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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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Federal Officials Dig in on Minneapolis Shooting Narrative Despite Video Evidence
A person reacts at a makeshift memorial at the site where a man identified as Alex Pretti was fatally shot by federal immigration agents trying to detain him, in Minneapolis, Minnesota, U.S., January 25, 2026. REUTERS/Tim Evans
Senior Trump administration officials on Sunday defended the fatal shooting of a US citizen by immigration agents in Minneapolis even as video evidence contradicted their version of events and tensions grew between local law enforcement and federal officers.
As residents visited a makeshift shrine of flowers and candles in frigid temperatures and snow to mark Saturday’s fatal shooting of Alex Pretti — the second shooting death by federal officers in Minneapolis this month — the Trump administration argued that Pretti assaulted officers, compelling them to fire in self-defense.
Gregory Bovino, Border Patrol commander-at-large speaking on CNN’s “State of the Union,” could not offer evidence that Pretti was trying to impede a law enforcement operation, but focused on the fact that the ICU nurse was carrying a gun, which he had a license to carry.
“The victims are border patrol agents,” Bovino said. “Law enforcement doesn’t assault anyone.”
Bovino and Homeland Security Secretary Kristi Noem accused Pretti of assaulting the agents, rioting and obstructing them.
“We do know that he came to that scene and impeded a law enforcement operation, which is against federal law,” Noem told Fox News’ “Sunday Briefing” program. “It’s a felony. When he did that, interacting with those agents, when they tried to get him to disengage, he became aggressive and resisted them.”
That official line, echoed by other Trump officials on Sunday, triggered outrage from local law enforcement, many in Minneapolis and Democrats on Capitol Hill, because of bystander videos that appear to show a different version of events.
HOLDING A PHONE, NOT A GUN
Videos from the scene verified and reviewed by Reuters showed Pretti, 37, holding a phone in his hand, not a gun, as he tries to help other protesters who have been pushed to the ground by agents.
As the videos begin, Pretti can be seen filming as a federal agent pushes away one woman and shoves another woman to the ground. Pretti moves between the agent and the women, then raises his left arm to shield himself as the agent pepper sprays him.
Several agents then take hold of Pretti — who struggles with them — and force him onto his hands and knees. As the agents pin down Pretti, someone shouts what sounds like a warning about the presence of a gun.
Video footage then appears to show one of the agents removing a gun from Pretti and stepping away from the group with it.
Moments later, an officer with a handgun pointed at Pretti’s back and fired four shots at him in quick succession. Several more shots can then be heard as another agent appears to fire at Pretti.
Darius Reeves, the former head of ICE’s field office in Baltimore, told Reuters that federal agents’ apparent lack of communication is troubling. “It’s clear no one is communicating to me, based on my observation of how that team responded,” Reeves said.
One of the officers appeared to have taken possession of Pretti’s weapon before he was killed, Reeves said. “The proof to me is how everyone scatters,” he said. “They’re looking around, trying to figure out where the shots came from.”
‘VIDEOS SPEAK FOR THEMSELVES’
Brian O’Hara, the Minneapolis police chief, told CBS’ “Face the Nation” that “the videos speak for themselves,” adding the Trump administration version of events was “deeply disturbing.” He said he had seen no evidence that Pretti brandished a gun.
Tensions in the city were already running high after a federal agent fatally shot US citizen Renee Good on Jan 7. Trump officials claim she was trying to ram the agent with her car, but other observers have argued that bystander video suggests she was trying to steer away from the officer who shot her.
Federal authorities have refused to allow local officials to participate in their investigation of the incident.
US Senator Amy Klobuchar, a Democrat from Minnesota, told ABC News’ “This Week” that Trump’s surge of federal agents into Minneapolis was “completely out of control and out of balance,” and that they should leave Minnesota. She described the shooting of Pretti as “simply horrific.”
The deaths of Good and Pretti have sparked large protests in the Democrat-run city, although on Sunday morning the area where Pretti was shot was calm.
A woman wearing nursing scrubs ventured out in Sunday’s frigid temperatures to pay homage to Pretti, who she said worked with her. When asked what brought her out, the woman began to sob.
“He was caring and he was kind. None of this makes any sense,” said the woman, who asked not to be identified by name, saying she feared retribution from the federal government.
In addition to large protests in Minneapolis since Good’s death, there have been rallies in other cities led by Democratic politicians, including Los Angeles and Washington, D.C., since Trump began sending immigration agents and National Guard troops to those communities last year.
