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Meet the real Jewish Republican of color being floated to replace George Santos, the fake one
(JTA) — Last Friday, as George Santos completed his second week in Congress, Mazi Melesa Pilip was contemplating the relief Shabbat would bring — and also the sting of the betrayal she felt by her fellow Long Island lawmaker.
Among the welter of falsehoods that Santos scattered throughout the byways of the Great Neck area in northern Long Island he and Pilip both represent — Santos in Congress, Pilip as a Nassau County legislator — Santos has pitched himself as a Jewish and Black Republican who overcame hardship to earn multiple degrees.
All lies, but as it happens those descriptors apply to Pilip, an Ethiopian Jew who won’t count out a run for Congress if Santos ever accedes to demands, including from fellow Republicans, to resign. (Santos says he intends to serve out his two-year term.)
“I’m not going to lie to you, people are definitely asking me to run,” she told the Jewish Telegraphic Agency in an interview as she drove while shopping for Shabbat. “That doesn’t mean nothing.”
Pilip said her journey into American politics was propelled by her experience advocating for fellow Ethiopian immigrants in Israel — where she moved as a child through the Operation Solomon airlift and lived until marrying her American husband — and by her children’s experience with antisemitism in their Long Island schools.
“I am a strong believer, if you see something’s not working well for your community, or for yourself, you have to be involved,” she said. “You can’t just complain from outside.”
A Politico reporter, Olivia Beavers, reported on Twitter last week that Pilip was one of two Republicans the Nassau County Party is considering running should Santos step down. (The other is Jack Martins, a state senator; both he and Pilip ousted Democrats in a recent Republican sweep of Nassau County.)
Right now, Pilip said, she is focusing on serving her constituents through the Nassau County legislature. Any decision about replacing Santos, she said, is up to Joseph Cairo, the GOP chairman in Nassau County.
“The only person who can make a decision on who’s going to run will be the chairman,” Pilip said. “Time will show — it’s too early to say anything to be honest. I will continue to serve my residents and I love serving the people. I want to be a voice for the people, and anything I can do to help more people, I will definitely consider it.”
Cairo has not said yet who he would like to run to replace Santos, but two things are clear: He wants Santos to go, and he likes Pilip, a lot.
Cairo convened a press conference last week of leading Nassau County Republicans calling on Santos to step down because of the multiple lies he told while running and because he faces multiple criminal investigations. In unrelenting reporting since last month, reporters have detailed how Santos lied about his education, his job experience, his charitable giving and his family background.
“Today, on behalf of the Nassau County Republican Committee, I’m calling for his immediate resignation,” Cairo said at the press conference.
Cairo had led an effort to diversify GOP candidates on the island, and a year ago, at Pilip’s swearing-in ceremony, he explained why: He was an Italian American whose parents favored Republican ideals but felt unwelcome in the GOP until they helped integrate it themselves, in New Jersey and then on Long Island. It had become his mission to bring more minority candidates into the fold, and he recruited several of them to run in the 2021 local elections.
Pedram Bal, a Persian Jew and the mayor of Great Neck, told Cairo he should look at Pilip, an Ethiopian-Jewish immigrant who was active in efforts to revitalize Great Neck, and who had been vice president of her synagogue, Kol Yisrael Achim. It was an easy sell, Cairo said, and it paid off.
“An Orthodox Jewish woman, a religious refugee from Ethiopia is elected as a Republican to the Nassau County legislature!” he marveled at the inauguration.
Of the many lies Santos has told about himself, the Nassau County Republicans at the press conference seemed especially offended by his claims of descent from Holocaust survivors.
“For him to make up this story, that his parents were Holocaust survivors is beyond the pale. It is simply tragic and outrageous, and disgusting,” said Bruce Blakeman, the Nassau County executive who is the first Jew elected to the position. “He is a stain on the House of Representatives. He’s a stain on the Third Congressional District.”
