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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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Colombian President Gustavo Petro sparks outcry over tweet reading ‘Heil Hitler’
(JTA) — Colombia’s outgoing president, Gustavo Petro, sparked fierce condemnation from Israeli and Latin American leaders after he tweeted the phrase “Heil Hitler” Sunday in response to an op-ed endorsing a candidate in the country’s upcoming presidential election.
Petro, a left-wing president in the final weeks of his term ahead of the country’s June 21 runoff election, posted the Nazi phrase in response to an op-ed supporting right-wing presidential candidate Abelardo de la Espriella.
Petro subsequently defended his use of the Nazi slogan, arguing that he was critiquing the language used by the op-ed’s author, which he said included “fascist phrases.”
His defense came after criticism from Israeli leaders and others who said the “Heil Hitler” comment was inappropriate.
Israel’s ambassador to the United Nations, Danny Danon, called on the Colombian leader to “come to your senses and apologize” before Wednesday, when he is slated to preside over a debate at the United Nations Security Council.
“President of Colombia, @petrogustavo, whatever is going on in your personal life, there are lines that must never be crossed,” Danon wrote in a post on X. “Using Nazi slogans is a disgraceful low from which there is no coming back.”
Israel’s Foreign Ministry also decried the post, writing on X that it was a “total loss of moral compass and an indelible stain on Colombia’s legacy.”
The episode comes amid shifting norms about the use of Holocaust analogies and language in political discourse. After being considered out of bounds for a long time, people on both the right and the left have increasingly shed those norms amid growing political polarization and extremism around the world.
The “Heil Hitler” post was not the first time Petro has landed in hot water for invoking the Holocaust. In the wake of Oct. 7, Petro drew backlash from Jewish and Israeli leaders for likening the actions of Israel to Nazi Germany. On social media, he has repeatedly called political rivals Nazis, including last month when he wrote in a post on X that Israel’s national security minister, Itamar Ben-Gvir, had behaved like a “true Nazi” after he posted videos taunting detained activists from a Gaza-bound aid flotilla.
In 2024, Petro also severed diplomatic ties with Israel, accusing the country of commiting genocide in Gaza, an accusation Israel has denied. Espriella, who was endorsed by President Donald Trump, has vowed to renew diplomatic ties with Israel.
On Monday, 24 Latin American lawmakers signed onto a statement condemning Petro’s rhetoric, warning that his repeated use of references to Naziism risked distorting Holocaust memory.
“The use of references to Nazism must not become a rhetorical tool to discredit political or ideological positions. Democratic leaders have a responsibility to promote a respectful public debate that is conscious of the weight of words,” the statement read.
The statement was initiated by the Coalition of Latin American Legislators Against Antisemitism, which is led by the Combat Antisemitism Movement. The signatories included lawmakers from Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, Guatemala, Honduras, Mexico, Panama, Paraguay, Peru, the Dominican Republic and Uruguay.
Shay Salamon, CAM’s executive director of Latin American affairs, said in a statement that Petro’s invocation of the phrase reflected a “troubling record of antisemitic expressions and conduct” by the Colombian leader.
“When a leader uses the authority of his office to stigmatize the Jewish people or trivialize their historic suffering, silence is no longer an option,” Salamon said.
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Israel looms large as Maine heads to the polls in Graham Platner’s Senate primary
(JTA) — As Graham Platner wrapped up his campaign for the Maine Democratic Senate nomination Tuesday, he ended it the way he began: by taking aim at AIPAC, the pro-Israel lobby and political funder.
The Democrat’s first online ad, released in August, boasted that, unlike his competitors, he would never get AIPAC’s endorsement because he believed Israel had committed genocide in Gaza. Last week, he suggested that AIPAC funding meant his Republican opponent was “bought and paid for by Benjamin Netanyahu,” drawing allegations of antisemitism from a range of Jewish groups.
Along the way, Platner has courted multiple rounds of controversy over Israel and Jews. And in the race’s final days, new reports about Platner’s past behavior toward women have fueled anti-Israel rhetoric among some of his supporters — and further splintered Democratic support for the oyster farmer and political neophyte whose spirited run for office has alarmed many Jewish leaders.
Now, Mainers are heading to the polls with Israel and antisemitism allegations looming large.
Platner, 41, ran as a populist promising to inject progressive energy into a Senate race where both the incumbent Republican and the establishment Democratic pick, Gov. Janet Mills, are in their 70s. (Mills suspended her primary campaign as Platner soared in polls, but she remains on Tuesday’s ballot.) In an election cycle when anti-Israel rhetoric is surging on the left, Platner — who has Jewish extended family, including a stepbrother who lives in Israel and works on Israel policy issues for the Foundation for Defense of Democracies — embraced the stance by making genocide accusations a key part of his stump speech.
That has earned him support in some corners. In a viral video from a rally over the weekend, a Platner supporter dismissed concerns about his tattoo of the Totenkopf symbol, a skull-and-crossbones image worn by Nazi concentration camp guards, which Platner tattooed over earlier this year amid criticism even as he insisted that he hadn’t known it was a Nazi symbol.
