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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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Israel Defends Move to Restrict NGOs in Gaza Amid Concerns of Hamas Exploitation
A Palestinian carries aid supplies that entered Gaza, amid a ceasefire between Israel and Hamas in Gaza, in Zawaida in the central Gaza Strip. Photo: REUTERS/Mahmoud Issa
Amid international criticism over its latest humanitarian oversight measures in Gaza, the Israeli government is moving forward with its policy requiring NGOs to maintain proper registration in order to operate in the enclave, aiming to ensure aid reaches civilians safely while preventing its exploitation for terrorist purposes.
According to a statement from the Israeli Foreign Ministry on Tuesday, 37 international non-governmental organizations that failed to renew their registration will no longer be allowed to operate in the Gaza Strip and the West Bank starting Jan. 1.
After being notified of the registration requirement in March and given nearly 10 months to comply, the organizations that failed to meet the deadline were informed that their authorization would end on Thursday, with an orderly withdrawal required by March 1, 2026.
While international media has repeatedly accused Israel of unfairly and illegally targeting humanitarian NGOs, Israeli officials have long argued that many of these groups have been infiltrated and manipulated by Hamas, the Palestinian terrorist group that has ruled Gaza for nearly two decades.
The Israeli government is now moving forward with its latest initiative, defending the policy as officials work to reform a system that has long been exploited for terrorist purposes.
“A hostage was raped by her doctor. Another hostage, Noa Marciano, was murdered by a doctor who injected air into her veins. Both in Al-Shifa Hospital in Gaza where International NGOs were operating at the time,” the Israeli Foreign Ministry wrote in a post on X, referring to two of the Israelis who were kidnapped by Hamas-led Palestinian terrorists during their Oct. 7, 2023, invasion of and massacre across southern Israel.
“The idea that Israel will not do due diligence on employees of International NGOs is simply unacceptable. Get your act together, submit the application, provide requisite information and do the work you aspire to do,” the statement read.
A hostage was raped by her doctor. Another hostage, Noa Marciano, was murdered by a doctor who injected air into her veins. Both in Al-Shifa Hospital in Gaza where International NGOs were operating at the time.
The idea that Israel will not do due diligence on employees of… pic.twitter.com/LkNIeQcfnK
— Israel Foreign Ministry (@IsraelMFA) December 31, 2025
According to the Israeli body responsible for coordinating aid deliveries to Gaza, the Coordination of Government Activities in the Territories (COGAT), the suspended organizations provide less than 1 percent of total aid, which will continue through NGOs holding valid permits.
“The message is clear: Humanitarian assistance is welcome – the exploitation of humanitarian frameworks for terrorist purposes is unacceptable,” Israeli Minister of Diaspora Affairs and Combating Antisemitism Amichai Chikli said in a statement. “Israel will continue to protect its sovereignty, its citizens, and the integrity of humanitarian action.”
Among the international organizations reportedly banned are multiple branches of Doctors Without Borders and Oxfam, the Danish and Norwegian Refugee Councils, Caritas Internationalis, the Quaker-founded American Friends Service Committee, and the International Rescue Committee.
As a safety measure to block NGO workers with ties to terror groups, the government’s new rules require nonprofit organizations to submit detailed records of their operations, including the names of all foreign and Palestinian employees and their passport and personal identification numbers.
The resolution also establishes an inter-ministerial team to review NGO applications and deny registration for various reasons, including denying Israel’s right to exist, promoting delegitimization campaigns, calling for boycotts against the Jewish state, or engaging in other disqualifying activities.
NGOs must be transparent about their personnel and funding sources.
23 international NGOs – including organizations from the United States, United Kingdom, Germany, and France – have been approved and are operating in the Gaza Strip.
Humanitarian assistance to Gaza continues… pic.twitter.com/o0psjCNOVD
— Israel Foreign Ministry (@IsraelMFA) December 31, 2025
Amid a fierce international campaign against the Israeli government’s latest initiative, the foreign ministers of the United Kingdom, Canada, Denmark, Finland, France, Iceland, Japan, Norway, Sweden, and Switzerland issued a joint statement earlier this week warning of a “catastrophic” situation if nonprofits are not allowed to operate in Gaza in a “sustained and predictable” manner.
“As Dec. 31 approaches, many established international NGO partners are at risk of being deregistered because of the government of Israel’s restrictive new requirements,” the statement read.
