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New Yorkers hunt for man dubbed ‘The L Train Nazi’ who was caught drawing hate slogans on the subway
(New York Jewish Week) — While waiting for the L train at Union Square one Sunday earlier this month, a commuter named Liz spotted something — or rather someone — whose doings had bedeviled her and a few other New Yorkers for more than a year: A white man, wearing a leather jacket and a black hoodie, scrawling a neo-Nazi slogan in black marker on a support beam.
Liz snapped the man’s photo but he quickly ran away. Since then, she and other activists in the city have been searching for the man, whom they have dubbed “The L Train Nazi.” His graffiti of choice appears to be the number “1488,” a neo-Nazi code recognized as a hate symbol by the Anti-Defamation League.
“I actually saw someone doodling on the support column,” Liz told the New York Jewish Week. “Sure enough, he was writing ‘1488.’ I was like, ‘get some pictures.’ He looked at me and tried to ignore it [me] and act like nothing happened.”
Liz, like some other activists who spoke to the New York Jewish Week for this article, declined to give her full name or divulge many details about herself, for fear of being harmed by the same white supremacists she has spent the past few years trying to expose. As an anti-far-right activist, Liz said she has attended multiple far-right and neo-Nazi events in cities across the northeast. At these events, she said she has physically confronted rally-goers and has been arrested two times.
BREAKING: ‘L Train Nazi’ Caught in the Act
For years, people have been reporting typographically similar ‘1488’ tags (a Nazi slogan: https://t.co/mlPBKKSDWW) in the subway, most often along the L line.
As a result, the tagger was dubbed ‘the L train Nazi.’ pic.twitter.com/ssNnYaTzDC
— Talia Jane (@taliaotg) February 8, 2023
The recent encounter on the L train platform, Liz said, didn’t escalate into violence. “He didn’t want to get an assault charge, and I didn’t want to get an assault charge,” she said. “He stormed off and I forwarded the pictures.”
The number 1488, in neo-Nazi speak, stands for two separate things: The 14 stands for a 14-word white supremacist creed — “We must secure the existence of our people and a future for white children” — and 88 stands for “Heil Hitler,” as “h” is the eighth letter of the alphabet.
Beginning in November 2021, other Twitter users had taken photos of similar graffiti at subway stations on the L and M lines in downtown Manhattan and Brooklyn. This isn’t the first time hate symbols have plagued the L train: two trains were removed from the line in 2019 after MTA officials discovered anti-Nazi stickers (which nonetheless partially displayed swastikas) on the train.
Talia Jane, a Brooklyn-based freelance reporter of Jewish descent, collated some of the photos into a Twitter thread following Liz’s interactions. The tweets have been shared 1,300 times in the week since she posted them. The photos of the suspected “L Train Nazi” have been viewed nearly 800,000 times.
“People began to notice similar tags of a similar marker and similar handwriting style,” Jane told the New York Jewish Week. “It became assumed that there was one person behind these recurring tags.”
When asked by this reporter about the graffiti, the New York Police Department said “there is nothing on file” about these markings.
MTA spokesperson Kayla Shults told the New York Jewish Week in an emailed statement that “there is no place for acts of hate of any kind, including anti-Semitic vandalism, in the subway system.”
“When observed, offensive materials are rapidly removed,” Shults said. “The MTA continues to be at the forefront of public service campaigns that promote respect and tolerance for all riders.”
Efforts to find the person behind the graffiti have been coalescing offline as well. Elsa Waithe, 34, a comedian from East New York, first spotted the “1488” graffiti in November 2021 at the L train Livonia stop. Waithe covered it with a sticker, but kept seeing similar graffiti nearby. Now, Waithe is putting up flyers at stations across the L line that say “#SubwayNazi” and display the man’s face.
“Be on the lookout,” the flyer reads. “This man was recently caught writing Nazi tags in NYC subways.”
“I personally plan to put these posters up every weekend, at least for a month or two, just so he knows that people know him now,” Waithe told the New York Jewish Week. “My friend asked me what I was doing. I said, ‘Essentially, Nazi-hunting.’”
