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On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival

(New York Jewish Week) — In the Yiddish classes Mikhl Yashinsky teaches for the YIVO Institute for Jewish Research and the Workers Circle, he begins by asking students to explain why they decided to learn the language.

Often, a student will describe attending a performance of “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene.

This is literally music to the ears of Yashinsky, who not only teaches conversational Yiddish, translates Yiddish literature and writes Yiddish plays and videos, but who also played a beggar and innkeeper in the latest run of “Fiddler” in Yiddish, which closed on Jan. 1. 

“Many thousands of people have seen Yiddish ‘Fiddler’ by now and it’s had a real impact on them and how they see the language,” he told the New York Jewish Week. “It makes me happy that one thing feeds into another.”

The 32-year-old Chelsea resident is in some ways the future of Yiddish, at least of the secular, artistic and academic variety that is spoken and studied outside of the haredi Orthodox community, where it is often the first language. While some Yiddishists bristle at the notion that the language of Ashkenazi Eastern Europe is undergoing a “renaissance,” figures like Yashinsky are making sure the language continues to flourish in communities beyond the yeshiva. 

”Mikhl has played a very big role in my Yiddish journey,” said Judith Liskin-Gasparro, a retired linguistics professor from the University of Iowa. Liskin-Gasparro had four grandparents who were native Yiddish speakers but who never spoke the language in front of her. She estimates that over the course of her career she’s watched 1,000 people teach a language class. After studying with Yashinsky remotely from Iowa City for five semesters, Liskin-Gasparro said: “I have rarely seen anybody as good as he is.” His YIVO course has been so popular that YIVO had to create a second section. 

Liskin-Gasparro now describes herself as obsessed with the language. In November, she made the trek to New York to see Yashinsky perform in “Fiddler.” During her visit she joined about 15 people from Yashinsky’s YIVO class to meet her teacher in person.

Yashinsky, who grew up outside of Detroit, credits his late maternal grandmother, Elizabeth Elkin Weiss, with putting him on the path to becoming a Yiddishist. Weiss and her husband Rube were veterans of Yiddish theater, performing on stage and the radio. His grandmother also performed in English-language radio dramas, and her ability to do accents and characters earned her the nickname “The Woman of 1,000 Voices.” A radio ad in which Weiss imitated the Hungarian Jewish actress Zsa Zsa Gabor convinced customers of an Italian restaurant in the Detroit area that Zsa Zsa herself had done the commercial.

Talent ran in the family, sometimes in unexpected ways: Yashinsky’s uncle, David Weiss, was one-half of Was (Not Was), a major funk-rock band in the 1980s and ’90s. David’s partner, Don Was, is celebrating his 30th year as a record producer for The Rolling Stones.

Yashinsky studied modern European history and literature at Harvard, attended the Vilna Yiddish Language Institute and in 2015-16 worked as a fellow at the Yiddish Book Center in Amherst, Mass. In 2018, Yashinsky performed in the held-over runs of Yiddish “Fiddler “at the Museum of Jewish Heritage in Lower Manhattan, then left New York for a steady gig teaching Yiddish at the University of Michigan in Ann Arbor. He rejoined the musical when it was staged in 2019 at Stage 43, the largest off-Broadway theater in the city.

Joel Grey, the director of Yiddish “Fiddler,” wrote in an email: “Mikhl is one of the most resourceful and delightful actors I’ve ever had the pleasure to work with. He has more ideas for a moment than most actors do in a lifetime.”

Jackie Hoffman, the comedian and Broadway veteran who played Yenta the matchmaker in earlier runs of Yiddish “Fiddler,” said Yashinsky “is a truly Yiddish soul. He’s like someone who could’ve crept out of the 19th century. It’s like Yiddish is in his blood.”

