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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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A retired judge needed four Torahs rescued from Indiana. So he called his rabbi. And his dentist.
Early on a Sunday morning in July a dentist pointed his black Toyota Sequoia south out of the Chicago suburbs, a rented box trailer swaying behind the hitch. In Champaign, Illinois, a rabbi who had spent the night at his mother’s house pulled onto the highway heading east. Their rendezvous: a century-old synagogue in Terre Haute, Indiana. Their mission: get the Torahs out.
Before the day was over, the operation would involve four Torah scrolls, a pair of towering brass menorahs, more than 100 boxes of books, one electric piano and — because even sacred missions deserve a victory lap — a round of golf.
The orders came from Arizona, where a 79-year-old retired judge, recovering from surgery, was running the operation by phone.
That would be Jerry Orbach, who splits his time between Scottsdale and Chicago and has made a second career of rescuing the remnants of shuls from across America. The walls of his Illinois shul, Northbrook Community Synagogue — where he serves as executive vice president — glow with stained glass he has salvaged from seven shuttered congregations across the Midwest.
So when Michael Brown, executive director of the Indiana Jewish Historical Society, called to say that the United Hebrew Congregation in Terre Haute had sold its building — and needed homes for nearly everything inside — Orbach knew exactly what to do, even if he couldn’t do it himself.
“We can’t get rid of Torahs,” he said. “We have to preserve them.”
He couldn’t make the trip. But he had a crew.
The crew
The whole operation was an in-house affair: all four men belong to Northbrook Community Synagogue. Orbach’s regulars are Dr. Michael Farr, 49, a dentist, and Farr’s best friend Jordan Ripstein, the shul’s gabbai and a violin maker who studied theoretical physics in college. The two have history. They once drove through the night to Kingston, New York, to rescue stained glass from a closing synagogue, smoking cigars and talking about life and music the whole way.
Last September, they hauled back 14 crates from the shuttered Beth Achim synagogue in Southfield, Michigan — towering 13-foot stained glass panels that now wait in the Northbrook basement for their next home.
But Ripstein was out of town. So Orbach turned to his bullpen and pulled out a rabbi.
Aaron Braun, 43, has led Northbrook Community Synagogue since it was founded in 2012 as a merger of three congregations — which makes him, in a sense, a professional preserver of shuls that might otherwise have disappeared. He is also long accustomed to his congregant’s obsession. “Everybody goes along with my meshugas,” Orbach said, using the Yiddish word for craziness. “I’m an old man, so they indulge me.”
Braun didn’t need convincing. “The chance to give Torahs a new home and see them brought back to life and used is one of the holiest endeavors we can pursue,” he said.
The extraction
The congregation they came to help is the oldest in Indiana still in continuous operation. This year, the United Hebrew Congregation celebrated 175 years in Terre Haute — a city whose Jewish community peaked at more than 1,000 people in the late 1940s, when Jewish families owned some 45 local businesses, including three of the four downtown department stores.
Today, the city’s Jewish population is estimated at just under 100. The Reform congregation, down to 45 member families, sold its building in mid-July. “We had to sell in order to continue operating,” said Scott Skillman, its immediate past president. The new owners have said they plan to use the building, known for its cavernous sanctuary and sweeping stained glass windows, as a wedding venue.
It is a familiar story across the state. Wendy Soltz, a Ball State University historian who led the Indiana Synagogue Mapping Project, has documented 66 purpose-built synagogues in Indiana dating back to 1865. Twenty-four have already been demolished.
The Terre Haute building held what the congregation couldn’t take to its smaller new locale. Nearly all of it was in the basement, down seven steps from a side door: four steps, a 90-degree turn, then three more. Farr worked a two-wheel dolly up and down that turn for more than two hours, stacking some 150 boxes of books in the trailer alongside two podiums and a pair of cast-brass menorahs, each more than six feet tall and about 150 pounds.
“We were a pretty sweaty mess,” Braun said.
When the crew opened the ark they found the four scrolls bare. In the tumult of moving out, the mantles had come off; someone had fashioned ropes of felt around them instead. “Not even gartelekh,” Braun said, referring to the sashes that traditionally bind a Torah.
