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Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it.
NEW YORK (JTA) — Sidney Brustein, Jewish Hamlet?
Anne Kauffman thinks so. She made the comparison in a phone interview about the play she’s directing — a buzzy production of Lorraine Hansberry’s “The Sign in Sidney Brustein’s Window” that opened on Monday at the Brooklyn Academy of Music starring Oscar Isaac and Rachel Brosnahan.
“One artistic director who was thinking of doing this [play] was like, ‘You know, it’s not like he’s Hamlet, but…’ And I thought, well, no, actually I think he is like Hamlet!” she said.
She added another take: “I feel like he’s Cary Grant meets Zero Mostel.”
Hansberry saw just two of her works produced on Broadway before her death from cancer at 34 in January 1965. Her first, “A Raisin in the Sun,” which follows a Black family dealing with housing discrimination in Chicago, is widely considered one of the most significant plays of the 20th century. The other, “The Sign in Sidney Brustein’s Window,” ran for a few months in the fall of 1964 until Hansberry’s death and has only been revived a handful of times since, all outside of New York.
Now, the star power of Isaac and Brosnahan is driving renewed interest in the play, which deals with weighty questions about political activism, self-fulfillment in a capitalist world, and racial and ethnic identity — including mid-century Jewish American identity.
The Brustein character, as Kauffman alluded to, is many things. A resident of Greenwich Village deeply embedded in that historic neighborhood’s 1960s activist and artistic circles, he is somewhat of a creative renaissance man. At the start of the play, his club of sorts (“it was not a nightclub” is a running joke) called “Walden Pond” has just shuttered and he has taken over an alternative newspaper. As the script reads, Brustein is an intellectual “in the truest sense of the word” but “does not wear glasses” — the latter description being a possible jab at his macho tendencies. Formerly an ardent leftist activist, he is now weary of the worth of activism and a bit of a nihilist. He’s in his late 30s and is a musician who often picks up a banjo.
Brustein is also a secular Jew, a fact that he telegraphs at certain key emotional and comedic moments. Others, from friends to his casually antisemitic sister-in-law, frequently reference his identity, too.
At the end of the play’s first half, for example, Brustein brings up the heroes of the Hanukkah story in talking about his existential angst — and his stomach ulcer. He has become belligerent to his wife Iris and to a local politician who wants Brustein’s paper’s endorsement.
“How does one confront the thousand nameless faceless vapors that are the evil of our time? Can a sword pierce it?” Sidney says. “One does not smite evil anymore: one holds one’s gut, thus — and takes a pill. Oh, but to take up the sword of the Maccabees again!”
Hansberry’s decision to center a white Jewish character surprised critics and fans alike in 1964 because many of them expected her to follow “A Raisin in the Sun” with further exploration of issues facing Black Americans, said Joi Gresham, the director of the Lorraine Hansberry Literary Trust.
“The major attack, both critically and on a popular basis, in regards to the play and to its central character was that Lorraine was out of her lane,” Gresham said. “That not only did she not know what she’s talking about, but that she had the nerve to even examine that subject matter.”
Hansberry’s closest collaborator was her former husband Robert Nemiroff, a Jewish New Yorker whom she had divorced in 1962 but maintained an artistic partnership with. Nemiroff was a bit Brustein-like in his pursuits: he edited books, produced and promoted Hansberry’s work, and even wrote songs (one of which made the couple enough money to allow Hansberry to focus on writing “A Raisin in the Sun”). But Gresham — who is Nemiroff’s stepdaughter through his second marriage, to professor Jewell Handy Gresham-Nemiroff — emphasized that his personality was nothing like Brustein’s. While Brustein is brash and mean to Iris, Nemiroff was undyingly supportive of Hansberry and her work, said Gresham, who lived with him and her mother at Nemiroff’s Croton-on-Hudson home — the one he had formerly shared for a time with Hansberry — from age 10 onward.
Instead, Gresham argued, the Brustein character was the result of Hansberry’s deep engagement with Jewish intellectual thought, in part influenced by her relationship with Nemiroff. The pair met at a protest and would bond over their passion for fighting for social justice, which included combating antisemitism. The night before their wedding, they protested the execution of Julius and Ethel Rosenberg, and they would remain highly involved in the wave of activism that blossomed into the Black-Jewish civil rights alliance.
