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Sophie is 85 and survived the Holocaust. Caroline is 29 and new to NYC. Here’s how they became fast friends.
(New York Jewish Week) – It’s a sunny Wednesday afternoon, and Sophie Turner Zaretsky has laid out a tray of fruit and cookies, eagerly awaiting her friend Caroline Crandell. When Crandell arrives at Zaretsky’s Upper West Side apartment, just a few minutes after their scheduled meeting time of 3 p.m., the two break into smiles and embrace.
The two women have been meeting every few weeks since the fall of 2022. Like any pair of friends, they discuss everything that’s going on in their lives and families, as well as current events and their favorite spots in the city. But unlike most friendships, there’s a 56-year age gap between the two: Zaretsky, a Holocaust survivor and retired radiation oncologist, is 85, while Crandell, a software engineer, is 29.
“We just talk,” Zaretsky told the New York Jewish Week as she poured tea for Crandell and a reporter. “Whatever comes into our head.”
“She knows all about my dating life,” Crandell added. “I get a lot of advice, which is helpful.”
The pair were matched through the “Caring Calls” initiative, a flagship program of the Wechsler Center for Modern Aging at the Marlene Meyerson JCC Manhattan on the Upper West Side. The program was created during the pandemic to help seniors combat isolation. It enlists some 130 volunteers to reach out to everyone over 70 who has attended any type of program or event at the JCC in recent years. Most of the check-ins happen over the phone: Volunteers call a few times a year to say hello and offer everything from tech support to grocery shopping assistance.
“We want to be there for our community as folks age,” Susan Lechter, the director of the Wechsler Center, told the New York Jewish Week. “No one should be lonely in this world. If we can make a difference in any way, we want to be there for our community.”
And some of these relationship blossom into something deeper. Seniors can request a “buddy” for regular phone calls; according to the Wechsler Center, there have been 140 “buddy” matches so far.
When Zaretsky first heard from Caring Calls last fall, she had a specific request: She wanted to be matched with a young person as a buddy. “I talk to old people and I’m tired of hearing about all the issues and problems with aging,” Zaretsky quipped. “I have my own issues; I don’t want to hear anybody else’s.”
Given that most of the Caring Calls volunteers are middle-aged or older adults, Lechter knew exactly whom to tap: Crandell, who was living by herself in a fifth-floor walkup on the Upper East Side, having arrived in New York via California during the Omicron wave of January 2022. In order to meet new friends, Crandell had enrolled in intramural soccer at the JCC, and she also had inquired about volunteer opportunities there.
“My family is very far away and I haven’t had any living grandparents for a long time. I didn’t know anyone when I moved here,” Crandell said, explaining her interest in the Caring Calls program. “I think it’s good to have different generations and different perspectives come together.”
Matched by Lechter, the pair first spoke in October of last year and they hit it off immediately. “I think we spoke for like an hour,” Crandell said, recalling how they bonded over their dislike of cooking and exercise. “By the end of the call we said to each other, ‘Let’s not do the call thing. Let’s meet up.’ I came over a few days later and we’ve been getting together every few weeks ever since.”
Turner Zaretsky and Crandell get together every few weeks at Turner Zaretsky’s Upper West Side apartment, pictured here on May 10, 2023. (Julia Gergely)
The particular afternoon of the New York Jewish Week’s visit, Crandell had brought over a new blend of tea to try. Over their beverages, the two women share lipstick and book recommendations, and swap stories about their childhoods — which were, not surprisingly, vastly different from one another’s.
Zaretsky, born Selma Schwarzwald in 1937, had grown up in hiding in Lvov, Poland; she and her mother posed as Catholics in order to avoid deportation to the Belzec killing center. She moved to England with her mother in 1948, when she was 10, and wasn’t told she was Jewish until she was a teenager.
“It was terrible,” she said of moving from Poland to England. “It’s very hard to be a refugee when you don’t know the language. You feel stupid. You don’t have the narrative. I didn’t have the narrative for England and I didn’t have the narrative for being Jewish.”
After attending medical school in England, Zaretsky moved to New York in 1963 for her medical residency at Montefiore Hospital in the Bronx, and found herself alone in a brand new city. In 1970, she married David Zaretsky.
Though the JCC initiative is the first time either Zaretsky or Crandell have participated in a formal matching program, Zaretsky has a history of “adopting” people who look like they might need it. A number of years ago at a dinner at the United Nations, which she attended in place of her son who often worked with the organization, Zaretsky was seated next to the ambassador from Malta. “He didn’t know people in New York, so being the Jewish mother that I am, I had to introduce him to everyone to make sure he could live a good life here,” she said. They’re still friends to this day, Zaretsky said, and she has been known to advise him on certain geopolitical issues when the General Assembly meets.
“I have found that young people nowadays are so educated and so aware, but they still need a little bit of TLC — at least this one does,” Zaretsky said, nodding towards Crandell. “But I do, too.”
Indeed, former U.S. Surgeon General Vivek Murthy has described a “loneliness epidemic” that peaked, not surprisingly, at the height of the pandemic. Older adults, disproportionately women, have been especially vulnerable, although a Harvard studying 2021 found that older teens and young adults were the hardest hit by the social isolation brought on by the pandemic.
“I feel like in the society we live in right now, isolation and disjointed community is common,” Crandell said. “Everything’s online, every single person has been affected by technology and feeling pretty isolated, no matter what age. Any opportunity to meet people in person or just connect with someone goes a long way.”
This type of relationship is exactly what the program aims to achieve, said Lechter. “We were determined to create more intergenerational opportunities,” she said. “We’re hoping that it becomes more frequent.”
By the time Crandell needs to head to her soccer game, several hours have passed. “I come thinking I’m just stopping by, but it turns out we have hours of things we need to discuss,” Crandell told the New York Jewish Week. “I always lose track of time.”
Like any good Jewish mother, Zaretsky sends her off with a care package of snacks to take home and a plan for when they’ll meet up again — this coming Friday, for Shabbat dinner.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
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