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Soviet Jewry protest leaders in San Francisco secretly recruited help from Jews for Jesus, FBI file says

(JTA) – Organizers of protests on behalf of Soviet Jewry in San Francisco in the early 1970s might have bolstered crowds by secretly recruiting participants from Jews for Jesus.

The explosive revelation that Jewish leaders turned to a Christian missionary group for help appears in a 1973 FBI memo that the Jewish Telegraphic Agency recently obtained through a freedom of information request.

The FBI file details an apparent relationship between Martin Rosen, the founder of Jews for Jesus, and Joel Brooks and Harold Light, two prominent San Francisco Jewish leaders at the fore of local efforts in the movement to get Soviet authorities to end restrictions on the emigration of the country’s Jewish population. The relationship outlined in the declassified memo has not appeared in scholarship on the Soviet Jewry movement, nor is it known to activists of the movement who were interviewed by JTA. Light, Brooks and Rosen are deceased.

If the FBI’s intelligence is accurate, a successful and cherished social movement that unified much of the global Jewish community in common purpose for decades relied at least to some extent in San Francisco on the support of a group, rejected by nearly all of that community, whose mission is to proselytize to Jews.

“The first thing I thought of was, I’m reading something from ‘The Twilight Zone’ — in my many years in the Soviet Jewry movement, I don’t know if I’ve seen a document as strange as this,” said Morey Schapira, who served in leadership positions in the Student Struggle for Soviet Jewry, the Bay Area Council for Soviet Jews, and the Union of Councils for Soviet Jews. “The idea of working with a slimy group like Jews for Jesus, it’s beyond my comprehension.”

The public can request any FBI files that may exist pertaining to deceased individuals. An FBI memo relating Rosen arrived last November in response to one of about 50 freedom of information requests on prominent figures in recent Jewish history submitted by JTA almost two years ago. Most of JTA’s requests are still pending. TO DOWNLOAD THE FBI FILE, CLICK HERE.

Dated May 24, 1973, and written by an FBI informant whose name was redacted by staff at the U.S. National Archive, the memo focuses on Brooks, who was the Northern California director of the American Jewish Congress for about 30 years starting in 1967.

“[Brooks] has heavily utilized the services of the young Jews in the Jews for Jesus group,” the informant wrote. “[He] has used these services to turn out people in his Soviet Jewry demonstrations.”

The informant also cites Brooks as saying that Light, leader of the Bay Area Council for Soviet Jewry, used members of Jews for Jesus in a “hush-hush way” to distribute leaflets and participate in demonstrations.

The memo spells out why such an arrangement would be best kept out of the public eye.

“All of this, of course, is secret, because organized Jewish groups, and the various rabbinical councils have proclaimed that Jews for Jesus are no longer Jews but have become apostates, and should not be palled around with, nor buried in Jewish cemeteries,” the informant writes.

Martin “Moishe” Rosen, founder of Jews for Jesus in 1975. (Denver Post via Getty Images)

The upside for Rosen was obvious: His group would gain a foothold in a popular Jewish movement, offering a potential avenue toward legitimacy and a pool of possible recruits. In his 1974 memoir, titled “Jews for Jesus,” Rosen openly discussed being accepted into the movement by Jewish organizers, but he did so without naming Brooks, Light or any others.

He wrote that Jews for Jesus were invited because of their reputation as the “best qualified, best disciplined demonstrators in the San Francisco community. We’ve had more experience than other Jewish groups and are familiar with the applicable laws and regulations.”

Rosen’s group committed to not use the demonstrations as an opportunity to evangelize and didn’t bring any Christian literature or wear outfits that would identify them, according to the memoir.

“Many Jews for Jesus believe in the freedom of Soviet Jewry just as strongly as any other Jews, and we want to be as effective as possible when we demonstrate to support that cause,” Rosen wrote. 

To Schapira, who led the Bay Area Council for Soviet Jews for years and knew both Brooks and Light, however, it’s unclear why the Soviet Jewry movement would have wanted or needed Jews for Jesus. Schapira didn’t recall it ever being especially difficult to turn out demonstrators organically. There didn’t seem to be a need to resort to secret deals.

“If you look at the picture of the rallies in those days, they even had people like [American folk music legend] Joan Baez,” Schapira said. “They developed a relationship with her and she would come to the rally and bring her guitar and sing songs for freedom.”

He added, “If we needed an instant rally, we were a grassroots organization and we could produce 10 or 12 people, which might be enough to send a message to the Russians and get some publicity in the local papers.”

