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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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Antisemitism is exploding on the right but the Jewish establishment is focused on the left
America’s antisemitism watchdogs are committing institutional malpractice.
While antisemitism explodes on the right, including throughout the Trump administration and popular right-wing online spaces, anti-antisemitism organizations are disproportionally focusing on left-wing anti-Zionists and Muslim politicians, minimizing if not ignoring white supremacists, Holocaust deniers, and Christian nationalists — many of whom are active in Republican political circles.
And now, with the release of the latest batch of Epstein files and the start of the Iran War, what was already an epidemic has become a plague. As the Forward’s Arno Rosenfeld has discussed at length, the incoherent rationales for the war have led many to the conclusion (mostly incorrect, in my view, though not without some basis) that America has been pushed into fighting Israel’s war — a view that slides quickly into antisemitic conspiracy theories on both the right and the left, as well as antisemitic ”revenge” attacks by Islamists, Muslims, or other Arabs, like the attempted murders at Temple Israel in West Bloomfield, Michigan, last week.
Our communal institutions are failing us. Antisemitism can be found all across the political spectrum, yet as the ADL convenes its annual “Never is Now” conference today, its agenda is and newsfeed are disproportionately focused on the left. Our community needs to engage in some serious soul-searching. And change course.
Almost two-thirds of young conservatives hold antisemitic views
It is shocking to learn how pervasive antisemitic views are among young conservatives, including many working for the government.
A November 2025 study by the conservative Manhattan Institute (not some left-wing org) found that “nearly four in ten in the current GOP (2024 Trump voters plus registered Republicans) believe the Holocaust was greatly exaggerated or did not happen as historians describe. Younger men are especially likely to hold this view (54% of men under 50 vs. 39% of women under 50).” (Interestingly, 77% of Hispanic GOP voters held this view, compared with 30% of white GOP voters.)
In another poll, 64% of young conservatives aged 18-34 agreed with at least one antisemitic statement in a survey. That is absolutely astonishing.
Here’s an even more chilling story. Also last November, Rod Dreher, the post-liberal, far-right conservative thinker, reported on a trip to Washington, D.C. (meeting with Viktor Orban and JD Vance, discussing “the survival of Christianity in Europe”) in his Substack newsletter. After meeting with a number of conservatives in the Trump administration, Dreher wrote:
The claim that I first floated in this space last week, quoting a DC insider who said that in his estimation, “between 30 and 40 percent” of the Zoomers who work in official Republican Washington are fans of Nick Fuentes — that’s true. Was confirmed multiple times by Zoomers who live in that world…. Even young Christians — especially trad Catholics, I learned — are neck-deep in antisemitism. They even use it as a litmus test of who can and can’t join their informal social groups.
Dreher speculated that a number of factors caused this phenomenon, including the losses of economic opportunity, trust in institutions and “common culture.” He continued:
[T]he issue of antisemitism on the young right is much deeper than I had guessed… [A] lot of this is reaction to how Jewish organizations like the ADL have policed speech critical of Israel, and of anything to do with Jews, so heavily over the decades that they have caused intense resentment among the Gentile Zoomercons. One man told me that for as long as he has been in politics, any criticism of Israel got you tagged as an antisemite, and that was a potential career-killer. So his generation has come to hate that, and to cease caring about the opinions of Jews.
Again, Dreher is not hostile to the right; he is part of it. But what he sees within his own movement shocks him. And this was before the Iran War. Dreher concludes:
The Groyper thing is real. It is not a fringe movement, in that it really has infiltrated young conservative Washington networks to a significant degree…. Irrational hatred of Jews (and other races, but especially Jews) is a central core of it. This is evil.
I encourage you to read the whole post. I disagree with almost all of Dreher’s ideological positions, but his serious confrontation with this crisis is a model of honest reflection. I would also recommend reading the work of journalist John Ganz, who has written powerfully of the nihilistic, antisemitic Groyper phenomenon and its significance within the GOP.
To be sure, there is antisemitism on the left as well. But there is absolutely no analogue to the scope of right-wing antisemitism and its proximity to power. Here are a few specific examples.
