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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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The post The hora, the hora! How Jewish wedding music got that way appeared first on Jewish Telegraphic Agency.
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Illinois primary pits Jewish candidate with deep Israel ties against AIPAC spending
Daniel Biss might seem like the kind of candidate the American Israel Public Affairs Committee could live with. The two-term Evanston mayor grew up partly in Israel, where his family spent summers. His mother is Israeli. He speaks Hebrew. And in his political career, he regularly engaged with pro-Israel groups, including AIPAC.
But with voters going to the polls Tuesday in Illinois for a closely watched Democratic congressional primary, Biss, 48, finds himself in the unusual position of defending himself against nearly $6 million in spending from an AIPAC-aligned super PAC. His district includes Evanston and Chicago’s North Shore suburbs, with one of the largest Jewish populations in the Midwest and a history of Jewish representation. An estimated 11% of the electorate is Jewish.
Speaking with the Forward, Biss acknowledged that the barrage of negative ads has been unpleasant. But he said the outside spending has become central to his campaign, as he seeks to highlight who is behind the attacks. Once voters learn about AIPAC’s role, he said, “they are repelled.”
Biss is the latest target of the major Israel lobby group’s campaign to eliminate candidates for Congress who have substantial engagement on Israel aimed at taking a more moderate path for U.S. policy — even if that means helping get far-left candidates who denounce Israel nominated instead.
That’s what happened in AIPAC’s first intervention in Democratic primaries this year, in a New Jersey special election for a House seat. There, progressive candidate Analilia Mejia — who described Israel’s military campaign in Gaza as a genocide — prevailed after an AIPAC-associated super PAC spent more than $2 million targeting former Democratic Rep. Tom Malinowski.
Elect Chicago Women, a super PAC aligned with AIPAC, has invested more than $5.7 million in attacking Biss and boosting State Sen. Laura Fine, who is also Jewish.
Recent polling, however, showed the spending has not necessarily reshaped the race in Fine’s favor. Kat Abughazaleh, a young Palestinian-American progressive candidate, has risen to second place in recent weeks. She is backed by Justice Democrats and a newer pro-Palestinian political group called Peace, Accountability, Leadership PAC. Her surge has fueled concerns among some Democrats that the race could produce another member of the progressive “Squad” in Congress and make it harder to win the general election.
Biss had tried to get into AIPAC’s good graces. He acknowledged that he had previously engaged with local AIPAC representatives in “good faith,” even submitting a position paper outlining his views on Israel. But he now believes the organization’s approach has become too inflexible to allow for meaningful dialogue.
He called “absurd” AIPAC’s stance opposing any conditions on U.S. military aid to Israel. “And then try to enforce it with millions of dollars of dark money, is certainly bad for democracy and bad for our politics here in America,” Biss added.
Biss said he supports a pair of measures that would restrict certain offensive arms sales to Israel and increase oversight of Israel’s policies in the occupied West Bank and in Gaza. Current Rep. Jan Schakowsky, who is Jewish and has held the seat for nearly three decades, is a co-sponsor of both the Block the Bombs Act and the Ceasefire Compliance Act.
Biss’ views on Israel are shaped in part by his own family’s history. All four of his grandparents were born in Europe. His father’s parents fled Nazi-era Europe in the late 1930s, settling in Decatur, Illinois, where his grandfather established a medical practice.
His mother’s family had a more harrowing journey. Ethnic Hungarians living in what was then Romanian-controlled Transylvania, they were deported to Auschwitz in 1944. Biss’ grandmother, her sister and one brother survived, while her parents and two other siblings were killed. After the war, the surviving members of the family returned to their hometown before immigrating to Israel, where Biss’ mother was raised. Much of his extended family still lives there today.
He said he visited Israel nearly every year from childhood through his early adulthood and speaks Hebrew, which he learned as a child from his mother.
“My connection to Israel is very deep, real and personal,” Biss said. “This is not some political position I take for a questionnaire.”
At the same time, he said, his Jewish upbringing also shaped how he thinks about the Israeli-Palestinian conflict.
If elected to Congress, Biss said, he would push the United States to bring diplomatic and economic pressure to bear on Israel, measures backed by J Street, a more liberal alternative to AIPAC. “I think that it’s important to have people in Congress who advocate for that kind of position, from a standpoint of supporting Israel’s right to exist as a Jewish democratic state, understanding Israel’s need to defend itself, and advocating for a vision of Israeli defense and security that is not inconsistent with basic humanitarian principles, and with the Jewish values of treating every life as equally sacred,” he said.
