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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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West Bloomfield Iraqi Christians rushed to aid Temple Israel on a terrifying day. An open invitation for Shabbat followed.
Last week’s attempted attack on Temple Israel in West Bloomfield, Michigan, prompted the Shenandoah Country Club across the street — which serves the town’s Iraqi Christian Chaldean community — to provide a refuge across cultural lines.
Staff turned a ballroom usually reserved for weddings into a reunification area. By the afternoon, 140 children from the Temple Israel day care center, who had no idea they were escaping a terror attack, were safe inside.
The next night, the same room filled again with refugees from Temple Israel. This time, the event space hosted 1,000 congregants gathered for Shabbat.
Shenandoah Country Club President Patrick Kattoo said when a staff member told him about a possible shooting across the street, “I instructed him to direct all those people into our building, into our ballroom, and immediately give them what they need.”
Kattoo proceeded to allow law enforcement to set up command centers at Shenandoah, as children and teachers sheltered in the ballroom for hours. Around 5 p.m., relieved families were reunited at the country club.
In true Iraqi fashion, Kattoo said the children were kept well fed. “It was Thursday, so our chef was here. We just brought them out chicken tenders and fries, M&Ms, waters, and drinks. There were infants here that were in diapers, and fortunately, we have diapers that we keep on hand.”
Once he arrived, Kattoo said Temple Israel community members were in “panic mode.” “There were just a lot of frightened children. And I’ll tell you one thing: Shenandoah will not stand to see frightened children.”
Around 40 more children and their teachers did not make it to the country club, and instead found safety in the home of a Chaldean neighbor.
Township Supervisor Jonathan Warshay recounted that Rabbi Paul Yedwab wondered, “you know, would he be holding funerals for these children? And then they learned where they were.”
Jewish community members expressed their deep gratitude for the Chaldean community.
Temple Israel rabbi Jason Bennett told the Forward, “They immediately sprang into action, everything from just giving us their space to baking cookies for the kids and creating an atmosphere where, at least for the children, it was safe and secure, and families could come and reconnect with their kids. It was a beautiful part of this tragic day to see children just shielded from everything.”
Some Temple Israel adults said that because of the bucolic environment at the country club, many of the children thought they had gone on a field trip.
Rabbi Bennett recounted hearing about one child recapping the day at bathtime: “The child said, ‘Well, I was so excited. I got to read a story, and then I did some art, and then I got to meet a police officer.’ That was her recounting, which is remarkable.”
‘It was really natural’
Chaldeans are Iraqi Christians who traditionally speak Aramaic, and Michigan has the largest population of Chaldeans outside of the Middle East.
The Chaldean community makes up 24% of West Bloomfield’s 65,000-person population. The Jewish and Chaldean communities have long shared a special relationship there, with joint youth programs, shared meals between community leaders, and parking lots often shared between Temple Israel and Shenandoah Country Club during large community events.
“Throughout my career, these last 32 years, they have been inextricably linked to the Jewish community,” said Bennett. He noted that in other difficult moments, the two communities have supported one another.
“We were together after 911 and supported each other. When Oct. 7 came, they came into our sanctuary, and their entire board was with us for our vigil service,” he recounted. “They brought a significant donation at that time to the Jewish community to help our emergency campaign for Israel. And so it was really natural when something like this happens, for them to be our partners.”
According to Chaldean community member Jibran Jim Manna, who was born in Baghdad, the love the Chaldean community has for Jews goes all the way back to Iraq. “Prior to us immigrating to the U.S., our neighbors were Jewish, and we loved them; they were good to us.”
He said the shared experience of being minorities forced to flee Iraq has shaped that bond. “They all had to get out of Iraq,” he said, “and we had to leave there too.” He added, “Some of us, like myself, think of ourselves as one of the lost tribes of Israel, because we are so close in culture.”
A Chaldean’s first Shabbat service
The day after the attempted attack, roughly 1,000 members of the Temple Israel community gathered in the Shenandoah Country Club ballroom for Shabbat services.
Kattoo said Temple Israel rabbis had told him on Thursday in the attack’s immediate aftermath that they had nowhere to hold services. The sanctuary had been badly damaged in the attack, in which the assailant’s vehicle had caught fire. “I said, ‘Well, our doors are open, you could do it here tomorrow,’” Kattoo recalled.
Bennett said that while Temple Israel had received multiple offers to host services, holding them at Shenandoah “felt like the natural fit, given the long-standing partnership and the role that they had played in that day.”
