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Meet the real Jewish Republican of color being floated to replace George Santos, the fake one
(JTA) — Last Friday, as George Santos completed his second week in Congress, Mazi Melesa Pilip was contemplating the relief Shabbat would bring — and also the sting of the betrayal she felt by her fellow Long Island lawmaker.
Among the welter of falsehoods that Santos scattered throughout the byways of the Great Neck area in northern Long Island he and Pilip both represent — Santos in Congress, Pilip as a Nassau County legislator — Santos has pitched himself as a Jewish and Black Republican who overcame hardship to earn multiple degrees.
All lies, but as it happens those descriptors apply to Pilip, an Ethiopian Jew who won’t count out a run for Congress if Santos ever accedes to demands, including from fellow Republicans, to resign. (Santos says he intends to serve out his two-year term.)
“I’m not going to lie to you, people are definitely asking me to run,” she told the Jewish Telegraphic Agency in an interview as she drove while shopping for Shabbat. “That doesn’t mean nothing.”
Pilip said her journey into American politics was propelled by her experience advocating for fellow Ethiopian immigrants in Israel — where she moved as a child through the Operation Solomon airlift and lived until marrying her American husband — and by her children’s experience with antisemitism in their Long Island schools.
“I am a strong believer, if you see something’s not working well for your community, or for yourself, you have to be involved,” she said. “You can’t just complain from outside.”
A Politico reporter, Olivia Beavers, reported on Twitter last week that Pilip was one of two Republicans the Nassau County Party is considering running should Santos step down. (The other is Jack Martins, a state senator; both he and Pilip ousted Democrats in a recent Republican sweep of Nassau County.)
Right now, Pilip said, she is focusing on serving her constituents through the Nassau County legislature. Any decision about replacing Santos, she said, is up to Joseph Cairo, the GOP chairman in Nassau County.
“The only person who can make a decision on who’s going to run will be the chairman,” Pilip said. “Time will show — it’s too early to say anything to be honest. I will continue to serve my residents and I love serving the people. I want to be a voice for the people, and anything I can do to help more people, I will definitely consider it.”
Cairo has not said yet who he would like to run to replace Santos, but two things are clear: He wants Santos to go, and he likes Pilip, a lot.
Cairo convened a press conference last week of leading Nassau County Republicans calling on Santos to step down because of the multiple lies he told while running and because he faces multiple criminal investigations. In unrelenting reporting since last month, reporters have detailed how Santos lied about his education, his job experience, his charitable giving and his family background.
“Today, on behalf of the Nassau County Republican Committee, I’m calling for his immediate resignation,” Cairo said at the press conference.
Cairo had led an effort to diversify GOP candidates on the island, and a year ago, at Pilip’s swearing-in ceremony, he explained why: He was an Italian American whose parents favored Republican ideals but felt unwelcome in the GOP until they helped integrate it themselves, in New Jersey and then on Long Island. It had become his mission to bring more minority candidates into the fold, and he recruited several of them to run in the 2021 local elections.
Pedram Bal, a Persian Jew and the mayor of Great Neck, told Cairo he should look at Pilip, an Ethiopian-Jewish immigrant who was active in efforts to revitalize Great Neck, and who had been vice president of her synagogue, Kol Yisrael Achim. It was an easy sell, Cairo said, and it paid off.
“An Orthodox Jewish woman, a religious refugee from Ethiopia is elected as a Republican to the Nassau County legislature!” he marveled at the inauguration.
Of the many lies Santos has told about himself, the Nassau County Republicans at the press conference seemed especially offended by his claims of descent from Holocaust survivors.
“For him to make up this story, that his parents were Holocaust survivors is beyond the pale. It is simply tragic and outrageous, and disgusting,” said Bruce Blakeman, the Nassau County executive who is the first Jew elected to the position. “He is a stain on the House of Representatives. He’s a stain on the Third Congressional District.”
