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‘Swastika boards’ and ‘surf Nazis’: New documentary explores surfing’s history of antisemitism

(JTA) — When he was 13 years old, Josh Greene moved with his family to San Clemente, California, a city known as one of the best spots for surfing on the West Coast. Greene quickly fell in love with the sport, even holding his bar mitzvah party at a local museum dedicated to it.

As a “skinny, very unathletic” teen, Greene said he endured a significant amount of bullying, including some that “extended itself into antisemitism.” Students at his school would compare his physique to that of a Holocaust survivor.

Surfing provided refuge.

“Surfing was my way to really carve my own niche and find the confidence, courage and physical strength I needed,” he told the Jewish Telegraphic Agency.

But years after his bar mitzvah, Greene learned that his parents had arranged for the Surfing Heritage and Culture Center to remove swastika-engraved boards that were on display, to avoid disturbing the partygoers. Wanting to learn more, he discovered that the sport’s history is full of Nazi imagery: Particularly in the 1960s, seeing surfboards with swastikas or surfers giving “Sieg heil” salutes was commonplace. Serious surfers called themselves “surf Nazis” as a way to signal their intense dedication to the sport.

An aspiring filmmaker — he received his first “real camera” as his bar mitzvah present — Greene decided to combine his two passions and delve into the dark history.

The result, completed before he graduated from the University of Southern California in May 2022, is a documentary called “Waves Apart,” which chronicles the history of antisemitism in surfing. Directed by Greene, the student-produced film was a finalist in the fall for a Student Academy Award, given by the Academy of Motion Picture Arts and Sciences.

“Waves Apart” made its global debut at the Santa Barbara International Film Festival on Thursday, before heading to other Jewish and documentary film festivals in California, Denver, Toronto and Maryland.

After chronicling his own journey with surfing and the bar mitzvah incident in the film, Greene interviews surf writer Dan Duane and Jewish history professor Steven Ross, who provide a fuller picture of Southern California’s history of both surfing and Nazism, and their unfortunate overlap. As Duane wrote in a 2019 New York Times article, that overlap runs deep — The first commercially made surfboards made in California are thought to be the “Swastika model,” sold in the 1930s by the Pacific Systems Homes company, which also made prefab houses. The 1960s surfer icon Miki Dora was known to have painted a swastika on at least one of his boards.

Duane cites arguments that claim early surfers, who wanted to be seen as a rebellious subculture, used the swastika only to irk members of mainstream society. But Duane argues back that their antisemitism was part of a clear culture of racism in the largely white surfer community.

“I’ve heard all the predictable excuses for this stuff, like that the swastika was an ancient Sanskrit symbol,” he wrote in The Times. “Putting a swastika on something to anger people means you know that it angers them and very likely why.”

In his movie, Greene also speaks with Jewish surfers, both his classmates at USC and Jewish surfing legends like Shaun Tomson and Israel “Izzy” Paskowitz. Paskowitz shares a story of encountering a surfer with a swastika spray-painted on his surfboard — which his father, the famous surfer Dorian “Doc” Paskowitz, destroyed out of anger.

“Right as I was about to graduate, we had the first screening of our film, in our school’s theater,” Greene said. “We drew a packed crowd, and it was so rewarding and such a great sign of confirmation about the film’s message and connectivity with our audience. We saw people crying, people smiling at the end, with the way our film ends with a hopeful tone and message for the future.”

That hopeful message is where Tomson comes in. A former pro surfer and now a motivational speaker, Tomson reached the pinnacle of the sport by winning the 1977 World Surf League championship. He won 19 major professional surfing events in total and is a member of both the Southern California and International Jewish Sports Halls of Fame.

Shaun Tomson is a former world champion surfer. (Courtesy of Tomson)

Tomson, born in Durban, South Africa, also had a surfing experience tied to his bar mitzvah that would prove foundational. Tomson’s father took him on a surfing trip to Hawaii, which Tomson called “the Mount Everest of surfing.”

