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The hora, the hora! How Jewish wedding music got that way

(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.

Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition. 

Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews. 

That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.” 

Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.

Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.

Our conversation was edited for length and clarity.

I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures. 

In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.

In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.

You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues? 

The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”

Meaning non-Orthodox — Reform, Conservative, etc.?

Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture. 

There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].

Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”

Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)

When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?

You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer. 

The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy. 

At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.

So the Jewish set at a wedding becomes an Israeli set.

At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.

But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish. 

That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far. 

Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe. 

Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.” 

Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)

You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings. 

Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.

Jews and Chinese food would be another example.

And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.

I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”

So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.

That’s beautiful. It sort of makes the musicians secular clergy.

It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.

—
The post The hora, the hora! How Jewish wedding music got that way appeared first on Jewish Telegraphic Agency.

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Looking for a Yiddish-related event?

 

The Forverts website now includes a new feature. Each week, you’ll find a listing of upcoming events related to the Yiddish language or culture, both online and in person.

The list will include lectures in English or Yiddish; concerts; plays; day trips; conversation groups and reading circles.

If you know of a Yiddish-related event coming up, let us know by emailing schaechter@forward.com.

Sunday, Nov. 1, 2 p.m. ET. In this Zoom event, L.A. Yiddish culture activist Miri Koral will discuss a unique translation project of 160 works written by diverse masters of Yiddish poetry who perished in the Holocaust. Poet and Holocaust survivor Binem Heller compiled the anthology in 1951 to ensure that the works of these wonderful poets aren’t forgotten, and Koral is determined to get them all translated into English, opening them up to a much wider audience. The program will be in Yiddish. Register.

Sunday, Nov. 1, 2 p.m. ET. Some of the most passionate Yiddish love poetry and prose was written about Crotona Park in the Bronx, an area that fell off the beaten track in the last century. In this on-site tour in Yiddish, scholar Eve Jochnowitz will guide us as we explore the neighborhood and the literature it inspired. The event is free but a donation of $18 is suggested. The group will meet at the corner of Charlotte Street and Crotona Park East. Register.

Sunday, Nov. 1, 2 p.m. ET. Come shmooze in Yiddish with people all over the world at the shmueskrayz hosted by the Parizer yidish-tsenter. The atmosphere is friendly and relaxed. Feel free to sip coffee or a glass of wine. No registration necessary. Zoom link here

Thursday, Nov. 5, 7 p.m. ET. In this Zoom event, we’ll hear an English translation of detailed Yiddish letters written by Shlomo Vorobeichic, a Jewish man in Vilna before the war, to his siblings who had settled in the U.S. Although Shlomo, his wife and two children perished in the Holocaust, two children survived and kept the letters. One of them, Moi Ver, became a well-regarded photographer. In the 1990s, Moi Ver’s daughter Lilian Falk translated her grandfather’s letters into English, giving us a vivid view of Vilna in the early 20th century. Register.

Friday and Saturday, Nov. 6-7. Stockholm khevre: Attend a Yiddish film festival that includes contemporary Yiddish works like the 2026 film Moishe Badkhn (Moishe the Wedding Entertainer); Welcome to Yiddishland (2024), and the Yiddish-Ukrainian film SHTTL (2023). All films are subtitled in English. Tickets.

Sunday, Nov. 8, 3 p.m. ET. Folks in the DC/Maryland/Northern Virginia area: Join the DMV Jewish Labor Bund for a bimonthly Yiddish song circle at Maryland Meadworks. All levels of Yiddish and singing ability are welcome.

Tuesday, Nov. 10, 3 p.m. ET. Toronto folks: Yiddish studies scholar Sonia Gollance will discuss and read excerpts of Tea Arciszewska’s Yiddish play Miryeml, which Gollance translated as part of her project to uncover Yiddish plays by women. The play is often described as a powerful memorial to the 1.5 million children murdered in the Holocaust. The in-person lecture will take place at the University of Toronto and will be in Yiddish. More info.

Wednesday, Nov. 11, 7 p.m. ET. Attend an in-person staged reading of Sh. An-ski’s legendary folk drama, The Dybbuk, directed by Mikhl Yashinsky. The play, originally written in Russian between 1913 and 1916, was translated into Yiddish by An-ski himself and inspired countless film, opera, and ballet adaptations. Register.