Mikhl Yashinsky, center in gray apron, played Mordkhe the Innkeeper in “Fiddler on the Roof in Yiddish,” the smash hit from the National Yiddish Theatre Folksbiene. (Jeremy Daniel)

Steven Skybell, who played Tevye in in the latest Yiddish “Fiddler,” attended Yashinsky’s classes for a few semesters, which enabled him to converse with Yashinsky in the mamaloshn (mother tongue) backstage. 

Yashinsky’s mother in Michigan, who did not grow up speaking Yiddish, has attended all five semesters via Zoom. Debra Yashinsky, who said she can’t begin to count the number of times she’s seen Yiddish “Fiddler,” used her maiden name in the Zoom interface for the first two semesters.

“Mikhl once asked me, ‘Mom, are you taking the class to learn Yiddish or do you just enjoy seeing me teach?’” she recalled. “I didn’t know the right answer. The truth is I love seeing his punim [face] for an hour and a half and kvelling [being proud] while I watch him teach.”

In addition to teaching and acting, translation has been a big part of Yashinsky’s devotion to the language (and need to earn a living).

He has a deadline looming at the end of January for his translation of the memoirs of Ester-Rokhl Kaminska, the Polish-Jewish actress considered the “mother of Yiddish theater.” He’s been working on the project for a few years and could often be found backstage at “Fiddlertranslating a couple of sentences at a time between scenes.

Yashinsky has also been translating short stories by the Nobelist Isaac Bashevis Singer for a forthcoming anthology of the author’s early works. He describes them as “little gems” Singer wrote when he was a young writer that have never been translated into English. Yashinsky said he has translated three or four of the short stories so far.

Yashinsky is also a playwright whose Yiddish play, “Vos Flist Durkhn Oder” (“Blessing of the New Moon”), was performed at the Lower East Side Play Festival last summer. One of six plays chosen from more than 100 submissions, it was the only non-English play in the festival. The one-act play, set in a Lower East Side yeshiva in 1912, deals with the tradition of pranks that take place during the month in which Purim falls. 

 

His full-length play “Di Psure Loyt Chaim” (“The Gospel According to Chaim”) will get a public reading this winter at the New Yiddish Rep in Manhattan. The play is based on the true story of Henry Einspruch, a Baltimore Jew who in the 1940s found Jesus and translated the New Testament into Yiddish for the purpose of converting his fellow Jews. Yashinsky said no Yiddish publisher would help Einspruch in his quest.

“I just thought that this was a very curious bit of history,” said the playwright. “It was really insidious in some ways. He was trying to convert Holocaust survivors in some cases. He would preach outside synagogues on Shabbos mornings.”

Yashinsky will be working on a Yiddish musical in 2023, thanks to a LABA Fellowship for Jewish artists. He plans to write the musical in collaboration with Mamaliga, a klezmer band based in Brooklyn and Boston. Yashinsky said he may write something about the underworld of Jewish life in Eastern Europe.

Another bright spot on the horizon: On Jan. 26 he’ll make his Carnegie Hall début, singing in a concert titled “We Are Here: Songs from the Holocaust,” which will feature Broadway stars Harvey Fierstein, Chita Rivera and Shoshana Bean. Yashinsky will perform “Zog nit keynmol(“Never Say”), the anthem of the Vilna partisans.

And somehow Yashinsky will make time to produce more videos for the Workers Circle #YiddishAlive series on YouTube. Among the 11 videos he’s done so far are a Yiddish rendition of Tom Lehrer’s song “Hanukkah in Santa Monica” and a music video shot in Michigan to celebrate the strawberry harvest. That video featured “Trúskafke-vals” (“Strawberry Waltz”), a Yiddish song he wrote, as well as a strawberry cake baked by his mother.

He also produces humorous Yiddish music videos, including one based on Screamin’ Jay Hawkins’ demented, spooky classic, “I Put A Spell On You.” In his version, Yashinsky performs in drag as Bobe Yakhne, a sorceress he played in Folksbiene’s 2017 revival of the classic Yiddish operetta “The Sorceress.” 