“For me, it was a total representation of what a bar mitzvah is — it’s coming into manhood,” Tomson told JTA. “And here I was, a young boy paddling out in a 25-foot surf in Hawaii, which was a moment for me that changed my life. I came back to South Africa, and my career and my role in surfing changed after that bar mitzvah present.”

Tomson said he has faced antisemitism before outside of the sport — he was called a “Jew boy” by a fellow member of South Africa’s army as a teenager — but never as a member of the surfing community in the 1970s onward.

“While it’s not an excuse, I think there’s just a lot of ignorance,” Tomson said. “When I say ignorance, perhaps it wasn’t actually directed at Jews, it was more just blatant stupidity, and a lack of awareness of what actually happened in the Holocaust.”

There weren’t many Jewish surfers in South Africa when Tomson grew up, but he said he feels a direct link between his identities as a Jew and as a surfer.

“When you’re out in the ocean, there’s certainly a spiritual and a religious connectivity there, which is totally aligned with Jewish values,” he said.

No experience exemplifies this connection more powerfully than the tragic death of Tomson’s son, Matthew, who died in 2006 at the age of 15 as a result of a schoolyard “choking game” gone wrong. Tomson tells the story in the documentary.

Tomson explained that his particular expertise is tube riding — the picturesque but challenging technique of riding inside a tunnel-like wave. Two hours before Tomson’s son died, he called his father to share an essay he had written about how in tube riding, “the light shines ahead.” Just hours later, Tomson received the devastating news.

“So when I was trying to make sense of the world and my life, and why God had done this to me, I went back to my old shul,” Tomson said. “The old shul where I’d had my bar mitzvah. And I look at that lamp of everlasting light that represents the hope and faith of Judaism. And I thought of the words that my son wrote, ‘the light shines ahead.’ And I realized that Judaism’s about hope.”

The film ends on that hopeful tone: The last scene features a group of Jewish surfers at a beach in Malibu, reciting the Shema prayer in the water, before hitting the waves as the sun begins to set. In the last shot, the group sits down to a Shabbat meal on the beach.

“Surfing can be seen as a microcosm for issues like that and I think we would be doing our sport a great disservice if we ignored our own signs of darkness,” Greene said. “I think that by making a film like this, we can dispel ignorance and divisiveness, and instead promote inclusivity, community and equality for all surfers and all people.”


The post ‘Swastika boards’ and ‘surf Nazis’: New documentary explores surfing’s history of antisemitism appeared first on Jewish Telegraphic Agency.

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‘Shameful’: California Jewish Advocacy Group Denounces Challenge to K-12 Antisemitism Law

Students from Encinal High School and St. Joseph Notre Dame High School in Alameda, California, participating in anti-Israel demonstration on Jan 26. 2024: Photo: Michael Ho Wai Lee / SOPA Images via Reuters Connect

A California state legislator has introduced a bill aimed at gutting a recently passed K-12 antisemitism law (AB 715), which strengthened civil rights protections for Jewish students amid a pandemic of bullying, harassment, and extreme anti-Zionist activity in public schools.

Robert Garcia, a Democrat and member of the California State Assembly, introduced the measure — Assembly Bill (AB) 2159 — on Wednesday, and it has already amassed support from a number of groups which have opposed the Jewish community’s efforts to address antisemitism  in education.

In October, California Gov. Gavin Newsom signed a law which requires the state to establish a new Office for Civil Rights for monitoring antisemitism in public schools at a time of rising anti-Jewish hatred across the US. As previously reported by The Algemeiner, the bill confronted Newsom, a Democrat rumored to be interested in running for US president in 2028, with a politically fraught decision, as it aims to limit the extent to which the state’s ideologically charged ethnic studies curricula, supported by progressives and many Democrats, may plant anti-Zionist viewpoints into the minds of the 5.8 million students educated in its public schools.

