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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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University of Nebraska Considers BDS Resolution Pushed by Anti-Israel Group
Students for Justice in Palestine (SJP) participating in a “Liberated Zone” encampment at University of Nebraska, Lincoln in November 2025. Photo: Screenshot
The University of Nebraska-Lincoln (UNL) student government was scheduled to vote Wednesday on a resolution calling on the institution to adopt the boycott, divestment, and sanctions (BDS) movement, which seeks to isolate Israel from the international community as a step toward its eventual elimination.
According to The Daily Nebraskan, the UNL Association of Students (ASUN) introduced the measure at the request of Students for Justice in Palestine (SJP), a group which analysts have cited as being an outsized factor in the campus antisemitism crisis which followed the Hamas-led Oct. 7, 2023, massacre across southern Israel.
The resolution, “Senate Bill 14,” aims to undermine Israeli national security by demanding divestment from armaments manufacturers, describing the measure as an effort to block “weapons complicit in the genocide and atrocities worldwide.”
Leaders of the BDS movement have repeatedly stated their goal is to destroy the world’s only Jewish state.
UNL’s SJP chapter has praised Hamas terrorists as “our martyrs,” promoted atrocity propaganda which misrepresented Israel’s conduct in the war against Hamas, accused Israel of targeting “Palestinian Christians,” and distributed falsehoods denying Jewish indigeneity to the land of Israel. Since the Oct. 7 attack, the group has denounced UNL’s alleged ties to Israel, which includes a partnership in agricultural research, as investments in “death” even as it accuses the institution of Islamophobia.
The UNL student government’s agreeing to introduce the BDS resolution marks a major achievement for SJP, as the body has previously blocked the group’s attempts to promote its agenda through the campus legislative process. The decision to put it up for a vote is being widely criticized by political candidates, as well as lawmakers and officials in the federal government participating in a concerted effort to combat campus antisemitism.
“Antisemitism has NO place on college campuses,” Leo Terrell, chairman of the US Department of Justice’s Task Force to Combat Antisemitism, wrote on the X social media platform. “I’m calling on the Association of Students…to VOTE NO on the antisemitic BDS resolution pushed by SJP, a group that has celebrated attacks by terrorist organizations and is now targeting AMERICAN companies through its BDS campaign. The university, including UNL President Jeffrey P. Gold, must publicly reject this hateful agenda.”
US Sen. Pete Ricketts (R-NE) lambasted the school’s decision even to consider the resolution.
“The BDS movement and Students for Justice in Palestine are fueling antisemitism on college campuses,” he said in a statement shared with The Algemeiner. “Endorsing this movement would make UNL less safe for Jewish students. We will not normalize antisemitism in Nebraska. I encourage UNL students to stand up for our Jewish neighbors and reject antisemitism.”
Nebraska Gov. Jim Pillen, a Republican, joined the chorus of voices calling for the resolution’s defeat, saying on X that he joined Terrell in “condemning this move by the radical Students for Justice in Palestine to pass a resolution to boycott and divest from Israel, our closest ally.”
As The Algemeiner has previously reported, the national SJP group, which has been linked to Islamist terrorist organizations, has publicly discussed its strategy of using the anti-Zionist student movement as a weapon for destroying the US.
“Divestment [from Israel] is not an incrementalist goal. True divestment necessitates nothing short of the total collapse of the university structure and American empire itself,” the organization said in September 2024. “It is not possible for imperial spoils to remain so heavily concentrated in the metropole and its high-cultural repositories without the continuous suppression of populations that resist the empire’s expansion; to divest from this is to undermine and eradicate America as we know it.”
The tweet was the latest in a series of revelations of SJP’s revolutionary goals and its apparent plans to amass armies of students and young people for a long campaign of subversion against US institutions, including the economy, military, and higher education. Like past anti-American movements, SJP has also been fixated on the presence and prominence of Jews in American life and the US’s alliance with Israel, the world’s only Jewish state.
On the same day the tweet was posted, Columbia University’s most strident pro-Hamas organization was reported to be distributing literature calling on students to join the Palestinian terrorist group’s movement to destroy Israel during the school’s convocation ceremony.
“This booklet is part of a coordinated and intentional effort to uphold the principles of the thawabit and the Palestinian resistance movement overall by transmitting the words of the resistance directly,” said a pamphlet distributed by Columbia University Apartheid Divest (CUAD), an SJP spinoff, to incoming freshmen. “This material aims to build popular support for the Palestinian war of national liberation, a war which is waged through armed struggle.”
Other sections of the pamphlet were explicitly Islamist, invoking the name of “Allah, the most gracious” and referring to Hamas as the “Islamic Resistance Movement.” Proclaiming, “Glory to Gaza that gave hope to the oppressed, that humiliated the ‘invincible’ Zionist army,” it said its purpose is to build an army of Muslims worldwide.