“This art form continues,” he said of Yiddish theater. “It’s a tradition that hasn’t evaporated and it’s nice to feel that I’m part of the continuity.”


The post On stage and in the classroom, Mikhl Yashinsky is stoking the flame of the Yiddish revival appeared first on Jewish Telegraphic Agency.

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Colombian President Gustavo Petro sparks outcry over tweet reading ‘Heil Hitler’

(JTA) — Colombia’s outgoing president, Gustavo Petro, sparked fierce condemnation from Israeli and Latin American leaders after he tweeted the phrase “Heil Hitler” Sunday in response to an op-ed endorsing a candidate in the country’s upcoming presidential election.

Petro, a left-wing president in the final weeks of his term ahead of the country’s June 21 runoff election, posted the Nazi phrase in response to an op-ed supporting right-wing presidential candidate Abelardo de la Espriella.

Petro subsequently defended his use of the Nazi slogan, arguing that he was critiquing the language used by the op-ed’s author, which he said included “fascist phrases.”

His defense came after criticism from Israeli leaders and others who said the “Heil Hitler” comment was inappropriate.

Israel’s ambassador to the United Nations, Danny Danon, called on the Colombian leader to “come to your senses and apologize” before Wednesday, when he is slated to preside over a debate at the United Nations Security Council.

“President of Colombia, @petrogustavo, whatever is going on in your personal life, there are lines that must never be crossed,” Danon wrote in a post on X. “Using Nazi slogans is a disgraceful low from which there is no coming back.”

Israel’s Foreign Ministry also decried the post, writing on X that it was a “total loss of moral compass and an indelible stain on Colombia’s legacy.”

The episode comes amid shifting norms about the use of Holocaust analogies and language in political discourse. After being considered out of bounds for a long time, people on both the right and the left have increasingly shed those norms amid growing political polarization and extremism around the world.

The “Heil Hitler” post was not the first time Petro has landed in hot water for invoking the Holocaust. In the wake of Oct. 7, Petro drew backlash from Jewish and Israeli leaders for likening the actions of Israel to Nazi Germany. On social media, he has repeatedly called political rivals Nazis, including last month when he wrote in a post on X that Israel’s national security minister, Itamar Ben-Gvir, had behaved like a “true Nazi” after he posted videos taunting detained activists from a Gaza-bound aid flotilla.

In 2024, Petro also severed diplomatic ties with Israel, accusing the country of commiting genocide in Gaza, an accusation Israel has denied. Espriella, who was endorsed by President Donald Trump, has vowed to renew diplomatic ties with Israel.

On Monday, 24 Latin American lawmakers signed onto a statement condemning Petro’s rhetoric, warning that his repeated use of references to Naziism risked distorting Holocaust memory.

“The use of references to Nazism must not become a rhetorical tool to discredit political or ideological positions. Democratic leaders have a responsibility to promote a respectful public debate that is conscious of the weight of words,” the statement read.

The statement was initiated by the Coalition of Latin American Legislators Against Antisemitism, which is led by the Combat Antisemitism Movement. The signatories included lawmakers from Argentina, Brazil, Chile, Colombia, Costa Rica, Ecuador, Guatemala, Honduras, Mexico, Panama, Paraguay, Peru, the Dominican Republic and Uruguay.

Shay Salamon, CAM’s executive director of Latin American affairs, said in a statement that Petro’s invocation of the phrase reflected a “troubling record of antisemitic expressions and conduct” by the Colombian leader.

“When a leader uses the authority of his office to stigmatize the Jewish people or trivialize their historic suffering, silence is no longer an option,” Salamon said.

The post Colombian President Gustavo Petro sparks outcry over tweet reading ‘Heil Hitler’ appeared first on The Forward.

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Israel looms large as Maine heads to the polls in Graham Platner’s Senate primary

(JTA) — As Graham Platner wrapped up his campaign for the Maine Democratic Senate nomination Tuesday, he ended it the way he began: by taking aim at AIPAC, the pro-Israel lobby and political funder.