Steve Sheffey, a longtime Chicago Democratic activist who writes an insider politics newsletter, said that AIPAC’s attacks on Biss seem perplexing — until understood as targeting someone who poses a threat to uncritical U.S. backing. “Biss’ background on Israel is so much deeper and more extensive than almost any member of Congress in either party,” Sheffey said. “When Daniel Biss says something about Israel, it comes with authority.”
Sheffey suggested that independent thinking may be exactly what worries AIPAC.
“AIPAC sees me as a threat because they know that in Congress, I can’t be dismissed,” Biss said in a recent statement.
More districts, more division
The contest is not the only Illinois primary where hardline Israel advocacy groups are playing a major role.
In the 2nd District, a crowded race to replace Rep. Robin Kelly — who is running for the U.S. Senate — has drawn attention after Schakowsky withdrew her endorsement of Cook County Commissioner Donna Miller over her ties to AIPAC-aligned donors. One of Miller’s chief rivals is State Sen. Robert Peters, a Black Jew who has been endorsed by Vermont Sen. Bernie Sanders, accused Israel of genocide and signed on to the Block the Bombs Act. Peters wrote in an op-ed for the Forward that AIPAC’s opposition to him is driven by concern that outspoken Jewish critics of Israeli policy like himself will prompt “others who may have been nervously hanging back…feel like they can take bolder action as well.”
In the crowded race to replace retiring Rep. Danny Davis in the 7th District, the campaign of Chicago City Treasurer Melissa Conyears-Ervin has received about $5 million in spending from AIPAC’s United Democracy Project and an endorsement from Democratic Majority for Israel. Jason Friedman, who is Jewish and previously got AIPAC support, has been “approved” in the primary by J Street.
AIPAC is also boosting former Rep. Melissa Bean, vying to replace incumbent Rep. Raja Krishnamoorthi, who is running in a Senate primary. Elect Chicago Women spent $3.9 in the race. Bean’s campaign also received more than $400,000 in donations from AIPAC donors. Her chief rival is Junaid Ahmed, a critic of Israel who supports an arms embargo on the Jewish state. Chicago Progressive Partnership, a group that shares vendors and donors with other AIPAC-affiliated PACs, aired an attack ad against Ahmed, attacking his personal wealth and investments in Tesla.
In an email to its supporters, AIPAC attempted to frame the races as a fight against potential “Squad” members. It listed Abughazaleh, Peters and Ahmed, along with an additional three progressive lower-tier candidates, as people with “dangerous visions for America,” who need to be stopped. “The pro-Israel community is taking the political fight to them, and we are not backing down,” Jake Braunstein, AIPAC senior director, wrote.
Biss, the candidate most heavily targeted by AIPAC-aligned spending, was not mentioned.
“AIPAC is backing a candidate who has almost no chance of winning,” Sheffey said, referring to Fine.
Joe Rubin, a Democratic commentator and foreign policy expert, said the Biss-Fine-Abughazaleh race differs from AIPAC’s earlier intervention in New Jersey in ways that could prove more embarrassing for the group. In the New Jersey election, AIPAC sought to defeat Malinowski without backing a clear favorite and was willing to take that risk. In Illinois, however, the group is investing heavily to elect Fine — so far unsuccessfully.
“I don’t believe AIPAC is necessarily heartbroken” if they empower a far-left candidate, Rubin said. “But I do think that they’re trying to defeat who they feel will be a very strong opponent.”
The post Illinois primary pits Jewish candidate with deep Israel ties against AIPAC spending appeared first on The Forward.
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Trump Proclaims Isolationist Critics ‘Are Not MAGA’ While Defending Mark Levin From Vulgar Insult
US President Donald Trump speaks during a visit at Fort Bragg, North Carolina, US, Feb. 13, 2026. Photo: REUTERS/Elizabeth Frantz
An uncouth online argument between two of the most prominent American conservative commentators inspired an intervention on Sunday night from US President Donald Trump, who backed radio host Mark Levin during a heated exchange with podcaster Megyn Kelly.
Trump also defended his policy toward Iran in his Truth Social post, lambasting isolationist critics of his foreign policy as not being part of his so-called “Make America Great Again (MAGA)” movement.
“Mark Levin, a truly Great American Patriot, is somewhat under siege by other people with far less Intellect, Capability, and Love for our Country. Mark is Tough, Strong, and Brilliant, hence the nickname, ‘THE GREAT ONE,’ conceived by our MAGA friend, the wonderful Sean Hannity,” Trump wrote before effusively praising Levin as “a true Conservative, and Intellect” who was “far smarter than those who criticize him but, above all, he is a man of Great Wisdom.”
Trump warned that “those that speak ill of Mark will quickly fall by the wayside, as do the people whose ideas, policies, and footings are not sound.” He went on to proclaim, “THEY ARE NOT MAGA, I AM, and MAGA includes not allowing Iran, a Sick, Demented, and Violent Terrorist Regime, to have a Nuclear Weapon.”
