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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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Why Orthodox Jews are pushing back against permanent daylight saving time
(JTA) — For many Orthodox Jews, a typical winter weekday begins early: head to synagogue, gather in a minyan for morning prayers, then rush off to work.
Orthodox Jewish groups say a bill that would make daylight saving time permanent could upend that routine by pushing winter sunrises — and the earliest permissible time for some prayers — an hour later.
Agudath Israel of America is among the groups urging the Senate to reject legislation that would make daylight saving time permanent nationwide, arguing that the change would create both public safety risks and significant challenges for Orthodox Jewish religious life.
The House passed the Sunshine Protection Act on Tuesday by a wide bipartisan margin. In a statement issued after the vote, Agudath Israel said it understood the appeal of ending the twice-yearly clock changes but opposed making daylight saving time permanent.
The Orthodox advocacy organization warned that permanent daylight saving time would push winter sunrises past 9 a.m. in some parts of the country, forcing many children to travel to school before dawn. It also said the later sunrise would make it difficult for observant Jews to attend morning synagogue services and still arrive at work or school on time, because Jewish law prohibits reciting key morning prayers before prescribed times tied to sunrise.
“The extension of DST will create an extreme hardship on observant Jews,” the organization said. “It would be extraordinarily difficult — if not impossible — to arrive on time for a job and will affect the start time of our schools.”
The Orthodox Union and the Coalition for Jewish Values have also come out against the measure.
In a column for Chabad.org that didn’t take a position on the bill, Menachem Posner also wrote that the change would present a challenge in parts of the country for morning minyan, the 10-person prayer quorum. But he also noted an upside to the extension of daylight saving: a later start time for Shabbat on short winter Fridays.
Shabbat begins at sundown, which during the winter can fall before 4:00 p.m. in parts of the country. “With DST, however, this will be shifted one hour later, so that even on the darkest day of winter, Jews will have one more hour to prepare for Shabbat,” Posner wrote.
Orthodox parties in Israel have also made an issue of changes to the daylight saving calendar. In 2011, Prime Minister Benjamin Netanyahu’s cabinet unanimously approved extending daylight saving time until the first Sunday after Oct. 1, despite objections from haredi parties. The change brought Israel’s clock closer to European practice while still acknowledging Orthodox concerns about morning prayer and a later start time to Yom Kippur that they argued would make the fast more difficult.
This week Agudath Israel also pointed to the brief U.S. experiment with year-round daylight saving time during the 1970s energy crisis, when Congress repealed the policy after widespread public dissatisfaction over dark winter mornings.
The organization said it hoped the Senate would weigh the broader consequences of permanent daylight saving time, including alternatives such as permanent standard time or retaining the current system of seasonal clock changes.
This article originally appeared on JTA.org.
The post Why Orthodox Jews are pushing back against permanent daylight saving time appeared first on The Forward.
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Colombia and Slovenia recently recognized a Palestinian state. Now they’re moving their embassies to Jerusalem.
(JTA) — JERUSALEM — Colombia, the world’s second most populous Spanish-speaking nation after Mexico, has little in common with landlocked Slovenia, the second-smallest of the six republics that once comprised Yugoslavia.
But when it comes to their stance on Israel, the parallels are hard to ignore.
Within one month of each other, leftist, pro-Palestine governments in both countries were voted out of office and replaced by right-wing leaders who vowed not only to restore full diplomatic relations with Israel but also inaugurate embassies in Jerusalem.
In fact, Colombia’s next foreign minister, Omar Bola Escobar, promised exactly that Wednesday during a meeting in Washington, D.C., with his Israeli counterpart, Gideon Saar. That followed a declaration by President-elect Abelardo de la Espriella that Colombia would establish relations “like never before” with Israel once he takes the oath of office on Aug. 7.
In June 2024, the parliament of Slovenia — an Alpine republic of 2.1 million — voted to recognize a Palestinian state only a week after Spain, Ireland and Norway had done the same thing. But half a year later, it went further. Slovenian public broadcaster RTV, citing the ongoing war in Gaza, became the first in Europe to demand Israel’s exclusion from the 2025 Eurovision Song Contest.
