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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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‘Blue Wave’: Israel Expands Diplomatic, Security Ties Across Latin America Amid Shifting Regional Politics
Argentine President Javier Milei speaks during a Plenum session of the Knesset, Israel’s Parliament, in Jerusalem, June 11, 2025. Photo: REUTERS/Ronen Zvulun
A new wave of diplomacy in Latin America has seen several governments adopt a friendlier, more supportive stance toward Israel, deepening bilateral ties that Jerusalem is now leveraging on the global stage while signaling a potential shift in regional political alignments.
In a new interview with Israel’s Channel 12, Amir Ofek, deputy director for Latin America at Israel’s Ministry of Foreign Affairs, explained that the country is undergoing a major shift in its diplomatic engagement across the region, marked by a series of significant developments.
“There have been shifts in countries that were once our allies, and we have faced periods under very critical and challenging governments,” Ofek said. “We respond quickly to these changes, stay in close contact, and we are now beginning to make real progress.”
In a significant regional breakthrough, Israel and Bolivia formally restored diplomatic relations late last year, ending a two-year rupture sparked by the war in Gaza and reopening channels of official dialogue between the two countries.
In December, Bolivian Foreign Minister Fernando Armayo also announced that the country will lift visa requirements for Israeli travelers, a move that Israeli Foreign Minister Gideon Saar praised as helping to “strengthen the human bridge between our peoples.”
Chile and Honduras are also leading the way among other Latin American nations making a striking turn toward Israel
Last year, Chile elected far-right President José Antonio Kast, who promised to reshape the country’s foreign policy toward the Jewish state, overturning the stance of a previously hostile administration.
This year, Honduras also chose a far-right candidate, President Nasry Asfura, who expressed hopes for a “new era” in bilateral relations and stronger ties with Jerusalem.
“The shift in Honduras is part of a broader regional trend: a ‘blue wave’ across Latin American countries that embrace freedom and democracy and align closely with US policy in the region,” Nadav Goren, Israel’s ambassador to Honduras, told Channel 12. “We are in a very optimistic period for Latin America.”
With the official launch of the Isaac Accords by Argentina’s President Javier Milei last year, Israel has been working to expand its diplomatic and security ties across the region, in an effort designed to promote government cooperation and fight antisemitism and terrorism.
Modeled after the Abraham Accords, a series of historic US-brokered normalization agreements between Israel and several Arab countries, this new initiative aims to strengthen political, economic, and cultural cooperation between the Jewish state and Latin American governments.
“Israel offers globally recognized expertise that meets the needs of many countries, covering areas such as agricultural technology, water management, food security, cybersecurity, and innovation. Partners understand that Israel can help propel them forward, even in the context of internal security,” Ofek said.
The first phase of the Isaac Accords will focus on Uruguay, Panama, and Costa Rica, where potential projects in technology, security, and economic development are already taking shape as this framework seeks to deepen cooperation in innovation, commerce, and cultural exchange.
The Isaac Accords will also aim to encourage partner countries to move their embassies to Jerusalem, formally recognize Hamas and Hezbollah as terrorist organizations, and shift longstanding anti-Israel voting patterns at the United Nations.
Less than a year after the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023, Argentina became the first Latin American country to designate the Palestinian Islamist group as a terrorist organization, with Paraguay following suit last year.
Building on a deepening partnership, Saar and Paraguay’s President Santiago Peña also signed a landmark security cooperation memorandum, as the two countries continue to expand their relationship following Paraguay’s move to relocate its embassy to Israel’s capital of Jerusalem in 2024.
“Over the past two very difficult years, our friendship has shown its strength through international forums, mutual cooperation, official visits, and measures against Iran. We have expressed our friendship in meaningful, if sometimes implicit, ways,” Ofek told Channel 12, referring to the country’s growing ties with Paraguay.
In recent years, Latin America has gained strategic importance for Israel as a frontline in countering Iran and its Lebanese proxy Hezbollah, whose growing influence and criminal networks in the region — especially in Venezuela and Cuba — have prompted Jerusalem to expand its diplomatic, security, and intelligence presence.
“For us, this is a circle of allies that recognizes the same threat we face from Iran’s growing influence in the region, and it is only natural to cooperate to halt its expansion,” Ofek said. “We have seen firsthand how damaging this is, particularly in the context of attacks on Israeli and Jewish targets.”
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Australian Nurses Plead Not Guilty Over Viral Video Threatening to Kill Israeli Patients
Sarah Abu Lebdeh, 27, and Ahmad Rashad Nadir, 28, face criminal charges in Australia for statements made in an online video in February 2025 in which they allegedly threatened Israelis, prompting nationwide bans from treating patients. Photo: Screenshot
Two nurses in Australia who were charged over a viral video in which they allegedly threatened to kill Israeli patients pleaded not guilty during their arraignment on Monday.
