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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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Al Jazeera Forum Platforms Terrorist Leaders and Their Sympathizers
The Al Jazeera Media Network logo is seen on its headquarters building in Doha, Qatar, June 8, 2017. Photo: REUTERS/Naseem Zeitoon
At the 17th annual Al Jazeera Forum in Doha, Qatar, familiar faces took the stage to discuss the aftermath of October 7 and its broader regional and global implications. These figures are familiar not for their credibility, but because the lineup included terrorist leaders and their sympathizers.
Upon entrance to the forum, an “in memoriam” lined the halls filled with faces of Al Jazeera journalists who died during the Israel-Hamas war.
Eitan Fischberger, who first exposed the terror-filled line up of speakers at the conference, found that five of these so-called journalists are also familiar faces. These “journalists” didn’t become well-known for trustworthy and accurate reporting, but rather because all five of them had well-established ties with terrorist organizations such as Hamas in the Gaza Strip.
Five. The answer is five Al Jazeera terrorists
https://t.co/2MjtM3MW9V pic.twitter.com/PQzULPF5zF
— Eitan Fischberger (@EFischberger) February 6, 2026
Hamas terrorist leader Khaled Meshaal and Iranian Foreign Minister Abbas Araghchi were two of the biggest attractions at the event. UN Special Rapporteur Francesca Albanese, sanctioned by the US for her pro-terror rhetoric, also took part in a session via video call.
Despite the mass slaughter of Iranian civilians, the focus of every speaker at the conference was laser-focused on Israel. This was not accidental. After all, Abbas Araghchi, who, given his position in the Iranian regime, has stood by as thousands of Iranian citizens were murdered, was given a spotlight.
From that platform, Araghchi blamed Israel for regional instability, saying that “Israel’s expansionist project requires that neighboring countries be weakened” and amounts to the “enforcement of permanent inequality.”
For this, he called for Israel to be “punished.” The irony would be laughable if it weren’t so grotesque. A senior official of a regime that jails dissidents, executes protesters, and bankrolls terrorist proxies across the region stood before an audience and positioned himself as a moral authority on justice and stability.
Iran’s FM Abbas Araghchi slammed the double standard allowing Israel to expand its military while others in the region are asked to reduce their defensive capabilities.
Araghchi spoke at the Al Jazeera Forum in Doha, an event focusing on geopolitical shifts in the Middle East. pic.twitter.com/sRQ8khI5D4
— Al Jazeera English (@AJEnglish) February 7, 2026
Predictably, in Hamas terrorist leader Khaled Meshaal’s session, he similarly dodged any blame for the ensuing war. What he did was suggest that “the flood” — the operation name chosen for the October 7 massacre — successfully brought the Palestinian cause back to global consciousness. He specifically praised the outrage seen on university campuses and across social media, treating international unrest as a strategic victory.
Naturally, as a terrorist leader, Meshaal deflected the requirement for Hamas to disarm, saying “criminalizing the resistance” is not something it can accept. As long as Israel exists, Hamas will not disarm.
It is the most recent example of Hamas leaders being explicit in their absolute unwillingness to adhere to the ceasefire agreement to which they signed.
Beyond actual terrorists, terrorist sympathizer Francesca Albanese was invited to speak, joining a session abroad via video. Unsurprisingly, her words echoed those of the terrorist leaders listed above, as she spoke of Israel as the “common enemy” of the world.
It is dangerous enough that a UN Rapporteur shared a platform at the same conference as terrorists. That her language is barely distinguishable from that of designated terrorists should probably come as little surprise given Albanese’s previous actions.
Humanity has a “common enemy” in Israel, Francesca Albanese tells Qatar’s Al Jazeera forum pic.twitter.com/l1wXNiS7yP
— Hillel Neuer (@HillelNeuer) February 8, 2026
Mustafa Barghouti, who has similarly expressed support for Palestinian terrorism in the past, discussed how the Palestinian will could not be broken, and how the fact that people stayed in Gaza throughout the war displayed the “failure of Israel” despite the “genocide.” In reality, this only goes to show that Palestinian civilians were never the target of Israel, which fought tirelessly to root out Hamas and other terrorists, while doing its utmost to avoid harming civilians.
Mustafa Barghouti, secretary-general of the Palestinian National Initiative, said that the steadfastness of Palestinians in Gaza despite genocide, shows ‘the failure of Israel’.
Barghouti is at the Al Jazeera Forum, an event focusing on geopolitical shifts in the Middle East. pic.twitter.com/X9Fjex3kWc
— Al Jazeera English (@AJEnglish) February 7, 2026
Al Jazeera’s support for terrorism is not new. What makes this moment particularly alarming is the scale of its influence on the world, and how it brings terrorists and their sympathizers onto a stage in light of global events. This was not a conference about the future of the Middle East. It was an echo chamber where terrorism got the platform.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Erdogan’s Atomic Ambition: Why Turkey Is the Middle East’s Next Proliferation Crisis
Riot police walk outside the Istanbul provincial office of the main opposition Republican People’s Party (CHP), as CHP supporters gather near the office, after a recent court ruling that ousted the CHP’s Istanbul provincial leadership, in Istanbul, Turkey, Sept. 8, 2025. Photo: REUTERS/Dilara Acikgoz
As the global community remains transfixed by the diplomatic theater in Oman, a more ominous atomic shadow is lengthening across the Eastern Mediterranean.
While Western envoys chase a “nuclear framework” with a defiant Iran, Recep Tayyip Erdogan is quietly executing a multi-decade roadmap to transform Turkey into the region’s next nuclear-threshold state.
We are witnessing the birth of a sophisticated, NATO-embedded “Iran 2.0” — yet the international community continues to treat Ankara as a standard ally rather than the primary proliferation risk it has become.
