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Senators describe ‘optimism’ after Middle East tour, leaving questions on Israel’s extremist leaders unanswered
WASHINGTON (JTA) — Judging by her response to a question at a press briefing on Tuesday, Jackie Rosen had likely read the headlines involving Israel she had made over the past week. She was prepared to deflect.
Had she really nixed meetings with two government ministers in Israel’s extremist Religious Zionist bloc, as Axios had reported?
“Let’s focus on what these historic agreements mean,” the Nevada Democrat said, referring to the Abraham Accords, the 2020 normalization agreements with multiple Arab countries that edged Israel closer to its dream of peaceful coexistence with its neighbors. Rosen and six other U.S. senators last week toured four of the five signatories to the accords, including Israel — where Bezalel Smotrich and Itamar Ben-Gvir, who have incurred international criticism, currently hold powerful positions in Benjamin Netanyahu’s coalition.
“The real optimism between these countries for partnerships, for people to people relationships, things that benefit their people on the ground, like markets … energy, agriculture technology, and, just coming out of the global pandemic, healthcare,” Rosen added.
For all their optimism on Tuesday, however, the senators acknowledged, in guarded language, that plans by Smotrich to annex territories in the West Bank and Ben-Gvir’s provocative actions on Jerusalem’s Temple Mount could not only undercut the aim of their tour — to seek ways to expand the accords to other countries — but could also scuttle them entirely.
“We were very clear when we spoke with Prime Minister Netanyahu that it is important that they would maintain the status quo and they not do anything that would impede the progress of the Abraham accords and a negotiated two-state solution,” Rosen said. “I believe we were very clear.”
The United Arab Emirates threatened to pull out of the accords before they were formally launched in the summer of 2020, when Netanyahu sought then to advance partial annexation. Netanyahu retreated and the accords went ahead.
The only senator who spoke at length about the most fragile element of the effort — how to extend the peacemaking to the Palestinians — was Mark Kelly, an Arizona Democrat.
“A lot of us talked about the optimism, but there are also a lot of risks,” Kelly said. “The visit that we had with the Palestinian Authority highlighted to me that there is a lot more work to do, not just with the Abraham Accords, but the work needed to get to a resolution — the plight of the Palestinians in the West Bank and the Gaza Strip, a two-state solution.”
The Palestinian Authority declined to be part of the Abraham Accords process, saying the deal, brokered under former President Donald Trump, ignores Palestinian national aspirations. The Biden administration hopes to bring the Palestinians in through economic incentives and by keeping the two-state outcome alive, although Netanyahu and his government have renounced it.
Rosen, who says she got her political chops as a synagogue president in suburban Las Vegas, never answered the question about whether she would have met with Smotrich, the finance minister who has a stake in the trade side of the accords, if he had asked for a meeting.
Sen. Kirsten Gillibrand, a New York Democrat, ran interference for Rosen.
“I would just add that Prime Minister Netanyahu was very clear that he spoke for his government, and that the meeting we had with him was the most important meeting to hear — what his strategy was and why the Abraham Accords was such a huge opportunity,” Gillibrand said.
The group of senators — which also included Dan Sullivan, an Alaska Republican; Ted Budd, a North Carolina Republican; and Michael Bennet, a Colorado Democrat — toured Bahrain, the United Arab Emirates, Morocco and Israel as well as the Palestinian areas. They did not tour Sudan, which is a party to the accords, but is currently in turmoil.
They described witnessing the benefits of the accords, but in a curiously one-sided way — noting the masses of Israeli tourists who have visited the UAE, Bahrain and Morocco, but not mentioning that there was little to no movement in the other direction.
Pressed by a reporter, the senators acknowledged that enthusiasm for the accords in the Arab countries was for now confined to the elites, and that support for the deals has yet to trickle own to the everyday citizen level.
“We’re outsiders stepping in, we’re meeting with leaders, we’re meeting with key people. We’re not interacting with everyone on the streets and doing polling in the streets,” said Sen. James Lankford, a Republican from Oklahoma.
Gillibrand said leaders admitted that they had to make the case for normalization with Israel to their peoples.
“Every head of state that we spoke to said ‘This is where I’m leading my people. I know it’s going to take time for people to understand why and why it’s so important, but I’m doing what it takes to lead my people for a safer security region, for greater economic ties, so that actually benefits [the people] over time’,’” she said. She described changes in education that the governments introduced to promote better understanding of Jews and others.
