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Roger Waters uses Anne Frank’s name at German concerts, prompting calls for punishment from Jewish groups
(JTA) — Roger Waters projected Anne Frank’s name at recent concerts to draw comparisons between Israel and Nazi Germany, leading Germany’s Orthodox rabbinical association to call for a ban on Waters performances in the country.
Observers told the Jewish Telegraphic Agency that Waters, the former Pink Floyd frontman known as a leader in the boycott Israel movement, has lumped Anne Frank together with Palestinian Al Jazeera journalist Shireen Abu Akleh in on-screen projections at concerts on his current tour. Abu Akleh was killed on an assignment in the West Bank last year.
The screen at Waters concerts also frequently shows a pig-shaped balloon emblazoned with the logo of an Israeli armaments firm. He reportedly at times dons an SS uniform and symbolically shoots a machine gun into the crowd.
Some say the 79-year-old rocker plays with antisemitic stereotypes, going beyond political criticism into incitement of hate. German media “went into the shows and were disgusted by them; it is such blunt and disgusting propaganda they are hearing, and the music is really in the background,” said Sacha Stawski, Frankfurt-based pro-Israel activist and founder of Honestly Concerned.
Waters, who won many hearts in Germany through Pink Floyd’s live “The Wall” concert in 1990, recently performed concerts in Berlin and Munich and was on to Frankfurt, where he had successfully appealed a court order to ban the event. That concert is scheduled for May 28.
The city of Frankfurt had called Waters “one of the most widely spread antisemites in the world,” over imagery and Israel critique at his past concerts, in its attempt to ban him from playing there. Munich’s mayor had also unsuccessfully attempted to block a Waters show.
If they cannot stop him in the courts, opponents said they will continue to try to sway public opinion.
“My goal is to educate about his hatred, to make sure less and less people go into these concerts,” said Stawski, a main force behind efforts to challenge Waters in the Frankfurt court, which claim that Waters is antisemitic. Several German cities have passed legislation barring state-funded venues from hosting events for the Boycott, Divestment and Sanctions movement that Waters champions.
Charlotte Knobloch, head of the Jewish community of Munich and Upper Bavaria, said at a protest before Water’s concert last Sunday in her home city that she was frustrated by the courts.
“Since October 2022, there have been arguments about this concert. Legal motions and media headlines have been produced en masse — without yielding any result,” she said. “So that now, in May, we are standing here protesting against a concert that is taking place exactly as Roger Waters always wanted it to.”
Politicians joined in the protest with Knobloch, and even the management of the Olympia Stadium, on monitors ahead of the concert, explicitly distanced itself from the singer’s politics, according to the Suddeutsche Zeitung.
“What do the regular affirmations of ‘Never Again’ by politicians and statements that antisemitism has no place in Germany actually count for, if at the same time errant interpreters and intellectual arsonists are offered a public space to blatantly spread their hatred of Jews and Israel?” read the May 22 statement from the Orthodox Rabbinical Conference of Germany, led by Rabbis Avichai Apel, Zsolt Balla and Yehuda Pushkin. “It is deeply shameful that in no case in Germany has it so far been possible to ban the clearly antisemitic and anti-Israeli concerts of Roger Waters.”
The Belltower journalist Nicholas Potter, who observed the May 17 Berlin concert, argued that Waters promoted antisemitic language.
In speech bubbles on an LED screen in the Mercedes-Benz Arena, Waters blamed the world’s troubles on “THE POWERS THAT BE,” which Potter described as “an ominous, overpowering elite that is not explicitly named — this is an antisemitic blueprint on which many conspiracy narratives work.”
Before the event, BDS supporters outside the arena handed out flyers and held up banners, one of which read, “Jews, Israelis and internationals all agree with the Roger,” added Potter, noting that the average concertgoer appeared to be white, German and around 60 years old.