Unit 1 of the Akkuyu Nuclear Power Plant stands at 99 percent completion. While marketed as a civilian energy panacea, Akkuyu represents a strategic Trojan Horse of unprecedented proportions. It is the world’s first “Build-Own-Operate” nuclear project, entirely financed and controlled by Russia’s Rosatom. This arrangement has not only granted the Kremlin a permanent nuclear anchor on NATO’s southern flank, but has also provided the Turkish state with the technical laboratory necessary to master the full nuclear fuel cycle under the guise of commercial cooperation.
The most alarming development in Turkey’s nuclear trajectory is not found in its power reactors, but in its naval shipyards. By officially prioritizing the “NUKDEN” initiative — Turkey’s nuclear-powered submarine program — Erdogan has discovered the ultimate legal loophole for domestic uranium enrichment. Under the Nuclear Non-Proliferation Treaty, “peaceful” enrichment remains a contentious grey area, but the production of highly enriched uranium for naval propulsion is a recognized military necessity that bypasses many traditional civilian safeguards.
By pursuing a nuclear navy, Ankara is signaling its intent to stockpile the very fissile material required for a warhead, all while maintaining a veneer of maritime sovereignty. This is a tactical evolution of the “Iran Model.” Where Tehran chose a path of open defiance, Ankara is choosing a path of “Legalist Proliferation,” using its status as a naval power to justify a fuel cycle that would otherwise trigger immediate international sanctions.
This “Stealth Proliferation” is backed by a massive, nine-billion-dollar cash injection from Moscow, ensuring that the infrastructure for this “naval requirement” is built with the highest Russian expertise.
A nuclear reactor is merely a forge; its true threat is realized only when paired with a delivery system. In June 2025, Erdogan issued a decree to massively expand Turkey’s production of medium- and long-range missiles. This was not a random military upgrade. When paired with the 2026 commissioning of Akkuyu, the picture becomes clear: Turkey is building the two halves of a nuclear deterrent in parallel.
The “Araghchi Doctrine” currently being debated in Doha — Iran’s refusal to negotiate on its own missile program — finds a mirror image in Ankara’s “National Missile Program.” Erdogan has been vocal in his disdain for the “nuclear OPEC,” arguing that it is unfair for some nations to possess nuclear-tipped missiles while others are barred from the club. By developing indigenous missile technology capable of reaching any capital in the Middle East or Europe, Turkey is ensuring that once its “breakout” occurs, the delivery mechanism will already be in place, tested, and ready.
For too long, Turkey has been granted what can only be described as a “NATO Pass.” Washington has consistently hesitated to enforce the Countering America’s Adversaries Through Sanctions Act with the necessary vigor, fearing the loss of the Incirlik airbase or a total rupture in the alliance. This hesitation has been read in Ankara as a green light. Erdogan views the international order not as a set of rules to follow, but as a set of constraints to be dismantled.
The strategic reality is that Turkey is no longer content to sit under the American nuclear umbrella. It seeks to build its own, potentially in a trilateral partnership with Saudi Arabia and Pakistan. This “Islamic Nuclear Axis” would combine Turkish high-tech delivery systems, Saudi capital, and Pakistani technical blueprints to create a new center of gravity that is entirely independent of Western control.
Amine Ayoub, a fellow at the Middle East Forum, is a policy analyst and writer based in Morocco. Follow him on X: @amineayoubx
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Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit
(JTA) — Iran has erected a map showing Israeli targets for potential strikes in a prominent propaganda spot as another week dawns with uncertainty over whether it will face a U.S. attack.
The map went up over the weekend in Tehran’s Palestine Square, a frequent site for billboards meant to broadcast the Islamic Republic’s bravado when it comes to Israel and the United States. It includes the words “You start, we finish!”
It comes as President Donald Trump continues to weigh military intervention against Iran and as Israeli Prime Minister Benjamin Netanyahu plans to visit the White House to press for his demands in Trump’s negotiations with Iran.
“Prime Minister Benjamin Netanyahu is expected to meet with US President Donald Trump this Wednesday in Washington, and will discuss with him the negotiations with Iran,” Netanyahu’s office said in a statement on Saturday. “The Prime Minister believes any negotiations must include limitations on ballistic missiles and a halting of the support for the Iranian axis.”
A will-he-or-won’t-he air has pervaded for weeks as Trump has considered different strategies for dealing with Iran, which has said it would view both U.S. and Israeli targets as legitimate if the United States strikes to curb its nuclear ambitions, less than a year after the last U.S. attack on Iranian sites, which came during a war between Iran and Israel.
On Friday, Jared Kushner, Trump’s son-in-law and Middle East advisor, and Steve Witkoff, his Middle East envoy, met directly with Iran’s foreign minister in Oman. The foreign minister, Abbas Araqchi, said the talks had gotten off to a “good start” but that Iran was willing to negotiate only about the nuclear program, not the missiles that concern Israel.
Trump, too, told reporters that there had been “very good talks” that indicated that Iran was prepared to make more concessions than it had offered in the past. Still, he said, “They know that if they don’t make a deal the consequences are very steep.”
The next day, Kushner and Witkoff also visited a U.S. naval carrier that has been moved to the region as part of what Trump has called an “armada” that would enable U.S. military action in the event that Trump decides it is needed. Netanyahu has moved up his planned White House visit — which will be his fourth since Trump retook office last year — to advocate for Israel’s interests in the negotiations. It was at a previous visit, last April, that Trump disclosed for the first time that the United States had opened direct talks with Iran. Just over two months later, Trump joined Israel’s campaign against Iran with a bombing attack that came a day after he said he had not decided whether to strike.
The post Map of Israeli targets goes up in Tehran as tensions simmer ahead of Netanyahu’s White House visit appeared first on The Forward.
