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My grandmother was a ‘Sherlock Holmes of Yiddish song,’ but she couldn’t solve the mystery of antisemitism
(JTA) — When I was younger, my family sang Yiddish songs at almost every holiday and gathering.
Funny songs, sad songs, songs about love, about the Holocaust, about hunger, about labor and resistance — the usual Yiddish fare. My Bubby, Chana Mlotek, a Yiddish archivist and ethnomusicologist, collected hundreds of them with my Zeyde, Yosl Mlotek, who became known as the address for Yiddish in America. Nobel laureate Isaac Bashevis Singer called them “the Sherlock Holmeses of Yiddish folk songs” for their investigations of Jewish music.
We would gather by the piano in my grandparents’ living room in the Bronx, with the piano being helmed by my Bubby, sometimes my great-aunt Malke Gottlieb (with whom my Bubby compiled a collection of songs from the Jewish ghettos), then my father, then my uncle. Eventually each of the eyniklekh — the grandkids — would have to sing in Yiddish.
Of course, I didn’t recognize until I got older that Yiddish songs are an incredible porthole into history, while also testifying to the vivaciousness of a people nearly destroyed and a culture almost erased. It’s through these lyrics and other stories from my grandparents that I learned the history of our people and the faith we had in America, “Dos Goldene Land,” where immigrants came to escape religious persecution. One famous song, in particular, was about the tragic letdown of this promise.
“The Ballad of Leo Frank” was about the Jewish factory manager from Atlanta. In 1913, a 14-year-old employee at his pencil factory named Mary Phagan was found dead. Frank was accused of her murder on flimsy evidence.
After a trumped-up trial, a biased jury found Frank guilty after four hours of deliberation. The case was retried, and appealed before the United States Supreme Court, without success. Hundreds of thousands of petitions were sent to Gov. John Slaton of Georgia, who eventually commuted the death sentence to life imprisonment. But months later, a bloodthirsty gang, who were later to inspire the resurgence of the Ku Klux Klan, kidnapped Frank from jail and lynched him.
Thanks to Yiddish music, we knew all these facts. The painful details of the Frank case were heard in melancholic Yiddish songs like “The Ballad of Leo Frank” and “Lebn zol Columbus” (“Long Live Columbus”), which we as children crooned around the piano in the living room of my Bubby’s apartment.
“A bilbl hot men oysgetrakht / Oyf undzern a yidl” — they made up a blood libel about one of our Jews — goes the lyrics from one of these songs.
We sing these songs to learn about our history, hoping never to repeat it. But just a couple weeks ago, antisemitic mobs weren’t just part of a songbook. They were here, right in the heart of New York City.
Frank’s story is the subject of a new revival of a Broadway musical, “Parade,” starring Ben Platt, which opened this month at the Bernard Jacobs Theatre. During previews, members of a neo-Nazi group called The National Socialist Movement rallied outside the theater, handing out leaflets and accusing Frank of being a pedophile and a murderer. Mostly, they were there to stoke fear and rekindle the same Jew hatred that cost Frank his life more than a century ago.
This is only the latest example of what has been an alarming growth of antisemitism in the United States. Jews who grew up learning (or singing) about blood libels in Russia have always slept with one eye open, haunted by the fear that antisemitism would rear its ugly head here, too.
Just last week as I entered the subway in midtown Manhattan, I was verbally accosted by a man who lowered his shirt collar to show me his swastika tattoo. And so the story goes.
As Passover approaches, the words of the Haggadah come to mind: “b’khol dor vador” — in every generation. In every generation, enemies emerge and the responsibility to rekindle learning and reclaim identity falls upon us, each in our own unique way.
It feels fitting then that my grandparents’ anthology is now accessible to a whole new audience.
The Yosl and Chana Mlotek Yiddish Song Collection at the Workers Circle went live this week. It is a searchable, comprehensive database of Yiddish music and song, spanning centuries, genres, artists and more, bringing my grandparents’ anthologies online. Hundreds of Yiddish songs, including the Leo Frank ballad, can be freely accessed thanks to a thorough digitization process overseen by my brother, Elisha Mlotek, who served as creative director for the website.
Sponsored by the Mlotek family, this new website is a loving collaboration between the Arbeter Ring (Workers Circle) and the Mlotek family and will ensure Yiddish song and in turn Jewish history never cower in the face of prejudice. As Elisha describes the music collected on the website, “It is an essential record of our people — the richness and resilience of our culture.”
My grandfather died in 2000. Chana died in 2013, at age 91. Bubby’s piano now lives in my father’s office at the National Yiddish Theatre Folksbiene, but we still come together around song. (In fact, it was my cousin Lee who recently reminded us of the Leo Frank song he learned from my uncle in an Arbeter Ring shule, or school.)
This Thursday my Bubby’s sons, her grandchildren and even some of her great-grandchildren will participate in a tribute concert to her at the YIVO Institute of Jewish Research, where Chana served as the music archivist for decades. The in-person free concert, presented in collaboration with Carnegie Hall and which can be streamed digitally, will include family friends who also happen to be some of the most special Yiddish singers of the day, including Joanne Borts, Sarah Gordon, Elmore James, Daniella Rabbani, Eleanor Reissa, Lorin Sklamberg and Steven Skybell, who played Tevye in “Fidler Afn Dakh,” the Yiddish production of “Fiddler on the Roof.”