“As winter draws in, civilians in Gaza are facing appalling conditions with heavy rainfall and temperatures dropping,” it continued.
As world powers outline multi-billion-dollar plans to rebuild Gaza after the war, recently obtained documents reveal that Hamas has long run a coordinated effort to penetrate and influence NGOs in the war-torn enclave — contradicting years of denials from major humanitarian organizations.
Last month, NGO Monitor — an independent Jerusalem-based research institute that tracks anti-Israel bias among nongovernmental organizations — released a new study revealing how Hamas has for years systematically weaponized humanitarian aid in Gaza, tightening its grip over foreign NGOs operating in the territory and exposing patterns of complicity and collaboration that contradict the groups’ persistent denials.
According to dozens of internal Hamas documents, the Islamist group’s officials designated specific points of contact with “highly respected” international NGOs, including Doctors Without Borders, Oxfam, Save the Children, and the Norwegian Refugee Council.
Referred to as “guarantors,” these Hamas-approved senior officials at each NGO allowed the terrorist group to closely oversee activities, influence decision-making, and circumvent restrictions imposed by some Western governments on direct engagement with Hamas.
With NGOs in Gaza — both local and international — required to secure Hamas’s approval to provide services and run projects, the report shows the group wields veto power over humanitarian operations, allowing it to control, manipulate, and exploit aid to advance its political and military objectives.
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Mamdani Sworn In as Mayor of New York, City’s Jews Prepare for Uncertain Future
New York City Mayor Zohran Mamdani delivers a speech during his inauguration ceremony in New York City, US, Jan. 1, 2026. Photo: REUTERS/Kylie Cooper
Zohran Mamdani was sworn in just after midnight on New Year’s Day as the next mayor of New York City, ushering in a new era of anti-Zionist leadership in a city home to the world’s largest Jewish community outside of Israel.
Mamdani, 34, took the oath of office early Thursday morning in a private ceremony at the decommissioned Old City Hall subway station, a location selected to highlight his focus on public transit and working-class New Yorkers. New York Attorney General Letitia James administered the oath shortly after midnight, formally ushering in the tenure of Mamdani.
Placing his hand on a Qur’an, Mamdani became the first Muslim mayor in New York City history, as well as the first mayor of South Asian descent and one of the youngest ever to hold the office. Supporters hailed the moment as a watershed moment for the city’s Muslim community, while some Jewish organizations emphasized the need for the new administration to demonstrate a clear commitment to combating antisemitism at a time of heightened concern.
In brief remarks after taking office, Mamdani said his administration would focus on affordability, unity, and delivering for everyday New Yorkers, signaling continuity with the populist economic themes that defined his campaign.
Zohran Mamdani is sworn in as mayor of New York City at Old City Hall Station, New York, US, Jan. 1, 2026. Photo: Amir Hamja/Pool via REUTERS
A larger public swearing-in ceremony took place on Thursday afternoon on the steps of City Hall, with appearances by fellow democratic socialists US Sen. Bernie Sanders, who presided over the ceremony, and US Rep. Alexandria Ocasio-Cortez. During his remarks, Mamdani, a Democrat, doubled down on his progressive agenda, vowing to pursue a range of lofty campaign promises and govern “expansively and audaciously.”
Mamdani’s rise has been closely followed within Jewish and pro-Israel circles, particularly given his fierce criticism of Israel and association with fringe anti-Zionist figures and movements. Jewish communal leaders, wary of the new mayor, have stressed they will judge him by his actions in office, including how he addresses antisemitic incidents, protects Jewish institutions, and engages with the city’s Jewish residents.
Mamdani, a far-left democratic socialist and avowed anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has made anti-Israel activism a cornerstone of his political career and been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.
Mamdani will assume the mayorship amid an alarming surge in antisemitic hate crimes across New York City.
Jews were targeted in the majority (54 percent) of all hate crimes perpetrated in New York City in 2024, according to data issued by the New York City Police Department (NYPD). A new report released on Wednesday by the New York City Mayor’s Office to Combat Antisemitism, which was established in May, noted that figure rose to a staggering 62 percent in the first quarter of this year, despite Jewish New Yorkers comprising just 11 percent of the city’s population.
Since securing the election, Mamdani has stressed a commitment to forcefully combatting antisemitism while in office. However, a recent report released by the Anti-Defamation League (ADL) revealed that at least 20 percent of Mamdani’s transition and administrative appointees have either a “documented history of making anti-Israel statements” or ties to radical anti-Zionist organizations that “openly promote terror and harass Jewish people.”
