Uncategorized
On Paramount+, Apple TV, HBO and more, Oct. 7 emerges as a cinematic subgenre
Two years after the Hamas attacks on Israel, the tragedy of Oct. 7 has become its own cinematic sub-genre. Filmmakers have rushed to bear witness, survivors have taken up cameras, and streaming platforms are now filled with documentaries and dramatizations that revisit, reimagine, and attempt to process the day’s horrors.
From raw documentaries of the Nova music festival to scripted miniseries debuting this month, these works show how Israelis, and Jews around the world, are still grappling with a single day that reshaped their lives.
The desert rave that became the site of mass murder has inspired a cluster of films, each offering a different register of witness.
“We Will Dance Again” is a documentary that offers a chronological, minute-by-minute account of the Oct. 7, 2023, Hamas attack on the Supernova Music Festival in Israel. The film is constructed primarily through the first-hand testimonies of over a dozen survivors, interweaving their accounts with footage they recorded on their cell phones and video recovered from the cameras of the attackers. The documentary is available to stream Paramount+.
“#Nova,” now on Prime Video, adds new layers of forensic detail by synchronizing video captured by the victims on their personal cell phones with footage recovered from Hamas body-worn cameras. “Supernova: The Music Festival Massacre,” on Apple TV and YouTube, stitches together real-time footage and interviews to convey the disorienting chaos of the first hours.
A more intimate companion piece, “Tattooed for Life,” which played across many film festivals but is not currently streaming, follows tattoo artist and survivor Liraz Uliel as she memorializes fellow festival-goers through a shared fractal tattoo design, an act of mourning turned into community ritual.
Other filmmakers have turned their attention to what happened in the homes, fields and kibbutzim of southern Israel.
The PBS documentary “After October 7: A Personal Journey to Kfar Aza” offers a close look at one of the hardest-hit communities, combining news footage with deeply personal reflections on grief, displacement and rebuilding.
Currently in theaters, “The Road Between Us: The Ultimate Rescue” chronicles retired general Noam Tibon’s desperate drive south to save his son, journalist Amir Tibon, and his family. Blending firsthand testimony with security footage of real-time chaos, the film recounts the former general’s 10-hour, high-stakes mission across a country under siege to rescue his loved ones from their home in Kibbutz Nahal Oz. The film won the People’s Choice Award when it premiered at the Toronto International Film Festival after some turmoil.
Two scripted productions expand these same themes. “Red Alert” (known in Hebrew as “First Light”) is a four-part miniseries that dramatizes five intertwined true stories of civilians, police, and first responders, and is executive-produced by Lawrence Bender, of “Pulp Fiction” fame. The series weaves these chaotic narratives together in a race-against-time format and premieres on Paramount+ on Oct. 7, making it one of two major scripted series to debut on the second anniversary of the attack.
The second series, “One Day in October,” an anthology series based on seven distinct personal stories, will debut on HBO Max on Oct. 7, with all seven episodes available for the U.S. audience.
Many documentaries are meant as a bulwark against denial.
“Bearing Witness to the October 7th Massacre,” a 47-minute film, compiled by the Israeli military, compiles raw footage from multiple sources, including Hamas body-cam recordings, dash cams, CCTV, and victims’ phone videos, to create a chronological record of the atrocities. Due to its graphic nature, the film has not been released to the general public and is only shown in private, invitation-only screenings for policymakers, journalists, diplomats, and community leaders around the world.
A documentary created by Sheryl Sandberg, “Screams before Silence,” address the sexual violence and gender-based atrocities perpetrated by Hamas during the attacks. It is intended to break what critics have described as a moral silence on these war crimes and is streaming on YouTube.
“The Killing Roads” does narrow its focus to the attacks on Route 232 and Highway 34, which were the main arteries where Hamas gunmen ambushed and killed approximately 250 people fleeing the Nova festival and surrounding communities. The film has been released for free viewing on platforms like YouTube and a dedicated website to combat denial of the massacre.
The PBS documentary “October 7th: Through Their Eyes” is focused on a network of Israeli volunteer archivists who immediately set out to preserve the large volume of digital evidence, including social media posts, videos, and messages, from survivors and victims before the content could be deleted or lost. The goal of their project, October7.org, is to create a widely accessible, permanent database of first-hand testimonies.
Several recent works focus on the ordeal of captivity and survival.
“The Children of October 7,” streaming on Paramount+ and hosted by activist Montana Tucker, profiles eight young survivors (ages 11-17) who share harrowing, unscripted testimonies of narrowly escaping death, witnessing the murder of family members, or enduring captivity, and highlights their resilience in the face of unspeakable loss.