Now is as welcome a time as any to celebrate Jewish life, learn a Yiddish song and discover the lessons of history along the way.
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Jon Stewart, Here Is Your Chance to Be a Mensch
Jon Stewart on “The Daily Show” on April 8, 2024. Photo: Screenshot
There is no doubt that Jon Stewart has great comedic ability and the gift of gab. In a sneak attack many years ago, he had a mic drop moment where he destroyed Tucker Carlson’s show CrossFire, telling him to stop hurting America. At that time, all Carlson did was have an aggressive political debate show — he wasn’t spewing Jew-hatred and conspiracy theories.
Stewart, who must know something about antisemitism because he felt a need to change his name from Leibowitz to Stewart, raised The Daily Show to great heights and came out of retirement ostensibly to try to make sure that President Trump is lampooned.
I know Jon Stewart is a person who cares about justice, because he fought very hard for the rights of 9/11 firefighters. The passion Stewart showed and his ability to speak truth to power was unrivaled. Some even thought he even had the potential to be a president one day. If Ukraine can have a president that was a comedian, why not America?
Of course, Stewart would be good if his focus was justice. It isn’t always. Sometimes, it’s only about haranguing Trump, no matter what. How about a few shows against antisemitism. He took on Tucker Carlson once. Why not do it again? While Tucker’s no longer wearing a bowtie, he’s saying he was attacked by a demon and Candace Owens is making claims about time machines. What about a one-hour Netflix or Apple TV+ show lambasting them both. It would be monumental.
But Stewart is hoping that Carlson and Owens continue to wreak havoc, and benefit the Democratic Party. And with only a few more years of Trump, those who want to vilify him want to get their last shots in and may not want to divert to something else. I believe that Stewart is against antisemitism. But he should call it out on all sides, and not mock Israel, a country that faced genocidal terrorists who would kill every Jew if they had the weapons to do so.
Jon Stewart is 63 and mentally sharp. He is capable of much better jokes than about physical appearance, which he recently used to attack Sid Rosenberg. Stewart would be better off criticizing Rosenberg’s positions, or perhaps that’s a bit more difficult these days.
If Stewart really wants to advance justice, he could start by attacking antisemites and racists, on both the right and left. He has the rare talent to do it in an impressive way.
Jon Stewart was the greatest mensch when he fought for firefighters. This is his time to do it again.
The author is a writer based in New York.
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Fatah Glorified Munich Olympics Massacre Ahead of 2026 Winter Olympics
An image of one of the Palestinian terrorists who took part in the 1972 Munich Olympics massacre. Photo: Wikimedia Commons.
While the world was preparing to celebrate the Olympic Games in Italy, Fatah celebrated Olympic blood in Munich.
Just two weeks before the opening of this year’s Winter Olympics, Fatah — the Palestinian Authority (PA)’s ruling party — chose to revive and celebrate the most infamous act of Olympic terrorism in history: the 1972 Munich Olympics massacre, in which 11 Israeli athletes and coaches were murdered.
On its Facebook page, Fatah’s Commission of Information and Culture posted a segment from its Awdah TV channel, glorifying the massacre as “a surprise Israel had not experienced before” and recounting how terrorists, whom she called “self-sacrificing fighters,” infiltrated the Olympic Village, seized Israeli hostages, and issued demands.
Responsibility for the murders was subtly shifted away from the terrorists, while the operation was presented as daring and historic:
Fatah-run Awdah TV host:“In September 1972, Israel was about to receive a surprise it had not experienced before. Eight self-sacrificing fighters [i.e., terrorists] invaded the quarters of the Israeli sports delegation that was participating in the Olympic Games in the German city of Munich. They captured nine Israelis and demanded to release hundreds of Palestinian prisoners [i.e., terrorists] who were in the Israeli prisons in exchange for the release of the hostages. Israel refused to negotiate, and the hostages were killed.”
[Fatah Commission of Information and Culture, Facebook page, Jan. 22, 2026]
On the same day, Fatah’s Commission of Information and Culture also lionized the architect of the Munich massacre, Ali Hassan Salameh, as “The Red Prince.”
Fatah described him as a brilliant “security mind” and strategic genius whose operations allegedly “embarrassed Israel:”
Text on screen: “The Red Prince, the commander whom the Mossad pursued for years. Ali Hassan Salameh was not a shadowy figure, but rather a security mind who created a secret battle …
He joined Fatah in the mid-1960s and was among its first security personnel. He quickly stood out for his organizational wisdom and ability, and sensitive missions were entrusted to him … He led the security activity of the revolution outside Palestine and built a complex defense network that embarrassed Israel. He became a central target of the Mossad, and his name topped the assassination lists.