He added: “They set up for us, they welcomed people in, they partnered with police and law enforcement agencies, and we just had this magnificent gathering of 1,000 people to celebrate what had gone right.”
The rabbis were able to bring the “miraculously” recovered Torahs to the country club. But the temple’s prayer books had been destroyed, so the service was held without them.
The theme of the evening was honoring acts of heroism. According to Warshay, congregants “gave a standing ovation to the leaders of Shenandoah and to the security personnel.”
For Warshay, a highlight was seeing families together in the immediate aftermath of a traumatic event. “There were many families at the service, a lot of young children. We sort of heard them talking and playing around,” he said, adding, “It was quite emotional.”
Kattoo said as congregants entered the ballroom for services, he “greeted every single one of them,” then stayed as the community joined in prayer.
“I don’t speak Hebrew,” he said, laughing. “But you know, I thought it was a beautiful service. I learned something. It’s beautiful to see that they have their community gather every single week on a Friday. To me, it’s unbelievable. It’s my first Shabbat service I’ve ever seen in my life.” He added, “I kind of wish we did that once a week.”
According to Kattoo, the outpouring of thanks from the Jewish community has been overwhelming. “Their gratitude was beyond what I could expect.”
While Temple Israel is in the process of moving services to the Berman Theater at the local JCC, Kattoo said his offer to host Shabbat services still stands: “If the banquet hall is available, I’ve told them it’s more than theirs.”
The post West Bloomfield Iraqi Christians rushed to aid Temple Israel on a terrifying day. An open invitation for Shabbat followed. appeared first on The Forward.
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Jan. 6 protester Jake Lang renounced his Judaism to court the far right. It isn’t working.
(JTA) — Jake Lang has burned a copy of the Talmud, performed a Nazi salute outside AIPAC’s headquarters and repeatedly declared that “Christ is King.”
But those antisemitic displays have not earned him an in with his fellow far-right personalities. Instead, after Lang’s anti-Muslim rally in New York City earlier this month was derailed by bomb-throwing counterprotesters, they ramped up a campaign against him.
“This f—cking r—tard larping as a white Christian is jewish,” wrote social media personality Dan Bilzerian, who has increasingly embraced antisemitic rhetoric and conspiracy theories, in a post on X to his 2 million followers. “This is what jews do, they pretend to be white to spread white, black and Muslim hate only to later separate themselves later by saying oh but I’m not white I’m jewish.”
Nick Fuentes, the antisemitic livestreamer at the center of a growing divide at the Republican party, quickly piled on.
“This guy is a Jewish operative and his entire campaign is a psyop to instigate conflict between Whites and Muslims to gin up support for escalation against Iran,” Fuentes tweeted. “Couldn’t be more transparent yet all of you people are falling for it.”
In far-right corners where antisemitism is a currency, it was an explosive allegation. But it was also rooted in truth about Lang’s Jewish heritage.
In November, after Lang staged another anti-Muslim protest in Dearborn, Michigan, photos circulated online of him holding a bar mitzvah certificate with his name on it at the Western Wall in Jerusalem. He quickly denounced Judaism but soon disclosed to Nick Shirley, the far-right YouTuber, that his mother is “Russian Jewish.”
The disclosure gained new attention within the far-right ecosystem after Lang’s demonstration outside Gracie Mansion, the home of New York City Mayor Zohran Mamdani. And Lang, a pardoned Jan. 6 protester who is currently vying for a Senate seat in Florida, offered more details about his background.
During an appearance on a podcast hosted by right-wing Jewish activist Laura Loomer, he again said his mother is Jewish. But he was baptized as a child, he said, while contending that his mother isn’t among the kind of Jews whom far-right antisemites, including himself, view as pernicious.
“We have these false Jews that Jesus warned us about, that are in control of the banking in different places, but they’re not the average Jew,” Lang said. “We have amazing, patriotic, white Jews, which my mother is one of them, who exemplify everything it needs to be an American.”
Lang’s mother, Sari, participated in a press conference in January 2025 calling on President Donald Trump to issue blanket pardons to Jan. 6, 2021, Capitol protesters, including Lang. Lang spent four years in federal custody in Washington, D.C., after being charged for allegedly beating a police officer with a bat during the protest.