The scrolls, the crew decided, would not ride in the trailer with the boxes. Braun laid them down across the back seat of his SUV and covered them with tallitot, the prayer shawls tucked around them so they couldn’t shift — “even, God forbid, in an accident,” he said. A Torah is the rare object Jews treat like a person: You stand when it passes. You kiss it as it goes by. If one is dropped, the whole congregation fasts. Braun drove north with four of them sleeping in his back seat.
Braun, examining what he could, was impressed by their condition: the calligraphy of at least three of the four looked to be in fairly good shape. The fourth scroll is a mystery: written in a slanted, old-fashioned hand, its lines ragged. “It’s not even full justified,” he said. “It’s wild.”
The getaway
The trailer was full. The Torahs were secure. And one more passenger had joined the convoy: a Yamaha Clavinova electric piano the Terre Haute congregation no longer needed, destined for Braun’s mother’s house in Champaign.
Which is how the getaway came to include a detour. The two men dropped off the piano, then headed to the golf course where Braun grew up playing and got in 18 holes.
“Dr. Farr played some of the best golf I’ve ever seen him play,” the rabbi said.
Farr, a beginner, doesn’t dispute it. “I had a good round. I definitely played better than I normally play,” he said. “Probably by virtue of the fact that we saved four Torahs that day.”
At some point a crop duster buzzed low over their cars — “a not unusual reality of downstate Illinois,” Braun said. Nobody flinched. It had been that kind of day.
Farr rolled back into the Northbrook parking lot around 10 p.m., where the synagogue’s president, Ben Resnick, was waiting in the dark to help unload. The boxes went into the social hall, stacked against the wall. The next morning, Farr was back at his dental practice — “the yank and pull,” as he calls it.
The social hall, though, is only a way station. The items aren’t necessarily staying at Northbrook; the congregation is a holding ground while Orbach hunts for their next home. He plans to call Nik Jakobs, the Jewish farmer building a synagogue in a two-acre cornfield in rural Illinois, about two hours west, to see if he wants any of the pieces for his sanctuary. He also will contact the Jewish Community Legacy Project, an Atlanta-based nonprofit that helps find homes for sacred objects from downsizing and closing congregations.
The sorting has already begun. Brown hopes any documents or photographs in the boxes will go to the Indiana Jewish Historical Society’s archives. A scribe is coming to examine the four scrolls and determine what repairs they need before they can be read from again.
Brown, who set the whole thing in motion with a phone call, sees it as “one of the few small happy threads from a sad story of Jewish decline in the crossroads of America.” He calls Orbach “an unsung Midwestern Jewish hero.”
Back in Terre Haute, the congregation is still holding services every Friday night, in space rented from a Unitarian church — a sanctuary with no crosses and, as it happens, a few Stars of David. “It’s not a closing,” Skillman said. “It’s just a shrinking of our footprint.”
And in Northbrook, four Torahs rest in the social hall. Orbach turns 80 in September. His crew is waiting for the next call.
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Conservative rabbis just told interfaith couples they don’t count — again
Acting improv students learn a fundamental tool called “Yes. . . And.” As you step into a scene, you take what you are given, you don’t ignore it, you don’t try to change it. YES, this is what I have to work with. Then comes the AND: here’s how I build on it.
The guidance issued last week from the Conservative movement’s Rabbinical Assembly’s Committee on Jewish Law and Standards giving guidance on supporting interfaith families got as far as “Yes,” but dropped the ball on “And.”
The committee’s statement, known as an Omnibus Teshuvah, recommended measures that opened the doors for interfaith families to be included in many life-cycle, religious and communal events — but declined to endorse a measure called for by many families: permitting Conservative rabbis to marry a Jew to someone who is not Jewish.
Let’s start with the “Yes!” The Conservative movement has definitively acknowledged and accepted the reality that many Jewish families are interfaith families. While this has been so for decades, the stated position since 1989 sent them a harsh and strongly disapproving message: “The Conservative movement has been committed to discouraging both the idea and the act of intermarriage.”
The Rabbinical Assembly emphasized its commitment to Jewish law, but included a statement that tolerance might “‘encourage others who are so inclined to intermarry’ without consequence.”
Those consequences were in effect tocut the interfaith couple and family out of Jewish communal life, creating bitterness, pain, and family rupture on the one side, and effectively ensuring that Judaism was diminished on the other.