There was also talk of the benefits the senators hoped the accords would bring stateside. The senators from western states, including Kelly, Bennet and Rosen, spoke about Israeli and Emirati drought expertise they hoped to put to use at home.
“We hope to learn a lot about the work that’s being done to try to deal with drought and deal with the shortage of water in the region. We’re facing many similar challenges in the Rocky Mountain West,” Bennet said.
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Senate rejects effort to rein in Trump’s power to fight Iran alongside Israel
(JTA) — The Senate late Wednesday rejected a measure that would have required President Donald Trump to get congressional approval to continue fighting against Iran.
The measure was initiated by Democrats, who have raised questions about the process by which Trump initiated the war alongside Israel on Saturday. The War Powers Act requires U.S. presidents to seek congressional approval for wars in advance or shortly after their start unless there is an imminent threat to the United States. Trump and his administration officials have given mixed signals about whether a threat was considered direct and imminent.
The vote took place along largely partisan lines, with two exceptions. Rand Paul, the Republican from Kentucky, who tends to oppose international intervention, backed the measure. John Fetterman, the pro-Israel Democrat from Pennsylvania, voted no.
The House is expected to vote on a similar measure today. The House also has a slim Republican majority.
The votes come as multiple polls have shown that a majority of Americans, about 60%, oppose U.S. participation in the war.
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Erich Wolfgang Korngold’s Broadway opus debuts in the U.S. — nearly 80 years late
In 1954, the Oscar-winning composer Erich Wolfgang Korngold staged a European homecoming with a new operetta. How this came to pass — and how his planned comeback failed to materialize — is even more convoluted than the piece’s farcical plot.
Korngold, a wunderkind and Jewish refugee from Vienna, first came to Hollywood to adapt Felix Mendelssohn’s music for Max Reinhardt’s 1935 film of A Midsummer Night’s Dream. Until then Korngold, a piano prodigy who began writing music at age 7 and had his first hit with a ballet he wrote at 11, had mostly composed for concert halls and opera houses. His ensuing career in Hollywood transformed film music by treating motion pictures as if they were “operas without singing.”
Korngold’s work on the swashbuckler Captain Blood, The Adventures of Robin Hood and later King’s Row (whose fanfare John Williams lifted for Star Wars) created a template for symphonic scores. But by the late 1940s, chafing under the Hollywood system, he set to work writing an original operetta, The Silent Serenade, that he hoped would premiere on Broadway.
The show collapsed. It’s never had a full staging in the United States or even in English.
As chronicled by the Korngold Society, the composer went through a litany of librettists to refine this tale of a love triangle and its improbable political fallout. After passing through a number of hands in English, Korngold returned it to Raoul Auernheimer, Theodor Herzl’s nephew and the original writer of the story on which the operetta was based, to translate it back to German. Korngold disagreed with the excessive demands of the producers, the Schubert Brothers, and left the project, leading the Broadway impresarios to fruitlessly search for a new composer.
Korngold, who with Reinhardt had previous success on Broadway with arrangements of other composers’ work, decided to resume a career in Europe with the piece. After delays owing to his health — a 1947 heart attack — a German version debuted on radio in 1951 and was followed by a staging in Dortmund in 1954. It bombed.
“We’re not exactly sure who it was for,” said Cris Frisco, music director at the Mannes School of Music at the New School, who is conducting the U.S. debut of The Silent Serenade at Mannes Opera. “It seems like it was given to the wrong public.”
That Germans in the post-war weren’t attuned to the piece’s sensibilities speaks poignantly to Korngold’s journey, which began at the center of Austrian high culture, orbiting names like Mahler and Artur Schnabel. “We thought of ourselves as Viennese,”said Korngold, the son of a music critic father. “Hitler made us Jewish.”
His exile in Hollywood realigned his sonic universe. As much as he changed film music, it — and America — left an impression on him.
“It is obviously influenced by Hollywood. It’s obviously coming out of those ’30s and ’40s musicals,” said director Emma Griffin, Mannes Opera’s managing artistic director. “It is a piece that is living between film and theater and opera and musical theater and operetta. It’s so emblematic of Korngold’s life, of how many different pieces of the 20th century he influenced, and this particular show is a crazy quilt of all of those influences.”
The plot of the show is, in Griffin’s words “daffy,” focusing on a Neapolitan actress, her would-be dress designer lover and her fiancé, the prime minister. Singing shopgirls, a tabloid journalist and a media circus round out the cast who perform tuneful numbers imbued with an MGM je ne sais quoi, while remaining rooted in Korngold’s post-romantic, classical mode. While Korngold’s symphonic stylings beefed up adventure films, the orchestration here is sparer, hinting at the Broadway pit for which the piece was devised.