At least a few people in the Bay Area’s Jewish community caught wind of the secret relationship between Brooks and Jews for Jesus at the time, according to the memo.

Stephanie Rodgers was a coordinator of the Jewish Defense League, an extremist right-wing Jewish group that was under heavy FBI surveillance. Founded by Rabbi Meir Kahane, the JDL applied its often violent tactics to resist Jews for Jesus’ public campaign to convert Jews. Rodgers visited Brooks’ office ahead of a planned demonstration in front of the Soviet consulate in San Francisco and asked about his connection to Rosen and Jews for Jesus, according to the memo.

After Brooks explained how they had been useful, Rodgers “smiled and was very pleasant on the surface,” the memo says. But at the demonstration, Rodgers and a group of other JDL activists showed up even though they said they would stay away, and they found Rosen in the crowd and proceeded to attack him and “kicked him in the groin.”

JDL regularly disrupted Jews for Jesus events; the organization would ultimately claim responsibility for firebombing a bus operated by Jews for Jesus in Brooklyn and abducting an adherent. In the Bay Area, where both groups were active, tensions were particularly high; the Jewish Defense League would sue the local Jews for Jesus chapter over what it charged was the group’s misuse of the JDL’s name and imagery.

Brooks, meanwhile, had more affable ties with Jews for Jesus. It’s unclear how or when Rosen and Brooks developed a relationship, but Brooks noted in a July 25, 1972, letter he wrote to the office of the American Jewish Congress in New York that their ties had started “some time ago.” The letter is found in the records of the Northern California branch of the American Jewish Congress, which are archived at the University of California Berkeley’s library.

A prominent advocacy group in its heyday, the American Jewish Congress — not to be confused with the American Jewish Committee — took a more liberal political stance than that of Jewish establishment groups on many issues.

Brooks had learned that his organization’s national headquarters wanted to undertake a study of Jews for Jesus and he wished to provide insight. He was under no illusion about the group’s objective: “The sole aim of these men is to enlist new converts to Christianity,” Brooks wrote in the letter.

“Through contact with Rosen I have developed a great deal of insight into how his organization operates, their source of funding, budget, etc. which I wish to share with you,” he added.

Then as now, members of Jews for Jesus and other Messianic groups felt unfairly rejected by the Jewish world, arguing that their Christian beliefs should have a place in the community.

In the early 1970s, when Jews for Jesus’ conversion drive was prominent and well funded, Brooks was perceived as more lenient, according to the foreword to the 2017 book “Converging Destinies: Jews, Christians, and the Mission of God.”

“Brooks tried to keep some of us connected to the Jewish community and Jewish life,” Calvin J. Smith wrote in the foreword. “I remember going with another Jew for Jesus to a Jewish consciousness raising session he held at a home in Marin County in the early 1970s.”

Glenn Richter was one of the founders of the Student Struggle for Soviet Jewry and operates as a walking encyclopedia of the movement.

Protestors dressed as prisoners behind bars, alongside a man holding a placard reading “Solidarity with Soviet Jews,” stand together with members of New York’s Jewish community as they take to the streets during the Solidarity Sunday for Soviet Jewry demonstration in protest at the Soviet Union’s treatment of Jewish people, in New York City, April 18, 1975. (Images Press/Keystone/Hulton Archive/Getty Images)

He said the movement did collaborate with many Christians outside of Jews for Jesus. For example, he said there were Scandinavians, who, on weekend trips to Leningrad (today St. Petersburg), brought in Jewish material that was banned in the Soviet Union. Others set up safe houses in Finland in expectation of fleeing Soviet Jews. And the International Fellowship of Christians and Jews raised millions of dollars from evangelicals to help transport Soviet Jews to Israel.

“Of course, among these goodhearted souls are those who have conversion of Jews in mind, but I suspect most have wanted to fulfill their prophecy of ingathering Jews to Israel so that a Christian messiah could return,” Richter said.

In his eyes, Jews for Jesus represented a red line.

“Our Student Struggle for Soviet Jewry office on Manhattan’s West 72nd Street was down the block from a church with a Jewish Messianic constituency, and we would never, ever, try to work with them,” Richter said.

Andrew Esensten contributed research to this story. 

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The post Soviet Jewry protest leaders in San Francisco secretly recruited help from Jews for Jesus, FBI file says appeared first on Jewish Telegraphic Agency.

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VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

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Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons

If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.

Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.

“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.

A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.

Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.

“Falcons were up 28-3 at Dunkirk,” that tweet read.

The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.

All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.

The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

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