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Meet the real Jewish Republican of color being floated to replace George Santos, the fake one
(JTA) — Last Friday, as George Santos completed his second week in Congress, Mazi Melesa Pilip was contemplating the relief Shabbat would bring — and also the sting of the betrayal she felt by her fellow Long Island lawmaker.
Among the welter of falsehoods that Santos scattered throughout the byways of the Great Neck area in northern Long Island he and Pilip both represent — Santos in Congress, Pilip as a Nassau County legislator — Santos has pitched himself as a Jewish and Black Republican who overcame hardship to earn multiple degrees.
All lies, but as it happens those descriptors apply to Pilip, an Ethiopian Jew who won’t count out a run for Congress if Santos ever accedes to demands, including from fellow Republicans, to resign. (Santos says he intends to serve out his two-year term.)
“I’m not going to lie to you, people are definitely asking me to run,” she told the Jewish Telegraphic Agency in an interview as she drove while shopping for Shabbat. “That doesn’t mean nothing.”
Pilip said her journey into American politics was propelled by her experience advocating for fellow Ethiopian immigrants in Israel — where she moved as a child through the Operation Solomon airlift and lived until marrying her American husband — and by her children’s experience with antisemitism in their Long Island schools.
“I am a strong believer, if you see something’s not working well for your community, or for yourself, you have to be involved,” she said. “You can’t just complain from outside.”
A Politico reporter, Olivia Beavers, reported on Twitter last week that Pilip was one of two Republicans the Nassau County Party is considering running should Santos step down. (The other is Jack Martins, a state senator; both he and Pilip ousted Democrats in a recent Republican sweep of Nassau County.)
Right now, Pilip said, she is focusing on serving her constituents through the Nassau County legislature. Any decision about replacing Santos, she said, is up to Joseph Cairo, the GOP chairman in Nassau County.
“The only person who can make a decision on who’s going to run will be the chairman,” Pilip said. “Time will show — it’s too early to say anything to be honest. I will continue to serve my residents and I love serving the people. I want to be a voice for the people, and anything I can do to help more people, I will definitely consider it.”
Cairo has not said yet who he would like to run to replace Santos, but two things are clear: He wants Santos to go, and he likes Pilip, a lot.
Cairo convened a press conference last week of leading Nassau County Republicans calling on Santos to step down because of the multiple lies he told while running and because he faces multiple criminal investigations. In unrelenting reporting since last month, reporters have detailed how Santos lied about his education, his job experience, his charitable giving and his family background.
“Today, on behalf of the Nassau County Republican Committee, I’m calling for his immediate resignation,” Cairo said at the press conference.
Cairo had led an effort to diversify GOP candidates on the island, and a year ago, at Pilip’s swearing-in ceremony, he explained why: He was an Italian American whose parents favored Republican ideals but felt unwelcome in the GOP until they helped integrate it themselves, in New Jersey and then on Long Island. It had become his mission to bring more minority candidates into the fold, and he recruited several of them to run in the 2021 local elections.
Pedram Bal, a Persian Jew and the mayor of Great Neck, told Cairo he should look at Pilip, an Ethiopian-Jewish immigrant who was active in efforts to revitalize Great Neck, and who had been vice president of her synagogue, Kol Yisrael Achim. It was an easy sell, Cairo said, and it paid off.
“An Orthodox Jewish woman, a religious refugee from Ethiopia is elected as a Republican to the Nassau County legislature!” he marveled at the inauguration.
Of the many lies Santos has told about himself, the Nassau County Republicans at the press conference seemed especially offended by his claims of descent from Holocaust survivors.
“For him to make up this story, that his parents were Holocaust survivors is beyond the pale. It is simply tragic and outrageous, and disgusting,” said Bruce Blakeman, the Nassau County executive who is the first Jew elected to the position. “He is a stain on the House of Representatives. He’s a stain on the Third Congressional District.”
Pilip calls for the prosecution of the alleged assailant in the violent attack on a Jewish New Yorker in 2021, at a press conference, in Mineola, N.Y., Jan. 29, 2023. (Office of Mazi Melesa Pilip)
Jewish Republicans have been at pains to call on Santos to quit: The Republican Jewish Coalition said he will not be welcome at its events. With much fanfare, the RJC had presented Santos and Max Miller, a freshman Republican from Ohio, as the next generation of Republican Jewish leaders at its annual conference in Las Vegas in November. Miller last week also called on Santos to resign, saying in a statement that Santos sought to “benefit from the murder of millions of Jewish people.”