Waithe said they made it their “mission” to always cover up the “1488” tags with a sticker, but noticed that others began posting pictures of the tag at stations approaching Manhattan — including Myrtle-Wycoff, Grand Street and eventually Union Square.
Just left the Livonia L trains station and it looks like the same asshole from before has left another 1488 on the stairs. I’ll return after work to cover it up but if someone can get to it before me that would be nice. It’s on the Manhattan bound side. pic.twitter.com/bCpWBJTxnE
— Harriet Thugman (@elsajustelsa) November 15, 2021
“He was putting them in very obvious places,” Waithe said. “Livonia is right next to public housing. This is a Black neighborhood. It pissed me off that someone would threaten the community. That’s what this is, a threat.”
Waithe feels that coded numbers such as 1488 and 1352, a racist anti-Black slogan, allow the perpetrator to hide Nazi messaging in plain sight.
“If he had put a swastika, we all know what that is,” Waithe said. “This is just a coded swastika. It’s the same exact thing, it’s just not as widely known, so he can put it and be discreet, or say it means something else. There is some plausible deniability.”
According to the Anti-Defamation League, New York State ranked seventh nationally in the number of white supremacist propaganda incidents in 2021.
“No one wants a Nazi in their neighborhood,” Waithe said. “We all ride this train, we all live in this city. Is there a network [of activists]? No. It’s just concerned citizens.”
Sophie Ellman-Golan, spokesperson for the Jewish progressive group Jews For Racial and Economic Justice, commended the efforts of the people who are keeping “tabs on the subway Nazi.”
“This particular Nazi has spent years trying to make Jews, Black people and all marginalized groups feel uncomfortable and unwelcome on the subway,” Ellman-Golan told the New York Jewish Week. “But it’s Nazis who should feel uncomfortable and unwelcome — on the subway and in our city and state.”
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The post New Yorkers hunt for man dubbed ‘The L Train Nazi’ who was caught drawing hate slogans on the subway appeared first on Jewish Telegraphic Agency.
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Israeli Attacked in Nepal as Tourists Shift to Safer Destinations Amid Rising Anti-Israel Hostility
Anti-Israel protesters march through the streets of the township of Lenasia in Johannesburg, South Africa, Oct. 6, 2024. Photo: REUTERS/Ihsaan Haffejee
An Israeli tourist recounted being brutally assaulted in Nepal this week by a group of local men after they allegedly heard him speaking Hebrew — the latest in a growing string of violent incidents targeting Israelis abroad amid a broader surge in antisemitic hostility worldwide.
On Monday night, Almog Armoza, a 25-year-old Israeli tourist, was walking back to his hostel in Kathmandu — a capital city popular with Israeli travelers — when a group of unknown men reportedly struck him from behind with an iron rod.
“If I hadn’t managed to run, there’s a good chance I wouldn’t be alive today,” Armoza told the Israeli news outlet Ynet. “If the first blow had knocked me out, it could have ended differently.”
According to the victim’s account, he was recording a voice message in Hebrew when a group of three to five men suddenly ambushed him.
One of the assailants then grabbed his jacket, and the group continued to beat him, leaving the victim with an open wound on his head.
“They chased me, but when they saw I was getting close to the entrance, where there is security, they ran off,” Armoza said.
He was later taken to a hospital, where he spent the night under observation due to his head wound and significant blood loss — causing him to miss his flight back to Israel.
He also said he reported the incident to police, noting that he did not believe the assault was an attempted robbery.
“My phone was in my hand, and they didn’t go for it,” Armoza said. “I have traveled the world for three years. This isn’t how robberies are done. The level of violence was meant to kill.”
This latest incident comes amid a global surge in antisemitism and anti-Israel sentiment since the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
European Jewish communities in particular have been facing a surge in hostility and targeted attacks, including vandalism of murals and businesses, as well as physical assaults. Community leaders have warned that such incidents are becoming more frequent amid continued tensions related to the war in Gaza.
According to data from the Passport Card Index, Israeli tourists are increasingly choosing alternative holiday destinations amid a climate of growing hostility. Thailand has emerged as the top destination, rising from second place before the war, while the United Arab Emirates — previously number one — has fallen to fifth.