The Democrat’s first online ad, released in August, boasted that, unlike his competitors, he would never get AIPAC’s endorsement because he believed Israel had committed genocide in Gaza. Last week, he suggested that AIPAC funding meant his Republican opponent was “bought and paid for by Benjamin Netanyahu,” drawing allegations of antisemitism from a range of Jewish groups.

Along the way, Platner has courted multiple rounds of controversy over Israel and Jews. And in the race’s final days, new reports about Platner’s past behavior toward women have fueled anti-Israel rhetoric among some of his supporters — and further splintered Democratic support for the oyster farmer and political neophyte whose spirited run for office has alarmed many Jewish leaders.

Now, Mainers are heading to the polls with Israel and antisemitism allegations looming large.

Platner, 41, ran as a populist promising to inject progressive energy into a Senate race where both the incumbent Republican and the establishment Democratic pick, Gov. Janet Mills, are in their 70s. (Mills suspended her primary campaign as Platner soared in polls, but she remains on Tuesday’s ballot.) In an election cycle when anti-Israel rhetoric is surging on the left, Platner — who has Jewish extended family, including a stepbrother who lives in Israel and works on Israel policy issues for the Foundation for Defense of Democracies — embraced the stance by making genocide accusations a key part of his stump speech.

That has earned him support in some corners. In a viral video from a rally over the weekend, a Platner supporter dismissed concerns about his tattoo of the Totenkopf symbol, a skull-and-crossbones image worn by Nazi concentration camp guards, which Platner tattooed over earlier this year amid criticism even as he insisted that he hadn’t known it was a Nazi symbol.

Then the supporter asserted that if Platner had a different tattoo, it would have been a dealbreaker for her: an Israeli flag.

“I don’t support genocide, and he doesn’t either, and that would show that he’s being inconsistent,” the woman told the New York Sun.

The exchange exacted disbelief from some. “Are you kidding me? A tattoo of the Israeli flag is worse than a Nazi symbol?” tweeted Democratic Rep. Josh Gottheimer of New Jersey, who is Jewish. “This should not be welcome in the Democratic Party!”

Pro-Israel donors have responded accordingly, shoring up the war chest of Republican Sen. Susan Collins.

“Susan Collins’s latest financial report just came out. A staggering one-third of her money raised this quarter came directly from AIPAC,” Platner tweeted on June 1. “Senator Collins is bought and paid for by Benjamin Netanyahu, and she votes accordingly.”

Collins has described herself as broadly “pro-Israel” but also recently provided a crucial vote for a measure to end the joint U.S.-Israeli war in Iran. OpenSecrets, the nonpartisan campaign finance information website, confirmed to the Jewish Telegraphic Agency that its analysis of public Federal Election Commission data showed that a third of donations to Collins in the previous quarter were gifts from individuals who used the pro-Israel lobby as an intermediary. Collins also received a small donation directly from the group’s super PAC.

Still, Platner’s tweet ignited sharp criticism for suggesting that AIPAC represented Israeli influence, rather than donations by American supporters of Israel.

The Anti-Defamation League said the remark “invokes classic antisemitic rhetoric” and added, “Such accusations call up the age-old dual loyalty trope that casts Jewish Americans as more loyal to Israel than their own country.”

The Nexus Project, an antisemitism watchdog that is more forgiving of some forms of criticism of Israel than the ADL, also criticized the tweet.

“The insinuation that the government of Israel is ‘buying’ or directly controlling any politician who receives AIPAC funding or any American political donor that donates through a pro-Israel conduit is reductive and wrong,” Jonathan Jacoby, Nexus’ president, told JTA in a statement.

Undeterred, Platner on Saturday again invoked AIPAC while going after a member of his own party: Democratic Sen. John Fetterman of Pennsylvania, a staunch Israel supporter. Fetterman had recently criticized Platner in harsh language, telling CNN, “When I was growing up, if someone had a clear Nazi tattoo on them, you probably could conclude that they’re a Nazi sympathizer.”