Meanwhile, the short documentary “A Letter to David” sees the filmmaker revisit his onetime actor and friend, David Cunio, who remains held in Gaza along with his brother, Ariel Cunio, after being kidnapped from Kibbutz Nir Oz. The film is a collage of family footage and archival material that functions as a cinematic plea for his return.
As the shockwaves of Oct. 7 spread around the world, another crop of films has examined how the attacks reverberated across the Jewish Diaspora and within movements for and against Israel’s war.
The documentary “October 8” (previously titled “October H8te”) captures the anti-Israel protests that erupted across U.S. cities and college campuses in the days and weeks following the attack. It is streaming on Apple TV and Amazon. “The New Jew: Days of War” follows Israeli comedian Guri Alfi as he travels across North America to explore Jewish identity and division in the aftermath.
“Torn: The Israel-Palestine Poster War on NYC Streets” documents the dueling “Kidnapped” and “Free Gaza” posters that turned city lampposts into symbolic battlefields. And “There Is Another Way” portrays the Israeli–Palestinian group Combatants for Peace, whose members struggle to uphold their belief in nonviolence even as both societies harden in grief.
—
The post On Paramount+, Apple TV, HBO and more, Oct. 7 emerges as a cinematic subgenre appeared first on Jewish Telegraphic Agency.
Uncategorized
With the last hostage released, is American Jewish unity over?
When the remains of the last Israeli hostage in Gaza returned to Israel this week, Scott Spindel, a lawyer in Encino, Calif., finally took off the thick steel dog tag he had put on after the Hamas attack of Oct. 7, 2023.
His friend Lauren Krieger, an orthopedic surgeon, did the same. And he pulled down the last of the names of the hostages remaining in Gaza that his wife, Jenn Roth Krieger, had placed in the window of their Santa Monica home.
During the nearly 28 months that Israeli hostages remained in captivity in Gaza, Krieger, 61, and Spindel, 55, consistently argued over Israel’s war in the strip.
“Lauren would say that we probably were a little too extreme,” Spindel, whose daughter serves in the IDF, told me in a telephone interview. “I don’t think we blew up enough buildings.”
But those differences paled beside their mutual concern over the fate of the hostages.
“Unfortunately,” said Spindel, “it took tragedy to pull us together.”

So it was across the American Jewish landscape. Then, the body of Staff Sergeant Ran Gvili, the 24-year-old Israeli police officer killed on Oct. 7 and taken by Hamas terrorists back into the enclave, was returned to Israel — the last of the hostages to come home.
Jews from across the political spectrum unpinned yellow ribbon buttons from their lapels, removed the hostage posters from their synagogues, and folded up and put away the blue-and-white flags displayed as a symbol of the missing Israelis.
The marches and vigils American Jews held on behalf of the hostages — small but meaningful echoes of the mass rallies that roiled Israel — came to a quiet halt.
Jewish unity is forged in adversity. Without it, we are apt to find enemies among ourselves. And as painful as the hostage saga was, it unified an otherwise fractious American Jewish community in a time of crisis.
Without that common concern, are even deeper rifts our future?
“As committed and connected as we were,” said Spindel, “it doesn’t change the fact that we also were still divided about solutions.”
A family in distress
Across the United States, synagogues of all religious and political bents regularly joined in the same Acheinu prayer for the release and return of the hostages.
“Our family, the whole house of Israel, who are in distress,” the prayer begins — a wholly accurate summation of the totality of Jewish concern.
Surveys showed that the hostages unified American Jews even when Israel’s Gaza campaign divided them. An October 2025 Washington Post poll found that a plurality of American Jews disapproved of Israel’s military actions in Gaza — but a whopping 79% said they were “very concerned” about the hostages.
There have been other moments in recent Jewish history when calamity created unity. The 1995 assassination of Prime Minister Yitzhak Rabin, for instance, brought together the vast majority of American Jews in mourning, even those who opposed his policies.
And, of course the brutal Oct. 7 attack, which claimed almost 1,200 lives, created a near-universal sense of shock and sorrow.
But the hostage crisis may have had an even deeper emotional — and perhaps political — impact.
“Even for people who were not affiliated Jewishly, those hostages struck a deep, deep chord,” Krieger told me. “It felt personal. I don’t think we’ve had that level of collective trauma in our lifetimes in that same way.”
And a family divided
The hostage crisis bonded American Jews to one another, and to their Israeli counterparts, at a time when enormous political rifts were opening within their communities.
In the U.S., as in Israel, there were sharp disagreements over Prime Minister Benjamin Netanyahu’s conduct of the war and whether he was even prioritizing the hostages’ safety.
And the encampments and protests against the war at college campuses — in which many Jewish students participated, and to which many others objected — created even deeper divisions over support for the Jewish state.