Pilip calls for the prosecution of the alleged assailant in the violent attack on a Jewish New Yorker in 2021, at a press conference, in Mineola, N.Y., Jan. 29, 2023. (Office of Mazi Melesa Pilip)
Jewish Republicans have been at pains to call on Santos to quit: The Republican Jewish Coalition said he will not be welcome at its events. With much fanfare, the RJC had presented Santos and Max Miller, a freshman Republican from Ohio, as the next generation of Republican Jewish leaders at its annual conference in Las Vegas in November. Miller last week also called on Santos to resign, saying in a statement that Santos sought to “benefit from the murder of millions of Jewish people.”
When Pilip spoke at the press conference, she did not address his lies about his heritage. “I’m also paying for the lies told by Congressman George Santos,” she said. “People trusted him, people campaigned for him, including me, as a county legislator. At this point, the trust is no longer there. Therefore, he should resign.”
In her interview with the Jewish Telegraphic Agency, Pilip said she found the fact of Santos’s compulsive lying more offensive than the lies themselves, including about his heritage. She had put her reputation on the line campaigning for him last year.
“I trusted him and I told people to vote for him. I campaigned with him. And so when you do something like this, and then keep every day there’s something new coming about him,” she said. “It’s making you feel uncomfortable because people asking, you know, what’s, what’s going on, Mazi, what happened with this guy?”
Pilip campaigning for the legislative seat in 2021 had bonded with her constituents. Speaking to local media she described how much she enjoyed the hustle of campaigning.
“I was going from synagogue to synagogue, bringing out the vote,” she told Five Towns Jewish Home last year.
“Sometimes I would leave Friday night to go to a shul and I would sleep at someone’s house on Friday night because I’m shomer Shabbat and I couldn’t walk back home,” she told the local magazine for Orthodox Jews. “And then I would go to another synagogue the next day, on Shabbat, to spend time there and talk to people. Only when Shabbat was over would I go home. I did this for two months. It was intense but it was worth it. I met a lot of people. I would go to train stations and park events — any event, large or small, I was there.”
She became a local celebrity, giving birth to twin daughters — her sixth and seventh children — just weeks before the election.
Pilipl, 43, said in her interview with JTA that her involvement in politics was almost inevitable, after she had migrated to Israel on Operation Solomon, the 1991 airlift, when she was 12.
“I have always been very active, even as a child in Israel,” advocating for the opportunities she saw that Israelis just a few years older than her were enjoying. Over her father’s objections, she enlisted in the paratroop division of the Israel Defense Forces (she says he is now proud of her service). While at university, she led the Ethiopian Student Union for two years. She has a degree in occupational therapy from the University of Haifa and a degree in diplomacy and security from Tel Aviv University.
“I was a voice of so many young kids who wanted equal opportunity and really my main focus was especially education, because I do believe through education, you can achieve a lot and you can integrate into the society,” she said. “So we were encouraging younger-generation [Ethiopian immigrants] my age to go to higher education. Because we came, you know, from nothing, and we came without any education.”
She met her husband, an American medical student at the Technion, while she was at the University of Haifa. They moved to the United States, where she became active speaking about Israel for Jewish federations and other Jewish groups. Her Instagram handle couples the U.S. and Israeli flags. Her husband, Adalbert, who was born in Ukraine, and whose mother is the child of Holocaust survivors, was especially offended by Santos’s Holocaust lies, Pilip said.
“Why would you use this painful history and create something like this and tell people that his grandparents survived just for the political benefit of it?” she said.
Pilip said her political interests were revived two years ago when her oldest son was preparing for bar mitzvah and he told her about antisemitic comments he endured from a classmate in the Great Neck Public Schools system. “He said, ‘Mom, you know, this child told me, I wish Hitler would kill you all,’” she recalled. She said that perhaps the child had been bullied, and was acting out against others, but it rattled her that he was resorting to antisemitism. “That a 12-year-old child would talk like this? It’s bad.”
So when Bal, the Great Neck mayor, approached her about running for elected office, she was game.
She campaigned on reviving Great Neck’s downtown, but also acting as a bridge in troubled times among the multiple minority communities in the area.
“Promoting understanding, education of cultures, religions and systemic hate has to be addressed from our young people on up,” she said in a candidate’s statement before her election.
Last Friday, however, she was looking forward to a little respite from the Santos follies.
“I’m going to pick up a couple of things from the grocery,” she said “I have to cook for my kids for Shabbat. Shabbat is starting early. So I think I’ll just spend time with my family, my kids. Just a very relaxing time.”
