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The hora, the hora! How Jewish wedding music got that way

(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.

Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition. 

Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews. 

That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.” 

Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.

Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.

Our conversation was edited for length and clarity.

I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures. 

In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.

In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.

You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues? 

The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”

Meaning non-Orthodox — Reform, Conservative, etc.?

Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture. 

There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].

Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”

Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)

When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?

You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer. 

The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy. 

At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.

So the Jewish set at a wedding becomes an Israeli set.

At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.

But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish. 

That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far. 

Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe. 

Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.” 

Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)

You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings. 

Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.

Jews and Chinese food would be another example.

And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.

I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”

So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.

That’s beautiful. It sort of makes the musicians secular clergy.

It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.


The post The hora, the hora! How Jewish wedding music got that way appeared first on Jewish Telegraphic Agency.

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Isaac Accords, Wave of IRGC Terror Designations Signal Deepening Israel–Latin America Ties

Argentina’s President Javier Milei receives Presidential Medal of Honor from Israel’s President Isaac Herzog in Jerusalem, April 20, 2026. Photo: REUTERS/Amir Cohen

As Israel deepens its diplomatic outreach across Latin America, a quiet but notable convergence is taking shape, with regional governments tightening security cooperation and increasingly aligning efforts to counter Iranian-linked terrorism and illicit networks operating across the hemisphere.

During a state visit to Israel on Sunday, Argentine President Javier Milei and Israeli Prime Minister Benjamin Netanyahu formally signed the Isaac Accords, a new framework aimed at deepening ties between Israel and Latin American governments while jointly addressing antisemitism and terrorism.

According to Toby Dershowitz, senior adviser at the Foundation for Defense of Democracies (FDD), a Washington, DC–based think tank, this initiative builds on rising regional momentum for closer cooperation with the Jewish state and sets in place a framework for intelligence-sharing and coordinated law enforcement efforts aimed at countering Iranian proxy networks operating across the hemisphere.

Latin America has long been regarded as a hub for Iran-backed Hezbollah’s illicit drug trafficking and other criminal activities, which have been used to finance its broader terrorist operations worldwide.

“While just formally signed in recent days, there is already momentum behind some of the Isaac Accords’ goals,” Dershowitz told The Algemeiner. “Several countries have taken steps – including terrorism designations – to counter the Islamic Republic’s threat.” 

“The Western Hemisphere has been plagued by Iran-backed terrorism for decades and countries are increasingly leveraging support from allies in the region to address the threat,” she continued.

Modeled after the Abraham Accords — a series of historic, US-brokered normalization agreements between Israel and several Arab countries — this new initiative aims to strengthen political, economic, and cultural cooperation between the Jewish state and Latin American governments. 

During the signing ceremony, Milei described the launch of the accords as “a historic moment for our nations,” saying they are intended to advance peace through efforts to strengthen long-term regional stability, security, and economic prosperity.

The Isaac Accords “will not only strengthen the relationship between Argentina and Israel, united by shared values, but also mark a step toward a freer and more prosperous hemisphere,” the Argentine leader said.

According to a joint statement between the two leaders, the new initiative will focus on technology, security, and economic development, with an emphasis on deepening cooperation in innovation, commerce, and cultural exchange. 

It will also seek to encourage partner countries to relocate their embassies to Jerusalem, formally designate Hamas and Hezbollah as terrorist organizations, and shift longstanding voting patterns on Israel at the United Nations.

Dershowitz explained that the push to formally designate Iran’s Islamic Revolutionary Guard Corps (IRGC) and its proxy groups as terrorist organizations — an approach already adopted by several Latin American countries — is central to strengthening states’ ability to investigate and prosecute terrorism networks.

She also noted that such designations facilitate cooperation with global financial intelligence units, expanding the legal tools available to track and disrupt illicit financing.

“Iran has a concerning footprint in Latin America. Some countries in the region face major Hezbollah-linked drug trafficking challenges and, as a result, exposure to illicit financial flows,” Dershowitz said. “It is no doubt part of the calculus that led to these designations.”

Since the start of the war in Gaza, and even more so amid the broader confrontation with Iran, Latin American countries have increasingly sought to align their domestic legislation with international sanctions frameworks targeting Hezbollah, Hamas, and the IRGC — all of which are designated by the United States, the United Kingdom, and the European Union.

Ecuador, Costa Rica, and Paraguay are among some of the countries that have designated Hamas, Hezbollah, and the IRGC as terrorist organizations.

More recently, Costa Rica and Trinidad and Tobago have also followed suit, proscribing all three Iranian and Iran-backed entities.

Once a formal designation is in place, authorities can immediately freeze a wide range of assets belonging to designated entities without the need for a prior criminal conviction. 

