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Meir Shalev and Yehonatan Geffen were Israeli cultural royalty. Their deaths leave a hole on the left.
(JTA) — Over the last few months, since the far-right government announced its plans for an overarching constitutional overhaul, Israel’s embattled liberal camp has experienced a renaissance. Unprecedented mobilization on the part of protesting masses, business leaders and the IDF vanguard has left the government in disarray and, in the wake of a seemingly endless string of electoral defeats, invigorated the left to an extent that it had not seen since the 1990s. The left may be dead, but it is not quite buried yet.
But amid this process of rejuvenation and weeks before Israel celebrated its 75th anniversary, the Israeli left experienced two symbolic blows in ironic proximity when two cultural titans died within days of each other.
Meir Shalev, an eminent novelist, and Yehonatan Geffen, an incredibly prolific journalist, author and songwriter, were also prominent public intellectuals. Both had spent decades dabbling in current affairs as columnists for the mass-circulation dailies Yedioth Aharonoth and Maariv, respectively.
Shalev was 74 when he died on April 11. Geffen, who died on April 19, was 76.
The symbolism did not stop at their premature and almost simultaneous passing. It was, rather, the final chapter of two lives that also began in great proximity: Shalev and Geffen were born a little over a year apart in the agricultural community of Nahalal, the Camelot of the Labor Zionism movement. Both were descendants of Zionist aristocracy: Shalev’s father was the Jerusalemite author and educator Yithzak Shalev, and Geffen’s maternal uncle the legendary general-turned-politician Moshe Dayan. Like many of their cohort, they were groomed for the driving seat of the newborn State of Israel.
Their formidable life’s work, thus, was largely an ongoing attempt to deal with the burden bestowed upon them by their pedigrees. And this is where they differ, despite the eerie similarities in their biographies.
Many of Shalev’s novels, especially the earlier ones, were loving tributes to his lineage. They included “A Pigeon and A Boy,” which is set during the War of Independence and won the National Jewish Book Award in 2006, and “The Blue Mountain,” set on a moshav (an agricultural cooperative) shortly before the founding of Israel. Though never overly sentimental and always strewn with a heavy dose of irony, Shalev’s writings were adoring accounts of a bygone generation, complete with their shtick and quirks and foibles. His protagonists were shrouded in a certain mythology, which Shalev did not labor to deconstruct entirely; he was just attempting to humanize and bring them down to earth.
But while Shalev looked up to his parents’ generation, Geffen blew a raspberry in their faces. He was part of a tight cohort of musicians and artists who grew up in Israel post-independence — a tribe that included David Broza, Arik Einstein, Gidi Gov, Shalom Hanoch and Yehudit Ravitz, all household names in Israel. Geffen’s song “Could It Be Over?”, featured on Arik Einstein’s 1973 album sporting the deliberately ironic title “Good Old Israel,” exemplifies the challenging relationship. From the opening line (“They say it was fun before I was born, and everything was just splendid until I arrived”), the song is a mischievous and self-deprecating take on Israel’s founding myths. Enumerating them one by one — the draining of the swamps, the heroic battles for Jewish sovereignty, the nascent Hebrew culture in the pre-state Yishuv — Geffen sarcastically concludes: “They had a reason to get up in the morning.”
More broadly, Geffen was bent on smashing every aspect of the Zionist ethos. In defiance of the image of the Hebrew warrior, of which his uncle Moshe was the poster boy, Geffen was an adamant pacifist as well as, famously, a very bad soldier himself. Having been called for reserve service during the first Lebanon War, in 1982, he was performing for soldiers ahead of the IDF offensive on Beirut when he was dragged off stage by the commanding officer for calling on the troops to refuse. His song “The Little Prince of Company B” (sung by Shem-Tov Levy), about a timid and frail fallen soldier praised as a hero against his will, was one of the first and best-remembered anti-war songs in the Hebrew canon.
Geffen’s counterculture instincts were informed by his great American heroes — notably the Jewish iconoclasts Bob Dylan and Lenny Bruce — and this admiration was in itself a jab at his upbringing, characterized by vain parochialism masquerading as self-sufficiency. Geffen felt more at home in New York (where he spent several years) and Tel Aviv than in the fields of the Jezreel Valley; his tools were not a sickle and a plow, but rather a pack of cigarettes and a bottle of whisky.
Shalev, in his political writing, also advocated for left-of-center politics that is sometimes derisively described as “Ashkenazi”: moderate, civil, Western in its orientation, calling to rally around a common good — a type of political discourse that, as recent events show, speaks to fewer and fewer Israelis. “The Israeli public is moving more and more to the right. The war in 1967 may have destroyed Israel,” he told an interviewer in 2017. “We took a big bite that is now suffocating us. All Israel has done since 1967 is deal with aspects of the occupation. Israel has not been dealing with the things I feel it should deal with. With my political views, I am a minority in Israel.”