Matthew D. Taylor, a visiting scholar at the Georgetown University Center on Faith and Justice who studies extremism, said the backlash against Lang reflects a form of racialized antisemitism found in Nazi ideology, in which Lang’s Jewish ancestry remains disqualifying despite his adoption of far-right causes, including antisemitism.
“Here you have this guy, Jake Lang, who seems like a real scumbag in and of himself, but is affirming Nazi ideas,” said Taylor. “But that his Jewishness is still a knock against him amongst these other white supremacists and Nazis, and even his espousal of Christian theology doesn’t cleanse him of that issue in their mind.”
On the Loomer podcast, Lang shared his views of Jewish identity and influence, attempting to draw a distinction between Jews he considered allies versus enemies while invoking antisemitic conspiracy theories.
“I have to give an unequivocal, real deal talk to the American people here, we have been psyop-ed into blaming everything on the Jews, that’s ridiculous,” said Lang. “But on that same hand, I will be the first one to call out this liberal, woke Jewish mafia that controls Hollywood and is brainwashing the white women to all fall in love with black men, and they’re poisoning and they’re not real Jews.”
The episode also ties into a widening rift on the far right, one that has sharpened in recent weeks over the war in Iran. While Fuentes has vehemently opposed the U.S. strikes in the country, Lang has praised the conflict as a “war with Islam” and a display of “Christian dominance in the Middle East.”
“Now the Zionists have started amplifying anti-immigration, anti-Muslim rhetoric to distract Right Wingers from the Iran War,” Fuentes wrote in a post on X earlier this month. “Probably the best way to prevent Muslim immigrants from coming here or attacking us is to stop killing them and destroying their countries for Israel.”
During the conversation with Loomer, she and Lang decried what they perceived as support for Muslims from far-right influencers like Fuentes.
“While patriotic Jews and Christians unite to save our country from the threat of Islam, compromised influencers are actively radicalizing vulnerable youth on behalf of their foreign handlers in Qatar, Russia and Iran,” Loomer wrote in a post on X alongside a clip of the interview.
In a post on X, Fuentes, once a staunch Trump supporter who urged his supporters to attend the Jan. 6 protests, accused Trump of sidelining anti-war voices and embracing pro-Israel allies, including Loomer.
“Trump turned against Tucker Carlson and Marjorie Greene for their opposition to the Iran War and Epstein Coverup,” wrote Fuentes. “Now, he surrounds himself exclusively with Israel First Zionists like Mark Levin, Laura Loomer, and Jared Kushner. We didn’t leave MAGA, MAGA left us.”
While Lang, who was identified as a “Christian Crusader” onscreen during the podcast, acknowledged his Jewish heritage during the conversation with Loomer, he has simultaneously worked to distance himself from it.
In response to Bilzerian’s post, Lang posted a photo of him as a baby during his Catholic baptism, writing “JESUS IS LORD & GOD.”
In November, after the Western Wall pictures first circulated, Lang wrote, “You’re a f—cking idiot I denounced all ties to Israel and Judaism days ago…Jesus is King,” alongside a video of him burning the Quran, the central religious text in Islam, the Talmud and a book on Christian Zionism titled “Standing With Israel” by David Brog.
“Jesus is King, no Talmud, no Quran, America’s a Christian country,” Lang says in the video. “Lord Jesus, we pray your spirit over America. We pray that you would bring back white Christian America. We are being replaced, there is a white replacement and genocide happening and it is because of these two books, the beliefs of these people.”
In a December interview with YouTuber Nick Shirley, whose video on alleged fraud by Somali-run day cares in Minneapolis preceded a federal immigration crackdown, Lang explained that his visit to the Western Wall had been on a family vacation.
“That was over 10 years ago. Nowadays, it’s seen as a symbol of fidelity towards Israel and towards, you know, this kind of shadow government that’s seemingly overseeing America,” said Lang. “So nowadays, if I were to go as a Christian influencer, right, as a conservative, I would never show that type of fidelity because the optics behind it have basically been completely perverted.”
Riffing on a phrase that has come to express disdain for politicians who take photographs at the Western Wall, Fuentes denounced Lang last week as having been “kissing the wall, making out with the wall, with the f—cking cube on his head and everything.”
Calling Lang a “big, disgusting, revolting Jewish douchebag,” Fuentes connected Lang to the allegations, amplified this week by the U.S. counterterrorism director in a resignation letter, that Jews had lured the United States into conflict.
