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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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CAIR Denies Connections to Turkey Amid Ongoing Scrutiny Over Muslim Brotherhood Links
CAIR officials give press conference on the Israel-Hamas war. Photo: Kyle Mazza / SOPA Images/Sipa USA via Reuters Connect
The Council on American-Islamic Relations (CAIR) has denied that its recently launched political arm, CAIR Action, has any institutional ties to Turkey, following questions about the origins of the organization’s social media presence.
In a statement provided to The Algemeiner, CAIR said that speculation about foreign influence or overseas coordination is categorically false and that “their director regularly visits his family in Turkey and set up CAIR Action’s account while he was there using a local phone.”
Questions surfaced after observers noted that CAIR Action’s social media activity appeared to originate outside the United States. A new feature on the social media platform X unveiled this past week weekend now reveals the locations behind all accounts. Users quickly pointed out that CAIR Action’s page originated in Turkey, despite the group purporting to be rooted in the United States to advocate on behalf of American Muslims. Some online commentators suggested the possibility of foreign links or influence, a charge CAIR rejects.
CAIR has been under fire in recent weeks. Texas Gov. Greg Abbott last week announced the state-level designation of the Islamic group as a terrorist organization. Abbott’s proclamation described CAIR as a “successor organization” to the Muslim Brotherhood, a global Islamist network that the governor also designated as a terrorist group.
“The Muslim Brotherhood and CAIR have long made their goals clear: to forcibly impose Sharia law and establish Islam’s ‘mastership of the world,’” Abbott said in a statement. “These radical extremists are not welcome in our state and are now prohibited from acquiring any real property interest in Texas.”
Following Texas’s decision, US President Donald Trump signed an executive order directing his administration to determine whether to designate certain chapters of the Muslim Brotherhood as foreign terrorist organizations and specially designated global terrorists.
According to analysts, the Turkish government maintains close ties to the Muslim Brotherhood and supports its ideology, likely fueling much of the online scrutiny this week of CAIR Action’s social media page originating in Turkey.
The Palestinian terrorist group Hamas has also long been affiliated with the Brotherhood, drawing both ideological inspiration and even personnel from its ranks. For years, US authorities have scrutinized CAIR for alleged ties to Hamas.
In his state-level proclamation, Abbott note that CAIR officials “publicly praised and supported Hamas’s Oct. 7, 2023, attack against Israel,” a charge which CAIR denied.
However, as The Algemeiner previously reported, multiple top CAIR officials expressed public support for Hamas’s Oct. 7 invasion of and massacre across southern Israel.
The head of CAIR, for example, said he was “happy” to witness Hamas’s rampage of rape, murder, and kidnapping of Israelis in what was the largest single-day slaughter of Jews since the Holocaust.
“The people of Gaza only decided to break the siege — the walls of the concentration camp — on Oct. 7,” CAIR co-founder and executive director Nihad Awad said in a speech during the American Muslims for Palestine convention in Chicago in November 2023. “And yes, I was happy to see people breaking the siege and throwing down the shackles of their own land, and walk free into their land, which they were not allowed to walk in.”
About a week later, the executive director of CAIR’s Los Angeles office, Hussam Ayloush, said that Israel “does not have the right” to defend itself from Palestinian violence. He added in his sermon at the Islamic Society of Greater Oklahoma City that for the Palestinians, “every single day” since the Jewish state’s establishment has been comparable to Hamas’s Oct. 7 onslaught.
CAIR has filed a lawsuit claiming that Abbott’s proclamation threatens its free speech rights.
Abbot called out the group on X on Monday.
“CAIR’s X account is routed through the Turkish App Store. This sure seems like an international operations link between CAIR and a country tied to the Muslim Brotherhood. I designated CAIR a terrorist and transnational criminal organization because of ties like this to that group,” Abbott posted.
CAIR’s X account is routed through the Turkish App Store.
This sure seems like an international operations link between CAIR and a country tied to the Muslim Brotherhood.
I designated CAIR a terrorist and transnational criminal organization because of ties like this to that… pic.twitter.com/CpiIBtI2Tr
— Greg Abbott (@GregAbbott_TX) November 24, 2025
On its official website, CAIR Action claims that it “is dedicated to enhancing the civic engagement, political participation, and impact of the American Muslim community in local, state, and federal elections.” The group purports to “engage, educate, and mobilize Muslim voters, train emerging leaders, and champion policy priorities that enhance the well-being and representation of Muslim communities.”
CAIR Action launched earlier this year as a separate advocacy entity aimed at increasing Muslim civic engagement, supporting candidates aligned with its priorities, and promoting policy initiatives. Although the organization considers itself legally and financially distinct from CAIR’s charitable arm, both groups are closely associated and share overlapping goals.