“Bob and Lorraine met and built a life together at a place where there was a very strong Black-Jewish nexus. There was a very strong interplay and interaction,” Gresham said. “I think Lorraine was very influenced by Bob’s family, the Nemiroffs, who were very radical in their politics. And so there was a way in which she was introduced to the base of Jewish intellectualism and Jewish progressive politics, that she took to heart and she was very passionate about.”
Robert Nemiroff and Lorraine Hansberry were married from 1953-62. They are shown here in 1959. (Ben Martin/Getty Images)
Hansberry didn’t hesitate to criticize Jewish writers who said controversial things about Black Americans, either. When Norman Podhoretz wrote “My Negro Problem — And Ours,” an explosive 1963 article in Commentary magazine now widely seen as racist, Hansberry responded with a scathing rebuke. She also sparred with Norman Mailer, who once wrote an essay titled “The White Negro: Superficial Reflections on the Hipster.”
Gresham said Brustein’s nihilism represents what Hansberry saw in a range of Jewish and non-Jewish white writers, whom she hoped could be kickstarted back into activism. But Hansberry also nodded to the reasons why someone like Brustein could feel defeated in the early 1960s, a decade and a half after World War II.
“You mean diddle around with the little things since we can’t do anything about the big ones? Forget about the Holocaust and worry about — reforms in the traffic court or something?” Brustein says at one point in the play to a local politician running as a reformer.
Daniel Pollack-Pelzner, a Jewish scholar of literature who has written on Hansberry, said the resulting Brustein character is a very accurate depiction of a secular Jew at the time — both keenly attuned to prejudice in society and also lacking some understanding of the experience of being Black.
“I was just intoxicated that Hansberry could conjure that world, both so affectionately, but also so clear-sidedly that it seems like she can see the limitations of all of the characters’ perspectives,” he said. “But she also represents them with sympathy and humor.”
Kauffman, who also helmed a revival of the play in Chicago in 2016, is impressed with how “fully fledged” the Brustein character is.
“Who are the cultural icons who have sort of articulated the Jew in our culture in the last 50 years or 60 years, you know?” she said. “Brustein is not a caricature of a Woody Allen character, he’s not even ‘Curb your Enthusiasm’ or a Jerry Seinfeld character. He’s a fully drawn character.”
Isaac, who is of mainly Guatemalan and Cuban heritage, has played Jewish characters before, including a formerly Orthodox man in an Israeli director’s remake of the classic film “Scenes From a Marriage.” In the lead-up to this play, he has largely avoided getting caught in headlines focused on the “Jewface” debate, over whether non-Jewish actors should be allowed to play Jewish characters on stage and screen.
But when asked about the responsibility of playing a Jewish character in a New York Times interview, Isaac referenced the fact that he has some Jewish heritage on his father’s side.
“We could play that game: How Jewish are you?” he said to interviewer Alexis Soloski, who is Jewish. “It is part of my family, part of my life. I feel the responsibility to not feel like a phony. That’s the responsibility, to feel like I can say these things, do these things and feel like I’m doing it honestly and truthfully.”
When Kauffman directed a version of the play at the Goodman Theater in Chicago in 2016, her lead actor had “not a single drop of Jewish heritage…in his blood,” and she said she had to convey “what anger looks like” coming from a Jewish perspective. Working with Isaac has been different — instead of starting at a base of no knowledge, she has been pushing for more of an Ashkenazi sensibility than a Sephardic one.
“I believe that his heritage leans, I’m guessing, more towards Sephardic. And mine is pure Ashkenazi,” she said. “We sort of joke: ‘[The part] is a little bit more Ashkenazi than that, you know what I mean?’ Like, ‘the violence is actually turned towards yourself!’”
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The post Lorraine Hansberry’s second play had a white Jewish protagonist. Oscar Isaac and Rachel Brosnahan are reviving it. appeared first on Jewish Telegraphic Agency.
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US Rep. Byron Donalds Opens Wide Lead Over Anti-Israel Candidate, Rest of Field in Florida GOP Primary for Governor
US Rep. Byron Donalds (R-FL) speaks on stage during the Turning Point USA Student Action Summit on July 11, 2025, in Tampa, Florida. Photo: Luis Santana/Tampa Bay Times via ZUMA Press Wire via Reuters Connect
US Rep. Byron Donalds (R-FL) has firmly established himself as the frontrunner in Florida’s Republican primary for governor, new polling shows, building a substantial lead over the field, which includes anti-Israel investment firm CEO James Fishback.