Fetterman, Platner said in response, had “become a stooge for AIPAC and the Republican party.”

Reached for comment on the phrasing of his AIPAC remarks, a Platner campaign spokesperson said, “Whether it’s private equity, billionaires, corporations, super PACs, etc., Graham is committed to getting money out of politics.”

Amid the mounting scandals, Platner met with Senate Minority Leader Chuck Schumer last week to shore up support for his candidacy among Democratic leaders. Speaking with reporters afterward, Schumer — who is Jewish, considers himself a leader on fighting antisemitism and had said he would support Platner’s campaign after Mills dropped out — repeatedly dodged questions about his confidence in Platner.

Some anti-Israel voices claim that the criticism reflects a conspiracy by Israel to prevent Platner from taking office.

“If you want a handy list of people who work for Israel, look at everyone criticizing Graham Platner now, especially Democrats,” the progressive influencer Cenk Uygur tweeted on Friday. “I get why Republicans want to tear him down. But Democrats attacking their own candidate only happens when they are ordered to do so by their handlers.”

His supporters, meanwhile, went on the offensive after a report in The New York Times cited multiple ex-girlfriends who said he had engaged in abusive and bullying behavior during their relationships.

The story featured as its most prominent voice Lyndsey Fifield, a Republican operative and former staffer at the conservative Heritage Foundation. In the article, Fifield claimed that Platner had known about his Totenkopf tattoo when he was dating her despite the candidate’s public insistence that he hadn’t recognized its Nazi origins. Platner had called his tattoo “my Totenkopf” while with her, Fifield told the Times, sharing a text in which she referred to the tattoo as a Nazi symbol before Platner said he was aware of what the tattoo represented.

Platner “has a Nazi tattoo on his chest,” Fifield texted her friends last summer, according to the Times. “It’s a Totenkopf … I will personally go campaign for Collins.”

Speaking to Maine’s public radio after the Times story ran, Platner denied Fifield’s claim. In another interview with MS NOW, Platner struggled to sort out the timeline of Fifield’s text to her friends about his tattoo, which occurred before he said he knew about the tattoo’s origins. Reached for comment, a Platner campaign spokesperson pointed to a previous interview the candidate held with JTA, in which he noted his “direct family connection to Judaism” and positive associations with Jewish religious tradition. Platner has also cast doubt on Fifield’s account, alleging that she is the sole source for reports about his knowledge of his own tattoo.

Reached for comment, Fifield told JTA by email, “I’ve been a vocal Zionist since college. I’ve been a proud conservative since then as well. Both of those things were true when I dated Graham.”  Fifield is also close with the Jewish conservative commentator Bethany Mandel, with whom she formerly co-hosted a podcast.

To JTA, Fifield added, “If not being an antisemite is enough to fuel a mob of conspiracy theorists, it says something very dark about our culture.”

Some of Platner’s defenders have suggested the Times article was fueled by pro-Israel adversaries. Online, pro-Palestinian commentator Mehdi Hasan called Fifield “an anti-Palestinian racist and bigot,” sharing a tweet of hers in which she mocked the concept of “a Palestinian museum” and wrote, “What are their accomplishments, inventions, or other notable figures apart from terrorists and bombs made from the water pipes Israel gave them to pipe in free water for their people?”

Others have pointed out that the reporter who wrote the article, Katie Glueck, was co-president of Students for Israel at Northwestern University when the chapter won an “Activist of the Year” award from pro-Israel lobbying group AIPAC in 2009.

“The most shocking part of this story is that the NYT had a former AIPAC Activist of the Year (Katie Glueck) write a piece devoted to detailing unsubstantiated claims from a professional Republican activist (Lyndsey Fifield) on how a left Democratic Senate candidate who has promised to take on Israel (Platner) was a lousy boyfriend and sold it as a legit journalistic scoop,” tweeted Marcus Stanley, the director of studies at the Quincy Institute for Responsible Statecraft, an anti-interventionist think tank.