Pilip calls for the prosecution of the alleged assailant in the violent attack on a Jewish New Yorker in 2021, at a press conference, in Mineola, N.Y., Jan. 29, 2023. (Office of Mazi Melesa Pilip)
Jewish Republicans have been at pains to call on Santos to quit: The Republican Jewish Coalition said he will not be welcome at its events. With much fanfare, the RJC had presented Santos and Max Miller, a freshman Republican from Ohio, as the next generation of Republican Jewish leaders at its annual conference in Las Vegas in November. Miller last week also called on Santos to resign, saying in a statement that Santos sought to “benefit from the murder of millions of Jewish people.”
When Pilip spoke at the press conference, she did not address his lies about his heritage. “I’m also paying for the lies told by Congressman George Santos,” she said. “People trusted him, people campaigned for him, including me, as a county legislator. At this point, the trust is no longer there. Therefore, he should resign.”
In her interview with the Jewish Telegraphic Agency, Pilip said she found the fact of Santos’s compulsive lying more offensive than the lies themselves, including about his heritage. She had put her reputation on the line campaigning for him last year.
“I trusted him and I told people to vote for him. I campaigned with him. And so when you do something like this, and then keep every day there’s something new coming about him,” she said. “It’s making you feel uncomfortable because people asking, you know, what’s, what’s going on, Mazi, what happened with this guy?”
Pilip campaigning for the legislative seat in 2021 had bonded with her constituents. Speaking to local media she described how much she enjoyed the hustle of campaigning.
“I was going from synagogue to synagogue, bringing out the vote,” she told Five Towns Jewish Home last year.
“Sometimes I would leave Friday night to go to a shul and I would sleep at someone’s house on Friday night because I’m shomer Shabbat and I couldn’t walk back home,” she told the local magazine for Orthodox Jews. “And then I would go to another synagogue the next day, on Shabbat, to spend time there and talk to people. Only when Shabbat was over would I go home. I did this for two months. It was intense but it was worth it. I met a lot of people. I would go to train stations and park events — any event, large or small, I was there.”
She became a local celebrity, giving birth to twin daughters — her sixth and seventh children — just weeks before the election.
Pilipl, 43, said in her interview with JTA that her involvement in politics was almost inevitable, after she had migrated to Israel on Operation Solomon, the 1991 airlift, when she was 12.
“I have always been very active, even as a child in Israel,” advocating for the opportunities she saw that Israelis just a few years older than her were enjoying. Over her father’s objections, she enlisted in the paratroop division of the Israel Defense Forces (she says he is now proud of her service). While at university, she led the Ethiopian Student Union for two years. She has a degree in occupational therapy from the University of Haifa and a degree in diplomacy and security from Tel Aviv University.
“I was a voice of so many young kids who wanted equal opportunity and really my main focus was especially education, because I do believe through education, you can achieve a lot and you can integrate into the society,” she said. “So we were encouraging younger-generation [Ethiopian immigrants] my age to go to higher education. Because we came, you know, from nothing, and we came without any education.”
She met her husband, an American medical student at the Technion, while she was at the University of Haifa. They moved to the United States, where she became active speaking about Israel for Jewish federations and other Jewish groups. Her Instagram handle couples the U.S. and Israeli flags. Her husband, Adalbert, who was born in Ukraine, and whose mother is the child of Holocaust survivors, was especially offended by Santos’s Holocaust lies, Pilip said.
“Why would you use this painful history and create something like this and tell people that his grandparents survived just for the political benefit of it?” she said.
Pilip said her political interests were revived two years ago when her oldest son was preparing for bar mitzvah and he told her about antisemitic comments he endured from a classmate in the Great Neck Public Schools system. “He said, ‘Mom, you know, this child told me, I wish Hitler would kill you all,’” she recalled. She said that perhaps the child had been bullied, and was acting out against others, but it rattled her that he was resorting to antisemitism. “That a 12-year-old child would talk like this? It’s bad.”
So when Bal, the Great Neck mayor, approached her about running for elected office, she was game.
She campaigned on reviving Great Neck’s downtown, but also acting as a bridge in troubled times among the multiple minority communities in the area.
“Promoting understanding, education of cultures, religions and systemic hate has to be addressed from our young people on up,” she said in a candidate’s statement before her election.
Last Friday, however, she was looking forward to a little respite from the Santos follies.
