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The exhausting, never-ending job of debunking antisemitic conspiracy theories
(JTA) — A few days after the comedian Dave Chappelle appeared to justify the never-ending appeal of Jewish conspiracy theories, this sentence appeared in the New York Times: “Bankman-Fried is already drawing comparisons to Bernie Madoff.”
I’ll explain: Sam Bankman-Fried is the 30-year-old founder of FTX, the crypto-currency exchange that vaporized overnight, leaving more than 1 million creditors on the hook. Bernie Madoff, is, of course, Bernie Madoff, the financier who defrauded thousands of investors through a multibillion-dollar Ponzi scheme and died in prison.
It’s a fair comparison, as a former regulator tells CNN: “Bankman-Fried, like Madoff, proved adept at using his pedigree and connections to seduce sophisticated investors and regulators into missing ‘red flags,’ hiding in plain sight.”
Nevertheless, seeing these Jewish figures lumped together, I braced myself for the inevitable: Nasty tweets about Jews and money. Slander from white supremacists. Plausibly deniable chin-scratching from more “mainstream” commentators.
What comes next is a familiar script: Jewish defense groups issue statements saying conspiracy theories traffic in centuries-old antisemitic tropes and pose a danger to the Jews. Jewish news outlets like ours post “explainers” describing how these myths take hold.
It’s exhausting, having to deny the obvious: that a group of people who don’t even agree on what kind of starch to eat on Passover regularly scheme to bilk innocents, manipulate markets or control the world. And it often seems the very attempt to explain these lies and their popularity ends up feeding the beast.
Chappelle’s now notorious monologue on “Saturday Night Live” is a case in point. At first pass, it is a characteristically mischievous attempt to both mock the rapper Kanye West for his antisemitism, and to push boundaries to explain why a troubled Black entertainer might feel aggrieved in an industry with a historic over-representation of Jews. Jon Stewart certainly heard it that way, telling Stephen Colbert, “Look at it from a Black perspective. It’s a culture that feels that its wealth has been extracted by different groups. That’s the feeling in that community, and if you don’t understand where it’s coming from, then you can’t deal with it.”
That is a useful message, but consider the messenger. Chappelle appears to disapprove of West’s conspiracy-mongering, but never once discusses the harm it might cause to the actual targets of the conspiracies. Instead, he focuses on the threat such ideas pose to the careers and reputations of entertainers like him and West. The “delusion that Jews run show business,” said Chappelle, is “not a crazy thing to think,” but “it’s a crazy thing to say out loud.” He ends the routine by ominously invoking the “they” who might end his career.
That’s what critics meant when they said Chappelle “normalized” antisemitism: He described where it’s coming from, explained why his peers might feel that way, and only criticized it to the degree that it could lead the purveyors to be cancelled. It’s like saying, “You don’t have to vaccinate your kids. Just don’t tell anybody.”
This week I worked with a colleague on an article about how the “Jews control Hollywood” myth took hold, and at each step of the way I wondered if we were stoking the fire we were trying to put out. No, Jews don’t control Hollywood, we reported, but “nearly every major movie studio was founded in the early 20th century” by a Jew. Those moguls rarely used the movies as a platform to defend Jewish interests, but per Steven Spielberg, “Being Jewish in Hollywood is like wanting to be in the popular circle.”
A documentary shown Thursday night at the DOC NYC festival here in New York teeters on the edge of the same trap. “The Conspiracy,” directed by the Russian-American filmmaker Maxim Pozdorovkin and narrated by Mayim Bialik, uses 3-D animation to explain how conspiracists ranging from a 19th-century French priest to American industrialist Henry Ford placed three Jews — German financier Max Warburg, Russian revolutionary Leon Trotsky and falsely accused French soldier Alfred Dreyfus — at the center of a vast, contradictory and preposterous scheme to take over the world. It connects age-old Christian animosity to the Jews to centuries of antisemitic paranoia and fear-mongering that led to unspeakable violence at Kishinev, Auschwitz and Pittsburgh. “This myth has plagued the world for centuries,” Pozdorovkin explains.
Or at least that’s the message you and I might have gotten. But I can also see someone stumbling on this film and being seduced by the rage and cynicism of the conspiracy-mongers — who, I should note, are quoted at length. Part of the problem is the film’s aesthetic: a consistently dark palette and a “camera” that lingers on ugly examples of antisemitic propaganda. Even though these images are seen on a creepy “conspiracy wall” and connected with that red thread familiar from cop shows and horror films, I can well imagine an uninformed viewer asking why members of this tiny minority seem to be at the center of so many major events of the 19th and 20th centuries.
I was reminded of a joke by the Jewish comedian Modi, ridiculing the ritual of inviting celebrities accused of antisemitism to visit a Holocaust museum. “Which is the stupidest idea, ever,” he says. “You’re taking someone who hates Jews into a Holocaust museum. They come out of there [saying] ‘Wow! Oh my God, that was amazing! I want a T-shirt!’”
