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On Paramount+, Apple TV, HBO and more, Oct. 7 emerges as a cinematic subgenre
(JTA) — Two years after the Hamas attacks on Israel, the tragedy of Oct. 7 has become its own cinematic sub-genre. Filmmakers have rushed to bear witness, survivors have taken up cameras, and streaming platforms are now filled with documentaries and dramatizations that revisit, reimagine, and attempt to process the day’s horrors.
From raw documentaries of the Nova music festival to scripted miniseries debuting this month, these works show how Israelis, and Jews around the world, are still grappling with a single day that reshaped their lives.
The desert rave that became the site of mass murder has inspired a cluster of films, each offering a different register of witness.
“We Will Dance Again” is a documentary that offers a chronological, minute-by-minute account of the Oct. 7, 2023, Hamas attack on the Supernova Music Festival in Israel. The film is constructed primarily through the first-hand testimonies of over a dozen survivors, interweaving their accounts with footage they recorded on their cell phones and video recovered from the cameras of the attackers. The documentary is available to stream Paramount+.
“#Nova,” now on Prime Video, adds new layers of forensic detail by synchronizing video captured by the victims on their personal cell phones with footage recovered from Hamas body-worn cameras. “Supernova: The Music Festival Massacre,” on Apple TV and YouTube, stitches together real-time footage and interviews to convey the disorienting chaos of the first hours.
A more intimate companion piece, “Tattooed for Life,” which played across many film festivals but is not currently streaming, follows tattoo artist and survivor Liraz Uliel as she memorializes fellow festival-goers through a shared fractal tattoo design, an act of mourning turned into community ritual.
Other filmmakers have turned their attention to what happened in the homes, fields and kibbutzim of southern Israel.
The PBS documentary “After October 7: A Personal Journey to Kfar Aza” offers a close look at one of the hardest-hit communities, combining news footage with deeply personal reflections on grief, displacement and rebuilding.
Currently in theaters, “The Road Between Us: The Ultimate Rescue” chronicles retired general Noam Tibon’s desperate drive south to save his son, journalist Amir Tibon, and his family. Blending firsthand testimony with security footage of real-time chaos, the film recounts the former general’s 10-hour, high-stakes mission across a country under siege to rescue his loved ones from their home in Kibbutz Nahal Oz. The film won the People’s Choice Award when it premiered at the Toronto International Film Festival after some turmoil.
Two scripted productions expand these same themes. “Red Alert” (known in Hebrew as “First Light”) is a four-part miniseries that dramatizes five intertwined true stories of civilians, police, and first responders, and is executive-produced by Lawrence Bender, of “Pulp Fiction” fame. The series weaves these chaotic narratives together in a race-against-time format and premieres on Paramount+ on Oct. 7, making it one of two major scripted series to debut on the second anniversary of the attack.
The second series, “One Day in October,” an anthology series based on seven distinct personal stories, will debut on HBO Max on Oct. 7, with all seven episodes available for the U.S. audience.
Many documentaries are meant as a bulwark against denial.
“Bearing Witness to the October 7th Massacre,” a 47-minute film, compiled by the Israeli military, compiles raw footage from multiple sources, including Hamas body-cam recordings, dash cams, CCTV, and victims’ phone videos, to create a chronological record of the atrocities. Due to its graphic nature, the film has not been released to the general public and is only shown in private, invitation-only screenings for policymakers, journalists, diplomats, and community leaders around the world.
A documentary created by Sheryl Sandberg, “Screams before Silence,” address the sexual violence and gender-based atrocities perpetrated by Hamas during the attacks. It is intended to break what critics have described as a moral silence on these war crimes and is streaming on YouTube.
“The Killing Roads” does narrow its focus to the attacks on Route 232 and Highway 34, which were the main arteries where Hamas gunmen ambushed and killed approximately 250 people fleeing the Nova festival and surrounding communities. The film has been released for free viewing on platforms like YouTube and a dedicated website to combat denial of the massacre.
The PBS documentary “October 7th: Through Their Eyes” is focused on a network of Israeli volunteer archivists who immediately set out to preserve the large volume of digital evidence, including social media posts, videos, and messages, from survivors and victims before the content could be deleted or lost. The goal of their project, October7.org, is to create a widely accessible, permanent database of first-hand testimonies.
Several recent works focus on the ordeal of captivity and survival.
“The Children of October 7,” streaming on Paramount+ and hosted by activist Montana Tucker, profiles eight young survivors (ages 11-17) who share harrowing, unscripted testimonies of narrowly escaping death, witnessing the murder of family members, or enduring captivity, and highlights their resilience in the face of unspeakable loss.
Meanwhile, the short documentary “A Letter to David” sees the filmmaker revisit his onetime actor and friend, David Cunio, who remains held in Gaza along with his brother, Ariel Cunio, after being kidnapped from Kibbutz Nir Oz. The film is a collage of family footage and archival material that functions as a cinematic plea for his return.
As the shockwaves of Oct. 7 spread around the world, another crop of films has examined how the attacks reverberated across the Jewish Diaspora and within movements for and against Israel’s war.