[Then Israeli Prime Minister] Golda Meir gave the order to eliminate him, and the pursuit after him crossed continents … On Jan. 22, 1979, the Mossad assassinated him in Beirut using a car bomb. His assassination did not put an end to his presence, rather it established his status as one of the most dangerous minds of the revolution. Ali Hassan Salameh, a security commander and one of the symbols of the hidden strugglewith the occupation.” [emphasis added]
Posted text:“The Red Prince Ali Hassan Salameh, the commander whom the Mossad pursued for years”
[Fatah Commission of Information and Culture, Facebook page, Jan. 22, 2026]
Even more than 54 years later, the PA’s ruling party still treats the Munich Olympics massacre as a legacy to be celebrated.
By deliberately highlighting this massacre just before the Milano Winter Olympics, Fatah yet again shows how it is proud to promote terrorists and terrorism.
Ephraim D. Tepler is a researcher at Palestinian Media Watch (PMW), where a version of this article first appeared.
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How NPR Whitewashes the Palestinian Authority’s ‘Pay-for-Slay’ Program
Stuart and Robbi Force (left), parents of Taylor Force, with Reps. Doug Lamborn and Lee Zeldin. Taylor Force was killed by a Palestinian terrorist while visiting Israel. Photo: Algemeiner.
Even for NPR, the latest segment on its popular “All Things Considered” program crossed the line.
Headlined “Palestinian Authority tries to reform, but one measure is sparking a backlash,” the segment focused on the Palestinian Authority (PA)’s controversial “pay-for-slay” program, where imprisoned Palestinian terrorists and their families, or the families of Palestinians who were killed while committing acts of terrorism or trying to harm Israeli security forces, receive financial stipends.
However, instead of taking a critical look at “pay-for-slay,” NPR provided cover for the insidious PA program.
To begin, NPR immediately whitewashed the program in the subheading, referring to it merely as “payments to families whose relatives are killed or jailed by Israel.”
There was zero mention of the fact that this program incentivizes violence and terrorism by paying out more to families of terrorists than the PA’s regular social welfare pay-outs. In addition, there was no mention that these payments are based on the length of prison sentences rather than actual financial need.
And that was just the tip of the iceberg.
No, @NPR, this isn’t the reason the PA program is “controversial.”
The recipients of the cash are families of TERRORISTS – not Palestinians who committed minor crimes or were innocently caught in the crossfire, but bona fide terrorists whom you appear to be whitewashing. pic.twitter.com/WH0q1AkOBj
— HonestReporting (@HonestReporting) February 10, 2026
Throughout the story, NPR’s Emily Feng downplayed the vile nature of “pay-for-slay.”
“Pay-for-slay” wasn’t presented as a dangerous incentive for the murder of innocent Israelis, which was the target of American legislation (The Taylor Force Act).
Instead, the program was merely characterized as “controversial.” But using public funds to incentivize terrorism is something much more grave and consequential.
Along with this false characterization, NPR also portrayed the truth about the program as Israeli criticisms that “the PA pushes back against.”
It would be hard to find a more watered-down depiction of “pay-for-slay.”
Further on in the segment, Feng interviewed a Palestinian woman named Inaan who was receiving a monthly payment of 1,400 shekels ($440) since her son had been killed by the IDF.
This doesn’t seem like a lot of money. However, Feng failed to inform her audience that this is only the payment for family members of those killed by Israeli security forces (after a one-time payment of 6,000 shekels).
Terrorists in Israeli prisons can receive up to 12,000 shekels (roughly $3,900) per month.
This presentation of the monthly payments being inconsequential and of limited value is further emphasized by Feng’s next interviewee, Qadura Fares, who is quoted as saying, “The money — it’s mean [sic] nothing for those have believed [sic] that this occupation should be ended and to fight the occupation.”
Fares is the former head of the PA’s prisoners’ affairs commission. In passing, NPR also informed its audience that Fares served time in Israeli prison for “trying to kill Israeli soldiers.”
That’s right, NPR platformed a convicted terrorist.
Perhaps the words of someone who used to target Israelis should be taken with a grain of salt when discussing payments for imprisoned terrorists.
Fares resigned from his position after PA President Mahmoud Abbas announced an end to the “pay-for-slay” policy, stating that the only recipients would now be those who require economic assistance. Many groups, including Palestinian Media Watch (PMW), have provided documentation that the PA is still continuing “pay-for-slay” — though the PA is trying to hide the payments.
Along with Fares, Feng interviewed a couple of other Palestinians who were upset with this alleged reform and complained that the new system is not working properly.
What Feng failed to inform her audience is that this “reform” is alleged by analysts like PMW to be a ruse, with Abbas promising a Palestinian audience that imprisoned terrorists and the families of “martyrs” would continue to receive funds, and that the “reform” is more of a restructuring than an outright end to “pay-for-slay.”
Nearly a year after this “reform” was announced, many beneficiaries were still reportedly receiving their payments.
Perhaps the cherry on top is when Feng referred to the alleged reform as “trying to please outside powers.” As if the program didn’t require serious reform, but rather that the PA capitulated to foreign interference.
A whitewash indeed.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.