Trump has defended the operations as necessary to reduce crime and enforce immigration laws.
Pretti’s shooting triggered legal filings on Saturday night from state and local officials, as well as others.
A US district judge issued a temporary restraining order prohibiting federal officials from destroying or altering evidence related to the shooting in response to a lawsuit filed by Minnesota’s attorney general, the Hennepin County Attorney’s Office and the Bureau of Criminal Apprehension. A full hearing is set for Monday.
Lawyers representing protesters in Minnesota also asked an appeals court to reinstate a lower court’s order that prevented violent retaliation by federal agents against protesters, citing Pretti’s death and the likelihood of a surge of people taking to the streets.
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Iran Health Officials Say Death Toll Far Exceeds Official Figures During Protests
Cars burn in a street during a protest over the collapse of the currency’s value, in Tehran, Iran, Jan. 8, 2026. Photo: Stringer/WANA (West Asia News Agency) via REUTERS
i24 News – Senior sources inside Iran’s Ministry of Health have told the American publication TIME that an internal government tally shows as many as 30,000 people may have been killed in Iran on January 8 and 9 alone, far exceeding the official death toll announced by the authorities. According to the report, the figure is based on accounts from two unnamed senior Health Ministry officials and could not be independently verified.
The officials said the scale of the killings by Iranian security services during those two days overwhelmed state systems. Stocks of body bags were depleted, the officials said, and eighteen-wheel semi-trailers were used in place of ambulances to transport bodies.
According to the report, the internal government count has not been previously revealed and far exceeds the figure of 3,117 deaths announced on January 21 by Iranian authorities and state media aligned with Supreme Leader Ali Khamenei. TIME noted that Iran’s ministries, including the Health Ministry, formally report to the country’s elected president.
The reported internal figure also surpasses counts being compiled by independent activists documenting fatalities by name. As of Saturday, the US-based Human Rights Activists News Agency (HRANA) said it had confirmed 5,459 deaths and was investigating an additional 17,031 cases.
The two Health Ministry officials described the internal tally as reflecting only a portion of the broader unrest, highlighting January 8 and 9 as particularly deadly. The report mentioned the deaths cited occurred “in the streets of Iran,” underscoring the intensity of those two days. Iranian authorities have not publicly commented on the internal figures cited by TIME.
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UN Rights Body Censures Iran’s ‘Brutal Repression’ of Protests
Members of the UN Security Council meet on Iran at the request of the United States at U.N. headquarters in New York City, US, January 15, 2026. Photo: REUTERS/Eduardo Munoz
The U.N. rights body condemned Iran on Friday for rights abuses and mandated an investigation into a recent crackdown on anti-government protests that killed thousands of people.
“I call on the Iranian authorities to reconsider, to pull back, and to end their brutal repression,” High Commissioner Volker Turk told an emergency session of the U.N. Human Rights Council in Geneva, voicing concerns for detainees.
The council passed a motion extending a previous inquiry set up in 2022 so U.N. investigators could also document the latest unrest “for potential future legal proceedings.”
Rights groups say bystanders were among those killed during the biggest crackdown since Shi’ite Muslim clerics took power in the 1979 revolution. Tehran has blamed “terrorists and rioters” backed by exiled opponents and foreign foes the US and Israel.
Iran’s mission decried the rights council’s “politicized” resolution and rejected external interference, saying in a statement it had its own independent and robust accountability mechanisms to investigate “the root causes of recent events.”
Twenty-five states including France, Mexico and South Korea voted in favor, while seven including China and India voted against and 14 abstained.
“This is the worst mass murder in the contemporary history of Iran,” Payam Akhavan, a former U.N. prosecutor of Iranian-Canadian nationality, told the meeting. He called for a “Nuremberg moment”, referring to the international criminal trials of Nazi leaders following World War Two.
Iran’s ambassador to the U.N. in Geneva, Ali Bahreini, told the Council its emergency session was invalid and gave Tehran’s tally of some 3,000 people killed in the unrest.
One Iranian official, however, has told Reuters that at least 5,000 people, including 500 members of the security forces, had been killed.
The U.S.-based HRANA rights group said it has so far verified 4,519 unrest-linked deaths and had 9,049 additional deaths under review.
China, Pakistan, Cuba and Ethiopia also questioned the utility of the rights session, with Beijing’s ambassador Jia Guide calling the unrest in Iran “a matter of internal affairs”.
It was unclear who would cover the costs of the extended U.N. inquiry amid a funding crisis that has stalled other probes.