In a statement to JTA, a New York Times spokesperson defended Glueck’s participation in the article.

“Katie Glueck has covered politics for over a decade and is one of the best journalists in media at producing incisive coverage of candidates and campaigns,” the Times’ Charlie Stadtlander wrote in an email. “She approached this article about Graham Platner’s past personal conduct with the same independence she brings to all of her reporting.”

Stadtlander added that the Times stands behind its reporting “of the accounts from Ms. Fifield and the other women, who provided a revealing look at the behavior of a major candidate for the U.S. Senate.”

The drumbeat of criticism has tempered excitement among some Democrats about Platner and his potential to flip a Senate seat. Even California Rep. Ro Khanna, a leading critic of Israel in Congress, offered indirect criticism of Platner and his defenders on CBS News’ “Face the Nation” over the weekend, where he said Platner’s supporters shouldn’t go after his accusers and “should not attack the New York Times reporters who wrote this story.”

“I know those reporters. They’ve written things critical of me. That’s what journalists do,” Khanna said. “Our party doesn’t attack the press. Our party believes that you treat women with equality and respect in all aspects of their lives.”

Still, he continued to signal support for Platner, saying that “he’s taken accountability for that period of his life.” Khanna also spoke at a rally for Platner in Maine over the weekend.

While Platner does not have many prominent Jewish supporters in Maine, and has seen the Jewish Democratic Council of America pointedly withhold its own support of his bid, one of his most visible Jewish allies in the state says he will stand by him.

“I’m still very much in Camp Platner,” Steven Koltai, the chair of J Street Maine who helped organize a Passover seder with the Platner campaign, told JTA following the latest revelations.

Koltai suggested that Platner’s past behavior paled in comparison to the president’s: “Thanks to President Trump, the bar for public office in America has been set at a level that even a subterranean earth worm could overcome.”

Asked about Platner’s comments regarding Collins and AIPAC specifically, he signaled a degree of difference with his candidature: “Of all Senator Collins’s votes, her votes on aid to Israel are very low on my list of complaints about her voting record.”

Platner is expected to sail through the primary. Most recent polls suggest that he and Collins are running neck and neck heading into November.

The post Israel looms large as Maine heads to the polls in Graham Platner’s Senate primary appeared first on The Forward.

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The Yiddishist Yeshiva is open for registration

ס׳האָט זיך לעצטנס געשאַפֿן אַ נײַער סאָרט לייענקרײַז דורך פֿייסבוק, וווּ מע לערנט תּורה אויף ייִדיש צוזאַמען.

אינעם לייענקרײַז, וואָס הייסט „די ייִדישיסטישע ישיבֿה“, לייענט מען חומש מיט רש״י — סײַ אויפֿן אָריגינעלן לשון־קודש סײַ אויף ייִדיש־טײַטש. „די גרופּע איז אָפֿן פֿאַר אַלע מינים מענטשן,“ האָט דערקלערט דער לינגוויסט און ייִדיש־אַקטיוויסט לייזער בורקאָ, וועלכער האָט אָרגאַניזירט די גרופּע. „פֿרויען און מענער, ייִדן און נישט־ייִדן, געי און ׳גלײַך׳. נײַע תּלמידים דאַרפֿן פֿאַרשטיין ייִדיש גוט, אָבער זיי דאַרפֿן נישט האָבן קיין תּורהדיקן הינטערגרונט.“

די גרופּע טרעפֿט זיך יעדן דינסטיק דורך פֿייסבוק. נאָך מער פּרטים אָדער כּדי זיך צו פֿאַרשרײַבן, שטעלט זיך אין קאָנטאַקט מיט בורקאָ, אויפֿן אַדרעס leyzertag@gmail.com אָדער דורך פֿייסבוק.

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