The poet and essayist Clint Smith, whose cover story in next month’s Atlantic explores the meanings of Holocaust museums in Germany, makes a similar point. After visiting the museum in Wannsee documenting the infamous meeting in which the Nazis plotted the Final Solution, he wonders: “Might someone come to a museum like this and be inspired by what they saw?”
The makers of “The Conspiracy” (oy, that title) obviously intend the very opposite. In an interview with the Forward, Pozdorovkin agrees with the interviewer’s suggestion that those “who most need to see this film might be the least likely to be convinced by it.”
“My hope is that this film has a trickle-down effect,” he explains.
The fault lies not with those who seek to expose antisemitism but with a society that relies on the victims to explain why they shouldn’t be victimized. As many have pointed out, antisemitism isn’t a Jewish problem; it’s a problem for the individuals and societies who pin their unhappiness and neuroses on a convenient scapegoat. Ultra-nationalism and intolerance are the soil in which conspiracies take root.
But as long as scapegoating remains popular and deadly, the victims have to keep explaining and explaining the obvious — that, for instance, the fact that Sam Bankman-Fried and Bernie Madoff are Jewish is no more significant than the fact that Henry Ford and Elon Musk, two people who founded car companies, are gentiles.
The question is, who is listening?
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The post The exhausting, never-ending job of debunking antisemitic conspiracy theories appeared first on Jewish Telegraphic Agency.
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Fate of Iran Peace Talks Uncertain as Deadline Approaches for End of Ceasefire
A view of Iranian-flagged cargo ship M/V Touska as the US Navy Arleigh Burke-class Aegis guided missile destroyer USS Spruance conducts its interception in a location given as the north Arabian Sea, in this screen capture from a video released April 19, 2026. Photo: CENTCOM/Handout via REUTERS
Iran is considering attending peace talks with the United States in Pakistan, a senior Iranian official told Reuters on Monday, following moves by Islamabad to end a US blockade of Iran‘s ports, a major hurdle for Tehran to rejoin peace efforts.
However, the official stressed that no decision had been made.
Adding to the uncertainty, a source told Reuters that Vice President JD Vance was still in the US, denying reports that he was already on his way to Pakistan’s capital Islamabad for talks.
With a two-week ceasefire set to expire this week, the senior Iranian official said Tehran was “positively reviewing” its participation but no final decision had been made. The comments conveyed a clear change of tone from earlier statements ruling out attendance and pledging to retaliate for US aggression.
The Iranian official said mediator Pakistan was making positive efforts to end the US blockade and ensure Iran‘s participation.
BLOCKADE POSES A PROBLEM
The ceasefire had appeared in jeopardy after the US said it had seized an Iranian cargo ship that tried to run its blockade and Tehran vowed to retaliate.
A Pakistani security source said Pakistan’s key mediator, Field Marshal Asim Munir, had told US President Donald Trump the blockade was an obstacle to talks, and that Trump had promised to consider ending it.
The US was hoping to start negotiations in Pakistan shortly before the ceasefire expires, with sweeping security preparations under way in Islamabad.
However, Iran‘s President Masoud Pezeshkian said that “unconstructive & contradictory signals from American officials carry a bitter message; they seek Iran‘s surrender.”
“Iranians do not submit to force,” he added on X.
US-IRAN CEASEFIRE SET TO EXPIRE
Trump announced the two-week ceasefire with Iran on April 7, and has not specified when precisely it ends.
A Pakistani source involved in the talks said it would expire at 8 pm ET on Wednesday, which would be midnight GMT or 3:30 am Thursday in Iran.
The US has maintained its blockade of Iranian ports, while Iran lifted and then reimposed its own blockade of the Strait of Hormuz, which typically handles roughly one-fifth of the world’s oil and liquefied gas supply.
Oil prices rose around 5% as traders remained fearful that the ceasefire would collapse. Traffic through the Strait of Hormuz was at a virtual standstill with just three crossings in the space of 12 hours, according to shipping data.
US MARINES BOARD IRANIAN VESSEL
The US military said it had fired on an Iranian-flagged cargo ship headed towards Iran‘s Bandar Abbas port on Sunday after a six-hour standoff, disabling its engines. US Central Command released video showing Marines descending ropes from helicopters onto the vessel.
The vessel is likely to have been carrying what Washington deems dual-use items that could be used by the military, maritime security sources said on Monday.
Iran‘s military said the ship had been traveling from China and accused the US of “armed piracy,” according to state media. They said they were ready to confront US forces over the “blatant aggression,” but were constrained by the presence of crew members’ families on board.
China, the main buyer of Iranian crude, expressed concern over the “forced interception,” and Chinese President Xi Jinping called for ships to resume passage through the strait as normal and for the conflict to be resolved through political and diplomatic channels, state news agency Xinhua reported.