The survey, carried out by The American Promise, finds Donalds leading the field with 38 percent support among likely Republican voters. Lt. Gov. Jay Collins trails far behind at 9 percent, while Azoria CEO James Fishback registers 2 percent and former Florida House Speaker Paul Renner garners just 1 percent. Nearly half of respondents, 49 percent, say they remain undecided.
Donalds, a stalwart conservative and strident ally of US President Donald Trump, has established himself as a firm ally of Israel. Donalds expressed support for Israel’s right to self-defense in the wake of Hamas’s Oct. 7, 2023, massacre across southern Israel. As skepticism about Israel has surged within the Republican Party in recent months, Donalds has maintained strong vocal support for the Jewish state.
During an interview with Fox Business this week, Donalds lamented rising antisemitism and anti-Israel sentiment within the country and around the world.
“This level of antisemitism, this hatred against Jewish people and against Israel, it’s out of control. It’s insane,” Donalds said.
Donalds also reflected on the antisemitic terrorist attack at Bondi Beach in Sydney, Australia on Sunday, connecting the rise of extremism in Western countries to relaxed migration policies.
“I mean, this rhetoric around hating Israel, hating the Jewish people, that has to stop because there are real-world consequences. There are crazy people who will carry this out,” he said.
“And to Joe Biden and what he did on the southern border for four years, this is the reason why Republicans and President Trump, we are taking border security so seriously in the face of Democrats who had no problem leaving our borders wide open. It’s actually put the nation at risk,” he added.
Fishback, a successful investor, entered the gubernatorial race on a slate of populist agenda items. He has raised eyebrows in recent weeks by flirting with members of the antisemitic Groyper movement and signaling acceptance of its leader, Nick Fuentes.
During a December appearance on Rift TV, a podcast hosted by antisemitic social media pundit Elijah Schaffer, Fishback said that he finds “the audience of young men who follow and watch Nick Fuentes to actually be incredibly informed and insightful.”
After receiving substantial blowback over his comment, Fishback released another campaign video in which he reiterated his defense of Fuentes’s supporters.
“I want to clarify some comments I made this week rather abruptly” about “the young men in our country who watch and follow Nick Fuentes,” Fishback said.
“I want to clarify and apologize for absolutely nothing,” he continued, adding that his interactions with Fuentes supporters at his campaign events were “respectful” and “civil.”
“We had a great conversation, and they have a real pulse for what is going on in the country,” Fishback said.
Fuentes, a 27-year-old antisemitic internet personality and provocateur, has experienced an increase of popularity in recent months, propelled by a surge of viewership from young men. Fuentes has repeatedly parroted Holocaust denial talking points and suggested that Jewish people are more “loyal” to Israel than to the United States.
Amid the uproar, Fishback released a subsequent video on Tuesday defending the free speech rights of those who believe that Israel is committing a so-called “genocide” in Gaza and that Israeli Prime Minister Benjamin Netanyahu should be considered a “war criminal.” He falsely suggested that those who criticize Israel are facing legal repercussions.
“Is Netanyahu a war criminal? Did Israel commit genocide? If you say either of those statements in public, you could be convicted of antisemitism. Criticizing a foreign government or any government is always protected under our constitution,” he said.
Observers have noted that Fishback’s attempts to entice younger, more online portions of right-wing audiences are a microcosm of the growing rupture between Gen Z and older conservatives on the topic of Israel. Recent polls have indicated a collapse of support for Israel among young Republicans, with this portion of the party expressing more skepticism of providing military aid to the Jewish state. Large swaths of GOP voters under 30 have voiced vocal criticism of US support for Israel and the supposed influence of the America Israel Public Affairs Committee, a prominent pro-Israel lobbying group, in US politics.
Recent surveys have also shown a substantial rise of antisemitic views among younger cohorts of the Republican Party.
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Decades after her ancestor was blacklisted from Hollywood, this teenager is bringing her family’s history to light
During the pandemic, teenager Simone Elias found solace in movies from the Golden Age of Hollywood. The glamorous sets, the romantic storylines, the studio-styled movie stars all held a nostalgic appeal.
“There’s something so magical about going back in a time machine,” Elias, 16, said. “Like, wow, I can go back and see the 1930s on my computer randomly at 9 p.m.”
