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Meet the real-life rabbi in the synagogue scene of ‘Are You There God? It’s Me, Margaret’
(JTA) — Rabbi Michael Wolk was nervous when he stepped foot onto his synagogue’s bimah in May 2021 — but not because his congregation was returning to in-person prayer after a pandemic pause.
The jitters were because he was about to debut as an actor, in a role for which he hadn’t auditioned: as the rabbi in “Are You There God? It’s Me, Margaret,” which debuted in theaters on Friday.
Wolk was initially brought on as a consultant for the synagogue scene in the film adaptation of Judy Blume’s classic coming-of-age novel, published in 1970 — more than a decade before he was born. He was elevated to on-screen talent when the original actor for the role of Rabbi Kellerman left the project.
“They called me that night and said he doesn’t feel that he can do it — would I be willing to play the rabbi?” Wolk told the Jewish Telegraphic Agency. He said yes.
The story centers on a sixth-grader, Margaret (played by Abby Ryder Fortson), who has a Christian mother and Jewish father who have raised her in neither tradition. As part of Margaret’s grappling with her anxiety about growing up, she embarks on an effort to explore religion and visits a synagogue with her grandmother Sylvia, portrayed by Kathy Bates, who is pushing her to identify with Judaism.
Abby Ryder Fortson as Margaret Simon in “Are You There God? It’s Me, Margaret” with Kathy Bates as Sylvia Simon, her Jewish grandmother. (Dana Hawley/LionsGate Publicity)
In the story, Margaret and her family live in New Jersey, but the filming took place in Charlotte, North Carolina, where Wolk has been the rabbi of Temple Israel, a Conservative synagogue, since 2020. (That year, the synagogue petitioned to have its name removed from a local memorial to Judah Benjamin, the Confederacy’s most prominent Jew.) A Long Island native, he came to the synagogue from a pulpit in Louisville, Kentucky.
The film’s producers asked Wolk to prepare what he referred to as a “sermonette” and to stand in the prayer leader’s traditional spot on the bimah in Temple Israel’s sanctuary, surrounded by stained glass. Some of his congregants sat in the pews as extras, which Wolk recalled as a breakthrough moment for Temple Israel, coming a year into the pandemic.
“It was my first time being in the room, being on the bimah with the people in the congregation,” he said. “Even little things like that moment of people responding ‘Shabbat shalom’ when I said it to them, there was something very moving about that.”
But the moment was hardly a typical Shabbat service. For one thing, it was a weekday. For another, Wolk was wearing a black robe, commonly worn by Conservative rabbis and cantors in the mid-20th century but not in fashion today. And his sermon was interrupted repeatedly.
Margaret, the main character in “Are You There God? It’s Me, Margaret,” prays by herself as she searches for meaning in her life. (Screenshot from YouTube)
“It did not feel like I was leading a service at any given time because they would have me say ‘Shabbat shalom’ 100 times and have the people and the extras in the room respond ‘Shabbat Shalom’ over and over again,” Wolk said.
The synagogue scene, which is just a few minutes long, took 14 hours to film.
Besides the rabbi’s attire, there are a few differences between the American Jewish world of “Are You There God? It’s Me, Margaret” in the 1960s and 1970s and the one today. The film has a female cantor, which wouldn’t have been the case at the time the movie takes place. While the book and movie don’t specify which movement of Judaism the synagogue Margaret visits belongs to, women weren’t ordained in the Reform movement until 1972 and in the Conservative movement until 1985.
“I did point that out and they were interested in representation,” Wolk said. “And that doesn’t bother me that much, but I know that it’s historically inaccurate.”
There are some other continuity issues with the scene: The actors used the prayer books in Temple Israel’s sanctuary, which were only published in the last decade. While the congregation is well over a century old, its current building wasn’t constructed until 1992. And, Wolk confessed, he is wearing an Apple watch, though it is obscured by his robe.