In October, SJP called for executing Muslim “collaborators” working with Israel in retaliation for the death of Palestinian influencer Saleh Al-Jafarawi during a brewing conflict between the Hamas terrorist group and a rival clan, Doghmush.
“In the face of hundreds of thousands of martyred Palestinians these past two years alone, collaborators and informants maintain their spineless disposition as objects of Zionist influence against their own people,” the group said in a statement posted on social media, continuing on to volley a series of unfounded charges alleging that anti-Hamas forces are “exploiting Gaza’s youth for money” and pilfering “desperately needed aid to the killing of their own people in service of Zionism.”
SJP concluded, “Death to the occupation. Death to Zionism. Death to all collaborators.”
Follow Dion J. Pierre @DionJPierre.
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Orthodox Jewish Man Attacked in Switzerland as Surge in Antisemitism Prompts Authorities to Boost Security
A pro-Hamas demonstration in Zurich, Switzerland, Oct. 28, 2023. Photo: IMAGO/dieBildmanufaktur via Reuters Connect
An Orthodox Jewish man was physically assaulted in Zurich on Monday in the latest outrage of a surging wave of antisemitic incidents across Switzerland, sparking outcry within the Jewish community as authorities moved to bolster protections for Jews and Israelis nationwide.
According to local media, a 26-year-old Jewish man was brutally attacked late Monday night in northern Switzerland by an unknown individual, sustaining light injuries, including scratches and abrasions to his neck and other parts of his body.
Zurich police reported that the attack occurred without any provocation while the victim was standing in the street, with the assailant repeatedly punching him and shouting antisemitic slurs.
“The attack was not random, but specifically targeted at a Jewish individual,” local authorities said in a statement.
Before police arrived, bystanders intervened to help the victim, restraining the suspect, who continued hurling antisemitic slurs even after officers reached the scene.
The assailant, a 40-year-old Kosovo resident with no fixed address in Switzerland and a prior record for unrelated offenses, was arrested at the scene and transferred to the Zurich public prosecutor’s office following an initial police interrogation.
The Swiss Federation of Jewish Communities (SIG) strongly condemned the attack, urging authorities to step up protections for Jewish communities amid a surge of relentless antisemitism in the country.
“This incident is part of a series of antisemitic attacks that have increased sharply in Switzerland since October 2023,” SIG wrote in a post on X, referring to the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
“Jewish people have become targets of insults and physical violence simply because of their appearance and their Jewish identity,” the statement read.
The Foundation Against Racism and Antisemitism (GRA) also denounced the incident, warning of the alarming rise of hatred and the increasing normalization of antisemitism in society.
“Antisemitic narratives are becoming increasingly commonplace in some sections of society,” GRA wrote in a statement. “They are relativized and trivialized in political debates, on social media, and in everyday life.”
The European Jewish Congress (EJC) joined the local Jewish community in condemning the attack, emphasizing the urgent need to combat antisemitism and protect Jewish communities across the continent.
“No one should be attacked, insulted, or made to feel unsafe simply because of their Jewish identity,” EJC said in a post on X.
We are deeply concerned by the antisemitic assault against a young Orthodox Jew in Zurich.
No one should be attacked, insulted or made to feel unsafe simply because of their Jewish identity.
As the Swiss Federation of Jewish Communities – @SIGFSCI rightly stated, this incident… pic.twitter.com/ONAtOYbwLO
— European Jewish Congress (@eurojewcong) February 4, 2026
Like most countries across Europe and the broader Western world, Switzerland has seen a rise in antisemitic incidents over the last two years, in the wake of the Oct. 7 atrocities.
According to EJC, 23 antisemitic incidents have recently been reported in Zurich schools, ranging from antisemitic remarks in public spaces and far-right symbols like swastikas carved into desks to direct provocations, threats, and assaults on students.
In 2024, Switzerland recorded 221 “real-world,” or non-online, antisemitic incidents, including an attempted arson attack at a Zurich synagogue and a stabbing in which a 15-year-old Swiss teenager seriously injured an Orthodox Jew, claiming the attack on behalf of the Islamic State.
As part of a broader initiative to strengthen security for Jewish institutions, Zurich’s city parliament last month decided to double funding for the protection of synagogues and other Jewish sites, increasing it from $1.3 million to $2.6 million.
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When Society’s Good Intentions for Jews Replace Equal Citizenship
An empty classroom. Photo: Wiki Commons.
A secular Manhattan school responded to October 7 by holding a Shabbat gathering. The head of school spoke with moral seriousness. Jewish families felt seen. Non-Jewish families showed up in solidarity. By any reasonable measure, this is a success story.
And that is precisely what makes it worth examining.
A Jerusalem Post report describes Town School’s response as sincere, generous, and embraced by the entire community. It is all of those things. But it also reflects a logic that deserves scrutiny — not because the intent is bad, but because the structure is fragile. What Town School offers is care. What it cannot offer is civic security. The difference matters more than most people realize.