Thursday, Nov. 19, 7 p.m. ET. Learn what makes Quebec an essential place on the world map of Yiddish culture historically and today in this Zoom talk between the Yiddish Book Center’s director of special projects, Sebastian Schulman, and Brian Calvert from Jewish Heritage Travel. The discussion will feature a sneak peek at the Center’s upcoming group tour to Montreal and Quebec City. The trip is a unique chance to experience Yiddish-Quebecois culture—its history, art, music, cuisine—as well as Montreal and Quebec City as historic and contemporary centers of Jewish life and creativity. Register.

 

The post Looking for a Yiddish-related event? appeared first on The Forward.

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These rivals in a close House race agree on Israel. They’re fighting over who Jewish voters can trust.

Israel and antisemitism have emerged as central issues in several closely watched midterm races. But in New York’s 17th Congressional District, where Jewish voters could help decide one of the country’s most competitive House contests, the two candidates have more in common on those issues than their campaigns suggest.

Cait Conley, the Democratic challenger to incumbent Republican U.S. Rep. Mike Lawler, is not a progressive Democrat who Republicans have been warning Jewish voters about in recent campaigns. An Army combat veteran and former national security official, she strongly supports Israel, opposes additional conditions on U.S. military aid and rejects accusations that Israel committed genocide in Gaza. She has also criticized New York City Mayor Zohran Mamdani over his statement marking the third anniversary of the Oct. 7, 2023 Hamas attack and has vowed to confront antisemitism within her own party. But that may not be enough to win Jewish votes from Lawler, who is popular with Jewish voters.

The district includes Rockland and Putnam counties and parts of Westchester and Dutchess. It has one of the largest Jewish populations in the country, with Jews making up an estimated 19% of its population, according to a 2024 study. It is one of the key House races where Jewish voters could make the difference in a closely contested election that will determine which party controls Congress.

Kamala Harris carried the district by a narrow 50-49 margin in 2024, and it voted for Joe Biden by a 59-39 margin before that. The late Jewish congresswoman Nita Lowey, a Democrat, represented the district for three decades until her retirement in 2020. Her successor, former Rep. Mondaire Jones, chose not to run in the redrawn district in 2022 and instead lost a bid for a House seat representing parts of Manhattan and Brooklyn. During his unsuccessful 2024 campaign against Lawler, Jones had to delete a social media post that some deemed insulting to Orthodox Jews after he remarked that the former Republican House Speaker’s meeting with Rabbi David Twersky, the 86-year-old spiritual leader known as the Skverer Rebbe in Rockland County, “was a waste of everyone’s time.”

Conley, 31, faces a difficult challenge in her bid to unseat Lawler, who has deep relationships with Orthodox and Hasidic voters since he first won his seat in the 2022 midterms by a narrow margin of about 2,000 votes, thanks in part to strong support from the large Hasidic communities in Monsey, New Square and New Hempstead in Rockland County.

That makes the race a test of whether a moderate, pro-Israel Democrat can win back Jewish voters who have grown concerned about the growing influence of progressives within the Democratic Party.

In separate interviews with the Forward, Conley and Lawler both stressed their support for Israel and commitment to fighting rising antisemitism. To draw a contrast, Lawler, 40, questioned whether Conley would stick to her positions if elected, while Conley accused him of using his ties to Jewish voters to distract from his support for President Donald Trump’s agenda.

A Democrat who rejects conditions on Israel aid

Conley, a West Point graduate and 16-year Army combat veteran who later served as counterterrorism director on President Joe Biden’s National Security Council and oversaw election security efforts at the Department of Homeland Security, occupies a different position on Israel than many progressive Democrats.

She supports Israel’s right to exist as a Jewish and democratic state, backs continued U.S. military assistance and opposes imposing conditions on that aid, including on offensive weapons.

“I do not believe that what is going on in Gaza is a genocide, and I do not believe in further conditioning assistance to Israel, so it continues to have the means to defend itself against the very real threats that are posed,” Conley said in an interview. “I will be an effective and strong advocate for the Jewish community and assistance to Israel in the Democratic Party.”