But also, he said, norms around interfaith families like Margaret’s have changed over the decades. In the United States, Jews who married before 1970 married non-Jews 17% of the time, according to a 2013 population study; now, that number is well over 50%. But contrary to what some feared, many of those interfaith couples are raising their children at least in part with Judaism. Their synagogues have adjusted accordingly.
“At the point when the book was written, there was no expectation that an interfaith family would want to participate in the religious life and Jewish life of a synagogue,” Wolk said. “And we know that’s not true right now. We have any number of interfaith families who are active and involved in Temple Israel.”
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The post Meet the real-life rabbi in the synagogue scene of ‘Are You There God? It’s Me, Margaret’ appeared first on Jewish Telegraphic Agency.
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How Mussolini’s Jewish lover changed Fascist art and design
Not even 70 years after Italy unified, Benito Mussolini’s staged march on Rome so unnerved the government that King Victor Emmanuel III named him prime minister, opening the door to Fascist rule. “And so then began the task of selling Italy: at home, abroad, and as an idea in itself,” according to “The Future Was Then: The Changing Face of Fascist Italy.”
Now on view at Manhattan’s Poster House, the exhibition examines the intersection of propaganda and art in Mussolini’s Italy. Featuring 75 works on loan from the Fondazione Massimo e Sonia Cirulli in Bologna and curated by photographic artist and author B.A. Van Sise, the show explores how the regime used bold design, vivid color and modernist imagery to shape the nation’s self-image and fuel the Futurist movement.

But beyond the bombast, the sleek typefaces and arresting compositions lies a deeper, more complicated story. At its heart is Mussolini’s longtime lover and muse, Margherita Sarfatti, a Venetian Jew whose aesthetic sensibilities helped define the visual language of Italian Fascism.
“It’s not a Jewish show, though a person could argue it has a huge Jewish element since everything goes back to Margherita Sarfatti, who’s as Jewish as they come,” Van Sise said. “Fundamentally, Sarfatti’s the core of the show. The entire Italian art establishment changes gears because Mussolini’s girlfriend likes Futurism.”
Born in 1880 into a wealthy Jewish family, Sarfatti became a journalist, art critic and socialite who served as Mussolini’s adviser, biographer and cultural strategist. She funded Il Popolo d’Italia and was, as the exhibition text notes, “the uncrowned queen of Italy.”
“Think Gertrude Stein with better couture,” Van Sise said. “Every single thing in this show exists because of her — the Duce’s girlfriend adored Futurist art, and her taste dictated the direction of Italy’s visual culture. Artists and movements jumped ship to follow her lead, obeying in advance.”
Her influence is evident in pieces such as Marcello Dudovich’s 1936 poster “Esposizione Rhodia Albene alla Rinascente,” which depicts two elegantly dressed women striding in lockstep, evoking Sarfatti’s emphasis on fashion, modernity and movement.
The exhibit unfolds in three sections — “Italy as an Idea,” “Italy at Home,” and “Italy in the World” — each highlighting how Italian identity was constructed through imagery that linked domestic life, political messaging, and global ambition.
“Cioccolato Ali d’Italia,” a poster from 1931, depicts a sleek silver aircraft soaring across the page. Created to commemorate Minister of Aviation Italo Balbo’s transatlantic flights to South America, the image showcases Italy’s growing aviation prowess. A small rendering of Columbus’ ship tucked in the corner underscores the regime’s imperial aspirations.
The 1933 “Ardita Fiat” poster highlights the introduction of the Fiat Ardita, a streamlined, torpedo-shaped car whose name, which means “the daring one,” embodied Fascist vigor. In it a woman sits behind the wheel, her white gloves and black fez hat mirroring those worn by the Arditi, Italy’s elite assault troops.
Van Sise said it was essential to acknowledge the significant, though often overlooked, role Italian Jews played in Fascism’s early years. Among them were Gino Arias, an economist who addressed the National Fascist Party shortly before it seized power in 1922; Elisa Majer Rizzoli, who led the party’s women’s wing; and Guido Jung, an Orthodox Jew who served as finance minister.