Then last year, Slovenia under Prime Minister Robert Golob banned all imports from Jewish settlements in the West Bank as well as all weapons trade with Israel — the first member of the European Union to do so. And this past June, RTV not only boycotted Eurovision altogether but aired films about Palestine instead.
That anti-Israel campaign made life uncomfortable for the country’s 100 or so Jews, said Robert Waltl, president of the Ljubljana-based Liberal Jewish Community of Slovenia.
But on May 22, Janez Jansa — leader of the Slovenian Democratic Party and an admirer of U.S. President Donald Trump — formed a winning coalition with other right-wing parties following the country’s parliamentary elections, clearing the way for Jansa to replace Golob as prime minister.
In a striking about-face, Janza immediately announced that Slovenia would cancel its previous recognition of Palestine and move its embassy in Israel from Tel Aviv to Jerusalem. That would make it the first country in the 27-member EU to take that step (though not the first country in Europe: Kosovo already has an embassy in Jerusalem).
Likewise, Israel will open an embassy in Ljubljana for the first time.
“That’s an important and welcome milestone — and something many of us have hoped to see for a long time,” Waltl explained in an email. “That said, I still feel it’s too early for me to draw broader conclusions about what this will mean in practice for bilateral relations, or for the Jewish community. I’d rather judge by actions than by first impressions.”
Ernest Herzog, executive director for operations at the World Jewish Congress, said Slovenia’s new direction is a lot more than a foreign policy adjustment; it carries huge historic significance.
“Israel was among the first countries to recognize Slovenia’s independence in 1991” following the breakup of Yugoslavia, he said. Opening an embassy in Jerusalem “would send a clear signal that Slovenia views Israel not only as a key regional partner but also as an important ally in defending the rules-based democratic order at a time of growing geopolitical instability.”
In Colombia, the shift is even more dramatic. Famous for world-class coffee, salsa dancing, beautiful beaches and biodiversity, it’s home to maybe 5,000 Jews out of 54 million inhabitants.
President Gustavo Petro — Colombia’s first left-wing leader in recent memory — is a former M-19 guerrilla leader. He became mayor of Bogotá in 2011 and president in 2022. On May 2, 2024, in the midst of worsening conditions in Gaza, Petro severed diplomatic relations with Israel and stopped lucrative exports of coal to Israel, as well as all weapons deals.
Margarita Manjarrez, Colombia’s first female ambassador to Israel, stayed on until June 30 of that year, at which point she closed the embassy in Tel Aviv (though consular services remain open).
Petro, constitutionally limited to one term, backed Iván Cepeda as his successor. But Cepeda lost to right-wing businessman Abelardo de la Espriella by the narrowest margin in Colombian election history.
Widely supported by Colombia’s small but wealthy Jewish community, the new president will be sworn in Aug. 7. One of his first acts, he said, will be to open an embassy in Jerusalem. That would make it the ninth embassy in Israel’s capital, along with those of the United States, Guatemala, Honduras, Kosovo, Papua New Guinea, Paraguay, Fiji and Argentina.
Manjarrez, now Bogotá’s ambassador to Singapore, declined to comment. But Harry Toledo, the Israeli-based director of Fuente Latina — an NGO that provides pro-Israel Middle East coverage for Spanish-language media in the United States and Latin America — says he’s not surprised by any of this.
“I don’t think the issue was Israel,” said Toledo, who is originally from Medellín but has spent the last 24 years living in Tel Aviv. “As we’ve seen in recent years, all these governments are taking advantage of the situation here to distract from their problems at home. In Spain, we clearly saw that Sánchez is using the Palestinians to dispel criticism of his own government. Petro in Colombia did the same thing.”