But if the hostage issue didn’t erase such differences, it muted them. Krieger and Spindel could frustrate each other in conversations about the conduct of the war, or American support for it. But in the end, they were both in that 79% that the Washington Post poll identified.
What will hold them — and the rest of us — together, now?
The hostage crisis provided something history unfortunately bestows upon Jews with regularity: an external enemy that transcended ideological differences. With it gone, American Jews return to what they’ve always been — a community bound by tradition, and riven by politics.
Krieger and Spindel have already resumed their arguments. But even though the dog tags are gone, they’re both still wearing Jewish stars on silver chains around their necks. When someone admires Krieger’s, he takes it off and gives it to them. He buys his metal stars in bulk on Amazon, and has given away dozens since Oct. 7.
“I want people to feel like I do,” he said, “like we’re a peoplehood worth cherishing.”
Worth cherishing — even though we can’t agree on much else.
The post With the last hostage released, is American Jewish unity over? appeared first on The Forward.
Uncategorized
Iran President Says Trump, Netanyahu, Europe Stirred Tensions in Protests
Amnesty International Greek activists and Iranians living in Athens hold candles and placards in front of the Greek Parliament to support the people of Iran, in Athens, Greece, January 30, 2026. Photo: REUTERS/Louisa Gouliamaki TPX IMAGES OF THE DAY
Iranian President Masoud Pezeshkian said on Saturday that US, Israeli and European leaders had exploited Iran’s economic problems, incited unrest and provided people with the means to “tear the nation apart” in recent protests.
The two-week long nationwide protests, which began in late December over an economic crisis marked by soaring inflation and rising living costs, have abated after a bloody crackdown by the clerical authorities that US-based rights group HRANA says has killed at least 6,563, including 6,170 protesters and 214 security forces.
Iranian Foreign Minister Abbas Araqchi told CNN Turk that 3,100, including 2,000 security forces, had been killed.
The US, Israeli and European leaders tried to “provoke, create division, and supplied resources, drawing some innocent people into this movement,” Pezeshkian said in a live state TV broadcast.
US President Donald Trump has repeatedly voiced support for the demonstrators, saying the US was prepared to take action if Iran continued to kill protesters. US officials said on Friday that Trump was reviewing his options but had not decided whether to strike Iran.
Israel’s Ynet news website said on Friday that a US Navy destroyer had docked at the Israeli port of Eilat.
Trump, Israeli Prime Minister Benjamin Netanyahu and Europeans “rode on our problems, provoked, and were seeking — and still seek — to fragment society,” said Pezeshkian.
“They brought them into the streets and wanted, as they said, to tear this country apart, to sow conflict and hatred among the people and create division,” Pezeshkian said.
“Everyone knows that the issue was not just a social protest,” he added.
Regional allies including Turkey, the United Arab Emirates, and Saudi Arabia have been engaging in diplomatic efforts to prevent a military confrontation between Washington and Tehran.
The US is demanding that Iran curb its missile program if the two nations are to instead resume talks, but Iran has rejected that demand.
Foreign Minister Araqchi said in Turkey on Tuesday that missiles would never be the subject of any negotiations.
In response to US threats of military action, Araqchi said Tehran was ready for either negotiations or warfare, and also ready to engage with regional countries to promote stability and peace.
“Regime change is a complete fantasy. Some have fallen for this illusion,” Araqchi told CNN Turk. “Our system is so deeply rooted and so firmly established that the comings and goings of individuals make no difference.”
Uncategorized
CBS News Chief Weiss Touts Commentator Push, Draws Mixed Reaction in Newsroom
FILE PHOTO: Bari Weiss speaks at the 2022 Milken Institute Global Conference in Beverly Hills, California, U.S., May 3, 2022. REUTERS/Mike Blake/File Photo
Three months into her tenure, CBS News Editor-in-Chief Bari Weiss presented a vision this week to revitalize the nearly century-old broadcaster, in part by applying the same formula that fueled the rise of The Free Press – recruiting commentators who offer observations about news, politics and culture.
From adding 19 new commentators, including some drawn from The Free Press ranks, to introducing new podcasts, newsletters and live events, employees were variously energized or skeptical of the ideas presented by CBS’ new boss. Weiss’ notions about how to thrive in a post-Walter Cronkite era struck some as in conflict with the stated mission of doing great journalism, according to seven current and former CBS News employees and industry insiders.
In her presentation, Weiss also envisioned a galaxy of cross-platform stars, like New York Times columnist and CNBC host Andrew Ross Sorkin, whom she highlighted with a meme: “Sorkining.” The Dealbook founder is the author of several business books, executive producer of the Showtime series “Billions,” and maestro of the New York Times premiere live event, and a Davos fixture.
“It’s like saying ‘Hey, Hollywood. Why can’t you just be like Leonardo DiCaprio?’ If people knew how to bottle that magic and make someone a star, they would do it,” said a former CBS employee.