Waters has had little new to say about the allegations of antisemitism and has not apparently changed his tune. According to the Suddeutsche Zeitung newspaper, hours before his concert in Munich, Waters posted a message on Facebook calling Israel a “tyrannical, racist regime.” He compared the BDS movement to Germany’s Nazi-era White Rose resistance movement, whose leaders, including siblings Hans and Sophie Scholl, were beheaded by the Nazi regime.
His remarks were in keeping with his comments in an interview with Spiegel Magazine in March. He denied that he had ever been an antisemite, and added that it was “bizarre that my career should now be attacked on the basis of allegations made by the Israel lobby.”
“For all I care, they can try to cancel every concert I do in Germany. I will fight them in court,” he told Spiegel. “It’s a tragedy for Germany that they even try. Because the message to the world is: We Germans don’t care about human rights and freedom of expression.”
People should take Waters at his word and stay away if they disagree with his politics, said Stawski, referring to the fact that Waters also tells Pink Floyd fans who don’t agree with him to “f*** off,” via the arena screen.
“If you are a fan of Pink Floyd but do not want to go along with the antisemitism, buy a CD of Pink Floyd and do not damn well go into these concerts,” Stawski said.
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The Gaza hostage crisis could forever change how American Jews relate to Israel — but it’s not too late to fix that
In the aftermath of the deadly terror attack at a Hanukkah party on Australia’s Bondi Beach, Jews who have watched the global surge in antisemitism with growing dread are once again considering the need to seek refuge in the Jewish state.
It’s a conclusion many native Israelis find bewildering. Oct. 7 and everything that followed has left them feeling deeply abandoned by a government they no longer trust to protect – or rescue – them. In the past two years, they are quick to note, more Jewish lives have been lost in Israel than anywhere else in the world. This disconnect over Jewish safety was shaped in no small part by the 251 men, women, and children taken hostage on Oct. 7 — and, perhaps even more profoundly, by the long, agonizing struggle to bring them back.
What began as a unified call to “Bring Them Home” soon split into two very different narratives. In Israel, public consensus collapsed as families increasingly blamed the government for sacrificing their loved ones on the altar of political survival, creating rifts that would eventually splinter not only the hostage movement but Israeli society itself.
In the United States, that dynamic played out very differently. Amidst rising hostilities coming from outside the Jewish community and deepening divisions forming within, the hostage rallies remained a source of solidarity, a respite from conflict rather than the source. But it also left many with a distorted view of events, further widening the already-existing gap between how American Jews relate to Israel and how Israelis understand themselves.
Few people are better positioned to explain that gap than one of the people who helped create it. Israeli-born Shany Granot-Lubaton is a longtime pro-democracy activist. After moving to New York City three years ago, she led protests there against the Israeli government’s 2023 judicial overhaul. On Oct. 7, Granot-Lubaton pivoted abruptly to hostage advocacy, eventually co-founding the American version of Israel’s Hostages and Missing Families Forum.
“Right away, I understood we would need a different approach from the way we spoke during the judicial overhaul protests,” Granot-Lubaton told the Forward. Her first priority, she said, was honoring the wishes of the families themselves. While far from a monolith, the majority believed messaging outside Israel should avoid overt confrontation with the government, even as some of those same family members were among its fiercest critics at home.
One of them was Udi Goren, whose cousin Tal Haimi was killed defending Kibbutz Nir Yitzhak on Oct. 7, his body abducted to Gaza. In Israel, Goren became one of the most active figures in the struggle, managing the Forum’s Knesset operations and confronting lawmakers directly. However, he fully supported taking a more restrained approach abroad.
“An effective public campaign is about leverage,” Goren said, in an interview with the Forward. “I didn’t see how attacking the Israeli government in the U.S. would motivate anyone with power to secure a deal to do it faster.”
With American politics becoming more polarized and the prospect of a second Trump term looming, the goal was to keep the tent wide and bipartisan — without completely absolving Netanyahu of responsibility.
“It was a fine line,” Granot-Lubaton recalled. “At every rally, we made sure to say — from the stage — that the Israeli government must do everything they can to bring them home. But we didn’t want to delve too deeply into accusations.”