- Kingsley Wilson has served as the Department of Defense press secretary since May 2025. Less than a year prior, she replied to an ADL post commemorating the lynching of Leo Frank that “Leo Frank raped & murdered a 13-year-old girl,” a noxious lie that circulates in the antisemitic underbelly of the internet — strong evidence that she spends a lot of time in such spaces. Last March, Rep. Ritchie Torres wrote to Hegseth demanding Wilson’s firing, describing her social media posts as a “minefield of antisemitic rhetoric, white nationalist conspiracies, and pro-Kremlin propaganda.” Instead, Hegseth promoted her.
- Paul Ingrassia, currently acting general counsel of the General Services Administration, had been tapped to lead the Office of General Counsel until Politico exposed comments he made in a group chat including “I do have a Nazi streak in me from time to time, I will admit it.” On X (the post has since been deleted), Ingrassia called Fuentes “a real dissident of authoritarianism.”
- Other examples are the often nameless staffers running the social media accounts of the Department of Homeland Security, the White House, and other departments. As has now been well documented, these accounts routinely post images and slogans taken from Neo-Nazi and white supremacist communities like “One Homeland. One People. One Heritage” posted by the Department of Justice, “We’ll Have Our Home Again” posted by DHS, variations of “Which Way Western Man?” (a 1978 book claiming a conspiracy by “World Jewry” against the “Western Man”) and many posts (too many to be coincidence) exactly 14 words long, a probable reference to David Lane’s white supremacist “Fourteen Words” slogan. (The ADL has a database of such references online.) These are both dogwhistles to the extreme right and evidence that these staffers are swimming in the ultra-nationalist swamp.
- And then there are the Young Republican group chats, which somehow keep turning up across the country filled with abject racism, sexism, homophobia and antisemitism. For example, a pile of Telegram chats among Young Republican leaders in New York, Kansas, Arizona and Vermont (once again obtained by Politico) included, among hundreds of lines of abject racism, posts like “I was about to say you’re giving national [leaders] to [sic] much credit and expecting the Jew to be honest” and various jokes about gas chambers.
And that’s not even including Elon Musk, whatever his statements or hand gestures may mean.
To be clear, there are many Jewish voices on the right who have spoken out, including Laura Loomer and Ben Shapiro. So has Trump, who after all has many Jews in his family (even as he often traffics in antisemitic stereotypes about money). But they haven’t made the problem go away, and it’s not at all clear that they even represent the Republican majority anymore. What happens after Trump leaves the political stage?
Meanwhile, other Republican leaders have explicitly rejected calls to isolate or condemn the antisemites. Shapiro, for example, has called out Megyn Kelly for refusing to condemn Fuentes and Owens. And when conservative pundit Scott Jennings asked Vice President Vance, “Does the conservative movement need to warehouse anybody out there espousing antisemitism in any way?” he replied, “No it doesn’t, Scott.” While Vance did also say “I think we need to reject all forms of ethnic hatred, whether it’s antisemitism, anti-Black hatred, anti-white hatred,” that is a toothless statement if he refuses to take any action against those who express it.
So, they remain in office. Carlson, meanwhile, remains welcome at leading conservative institutions like Turning Point USA and the Heritage Foundation, despite a long torrent of antisemitic rhetoric, most recently blaming Chabad Lubavitch for the Iran war, which would be merely ludicrous were it not also exceedingly dangerous. (For good measure, Carlson has recently platformed not only Holocaust deniers but 9/11 “Truthers” who say that Israel was behind the terrorist attacks.)
Antisemitism is intrinsic to right-wing nationalism
This isn’t just a matter of a few bad apples. This is a massive, systemic trend. It is part of the rise of ethno-nationalism, Christian Nationalism, National Conservatism and the triumph of Pat-Buchanan-style America First politics. Despite the efforts of people like Loomer and Shapiro, and prominent Jewish NatCons like Yoram Hazony, it is impossible to somehow surgically remove antisemitism from that politics while leaving the anti-immigrant, anti-feminist, and racist strands in place — as Hazony appears to have recently found out. (“I’ve been pretty amazed by the depth of the slander of Jews as a people that there’s been online the last year and a half,” he said at this year’s NatCon conference. “I didn’t think it would happen on the right. I was mistaken.”)
