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Netflix’s ‘You People’ wasn’t funny at all to my Black and Mexican Jewish family
(JTA) — As a couple that is two parts Jew, one part Black, and all parts lovers of comedy, my husband and I sat with hopes (maybe not high ones) to watch Netflix’s “You People.”
It’s not often that we see our cultures represented together in buzzy movies, especially not ones set in Los Angeles, the city we love so much, and with the comedy king Eddie Murphy in the cast, and we were excited about the possibility of seeing ourselves reflected in the story of blended Black and Jewish families.
Unfortunately, at the expense of comedy greats including Murphy, Jonah Hill, Deon Cole, Elliot Gould and Julia Louis Dreyfus (with cameos by so many others!), the movie ended up being a painful reminder of how our family — made up of Mexican and Black Jews with Ashkenazi roots — so often must explain and justify our existence in Jewish and Black spaces.
The movie starts off with Jonah Hill’s character very comfortably recording his podcast about “the culture” (ostensibly, hip-hop culture?) with his Black, queer best friend, seeming to set the stage for the progressive coolness that will later allow him to date someone who is not “square” and potentially Black. Hill’s character loves rap music, sneaker culture and Roscoe’s Chicken and Waffles, and he knows not to say the full title of that song from Jay-Z and Kanye West’s “Watch The Throne” album.
Yet we find him in scenarios that time and again have him playing into uncomfortable tropes — like saying “our boy” when referring to Malcolm X — as he quickly and nervously falls into defining Black culture at its most reductionist form. It’s no surprise then, that the film goes on to portray Blackness as a monolithic, one-dimensional stereotype.
It doesn’t get any better when we see Hill’s character in a Jewish space: High Holiday services at the Skirball Cultural Center, here serving as a synagogue. There and throughout the movie, Jews are portrayed as white and uncool — sometimes aggressively so, almost as if the writers didn’t trust the audience to know this family is Jewish if not for the mom complaining about tattoos and trying to set up her son with a highly educated daughter of a friend.
My husband and I have been to the Skirball Center on many occasions, one of them being a wedding for two supremely cool Jews of color. But you would never know from the movie that such an event could ever take place, or even that Jews of color exist in Los Angeles — even though, ironically, the actor playing Jonah Hill’s eventual love interest is Black and identifies as half-Jewish. Instead, in creating the world for “You People,” the writers continue a dated tradition of movies that overly simplify the worlds they depict based on racial binaries.
This flattened view of the world is especially lamentable because the rom-com genre has at its fingertips the easiest blueprint: All families are ridiculous and oftentimes the blending of two families even more so. Within my family alone, there are several different cultures that consistently push against each other in humorous ways. There’s “nerd culture,” “comic book culture,” “skate culture,” “food culture.” Even in my culturally blended family, where my Mexican immigrant parents regularly share meals with my Black mother-in-law, the resulting humor has never been about racial differences. In a story where the message is that we can all get along, we don’t need the punchline to be about race.
The Silversteins, from left: Joshua, Ami, Laila, Shel and Cinthya, outside of their Los Angeles home in 2021. (Casey Durkin/NBC)
“You People” could have told a story in which Jonah Hill’s character actually subverts the standard narrative, maybe one in which his character realizes how easy it is to fetishize Blackness and through experiences with his father-in-law comes to find the richness and fullness of Black culture that can even be expanded by his own Jewish background when blending his family with his fiancée’s. Or a movie in which a member of the Nation of Islam tries to openly accept a Jewish son-in-law and, rather than using Louis Farrakhan as an awkwardly divisive plot point, we see instead a Muslim Eddie Murphy try to find ways to connect with modern day hip-hop culture. Either option would allow the audience to see the layers in these characters that we are so often erased from narratives about Jewishness or Blackness.