Trump warned on Sunday that the US would destroy every bridge and power plant in Iran if it rejected his terms, continuing a recent pattern of such threats.
Iran has said that if the United States were to attack its civilian infrastructure, it would strike power stations and desalination plants in its Gulf Arab neighbors.
PREPARING FOR TALKS THAT MIGHT NOT HAPPEN
Pakistan geared up to host the talks despite uncertainty over whether they would go ahead. Nearly 20,000 security personnel have been deployed across the capital Islamabad, a government official and a security official said.
The US and Israel launched strikes against Iran on Feb. 28, in part to prevent the regime from developing nuclear weapons.
Trump said on Monday he believed a nuclear deal the US is currently negotiating with Iran will be better than a 2015 international agreement to curb Tehran’s nuclear program.
“The DEAL that we are making with Iran will be FAR BETTER than the JCPOA, commonly referred to as ‘The Iran Nuclear Deal‘,” Trump wrote in a social media post.
During his first White House term, Trump in 2018 withdrew from the Joint Comprehensive Plan of Action agreed to by Iran, the United States and world powers, calling it “the worst deal ever.”
“I am under no pressure whatsoever, although, it will all happen, relatively quickly!” Trump added in his Truth Social post.
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The Strokes End Coachella Set With Video Montage to Denounce US, Israel Bombings in Iran, Gaza
Part of the video montage shown by The Strokes during their Coachella set on April 18, 2026. Photo: YouTube screenshot
The American rock band The Strokes ended their performance on Saturday night, during the second weekend of the Coachella music festival, by showing the audience a video montage denouncing recent bombings in the Gaza Strip by Israel and joint US-Israel military airstrikes in Iran.
Massive screens behind Coachella’s main stage displayed footage of a controlled demolition of a large building in Gaza and an accompanying caption said the structure was the “last university standing” in the enclave. The footage followed scenes of destruction in the Islamic Republic with the caption “Over 30 universities destroyed in Iran.” The video montage was not included in the band’s set during the first weekend of Coachella.
Before turning to footage from the Middle East, the montage showed images and messages that accused the CIA of being involved in overthrowing governments and assassinating leaders in foreign countries. The video mentioned the separate plane crashes in 1981 that killed Panamanian President Omar Torrijos and Ecuador’s President Jaime Rondos, as well as the overthrowing of Iranian Prime Minister Mohammed Mossadegh in 1953, Guatemala’s President Jacob Arbenz in 1954, Congolese Prime Minister Patrice Lumumba in 1961, Chilean President Salvador Alende in 1973, and Bolivian President Juan Torres in 1976.
The video montage also promoted the conspiracy theory that the US was involved in the assassination of civil rights leader Martin Luther King Jr. The Strokes showed his image and a caption that read: “US govt found guilty of his murder in civil trial.” The mentioned trial, King v. Jowers, took place in 1999, but in 2000, a review by the US Justice Department found no credible evidence to validate the jury’s verdict. The video also showed images of slavery in the US and Black Lives Matter protests.
The video montage was displayed as The Strokes performed their song “Oblivius” for the first time in 10 years and the second time ever in concert. As the clip played for the audience, the band’s lead singer, Julian Casablancas, kept repeating the same lyrics in the song’s chorus: “What side you standing on?”
For those not attending the set in-person, their performance was available to watch live on Coachella’s official YouTube channel. The video montage and the band’s performance of “Oblivius” was not included in the band’s Coachella weekend one performance on April 11.
The Strokes is made up of Casablancas, Nick Valensi, Albert Hammond Jr., Nikolai Fraiture, and Fabrizio Moretti. In 2021, Casablancas signed a “Musicians for Palestine” open letter that asked artists to boycot Israel and publicly express solidarity with Palestinians.
The band will begin a world tour in June, and in August, they will headline the 2026 Just Like Heaven festival in Pasadena, California. The festival is produced by Goldenvoice, which also produces Coachella.
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Trump: Israel Never Talked Me Into War With Iran
US President Donald Trump speaks about research into mental health treatments in the Oval Office of the White House in Washington, DC, April 18, 2026. Photo: REUTERS/Nathan Howard
President Donald Trump said on Monday that Israel did not persuade him to attack Iran, after news reports that Israeli leader Benjamin Netanyahu influenced the US president’s decision and criticism from right-wing commentators.
“Israel never talked me into the war with Iran, the results of Oct. 7th, added to my lifelong opinion that IRAN CAN NEVER HAVE A NUCLEAR WEAPON, did,” Trump wrote in a Truth Social post.
Trump also said “the results in Iran will be amazing” in the post, which came as the United States prepared to resume negotiations in Pakistan although Iran was undecided.
“And if Iran’s new leaders (Regime Change!) are smart, Iran can have a great and prosperous future!” Trump wrote.