Antisemitism is not incidental to the nationalistic worldview that is ascendent in the Republican Party; it is essential to it. As Ilya Somin recently wrote in the Unpopulist newsletter:
Nationalism doesn’t just historically correlate with bigotry — it consistently drives antisemitism and other racial and ethnic prejudices. Indeed, nationalism intensifies preexisting antisemitic impulses. To the degree that today’s conservatives decide to embrace — or even just make peace with — nationalism and dispense with the universalist liberal principles of the American Founding, they will find it difficult to impossible to stem the spread of antisemitism in their midst.
Antisemitism is also an integral part of the right-wing internet. The most popular podcaster of all, Joe Rogan, recently hosted conspiracy theorist Ian Carroll, a vicious antisemite who, according to reporting in this publication, “wrote last year that the U.S. was ‘controlled by an international criminal organization that grew out of the Jewish mob and now hides in modern Zionism behind cries of ‘antisemitism’ and claimed Jews control the media; and said that Israel had manipulated the Holocaust for its own gain.” (He also platformed Jake Shields, an MMA fighter-turned-far-right commentator who had said the previous month when he was on the show that Jews control America.)
And Rogan is just the tip of the spear. Andrew Tate routinely spouts antisemitic rhetoric with no corollary anywhere on the left. Influencer Nick Shirley just posted supportively of an antisemitic video by fellow influencer Tyler Oliveira. Right-wing conspiratorial antisemitism is taken for granted in the looksmaxxing and incel worlds. The Great Replacement theory (“Jews will not replace us!”) is routinely embraced on right-wing news media channels. Unambiguous, full-throated right-wing antisemitism is just part of the vibe.
But the ADL has been too busy worrying about Zohran Mamdani’s wife’s political views.
How is this happening?
Why, with an entire Jewish communal infrastructure dedicated to fighting antisemitism, are we failing to focus on the most troubling manifestations of the crisis? Why are our legacy organizations getting it so wrong?
There are several answers to those questions.
The first is obvious: hardline pro-Israel donors have distorted organizational priorities, directing resources and attention to what offends them personally, rather than what poses the greatest threat to Jewish safety. Their motivations may be sincere; clearly many organizational leaders are sincerely dismayed by anti-Zionism, and due to their own emotional connections to Israel and Zionism, they may sincerely experience it as antisemitism. But now, much of the Jewish establishment has concluded that harsh criticisms of Israel, and certainly anti-Zionist ones, are not wrongheaded political views but expressions of antisemitic bigotry. And that has warped organizational priorities and resource allocation decisions.
Again, it’s not that antisemitism does not exist on the anti-Zionist left: It does. And, of course, there is antisemitic violence perpetrated by anti-Zionists motivated by animus toward the State of Israel; we have seen that this week. But the overwhelming majority of that violence is committed by Islamists and terrorists, not campus protesters or obnoxious writers, artists and publishers. Yet the Jewish Establishment continues to paint with a broad brush, lumping together activists with principled objections to Zionism (as they understand or misunderstand it) with murderers and bigots targeting Jews with violence. There is no left-wing equivalent of the world Dreher describes, or the candidacy of James Fishback in Florida, or the popularity of Joe Rogan. And, love him or hate him, Mayor Zohran Mamdani repeatedly, vociferously condemns antisemitism even as he holds views on Israel that are well to the left of many American Jews.
Second, obviously, many of the leading donors to Jewish establishment organizations are either Republicans themselves, or so strongly supportive of the Netanyahu government that they would prefer to trade the American Jewish birthright for the porridge of Greater Israel. Yes, they might concede, right-wing antisemitism is a problem, but plenty of Republicans are against it and the benefits of aligning with the Trump regime – for Israel, for their conservative moral values, or for their own pocketbooks — outweigh the costs.
Whether that is correct or not is impossible to say. But I would suggest, broadly speaking, that ethno-nationalism rarely turns out well for the Jews. The neocons and fiscal conservatives are not in charge anymore, and the MAGA movement’s nationalist-antisemitic monster cannot be contained once it is unleashed. As I fear that today’s coddlers of the party’s antisemitic wing will, one day, look as misguided as those who minimized the threat of nationalists in the past.