Instead the writers opted for the easiest avenue: comedy based on persistent racial “othering.” But the differences shown are no longer based on any actual truth. They are based on beliefs we have been told to keep repeating in an effort to keep the agenda of white supremacy intact. The writers are depicting worn-out “differences” that don’t represent an authentic Jewish or authentic Black experience. Presenting any cultural experience as the “authentic” one is just another way of saying stereotypes are true — and that’s not funny at all.
Several years ago, my family participated in Ava Duvernay’s life-swap show in which we traded homes and experiences with a family of white Mormons. Our goal at the time was to show examples of coexistence and to demonstrate how contemporary identities are multilayered. But we also hoped that the experience would help us find greater acceptance as Jews of color, which still feels generally elusive. “You People” underscored for us why.
At one point during the life-swap, my husband said to me, “Listen, when you’re Black and Jewish, and everything hurts, laughter is the best medicine.” But laughter doesn’t come easily when the jokes only make sense if you don’t exist.
Sure, there were a few chuckles in my house during “You People.” The comedian Mike Epps was funny as he always is, and I laughed when Jonah Hill showed up to his date in a tie-dye sweatsuit, in a very L.A. move. But for nearly two hours, all I could think about was how “You People” feels like a movie for folks who are clinging to stereotypes because it helps them feel comfortable with their own cultural identities, which once were dominant but now must share real estate with others that are equally authentic. By confining the definition of culture to a singular idea of “race” this movie prevents an important conversation from moving forward. And that means my family, and so many other Jewish families, are once again left behind.
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Attacks on Mamdani test Jewish efforts to confront Islamophobia as 9/11 anniversary nears
The image was vintage AI slopcraft: New York Mayor Zohran Mamdani in his trademark black suit, holding a sealed cardboard package labeled 9/11 MEMORIAL.
“Honey,” the cartoon Mamdani calls, “where’s my box cutter?”
The cartoon, shared Sunday on social media by the Orthodox Jewish comedy account Heimish Humor and referencing the weapon used in the 9/11 hijackings, reflected an increasingly caustic attitude toward Mamdani, Muslim elected officials and Islam itself in some Jewish spaces as the 25th anniversary of the attacks approaches — with much of the charged rhetoric tied to Sept. 11.
Jewish groups that staged an anti-Mamdani protest in downtown Manhattan Tuesday invoked the mayor’s religion on a flyer for the event, which was sponsored by the Lawfare Project, the Israeli-American Council and a slew of other Jewish groups. The flyer depicted Mamdani with his eyes blotted out and read, “Islamist ideology was not defeated. It was normalized. In 2001 they needed planes. Today the DSA hands them a platform.” One speaker at the event said Mamdani believed law enforcement was “haram,” Arabic for forbidden.
To some who saw it, the poster — and many of the Jewish attacks against Mamdani — contained anti-Muslim dog whistling, if not downright Islamophobia.
“This is coded language to smear all Muslim leaders as terrorists to hold them accountable for 9/11,” said Amy Spitalnick, chief executive of the Jewish Council for Public Affairs. “The same way that we as a community rightfully push back when we hear people using ‘Zionist’ as a pejorative — that’s what’s happening here. We should be calling it out if we expect people to call it out when it happens to us.”
The wave of antagonism in the Jewish community comes amid a broader Republican backlash to high-profile victories for Muslim elected leaders. Bruce Blakeman, the Republican nominee for New York governor, called incumbent Gov. Kathy Hochul, who is Catholic, “tone deaf” for wearing a hijab at a mosque so close to the 9/11 anniversary. Islamophobic posts targeting Michigan Senate candidate Abdul El-Sayed, surfaced by The Washington Post, found copious 9/11 references.
But no politician has attracted as much vitriol as Mamdani, New York’s first Muslim mayor. His antagonism toward the Israeli government and his leftist politics have made him a target for many pro-Israel New Yorkers. Some have used his religion as a cudgel in joining calls for him to skip Friday’s memorial service at Ground Zero.
Spitalnick said such rhetoric was coming from a small, non-representative portion of the Jewish world that wanted to advance a conservative political agenda — but that Jews “should be concerned that this is ostensibly being done in our name.”