Shalev was a pastor of sorts; Geffen was sometimes a Jeremiah and sometimes a court jester, and often both.
They were representatives of two distinct streams within the traditionally fragmented Israeli left; the very same left that, despite the current resurgence, seems too often to have more streams than members.
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Contributor to Drop Site News Says Israelis Should ‘Be Removed From Our Planet’
Abubaker Abed reporting from Gaza. Photo: Screenshot
Abubaker Abed, a self-described Palestinian journalist and contributor to the far-left news outlet Drop Site News, has come under intense scrutiny following the circulation of social media posts in which he called for the “wiping out” of Israel and said that Israelis “mustn’t feel safe.”
The remarks, which quickly spread across multiple online platforms, have prompted widespread condemnation and renewed skepticism over the credibility and coverage of Drop Site News, a controversial publication fiercely critical of Israel and US foreign policy in the Middle East.
“Wiping out Israel off the planet is not enough revenge. Israelis mustn’t feel safe anymore. Haunt them and go after them where they go. These terrorist parasites must be removed from our planet,” Abed posted on an Instagram story.
Drop Site co-founder Ryan Grim responded to the incident by clarifying that Abed’s comments do not reflect the editorial position or institutional stance of his publication. Grim, a far-left investigative reporter who has repeatedly accused Israel of committing “genocide” in Gaza, did not condemn the statements by Abed.
“We also are never going to police the language of anyone who survived a genocide,” Grim posted on X.
Abed, a social media influencer from Gaza who evacuated to Ireland during the Israel-Hamas war, has previously suggested that attacks on Jewish institutions might be justified if they signal support for Israel.
Following the recent attack on the Temple Beth Israel Synagogue in Michigan, Abed resurfaced a photo from the synagogue featuring an Israel soldier. Abed wrote that the attempted mass casualty event was justified because the assailant defended himself.
“A person is not criminally responsible if they act reasonably to defend themselves against an imminent and unlawful use of force,” Abed wrote in a since-deleted post on X. “Israel murdered his relatives and is illegally bombing and invading his country.”
The FBI said last week that the attack on the largest Jewish temple in Michigan was an “act of terrorism” inspired by Hezbollah, the Iran-backed Lebanese terrorist group committed to Israel’s destruction.
Drop Site, a new media organization which debuted in July 2024, has found itself under immense criticism over its coverage of the Israeli-Palestinian conflict and the broader Middle East. The outlet has consistently characterized Israel as a “genocidal” aggressor stoking chaos and violence throughout the region.
Meanwhile, Drop Site depicts internationally recognized terrorist groups such as Hamas, Hezbollah, and the Houthis in a far more favorable light. Drop Site lead reporter Jeremy Scahill routinely refers to Hamas as “the resistance” and has given softball interviews to Hamas leaders.
Drop Site has also defended the Iranian regime from accusations of terrorism, asserting that Tehran’s goals “center on national sovereignty.” The site contends that Iran has “sought to project influence regionally through allied governments and forces (Hezbollah, Hamas, Houthi, Iraqi Militants, etc.) what’s often called the ‘Axis of Resistance.’”
Some observers have raised alarm bells over the outlet’s growing popularity among establishment mainstream liberals. Ben Rhodes, a former Obama administration official and co-host of the popular “Pod Save America” podcast, has praised the outlet on his social media profile and confirmed he is a subscriber.
Drop Site’s expanding influence does not seem to be confined to left-wing or liberal ideological circles. Right-wing media personality Mike Cernovich contended on X that young conservatives are increasingly reading Drop Site “for Israel news.” Joe Kent, the former director of the US National Counterterrorism Center, over the weekend reposted a Drop Site article pushing Iranian regime propaganda falsely claiming the US was actually trying to kill a downed American airman — just hours before he was dramatically rescued.
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Frankfurt cinema declines to participate in Jewish film festival, spurring backlash
(JTA) — A Frankfurt cinema’s decision not to participate in the local Jewish film festival is spurring allegations of antisemitism, even as its manager says the move was financial.
The Jewish Community of Frankfurt announced last week that the Astor Film Lounge did not wish to host movies during Jewish Film Days this year. The cinema, it said, had cited its workers’ reluctance to staff movies that are part of the biennial festival, as well as concerns about the security required to host Jewish events.
“The decision unequivocally signifies that Jewish life, Jewish people, and a Jewish media presence are no longer welcome at the Astor Film Lounge,” the community said in a statement.
“This line of reasoning is not only disappointing, but sends a devastating societal signal: If Jewish life and Jewish presence are suppressed out of fear of potential reactions, then this effectively amounts to a capitulation to antisemitic pressure,” the statement continued. “The fact that Jewish life can only take place under police protection is already shameful. That this necessity for police protection is now being used as a pretext to completely prevent Jewish events is a scandal.”