It’s also clear that some of our leaders (mostly Boomers or Gen-Xers) are often simply clueless about online culture. They seem not to even know the language. They may now know what a groyper is. But how about goyslop? Agartha? “Noticing”? 14:88? Have these donors ever been on Discord? Scrolled through TikTok? Watched Joe Rogan? Seen what happens to your YouTube feed when you watch a single video featuring conspiratorial content or a manosphere influencer?
Antisemitism is everywhere online, abetted by social media algorithms that are somehow immune to regulation. And if you don’t believe that matters, consider how Gamergate, Pepe the Frog, QAnon, and other online content moved into the mainstream and helped put Donald Trump in the Oval Office. Now imagine that happening with a figure who is closer to Fuentes or Fishback than Trump.
Of course, the ADL as an organization is aware of these phenomena; I’ve cited their own work several times in this article. But if you browse through the speakers at “Never is Now,” or peruse the ADL’s recent press releases, you will quickly see that the threat from the right is given far less prominence than the threat (real and perceived) from the left. The institutional knowledge is there, but the institutional priorities are disordered.
Worst of all, not only is the Antisemitism Industrial Complex failing to focus on the most dangerous forms of antisemitism, many of its efforts are making matters worse — including in the last few weeks.
First, by counting all anti-Zionist protests as antisemitic incidents, the ADL has destroyed its credibility as an objective monitor of antisemitism, making it much harder to track; we no longer have reliable data.
Second, by terrifying thousands, perhaps millions, of Jewish people — including many friends of mine — this emphasis on left-wing antisemitism obscures the more serious threats from white nationalists, Islamists, terrorists, and others who commit acts of violence.
And third, the Jewish establishment has imposed a hyper-woke regime of censorship in which statements in support of Palestine, or in opposition to Israel, or in opposition to Israel’s role in the Iran War, are deemed to be bigotry that merits permanent cancellation. (I have experienced this myself as well.) As Dreher noted, this only makes matters worse, as both conservatives and progressives can see that political speech is being censored by Jewish elites with significant political power — which is exactly what their antisemitic conspiracy theories tell them.
Obviously, it is not the case that if the Jewish community were to do or say a certain thing, antisemitism would disappear. Bigotry never disappears. But the question is not a binary one of existence or non-existence, but one of scope, size, and proximity to power. By way of analogy, racism will also probably never disappear, but when abject racism is espoused by government officials and leading cultural figures, that is measurably worse than when it is consigned to the margins. And that is precisely what has happened with antisemitism.
The anti-antisemitism world has become an echo chamber obsessed with left-wing anti-Zionism, while nationalist antisemitism is now widespread among young Republican activists and online influencers. I only hope our leaders change course before it is too late.
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‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards
At last year’s Academy Awards, Anora — a frenetic, somewhat ambiguously Jewish look at a Jewish enclave of New York, took home best picture, original screenplay, director and actress for its Jewish lead Mikey Madison. This year, we have a film that feels, in some ways, quite parallel, while cranking the Yiddishkeit to 11: Josh Safdie’s breathless picaresque Marty Supreme, set on the Lower East Side, is up for best picture and its star, Timothée Chalamet is a favorite for best actor.
There’s also Blue Moon, Richard Linklater’s portrait of Jewish lyricist Lorenz Hart’s breakup with composer Richard Rodgers (Ethan Hawke is up for best actor). And One Battle After Another, a campy and absurdist satire about the infiltration of white supremacists in the U.S. government, is poised to have a massive night, with the blockbuster Sinners serving as its main competition.
That all goes to say that it’s another great year for Jewish stories at the Oscars, with some really compelling fodder for discussion about the place that Jews occupy today in arts and media. What stories are we telling and how are they received?
Here, as ever, the Forward culture team is here to break it all down for you, live as it unfolds. Of course, we cover Jewish movies all year. But at the Academy Awards, we get to see how the rest of the world feels about these movies. We will be updating this story with our thoughts throughout the ceremony.