In fact, one of the anecdotes I often share about why I chose to work with interfaith families and support their decisions is the time that I witnessed a Bat Mitzvah — who was raised in a Jewish home, kept kosher, had respect for Shabbat, and had attended Hebrew School her whole life — stood alone at the Bimah, because her only surviving parent had never converted to Judaism. Instead of being the proud and joyous moment it should have been, she was isolated from her father, the man who had raised her Jewishly and brought her to this milestone. My heart broke for both of them, and my shame of being even partially complicit moved me to examine and change my perspective. In the fullness of time, the RA has realized that creating tsuris at a time of joy is unacceptable. The new guidance explicitly says that that father can stand on the bimah. Mazel tov..
Deserving of equal praise, if not more, is the decision to allow grieving families with Jewish connections avenues to Jewish practices in mourning that provide comfort, strength and faith. This too is progress: A family death is not a time to wag one’s finger and metaphorically tell the mourner that they have to sleep in the bed that they made.
And representing the other end of the life cycle, a rabbi may now congratulate an interfaith family for the birth of a child. Being able to celebrate the advent of a baby into the household should always have been an open avenue of clergy communication, and that it is now is nothing but a positive change.
This turnaround is no small feat and deserves its recognition. The Rabbinical Assembly has identified and addressed many of the strictures and attitudes that previously diminished the enjoyment of a joyous event or added pain for a grief-stricken individual. An interfaith family is no longer subject to “consequences,” to use a term as stated in the 1989 decision — mostly.
All the life-cycle events that interfaith families have struggled with are at long last within the welcome embrace of the Conservative movement, save one: The wedding itself. The fig leaf in the forms of a misheberach (a blessing) by the rabbi either before or after the wedding and the blessing of the home the couple is creating does nothing but call attention to the movement’s disparagement of the creation of interfaith families. The movement is in effect saying: “We are repulsed by your decision to marry outside the strictures of our interpretation of Judaism, but we will not exact revenge upon you for doing so.” Small comfort.
Here is where the “and” can still come in — and where the Conservative movement itself has paved the way for it to happen.
The religious law prohibition against interfaith marriages derives from a verse in Deuteronomy 7:3 “You shall not intermarry with them: do not give your daughters to their sons or take their daughters for your sons.”
This biblical statement has evolved from meaning marriage with the seven nations proscribed in the Torah to general intermarriage.
However, as recently as the 19th century, the renowned scholar Rabbi Samson Raphael Hirsch noted that the prohibition was based on the presumption that the resulting family would be estranged from the Jewish community. That presumption was based on a self-fulfilling prophecy that an interfaith family would be shunned, and therefore not engage with their community.
The committee of the Rabbinical Assembly fulfills this prophecy as it concludes the new guidance with this hurtful assertion: “The role of Conservative/Masorti clergy on the wedding day remains limited, but that specific day is only one small aspect of the establishment and growth of a family.” Relegating a wedding to be a small aspect to the ‘establishment and growth of a family’ is patently untrue, as evidenced by the great importance society at large, and Jewish society in particular place on this event.
The RA, by sticking with the prohibition against interfaith marriage, is perpetuating the very estrangement that Rav Hirsch posits is the entire motivation for opposing interfaith marriage. Nevertheless, that very foundation, the estrangement from the community, is no longer a barrier unless we want it to be. The Omnibus Teshuvah maps out how an interfaith family can be welcomed into the community and how they can engage in almost every other Jewish life cycle event and communal engagement.
Why then, does the RA persist in condemning the act of interfaith marriage?
The movement itself already has the religious law tools they can use to find a way forward. The arguments the RA used to pave the way for LGTBQ individuals, couples and families to be integrated into Jewish society are equally valid here. The first principle they used was that of Dor dor V’doroshav, that every generation is obligated to interpret the Torah in their terms — in effect, that the accumulated knowledge and experience of Judaism over time has bearing on rabbinical decisions. In terms of interfaith marriage, the accumulated knowledge and experience is demonstrating that interfaith families retain a Jewish identity and desire to remain a part of the community. Intentional interfaith families show dedication and great consideration to incorporating Judaism into their lives, and that this is not a new phenomenon.
In a decision two decades ago embracing LGBTQ Jews, Rabbi Elliot Dorff and colleagues leaned on the concept of human dignity, kavod ha briot, quoting the Talmudic stricture: “So great is human dignity that it supersedes a negative commandment of the Torah.” They point out that living in humiliation violates this idea.