The designation also makes it a criminal offense to provide such entities with material support — such as funding, transportation, housing, or false documentation — while giving authorities additional tools to track and map a group’s logistical and financial networks.

Last month, Argentina also designated the IRGC as a terrorist organization, after previously designating the Palestinian group Hamas in 2024 and the Lebanese group Hezbollah in 2019.

After Iran accused Buenos Aires of “siding with the aggressors” and violating international law with its latest designation, the Argentine government declared Iranian chargé d’affaires Mohsen Tehrani “persona non grata” and gave him 48 hours to leave the country.

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Steeped in history, Pensacola Jews celebrate the 150th anniversary of Florida’s oldest synagogue

(JTA) — PENSACOLA, Florida — Mention the Jewish exodus to Florida, and people immediately think Miami Beach, Boca Raton or Aventura.

But it was here in Pensacola — along the Gulf Coast’s fabled “Redneck Riviera” — that German-speaking Jewish pioneers first put down roots in the Sunshine State. In 1876, when Pensacola’s Temple Beth El was founded, Florida had 200,000 inhabitants, just 2,000 of them Jews.

Today, Florida is home to 24.3 million people and a Jewish population exceeded only by New York and California. Most of the state’s 762,000 Jews reside in three South Florida counties — eclipsing much older congregations in Tallahassee, Jacksonville and Pensacola that thrived long before the advent of air-conditioning and interstate highways.

Pensacola is home to only about 1,800 Jewish adults, according to the American Jewish Population Project — a number that has remained constant for a century. Yet locals in this laid-back resort in Florida’s Panhandle, more than 600 miles northwest from the bustling Jewish communities of South Florida, say it is ripe for a Jewish renaissance.

“I’d like to make the case that this is also Florida, even though we’re only 10 miles from Alabama,” said Rabbi Joel Fleekop, 47, spiritual leader of Beth El since 2012. “The cost of living here is very low, we have no traffic or congestion, and there are plenty of good jobs.”

Pensacola also has three synagogues: a Chabad, an Orthodox-style congregation and Beth El, which this month is marking the 150th anniversary of its founding with a weekend of prayers, local art, Israeli music and dancing.

Beth El’s celebration began on Friday with a Shabbat service led jointly by Fleekop and Cantor Richard Cohen, former director of the Hebrew Union College’s School of Sacred Music and a and Pensacola native.

In a sermon, Fleekop told the story of the children’s book “Bone Button Borscht,” in which a wandering man helps the people of an impoverished town to create soup from their own meager ingredients that somehow taste far better together than separately.

“For 150 years, this temple — our temple, Temple Beth El — has thrived because similar to the people making soup in the story, its members have contributed and done what they could to nourish and enhance and better our community,” he said. “Our founding families like the man who set up the pot provided the vision that this little corner of the world could have a thriving Jewish community. Others provided the resources to build the sacred spaces our congregation has called home and to keep on the lights and, this being Florida, the air conditioning also on.”

Summarizing the wide range of contributions that members have made over the decades, Fleekop also noted changes that Temple Beth El experienced over the last 150 years: the number of stars on the American flag grew, the the Israeli flag was created, the amount of Hebrew in the service increased; and congregants are wearing “fewer neckties and fewer fancy hats” but more kippahs and tallits than they once did.

“Inevitably each generation had its own taste and so added their own ingredients, the spiritual equivalent of maybe some okra, or zaatar, or even some sriracha,” he said to laughs. “At 150 years, our congregation is no doubt very different from what was imagined at its inception. … The soup that is our temple has gone from a Bavarian borscht to a Gulf seafood gumbo to a gluten-free, Asian fusion matzoh ball soup. But in many ways, in the most essential ways, we are still the same congregation.”

The following evening, a gala dinner featured dancing and a live band. And on Sunday morning, congregants toured Pensacola’s Jewish cemetery, where the oldest tombstone dates from 1874 and many inscriptions are in Hebrew and German as well as English.

Among those buried in the cemetery is Florida’s first Jewish mayor, Adolph Greenhut, who served from 1913 to 1916 — two decades after his stint as Beth El’s president. Beth El also takes great pride in having been home to the nation’s first de facto female rabbi, Paula Ackerman, in the 1960s.

“There were really very few Jews in South Florida until the 1940s. People can’t believe there was a thriving Jewish community here at the turn of the century,” said Bill Zimmern, 74, a native Pensacolan like his mother and grandmother whose wife, Beverly, was once mayor of suburban Gulf Breeze.

That community was born after the Civil War, when Jews settled in Milton — a northwest Florida lumber hub — bringing their skills from heavily wooded areas of Bavaria and southern Germany. They began relocating to Pensacola in the 1870s as the city developed.

Zimmern added that nearby Naval Air Station Pensacola, home to the Blue Angels, has long welcomed Jews to the area, and that many Jewish men and women in uniform who were once stationed there eventually settled in Pensacola and joined the congregation.