There were other challenges as well. An open-tent structure inevitably included voices whose priorities did not fully align with the organizers’ carefully calibrated messaging. This included a new crop of influencers who positioned themselves as champions of the hostage cause, filling their feeds with “on-the-ground reporting” from rallies, vigils, and reunions. But their content also reflected personal worldviews and financial interests, dictating which parts of the story were amplified and which were left out. While some managed to remain politically neutral, others co-opted the cause to advance their own agendas.
For Goren, those tensions mattered less than the mission. Anyone advocating for the hostages was an ally — with one red line. “If you’re using this to spread Islamophobia or hatred against Arabs, you’re damaging the cause,” he said. “But beyond that, even if you were very conservative or right-wing — as long as your priority was bringing the hostages home — then for this campaign, you and I were in the same camp.”
The approach appeared to have worked. In the United States and across much of the diaspora, the hostage campaign remained unified.
But when Granot-Lubaton moved back to Israel with her family in 2024, she came face to face with a very different reality. Unlike the apolitical movement she and others had carefully cultivated back in the States, here the hostage struggle had become deeply politicized. Netanyahu and his allies, aided by sympathetic media outlets and an ideologically entrenched base, managed to paint the Bring Them Home campaign as a “leftist” project.
Families were forcibly removed from Knesset meetings, publicly attacked and delegitimized by ministers, harassed online and confronted in the streets; some were manhandled by police or even arrested. Conspiracy theories proliferated — including claims that some families were paid agents of the anti-government movement. In one particularly bizarre case, rumors circulated that hostage Matan Zangauker was not in captivity, but hiding out in Egypt.
On Oct. 13, 2025, the infighting briefly gave way to collective joy, as Israel welcomed home the last 20 living hostages. But the unity did not last. Before the hostages had even been released from the hospital, they and their families came under renewed vitriol — criticized for speaking against Netanyahu, for failing to sufficiently praise the IDF, and for asking the public for financial assistance.
It was a bitter twist of irony. The same acts that had come to symbolize anti-Israel extremism abroad — tearing down hostage posters, accusing hostages of lying — were now being carried out by Israelis themselves. And yet, so much of that derision has remained largely unacknowledged outside of Israel.
While Hamas is still holding the body of Master Sgt. Ran Gvili, the official campaign is over. Hostage Square has been dismantled. The Forum has shuttered its Tel Aviv headquarters and ended the weekly rallies. Goren, finally able to bury his beloved cousin, and Granot-Lubaton, now resettled in Israel, have begun new chapters in their lives.
Both stand by the strategy that shaped the movement abroad — but agree that what comes next must look different. The version of Israel that proved effective in mobilizing support overseas during the crisis now risks reinforcing a status quo many inside the country are fighting to change. And they are asking the same communities that rallied so powerfully for the hostages to engage just as seriously with the struggle over Israel’s future.
For Goren, that means pushing progressive Jews past their long-standing reluctance to “get their hands dirty” with Israeli politics. “Conservative and right-wing American Jews don’t hesitate for a second to get involved,” he asserted. “They get close to the government and the people in power. And they put their money where their mouth is.” He points to the Kohelet Policy Forum, whose American donors helped drive the judicial overhaul in Israel. “These are people that never lived in Israel a day in their lives, pushing the country towards a judicial coup,” he said. “We cannot afford to have Jews who care about Israeli democracy sit this one out.”
Granot-Lubaton shares the urgency, albeit with added empathy. “I don’t judge anyone who is uncomfortable speaking out loudly right now,” she noted. “You don’t need to be protesting in the streets. But you have to educate yourself. You have to talk to one another. Reach out to people who understand what’s happening here, invite them to speak in your synagogues.”
Responsibility, she added, cuts both ways. Israel’s pro-democracy movement must do more to meet American Jews where they are. “It’s not just translating content into English,” she said. “It’s understanding what Jewish communities are experiencing — and why challenging Israel feels so risky.”