Then the supporter asserted that if Platner had a different tattoo, it would have been a dealbreaker for her: an Israeli flag.
“I don’t support genocide, and he doesn’t either, and that would show that he’s being inconsistent,” the woman told the New York Sun.
The exchange exacted disbelief from some. “Are you kidding me? A tattoo of the Israeli flag is worse than a Nazi symbol?” tweeted Democratic Rep. Josh Gottheimer of New Jersey, who is Jewish. “This should not be welcome in the Democratic Party!”
Pro-Israel donors have responded accordingly, shoring up the war chest of Republican Sen. Susan Collins.
“Susan Collins’s latest financial report just came out. A staggering one-third of her money raised this quarter came directly from AIPAC,” Platner tweeted on June 1. “Senator Collins is bought and paid for by Benjamin Netanyahu, and she votes accordingly.”
Collins has described herself as broadly “pro-Israel” but also recently provided a crucial vote for a measure to end the joint U.S.-Israeli war in Iran. OpenSecrets, the nonpartisan campaign finance information website, confirmed to the Jewish Telegraphic Agency that its analysis of public Federal Election Commission data showed that a third of donations to Collins in the previous quarter were gifts from individuals who used the pro-Israel lobby as an intermediary. Collins also received a small donation directly from the group’s super PAC.
Still, Platner’s tweet ignited sharp criticism for suggesting that AIPAC represented Israeli influence, rather than donations by American supporters of Israel.
The Anti-Defamation League said the remark “invokes classic antisemitic rhetoric” and added, “Such accusations call up the age-old dual loyalty trope that casts Jewish Americans as more loyal to Israel than their own country.”
The Nexus Project, an antisemitism watchdog that is more forgiving of some forms of criticism of Israel than the ADL, also criticized the tweet.
“The insinuation that the government of Israel is ‘buying’ or directly controlling any politician who receives AIPAC funding or any American political donor that donates through a pro-Israel conduit is reductive and wrong,” Jonathan Jacoby, Nexus’ president, told JTA in a statement.
Undeterred, Platner on Saturday again invoked AIPAC while going after a member of his own party: Democratic Sen. John Fetterman of Pennsylvania, a staunch Israel supporter. Fetterman had recently criticized Platner in harsh language, telling CNN, “When I was growing up, if someone had a clear Nazi tattoo on them, you probably could conclude that they’re a Nazi sympathizer.”
Fetterman, Platner said in response, had “become a stooge for AIPAC and the Republican party.”
Reached for comment on the phrasing of his AIPAC remarks, a Platner campaign spokesperson said, “Whether it’s private equity, billionaires, corporations, super PACs, etc., Graham is committed to getting money out of politics.”
Amid the mounting scandals, Platner met with Senate Minority Leader Chuck Schumer last week to shore up support for his candidacy among Democratic leaders. Speaking with reporters afterward, Schumer — who is Jewish, considers himself a leader on fighting antisemitism and had said he would support Platner’s campaign after Mills dropped out — repeatedly dodged questions about his confidence in Platner.
Some anti-Israel voices claim that the criticism reflects a conspiracy by Israel to prevent Platner from taking office.
“If you want a handy list of people who work for Israel, look at everyone criticizing Graham Platner now, especially Democrats,” the progressive influencer Cenk Uygur tweeted on Friday. “I get why Republicans want to tear him down. But Democrats attacking their own candidate only happens when they are ordered to do so by their handlers.”
His supporters, meanwhile, went on the offensive after a report in The New York Times cited multiple ex-girlfriends who said he had engaged in abusive and bullying behavior during their relationships.
The story featured as its most prominent voice Lyndsey Fifield, a Republican operative and former staffer at the conservative Heritage Foundation. In the article, Fifield claimed that Platner had known about his Totenkopf tattoo when he was dating her despite the candidate’s public insistence that he hadn’t recognized its Nazi origins. Platner had called his tattoo “my Totenkopf” while with her, Fifield told the Times, sharing a text in which she referred to the tattoo as a Nazi symbol before Platner said he was aware of what the tattoo represented.
Platner “has a Nazi tattoo on his chest,” Fifield texted her friends last summer, according to the Times. “It’s a Totenkopf … I will personally go campaign for Collins.”
Speaking to Maine’s public radio after the Times story ran, Platner denied Fifield’s claim. In another interview with MS NOW, Platner struggled to sort out the timeline of Fifield’s text to her friends about his tattoo, which occurred before he said he knew about the tattoo’s origins. Reached for comment, a Platner campaign spokesperson pointed to a previous interview the candidate held with JTA, in which he noted his “direct family connection to Judaism” and positive associations with Jewish religious tradition. Platner has also cast doubt on Fifield’s account, alleging that she is the sole source for reports about his knowledge of his own tattoo.
Reached for comment, Fifield told JTA by email, “I’ve been a vocal Zionist since college. I’ve been a proud conservative since then as well. Both of those things were true when I dated Graham.” Fifield is also close with the Jewish conservative commentator Bethany Mandel, with whom she formerly co-hosted a podcast.