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The post Meet the real Jewish Republican of color being floated to replace George Santos, the fake one appeared first on Jewish Telegraphic Agency.
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Gene Shalit, a mensch with a personality as big as his mustache, turns 100
The television entertainment personality Gene Shalit, who celebrated his centenary on March 25, semaphored a Jewish appearance for decades to viewers of NBC’s early morning gabfest The Today Show.
With his Jew-fro hairstyle that fascinated celebrity interviewees and his abundant mustache that outdid Groucho Marx’s mere greasepaint simulacrum, Shalit was one of a kind. Born in New York City in 1926, he clearly aimed to be recognizable even through half-opened bleary eyes of half-asleep viewers. And audible too. Shalit’s precise pronunciation, always at a vigorous decibel level, sought to be comprehensible even during voiceovers. The Canadian comedian Eugene Levy, transfixed by this persona, imitated him on SCTV roaring at high decibel levels.
In one skit, Levy embodied Shalit with haimish affection, hawking a remedy for a migraine presumably caused by his own bellowing. In another, Levy spoofed Hollywood celebrities who were notorious fressers at local restaurants, including the American Jewish actress Shelley Winters (born Shirley Schrift). In still another lampoon, Levy-as-Shalit danced and also kibitzed with the late Catherine O’Hara as the Jewish gossip columnist Rona Barrett (born Burstein).
Shalit apparently kvelled at the notion that he was prominent enough in media culture to be affectionately kidded like other Jewish noteworthies Levy imitated, including Howard Cosell, Henry Kissinger, Menachem Begin, Milton Berle, Judd Hirsch, Jack Carter, James Caan, Lorne Greene, Norman Mailer and Neil Sedaka.
Years later, Levy recalled that when the SCTV comedy troupe was invited to appear on The Today Show, before the segment was filmed, chairs were arranged so that Catherine O’Hara was seated next to Shalit. Suddenly Shalit exclaimed: “Wait a minute, shouldn’t the person who [imitates] me be sitting beside me?” Another Jewish comedian, Jon Lovitz, would likewise attempt to imitate Shalit on Saturday Night Live, but without the zest of Levy’s indelible incarnation.
Shalit once told showbiz reporter Eileen Prose that at first, his looks limited him to radio jobs in more conventional times for TV talent. By the more liberated late 1960s, when long hair and a hirsute upper lip were more common, he was hired as quasi-permanent house Jew on The Today Show. Although his mustache fit the counterculture in the mode of Jewish activist Jerry Rubin’s, Shalit as an aspiring journalist may have grown his facial hair more in tribute to earlier literati like the playwright William Saroyan or the eminent humorist Mark Twain.
At times, Shalit’s appearance could be clown-like or cartoonish, so it was natural that characters inspired by him would appear on animated series such as SpongeBob SquarePants and Family Guy as well as The Muppet Show.
Famous interviewees like Peter Sellers were plainly at ease with Shalit’s persona. A conversation filmed shortly before Sellers’ untimely death was cordial, with the sometimes tetchy actor on his best behavior, acknowledging Shalit as a fellow entertainer. And with Mel Brooks in 1987, Shalit looked to be in paradise.
A warm-hearted empathizer and enthusiast, Shalit was more suited to promoting films than criticizing them. In 1989, a tzimmes occurred when a memo drafted by Bryant Gumbel, a Today Show colleague, deemed Shalit a “specialist in gushing over actors and directors” and added that Shalit’s interviews “aren’t very good.” To his credit, Shalit minimized the controversy, telling The Los Angeles Times that Gumbel’s disses were “not big whacks.”
“Listen, I’ve been interviewing people on the show for 17 years,” Shalit said. “I must be doing something right.”
Part of his inspiration was a sincere appreciation for humor, Jewish and otherwise. His 1987 anthology, Laughing Matters featured contributions by Jewish wits such as Dorothy Parker, S. J. Perelman, Woody Allen, Fran Lebowitz, Samuel Hoffenstein, Philip Roth, Mel Brooks, George S. Kaufman, Milt Gross, Arthur Kober, Leo Rosten, Allan Sherman, Max Shulman, Calvin Trillin, Rube Goldberg, Sam Gross, Roz Chast, B. Kliban, Robert Mankoff, J. B. Handelsman, Jules Feiffer and George Burns. The volume was dedicated to, among others, the Jewish screenwriter Samson Raphaelson, who was Shalit’s instructor at the University of Illinois at Urbana-Champaign.
