment policy at the Coast Guard.”

The Coast Guard upset and confused many Jewish groups by issuing and then reversing statements about whether swastikas and nooses would still be considered hate symbols or downgraded to “potentially divisive.”

After The Washington Post reported in November that the downgrade was happening, the Coast Guard denied the reports and Lunday — then the acting head — reassured Jewish leaders the policy would not go through. He issued an explicit directive on the subject.

Yet last week the Post reported that the Coast Guard had gone ahead and made the change in its updated harassment manuals, triggering fierce backlash at a moment when other actions by President Donald Trump’s second administration have raised concerns about antisemitic sentiment.

Jewish leaders, including the heads of the Union for Reform Judaism’s advocacy center and Jewish War Veterans, questioned how such a policy could have gone through despite Lunday’s directive. Some told the Jewish Telegraphic Agency that Lunday should not lead the Coast Guard if he was truly unaware of the policy change.

Yet Rosen appeared to feel differently after Lunday took additional steps Thursday. According to The Washington Post, Lunday issued a new directive to say the revisions involving swastikas and nooses had been “completely removed” from the policy manual. A copy of the manual itself now obscures the language with a large black bar.

In her statement lifting the hold on Lunday, Rosen added that, because she was still not satisfied with how the swastika issue was handled, she would be placing a hold on a different nomination: Sean Plankey, who had sought to lead the Cybersecurity and Infrastructure Security Agency, a component of the Department of Homeland Security.

“I will keep that hold in place until we see that this new policy works to protect our men and women in uniform from racist and antisemitic harassment,” Rosen wrote. Homeland Security also oversees the Coast Guard.

Plankey was not confirmed before the Senate adjourned, and his nomination would have to be renewed by Trump in the new year.

This article originally appeared on JTA.org.

The post Coast Guard again retracts policy that would downgrade swastika as hate symbol, clearing path for new leader’s confirmation appeared first on The Forward.

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