Repeating his pledge to obliterate the Islamic regime in Iran, Trump vowed that “MAGA is about stopping them cold, and that is exactly what we are doing. GOD BLESS OUR GREAT MILITARY, WHICH I HAVE REBUILT SINCE THE BEGINNING OF MY FIRST TERM, TO ACHIEVE EVERLASTING PEACE THROUGH STRENGTH. MAKE AMERICA GREAT AGAIN!”
While not naming the specific individuals who had attacked Levin, online observers recognized the commander-in-chief had written in response to a provocative exchange between “the Great One” and Kelly which had devolved into grade-school-level taunting.
In recent months, Kelly has earned the ire of pro-Israel advocates due to her decision to align herself with the antisemitic positions and conspiracy theories promoted by fellow podcasters Tucker Carlson, Candace Owens, and Nick Fuentes. During a discussion with Carlson in January, Kelly praised Fuentes — a man who has celebrated Adolf Hitler, promoted Joseph Stalin, supported Hamas, and urged his “Groyper” followers to rape women — as “very interesting and he’s very smart.” She said, “There is value to be derived from that guy’s messaging.”
Kelly, Owens, Carlson, and Fuentes have also been adamantly opposed to the US military campaign against Iran, claiming without evidence that Israel dragged Trump into the conflict.
On Sunday, Levin wrote on X: “Poor Megyn Kelly. An emotionally unhinged, lewd, and petulant wreck. She’s completely revealed and destroyed herself. She’s everything people say she is, but much worse. Never an intelligent, thoughtful, or substantive comment. Utterly toxic.”
Kelly reposted Levin’s remarks before she struck below the belt. In a post that has since received 6.3 million views, Kelly wrote, “Micropenis Mark @marklevinshow thinks he has the monopoly on lewd. He tweets about me obsessively in the crudest, nastiest terms possible. Literally more than some stalkers I’ve had arrested. He doesn’t like it when women like me fight back. Bc of his micropenis.”
Levin then reshared Kelly’s jab at his manhood and responded with a Freudian implication, writing, “Busy Sunday morning for Megyn Kelly. She wakes up and has ‘micrope*is’ on her mind. Suffice to say, if it talks like a harlot, and posts like a harlot, it’s … well, you know the rest. Shalom!”
Early Monday morning, Kelly doubled down on her vulgarity and responded to Trump’s Truth Social post, suggesting that Levin had requested support.
“Micro penis @marklevinshow is such a SMALL MAN he had to go beg the president for a pat on the head (in the middle of a war!) to make himself feel better about … well, you know,” Kelly wrote. “This, after one mean tweet about him – following his 111 (!) nasty, non-stop, personal, misogynistic attacks on me. (Fox has an OBSESSED HARASSER on its hands.)”
Kelly added, “Just like all feckless, weakling bullies Micro can dish it out but he can’t take it. After just one post putting the so-called ‘great one’ in his place, he ran crying to Daddy.”
Rejecting the charge that he had solicited support in their flame war from the president, Levin wrote on X that “no, I did not speak to the president about releasing any statement. These reprobates have nothing but lies and conspiracies and hate. And the more they talk and post, the more people have had enough of them. They will eventually dry up and blow away, like those who’ve come before them.”
On Sunday night, Levin thanked Trump for his praise, writing, “I am beyond humbled by your words and graciousness in writing such a beautiful note and sharing it on Truth Social. I am honored that you took the time to write it. Your courage, strength, and moral clarity are truly unparalleled. And your leadership has made our country and the world much safer.”
Six hours after Kelly’s initial insult against Levin, her ally Owens took her own shot, writing in a long note on X that “no matter how many articles Bari Weiss publishes or how many monologues Mark Levin stammers through, the overwhelming majority of people in the world sense that Charlie Kirk was murdered for opposing this war and that Israel’s hands are not clean in the story.”
Owens further aligned herself with Carlson and Kelly, stating, “People like myself and like Tucker Carlson and Megyn Kelly (however ignorant we may or may not have been in our earlier assessments) once genuinely supported Israel and thought Zionism was a moral position.”
Continuing to advance her conspiracy theory of Israeli involvement in the murder of her friend Kirk, Owens wrote, “In their sheer arrogance, rather than meaningfully working to restore relationships, zionists continue to use tactics of slander, deception, law-fare and yes, murder to force their perspectives. They no longer seem capable of making a distinction between illusion and reality. They wrongly assumed that with enough money, they could purchase truth.”