Sarah Abu Lebdeh, 27, and Ahmad Rashad Nadir, 28, previously worked at the Bankstown-Lidcombe Hospital in Sydney until appearing on a video with Israeli social media personality Max Veifer in February 2025.
The footage, which circulated widely, featured Abu Lebdeh stating she would refuse to treat an Israeli patient and would instead kill them, while Nadir used a throat-slitting gesture when he confessed to having already killed many.
“It’s Palestine’s country, not your country, you piece of s—t,” Lebdeh told Veifer.
“One day your time will come, and you will die the most disgusting death,” she added.
Veifer began asking the two during a night shift discussion how they would respond if an Israeli seeking treatment landed in their hospital. Abu Lebdeh, preempting the question, interrupted: “I won’t treat them. I’ll kill them.”
Nadir interjected: “You have no idea how many s—t dog Israelis came to this hospital,” and using a throat-slitting gesture, continued, “I sent them to Jahannam,” the Islamic word for hell.
The video went viral and sparked global outrage, prompting a two-year nationwide suspension to prevent them from continuing to treat patients.
Abu Lebdeh was charged with federal offenses, including threatening violence against a group and using a carriage service to threaten, menace, and harass.
Nadir was also charged with federal offenses, including using a carriage service to menace, harass, or cause offense, as well as possession of a prohibited drug.
Speaking before Judge Stephen Hanley at Downing Center District Court in Sydney, Abu Lebdeh appeared “with tears streaming down her face,” according to Australia’s Sky News.
The Australian reported last year that Lebdeh has expressed remorse and is now experiencing extreme anxiety. An uncle told a journalist that she “will come out and make a statement when she’s ready, but you can’t talk to her now because she’s having a panic attack, an anxiety attack. We might be calling the ambulance for her.”
Lawyer Zemarai Khatiz represents Nadir and confirmed to Sky News that the defense strategy would seek to make the video inadmissible in court.
“It will be, yes,” Khatiz stated before declining to elaborate. “You will have to just wait until the first of June when the applications are heard.”
The video drew international attention, with Israel’s deputy minister of foreign affairs, Sharren Haskel, demanding action.
“There needs to be an investigation immediately into these two Australian medical professionals who are saying they will kill Israeli patients – and suggesting that they already have,” Haskel posted on social media after the video was released. “They are expressing criminal intent towards Jewish people; this must be stopped.”
Haskel went on to declare antisemitism “a disease that is spreading in Australia,” arguing the nurses should be fired and their behavior must “be treated with the highest consequences under the law.’”
“They have broken the Hippocratic Oath,” the diplomat continued. “They have talked about killing Jews, they show the true racism and hate that the Australian Jewish community is currently enduring.”
A US-born Jewish woman who moved from Israel to Australia six years ago told The Algemeiner last year that she no longer feels safe in hospitals given the atmosphere of heightened antisemitism.
“In the past year alone, my little boy has witnessed many hostile protests where ‘anti-Zionists’ have actually come into the Jewish community without permits to intimidate us. Time and time again, instead of [authorities] dispersing and arresting anyone in the crowd for screaming racial slurs and threats, Jews are asked to evacuate and told if they don’t run away, they are inciting violence,” the woman said.
“Now they actually brag online about killing Israeli patients,” she continued, referring to the case in Australia. “I don’t know how safe I would feel giving birth at that hospital.”
Following the video’s exposure and international condemnation, a group of 50 Muslim leaders and organizations came together in defense of Abu Lebdeh and Nadir. “This statement is not about defending inappropriate remarks,” the coalition wrote in a letter. “It is about pushing back against the double standards and moral manipulation at play while the mass killing of our brothers and sisters in Gaza is met with silence, dismissal, or complicity.”
The district court scheduled the suspended nurses’ trial for Aug. 31 with an anticipated five days of arguments and deliberations. A pre-trial hearing will take place on June 1.
The charges against Abu Lebdeh and Nadir reflect a global trend that has emerged since the Oct. 7, 2023, Hamas-led invasion of and massacre across southern Israel wherein medical practitioners come under scrutiny or even legal prosecutions following the exposure of antisemitic statements and behavior.
One notable case drawing attention involved Dr. Rahmeh Aladwan, a trainee trauma and orthopedic surgeon, who British police arrested on Oct. 21, charging her with four offenses related to malicious communications and inciting racial hatred. In November, she was suspended from practicing medicine in the UK over social media posts denigrating Jews and celebrating Hamas’s terrorism. She also described London’s Royal Free Hospital as “a Jewish supremacy cesspit” and declared her belief that “over 90% of the world’s Jews are genocidal.”
That same month, UK Health Secretary Wes Streeting called it “chilling” that some members of the Jewish community fear discrimination within the National Health Service (NHS)., amid reports of widespread antisemitism in Britain’s health-care system.
British Prime Minister Keir Starmer unveiled a new plan in October to address what he described as “just too many examples, clear examples, of antisemitism that have not been dealt with adequately or effectively” in the NHS.