“It was really important to include the Jewish history of the Italian Fascist period because it’s partly my own,” Van Sise said. “My family were Tunisian and Libyan Jews who came to Italy, and some branches were old-line Italian families — there for centuries, if not a millennium.”
Eventually Jews were targeted in Italy. By 1938 Mussolini had enacted racial laws, forcing thousands of Jews, including Sarfatti and Van Sise’s grandfather, to flee. Sarfatti spent her exile in Switzerland, Argentina, and Uruguay before returning after the war, only to learn her sister was among the more than seven thousand Italian Jews murdered in the Holocaust.
Van Sise’s grandfather also returned, before the war’s end, and joined the partisans.
He provides the exhibition’s stark coda: a small black-and-white photograph showing the corpses of Mussolini and others hanging by their heels in Milan’s Piazzale Loreto. The photographer was Van Sise’s grandfather.
“It’s a brutal image,” Van Sise said. “But it brings the story full circle — art, politics and identity collapsing into history itself.”
“The Future Was Then: The Changing Face of Fascist Italy” runs through Feb. 22 at the Poster House.
The post How Mussolini’s Jewish lover changed Fascist art and design appeared first on The Forward.
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Berlin to Lift Suspension of Israel Weapons Sales, but Says Ceasefire Must Hold
A German and Israeli flag fly, on the day Chancellor Friedrich Merz meets with Israeli President Isaac Herzog for talks, in Berlin, Germany, May 12, 2025. Photo: REUTERS/Liesa Johannssen
Germany on Monday moved to resume weapons sales to Israel that had been suspended since August over the war in Gaza, but said the decision is subject to the observance of the ceasefire and the large-scale provision of humanitarian aid.
Germany, the second-largest exporter of arms to Israel after the United States, announced a suspension of some arms exports to Israel in August, amid mounting popular pressure over the war.
The decision affected weapons and systems that could be used in Gaza but not others deemed necessary for Israel to defend itself from external attacks.
Berlin will lift the suspension order on Nov. 24 and return to a case-by-case review of arms exports to Israel, while continuing to monitor the developments on the ground, a German government spokesperson said on Monday.
HUMANITARIAN AID MUST CONTINUE ‘ON A LARGE SCALE’
The ceasefire between Israel and Hamas “is the basis for this decision, and we expect everyone to abide by the agreements that have been made – that includes maintaining the ceasefire,” a second government spokesperson said.
“It also means that humanitarian aid is provided on a large scale and that the process continues in an orderly manner, as agreed,” the spokesperson added.
Germany remains committed to supporting a lasting peace between Israel and the Palestinians on the basis of a two-state solution and would continue to engage in supporting reconstruction in Gaza, the spokesperson said.
Germany is one of Israel‘s staunchest supporters, in part because of historical guilt for the Nazi Holocaust – a policy known as the “Staatsraison.”
German Chancellor Friedrich Merz came under massive criticism from his own conservatives for the decision to partially suspend the deliveries, which he said was in response to Israel‘s plan at the time to expand operations in Gaza.
According to the Stockholm International Peace Research Institute, Germany provided 30 percent of Israel‘s major arms imports in 2019-2023, primarily naval equipment including Sa’ar 6-class frigates (MEKO A-100 Light Frigates), which were used in the Gaza war.
ISRAEL CALLS ON OTHERS TO FOLLOW
Israeli Foreign Minister Gideon Saar on X lauded Germany for its decision to lift the order.
“I call on other governments to adopt similar decisions, following Germany,” he wrote.
German Foreign Minister Johann Wadephul said the decision, in which his ministry was closely involved, was “responsible and correct” and that the ceasefire appeared to be sustainable.