Beth El’s first home was a wooden structure on Chase Street in downtown Pensacola, but it burned down in 1901 and all records of the shul’s first 25 years of existence disappeared in that fire. It was later rebuilt near what is today the on-ramp for Interstate 110, but closed in 1931 when its members inaugurated the current synagogue on nearby Palafox Street, and the previous structure became a roller-skating rink.

Soon after Beth El’s founding, Yiddish-speaking Jews from Eastern Europe — mainly traders and merchants — settled in the area, and they were not especially happy with its Reform services. So in 1899, they parted ways and established B’nai Israel as an Orthodox synagogue.

In 1923, congregants bought a house and converted it into a house of worship; by 1953, they had finally raised enough money to construct the building it currently occupies, according to Yehoshua Mizrachi, B’nai Israel’s rabbi.

At the time, it also chose to affiliate with the Conservative movement, then the largest denomination in the United States. It remained part of the movement until about a decade ago, separating after the Conservative movement opted to ordain gay rabbis and sanction same-sex marriages.

“I am the 19th rabbi to hold this pulpit, and all but three or four of them were Orthodox,” said Mizrachi, 62. Originally from Lakewood, New Jersey, he said B’nai Israel’s membership consists of 60 to 70 families, compared to 185 families at Beth El.

“This congregation is independent, so they dropped their affiliation 10 years ago. When they hired me, I told them not to expect me to do anything to compromise my personal integrity as a Jew,” Mizrachi said.

Even so, the rabbi added, “we are not an Orthodox congregation. We have mixed seating and women are called to the Torah. In all other aspects, this shul operates according to the standards of halacha,” or Jewish law.

Rabbi Mendel Danow runs the Pensacola Chabad Jewish Center along with his Israeli-born wife, Nechama, from a 120-year-old house less than a mile from B’nai Israel. Between 500 and 600 people are on his mailing list, he said.

“A lot of Jews here are unaffiliated. They don’t have that natural connection,” said Danow, 30. The best way of drawing them in is by inviting them to Friday night services and Shabbat dinner; anywhere from 20 to 80 people usually show up, he said. “It’s laid back. Davening [prayer] is shorter, dinner is longer. It’s been a very important part of our community.”

Danow is clear-eyed about the challenges of living an observant Jewish life in Pensacola.

“There’s no kosher restaurant within a 400-mile radius. The closest is in Jacksonville or Atlanta,” he said. “Obviously we’re not the first destination for an Orthodox Jew looking to move to Florida.”

But he’s trying to make things easier. His Chabad recently opened Pensa-Kosher — a mini-market for the handful of locals who strictly observe Jewish dietary laws. He and his wife, who have six children together, run a Hebrew school with close to 20 students, as well as a preschool with 10 children. And they are trying to support the few Jewish students at the nearest university.

“When we moved here, one of the first things we noticed was a lack of Jewish life on campus, so we started a Chabad student club at the University of West Florida,” Danow said.

With Pensacola enjoying a relatively low cost of living and ranking high when it comes to job growth, beach quality and even the density of Waffle House restaurants, the city is growing — and Chabad is bursting out of its current home. Early next year, it will relocate to a larger complex two blocks down the street. Among other things, the new facility will include a synagogue, Hebrew school and Pensacola’s first full-service mikvah.

Danow said any antisemitism in the city is dwarfed by support for Israel and Jews.

“Three years ago, a gang of four teenagers threw a brick through our window, and ‘Heil Hitler’ was spray-painted on the brick,” he recalled. “But after Oct. 7, people began dropping off flowers and giving donations. There was such a sense of sharing in our pain. People would stop me on the street to say, ‘We’re praying for Israel.’”

Mizrachi shared similar experiences. “There’s a church on every street corner. People are very pro-Israel here,” he said. “Strangers stop me in the supermarket and tell me they love Israel. It happens all the time.”

The front lawn of Zimmern’s best friend, Charles Kahn, 74, a retired federal judge, boasts two signs: “Go Gators” — a reference to his alma mater, the University of Florida — and “We Stand With Israel.”

“Right after Oct. 7, I got that sign,” Kahn said while sipping coffee as he sat on his porch overlooking the Gulf of Mexico. “My neighbor on one side is a retired Navy captain. He asked for one also, and my other neighbor on the other side asked for one too — and then the people across the street, then two houses down. We ended up with five of them just on this street.”

Kahn is a past president of Beth El, as is his wife Janet. Their Reform synagogue is by far the largest Jewish house of worship in the city.

“We’re a full-function, mainstream Reform synagogue. We follow Reform rules, and our house of worship is a place where people who disagree on politics can still be friends,” said Fleekop, a Philadelphia native who grew up in Reno, Nevada, and moved to Pensacola 13 years ago. His wife, Andrea, runs the temple’s School for Jewish Living, which has 55 children enrolled.

