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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival
(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.
Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.
This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1.
“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”
The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva.
”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section.
Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.
Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.
Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.
Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.
Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”
Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”
Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)
Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage.
Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.
“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”
In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).
He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddler” translating a couple of sentences at a time between scenes.
Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.
Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls.
His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.
“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”
Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.
Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol” (“Never Say”), the anthem of the Vilna partisans.
And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.
He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.”
“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”
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Former UPenn President, Who Resigned in Disgrace Amid Antisemitism Crisis, Hired as Dean of Georgetown Law
Former University of Pennsylvania President Liz Magill at the US Capitol, in Washington, DC, on Dec. 5, 2023. Photo: Graeme Sloan/Sipa USA via Reuters Connect.
Georgetown University in Washington DC has hired Liz Magill, the former president of the University of Pennsylvania (Penn) who resigned in disgrace amid backlash over her handling of antisemitism on campus, as the new dean and executive vice president of its law school.
“We are honored to welcome Liz Magill as the new dean of Georgetown Law,” interim Georgetown president Robert M. Groves said in a statement. “Liz is the right person to lead Georgetown law. She is a distinguished legal scholar and an accomplished administrator who brings a values-driven vision to Georgetown Law. We are excited to see her take the herm and join our vibrant community.”
As previously reported by The Algemeiner, Magill’s resignation from Penn in December 2023 followed growing calls from donors, students, and university leaders, as well as US lawmakers, for her to step down after refusing to say during a US congressional hearing that calling for the genocide of Jews would not constitute a violation of school rules. Instead, she argued, the question of whether to punish a student for such a genocidal call would be a “context-dependent decision.”
The statement precipitated a scandal which led to Penn’s losing the philanthropic support of many its most generous donors and being denounced across the country for its handling of campus antisemitism.
Magill resigned from the office three days after the gaffe.
Then in August 2024, Harvard University hired Magill as a visiting fellow, and she also signed a three-year contract with the London School of Economics to teach as a visiting professor.
As president of Penn, Magill had several opportunities throughout her tenure at Penn to denounce hateful, even conspiratorial, rhetoric directed at both Israel and the Jewish community. However, Magill repeatedly declined to respond to the mounting incidents of antisemitism, especially anti-Zionism, on campus, according to an analysis by The Algemeiner of public statements she had issued since July 2022, when she assumed the presidency at Penn.
Only once did she comment on issues of race and identity, addressing in June 2023 the US Supreme Court’s restricting of race-conscious admissions programs through affirmative action. Up to that point, her public statements were limited to discussing climate change and marginal university business despite an anti-Zionist group, Penn Students Against the Occupation (PAO), regularly distributing literature blaming Jews for the world’s social problems and inviting to campus a speaker, Mohammed El-Kurd, who accused Israel of harvesting Palestinians’ organs.
Even the school’s hosting known antisemites at the “Palestine Writes Literature Festival,” which took place on campus from Sept. 22-24 in 2023, did not immediately move her to address antisemitism. When she did, she defended the event — whose itinerary listed speakers such as Palestinian researcher Salman Abu Sitta, who previously said during an interview that “Jews were hated in Europe because they played a role in the destruction of the economy in some of the countries, so they would hate them” — as an expression of free speech rather than cancel it and protect the university from extremists whose intellectual credentials were suspect and whose utterances violated principles of “diversity and inclusion” the school purported to uphold.
Georgetown’s decision to hire Magill comes at a time when the school is facing scrutiny over its foreign funding, which, according to experts, could impact how the school approaches antisemitic discrimination, anti-Zionist extremism, and classroom discussions of the Israeli-Palestinian conflict.
A new report released in January by the Middle East Forum, a prominent US-based think tank, describes how Qatar has allegedly exploited and manipulated Georgetown since 2005 by hooking the school on money that buys influence, promotes Islamism, and degrades the curricula of one of the most recognized names in American higher education.
“The unchecked funds provided by Qatar demonstrate how foreign countries can shape scholarship, faculty recruitment, and teaching in our universities to reflect their preferences,” the report says. “At Georgetown, courses and research show growing ideological drift toward post-colonial scholarship, anti-Western critiques, and anti-Israel advocacy, with some faculty engaged in political activism related to the Israeli-Palestinian conflict or anti-Western interventionism.”
Georgetown is hardly the only school to receive Qatari money. Indeed, Qatar is the single largest foreign source of funding to American colleges and universities, according to a newly launched public database from the US Department of Education that reveals the scope of overseas influence in US higher education.