Newsom, who has since endorsed the false charge that Israel is an “apartheid” state, approved the measure amid these cross currents, paving the way for state officials to proceed with establishing an Antisemitism Prevention Coordinator, setting parameters within which the Israeli-Palestinian conflict may be equitably discussed, and potentially barring antisemitic materials from reaching the classroom.

“Specifically, this bill removes reference to a definition of antisemitism that could include criticism of Israeli government policy, requires the Antisemitism Prevention Coordinator to be selected through an unbiased, merit-based civil service process, and removes vague and subjective language that exposes schools and teachers to discrimination complaints,” Garcia’s new bill says.

Garcia is a former trustee of the Etiwanda School District, located in the southern region of state, which has already been the subject of a civil rights complaint alleging harrowing incidents of “vicious antisemitism” in which a 12-year-old Jewish girl was flogged with a stick, told to “shut your Jewish ass up,” and teased with jokes about Adolf Hitler. During the period of the alleged abuse the girl’s bullies stated that it would not have occurred were she non-Jewish. According to the complaint, filed by the Louis D. Brandeis Center for Human Rights Under Law in March 2025, the school district never punished her tormenters despite receiving a torrent of complaints.

“It is shameful that Assemblymember Garcia not only introduced a bill that would harm Jewish students, but ‘worked closely’ on it with organizations that have promoted or enabled antisemitism,” StandWithUs, a California-based Jewish advocacy group, said in a statement denouncing the measure.”

The Council on American Islamic Relations (CAIR), the far-left Jewish Voice for Peace (JVP), the California Faculty Association, and the California Labor Federation were among the groups specifically called out by StandWithUs.

“All legislators should reject efforts by these groups to influence policy on the state of California,” StandWithUs continued. “The assemblymember should apologize and withdraw AB 2159, which is a transparent ploy to prevent extremists from being held accountable for spreading hate in K-12 schools.”

Garcia is not alone in attempting to effectively overturn the K-12 antisemitism law. California Middle school teacher Andrea Prichett, joined by the Los Angeles Educators for Palestine group, challenged it in a lawsuit last year, arguing that it violates the First Amendment, was “hastily written,” and “singled out” anti-Zionist viewpoints for punishment. A federal judge, Noël Wise, appointed by former US President Joe Biden, struck down the complaint, noting that teachers working as government employees do not enjoy unfettered free speech. In her ruling, Wise stated that while teachers may comment on matters of public interest, previous jurisprudence prohibits their uttering statements which obstruct government’s “legitimate interests.”

She continued, “As public school education belongs to the government, the government may regulate Teacher Plaintiffs [sic] speech to accord with the government’s education goals. It is of no significance that the curricula and the attendant speech required to teach it may advance a single viewpoint to the exclusion of another.”

Another lawsuit was filed in November by the American-Arab Anti-Discrimination Committee (ADC), whose national legal director, Jenin Younes, has said on social media that Jews “fake…hate crimes” and endorsed claims that “Zionists” control the media and played a role in assassinating former US President John F. Kennedy.

“It’s dawning on me recently how insane it is I just accept that I’m subservient to them,” Younes wrote.

In a statement announcing its lawsuit, the ADC argued that Arabs are victims of discrimination and said that the California law amounts to a hijacking of American policy by Israel, an argument advanced by neo-Nazis, including Nicholas Fuentes, and commentators who promote their views such as Tucker Carlson and Candace Owens — both of whom claim that proliferating antisemitism is an exercise of free speech.

In Wednesday’s statement, StandWithUs said that if the latest assault on AB 715 succeeds it would “harm the Jewish community and public trust in California’s education system.”

Follow Dion J. Pierre @DionJPierre.