“We welcome the LGBTQ community. Some gay and lesbian Jews who were rejected elsewhere have found themselves here at Beth El,” he said. “We also have a lot of Jews by choice.”

One of them is Nichole Friedland, 51, a Pensacola-born nurse who was raised Catholic but converted to Judaism 16 years ago — on Easter Sunday no less — under Fleekop’s guidance. She’s now the vice-president of Beth El and treasurer of the Pensacola Jewish Federation.

“Most of our congregants are either interfaith or have converted to Judaism,” said Friedland, who with her husband is raising a blended family of eight kids. “I wanted my children to have a good foundational religion, and Judaism made the most sense to me. It was, and is, the correct choice.”

The federation, based inside Beth El, is entirely volunteer-run and rarely publicizes events or occasions — a sharp contrast to the vibe in the Jewish metropolises of South Florida.

But Mizrachi sees potential for Pensacola in some of the same forces that are luring Jews to Boca and Aventure — including unhappiness among New Yorkers with the city’s new mayor, Zohran Mamdani.

“After Mamdani’s win, a lot of people are thinking of moving to Florida,” Mizrachi said. “But instead of going to Dade or Broward, they should consider Pensacola. There is Jewish life here.”

The post Steeped in history, Pensacola Jews celebrate the 150th anniversary of Florida’s oldest synagogue appeared first on The Forward.

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Michigan Democrats Nominate Lawyer Who Praised Hezbollah for Top University Post

A sign at the University of Michigan, Ann Arbor. Photo: Ken Lund.

The Michigan Democratic Party nominated attorney attorney Amir Makled over incumbent Jewish Regent Jordan Acker on Sunday, drawing fresh scrutiny towards Makled’s defense of international terrorist organizations and anti-Israel posture. 

Makled, a Dearborn-based civil rights attorney who has been outspoken in support of divestment from Israel, won the party’s nomination for one of two regent seats up for election this year, defeating Acker, who had become a frequent target of pro-Palestinian activists over his opposition to Boycott, Divestment and Sanctions (BDS) efforts on campus.

The contest has drawn national attention because of the unusually broad authority held by University of Michigan regents, who are elected statewide and oversee the university’s finances, investments, executive leadership and major institutional policy decisions. The eight-member board plays a central role in decisions ranging from presidential oversight to responses to campus protest movements and demands for divestment.

For months, anti-Israel student activists and progressive organizers had pressed for changes to the board, arguing the university should divest from companies tied to Israel amid the war in Gaza. Acker, one of the board’s most vocal opponents of divestment, became a particular focus of that pressure campaign. In December 2024, pro-Hamas activists targeted Acker’s home with violent demonstrations, breaking his windows and spray-painting his car “Divest Free Palestine.” The vandals also spray-painted an inverted red triangle on Acker’s car, a symbol used to indicate support for the Hamas terrorist group. 

Makled, who represented a student arrested during the university’s 2024 anti-Israel encampment protests, had argued publicly that the university should reconsider its investment policies regarding Israel. His nomination, however, also drew scrutiny after resurfaced and later-deleted social media posts in which he appeared to praise Hezbollah and shared antisemitic content. The Michigan chapter of the Service Employees International Union reportedly withdrew its endorsement following the controversy.

An investigation by The Detroit News revealed that Makled was found to have deleted social media posts praising leaders of the Hezbollah terrorist organization. One of the posts referred to slain Hezbollah leader Hasan Nasrallah as a “martyr.” He also reposted antisemitic messages from far-right commentator Candace Owens which referred to Israelis as “demons” who “lie, cheat, murder and blackmail.”

Supporters of Acker have argued the outcome reflects a broader deterioration in support for Israel and tolerance of antisemitism within Democratic politics, particularly among younger and more progressive voters. Some also noted that Paul Brown, Acker’s non-Jewish running mate who had similarly opposed divestment efforts, was renominated while Acker was not, making the result especially symbolic for many Jewish Democrats.

The race underscores how university governance battles have become a new front in national political fights over Israel. While university divestment decisions are often constrained by legal and fiduciary obligations, regents can shape investment policy, institutional messaging and the university’s overall posture toward such campaigns.

With eight regents serving staggered terms and only two seats on the ballot this cycle, a single election does not determine the university’s investment policy outright. But activists on both sides increasingly view these races as critical long-term contests over whether public universities will resist or embrace institutional divestment from Israel.

As the general election approaches, the regent race is likely to remain a closely watched test of how far the Democratic Party’s internal debate over Israel is reshaping not only national politics, but the leadership of major American universities. Recent polls indicate that Democratic constituents have rapidly shifted away from supporting Israel 

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