“We can be concerned for multiple reasons,” she added. “One, bigotry is wrong regardless, and two, it actually makes our work to fight the real and rising antisemitism our community is facing that much harder.”
Yet posts like the cartoon also revealed the resistance to growing anti-Muslim sentiment in Jewish spaces. Heimish Humor’s post drew a number of critical replies from Jewish accounts. “Incredibly racist, you should delete this,” wrote one. “Not funny,” said another. As anti-Muslim rhetoric escalates, Jewish voices are among those fighting hardest to combat it.
Echoes of history
Twenty-five years after 9/11, the rise in Islamophobic rhetoric has resurfaced old memories of its aftermath.
The end of 2001 was a dangerous time for Muslim Americans, who faced being conflated with the Al Qaeda terrorists who perpetrated the hijackings. Despite President George W. Bush’s admonition that the attacks were committed by extremists who did not represent the religion, anti-Muslim violence spiked across the U.S. A number of mosques were burned in arson fires, and eight Arabs or Muslims were killed in the three months following 9/11 in what some believed to be Islamophobic murders.
Relations between Jewish and Muslim American communities, already strained by the Second Intifada, bottomed out in some places after 9/11. But in the ensuing years, Jewish-Muslim relations took a surprising turn. By 2006, news media were describing an “unprecedented swell of interfaith activities” — including dialogue groups, “peace walks” and joint Israel trips — even as agreement on Middle East politics remained elusive.
And while the 2010 proposal for a mosque and Muslim community center at Ground Zero reignited some old tensions — with the Anti-Defamation League headlining the opposition — broader trends of Muslim-Jewish mutual aid held: When a St. Louis Jewish cemetery was defaced in 2017, Muslim groups raised tens of thousands of dollars to repair it. Jewish groups anchored the opposition to President Donald Trump’s 2017 immigration ban targeting Muslim countries. And in 2021, the ADL apologized for its earlier stance on the mosque near Ground Zero.
The day everything changed
The Oct. 7, 2023, Hamas attacks, however, caused many Jewish-Muslim partnerships to collapse. Israel’s response in Gaza only deepened resentments, as opposition to the war on college campuses and in public protests coincided with an increase in antisemitic incidents.
Then in 2025, Mamdani rode into office on the back of the pro-Palestinian movement. Mamdani vowed to arrest Israeli Prime Minister Benjamin Netanyahu and was reluctant to disavow the slogan “globalize the intifada” — a phrase many see as calling for violence against Jews. Though Mamdani has repeatedly condemned antisemitic violence in the city, some Jewish New Yorkers say his anti-Israel invective has nevertheless exacerbated a dangerous environment for the city’s Jews.
“The DSA is a movement of hate, pro-terror anti-American and anti-minority ideology,” said Brooke Goldstein, the founding director of the Lawfare Project, which organized Tuesday’s anti-Mamdani protest. She said it was the DSA and the mayor who were promoting division, extremism and racism — not groups like hers, who were holding the mayor accountable.
The prominence of the Democratic Socialists of America is one key difference between today’s political environment and that of late 2001.
But the environment around Israel has also changed. “The response to 9/11, including from most Jewish organizations, was an American response,” said Jonathan Jacoby, president of the Nexus Project, a nonprofit that combats antisemitism — whereas the response to Mamdani today, he said, is “coming from a quote-unquote ‘pro-Israel’ space.”
Jacoby said Mamdani’s election in particular had elicited an unprecedented level of panic among some pro-Israel groups. He pointed to the ADL’s Mamdani Monitor as an example, saying that there was a throughline between the efforts to undermine his candidacy and the calls for him to not attend the 9/11 ceremony. (The ADL has not commented on whether Mamdani should participate, and declined to comment for this story.)
Some of the people who have pushed back against the anti-Mamdani rhetoric consider themselves among the mayor’s critics.