Traditionally, as we begin these Oscars roundtables, we discuss what we’re all wearing and eating. What’ve we got?
Olivia: brown sweater and jeans; no food but aggressively chewing mint gum. I will later be drinking some of the seltzer I got from Brooklyn’s Seltzer Fest today.
Mira: I did a bunch of cooking for the week so I have vegetarian avgolemono soup and Alison Roman’s fennel salad. (I’m obsessed with this salad.) I am proudly wearing hard pants.
PJ: I am reheating some chicken from last night. Wearing a blue sweater with a little toggle and jeans. How many of Stellan Skarsgård’s large adult sons are here? In other l’dor v’dor news, Bill Pullman just mentioned how they filmed the Spaceballs sequel with his son Lewis.
Talya: I believe I’m wearing the exact same sweater I donned for this event last year — where’s my award for consistency? And, as always, sweatpants; I cannot comprehend suffering through this event in jeans.
Discussion of Israeli-Palestinian protests on the red carpet
Mira: Love a toggle. Speaking of outfits, anyone have thoughts on Odessa A’zion’s spangled red carpet set? She is one of the only people who styles herself on the red carpet, which I do respect.
Olivia: A’Zion’s outfit kind of looks like she forgot to tie whatever was supposed to be holding it up. I don’t think it looks bad, just like it’s falling down.
PJ: It wouldn’t look out of place hanging from the window of a VW van with shag carpet and some Tibetan prayer flags.
Mira: Of note, the past several years have seen protesters approaching people on their way into the ceremony, and a lot of pins on the red carpet taking a stance on the Israel-Hamas war, largely pro-Palestinian ones. We’re seeing less of that this year — though not none. Javier Bardem posted a photo of him wearing a pin reading “no to the war” in Spanish, along with another pin featuring Handala, a cartoon boy considered a symbol of Palestinians. The team of The Voice of Hind Rajab, nominated for best foreign film, are also wearing red pins with a white dove.
PJ: Those have replaced the red hand ArtistsforCeasefire pins, which some said recalled the bloody palms of Palestinians who killed IDF soldiers in 2000.
Olivia: A reporter for ABC in a pre-recorded segment asked executive producers and showrunners for the ceremony Raj Kapoor and Katy Mullan if anything would get bleeped, such as mentions of Trump, Israel and Palestine. Recently, the BBC removed director Akinola Davies Jr’s call for a “Free Palestine” from their BAFTA stream. Kapoor asserted that the night’s production team supports free speech, but we’ll see what transpires over the course of the night.
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US Sends Additional Arms to Israel to Sustain Iran Operations
The first of two Terminal High Altitude Area Defense (THAAD) interceptors is launched during a successful intercept test. Photo: US Army.
i24 News – The United States has recently increased shipments of munitions to Israel to support ongoing Israeli air operations against Iran.
According to reports broadcast by the public radio network Kan Reshet Bet, several weapons deliveries have arrived in Israel in recent days as part of what officials describe as an ongoing airlift aimed at sustaining the pace of military strikes.
Since the start of the campaign, Israeli forces are believed to have dropped more than 11,000 bombs on targets across Iran.
The shipments come as reports emerge about a potential shortage of ballistic missile interceptors in Israel. US officials told the news outlet Semafor that Israel’s interceptor stockpiles have been heavily used during the conflict.
According to those sources, Washington had already been aware for months that supplies could become strained, though it remains unclear whether the United States would be willing to share its own interceptor reserves. Israeli officials have since rejected claims that such a shortage exists.
Unlike the Iron Dome, which is designed to intercept short-range rockets and projectiles, ballistic missile interceptors serve as Israel’s primary defense against long-range missile threats. Fighter jets can also be used to attempt interceptions, though this method is considered a supplementary measure to missile defense systems.
Meanwhile, the Israeli government has taken additional budgetary steps to support the war effort. During an overnight vote between Saturday and Sunday, ministers approved a roughly 1 billion shekel reduction across various ministry budgets to help finance classified military purchases linked to Operation “Roar of the Lion.”
The government had already approved a 3 percent cut in ministry budgets, a move expected to increase the defense budget by approximately 30 billion shekels as the conflict continues.