His visceral reaction to Jewish parody was such that during one commuter train ride, Shalit admitted in a preface, Perelman’s story “No Starch in the Dhoti, S’il Vous Plait” caused a conductor to lean down with concern, stating: “A passenger says you’re crying.” To which Shalit retorted, choking and rubbing away tears: “I’m laughing.”
The subliminal message of Shalit’s book was that without Jews, America would have distinctly fewer tears of laughter. And he regretted not being able to include funny Jews like Jack Benny and Ed Wynn whose performances could not be transferred to the printed page.
Shalit also reviewed books for years. Sticking firmly to the content of cultural products with a few brief hints of value judgment, Shalit seemed to have neither the time nor presumably the inclination to subject new items to analysis of Freudian intensity. He clearly preferred boosting things to panning them, and when a film displeased Shalit, he could be uncomfortable saying so.
One occasion when Shalit raised hackles was his response on The Today Show to the 2005 film Brokeback Mountain. Shalit described one of the gay characters as a “sexual predator.” The LGBTQ media group GLAAD objected to Shalit’s characterization as a homophobic stereotype. Shalit’s son Peter wrote an open letter to GLAAD, identifying himself as a gay physician with a Seattle practice helping the gay community. Peter Shalit admitted that his father “did not get” the film in question, but was “not a homophobe.” He might have added that his father had even included an excerpt from Harvey Fierstein’s Torch Song Trilogy in the aforementioned humor collection.
Shalit followed up with his own apology, stating in a mensch-like way that he did not intend to cast “aspersions on anyone in the gay community or on the community itself.” When Shalit finally retired from broadcasting at age 84, with the Yiddish-inflected declaration: “It’s enough, already,” he left behind admiring viewers and decades of bonhomie as one of morning television’s most genial protagonists.
Mazel tov, Gene Shalit. Biz hundert un tsvantsik (May you live until 120)!
The post Gene Shalit, a mensch with a personality as big as his mustache, turns 100 appeared first on The Forward.
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How a song about the food chain became a Seder mainstay
I’m almost positive I heard about the old lady who swallowed a fly before the father who bought a goat for two zuzim.
This occurred to me a few years ago while riding in my sister’s minivan. My niece was in her car seat fidgeting with a toy that plays a catalogue of public domain children’s songs. But unlike the version I’d grown up hearing, where the old lady’s ravenous habit of devouring ever-larger animals is met with the prognostic shrug of “perhaps she’ll die,” the refrain was changed to the more kid-friendly “oh me oh my.”
The Seder tune “Chad Gadya,” which involves a quite similar conceit, has no such timidity when it comes to the ravages of death.
Jack Black once described it as the “original heavy metal song” for the way it progresses along the chain of life from a little goat bought for two zuzim, to the cat who ate the goat, to the dog who bit the cat, all the way up to the angel of death. (“Very Black Sabbath.”)
It is pretty metal — in a kosher Kidz Bop, tot Shabbat kinda way. But why we sing it should, in Jewish circles, be as popular a seasonal question as what a bunny with a clutch of eggs has to do with Jesus’ resurrection. (Some Haggadot explain the greater significance of “Chad Gadya;” my Maxwell House does not.)
Dating the song or rooting out its precise origins is not easy.
As historian Henry Abramson wrote, scholars have noted the song’s similarities to a late Medieval German folk rhyme. While the fact that it is mostly in Aramaic, not the vernacular in Europe in the Middle Ages, suggests an earlier provenance, it is missing from extant Sephardic and Yemenite Haggadot, where one would expect to find texts originating in the language, and the Aramaic itself has many errors.
Abramson reasons that, given the surviving written versions, it was likely adapted sometime in the 14th century from a German children’s rhyme called “The Foreman that Sent Jockel Out,” about an idler named Jockel who a foreman tries to rouse to fieldwork with an escalating series of messengers, ending with a hangman. (Abramson notes the original is characterized by “some Teutonic weirdness,” like a witch sent to subdue a vulture.)