Toledo, one of thousands of Colombians living in Israel, noted that the Trump administration revoked Petro’s U.S. visa last year, and then later added him, his wife, his son and his interior minister to its Specially Designated Nationals list due to their alleged illicit drug trafficking.
“Petro was a criminal and a genocidal guerrilla. He was a real antisemite who even posted ‘Heil Hitler’ online,” said Toledo. “It’s not like he was hiding his position against Jews.”
Michael Shifter, former president of the Inter-American Dialogue — a D.C. think tank — noted that 12 of Latin America’s last 15 elections have been won by right-wing candidates. Voters in only Brazil, Mexico and Uruguay elected leftists.
Shifter said it’s not so much an ideological conservative turn that’s fueling this wave — but more a profound desire for change.
“The recent electoral swings are better understood as a reflection of widespread frustration with governments of different political stripes that have failed to address persistent economic, security and governance challenges,” he said.
Shifter is no stranger to the region. In the early 1980s, when the Dialogue was founded, Latin America’s biggest economies — Argentina, Brazil and Mexico — were cash-strapped, debt-ridden and beholden to the IMF. And the United States under President Ronald Reagan was actively supporting the government of El Salvador in its bloody war against leftist insurgents, while at the same time secretly funding contras hoping to overthrow Marxist Sandinistas in neighboring Nicaragua.
The only country doing well at the time was energy-rich Venezuela — which today is considered a failed state.
Mike Skol, a former U.S. ambassador to Venezuela who has extensive business ties in Colombia, said de la Espriella’s election is certainly part of that Latin rightward shift against socialism.
The question, he poses, is whether he’ll behave more like Argentina’s Javier Milei, a libertarian who is an outspoken supporter of Israel, or El Salvador’s Nayib Bukele — a hugely popular president of Palestinian origin who has on more than one occasion called himself “the world’s coolest dictator.”
“The White House is looking for outspoken allies — on Venezuela, on Cuba, on Israel, and on oil,” Skol said in an email. “Expect Colombia to be unequivocal in all. The payoff will be an important pillar of regime success.”
Ultimately, the real prize for Israel would be a full restoration of ties with oil-rich Venezuela, which were broken by Hugo Chávez in 2009 following an Israel incursion into Gaza that year. After Trump’s ousting of former president Nicolás Maduro last year and his tacit support for Maduro’s successor, Delcy Rodríguez, anything appears possible.
Just last week, Rodríguez was photographed in a once-unthinkable meeting with uniformed IDF brass overseeing Israeli rescue efforts in the wake of two powerful earthquakes that have devastated Venezuela’s coastal region. The 30-member team’s efforts mark a rare diplomatic thaw following years of official Venezuelan hostility toward Israel.
This raises the inevitable question: Could the Israeli flag one day flutter from an embassy in Caracas?
“Yes, I think it is very possible that Venezuela under Delcy will restore relations with Israel,” Skol said, noting that the U.S. secretary of state is seen as running the show in Venezuela since Maduro’s ouster. “All Marco Rubio has to do is ask.”
This article originally appeared on JTA.org.
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He organized World Cup viewings in Gaza. Then an Israeli airstrike killed him
Soccer is a universal language. Billions of people around the world watch the game, which means that soccer fans everywhere can appreciate someone like Mohammed al-Wahidi, who enabled others to participate in that shared global experience.
Al-Wahidi was a Palestinian aid worker who organized public screenings of the FIFA World Cup in Gaza. He’s emerged from anonymity for the worst reason: An Israeli airstrike killed him last week, while he was on his way to watch a screening of the knockout stage match between Argentina and Egypt.
With the world’s attention focused on the World Cup in North America, al-Wahidi’s killing briefly brought Gaza back into the global frame.
For the people of Gaza who attended the screenings organized by al-Wahidi, World Cup matches offer a brief respite from the daily struggle to survive, the loss of loved ones, and the absence of any political horizon of hope. Cheering for Egypt against Argentina could not end Gazans’ suffering, but it provided a much-needed moment of escape. Until it didn’t.