A friend suggested starting a podcast together about old Hollywood in hopes of bolstering their college applications. As Elias began to do research, she discovered that her attachment to the Golden Age of Hollywood was more than just a fun interest — her great-great-grand uncle was the blacklisted Jewish screenwriter H. S. Kraft.
Born Hyman Solomon Kraft, he was known professionally as Hy or H.S. Kraft to avoid antisemitism. Among his best-known credits are the comic musical Top Banana, starring Phil Silvers, and the Lena Horne film Stormy Weather. In the early 1950s, bandleader and author Artie Shaw (born Arthur Jacob Arshawsky) connected Kraft to the Communist Party in comments to the House Un-American Activities Committee. Like many other artists at the time, Kraft found himself blacklisted despite lack of evidence. In order to continue writing, Kraft began working under the pseudonym Harold Kent.
After learning about her family history, Elias threw herself deeper into Hollywood history.
“I reached out to all my family. I looked in all the archives,” Elias said. “It was really kind of another window into the real life working world of Hollywood at the time.”
At 15 years old, Elias’ marshaled her research into a book. The resulting tome, A Teenage Take on Hollywood’s Golden Age, explores the history of classic films and the lessons contemporary audiences can take from them. For Gen Z viewers especially, Elias presents movies that may seem outdated in a way that is more accessible and relatable. She dedicated an entire chapter exploring the prominent role Jews played in creating Hollywood.
Despite the fact that Jews were integral to the Hollywood studio system, their stories were often not shown on television. Elias writes in her book that antisemitism dissuaded writers and directors from having Jewish elements in their movies. Joseph Breen, a censor in charge of making sure films followed the Motion Picture Production Code — a set of rules also known as the Hays Code that forced movies to follow certain moral guidelines — accused Jews of putting “sex, violence, and moral depravity” into films. Some government officials also believed Jewish media moguls were secret Communist agents. Elias said that having her ancestor’s story as an example of the persecution in Hollywood gave her a new perspective on the risks writers had to consider in their work.
Soon after being blacklisted, Kent moved to London, but found much fewer opportunities for film work. “I don’t think his career ever really recovered,” Elias said.
In her research, Elias found that It’s Jews weren’t the only ones pushed off screen by McCarthyism and the Hays Code era of Hollywood. All sorts of stories were written out of Hollywood at the time, as studios attempted to push wholesome, Christian narratives. that Elias is interested in uncovering, but also feminist perspectives that have been erased from discussions of classic Hollywood.
“Culture has always gone in waves and so non-monogamy was actually really popular in the early 1930s in film and so were working women,” Elias explained. “When the Hays Code actually outlawed all that in movies, we sort of forgot that even happened.”
Elias continues to do film analysis on her Instagram page in a series called “Girls on Film” and hopes to write more books about Hollywood. She’s presenting this month on the Turner Classic Moves channel as part of their Kid Fans series. But it hasn’t been easy for Elias to be taken seriously in an industry primarily dominated by men — and people much older than her.
“There’s a certain amount of time that I’ve been alive so I can’t have seen every movie like Leonard Maltin has,” Elias said. “That doesn’t mean that I don’t have something to say about the movies I have seen.”
The post Decades after her ancestor was blacklisted from Hollywood, this teenager is bringing her family’s history to light appeared first on The Forward.
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Mamdani’s Father Blasts Columbia University Over Antisemitism Policies, Says Anti-Israel Students ‘Terrorized’
Pro-Hamas demonstrators at Columbia University in New York City, US, April 29, 2024. Photo: REUTERS/Caitlin Ochs
New York City Mayor-elect Zohran Mamdani’s father — Mahmood Mamdani — denounced Columbia University’s efforts to combat antisemitism on Friday, exacerbating concerns that the incoming Mamdani administration will be an anti-Zionist coterie bent on fostering a hostile climate for Jews and supporters of Israel.
“Well, students are terrified; they are terrorized,” Mamdani said on the Substack of Peter Beinart, a prominent anti-Israel writer who earlier this year refused to classify Hamas as a terrorist organization, arguing that the designation carries racial undertones.
“In the smallest move they make, they are targeted,” Mamdani continued. “They are expelled. They are suspended. They are warned. Which means we have less and less of an idea of what they think and how they might respond to their situation.”