The data also highlights a surge in popularity for countries perceived as particularly friendly toward Israel: Hungary jumped from sixth to second place, the United States climbed from eighth to third, and the Czech Republic now ranks fourth.
By contrast, many Western European countries — including France, the United Kingdom, Germany, Spain, and Italy — have become largely off-limits for Israeli travelers.
Last month, a group of Orthodox Jewish American tourists was brutally attacked at Milan’s Central Station by a pro-Palestinian individual.
The victim, who was with a group of 10 Orthodox Jewish tourists visiting Italy, was checking the departure board when an unknown individual began harassing him.
The attacker then allegedly chased the victim while punching and kicking him and striking him in the head with a blunt metal ring.
During the attack, the assailant reportedly shouted antisemitic insults and threats, including “dirty Jews” and “you kill children in Palestine, and I’ll kill you.”
In September, a Jewish couple was walking through Venice in traditional Orthodox clothing when three assailants confronted them, shouted “Free Palestine,” and physically attacked them, slapping both.
This incident followed another attack on a Jewish couple in Venice the month before, when a man and his pregnant wife were harassed near the city center by three unknown individuals.
The attackers approached the couple, shouting antisemitic insults and calling the husband a “dirty Jew,” while physically assaulting them by throwing water and spitting on them.
Earlier this summer, a group of Israeli teenagers was physically assaulted by dozens of pro-Palestinian assailants — some reportedly armed with knives — on the Greek island of Rhodes.
This antisemitic incident took place after the Israeli teens left a nightclub, when a group of pro-Palestinian individuals followed them to their hotel and violently attacked them, leaving several with minor injuries.
In Athens, a group of pro-Palestinian activists vandalized an Israeli restaurant, shouting antisemitic slurs and spray-painting graffiti with slogans such as “No Zionist is safe here.”
The attackers also posted a sign on one of the restaurant’s windows that read, “All IDF soldiers are war criminals — we don’t want you here,” referring to the Israel Defense Forces.
Similar incidents of unprovoked violence and discrimination against Israelis or Jews perceived as being pro-Israel have been recorded across Europe and as far afield as Australia over the past two years.
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Antisemitic Attitudes at UPenn Still Beset Jewish Students, New Survey Reveals
People are walking on campus at the University of Pennsylvania in Philadelphia, PA, USA, on April 26, 2024. Photo: Bastiaan Slabbers via Reuters Connect
A significant portion of Jewish students at the University of Pennsylvania still find the climate on campus to be hostile and feel the need to hide their identity, according to a recent survey of Jewish undergraduates at the school.
The survey, conducted by Penn’s local Hillel International chapter, found that 40 percent of respondents said it is difficult to be Jewish at Penn and 45 percent said they “feel uncomfortable or intimidated because of their Jewish identity or relationship with Israel.”
Meanwhile, the results showed a staggering 85 percent of survey participants reported hearing about, witnessing, or experiencing “something antisemitic,” as reported by Franklin’s Forum, an alumni-led online outlet which posts newsletters regarding developments at the university.
Another 31 percent of Jewish Penn students said they feel the need to hide their Jewishness to avoid discrimination, which is sometimes present in the classroom, as 26 percent of respondents said they have “experienced antisemitic or anti-Israel comments from professors.”
Overall, 80 percent of Jewish students hold that anti-Israel activity is “often” antisemitic and that Israel’s conduct in war is “held to an unfair standard compared to other nations.”
Franklin’s Forum said the survey results can help the university chart a path toward restoring a culture of tolerance and respect.
“Penn’s efforts to confront antisemitism, Islamophobia, and other forms of hate have lacked a clear baseline for measuring progress. This survey begins to fill that gap, offering the university a data-backed starting point for understanding Jewish life on campus,” its newsletter said. “This allows Penn to track what new initiatives are working, compare itself to national trends and peer institutions, build trust by showing measurable impact, and identify where progress is lagging.”
It added, “Data brings transparency and accountability, clarifying what is working and where more attention is needed. This survey provides a valuable baseline. Continued data gathering will be essential for Penn to track improvement, guide decision-making, and build a campus where Jewish students feel both proud of safe.”