Conley said her experience serving in the Middle East shaped her understanding of the threats Israel faces, particularly from Iran and terrorist organizations.

At the same time, she supports a two-state solution and believes American politicians should be able to criticize Israeli Prime Minister Benjamin Netanyahu or other Israeli leaders without questioning Israel’s legitimacy. She expressed concern, though, that criticism of Israeli government policies can sometimes become an excuse for targeting Jews. Conley also supports expanding federal security grants for synagogues and other religious institutions.

Conley said she supported the targeted American strikes on Iranian nuclear facilities in 2025, but opposes Trump’s war with Iran because she believes it has made the United States less secure and increased energy prices.

Lawler isn’t buying Conley’s pro-Israel pitch

Lawler dismissed the suggestion that he and Conley hold essentially the same positions on Israel and antisemitism.

“That’s laughable on its face,” he said in an interview.

His central argument is that Conley may sound like a moderate on the campaign trail but would ultimately follow Democratic leaders in Congress, as support for Israel becomes increasingly divisive within the party.

“She’ll be a rubber stamp on whatever the majority of the Democrats want to do,” Lawler said, citing the July vote to eliminate the $3.3 billion in annual military assistance to Israel. A record 103 of 212 Democrats supported the measure. Another 10 Democrats abstained. Conley “is not going to stand up and be a lone voice on these issues,” he said.

“At the end of the day,” Lawler added, “I have a very clear record of delivering on these issues, and there’s staunch differences in approach.”

A Republican who speaks the community’s language

Lawler’s relationship with Orthodox and Hasidic voters goes beyond his positions on Israel. A practicing Catholic, Lawler has made those relationships part of his political brand, going back to his election to the State Assembly in 2020. He has taken credit for lowering the temperature in Rockland County after local GOP officials in 2019 posted a video widely criticized as antisemitic. He regularly attends community celebrations and has helped arrange meetings between local rabbis and religious leaders, President Donald Trump and Republican leadership.

Earlier this year, William Paul, the son of Sen. Rand Paul of Kentucky, confronted him in a Washington bar, believing the New York congressman was Jewish. Paul later apologized and said he has a drinking problem for which he is seeking treatment.

His presence in the community has become so familiar that his campaign even has Yiddish materials and songs promoting his reelection. The songs are shared in popular WhatsApp groups, played at weddings and blasted from trucks driving through Hasidic neighborhoods to encourage people to vote.

Lawler’s campaign is aiming to surpass the 22,000 votes he received in Hasidic neighborhoods in 2022 and 26,000 votes in 2024, as polls show the race is a dead heat. In an interview with Punchbowl News, he predicted 30,000 Orthodox votes, arguing that the community’s participation is difficult for pollsters to capture.

In his interview with the Forward, Lawler said his popularity comes from a simple strategy: showing up.

“I am really the first elected official that has shown up, you know, consistently and publicly in this community, and not just to see the leadership of the community, but to meet the people,” he said. Lawler has even picked up some Yiddish vocabulary along the way. Asked what word he had learned, Lawler quipped, “I love the word shanda to describe Chuck Schumer,” using a Yiddish term for disgrace about the Senate Democratic leader, who is Jewish.

Lawler believes his efforts have helped build support beyond the Orthodox and Hasidic communities, including among Reform and secular Jews who might otherwise vote Democratic but are concerned about their party’s direction on Israel.  “Democrats have effectively abandoned Jewish Americans,” he said.

Conley acknowledged Lawler’s visibility in the community but questioned whether it is matched with policies that benefit Jewish families. “Mike Lawler shows up for the photo op, but when it comes to acting, he turns his back on the community every time,” she said. Conley pointed particularly to his support for Republican-led legislation cutting Medicaid spending and other federal benefits.

A fight over antisemitism in politics 

Conley said her own outreach has focused on convincing Jewish voters that she understands their security concerns and shares their commitment to Israel, even as she disagrees with Lawler on domestic policy.