The question is not whether warmth is preferable to hostility. It is whether a framework built on institutional affirmation can ever produce durable belonging — or whether it quietly substitutes recognition for citizenship, comfort for equality, and goodwill for rights.
The American alternative has a founding text. In 1790, George Washington wrote to the Hebrew Congregation in Newport that the new republic “gives to bigotry no sanction, to persecution no assistance.” As I have written elsewhere, this was not ceremony. It was a covenant.
Belonging depended on conduct, not creed. Citizenship was the baseline. Recognition was irrelevant.
Call this the Washington model: belonging is presumed, not conferred. The government does not identify groups, affirm them, or protect them through recognition. It simply refuses to make identity the basis of civic standing.
The affirmation model works differently. Jewish belonging is validated by institutions. Jewish life is welcomed through programming. Jewish safety flows from administrative judgment. This is the logic of diversity, equity, and inclusion.
It feels compassionate. It is also a departure from the civic architecture that made America uniquely stable for Jews.
American Jews did not flourish because institutions learned to include them. They flourished because the regime limited the authority of institutions to decide who belonged at all. Jews attended public schools, served in the military, and entered professions — not because administrators welcomed them, but because the law made no provision for excluding them. That is pluralism as structure, not performance.
DEI — diversity, equity, and inclusion — inverts this. It treats belonging as something institutions must actively produce. Once belonging is conferred, it becomes conditional and, therefore, unstable.
None of this denies that schools should protect Jewish students in moments of fear, address antisemitism, enforce rules, and help manage difference. Care matters. Moral clarity matters. But short-term care does not require long-term structural dependency. The question is whether the framework makes Jewish belonging more secure over time or more fragile.
Critics of DEI often focus on excesses — ideological trainings, bureaucratic bloat, activist capture. They miss the point. The problem is not tone. It is structure. DEI replaces equal citizenship with managed identity. It reduces civic standing to recognition, safety to visibility, equality to representation. It grants institutions precisely the authority that liberal pluralism once denied them.
For Jews, this is perilous. Judaism is not simply cultural identity. It is a peoplehood and faith defined by continuity, obligation, and collective memory. America worked for Jews because the regime did not require Judaism to be translated into something thinner in order to belong.
DEI struggles with this. Jewish identity gets reframed as culture — ritual without peoplehood, heritage without permanence, symbolism without sovereignty. That version of Jewishness is easy to affirm because it makes no claims. But that ease is the warning sign.
This is not only imposed from outside. Jews have often been among the architects of DEI frameworks, usually with the best intentions. The same communal instinct that built hospitals, schools, and social agencies now sometimes builds systems that make Jewish belonging contingent rather than secure. Good faith does not neutralize structural risk.
Jews are not uniquely burdened by DEI, but they are diagnostically revealing. Any system that cannot accommodate a people simultaneously religious, ethnic, historical, and transnational will fracture under pressure from other complex identities. Jews expose the structural weakness. They are not the cause of it.
Feeling welcomed and being secure are not the same thing. Inclusion produces comfort. Citizenship produces stability. Belonging grounded in recognition depends on continued moral approval. Belonging grounded in citizenship does not. The former fluctuates with ideology; the latter endures through disagreement.
The educators at Town School appear to be acting in good faith. But no minority should rely on the personal virtue of administrators for its security. Sincerity is not a system. Good intentions do not correct for flawed design.
If Jewish security comes to depend on institutional affirmation rather than civic equality, Jews will be less secure, not more. And if this model becomes dominant, it will erode pluralism for everyone. No minority should want its standing to depend on recognition. No society should delegate belonging to administrators. No liberal order survives when citizenship is replaced by curation.
Institutions turn to DEI not out of malice but out of lost confidence. When leaders no longer trust law, equality, and restraint to hold, they substitute recognition for rights and symbolism for structure. DEI fills the vacuum left by civic uncertainty. It cannot repair it.
The American experiment succeeded not by perfecting inclusion but by constraining power. It did not ask institutions to decide who belonged. It presumed belonging and limited the authority of those who might question it.
As the United States approaches its 250th anniversary, Jews should be clear-eyed about this distinction. A pluralistic society is strongest when belonging is presumed rather than curated, and when citizenship is treated as a baseline rather than a reward.
Warmth matters. Goodwill matters. But they are not substitutes for equality under a civic order that does not ask groups to justify their place.
Jewish history is clear on this point. Societies where Jews are welcomed at the discretion of elites are less stable than those where Jewish belonging is assumed as principle. The former depends on mood and politics. The latter endures through disagreement.
Washington’s letter to Newport promised something no amount of programming can replicate: a republic that gives to bigotry no sanction because it refuses to make belonging a matter of official judgment at all. That is an inheritance worth defending. The distinction between the affirmation model and the Washington model is not only a Jewish concern. It is central to the durability of pluralism.
Samuel J. Abrams is a professor of politics at Sarah Lawrence College and a senior fellow at the American Enterprise Institute.