The federal dashboard shows Qatar has provided $6.6 billion in gifts and contracts to US universities, more than any other foreign government or entity. Of the schools that received Qatari money, Cornell University topped the list with $2.3 billion, followed by Carnegie Mellon University ($1 billion), Texas A&M University ($992.8 million), and Georgetown ($971.1 million).
“Qatar has proved highly adept at compromising individuals and institutions with cold hard cash,” MEF Campus Watch director Winfield Myers said in a statement. “But with Georgetown, it found a recipient already eager to do Doha’s bidding to advance Islamist goals at home and abroad. It was a natural fit.”
Follow Dion J. Pierre @DionJPierre.
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Jewish Women Expelled From Madrid Museum After Antisemitic Harassment, Sparking Outrage
Illustrative: Anti-Israel demonstrators release smoke in the colors of the Palestinian flag as they protest to condemn the Israeli forces’ interception of some of the vessels of the Global Sumud Flotilla aiming to reach Gaza and break Israel’s naval blockade, in Barcelona, Spain, Oct. 2, 2025. Photo: REUTERS/Nacho Doce
Three elderly Jewish women, including a Holocaust survivor, were forced to leave a national museum in Madrid on Saturday after being verbally harassed for openly displaying Jewish symbols, with officials now facing mounting backlash for shielding the aggressors rather than the victims.
First reported by the Spanish news outlet Okdiario, the three women were visiting the National Museum Reina Sofía in central Madrid when other visitors spotted them wearing a Star of David necklace and carrying a small Israeli flag.
At that point, a group of people started attacking them verbally, shouting antisemitic insults and calling them “crazy child killers.”
Rather than intervening against the instigators, museum officials expelled the Israeli women, telling them to leave because “some visitors were disturbed that they are Jewish.”
A security guard also told the group to hide their Jewish symbols, insisting they could not be displayed inside the museum.
Even though one of them pointed out that Spanish law allows people to wear religious symbols and carry national flags in public institutions, they were still forcibly removed from the building despite not breaking any rules.
The incident has sparked public outrage, with museum personnel leaving the victims even more exposed and vulnerable, and no action taken against those who hurled insults and provoked the disruption.
As a state-affiliated cultural institution under Spain’s Culture Ministry, the Reina Sofía is internationally recognized as one of the country’s leading contemporary art museums.
In the past, the museum has also faced criticism for hosting anti-Israel demonstrations and presenting an exhibition titled “From the River to the Sea,” a popular slogan among pro-Palestinian activists that has been widely interpreted as a genocidal call for the destruction of the Jewish state, which is located between the Jordan River and the Mediterranean Sea
The European Jewish Congress (EJC) strongly condemned the latest incident at the museum, calling it “deeply troubling and unacceptable,” and urged authorities to take immediate steps to protect Jewish visitors and ensure such harassment does not happen again.
“Instead of protecting those subjected to antisemitic abuse, the apparent decision to remove the victims raises serious concerns about discrimination within a public cultural institution,” EJC wrote in a post on X.
“Jewish identity must never become grounds for exclusion. Such conduct demands full clarification, clear accountability, and decisive action to ensure that antisemitism is confronted without ambiguity,” the statement read.
The expulsion of three elderly Israeli visitors, including a Holocaust survivor, from Madrid’s Reina Sofía museum after they were insulted as “child killers” and targeted for displaying Jewish symbols is deeply troubling and unacceptable.
The women were reportedly asked to leave… pic.twitter.com/KA9UixCYvz
— European Jewish Congress (@eurojewcong) February 16, 2026
The Action and Communication on the Middle East (ACOM) group, a leading pro-Israel organization in Spain, also condemned the incident and announced it will pursue legal action against the Museum Reina Sofía, alleging discrimination and the promotion of hate from a public institution.
“The legal action will be directed both at the institution and its top official, the museum director, Manuel Segade,” ACOM wrote in a post on X, adding that the museum’s actions reflect “a persistent pattern of using political agendas, engaging in discrimination, and promoting narratives of hate against the State of Israel and the Jewish-Israeli community from a publicly funded institution.”
“A public institution should never be used as a platform for sectarian activism,” the statement continued.