She also spoke of a personal connection to the Jewish community as a member of the LGBTQ community, recalling how Jewish Americans stood up for LGBTQ rights. “That’s why I proudly stand beside them and let them know that there are people who deeply care and will proudly stand shoulder to shoulder with them and fight back against antisemitism,” she said.

As Lawler highlights his ties to Jewish voters and questions whether Conley would stand up to anti-Israel voices in the Democratic Party, Conley accuses him of associating with Republicans who have faced accusations of antisemitic rhetoric and ties to white nationalists.

She said Lawler had a double standard: condemning antisemitism among Democrats while supporting Republicans who have faced accusations of antisemitic rhetoric or associations with white nationalists. “He is the biggest hypocrite,” she said of Lawler. “He is a political operative who will do whatever is politically convenient for his political ambition.”

Conley cited, for example, Peter Oberacker, a Republican state legislator running against Democratic Rep. Josh Riley in the neighboring 19th District, who came under fire after a Facebook post from Veterans Day 2015 resurfaced in which he paid tribute to his grandfather who served in the Nazi-German military during World War II. Lawler attended Oberacker’s campaign launch last year and praised him. Lawler also contributed $5,000 to his campaign.

Conley described Oberacker as an “overt Nazi sympathizer” and said Lawler’s support for him undermined his claim to be a defender of Jewish Americans. Conley also pointed to Lawler’s past connections with members of the New York State Young Republicans, whose group was disbanded following a Politico investigation exposing racist and antisemitic messages. Lawler condemned it and called for those involved to resign from leadership positions.

Asked directly about the criticism, Lawler defended Oberacker. “He’s not an antisemite,” Lawler said, adding that Oberacker represents Jewish constituents in the state Senate. He dismissed Conley’s accusations as an attempt to distract from her own political alliances. “I think Cait is grasping at straws,” he said.

Lawler pointed to Conley’s decision to run on the Working Families Party ballot line, a progressive party that endorsed Mamdani in last year’s mayoral primary and has accused Israel of genocide.  He also noted her remarks in a September interview, when she said that she “respects” what Mamdani represents to many New Yorkers. “I don’t respect antisemites,” Lawler said.

Lawler was the lead sponsor of the bipartisan Antisemitism Awareness Act that would require the Department of Education to use the controversial International Holocaust Remembrance Alliance definition of antisemitism — which classifies most anti-Zionism as antisemitic — when investigating allegations of discrimination. It passed in the House in 2024 by an overwhelming majority of 320-91, but was stalled in the Senate due to resistance over constitutionally protected free speech. It was reintroduced in the House last year.

More recently, Lawler partnered with Rep. Josh Gottheimer, a Jewish moderate Democrat from New Jersey, on a bipartisan House resolution condemning antisemitic rhetoric from online personalities including Hasan Piker and Candace Owens.

Conley said she recognizes the rise of “extremism and antisemitism in both parties” and has heard from Jewish voters who feel abandoned by some of the same political allies they once supported. By speaking out on these issues and committing to confront them within her own party, Conley is aiming to convince these voters that they do not have to support a Republican to feel protected.

“The Jewish community knows they have a home in the Democratic Party. Period,” she said.

The post These rivals in a close House race agree on Israel. They’re fighting over who Jewish voters can trust. appeared first on The Forward.

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Rift between Abdul El-Sayed and Haley Stevens puts Michigan Jews on edge

(JTA) — ANN ARBOR, Michigan — An 11th-hour public feud between Michigan Democratic U.S. Senate candidate Abdul El-Sayed and his pro-Israel former primary rival is further exacerbating tensions between Jewish voters and the nominee ahead of Tuesday’s midterm elections.

U.S. Rep. Haley Stevens, who this summer narrowly lost the race for the Democratic nomination to El-Sayed, had previously endorsed her former competitor and was set to join him at a rally Sunday in the crucial final days of campaigning. Michigan is locked in a tight race that could help determine which party controls the Senate.

Instead of a show of unity, Stevens is now forcefully criticizing El-Sayed for his recent criticism of Israel and for not condemning a PAC ad, made by an outside group to boost his campaign, that blamed Israel for rising grocery prices. El-Sayed has shot back, invoking Stevens’ close relationship with the pro-Israel lobby AIPAC.