Among these groups are Students for Justice in Palestine (SJP), Jewish Voice for Peace (JVP), and Within Our Lifetime (WOL), all of which routinely glorify the Palestinian terrorist group Hamas, harass Jewish students on campus, and stage protests outside synagogues.
According to the ADL, Mamdani’s appointees include individuals who have promoted classic antisemitic tropes, vilified supporters of Jewish self-determination, sought to undermine the legitimacy of Israel, expressed sympathy for Hamas, and celebrated the Oct. 7, 2023, massacre carried out by the Iran-backed terrorist group. Several appointees were also flagged for alleged connections to Nation of Islam leader Louis Farrakhan, who has compared Jews to termites, described Judaism as a “dirty religion,” called the Jewish people “Satan,” publicly questioned the Holocaust, shared anti-Israel conspiracy theories, and blamed Jews for pedophilia and sex trafficking. Others, according to ADL, dismissed reports of Hamas atrocities as “propaganda” or publicly justified the Oct. 7 atrocities as a form of justified “resistance.”
Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.
A Sienna Research Institute poll released in early November revealed that a whopping 72 percent of Jewish New Yorkers believe that Mamdani will be “bad” for the city. A mere 18 percent hold a favorable view of Mamdani, according to the results, while 67 percent view him unfavorably.
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Yemen’s Aden Airport Shuts as Saudi-UAE Rift Deepens
Passengers wait for their flights at Aden Airport in Aden, Yemen, Jan. 1, 2026. Photo: REUTERS/Fawaz Salman
Flights at Yemen’s Aden international airport were halted on Thursday, the latest sign of a deepening crisis between Gulf powers Saudi Arabia and the United Arab Emirates, whose rivalry is reshaping war-torn Yemen.
At the airport — the main international gateway for parts of Yemen outside Houthi control — passengers crowded the terminal, waiting for updates on their flights.
Later on Thursday, Yemeni sources said flights between Aden and all destinations outside the UAE would resume, though Reuters was unable to confirm that immediately.
Air traffic was shut down due to a row over curbs on flights to the UAE, though there were contradictory accounts of exactly what had happened and who was responsible.
Awadh al-Subaihi said he had been waiting at the airport for a flight to Cairo for medical treatment. “We are suffering, and many other patients and elderly people here are waiting in a difficult situation,” he said.
The UAE backs the separatist Southern Transitional Council (STC) that seized swathes of southern Yemen from the internationally recognized government last month.
Saudi Arabia, which backs the government, regarded that move as a threat, triggering the biggest crisis between it and Gulf neighbor the UAE in decades.
The UAE-backed STC controls the transport ministry in the internationally recognized coalition government, whose main leadership is supported by Saudi Arabia.
The ministry accused Saudi Arabia in a statement of imposing an air blockade, saying Riyadh had instituted measures requiring all flights to go via Saudi Arabia for extra checks.
It added that when it objected to this, Saudi Arabia had clarified that the restriction was only on flights between Aden and the UAE.
DISAGREEMENT OVER WHO IS RESPONSIBLE
A Saudi source denied any involvement in restricting flights, adding that Yemen’s own internationally recognized government had imposed the requirement on flights between Aden and the UAE in order to curb escalating tensions.
The Saudi source added that the southern-controlled ministry had then responded by ordering a full shutdown of air traffic rather than comply with the restrictions on flights to and from the UAE.
An official source at the transport minister’s office denied this, saying the minister had not issued any decisions to close the airport.
Reuters could not immediately reach the leadership of the internationally recognized government, which has been in Saudi Arabia since the STC seized swathes of the south last month, for comment on the airport closure and flight restrictions.
The UAE Foreign Ministry did not immediately reply to a request for comment on the airport closure.
The tussle is the latest in a deepening crisis in Yemen that has exposed a deep rift between the two Gulf oil powers.
Saudi Arabia this week accused the UAE of pressuring Yemen’s STC to push towards the kingdom’s borders and declared its national security a “red line,” prompting the UAE to say it was pulling its remaining forces out of Yemen.
That followed an airstrike by Saudi-led coalition forces on the southern Yemeni port of Mukalla that the coalition said was a dock used to provide foreign military support to the separatists.