The University of Pennsylvania emerged as a hotbed of campus antisemitism even before the phenomenon exploded nationwide in the aftermath of the Palestinian terrorist group Hamas’s Oct. 7, 2023, massacre across southern Israel, amid the ensuing war in Gaza.
In 2023, professor Huda Fakhreddine helped organize the “Palestine Writes Festival,” a gathering of anti-Zionists which featured Gaza-based professor Refaat Alareer, who said in 2018, “Are most Jews evil? Of course they are,” and Salman Abu Sitta, who once said in an interview that “Jews were hated in Europe because they played a role in the destruction of the economy in some of the countries, so they would hate them.” Roger Waters, the former Pink Floyd frontman, was also initially scheduled as a speaker, despite a documentary exposing his long record of anti-Jewish barbs. In one instance, a former colleague recalled Waters at a restaurant yelling at the wait staff to “take away the Jew food.”
That event prompted a deluge of antisemitic incidents at Penn, including Nazi graffiti and a student’s trailing a staffer into the university’s Hillel building and shouting “F–k the Jews” and “Jesus Christ is king!” overturning tables, podium stands, and chairs. Fakhreddine, who days after the Hamas-led Oct. 7, 2023, attack on Israel attended an on-campus rally in which a speaker castigated what he called “the Israeli Jew,” later sued the US Congress to halt its investigation of the incidents.
In 2024, the university pledged in a report on antisemitism that it would never again confer academic legitimacy to antisemitism and formally denounced the boycott, divestment, and sanctions (BDS) movement against Israel as “discriminatory” and “anti-intellectual.” The university also passed other policies aimed at protecting academic freedom and free speech from attempts to invoke them as justification for uttering hate speech and founded the Office of Religious and Ethnic Interests (OREI).
Recently, the American Association of University Professors (AAUP), the largest and oldest US organization for defending faculty rights, has been engaged in a fight over Penn’s efforts to combat antisemitism, arguing that a range of faculty speech and conduct considered hostile by Jewish members of the campus community are key components of academic freedom.
In a letter to the administration regarding antidiscrimination investigations opened by the OREI, the group charged that efforts to investigate alleged antisemitism on campus and punish those found to have perpetrated it can constitute discrimination. Its argument reprised other recent claims advanced by the Council on American-Islamic Relations (CAIR), notorious for its defense of Sharia law and alleged ties to jihadist groups such as Hamas, in a lawsuit which aims to dismantle antisemitism prevention training at Northwestern University.
“Harassing, surveilling, intimidating, and punishing members of the university community for research, teaching, and extramural speech based on overly broad definitions of antisemitism does nothing to combat antisemitism, but it can perpetuate anti-Arab, anti-Muslim, and anti-Palestinian racism, muzzle political criticism of the Israeli government by people of any background, and create a climate of fear and self-censorship that threatens the academic freedom of all faculty and students,” the AAUP said, threatening to scrutinize the university. “AAUP-Penn will continue to monitor reports related to OREI.”
Additionally, the AAUP described Penn’s efforts to protect Jewish students from antisemitism as resulting from “government interference in university procedures” while arguing that merely reporting antisemitism subjects the accused to harassment, seemingly suggesting that many Jewish students who have been assaulted, academically penalized, and exposed to hate speech on college campuses across the US are perpetrators rather than victims.
Follow Dion J. Pierre @DionJPierre.
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Saul Rubinek plays a version of himself in ‘Playing Shylock’
דער מאָנטרעאַלער אַקטיאָר סאָל רובינעק האָט אַ סך װאָס צו דערציילן.
ער איז דערצו אויך אַ גרויסער מאמין אינעם כּוח פֿון דערציילן.
„דערציילן איז אַלץ,“ זאָגט ער.
טאַקע די פֿראַזע האָט רובינעק, בעת אַן אינטערװיו מיט מיר, אויסגעקליבן װי אַ פּרוּװ איבערצוזעצן דעם טיטל פֿון זײַן אויטאָביאָגראַפֿישן ראָמאַן, All in the Telling. אַרויס פֿון דרוק אין 2025, איז דער ראָמאַן אַ האַלב־פֿיקטיװע כראָניק פֿון זײַנע עטלערן, ביידע פֿון דער שארית־הפּליטה, און זײַנע פֿאַרװיקלטע באַציִונגען מיט זיי און מיט זייערע טראַװמאַטישע לעבנס־געשיכטעס.