“I’m not happy with the atmosphere he’s brought into New York City since being elected,” Avital Levene, a Jewish influencer who called the Mamdani cartoon “not funny,” said in an interview. “However, he’s stood with the Jewish people since taking office. People literally call him a terrorist and use terms like ‘yemach shemo’ (may his name be erased). There’s a way to criticize someone’s political views without using racist slurs.”
Like Levene and Spitalnick, Jacoby said he disagreed with some of the mayor’s beliefs about Israel. But he said those disagreements “pale in the face of the danger of authoritarianism, neo-fascism and white nationalism in this country.”
The post Attacks on Mamdani test Jewish efforts to confront Islamophobia as 9/11 anniversary nears appeared first on The Forward.
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Argentine court orders return of Nazi-looted painting to Jewish collector’s heir
(JTA) — BUENOS AIRES – A Dutch journalist hunting for art treasures belonging to an Amsterdam Jewish art dealer spent years trying to get answers from Patricia Kadgien, the daughter of the Nazi financier who had made off with some of them, with no luck. So last year he went to her house in Mar del Plata, a resort city on Argentina’s Atlantic coast.
No one was home, but the journalist, Peter Schouten, noticed a “for sale” sign outside the property from Robles Casas & Campos, a local real estate agency.
Schoten went to the agency’s website, where the house was listed for $265,000. As he scrolled through the listing, he noticed something in a photograph of the living room. Schouten recognized the painting hanging above a sofa: “Portrait of a Lady,” most likely the work of the 18th-century northern Italian painter known as Il Pitocchetto.
On Friday, Argentine federal judge Santiago Inchausti authorized the restitution of “Portrait of a Lady,” which belonged to the collection of Dutch Jewish art dealer Jacques Goudstikker, to his daughter-in-law and sole heir, Marei von Saher.
“The property had been listed for sale on a real estate agency’s website, and one of the photographs showed a painting in the living room that matched one of the works from Goudstikker’s collection that had been sought for years,” Inchausti wrote in his ruling.
Goudstikker was one of Holland’s most prominent Jewish art dealers before World War II. In 1940, he fled the Nazi-occupied Netherlands with his wife and son, carrying a black notebook listing some 1,400 artworks. After his death during the voyage, his widow preserved it, and the notebook later became key evidence in the family’s restitution efforts.
His gallery and collection fell under Nazi control. Hermann Goering, a powerful deputy to Adolf Hitler, acquired hundreds of paintings from Goudstikker’s collection in a forced sale that Dutch authorities later determined was directly linked to Nazi persecution.
Herberto Robinson, von Saher’s lawyer who specializes in estate planning and asset protection, described what happened after Schoten’s sleuthing in an interview with the Jewish Telegraphic Agency.
“At that point, the journalist contacted attorney Yael Weitz in Freedman Normand Friedland of New York where she specializes in art and cultural property law,” he said “She then contacted us and asked us to take on the case. The family’s sole intention was to recover the painting. They were not interested in pursuing those who had possessed it or in seeking financial compensation, they wanted the artwork returned.”
Kadgien is the daughter of Friedrich Kadgien, a German financial official who worked for the Nazi regime and later escaped to South America. The elder Kadgien, who had close ties to Goering, fled Germany in 1945 to Switzerland, eventually making his way to Argentina, where he started a business and raised a family. He died in 1978.
Kadgien and her husband at first did not cooperate. The realtor’s listing was removed after the Dutch newspaper Algemeen Dagblad published its report. Argentine authorities then searched the property on Aug. 26, 2025, but the painting had been removed and replaced with another artwork, while an outline matching its dimensions remained visible on the wall.
Kadgien and her husband, Juan Carlos Cortegoso, were placed under house arrest for 72 hours while authorities searched the family’s other properties. They subsequently turned the artwork over to federal prosecutors and were charged with aggravated concealment.