“Chad Gadya” belongs, like its Seder companion “Echad Mi Yodea,” to a genre called “cumulative song,” where verses build with new information a la “12 Days of Christmas.” But “Chad Gadya” stands out for its strangeness and its more oblique message.
Abramson and others see the goat, small and vulnerable, standing in for the Jewish people, and the ensuing parade of antagonists corresponding to historical enemies (Assyrians, Babylonians) and periods of time (Exodus, various conquests), ending with redemption in the Messianic age when the Holy One smites death.
As Rabbi Jonathan Sacks wrote in a commentary for his Haggadah, the song “teaches the great truth of Jewish hope: that though many nations (symbolized by the cat, the dog, and so on) attacked Israel (the goat), each in turn has vanished into oblivion.”
That this truth is conveyed in song, with much banging on the table or animal noises, speaks to the centrality of children in the Passover Seder. And, some think, its inclusion serves a practical purpose: keeping the kids awake through the last leg of a long ritual meal.
My own interpretation is admittedly less lofty. I don’t think of Israel’s tribulations. I do think of the abundance of stray cats in Jerusalem, said to have originated during the British mandate when the city had a rat problem.
And, in the years since my own days as designated Four Questions asker, I’ve been reading “Chad Gadya” into non-Jewish contexts. “The White Cat,” off of Mitski’s new album, Nothing’s About to Happen to Me, contains a lyric that recalls the song, only altered to be a metaphor for the predations of capitalism.
In it, the speaker says she must work to pay for the cat’s house and “for the bugs who drink my blood/and the birds who eat those bugs/so that white cat can kill the birds.”
These cycles speak across cultures and time because they represent a fundamental rule of nature: There’s always a bigger fish (or cat or dog or stick).
To erase death from the equation, like my niece’s toy does with that hapless, insect-ingesting pensioner, is a concession to today’s sensitivities. That’s not to say “The Old Lady Who Swallowed a Fly” represents anything more homiletic than a choking hazard warning, but in the case of “Chad Gadya,” death is the story, and an end to death is the hope.
“The Haggadah ends with the death of death in eternal life,” Rabbi Sacks concluded his drash on the song, which ends when God strikes down the Angel of Death. “A fitting end for the story of a people dedicated to Moshe’s great command, ‘Choose life.’”
I know it’s a principle of faith all over the Haggadah, but I’m more agnostic as to that Messianic promise and maybe more in the camp of our old lady. My understanding of Jewishness, which accords with Moshe’s command, says life is best lived knowing that — perhaps — we’ll die.
The post How a song about the food chain became a Seder mainstay appeared first on The Forward.
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Katz: ‘Israel’s Goal in Lebanon is to Disarm Hezbollah’
Then-Israeli transportation minister Israel Katz attends the cabinet meeting at the Prime Minister’s office in Jerusalem, Feb. 17, 2019. Katz currently serves as the foreign minister. Photo: Sebastian Scheiner/Pool via REUTERS
i24 News – Israel’s Defense Minister Israel Katz held a situation assessment Friday with senior military and defense officials, reiterating that the country’s policy in Lebanon remains focused on disarming Hezbollah by military and political means. Katz emphasized that the goal applies “regardless of the Iran issue” and pledged continued protection for Israeli northern communities.
Katz said the Israel Defense Forces are completing ground maneuvers up to the anti-tank line to prevent direct threats to border towns. He outlined plans to demolish houses in villages near the border that serve as Hezbollah outposts, citing previous operations in Rafah and Khan Yunis in Gaza as models.
The Defense Minister added that the IDF will maintain security control over the Litani area and that the return of 600,000 residents of southern Lebanon who had evacuated north will not be permitted until northern communities’ safety is ensured. Katz also reaffirmed that the IDF will continue targeting Hezbollah leaders and operatives across Lebanon, noting that 1,000 terrorists have already been eliminated since the start of the current campaign.
“We promised security to the northern towns, and that is exactly what we will do,” Katz said. He further warned that the IDF will act decisively against rocket fire from Lebanon, stating that Hezbollah “will pay heavy prices.”