דער טיטל װאָלט זיך אויך גוט צוגעפּאַסט צו זײַן אויפֿטריט אין דער מאָנאָדראַמע Playing Shylock („דאָס שפּילן שײַלאָק“), געשריבן פֿונעם קאַנאַדער דראַמאַטורג מאַרק לירין־יאָנג. די פּיעסע וועט מען שפּילן ביזן 7טן דעצעמבער אין פּאָלאָנסקי־שעקספּיר־צענטער אין ברוקלין.
במשך פֿון דער פּיעסע, דערציילט ער, פֿאַרציילט ער, רעדט ער זיך אַראָפּ פֿון האַרצן. און דער אינהאַלט פֿון זײַנע שפֿעדיקע רייד? אַ פֿיקטיװע, אַנולירטע אויפֿפֿירונג פֿון שעקספּירס „דער קויפֿמאַן פֿון װענעדיג“. במשך פֿון זײַנע צװיי שעה אויף דער בינע הערן מיר די צרות פֿון אַן אַקטיאָר, װאָס האָט געדאַרפֿט שפּילן די ראָלע פֿון שײַלאָק אין דער דאָזיקער פּראָדוקציע: צרות מיט די פּראָדוצענטן, מיטן הײַנטצײַטיקן אַנטיסעמיטיזם און שמאָלקעפּיקײט, און צרות מיט זיך אַליין — װײַל רובינעק שפּילט טאַקע אַ װערסיע פֿון זיך אַליין אין דער אויפֿפֿירונג.
די דראַמע איז אַ רעװידירטער נוסח פֿון אַ פּיעסע, „שײַלאָק“, װאָס לירין־יאָנג האָט צוערשט אָנגעשריבן אין 1996. (אַגבֿ, יוסף באָװשאָװערס באַקאַנטע ייִדישע איבערזעצונג פֿון דער פּיעסע, װאָס מען האָט אַ מאָל געשפּילט אויף דער צווייטער עװעניו, הייסט אויך „שײַלאָק“.) אינעם נײַעם נוסח פֿון לירין־יאָנגס װערק, שפּיגלט די פּיעסע אָפּ פֿאַרשיידענע פֿאַקטן פֿונעם הויפּט־אַקטיאָרס לעבן, און דער עולם װייסט קיין מאָל נישט װאָסער פּרט איז אַן אויסגעטראַכטער און װאָסערער איז טאַקע אַ טשיקאַװעס פֿון רובינעקס לעבן. אין דעם ליגט אַ סך פֿון דער פּיעסעס שפּאַנונג און אומזיכערקייט.
אין עטלעכע מאָמענטן, דעקלאַמירט רובינעק שײַלאָקס מאָנאָלאָגן אין דער שטים פֿונעם טאַטן — אַפֿילו אַ מאָל מיט אַ גמרא־ניגון („װער דען װאָלט געשפּילט שײַלאָק אַזוי?“ האָט ער מיך שפּעטער רעטאָריש געפֿרעגט). בײַם סוף פֿון דער פּיעסע, װאָס איז כּמעט אין גאַנצן אויף ענגליש, הערן מיר די באַרימטע רעדע „האָט דען אַ ייִד ניט קיין אויגן?“, דװקא אויף מאַמע־לשון.