But she categorically rejects the idea that Zionism and criticism are at odds. “I chose to come back and raise my children here,” she said. “Clearly I believe in this place. But the only way we can truly flourish is if we’re honest about what we’ve done and what we’re doing. I hope American Jews will join that movement. Unconditional love and support are no longer enough.”
The post The Gaza hostage crisis could forever change how American Jews relate to Israel — but it’s not too late to fix that appeared first on The Forward.
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VIDEO: Historian Vivi Laks tells history of the London Yiddish Press
די ייִדיש־ליגע האָט לעצטנס אַרויפֿגעשטעלט אַ ווידעאָ, וווּ די היסטאָריקערין וויווי לאַקס דערציילט וועגן דער אַמאָליקער ייִדישער פּרעסע אין לאָנדאָן.
צווישן 1884 און 1954 האָט די לאָנדאָנער פּרעסע אַרויסגעגעבן הונדערטער פֿעליעטאָנען פֿון אָרטיקע שרײַבערס וועגן אָרטיקן ייִדישן לעבן.
די קורצע דערציילונגען זענען סאַטיריש, קאָמיש און רירנדיק, אויף טשיקאַווע טעמעס ווי למשל קאַמפֿן אין דער היים צווישן די מינים; פּאָליטיק אין די קאַפֿעען, און ספֿרי־תּורה אויף די גאַסן. די דערציילונגען האָבן געשריבן סײַ גוט באַקאַנטע שרײַבער (למשל, מאָריס ווינטשעווסקי, יוסף־חיים ברענער און אסתּר קרייטמאַן), סײַ היפּש ווייניקער באַקאַנטע.
שבֿע צוקער, די ייִדיש־לערערין און מחבר פֿון אַ ייִדישן לערנבוך, פֿירט דעם שמועס מיט וויווי לאַקס. זיי וועלן פֿאָרלייענען אַ טייל פֿון די פֿעליעטאָנען אויף ענגליש און ייִדיש, און אַרומרעדן די טעמעס וואָס די פּרעסע האָט אַרויסגעהויבן.
וויווי לאַקס איז אַ היסטאָריקערין פֿון לאָנדאָנס ייִדישן „איסט־ענד“, ווי אויך אַן איבערזעצער און זינגערין. זי איז די מחברטע פֿון Whitechapel Noise און London Yiddishtown, ווי אויך אַקאַדעמישע און פּאָפּולערע אַרטיקלען. זי איז אַ קולטור־טוערין אין לאָנדאָן און האָט מיטאָרגאַניזירט סײַ דעם גרויסן ייִדישן פּאַראַד, סײַ דעם Yiddish Café Trust. זי זינגט פּאָפּולערע לידער אויפֿן „קאָקני־ייִדיש“ מיט די גרופּעס קלעזמער־קלאָב און קאַטשאַנעס, און פֿירט שפּאַצירטורן איבער דעם „איסט־ענד“.
The post VIDEO: Historian Vivi Laks tells history of the London Yiddish Press appeared first on The Forward.
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Puppet Monty Pickle is guest on the Forward’s ‘Yiddish Word of the Day’
It’s not every day that a kosher dill pickle puppet gets a chance to learn some Yiddish.
Monty Pickle, star of the children’s series The Monty Pickle Show, recently joined Rukhl Schaechter, host of the Forward’s YouTube series Yiddish Word of the Day, for an episode teaching viewers the Yiddish words for various wild animals.
Or as they’re called in Yiddish: vilde khayes.
The Monty Pickle Show, a puppet comedy on YouTube and TikTok, aims to show young viewers what it means to be Jewish in a fun, lively way. The series was created by the Emmy Award-winning producers of Sesame Street and Fraggle Rock.
So far, he’s met a number of Jewish personalities, including rabbis, musicians and chefs, and explored holidays like Rosh Hashanah, Hanukkah and Passover.
Sitting alongside Rukhl during the lesson, Monty eagerly tries to guess what each word means, providing for some very funny moments.
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