He added, “The university is in a vindictive mood.”
As previously reported by The Algemeiner, Columbia University was, until the enactment of recent reforms, the face of anti-Jewish hatred in higher education in the aftermath of the Hamas-led Oct. 7, 2023, massacre across southern Israel. Dozens of reported antisemitic incidents transpired on its grounds, including a student’s proclaiming that Zionist Jews deserve to be murdered and are lucky he is not doing so himself and the participation of administrative officials, outraged at the notion that Jews organized to resist anti-Zionism, in a group chat in which each member took turns sharing antisemitic tropes which described Jews as privileged and grafting.
The shocking acts of hatred alone did not militate the university’s adopting a new posture to confront antisemitism on its campus. A slew of civil rights complaints, lawsuits, and the federal government’s impounding $400 million in taxpayer funds did. In July, it agreed to pay over $200 million to settle the cases, which alleged that school officials allowed Jewish students, faculty, and staff to suffer antisemitic discrimination and harassment.
Additionally, Columbia pledged to hire new coordinators to oversee complaints alleging civil rights violations; facilitate “deeper education on antisemitism” by creating new training programs for students, faculty, and staff; and adopt the International Holocaust Remembrance Alliance (IHRA) definition of antisemitism — a tool that advocates say is necessary for identifying what constitutes antisemitic conduct and speech. Columbia also announced new partnerships with the Anti-Defamation League (ADL) and vowed never to “recognize or meet with” the self-titled “Columbia University Apartheid Divest” (CUAD), a notorious pro-Hamas campus group which has serially disrupted academic life with unauthorized, surprise demonstrations attended by non-students.
Last week, Columbia University’s Antisemitism Task Force implored the school to foster “intellectual diversity” with respect to the subjects of Zionism and the Israeli-Palestinian conflict, concluding its fourth and final report on the origins of antisemitism on the campus. The task force found several instances of Jewish and Israeli students being harassed on campus as well as an overwhelming anti-Israel bias among faculty.
Mamdani took issue with the establishment of the task force in the first place.
“As you know, they created a task force on antisemitism. And then they followed suggestions that … why don’t we have a task force on Islamophobia? Why don’t we have a task force on XYZ? Student experiences cover lots of, you know, grievances,” he said.
Mamdani’s reversing the roles of victim and perpetrator is a staple of anti-Israel activism in the West, which thrives on misrepresenting the power dynamic between Israelis and Palestinians while insisting that antisemitic expression, conduct, and even terrorism are legitimate means of advocating Palestinian statehood.
Earlier this year, the Council on American-Islamic Relations (CAIR) sued Northwestern University to cancel a course on antisemitism prevention. The group argued that the course, which aims to discourage discrimination, violated Title VI of the Civil Rights Act of 1964, an anti-discrimination law. CAIR added that the antisemitism Northwestern University strives to prevent manifest as legitimate “expressions of Palestinian identity, culture, and advocacy for self-determination.”
Weeks earlier, the American-Arab Anti-Discrimination Committee (ADC) sued California to stop the enactment of a law to combat K-12 antisemitism. ADC said that Arabs are victims of discrimination and that fighting antisemitic harassment in accordance with the new law undermines First Amendment protections of speech unfettered by governmental interference. Furthermore, the ADC argued that the law amounts to a hijacking of American policy by Israel, an argument advanced by neo-Nazis, including Nicholas Fuentes, and commentators who promote their views such as Tucker Carlson and Candace Owens.
Such notions appear to have convinced many anti-Israel activists that escalating their conduct is acceptable.
In November, for example, hundreds of people amassed outside a prominent New York City synagogue and clamored for violence against Jews.
Mamdani’s son, Zohran, received widespread backlash from Jewish leaders and pro-Israel advocates after issuing a statement that appeared to legitimize the gathering. The younger Mamdani, who was elected the city’s next mayor last month, issued a statement that “discouraged” the extreme rhetoric used by the protesters but did not unequivocally condemn the harassment of Jews outside their own house of worship. Mamdani’s office notably also criticized the synagogue, with his team describing the event inside as a “violation of international law.” The protesters were harassing those attending an event being held by Nefesh B’nefesh, a Zionist organization that helps Jews immigrate to Israel, at Park East Synagogue in Manhattan.
Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.
Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.
Follow Dion J. Pierre @DionJPierre.