„אין זײַן ספּעציפֿישקייט, װערט ייִדיש אוניװערסאַל,“ זאָגט רובינעק, װאָס האָט אויך געשפּילט אויף ייִדיש אינעם פֿילם Shttl („שטטל“, 2002) און די ראָלע פֿון הירש ראַסיינער (אויף ענגליש) אינעם פֿילם The Quarrel (די קריג, 1991), באַזירט אויף חיים גראַדעס דערציילונג. „אין זײַן ספּעציפֿישקייט װעגן אונדזערע איבערלעבונגען װי מענטשן, װי ייִדן, קענען מיר זיך ׳האַלטן בײַ די הענט׳ מיט דער גאַנצער װעלט.“
טיילװײַז האָט דער אַקטיאָר טאַקע דורכגעפֿירט דעם שמועס מיט מיר אויף ייִדיש, װאָס, ער איז מודה, קומט אים אָן שװערלעך, נאָר װאָס ער האָט בײַ זיך „נישט אין קאָפּ, נאָר אין האַרצן.“
איך האָב אים געפֿרעגט, צי ער פּרוּווט טאַקע פֿאַרגופֿן אין דער פּיעסע די אינטאָנאַציעס און זשעסטן פֿונעם טאַטן?
„איך האָב אַפֿילו ניט געדאַרפֿט פּרוּװן. אַלע קינדער קענען נאָכמאַכן זייערע טאַטע־מאַמעס,“ האָט ער געזאָגט. „דאָס גאַנצע לעבן האָב איך געזען װי דער טאַטע טרעט אויף פֿאַר משפּחה און פֿרײַנד. אַ נאַטירלעכער דערציילער איז ער געװען.“
מאַכט דער רמב״ן: „מעשׂה אָבֿות סימן לבנים“ — די טאַטן פֿון די עלטערן און די עלטערנס עלטערן זאָגן פֿאָרויס דאָס לעבן פֿון די קינדער.
רובינעקס טאַטע, ישׂראל רובינעק, אַ געבוירענער אין לאָדזש, האָט אָנגעפֿירט מיט אַ טעאַטער־טרופּע אין די־פּי־לאַגער פֿערנװאַלד, אין בײַערן. רובינעק איז טאַקע געבוירן געװאָרן אין דער זעלבער נאַכט, וואָס דער טאַטע איז דאָרט אויפֿגעטראָטן ווי דער גולם אין לייװיקס באַרימטער דראַמאַטישע פּאָעמע, אין 1948.
אָט דער צופֿאַל, דאָס געשעעניש, שמעקט מיט באַשערטקייט, מיט הייליקייט אַפֿילו. די אָ הייליקייט באַמערקט רובינעק אין משך פֿון „דאָס שפּילן שײַלאָק“, אין איינער פֿון דער פּיעסעס שטאַרקסטע רעפּליקן:
„איך האָב קיין מאָל ניט געגלייבט אין גאָט. איך גלייב אין דעם, אין טעאַטער. דאָס איז הייליק.“
אָבער אויך אין ייִדיש גלייבט ער. „ייִדיש, װי טעאַטער, איז קאָמונאַל — און איז הייליק,“ האָט ער מיר געזאָגט. „װי לאַנג האָט מען געזאָגט אַז טעאַטער איז טויט? אַזוי אויך מיט ייִדיש.“
דער אַקטיאָר זאָגט אַז עס גלוסט זיך אים איצט שפּילן אין ייִדישן טעאַטער, און ער האַלט אין אַרומרעדן מעגלעכע פּראָיעקטן.
אויך מיר, סײַ צוקוקער סײַ מיט־אַרטיסטן, קוקן אַרויס אויף דעם — אויף נאָך אַזאַ קאָמונאַלער, עקסטרע־הייליקער איבערלעבונג אין טונקעלן טעאַטער־זאַל, װוּ גאָר ניט איז ניט קאָנקרעט און קלאָר.
װי רובינעק זאָגט אין דער נײַער אויפֿפֿירונג, מיט פֿאַררייטלטע באַקן און שטאַרק אַקטיװירטע ברוגז־מוסקלען: „דער טעאַטער איז ניט קיין safe space (געזיכערט אָרט).“
דאָס הייסט, דער טעאַטער איז פֿאָרט אַ פֿאָרום פֿאַר פֿראַגעס, חילוקי־דעות, און גײַסטיקן געראַנגל.
זאָל זײַן אַזוי.
די פּיעסע וועט מען שפּילן ביזן 7טן דעצעמבער אין פּאָלאָנסקי־שעקספּיר־צענטער אין ברוקלין. צו קויפֿן בילעטן גיט אַ קוועטש דאָ.
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