To JTA, Fifield added, “If not being an antisemite is enough to fuel a mob of conspiracy theorists, it says something very dark about our culture.”
Some of Platner’s defenders have suggested the Times article was fueled by pro-Israel adversaries. Online, pro-Palestinian commentator Mehdi Hasan called Fifield “an anti-Palestinian racist and bigot,” sharing a tweet of hers in which she mocked the concept of “a Palestinian museum” and wrote, “What are their accomplishments, inventions, or other notable figures apart from terrorists and bombs made from the water pipes Israel gave them to pipe in free water for their people?”
Others have pointed out that the reporter who wrote the article, Katie Glueck, was co-president of Students for Israel at Northwestern University when the chapter won an “Activist of the Year” award from pro-Israel lobbying group AIPAC in 2009.
“The most shocking part of this story is that the NYT had a former AIPAC Activist of the Year (Katie Glueck) write a piece devoted to detailing unsubstantiated claims from a professional Republican activist (Lyndsey Fifield) on how a left Democratic Senate candidate who has promised to take on Israel (Platner) was a lousy boyfriend and sold it as a legit journalistic scoop,” tweeted Marcus Stanley, the director of studies at the Quincy Institute for Responsible Statecraft, an anti-interventionist think tank.
In a statement to JTA, a New York Times spokesperson defended Glueck’s participation in the article.
“Katie Glueck has covered politics for over a decade and is one of the best journalists in media at producing incisive coverage of candidates and campaigns,” the Times’ Charlie Stadtlander wrote in an email. “She approached this article about Graham Platner’s past personal conduct with the same independence she brings to all of her reporting.”
Stadtlander added that the Times stands behind its reporting “of the accounts from Ms. Fifield and the other women, who provided a revealing look at the behavior of a major candidate for the U.S. Senate.”
The drumbeat of criticism has tempered excitement among some Democrats about Platner and his potential to flip a Senate seat. Even California Rep. Ro Khanna, a leading critic of Israel in Congress, offered indirect criticism of Platner and his defenders on CBS News’ “Face the Nation” over the weekend, where he said Platner’s supporters shouldn’t go after his accusers and “should not attack the New York Times reporters who wrote this story.”
“I know those reporters. They’ve written things critical of me. That’s what journalists do,” Khanna said. “Our party doesn’t attack the press. Our party believes that you treat women with equality and respect in all aspects of their lives.”
Still, he continued to signal support for Platner, saying that “he’s taken accountability for that period of his life.” Khanna also spoke at a rally for Platner in Maine over the weekend.
While Platner does not have many prominent Jewish supporters in Maine, and has seen the Jewish Democratic Council of America pointedly withhold its own support of his bid, one of his most visible Jewish allies in the state says he will stand by him.
“I’m still very much in Camp Platner,” Steven Koltai, the chair of J Street Maine who helped organize a Passover seder with the Platner campaign, told JTA following the latest revelations.
Koltai suggested that Platner’s past behavior paled in comparison to the president’s: “Thanks to President Trump, the bar for public office in America has been set at a level that even a subterranean earth worm could overcome.”
Asked about Platner’s comments regarding Collins and AIPAC specifically, he signaled a degree of difference with his candidature: “Of all Senator Collins’s votes, her votes on aid to Israel are very low on my list of complaints about her voting record.”
Platner is expected to sail through the primary. Most recent polls suggest that he and Collins are running neck and neck heading into November.
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The Yiddishist Yeshiva is open for registration
ס׳האָט זיך לעצטנס געשאַפֿן אַ נײַער סאָרט לייענקרײַז דורך פֿייסבוק, וווּ מע לערנט תּורה אויף ייִדיש צוזאַמען.
אינעם לייענקרײַז, וואָס הייסט „די ייִדישיסטישע ישיבֿה“, לייענט מען חומש מיט רש״י — סײַ אויפֿן אָריגינעלן לשון־קודש סײַ אויף ייִדיש־טײַטש. „די גרופּע איז אָפֿן פֿאַר אַלע מינים מענטשן,“ האָט דערקלערט דער לינגוויסט און ייִדיש־אַקטיוויסט לייזער בורקאָ, וועלכער האָט אָרגאַניזירט די גרופּע. „פֿרויען און מענער, ייִדן און נישט־ייִדן, געי און ׳גלײַך׳. נײַע תּלמידים דאַרפֿן פֿאַרשטיין ייִדיש גוט, אָבער זיי דאַרפֿן נישט האָבן קיין תּורהדיקן הינטערגרונט.“
די גרופּע טרעפֿט זיך יעדן דינסטיק דורך פֿייסבוק. נאָך מער פּרטים אָדער כּדי זיך צו פֿאַרשרײַבן, שטעלט זיך אין קאָנטאַקט מיט בורקאָ, אויפֿן אַדרעס leyzertag@gmail.com אָדער דורך פֿייסבוק.
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