But the cinema’s managing director, Tom Flebbe, contested the Jewish Community of Frankfurt’s interpretation of events. In a statement cited in a leading local newspaper, he said the theater had withdrawn this year for economic reasons, as only 40 to 50 guests had come to screenings last year.
Flebbe said a lower-level manager had made unauthorized and inaccurate remarks about security concerns.
“Economic viability is a legitimate and necessary basis for business decisions — regardless of the thematic context of an event,” Flebbe said, adding that other joint projects with the Jewish community will continue as planned.
“The ASTOR Film Lounge MyZeil views Jewish life as a natural and welcome part of this society,” the statement concluded. “The decision against participating in the 2026 Jewish Film Days is not against Jewish people, Jewish culture, or Jewish presence. It is the result of a careful consideration of economic factors. We regret that our reasoning has been interpreted in this way and stand by our decision.”
During the 2024 festival, a half-dozen venues hosted screenings as part of Jewish Film Days. The Astor Film Lounge hosted one screening, of the film “March ’68,” a love story set during the Polish government’s antisemitic campaign following Israel’s Six-Day War.
Film festivals have emerged as a frontier for tensions over Israel and antisemitism. Germany’s largest film festival, the Berlinale, was roiled by tensions this year as its jury head fended off calls to criticize Israel. A major Toronto film festival, meanwhile, ruffled feathers last year by first canceling and then screening a documentary about the Oct. 7 attack on Israel. And a Jewish film festival was canceled in Malmo, Sweden, last year because too few cinemas would agree to show movies for it.
Flebbe’s explanation for why Astor Film Lounge would not participate in this year’s Jewish Film Days did not satisfy everyone who heard it. The Berlin-based German-Jewish Values Initiative, a non-partisan think tank, in an open letter called the economic justification a “mere pretext.”
“To the best of our knowledge, the Jewish Community of Frankfurt was prepared to guarantee a minimum revenue” for the film festival, the letter said. By apparently giving in to “threats and antisemitic pressure,” it added, the cinema has capitulated “to the very forces seeking to drive Jews out of the public sphere.”
The post Frankfurt cinema declines to participate in Jewish film festival, spurring backlash appeared first on The Forward.
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Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest
(JTA) — Israeli and Serbian officials are denouncing antisemitic comments made by demonstrators during a clash between Serbian students and police at a protest last week.
“Death to Vučić and all the Jews around him,” one protester said in a televised interview, referring to Serbian President Aleksandar Vučić. “Long live Serbia.”
The protest last Tuesday marked the latest flashpoint in a series of anti-government protests that have erupted across the country over the past year after 16 people died in an accident at a railway station in November 2024. Hundreds of students participated in the protest, which came as Serbian police searched the offices of the University of Belgrade as part of an investigation into the death of a female student. The school’s leadership claimed that the investigation was an “attack on the university” for its support for the student-led protest movement.
Serbia and Israel first established diplomatic relations in 1948, and Vučić told the Jerusalem Post last year that the country “will always appreciate, respect, and like the Jewish people and Israel.”
Nemanja Starović, the Serbian minister of European integration and the chair of Serbia’s delegation to the International Holocaust Remembrance Alliance, called on the protest leaders to “unambiguously condemn these antisemitic incidents and to immediately remove all antisemitic messages and slogans from university premises.”
“On multiple occasions over the past months, we have warned about the widespread antisemitic ideology within the so-called blockade movement at universities in Serbia,” Starović wrote in a post on X. “Ignoring this dangerous threat has allowed it to escalate into open calls for murder, which now appear as a logical and inevitable outcome.”
The Israeli Foreign Ministry condemned the demonstrator’s comments in a post on X.
“Israel strongly condemns the reprehensible antisemitic calls made yesterday in Belgrade,” the post read. “Israel appreciates the Serbian government’s immediate condemnation of these calls and its firm and consistent stance in the fight against antisemitism.”
Efraim Zuroff, the director of the Israel Office and Eastern European Affairs for the Simon Wiesenthal Center in Jerusalem, also condemned the antisemitic rhetoric in a Times of Israel op-ed.
“One gets the impression that this is a politically motivated to harm President Aleksandar Vučić, who has close ties with the State of Israel, key Jewish organizations such as AIPAC and the Serbian Jewish community,” Zuroff wrote. “That is completely unacceptable! If these things are not stopped, they will end up in dangerous violence, and therefore cannot be ignored.”
The controversy over the protest comes as antisemitism has surged in Europe in recent years. Last September, Serbia arrested 11 individuals accused of perpetrating hate-motivated acts in France and Germany, including throwing green paint on the Holocaust Museum, several synagogues and a Jewish restaurant in Paris.
The post Israeli, Serbian leaders denounce antisemitic statements at Belgrade protest appeared first on The Forward.