“I’m going to pick up a couple of things from the grocery,” she said “I have to cook for my kids for Shabbat. Shabbat is starting early. So I think I’ll just spend time with my family, my kids. Just a very relaxing time.”
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The post Meet the real Jewish Republican of color being floated to replace George Santos, the fake one appeared first on Jewish Telegraphic Agency.
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After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’
(JTA) — The lieutenant governor of Texas says his recent call for the state’s public schools to remove “over 2,000 titles” of “dirty, filthy and vulgar books” was not meant to include books about the Holocaust.
Dan Patrick’s statement, provided exclusively to the Jewish Telegraphic Agency on Friday, comes after a month of confusion following a press conference in which he and a conservative Christian activist threatened schools with potential loss of state funding if they did not comply with his directive to purge their libraries.
“I believe Texas students must learn about the Holocaust, and that includes reading books such as ‘Night’ by Elie Wiesel, ‘The Diary of Anne Frank,’ and other books about the Holocaust,” Patrick told JTA, singling out two books on the removal list he had promoted – one of which, “Night,” that he previously explicitly called for removal from middle schools.
Patrick added that his initiative was “focused on age-inappropriate, sexually explicit books in public school libraries across Texas.” At his earlier press conference, he had directed viewers to an online list compiled by an activist group that features several books about the Holocaust and Jewish identity.
Patrick’s threats have teeth. In Texas, lieutenant governors are more powerful than in many other states, playing central roles in shaping the budget and determining the legislative agenda.
Patrick also appeared to walk back some of the harsher proclamations from his Aug. 19 press conference, at which the Republican had stated, “We’re coming for the books.”
“As the law states, local communities have the right to make their own decisions about their public school libraries,” he told JTA Friday.
The lieutenant governor, who is up for reelection this fall, appeared at the conference with Bonnie Wallace, the head of the activist group Recover America, and told viewers to “go to RecoverAmerica.com.” That group has circulated a list of more than 2,100 “Harmful Books in Libraries.” Its list, which it describes as “books with harmful, sexually explicit, and vulgar content,” includes more than a dozen titles of particular import to Jewish readers.
Recover America’s flagged books include both volumes of Art Spiegelman’s “Maus,” a comic-book adaptation of Frank’s diary and Bernard Malamud’s novel of a blood libel “The Fixer” — all books that have been removed from school districts in Texas and other states in the past amid broader conservative-led library culture wars. In some cases those books were restored to the districts following public outcry, but spurred deeper dialogue about the state of Holocaust education and antisemitism awareness in public schools.
Patrick’s latest push would go much further than a handful of districts, affecting the more than 5.5 million students in public schools across the state.
One book of particular contention on Recover America’s list was “Night,” Elie Wiesel’s bestselling memoir of surviving Auschwitz and Buchenwald, which has been taught in schools for decades. After a Houston Chronicle story noted the book’s inclusion on the Recover America “harmful” list, Patrick initially doubled down on “Night,” saying that it was not appropriate for middle schools owing to its “violence.”
“If ‘Night,’ by Elie Wiesel, were made into a movie, it would likely be rated R,” Patrick wrote on the social network X on Aug. 26. “‘Night,’ which includes depictions of graphic violence and the machine-gunning of babies, should not be available to sixth graders in middle-school libraries. High school is more age-appropriate.”
His tweet appeared to contradict the state’s own K-12 required reading list, passed this summer, which mandates that “Night” be taught in the eighth grade beginning in 2030.
Now, in response to questions from JTA, the lieutenant governor said he would defer to the Texas State Board of Education on the appropriate grade to teach “Night.”
“The State Board of Education decides the appropriate grade level for books and will determine whether ‘Night,’ by Elie Wiesel, is at the appropriate grade level,” Patrick told JTA in his statement.
He continued to insist that books in schools should be held to “FCC standards,” referring to the Federal Communications Commission, an agency that governs broadcasting content and does not regulate publishing.
The head of the Texas Holocaust, Genocide and Antisemitism Advisory Commission, a governor-appointed panel which advised the state on the inclusion of “Night” and other Holocaust texts on its required reading list, did not return a JTA request for comment.