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US CENTCOM Chief Says Iran Attacking Civilian Sites as Regime Grows Increasingly Desperate

US Central Command (CENTCOM) chief Admiral Brad Cooper speaks to Iran International’s Samira Gharaei, March 22, 2026. Photo: Screenshot

Iran has increasingly targeted civilian sites across the Middle East out of “desperation” as the regime’s internal cohesion and military capabilities crumble amid intensifying pressure from the US-Israeli campaign, according to the head of US Central Command (CENTCOM).

In his first one-on-one interview since the outbreak of war with Iran late last month, Admiral Brad Cooper told Iran International on Sunday that, “in the last couple weeks,” Tehran has carried out more than 300 strikes on civilian, non-military sites, describing the pattern as a shift driven by battlefield setbacks.

“They’re operating in a sign of desperation” Cooper said, arguing that Iran’s ability to sustain large-scale offensive operations has diminished under sustained US and Israeli strikes. Cooper added that Tehran’s rapidly degrading military capabilities have pushed the regime to begin targeting civilian infrastructure and residential communities. 

US and Israeli officials have said the initial days of the conflict, which began on Feb. 28, were marked by coordinated barrages of drones and missiles. Those Iranian attacks, however, have now given way to smaller, less intense launches, a change they attribute to deteriorating Iranian capabilities.

“At the beginning of the conflict, you saw large volumes in the dozens of drones and missiles. You no longer see that. It’s all one or two at a time,” Cooper said. 

Iran, however, has vowed to continue its military operations against Israel and the US, while also targeting Gulf countries.

Meanwhile, concerns are growing over the security of the Strait of Hormuz, a critical global shipping route through which about a fifth of the world’s oil flows. According to Cooper, the waterway remains technically open but commercial traffic has dropped sharply as vessels avoid the area due to Iranian drone and missile activity.

“The Strait of Hormuz is physically open to transit,” he said. “The reason ships are not transiting right now is because the Islamic Republic is shooting at them with drones and missiles.”

The United States and its allies have stepped up efforts to secure the corridor, part of what Cooper described as the “largest umbrella of air defense in the Middle East history.”

The conflict has also raised fears of broader escalation. US officials had previously warned that additional strikes could target key Iranian infrastructure, while Tehran has threatened retaliation against regional energy and water facilities.

However, US President Donald Trump stated on Truth Social Monday that he and Iranian leaders had “VERY GOOD AND PRODUCTIVE CONVERSATIONS REGARDING A COMPLETE AND TOTAL RESOLUTION OF OUR HOSTILITIES IN THE MIDDLE EAST.” Trump added that due to the purported success of the meetings, he has “INSTRUCTED THE DEPARTMENT OF WAR TO POSTPONE ANY AND ALL MILITARY STRIKES AGAINST IRANIAN POWER PLANTS AND ENERGY INFRASTRUCTURE FOR A FIVE DAY PERIOD.”

Iranian officials declined any dialogue with Trump, claiming that the president had “retreated” from his military posture “out of fear of Iran’s response.”

The statement came after Trump threatened on Saturday to “obliterate” the country’s energy infrastructure if the regime did not agree to an ultimatum to reopen the Strait of Hormuz within 48 hours. Iran said it would retaliate to such an attack by targeting critical infrastructure across the Middle East.

Some analysts have speculated that Trump’s apparent shift in tone was a way to buy time to make preparations for the next US military moves.

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UK Art Exhibit Condemned for Displaying Drawings With Antisemitic Tropes ‘Worse Than Nazi Propaganda’

Demonstrators hold Israeli and British flags outside the Law Courts, during a march against antisemitism, after an increase in the UK, during a temporary truce between the Palestinian Islamist terrorists Hamas and Israel, in London, Britain, Nov. 26, 2023. Photo: REUTERS/Susannah Ireland

An art exhibition that opened this weekend in Margate, a seaside town in England, features nearly 100 drawings that promote antisemitic tropes, feature swastikas, target Jewish or Israeli individuals, and deny violence that took place during the Hamas-led terrorist attack in Israel on Oct. 7, 2023.