When Pilip spoke at the press conference, she did not address his lies about his heritage. “I’m also paying for the lies told by Congressman George Santos,” she said. “People trusted him, people campaigned for him, including me, as a county legislator. At this point, the trust is no longer there. Therefore, he should resign.”
In her interview with the Jewish Telegraphic Agency, Pilip said she found the fact of Santos’s compulsive lying more offensive than the lies themselves, including about his heritage. She had put her reputation on the line campaigning for him last year.
“I trusted him and I told people to vote for him. I campaigned with him. And so when you do something like this, and then keep every day there’s something new coming about him,” she said. “It’s making you feel uncomfortable because people asking, you know, what’s, what’s going on, Mazi, what happened with this guy?”
Pilip campaigning for the legislative seat in 2021 had bonded with her constituents. Speaking to local media she described how much she enjoyed the hustle of campaigning.
“I was going from synagogue to synagogue, bringing out the vote,” she told Five Towns Jewish Home last year.
“Sometimes I would leave Friday night to go to a shul and I would sleep at someone’s house on Friday night because I’m shomer Shabbat and I couldn’t walk back home,” she told the local magazine for Orthodox Jews. “And then I would go to another synagogue the next day, on Shabbat, to spend time there and talk to people. Only when Shabbat was over would I go home. I did this for two months. It was intense but it was worth it. I met a lot of people. I would go to train stations and park events — any event, large or small, I was there.”
She became a local celebrity, giving birth to twin daughters — her sixth and seventh children — just weeks before the election.
Pilipl, 43, said in her interview with JTA that her involvement in politics was almost inevitable, after she had migrated to Israel on Operation Solomon, the 1991 airlift, when she was 12.
“I have always been very active, even as a child in Israel,” advocating for the opportunities she saw that Israelis just a few years older than her were enjoying. Over her father’s objections, she enlisted in the paratroop division of the Israel Defense Forces (she says he is now proud of her service). While at university, she led the Ethiopian Student Union for two years. She has a degree in occupational therapy from the University of Haifa and a degree in diplomacy and security from Tel Aviv University.
“I was a voice of so many young kids who wanted equal opportunity and really my main focus was especially education, because I do believe through education, you can achieve a lot and you can integrate into the society,” she said. “So we were encouraging younger-generation [Ethiopian immigrants] my age to go to higher education. Because we came, you know, from nothing, and we came without any education.”
She met her husband, an American medical student at the Technion, while she was at the University of Haifa. They moved to the United States, where she became active speaking about Israel for Jewish federations and other Jewish groups. Her Instagram handle couples the U.S. and Israeli flags. Her husband, Adalbert, who was born in Ukraine, and whose mother is the child of Holocaust survivors, was especially offended by Santos’s Holocaust lies, Pilip said.
“Why would you use this painful history and create something like this and tell people that his grandparents survived just for the political benefit of it?” she said.
Pilip said her political interests were revived two years ago when her oldest son was preparing for bar mitzvah and he told her about antisemitic comments he endured from a classmate in the Great Neck Public Schools system. “He said, ‘Mom, you know, this child told me, I wish Hitler would kill you all,’” she recalled. She said that perhaps the child had been bullied, and was acting out against others, but it rattled her that he was resorting to antisemitism. “That a 12-year-old child would talk like this? It’s bad.”
So when Bal, the Great Neck mayor, approached her about running for elected office, she was game.
She campaigned on reviving Great Neck’s downtown, but also acting as a bridge in troubled times among the multiple minority communities in the area.
“Promoting understanding, education of cultures, religions and systemic hate has to be addressed from our young people on up,” she said in a candidate’s statement before her election.
Last Friday, however, she was looking forward to a little respite from the Santos follies.
“I’m going to pick up a couple of things from the grocery,” she said “I have to cook for my kids for Shabbat. Shabbat is starting early. So I think I’ll just spend time with my family, my kids. Just a very relaxing time.”
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The post Meet the real Jewish Republican of color being floated to replace George Santos, the fake one appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”