In a statement, the Texas Educational Authority, which drafted the required-reading list, told JTA, “When Texas students learn about the Holocaust, they will be exposed to the horrors of the Holocaust. That is why the SBOE placed the book in 8th Grade to ensure age appropriateness for students.”
At the Emmys this week, when “The Librarians,” a documentary about librarians facing book removal threats, won an award, retired Texas librarian Carolyn Foote joined the producers on the stage and held up a copy of “Night” in protest.
“I felt like it was very symbolic to bring ‘Night,’” Foote, a subject of the film and a co-founder of the librarian activist group FReadom Fighters, told JTA. “Having read it, I just know the importance of not forgetting our past. And that’s part of Elie Wiesel’s whole legacy, is remembrance, and so it just felt very important for me to carry that book, coming from Texas.” Another librarian onstage for the win held up “Anne Frank’s Diary: The Graphic Adaptation.”
Elisha Wiesel, Elie’s son and chair of the Elie Wiesel Foundation, told JTA that “Texas deserves credit for recognizing that Holocaust education belongs in the eighth-grade curriculum.” Yet, the younger Wiesel suggested, Patrick’s concerns about the book’s violence were misplaced.
“‘Night’ contains violence because the Holocaust was violent; its purpose is not to shock young people, but to help them understand where hatred and indifference can lead,” he wrote in an email. “With context and guidance, students should not be shielded from this history. They should be equipped to confront it.”
Despite having directed viewers to Recover America’s book list during his press conference, Patrick’s new statement to JTA said, “I do not have a book list.” He pointed instead to a law passed in the state legislature in 2025 regulating school books that he said districts were required to follow.
Yet some districts in the state have removed every book on Recover America’s list from their own libraries out of fear of losing funding, Foote told JTA. While the list nominally contains a ratings system, many of the books do not have a rating.
Besides “Night,” “Maus,” “Anne Frank’s Diary” and “The Fixer,” other books about Judaism and the Holocaust on Recover America’s list of “Harmful Books” include:
- “Annexed,” a young-adult novel about Peter van Pels, who hid in the Amsterdam annex with Anne Frank
- “The Berlin Boxing Club,” a young-adult historical novel based on German boxer Max Schmeling, who helped young Jews during Hitler’s rise to power
- “Black, White and Jewish,” a memoir by Rebecca Walker, the mixed-race Jewish daughter of author Alice Walker
- “Caste: The Origins of our Discontents,” a nonfiction book analyzing the “caste systems” of Nazi Germany. “Caste” had been included on an earlier, Wallace-spearheaded list of books for removal from a Texas public library in a case that the U.S. Supreme Court declined to hear in 2025, allowing the removals to proceed.
- “Kasher in the Rye,” a memoir by Jewish comedian Moshe Kasher
- “Pride: the story of Harvey Milk and the Rainbow Flag,” a children’s picture-book biography of the pioneering Jewish LGBTQ legislator
- “Sophie’s Choice,” the bestselling Holocaust novel for adults
- “The Violin Maker’s Daughter,” a historical novel about a Jewish family of musicians during the Holocaust
- “White Bird,” a young-reader graphic novel about a Jewish girl in Nazi-occupied France
In response to JTA sharing a list of the above books, Patrick’s statement mentioned only “Night” and Anne Frank by name. The Recover America list is largely made up of romance and fantasy novels, many with an LGBTQ element, while also including classics such as “The Glass Menagerie” and “Cat’s Cradle” and some picture books for children.
Recover America did not immediately return a JTA request for comment Friday on Patrick’s new statement. Wallace, the group’s leader who has also appeared on Patrick’s podcast, previously told the Houston Chronicle that she had “thought long and hard” about including “Night” on her list.
She ultimately did so, she said, because “an eighth-grade student is 13 years old. Do they need to read about soldiers massacring, throwing up babies, and killing them with machine guns?”
She added, “It’s not to say this doesn’t happen in life. And the Holocaust was maybe the worst tragedy in the history of the world.”