Another notable incident occurred in September, when a Belgian doctor reportedly listed “Jewish (Israeli)” as a medical problem in a child’s report.
Jewish writer Jonath Weinberger, a dual Belgian-Israeli citizen living in Amsterdam, recounted an episode in November about a nurse denying her medical care after refusing to remove a pro-Palestinian button
In Argentina, a Buenos Aires doctor received a suspension following a social media post in which he wrote about Jews that “instead of performing circumcision, their carotid artery and main artery should be cut from side to side.”
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‘Don’t be a wimp’: Josh Shapiro, Philly DA Larry Krasner spar over ICE-Nazi comparisons
(JTA) — The Jewish governor of Pennsylvania this week rebuked one of his state’s most visible elected officials for comparing ICE officers to Nazis, leading to a protracted war of words between the two men.
The spat between Josh Shapiro and Philadelphia District Attorney Larry Krasner, Democrats with a long-running rivalry, comes amid a rise in such incendiary comparisons used to describe weeks of chaotic Immigration and Customs Enforcement activity.
Minnesota Gov. Tim Walz recently invoked Anne Frank when discussing ICE, and was criticized by the U.S. Holocaust Memorial Museum, among others. Celebrities like Bruce Springsteen and Stephen King have also compared ICE to the Gestapo. Some Jews, including those with connections to the Holocaust, have also made such comparisons as ICE’s behavior in the streets of Minneapolis and other cities has become more aggressive and deadly.
For Shapiro, such waters are proving especially difficult to navigate. Shapiro holds higher office aspirations and has become more vocal in his criticisms of ICE in recent days while also saying his office is more open to collaboration with agents.
The fight began last week when Krasner, a pugilistic progressive prosecutor, called ICE “a small bunch of wannabe Nazis” at a rally amid speculation that ICE could turn its attentions to his city. Then, musing about when Trump’s term ends, Krasner likened his own office to Nazi hunters like Simon Wiesenthal.
“If we have to hunt you down the way they hunted down Nazis for decades, we will find your identities, we will find you, we will achieve justice and we will do so under the Constitution and the laws of the United States,” he said.
Shapiro, in response, called Krasner’s comments “abhorrent” and “wrong, period.”
“We need to bring down the rhetoric, bring down the temperature, and create calm in the community,” the governor said in an interview with Fox News’ Bret Baier.
Other state officials, including Democratic Pennsylvania Sen. John Fetterman, who has vocally allied with the pro-Israel Jewish community, also condemned Krasner’s remarks. So did the White House, whose press secretary Karoline Leavitt shared video of Krasner’s comments and asked, “Will the media ask Dems to condemn?”
That didn’t deter Krasner, the son of an Evangelical minister mother and Russian Jewish crime novelist father who enlisted to fight Nazis in World War II. Instead of “bringing down the temperature,” the DA, who does not identify as Jewish, escalated.
“Gov. Shapiro is not meeting the moment,” Krasner told the Philadelphia Inquirer Tuesday. “The moment requires that we call a subgroup of people within federal law enforcement — who are killing innocent people, physically assaulting innocent people, threatening and punishing the use of video — what they are.”
He added, “Just say it. Don’t be a wimp.”
The interview came days after Krasner doubled down on ICE-Nazi comparisons during a CNN appearance, when he also claimed that white supremacists had threatened him with the gas chamber.
“There are some people who are all in on a fascist takeover of this country who do not like the comparisons to what happened in Nazi Germany,” Krasner told Kaitlan Collins on Thursday. “The reality is, they’re taking almost everything they do out of the Nazi playbook. And I say that as the son of a volunteer who served in World War II, who explained his experiences to me.”
Speaking to the Inquirer, Crasher went on to quote Rabbi Joachim Prinz, who fled Nazi Germany for the United States, became a civil rights and Zionist activist, and delivered a famous speech entitled “The Problem of Silence” at the March on Washington in 1963.
“Bigotry and hatred are not the most urgent problem,” the DA quoted Prinz. “The most urgent, the most disgraceful, the most shameful, and the most tragic problem is silence.”
Krasner continued, “A reminder, Mr. Governor: Silence equals death.” Referring to ICE, he said, “These are people who have taken their moves from a Nazi playbook and a fascist playbook.”
The two men have longstanding differences, and it’s not the first time Nazis have come between them. In 2019, when Shapiro — then the state’s attorney general — hired away some of Krasner’s staff, Krasner and his remaining staff referred to them as “war criminals” and joked that they had fled to “Paraguay” (a country that housed fleeing Nazis after World War II). The joke received pushback at the time from the Anti-Defamation League.
Jews have been caught up in the fight against ICE in a myriad of ways. On Tuesday, the Washington Post reported that a British Jewish immigrant to suburban Philadelphia was subpoenaed by the Department of Homeland Security. Identified in reports only as Jon, the former Soviet Jewry activist had written a critical email to a federal prosecutor about his handling of an Afghan immigration case.
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