On Monday, former US Rep. Marjorie Taylor Greene backed Kelly in the feud, writing, “I wholeheartedly support Megyn Kelly telling the world that Mark Levin has a micropenis. It’s the most deserved insult and I don’t care if it’s vulgar. And Trump’s gigantic defense of Levin only enraged the base more. People are DONE. MAGA destroyed by micropenis Mark Levin.”
Greene had written her comment in response to Kelly defending her rhetoric to far-right influencer Mike Cernovich, who criticized the intra-right battle as a “total distraction to spend hours a week reacting to each other. It’s slave behavior.”
Kelly responded to Cernovich by justifying herself, writing, “Disagree. You can take the high road and ignore for a while but eventually after hundreds of tweets/attacks you punch the bully in the rhetorical face. And then he goes running to daddy about his Micropenis.”
While debates about Israel and the Iran war may engage online pugilists with audiences to entertain, polling shows that the vast majority of Republicans (85 percent) and self-identified “MAGA” supporters (91 percent) back Trump’s decision to bomb the Islamic regime in Iran.
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German Antisemitism Commissioner Leaves the Left Party Over Anti-Israel Stance, Lack of Support Amid Death Threats
Andreas Büttner (Die Linke), photographed during the state parliament session. The politician was nominated for the position of Brandenburg’s antisemitism commissioner. Photo: Soeren Stache/dpa via Reuters Connect
Andreas Büttner, the commissioner for antisemitism in the state of Brandenburg in northeastern Germany, has resigned from the Left Party, citing a rise in antisemitism within the ranks, relentless personal attacks, and a party climate that has become intolerable.
“I struggled with this decision for a long time, as I have felt a deep connection to the party over many years,” Büttner wrote in a letter to the party leadership, as reported by German media.
“But I have reached a point where I must acknowledge that I can no longer remain a member of this party without betraying my own convictions,” he continued.
According to several German media reports, the commissioner, who had been a member of the Left Party since 2015, said he was resigning over the party’s handling of antisemitism, internal expulsion proceedings aimed at removing him, and relentless personal attacks.
“The fight against antisemitism is a task that transcends party lines,” Büttner wrote in his letter. “All the more shocking for me is what I have had to witness within my own party for years.”
He criticized the Left Party’s rejection of the International Holocaust Remembrance Alliance’s (IHRA) definition of antisemitism, noting that the party falsely regards it as a tool to repress protest while continuing to relativize antisemitic rhetoric.
IHRA — an intergovernmental organization comprising dozens of countries including the US and Israel — adopted the “working definition” of antisemitism in 2016.
Since then, the definition has been widely accepted by Jewish groups and lawmakers across the political spectrum, and it is now used by hundreds of governing institutions, including the US State Department, European Union, and United Nations.
In his letter, Büttner also condemned the Left Party in Lower Saxony, a federal state in northwestern Germany, for its position on Zionism, insisting that challenging Israel’s right to exist is unacceptable — especially after the state convention passed resolutions branding Israel a “genocidal state” and an “apartheid state.”
“These resolutions are no longer acceptable to me,” he said.
In recent years, Büttner has faced not only external threats but also a sustained campaign of insults and defamation from members within his own party.
“The way my own party has handled attacks against me is particularly troubling,” Büttner wrote in his letter. “Instead of clear solidarity, I have too often experienced silence.”
Federal party leader Jan van Aken expressed regret over Büttner’s resignation but rejected any accusations of antisemitism within the Left Party, reiterating that the party “stands unequivocally against antisemitism.”
Earlier this year, Büttner endured two personal attacks within a single week, the second escalating into a death threat.
The Brandenburg state parliament received a letter threatening Büttner’s life, with the words “We will kill you” and an inverted red triangle, the symbol of support for the Islamist terrorist group Hamas.
A former police officer, Büttner took office as commissioner for antisemitism in 2024 and has faced repeated attacks since.
In the week prior to this latest attack, Büttner’s private property in Templin — a town approximately 43 miles north of Berlin — was targeted in an arson attack, and a red, inverted Hamas triangle was spray-painted on his house.
According to Büttner, his family was inside the house at the time of the attack, marking what was at the time latest assault against him in the past 16 months.
In August 2024, swastikas and other antisemitic symbols and threats were also spray-painted on his personal car.
Like most countries across Europe and the broader Western world, Germany has seen a shocking rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
According to newly released figures, the number of antisemitic offenses in the country reached a record high in 2025, totaling 2,267 incidents, including violence, incitement, property damage, and propaganda offenses.
By comparison, officially recorded antisemitic crimes were significantly lower at 1,825 in 2024, 900 in 2023, and fewer than 500 in 2022, prior to the Oct. 7 atrocities.
Officials have noted that the real number of antisemitic crimes registered by police is likely much higher, as many do not get reported.