For Cameron Samuels, a Jewish alum of Texas public schools and founder of the activist group Students Engaged in Advancing Texas, such efforts do not help Jewish students.
“Non-Jewish people are deciding for us what’s best, and making this public policy,” Samuels said. “We can’t readily access these books and stories. And that makes students feel alone. It also means that our classroom peers are not learning authentic Jewish narratives.”
This article originally appeared on JTA.org.
The post After outcry, Texas lieutenant governor says schools should teach Holocaust books ‘Night,’ ‘Anne Frank’ appeared first on The Forward.
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‘Checkout’ and ‘Fauda’ test the appetite for Israeli spy stories after Oct. 7
(JTA) — Is there still an appetite for Israeli spy stories?
That is one question being tested by two different productions arriving in the United States this month: “Checkout,” a dark Israeli comedy about an aging Mossad operative, and the fifth season of “Fauda,” the Israeli action thriller about undercover counterterrorism agents.
One is an indie film that spent years getting to the screen; the other is a global Netflix hit whose new season plunges directly into the trauma of Oct. 7.
The two projects are seeking audiences in a challenging climate. A Pew Research Center survey conducted in March found that 60% of Americans had an unfavorable view of Israel, compared with 37% who viewed the country favorably. And Israeli cultural exports have faced increasing scrutiny abroad over the country’s conduct since Oct. 7.
Yet “Fauda” has returned to Netflix with considerable international attention, while “Checkout” opened in Manhattan to a sold-out audience.
“It’s hard for Israeli movies right now to find an audience because everything translates to, you know, the ‘P’ [Palestinian] problem,” Jonathan Dekel, the writer, director and executive producer of “Checkout,” said in an interview. “It’s problematic.”
“Checkout” opened Sept. 17 to a sold-out audience at the Quad Cinema in Greenwich Village, which Dekel described as a “stalwart of indie cinema.”
Dekel has said the film’s six-year production was almost as difficult as the journey of its protagonist. They shot in Ukraine in November 2020, at the height of the pandemic, and barely escaped with the film’s hard drive after the set was bombed when Russia invaded. They had just finished editing when Oct. 7, 2023, arrived, and Dekel was called up for military service.
Dekel knew that the movie would debut in a world transformed by the war and its aftermath.
“Trying to find a good time to put out a movie, a satire — a dark comedy about the Israeli special forces — was very, very touch and go until we finally decided to go for it,” he told the Jewish Telegraphic Agency.
“Checkout” is not a conventional spy thriller. Its protagonist, Dov, is an American-born New Yorker who moved to Israel and is now about to retire from the Mossad.
“The day he checks out of his hotel to retire, someone else checks in and it turns out it’s Mossad’s number one target — an arch terrorist [code-]named Gilgamesh,” Dekel said. “The entire movie is this weird weekend in a hotel where these two middle-aged men, spy-versus-spy, try to figure out who they are. They’re trying to find out about each other, but they find themselves.”
Josh Pais, who plays Dov, said his character is a man searching for meaning in his life — and comes to believe he can find it by tracking down and stopping a terrorist.
“He is possibly stepping into delusion,” said Pais. “What was appealing to me was that this is a story of what really happens to spies. So many movies tap into, you know, the James Bond of being a spy. Those movies are awesome, but this movie is about what it’s really like to be sent to a distant land, to be on location and to pretend that you’re someone else. Over a certain amount of time these guys start to lose touch with reality because, in truth, the vast majority of time as a spy nothing happens.”
Shai Satran, the movie’s co-writer, said he believes this is the “perfect moment for a movie about the Israeli intelligence community and an operation gone bad.”
“His driving force is not really to catch that guy — he doesn’t care about that guy. The driving force is to be accepted by his peers, the people who sent him — that’s at the core,” said Satran. “I don’t want to be crude about this, but there was something pre-Oct. 7 about the Israeli security forces, maybe the special forces: There’s a certain arrogance in being only worried about your peers and not being aware of” the wider mission. In the lead-up to the Hamas attacks of Oct. 7, “Israel, in a sense, thought that they were more in control of the situation than they were,” he said
That idea — of intelligence work as something more complicated than heroic missions and exotic adventures — also runs through “Fauda,” though in a much more conventional action-thriller format.