An industry veteran said the idea suggested a lack of appreciation for the power of television, which has been making stars for generations: among them “CBS Evening News” anchors Dan Rather, Connie Chung, Walter Cronkite and Katie Couric.
The 41-year-old Weiss, who has no broadcast experience and has been described as a distant leader by six current and former CBS News sources, now has to deliver on her promise of capturing new and younger viewers – including political independents who don’t see themselves reflected in mainstream media. It is a daunting undertaking that has hobbled executives across broadcast and cable, including former CNN chief Chris Licht, ousted in June 2023.
One supporter sees the charismatic Weiss as a modern-day Katharine Graham, the legendary publisher of the Washington Post, who was undermined by underlings when she took over in 1963. Graham transformed the paper and led it through its Watergate-era heyday, and generally left editorial decisions to Executive Editor Ben Bradlee.
A current staffer, speaking on background, said, “People are saying, ‘Let’s give her a chance’ … I want to see her succeed. If she succeeds, we all succeed.”
CBS News and Weiss did not immediately respond to requests for comment.
PRIORITIES FOR CBS NEWS
Weiss, a former opinion journalist and media entrepreneur, joined CBS after parent Paramount owner David Ellison bought her five-year-old media company, The Free Press, for $150 million in October.
Some see Weiss’ playbook of expanding CBS’s journalism ranks with commentators as conflicting with other initiatives including breaking news and landing deep investigative stories, according to three current and former CBS News staffers and an industry veteran.
“There’s nothing wrong with that,” said the former employee. “But is that what a news division is or are they craving something completely different? That’s fine but don’t pretend it’s a news division.”
Another current CBS News staffer talked about past failures to capitalize on new ways of reaching the audience, such as leveraging the power of the Paramount+ streaming service to promote news shows, observing, “We have done a wretched job of being on the internet.”
Weiss is also attempting to change the news network’s political orientation, appealing to a wider cross-section of Americans, according to her remarks Tuesday. Weiss said she wants CBS News to reflect the friction animating the national conversation.
In broadening its perspective to include more diverse viewpoints, CBS News could ultimately lay claim to the uncharted ground for a center-right broadcaster, said Integrated Media Chief Executive Jonathan Miller, a veteran media executive who has held senior positions at News Corp and AOL.
“We need to commission and greenlight stories that will surprise and provoke – including inside our own newsroom,” Weiss said in her address to employees. “We also have to widen the aperture of the stories we tell.”
On that front, CBS has had mixed results so far. Earlier this month, “CBS Evening News” broadcast a widely panned segment featuring U.S. Secretary of State Marco Rubio in various meme-like situations, saluting him as “the ultimate Florida man.”
EARLY SUCCESSES
It has also seen successes, including Lesley Stahl’s interview with Trump son-in-law and Middle East advisor Jared Kushner and Special Envoy Steve Witkoff, within a week of brokering a peace deal between Israel and Hamas, and Norah O’Donnell’s “60 Minutes” interview with Trump. Paramount paid Trump $16 million to settle a lawsuit over its editing of an interview with his White House rival, former Vice President Kamala Harris.
It landed journalistic scoops, including interviewing the man who charged one of two gunmen who attacked a Jewish community gathering in Sydney, and exclusive video of Alex Pretti, the man killed by Border Patrol in Minneapolis, reading a tribute to a veteran who died in 2024.
Weiss announced that the network would bring in contributors with expertise in politics, health, happiness, food and culture, whom she encouraged staffers to use on-air. The roster includes Free Press columnist Niall Ferguson of the conservative Hoover Institution, as well as Casey Lewis, a former Teen Vogue and MTV editor who writes about youth culture.
“It’s great to have younger people, a diverse demographic and diverse ideology represented,” said Kathy Kiely, the chair in Free-Press Studies at the Missouri School of Journalism. “Newsrooms can’t do a good job unless we have that diversity in our ranks. What worries me is the emphasis on opinion over primary-sourced, reported facts.”
Weiss emphasized making content available online before it airs on TV to reach more viewers. CBS has long been in third place behind rivals ABC and NBC and, like most mainstream media, is struggling with audience declines as consumers migrate to social platforms.
Pew Research estimates about one-third of all adults get at least some news from podcasts. CBS News does not appear among Spotify’s or Apple’s rankings of the top 50 news podcasts.
One former employee expects the digital-first goal to be complicated because CBS hasn’t devoted sufficient resources to helping correspondents or anchors curate their social media presence or re-edit television interviews for YouTube or streaming.
Weiss encouraged staffers to think of the news organization as the best-capitalized media startup in the world.
“We are in a position, with the support of all of the leadership of this company, to really make the change we need.”