The documentary “October 8” (previously titled “October H8te”) captures the anti-Israel protests that erupted across U.S. cities and college campuses in the days and weeks following the attack. It is streaming on Apple TV and Amazon. “The New Jew: Days of War” follows Israeli comedian Guri Alfi as he travels across North America to explore Jewish identity and division in the aftermath.
“Torn: The Israel-Palestine Poster War on NYC Streets” documents the dueling “Kidnapped” and “Free Gaza” posters that turned city lampposts into symbolic battlefields. And “There Is Another Way” portrays the Israeli–Palestinian group Combatants for Peace, whose members struggle to uphold their belief in nonviolence even as both societies harden in grief.
The post On Paramount+, Apple TV, HBO and more, Oct. 7 emerges as a cinematic subgenre appeared first on The Forward.
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Lebanon Plans UN Complaint Against Israel Over Border Wall
A UN vehicle drives near a concrete wall along Lebanon’s southern border which, according to the Lebanese presidency, extends beyond the “Blue Line”, a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights, as seen from northern Israel, November 16, 2025. REUTERS/Shir Torem
Lebanon will file a complaint to the U.N. Security Council against Israel for constructing a concrete wall along Lebanon’s southern border that extends beyond the “Blue Line,” the Lebanese presidency said on Saturday.
The Blue Line is a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights. Israeli forces withdrew to the Blue Line when they left south Lebanon in 2000.
A spokesperson for the U.N. secretary-general, Stephane Dujarric, said on Friday the wall has made more than 4,000 square meters (nearly an acre) of Lebanese territory inaccessible to the local population.
The Lebanese presidency echoed his remarks, saying in a statement that Israel’s ongoing construction constituted “a violation of U.N. Security Council Resolution 1701 and an infringement on Lebanon’s sovereignty and territorial integrity.”
Dujarric said the United Nations Interim Force in Lebanon (UNIFIL) had requested that the wall be removed.
An Israeli military spokesperson denied on Friday that the wall crossed the Blue Line.
“The wall is part of a broader IDF plan whose construction began in 2022,” the spokesperson said, referring to the Israel Defense Forces.
“Since the start of the war, and as part of lessons learned from it, the IDF has been advancing a series of measures, including reinforcing the physical barrier along the northern border.”
UNIFIL, established in 1978, operates between the Litani River in the north and the Blue Line in the south. The mission has more than 10,000 troops from 50 countries and about 800 civilian staff, according to its website.
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Iran Says US Is Not Ready for ‘Equal and Fair’ Nuclear Talks
Iranian Foreign Minister Abbas Araqchi speaks during a meeting with foreign ambassadors in Tehran, Iran, July 12, 2025. Photo: Hamid Forootan/Iranian Foreign Ministry/WANA (West Asia News Agency)/Handout via REUTERS
Washington’s current approach toward Tehran does not indicate any readiness for “equal and fair negotiations,” Iran’s foreign minister said on Sunday, after US President Donald Trump hinted last week at potential discussions.
Following Israel’s attack on Iran in June, which was joined by U.S. strikes on Iranian nuclear facilities, attempts at renewing dialogue on Tehran’s nuclear program have failed.
The United States, its European allies and Israel accuse Tehran of using its nuclear program as a veil for efforts to develop the capability to produce weapons. Iran says its nuclear program is for peaceful purposes only.
Tehran and Washington underwent five rounds of indirect nuclear talks prior to the 12-days-war, but faced obstacles such as the issue of domestic uranium enrichment, which the U.S. wants Iran to forego.
“The U.S. cannot expect to gain what it couldn’t in war through negotiations,” Abbas Araqchi said during a Tehran conference named “international law under assault.”
“Iran will always be prepared to engage in diplomacy, but not negotiations meant for dictation,” he added.
During the same conference, deputy foreign minister Saeed Khatibzadeh accused Washington of pursuing its wartime goals with “negotiations as a show.”
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Israeli Government Decides ‘Independent’ Commission to Investigate Oct. 7 Failures
The Israeli Supreme Court in Jerusalem. Photo: Wikimedia Commons.
i24 News – The Israeli government has approved the creation of an “independent” commission of inquiry to examine the failures that enabled the Hamas assault of October 7, 2023.
However, in a move sharply criticized by the opposition and contrary to the recommendation of the Supreme Court, the panel will not be a formal state commission of inquiry. Instead, its mandate, authorities, and scope will be determined directly by government ministers.
According to the decision, the commission will receive full investigative powers and must be composed in a way that ensures “the broadest possible public trust.”
Prime Minister Benjamin Netanyahu will form a special ministerial committee tasked with defining what the inquiry may investigate, the time periods to be reviewed, and the authority it will receive. The committee has 45 days to deliver its recommendations.
For the past year, the government has repeatedly resisted calls to establish a state commission, arguing at first that such a body could not operate during wartime. Later, some ministers accused Supreme Court President Isaac Amit of being incapable of appointing an impartial chairperson.
But on October 15, the High Court of Justice ruled that there was “no substantive argument” against forming a state commission, giving the government 30 days to respond.
Netanyahu maintains that responsibility for the October 7 failures lies primarily with Israel’s security agencies rather than with political leaders.
His critics accuse him of creating a weaker, government-controlled inquiry designed to limit scrutiny of his decisions, undermining the prospect of full accountability for the deadliest attack in Israel’s history.