The Israeli series has been an international success since its Netflix debut in 2016, and its fifth season, which arrived on Netflix Sept. 8, is now testing whether audiences will follow its characters into a story shaped directly by and set two years after Oct. 7.
Lior Raz, the show’s creator, co-writer and star, said last month at a fundraiser in Lenox, Massachusetts for Israel’s Magen David Adom emergency service that he was genuinely surprised by the show’s reception in unlikely places: Previous seasons of the show hit No. 1 in popularity in Lebanon and the United Arab Emirates and it was No. 2 in Qatar.
Season four ran in 2022 in Israel and early the next year on Netflix. The show’s creators had originally begun writing a different fifth season. But after the Oct. 7 Hamas attack, Raz said, those scripts were discarded. The new season deals directly with the aftermath of the attack and what Raz described as the nature of revenge. One reviewer called it “gripping, emotionally exhausting and often deeply difficult to watch,” particularly because of its depiction, in flashbacks, of Oct. 7.
Raz, in his MDA talk, said the backlash against Israel was a campaign orchestrated by radical activists and Israel’s enemies. The latest season of “Fauda” is in part an attempt to depict the Israeli perspective for those open to nuance. “I want them to look in my character’s eyes, and to see what we felt on those days,” he told the New York Times. “If it would happen in their countries, they would feel exactly like we felt and how we feel about the world. So I hope it would open people’s eyes to see what happened on Oct. 7.”
Although its reception abroad is hard to gauge, the latest season was a hit in Israel: The Times reported that it had already been the most-watched season of any show in the history of Israel’s Yes network.
Lacking the backing of a streaming giant, Checkout will have to work harder to find an audience. The Sundance Screenwriters Lab supported the “Checkout” script, Dekel said, but that was before Oct. 7. Since then, “finding a distributor, finding a Netflix, Amazon or Hulu was pretty much crickets [silence] all over. It might be our movie, but looking around [at] movies from my colleagues — Israelis — I think it’s pretty much a broad phenomenon.”
Asked if he believed the difficulty he faced was because it is an Israeli movie or because it involved Jews, Dekel replied, “Is there a difference?”
This article originally appeared on JTA.org.
The post ‘Checkout’ and ‘Fauda’ test the appetite for Israeli spy stories after Oct. 7 appeared first on The Forward.
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Netanyahu backs legislation that would strip ‘NAZA’ makers of citizenship
(JTA) — TEL AVIV — Prime Minister Benjamin Netanyahu said he would advance legislation allowing Israel to revoke the citizenship of people who defame soldiers or the state abroad, citing “NAZA,” the prize-winning documentary accusing the military of knowingly killing large numbers of civilians in Gaza.
Netanyahu said Wednesday he also planned to advance a separate bill raising damages in defamation cases involving the IDF or the state to as much as NIS 1 million, equivalent to $329,000.
In addition to the documentary, Netanyahu cited a 2025 remark by Democrats party leader Yair Golan, a former IDF deputy chief of staff, that “a sane country does not kill children as a hobby.” Netanyahu also cited the 2024 leak by then-IDF Military Advocate General Yifat Tomer-Yerushalmi of surveillance footage, which he called “fake,” from the Sde Teiman detention facility that appeared to show reservists abusing a Palestinian detainee.
Netanyahu said the government would target those responsible “both in their pockets and in their citizenship.”
He added, “Their place is not with us.”
Culture Minister Miki Zohar, who had earlier called for the filmmakers’ citizenship to be revoked, thanked Netanyahu for backing the proposal, saying it was “time to put an end to this disgrace.”
But President Isaac Herzog rejected the idea of stripping the filmmakers’ citizenship, telling Channel 12 that it was “completely irrelevant” and had “no chance” of happening. Herzog nevertheless called “NAZA” “a shame and disgrace” and accused those involved in its making of “tarnishing” Israel’s name abroad.
Under current Israeli law, citizenship can be revoked only in narrowly defined cases involving a “breach of loyalty,” such as terrorism, treason or serious espionage, and the process requires court involvement.