Experts from Argentina’s National Academy of Fine Arts attributed the work to Giacomo Antonio Melchiorre Ceruti, known as Il Pitocchetto, and valued it at approximately €250,000. The local and national Jewish communities took a keen interest in the case.
“We are very pleased and hope this marks the beginning of many more restitutions, as we know there are undoubtedly other works out there that rightfully belong to families who suffered this tragic fate,” Clauda Beatriz Malamud, the president of Sociedad Union Israelita Marplatense, the local Jewish community body, told JTA.
Under an agreement Inchausti approved, the criminal proceedings against the couple were suspended for two years, subject to a set of conditions. They irrevocably renounce any right or claim to the artwork, clearing the way for its restitution. The painting will remain in the custody of Argentina’s Supreme Court until the restitution is carried out. They also agreed to pay 4.8 million Argentine pesos — approximately $3,180 — in 24 monthly installments to the support association of Mar del Plata’s Interzonal Specialized Maternal and Child Hospital.
According to well-placed sources at the Buenos Aires Holocaust Museum, von Saher has expressed interest in lending the painting to the museum for a temporary exhibition, possibly for one or two years. The exhibition would help raise awareness of the systematic theft of Jewish-owned art under the Nazi regime and the continuing international effort to return such works to their rightful owners. No final agreement about this has been announced.
This article originally appeared on JTA.org.
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Germany takes a step back to its Nazi past — and Donald Trump is cheering them on
What a role reversal.
Since the start of his second term as president, Donald Trump has looked like he’s been following the playbook of Adolf Hitler and other despots. But now Germany is becoming like Trump’s America.
The Sunday election results in Saxony-Anhalt state were a victory not just for the Alternative for Germany, known as the AfD, but also for Trumpism. As Trump’s powers are cracking in the US because of high prices and the unpopular war against Iran, the American president’s brand has not only taken root in Germany’s former communist region, but is threatening to spread across the country.
“Wow! The Populist Party in Germany just had a really big night,” Trump wrote Tuesday on Truth Social. “They finally got tired of the absolutely horrible Immigration rules and regulations which have hurt Germany so badly.”
“MGGA!!!,” Trump wrote at the end of his post, apparently meaning “Make Germany Great Again.”
MAGA’s influence is plain to see on social media videos posted in the run-up to the Saxony-Anhalt election, in which the AfD came alarmingly close to winning enough votes to form a government on its own, which would have been the first time since the Nazi era that an extreme-right party has taken over the leadership of a German state. The videos show AfD followers saying racist things about immigrants and the superiority of white people, that there’s too much emphasis on the Nazi years and German history needs to be told more positively, and calling for an end to funding “anti-German art,” whatever that might mean, among a host of other stands that mirror those of MAGA.
Sally Lisa Starken, a freelance German journalist and bestselling author who has been chronicling the AfD, posted an Instagram video of an AfD “family festival” in Magdeburg, the capital of Saxony-Anhalt.
“The whole time I felt like I was at a Trump event. The AfD has quite consciously learned from the MAGA movement,” said Starken, who has also covered Trump rallies in the US.
AfD merchandise was everywhere, including t-shirts bearing the photo of Ulrich Siegmund, the AfD’s lead candidate in the Saxony-Anhalt election, and the man who would become leader of the state if the party is able to find a partner willing to join in a coalition government.
As is the case with Trump, there’s a cult of personality surrounding the 35-year-old Siegmund. People at the family festival stood in line for two hours to have their picture taken with him. Just before the Saxony-Anhalt election, the cover of the newsmagazine Der Spiegel called him “the most dangerous man in Germany.” Taking a page from Trump, Siegmund used the cover’s mug shot-style photo in his election campaign.
As with Trump, people of all shapes, sizes, ages and backgrounds attend these AfD gatherings, but they’re probably even whiter than at Trump’s rallies. And like Trump, Siegmund sounds like a huckster who knows how to grab the attention of people who feel like they’ve been left behind.