“Drawings Against Genocide” at the Joseph Wales Studios will be open until March 29 and is organized by the groups Art for a Free Palestine and Thanet for Palestine. The artist behind the drawings is Matthew Collings, a 70-year-old writer and former art critic who has been openly critical of Israel. There are roughly 100 drawings in the exhibit critical of Israel, Jews, the “Israeli lobby,” and more, according to Art for a Free Palestine.

One drawing in the exhibit shows members of a so-called Israel lobby that is “nuts and utterly in control,” while other drawings accuse Israel of apartheid and committing a genocide against Palestinians. Several drawings feature a Nazi swastika, often alongside the flag of Israel, while one artwork in particular depicts ancient Israelites with horns. A separate piece shows two Sotheby’s auctioneers eating babies with blood dripping from their teeth and one of them is Sotheby’s French-Israeli owner Patrick Drahi. The drawing claims he is a “fanatic Zionist” who eats babies alive.

Another drawing in the exhibit shows an Israel Defense Forces (IDF) soldier spewing blood from their mouth and hands, while another shows an IDF soldier standing over a pool of blood and a human skull. A separate drawing denies that sexual violence took place during the Hamas terrorist attack in Israel on Oct. 7, 2023, while another falsely claims there is “no reliable evidence whatsoever” about some of the violence that took place during the massacre.

Israeli Prime Minister Benjamin Netanyahu is depicted naked in one drawing while spewing blood from his mouth and the piece suggests that he is trying to “change reality” with hypnotism in his desire to “invade Iran.” Other drawings target the chief executive of the Jewish organization Community Security Trust, pro-Israel writer and journalist David Collier, and even film director Quentin Tarantino, who lives in Israel with his family.

“This is the recycling of classic antisemitic tropes dressed up as activism,” Collier told The Algemeiner. “When swastikas and dehumanizing imagery are normalized in an art gallery, it tells you something has gone badly wrong.”

“I am currently looking out at a UK landscape in which Jewish people are murdered while going to pray on Yom Kippur, and ambulances owned by a Jewish charity are torched,” he added. “If the government and the police do not start connecting the dots between antisemitism masquerading as pro-Palestinian activism and the real-world violence we see unfolding before us, then the situation for British Jews will only get worse.”

The Combat Antisemitism Movement said the drawings are “worse than Nazi propaganda” and feature “monstrous blood libels.” The grassroots nonprofit organization Stop the Hate UK said the drawings display the artist’s “obsessive hatred of Jews” that is “dressed up as art.”

“The artist makes sure to include lots of bank notes and blood. All the old tropes,” the group noted in a post on X. “The British Jewish community are fed up of being told this sickening hate is ok. It’s not.” Stop the Hate UK also shared on X a video of the exhibit’s alleged curator saying “globalize the intifada” and “from the river to the sea,” a slogan that calls for the dismantling of the State of Israel and for it to be replaced by “Palestine.”

The exhibit has also been publicly condemned by the UK’s Shadow Home Secretary Chris Philp and several other groups, including the Jewish Leadership Council, Labour Against Antisemitism, and Campaign Against Antisemitism in statements given to The Telegraph. The exhibit was reported to local police, but they have taken no action, and it remains open.

The Thanet district council, led by the Labour Party, was criticized for promoting the exhibition after its tourism website, Visit Thanet, provided information about its dates and venue, but the webpage has since been deleted.

Collings said in an Instagram post that the drawings are “directed against the horrific genocide against the Palestinians being perpetrated by Israel.”

Art for a Free Palestine said the exhibit “is about raising consciousness and welcoming people to learn about the UK government’s connections to the Israeli lobby and its continued manufacturing of precision weapons on UK soil that are used to target and murder civilians in Gaza.” The drawings, the group added, “teach us the way in which our politicians and mainstream media use propaganda to lie and manipulate the general public in order to cover up the slaughter of thousands of Palestinians.”

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