The Mannes staging is part of a resurgence of interest in Korngold in the classical world, following decades of dismissal for his contributions to Hollywood.
It’s ironic that Korngold, who died at the age of 60 in 1957, had in Silent Serenade a profound professional frustration, given how buoyant and frothy the work is.
“It’s heartbreaking to think that he did not fully perceive the massive impact of his artistry,” said Griffin. Though he lived through hard times, Griffin says, his music has been a balm for the performers.
“The students have talked about it several times,” Griffin said, “how happy they are to be working on something where the source is joy.”
Mannes Opera’s production of The Silent Serenade debuts March 13 and 14 with an on-demand recording to follow. Tickets and information can be found here.
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Shower, shelter, swipe: Israel’s ‘startup nation’ meets Iran war with a wave of apps
(JTA) — TEL AVIV — Smartphones have become as essential as shelters for Israelis riding out Iran’s missile attacks, with internet traffic up 25% since the war began on Saturday. From the screaming alerts of the military’s official app that, as one comedian put it, sound like a “baby dragon giving birth,” to bomb-shelter Tinder to multiple apps that tell you when it’s safe to shower, the startup nation is trying to digitize the panic into something more manageable.
At the serious end of the wartime app stack is Home Front Command, the Israeli army’s app available in Hebrew, Arabic, Russian and English. It uses GPS to figure out where you are and only pings you when your area is at risk, with separate alerts for rockets, missiles and terror incidents. In this war, Iran’s long-range fire has come with an extra layer of notice, a warning-before-the-warning that can buy people a few more minutes. The shorter-range threats from Hezbollah, which joined the fray on Tuesday, do not come with that same courtesy.
Bomb Shelter Locator turns shelter-seeking into a map exercise, listing around 20,000 official sites, offering offline city maps and walking routes, and estimating the time it will take to reach the nearest protected space.
For anyone who cannot sprint, Purple Vest tries to close the gap. People with disabilities or older residents can register in advance and request help during alerts, with volunteers using the app to locate them and assist with shelter access or urgent supplies.
For others, shelters are turning into accidental social spaces where people can meet-cute on a mattress. The Hooked app, originally built for speed-dating at events, now doubles as a bomb-shelter icebreaker. Shelter-goers post a QR code at the entrance, and singles who scan it can see who else in the same bunker has the same relationship status. US Ambassador Mike Huckabee — who has not been single since high school — shared it on X alongside the caption: “Someday they will tell their kids ‘we met on a dating app in a shelter while dodging ballastic [sic] missiles.’”
But for some, even showering has become its own risk calculation. Martine Berkowitz was one of many who vented after her attempts to scrub up were interrupted by missiles no less than five times on the second day of the war.
For software developer Ben Greenberg, a father of teenagers, Berkowitz’s complaint was familiar, so he built an app called Best Shower Time that spits out a percentage risk score on whether a shower is likely to be interrupted by an alert.
Posts about it spread on social media and what began as a tool for his family is now drawing about 5,000 visitors a day. Greenberg, a California native who immigrated to Israel from New York in 2018, insists it’s “not a joke app.”
“Sirens are just the ultimate example of lack of control in one’s life,” he said, describing the app as a way to “restore some level of control and predictability … in a time when that feels most vulnerable and most taken away from us.”
The app uses real-time alert data from the Home Front Command, and the score is based on four inputs: how long it has been since the last alert, the average gap between alerts over a six-hour window, whether the frequency is trending up or down, and the total alert count over the past 24 hours. Those are weighted into a single score that appears when you open the app.
Users can then set their own parameters, including how long a shower typically takes and how much buffer time they want afterward to dry off and reach shelter.
And for those who have a penchant for extended bathroom breaks, Greenberg added a separate option that relies on the same logic.
It’s not the only app homing on issues of basic cleanliness to emerge this week. Another app, Can I Shower Now?, has developed a following of its own.
Berkowitz said she was “grateful” for apps to help her navigate the question of whether to jump in the shower. After checking and seeing a 13% chance of a missile alert on Wednesday afternoon, she decided to risk it.
“I took a full 20-minute hot shower and washed my hair. It was lovely. And the next warning only came when I was finished and getting dressed,” she said.
Greenberg is piloting a new app, called Best Walking Time, based on the same principle and prompted by his wife, who regularly walks around the neighborhood during work calls but has been afraid to stray from home lest a missile head their way.
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