“They tricked us into going and fighting their wars by convincing us that their enemies were our enemies too, and now we’re doing it all over again,” said Fuentes. “And then you’ve got Jake Lang in New York, inciting Muslims to attack him again … antagonizing them to achieve that desired result.”
The attacks on Lang from Fuentes and Bilzerian are revealing, according to Taylor, the extremism scholar.
“Here you have a guy who wants to be a card-carrying white supremacist, who wants to be a card-carrying Christian nationalist, and who wants to kind of prove his bona fides by hating on Muslims, and the white supremacists are rejecting him because he has an underlying Jewish ethnic identity,” he said. “There’s no other word for that than just racism, right? And antisemitism.”
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U of Florida College Republicans, caught making Nazi salutes, sue school for disbanding chapter
(JTA) — Another group for young Republicans is in hot water over revelations that its members have engaged in antisemitic activity.
The University of Florida disbanded its College Republicans chapter over the weekend following social media posts in which two members reportedly made Nazi salutes, among other actions. In response, the group sued the university, accusing administrators of violating its First Amendment rights.
“The University of Florida punitively deactivated and shut down the UFCR, in response to alleged viewpoints expressed by a member of UFCR, and in an effort to silence the club and chill its future speech,” the lawsuit reads.
The chapter is being supported in its efforts by a national umbrella College Republicans organization, whose president said he supported the students’ “right to free speech.”
UF has 6,500 Jewish undergraduates, the most of any university in the country, according to Hillel International. The revelations concerning its College Republicans group come weeks after a similar controversy involving Florida International University’s chapter, and followed leaked antisemitic group chats among leaders of several statewide Young Republicans chapters, including New York, last year.
In a statement explaining its move to disband the group, UF said members of the College Republicans “engaged in a pattern of conduct that violated its rules and values, including a recent antisemitic gesture.” Photos posted online by pro-Israel activists appeared to show members of the chapter flashing Nazi salutes, as well as posing with antisemitic influencers Nick Fuentes and Myron Gaines. Other reports of the leaked material describe group chats stating that Hitler “didn’t do enough.”
The UF statement continued, “The University of Florida has emphatically supported its Jewish community and remains committed to preventing and addressing antisemitism and other forms of discrimination and harassment that are threatening and disruptive to our students and to the teaching, research and expressive activities of the campus community.”
UF College Republicans had recently hosted James Fishback, a GOP gubernatorial candidate in the state who has embraced popular online antisemitic slang on the campaign trail. In its lawsuit and on X, the College Republicans group suggested the two events were linked.
“48 hours after we hosted James Fishback (@j_fishback) at the largest Candidate event at UF in nearly 10 years, @UF terminated our organization,” they wrote on X. The lawsuit claims, “UF likely further deactivated Plaintiff because UFCR hosted republican gubernatorial candidate James Fishback, a critic of Israel, at a March 11, 2026, event attended by 500 students.”
Fishback himself criticized the university for disbanding the group, likening it to the school’s decision to disband a pro-Palestinian group in the aftermath of the Oct. 7, 2023 Hamas attacks.
“It is disgraceful for Florida’s taxpayer-funded universities to punish student groups for their protected speech,” he wrote. “In 2023, it was Students for Justice in Palestine. Today, it’s College Republicans.”
Also supporting the chapter was College Republicans of America, an umbrella organization, although its website does not include UF as a listed chapter.
“We support our students’ right to free speech, even if their endorsements don’t match our own at the national level,” CRA’s president, William Branson Donahue, wrote on X. “I’m aware they’ve retained counsel and we will support them in reinstating the chapter.” The group’s recently appointed political director, Kai Schwemmer, is a streaming partner of Fuentes.
The university had claimed it was following the lead of a different College Republicans umbrella group in disbanding its chapter, the Florida Federation of College Republicans — a more moderate organization that condemned antisemitism after the FIU scandal. UF College Republicans says it has no relation to the Florida Federation of College Republicans.
A Jewish Telegraphic Agency request for further comment to College Republicans of America was not immediately returned. The student who joked about Hitler in the group chat told the New York Times he had not intended to be antisemitic and also claimed he was not affiliated with the UF College Republicans.
Anthony Sabatini, the attorney representing UF College Republicans, is also representing FIU students who were exposed in that school’s recent College Republicans antisemitic group chat controversy. On X, Sabatini shared a notice from FIU’s general counsel that one of the students, who had been placed under investigation by the university, had been “re-instated.” The president of that school’s Turning Point USA chapter recently stepped down over his involvement in the chats.
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