The measure has been used only exceptionally, including in 2002 against Nihad Abu Kishak, a senior Hamas operative, and Qais Obeid, who was associated with Hezbollah, and more recently sought against Israelis convicted of assisting Hamas. There is no precedent for revoking citizenship over speech or a work of art.
In 1996, the Supreme Court rejected a petition seeking to force the interior minister to revoke the citizenship of Yigal Amir after he assassinated Prime Minister Yitzhak Rabin the previous year. The court said Israeli society had ample other ways to express its revulsion and that further condemnation did not justify stripping Amir of a fundamental right, writing that the decision was made “not because of the dignity of the murderer … but because of the dignity of the right.”
“NAZA,” directed by Israeli filmmakers Yuval Abraham and Rachel Szor, is based on three years of interviews with 24 anonymous Israeli soldiers, most of them intelligence personnel, who describe their roles in surveillance, target selection and strikes in Gaza. The film argues that expected civilian deaths were routinely calculated in advance and, in some cases, accepted as part of the targeting process, allegations the IDF has rejected.
Lt. Col. (res.) Sarit Zehavi, a former military intelligence officer who was involved in issues of civilian warnings and target approval, disputed the film’s interpretation of “NAZA.” The acronym is Hebrew military term for “collateral damage,” or the civilian casualties that are likely to come in attacking a military target.
Zehavi, who said she had not seen the full film and was responding to its promotional material, told the Jewish Telegraphic Agency the estimate of civilian deaths is used in the planning process as a warning about the number of civilians who could be harmed in a strike.
The IDF has “no intention whatsoever of killing civilians. Quite the opposite,” she told JTA. “The reason a NAZA estimate is put on a target in the first place is to serve as a red flag, so planners can work out how to avoid that high level of collateral damage.”
The IDF initially issued a detailed public rebuttal after the film’s reception in Venice. Chief of Staff Eyal Zamir convened senior commanders and the military advocate general, called the film’s allegations “blood libels” and a “deliberate distortion of reality.” He also ordered an examination of whether classified material had been disclosed and whether legal action could be taken against those involved.
The military separately rejected the film’s account of its targeting practices, saying strike decisions were not made by AI but by human personnel, expected civilian harm was weighed against military advantage, and attacks were not approved when the anticipated harm was disproportionate.
The military later appeared to change course. According to Israel’s Channel 12 news, IDF and Foreign Ministry officials had concluded that the film had generated relatively little attention abroad but that Israel’s aggressive public response to its creators was drawing more scrutiny and prompting claims that the country was trying to silence them. Officials recommended lowering the temperature and focusing instead on rebutting the documentary’s allegations.
“Right now, the aggressive responses coming from the State of Israel are moving the discussion away from the film itself and toward accusations that Israel does not allow freedom of expression,” an IDF official coordinating the response wrote in an internal message obtained by Channel 12. “In light of that, we are lowering our media profile.”
Channel 12 also reported that Israeli diplomats believed the Prime Minister’s Office was “fueling the internal debate around the film for political reasons and as part of an election campaign,” arguing that the government’s attacks were working against Israel’s interests abroad.
The Association for Civil Rights in Israel also criticized the proposed measures, saying the government was entitled to challenge the film’s claims but using state power to threaten its creators or sources was “illegitimate and violated freedom of expression and freedom of the press.” The Committee to Protect Journalists called the citizenship proposal a “dangerous escalation” in efforts to intimidate journalists and filmmakers.
More than 2,000 Israeli film professionals signed a petition supporting Abraham and Szor, warning that the campaign against them was nearing the legitimization of violence. Forty-three Israeli human rights, equality and peace organizations — including B’Tselem, Peace Now, Adalah, Physicians for Human Rights Israel and Breaking the Silence — also urged authorities to avoid prosecuting the filmmakers or their sources. Prominent international filmmakers and festival leaders joined their defense.
This article originally appeared on JTA.org.
The post Netanyahu backs legislation that would strip ‘NAZA’ makers of citizenship appeared first on The Forward.