Perhaps most powerfully, we read that homosexual marriage is “understood to be a profound desire by gay and lesbian Jews to sanctify their lives and establish faithful families guided by the light of Torah.” Should that “profound desire” within an interfaith marriage not carry equal weight?
Today, by continuing to deny legitimacy to an interfaith marriage, the RA relegates the couple to a lesser status, belittling them for following their emotional guidance, and denying them their full humanity.
The RA has issued some remarkable guidance in this Omnibus Responsum. YES! The many parents and grandparents who will receive with gratitude the congratulations on the birth of their children, the families who will be allowed to be united at the bimah at a B’Mitzvah, the mourners who will find strength and comfort from clergy during their time of grief — they will all be positively affected by the new permissions and guidance. These are concessions, but important ones.
In spite of the limits of this guidance I hold out hope for the “AND” that is to come. Not just the recognition that interfaith marriages happen, but the inherent truth that they can be a joyful part of the Jewish experience and a positive force in their community.
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Justice Department pledges action on antisemitic hate crimes in New York as it recognizes Ari Halberstam murder as civil rights case
More than 30 years after Ari Halberstam was killed in one of New York’s deadliest antisemitic attacks, the U.S. Justice Department has formally acknowledged that if his murder had happened today, it would be investigated as a federal hate crime and civil rights violation.
At the same time, the Justice Department also pledged that it would be devoting resources to investigating and prosecuting hate crimes across New York as antisemitic attacks continue to climb in New York City.
NYPD statistics released this week show that in the first seven months of 2026, anti-Jewish incidents rose 8.5%, and 57% of the reported hate crimes in the city involved Jewish victims. In addition, anti-Jewish incidents increased 53% in July compared with the same month last year.
Halberstam was 16 when he was murdered in 1994 when Rashid Baz, a Lebanese-born cab driver, opened fire on a van carrying Lubavitcher yeshiva students across the Brooklyn Bridge. Baz was convicted of murder and sentenced to 141 years in prison, where he died in 2023.
Because the attack was not immediately recognized as an act of terrorism and later rejected as part of a conspiracy, Ari’s mother, Devorah Halberstam, for decades fought to have her son’s killing recognized as an antisemitic hate crime and a federal civil rights matter.
“There is no question that if the murder of your son, Ari Halberstam, had occurred today, we would investigate it and seek to prosecute it as a federal hate crime,” wrote former U.S. Attorney Jay Clayton in a letter dated July 23, one of his final acts before becoming director of national intelligence on Monday. The acknowledgment came weeks after Clayton met with Devorah Halberstam, who co-founded the Jewish Children’s Museum in Brooklyn. It expands on remarks Clayton delivered in June at an NYU Law School conference on combating hate crimes. “I have discussed these matters with my successor, Jamie McDonald, and we are fully aligned,” Clayton wrote.
A spokesperson for the U.S. Attorney’s Office did not immediately respond to questions about what specific steps the office is taking under McDonald’s leadership to address the recent increase in antisemitic hate crimes across the city.
Halberstam, who is credited with helping draft New York state’s first anti-terrorism laws and has spent decades facilitating the training of law enforcement officers on combating terrorism and hate crimes, said the letter gives her hope that the federal government remains committed to confronting antisemitic violence.
“With hatred on the rise nationally and internationally, I am deeply concerned about the safety of Jewish New Yorkers,” she said in a statement. “I will continue to fight to ensure that no other mother has to bury her child because of hatred, as I did.”
Earlier this year, Halberstam hosted Mayor Zohran Mamdani at the Jewish Children’s Museum in Brooklyn. Since taking office, Mamdani has come under scrutiny from Jewish leaders over his handling of antisemitism and anti-Israel protests. Some Israeli officials have accused the mayor of fueling antisemitism through his sharp criticism of Israel.
In a statement on Monday, Mamdani called the rise in antisemitic hate crimes “unacceptable” and pointed to an 800% increase in funding for the city’s Office for the Prevention of Hate Crimes. “The work to uproot antisemitism out of this city is one that will continue,” Mamdani said, “ until we see hate crimes come to an end in the city.”
JTA contributed to this report
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