Stevens, who represents a large Jewish district in suburban Detroit, unloaded on El-Sayed Friday in a series of interviews with the New York Times published early Saturday morning.

On social media Friday, Stevens had said she expected El-Sayed to shortly condemn the ad, paid for by Rebellion PAC, a project of far-left commentator Cenk Uygur. El-Sayed had earlier distanced himself from the ad but had not commented on its content.

“We are not going to say that the cost of groceries is because of Jews and the Jewish state,” Stevens told the Times, adding, “Maybe it is what you want people to believe.” She stopped short of formally rescinding her endorsement of El-Sayed.

The feud comes at a moment when much of the Democratic establishment has coalesced behind El-Sayed in the key Senate race, even as deep concerns remain among many traditionally Democratic Jewish voters. Stevens’ own fiancée, Jewish Democratic megadonor Jason Turkish, said this week he would be voting for Republican nominee Mike Rogers. Stevens told the Times she had met with a rabbi in advance of their wedding and was mulling converting to Judaism.

Democrat US Senate candidate for Michigan Abdul El-Sayed speaks on stage with US Representative Ayanna Pressley (L), Democrat of Massachusetts during a midterm campaign rally in Flint, Michigan on October 18, 2026. El-Sayed is competing against Republican candidate Mike Rodgers for Michigan’s US Senate seat in the upcoming midterm elections. (Jeff Kowalsky / AFP via Getty Images)

In a statement sent to the Jewish Telegraphic Agency and other outlets Friday, El-Sayed accused Stevens of “relitigating a primary that ended three months ago.” He also said he had already “defeated” spending “from outside corporations and AIPAC” on behalf of Stevens.

El-Sayed did not mention the Uygur ad, nor another ad — this one produced by his campaign — that featured a brief clip of far-right commentator and anti-Israel voice Tucker Carlson announcing he wouldn’t vote for Rogers. Stevens had publicly urged El-Sayed to take down the Carlson ad, which the campaign had aired on conservative TV channels.

The El-Sayed campaign has dropped Stevens’ name from its description of Sunday’s planned Detroit church event, which is now scheduled to feature Rep. Jim Clyburn of South Carolina and Sen. Angela Alsobrooks of Maryland. USA Today and other outlets have reported that El-Sayed’s campaign has asked Stevens to stay away from all future events.

Stevens and Turkish did not return a JTA request for comment.

In her social media statement Friday prior to El-Sayed’s response, Stevens had outlined Jewish constituent concerns about El-Sayed, noting that he himself has used rhetoric akin to blaming Michigan’s financial ills on Israel.

“The ad did not invent its argument; it dramatized one Dr. El-Sayed has made in his own words throughout this campaign: that Israel is the reason Michigan cannot afford schools, health care, and child care,” Stevens wrote. “Abdul promises to get money out of politics. He can begin by getting Israel out of his explanation for everything Michigan cannot afford.”

Both Turkish, in an earlier JTA interview from a Rogers event, and Stevens, to the Times, said their final breaking point with El-Sayed came after a recent debate in which the nominee had declined to say whether Israel or Iran posed a bigger threat to the United States.

El-Sayed on Friday did condemn a separate comment from anti-Israel streamer and former campaign ally Hasan Piker, who is Uygur’s nephew. In a stream this week, Piker had compared the heavily Jewish Detroit suburb of West Bloomfield to a “KKK neighborhood,” adding, “The supremacist attitude underlying their worldview is identical.”

In a statement to Jewish Insider about Piker’s comments, El-Sayed noted he grew up near West Bloomfield and stated, “Comparing Jewish Michiganders to the Ku Klux Klan is utterly inappropriate and flat out wrong.”

Meanwhile, Republicans are jumping at the Jewish divide. Rogers, a former congressman, has seized on the intraparty feud to appeal to Jewish voters who had supported Stevens in the primary. Earlier this week, President Donald Trump called Jews who back El-Sayed “crazy,” leading to condemnation from some Jewish leaders.

This article originally appeared on JTA.org.

The post Rift between Abdul El-Sayed and Haley Stevens puts Michigan Jews on edge appeared first on The Forward.

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