It’s common to hear that “politics has no place in sports” — although frequently the governments and sporting institutions that make this claim, while recognizing soccer’s symbolic power, are really arguing that sports should not be used to advance political goals they oppose.
Al-Wahidi’s death made headlines because that refrain simply isn’t true. In fact, it’s both legitimate and necessary to politicize al-Wahidi’s death even further.
In reporting on al-Wahidi’s death, mainstream media outlets — including the BBC, The New York Times, and The Los Angeles Times — situated it within its broader context. They reminded readers that he was only one of more than 1,000 Palestinians killed by Israel since a ceasefire was announced 10 months ago. His death became an opportunity to highlight that, for Palestinians in Gaza, the so-called ceasefire has amounted to little more than a reduction in the scale of daily killing and ongoing dispossession.
At the same time, some Israeli officials have openly declared their intention to promote what they call the “voluntary migration” of Palestinians from Gaza. Violence against Palestinians — including the killing of al-Wahidi — is a central mechanism for creating the conditions under which such migration becomes possible.
The politics of soccer
The chronology of state violence and the chronology of soccer usually unfold independently, but at times they intersect. When they do, that intersection reveals soccer’s symbolic power, which manifests itself in diverse — and sometimes contradictory — ways.
In 2024, an Israeli airstrike killed Hani al-Masdar, an assistant coach of the Palestinian men’s Olympic national football team, earning an outpouring of international mourning. Both al-Wahidi and al-Masdar were humanized because of their publicly visible connection to soccer. Unlike most Palestinian victims, they had their names and faces shared broadly in Western media, and their deaths briefly resonated far beyond Gaza.
But they’re among more than 900 Palestinian athletes and coaches killed by Israel since October, 2023. The fact that most of us have only heard two of their names, at most, is a tragedy.
Israel has long turned to soccer as a public relations instrument, a way to divert international attention from the long-term process of Palestinian dispossession.
As one senior Israeli minister said after inviting the Argentine team, with star Lionel Messi, to play in Israel in 2018: “When we fight over moving embassies to Jerusalem, there is no question. One of the most popular players in the world, who has billions of followers—surely, it is the right thing to see him playing in Jerusalem. What better public relations tool do we have?” (The match was eventually cancelled, after pushback from pro-Palestinian parties.)
FIFA has occasionally lent credibility to these efforts. Despite the fact that official United Nations bodies have described Israel’s actions in Gaza as genocide, and that Israeli and international human rights organizations have documented systematic abuses against Palestinians, FIFA has declined to apply the same standard to Israel as it has to other countries, like Russia, which it suspended in 2022 following the full-scale invasion of Ukraine. In doing so, it has contributed to the normalization of violence against Palestinians.
In an awkward attempt to appease critics, FIFA even proposed that an under-15 match between Israel and Palestine serve as the opening fixture of a new global youth tournament in the United States this September — a proposal that many Palestinians regarded as adding insult to injury.
Palestinian activists, by contrast, have made calls for soccer-related sanctions against Israel an important component of efforts to raise international awareness of the Palestinian struggle for justice. One of their most notable successes came in 2018, when they persuaded Argentina to cancel that planned friendly match against Israel in Jerusalem. Although repeated attempts to suspend Israel from international soccer have so far failed, such efforts are likely to continue.
The possibility of sporting sanctions
Israel has faced few meaningful consequences for these policies, and without sustained international pressure, like in South Africa decades ago. they are unlikely to change. One possible form of such pressure is the imposition of sporting sanctions — a prospect that, for understandable reasons, Israeli officials have worked hard to prevent.
But as long as it doesn’t seriously consider those sanctions, the international sporting community sends the message that there is no meaningful price for the continuous and systematic violation of Palestinian human rights.
Al-Wahidi dedicated himself to bringing the world’s game to Gaza. The symbolic significance of his death should now help bring the world’s attention to Gaza — and to the question of whether Israel should continue to enjoy the privileges of international sport while denying Palestinians their most basic rights.
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