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Britain to Overhaul Asylum System With Review of Human Rights Laws and Refugee Status
French gendarmes on a boat approach a group of migrants travelling on an inflatable dinghy leaving the coast of northern France in an attempt to cross the English Channel to reach Britain, from the beach of Petit-Fort-Philippe in Gravelines, near Calais, France, Aug. 25, 2025. REUTERS/Hannah McKay
Britain will set out an overhaul of its asylum system on Monday, making refugee status temporary and reinterpreting human rights laws to make it easier to deport migrants who arrive illegally, in bids to stem the rise of the populist Reform UK party.
Interior minister Shabana Mahmood will outline changes to how the European Convention on Human Rights (ECHR) should be interpreted by UK courts to give the government greater control over who can remain in Britain.
“These reforms will block endless appeals, stop last-minute claims and scale up removals of those with no right to be here,” Prime Minister Keir Starmer, a former human rights lawyer, said in a statement.
In what the center-left Labour government says is the most sweeping asylum policy overhaul of modern times, Mahmood will announce changes that include quadrupling to 20 years the time refugees will have to wait to settle permanently.
The government also threatened visa bans on Angola, Namibia, and the Democratic Republic of Congo unless those countries accepted the return of illegal migrants and criminals.
GOVERNMENT SETS OUT TOUGHER STANCE ON ASYLUM
Immigration has become the most important issue for voters in recent months, with those arriving in small boats from France the most visible sign of illegal arrivals. The issue has helped propel Reform UK, led by veteran anti-EU campaigner Nigel Farage, into a commanding opinion poll lead.
Zia Yusuf, a senior member of Reform, said the public were sick of being told there was no way to prevent people from arriving illegally on beaches, but said existing laws and likely opposition from Starmer’s lawmakers meant Mahmood’s proposed changes were unlikely to ever happen.
Tony Vaughan, a Labour lawmaker and senior lawyer, was one of the first to publicly criticize the proposals, adding the rhetoric would encourage “the same culture of divisiveness that sees racism and abuse growing in our communities.”
In the year to the end of March, 109,343 people claimed asylum in Britain, up 17 percent on the previous 12 months. Still, fewer people claim asylum in Britain than in its EU peers France, Germany, Italy, or Spain.
Most migrants arrive legally. Net migration reached a record high of 906,000 in the year to June 2023, before it fell to 431,000 in 2024, partly reflecting tighter rules.
MAHMOOD WARNS DARK FORCES AT PLAY ON MIGRATION
Mahmood said Britain had always been a tolerant and welcoming country to refugees, and she realized that her proposals might receive backlash from some in her own party, who said that it was wrong to deport people recognized as refugees.
But she said an asylum system prone to abuse was allowing “dark forces” to stir up anger, such as protests outside hotels housing migrants.
“Unless we act, we risk losing popular consent for having an asylum system at all,” Mahmood, whose parents moved to Britain from Pakistan in the late 1960s and 1970s, wrote in the Guardian newspaper.
“A country without secure borders is a less safe country for those who look like me.”
Under her proposals, the government wants to change the interpretation of Article 8 of the ECHR, governing the right to a family life. It would make clear that a family connection means immediate family, such as a parent or child, preventing people from “using dubious connections to stay in the UK.”
It added that Britain would also work with like-minded countries to review the application of Article 3, which prohibits torture. It argued that the “definition of ‘inhuman and degrading treatment’ has expanded beyond what is reasonable,” making it too easy to challenge deportations.
The changes stop short of leaving the ECHR altogether, as Reform and the Conservative Party have advocated. But human rights charities still lamented the moves.
Sile Reynolds, Head of Asylum Advocacy at Freedom from Torture, said the rules would “punish people who’ve already lost everything,” adding this is “not who we are as a country.”
Polls suggest the country is divided on the issue. However, a YouGov survey in August found 45 percent of Britons would support admitting no more new migrants and requiring large numbers who had arrived in recent years to leave.
“I can understand why there’s been protests,” Jenny Fenwick, 56, a personal assistant, told Reuters at London’s Charing Cross train station. “I think asylum seekers come here because they know that they’re going to get given accommodation, money, you know, a good life.”