ACOM emprenderá acciones legales contra el Museo Reina Sofía por discriminación y posible promoción de odio desde una institución pública
ACOM anuncia que emprenderá acciones legales contra el Museo Nacional Centro de Arte Reina Sofía ante lo que considera una conducta…
— Acción y Comunicación sobre Oriente Medio – ACOM (@ACOM_es) February 16, 2026
Like most countries across Europe and the broader Western world, Spain has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Still, Spain stands out as one of the most extreme cases, with experts warning that antisemitic violence and anti-Zionist rhetoric have moved beyond a social phenomenon to, in many instances, being state-promoted and legitimized as a political tool.
In particular, Spanish Prime Minister Pedro Sánchez and several members of his left-wing party have come under mounting criticism from the country’s political and Jewish leaders, who accuse them of fueling antisemitic hostility.
Sánchez has repeatedly issued pro-Hamas statements, falsely accusing Israel of “genocide” and of violating international law in its defensive war against the Palestinian terrorist group Hamas.
“Protecting your country and your society is one thing, but bombing hospitals and killing innocent boys and girls with hunger is another thing entirely,” the Spanish leader said during a televised speech last year.
“That isn’t defending yourself – that’s not even attacking. It’s exterminating defenseless people. It’s breaking all the rules of humanitarian law,” he said.
Sánchez has also voiced solidarity with the “Palestinian people and their cause,” while praising anti-Israel demonstrations for championing what he called “just causes.”
Across the country, political leaders have accused Sánchez of exploiting the war in Gaza to deflect attention from his corruption scandals, recent electoral losses, and growing public dissatisfaction with his government.
According to the Spanish Observatory of Antisemitism, antisemitic incidents in Spain have surged by 567 percent from 2022 to 2024, with the trend expected to have continued into last year.
Since the start of the war in Gaza, Spain has launched a fierce anti-Israel campaign aimed at undermining and isolating the Jewish state on the international stage.
In September, the Spanish government passed a law to take “urgent measures to stop the genocide in Gaza,” banning trade in defense material and dual-use products from Israel, as well as imports and advertising of products originating from Israeli settlements.
Spanish officials also announced that they would bar entry to individuals involved in what they called a “genocide against Palestinians” and block Israel-bound ships and aircraft carrying weapons from Spanish ports and airspace.
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Olympic Store Worker Fired After Repeatedly Calling Out ‘Free Palestine’ to Israel Sports Fans
Milano Cortina 2026 Olympics – Bobsleigh – 2-man Heat 2 – Cortina Sliding Centre, Cortina d’Ampezzo, Italy – February 16, 2026. Adam Edelman of Israel and Menachem Chen of Israel react after their run. Photo: REUTERS/Athit Perawongmetha
An employee at an official store for the 2026 Milano Cortina Olympics in Italy has been fired after repeatedly called out “Free Palestine” to a group of Israeli sports fans, Olympic organizers said on Sunday in a statement to Reuters.
Milano Cortina Games organizers said in a statement they have taken action to maintain “a neutral, respectful, and welcoming environment” at the Olympics. They said the incident took place inside the official shop at the Cortina Sliding Center, the venue that is hosting bobsled, luge, and skeleton during the Winter Games this year. Israel competed in skeleton last week, among other sports, and its bobsled team had their first Olympic competition on Monday.
“It is not appropriate for Games staff or contractors to express personal political views while carrying out their duties or to direct such remarks at visitors,” Olympic organizers added about the incident. “Those involved were reassured, and the individual concerned was removed from the shift.”
The store employee was identified as Ali Mohamed Hassan, according to StopAntisemitism. On Friday, the watchdog organization shared on Instagram a video of the confrontation and said it took place earlier that same day.
The clip shows a woman inside an official Olympic retail store filming Hassan as she says, “What were you saying? Say it again.” Hassan is then heard repeatedly saying, “Free Palestine.”
“This is the Olympics. Israel is allowed to compete just like any other country; It’s not controversial; it’s not rage bait,” the woman who is filming tells Hassan in the clip, as he repeatedly says “Free Palestine.”
“OK, good for you, you did it, you freed Palestine, good job,” the woman tells Hassan before leaving the store.
“Police were called and a harassment investigation has been started, with possible charges forthcoming,” StopAntisemitism claimed in the caption for the video.
Israel has 10 athletes competing in the Milan Cortina Olympics. On Monday, AJ Edelman and Menachem Chen finished in last place out of 26 sleds in the two-man bobsled race. Edelman will be the pilot of his bobsled team when they compete in the four-man event later this week.