The AfD has become especially strong in former Communist East Germany at least partly due to German reunification, which occurred in 1990. The economy in the eastern region has never caught up with that of the wealthier west, unemployment is high, wages are comparatively low. There’s a feeling among many in eastern Germany that reunification hurt them, rather than helped them.
Reunification also triggered an explosion of neo-Nazi violence against foreigners, a scourge that continues to the present day. Resentment against foreigners soared in 2015, when then-Chancellor Angela Merkel opened Germany’s borders to waves of refugees fleeing war-torn Syria, a fateful decision that lifted the AfD from a fringe group of extremists to a party to be reckoned with — at first just in the eastern states like Saxony-Anhalt, but now across the country.
In last year’s federal elections, the AfD doubled its share of seats in the Bundestag, the German parliament. As a growing number of Germans have felt ignored by the mainstream parties — the Christian Democrats, the Social Democrats, the Greens and the Left — the AfD has surged ahead to become Germany’s largest opposition party.
Among those who attend AfD rallies are diehard neo-Nazis, many sporting tattoos with symbols and slogans banned by law because of their association with the Third Reich. Instagram videos from party gatherings show AfD followers saying that Hitler was a great man and Germany could use another leader like him, and only people with pure German blood deserve to be citizens.
Last year, Germany’s domestic intelligence agency, the Federal Office for the Protection of the Constitution, classified the AfD as right-wing extremist.
“The ethnicity- and ancestry-based understanding of the people prevailing within the party is incompatible with the free democratic order,” the agency said in a statement at that time.
That judgment didn’t stop the AfD from seeking legitimacy abroad — or from finding it. Close links between the Trump administration and the AfD go back to the start of Trump’s second term.
It started with JD Vance’s address in February 2025 to the Munich Security Conference, an annual meeting of American government officials with our purported European allies. Vance shocked the conference by coming to the defense of extremist parties like the AfD. Since the defeat of the Nazis, Germany’s mainstream political parties have maintained a “firewall” that keeps them from cooperating with extremist parties. In his speech to the security conference, Vance essentially accused Germany’s mainstream parties of authoritarian behavior by shutting out the AfD.
“If you’re running in fear of your own voters, there is nothing America can do for you,” Vance told the European leaders.
On that same trip, Vance added insult to injury by meeting with the head of the AfD, Alice Weidel.
Olaf Scholz, who was chancellor at that time, defended the firewall against the AfD, saying the party trivializes Nazi atrocities. He basically told Vance to mind his own business.
“Where our democracy goes from here is for us to decide,” Scholz said.
At the center of the fraternal relationship between the AfD and MAGA is Elon Musk, the man who insists the stiff-arm gesture he gave at a rally celebrating Trump’s second inauguration was not the Hitler salute, although it sure looked like it. Just a few days later, Musk made a virtual appearance before a gathering of 4,000 at an AfD campaign rally in Halle.
“I think you really are the best hope for Germany,” Musk told the AfD followers. “It’s good to be proud of German culture and German values, and not to lose that in some sort of multiculturalism that dilutes everything.”
Musk added that there is “frankly too much of a focus on past guilt and we need to move beyond that.”
After the AfD’s success in the Saxony-Anhalt election, Musk wrote on X: “Well done!”
The AfD’s election shocker in Saxony-Anhalt has certainly caught the world’s attention — something that probably would not have happened were it not for Germany’s Nazi past.
Nonetheless, it feels like we have lost sight of a very important fact.
As we worry about the prospects of right-wing extremists increasing their power in Germany, politicians with virtually the same ideologies — xenophobes, white supremacists, racists and bigots — are already in the halls of power or positions of influence in Washington, D.C. and elsewhere in America.
And there’s something positive to be said about Germany.
Unlike the Trump administration, Germany investigates, prosecutes, and sends to prison far-right would-be insurrectionists, instead of freeing and rewarding them.
The post Germany takes a step back to its Nazi past — and Donald Trump is cheering them on appeared first on The Forward.