Notably, in comments made to The Algemeiner, CAIR denied ever suffering legal blowback due to alleged ties to Hamas and other extremist groups and sent this outlet a link to a webpage which attempts to explain the allegations.
“There is no legal implication to being labeled an unindicted co-conspirator, since it does not require the Justice Department to prove anything in a court of law,” the webpage reads.
In the 2000s, the advocacy group was named as an unindicted co-conspirator in the Holy Land Foundation terrorism financing case. Politico noted in 2010 that “US District Court Judge Jorge Solis found that the government presented ‘ample evidence to establish the association’” of CAIR with Hamas.
According to the Anti-Defamation League (ADL), “some of CAIR’s current leadership had early connections with organizations that are or were affiliated with Hamas.” CAIR has disputed the accuracy of the ADL’s claim and asserted that CAIR “unequivocally condemn[s] all acts of terrorism, whether carried out by al-Qa’ida, the Real IRA, FARC, Hamas, ETA, or any other group designated by the US Department of State as a ‘Foreign Terrorist Organization.’”
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Oct. 7 families’ lawsuit says Bitcoin CEO, whom Trump pardoned, facilitated $1B in payments to Hamas and its allies
(JTA) — The families of victims of Hamas’ Oct 7, 2023, attack on Israel filed a lawsuit against the cryptocurrency fund Binance and its CEO, claiming they facilitated over $1 billion in funding to the terror group and others behind the attacks.
The latest lawsuit against Binance CEO Changpeng Zhao comes one month after he was pardoned by President Donald Trump for his November 2023 conviction on violating anti-money-laundering and sanctions laws. Zhao, who pleaded guilty, had been sentenced to four months in prison, and Binance paid more than $4.3 billion in fines.
When asked about the pardon earlier this month on “60 Minutes,” Trump distanced himself from Zhao and Binance, which struck a $2 billion deal with the Trump family’s crypto venture last spring.
“I don’t know who he is,” Trump said of Zhao. “I know he got a four-month sentence or something like that. And I heard it was a Biden witch hunt.”
The complaint, filed Monday in U.S. federal court in North Dakota, lists 306 American plaintiffs and their family members who were killed, injured or taken hostage on Oct. 7 or in other subsequent terror attacks.
They include the families of Hersh Goldberg-Polin, an American-Israeli hostage who was murdered by Hamas in Gaza, and Itay Chen, an American-Israeli soldier whose body was returned by Hamas earlier this month.
The lawsuit joins a growing list of legal cases seeking redress for the families and victims of the Oct. 7 attacks, including one filed by the Anti-Defamation League in September against eight foreign terrorist groups for their efforts in orchestrating the attacks.
The complaint accuses Binance of “knowingly, willfully, and systematically” assisting Hamas, Hezbollah, Palestinian Islamic Jihad and Iran’s Revolutionary Guard of moving over $1 billion through its crypto platform, including more than $50 million after Oct. 7.
It also accuses Binance’s conduct of being “far more serious and pervasive” than what the federal government prosecuted in its November 2023 investigation.
“To this day, there is no indication that Binance has meaningfully altered its core business model,” the complaint read.
The post Oct. 7 families’ lawsuit says Bitcoin CEO, whom Trump pardoned, facilitated $1B in payments to Hamas and its allies appeared first on The Forward.
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The Cross-Continental Threat: Iran and Venezuela’s US-Defying Partnership
Venezuelan President Nicolas Maduro meets with Iranian President Masoud Pezeshkian on the sidelines of the BRICS summit in Kazan, Russia, Oct. 24, 2024. Photo: Miraflores Palace/Handout via REUTERS
Bad actors stick together. Few relationships prove that more clearly than Iran and Venezuela’s. The regimes’ close ties are on full display with Iran’s foreign ministry on November 15, threatening the United States with “dangerous consequences” over the US military buildup near Venezuela’s shores.
It’s not just talk: the Iran-Venezuela strategic partnership has matured into a robust, multi-dimensional alliance, impacting both regional security and US foreign policy calculations. Iran and Venezuela’s cooperation spans the social, political, diplomatic, economic, and military domains — and is directly influencing the US posture toward Venezuela, including the recent military buildup near its shores and targeted strikes on drug trafficking operations.
The Iran-Venezuela partnership began in the 1950s and has deepened substantially, especially after former Venezuelan President Hugo Chávez declared the countries “brothers” in 2005.
Chávez signed a formal partnership in 2007 with then-Iranian President Mahmoud Ahmadinejad. The presidents developed a notably close personal and political relationship, highlighted by frequent state visits, public demonstrations of solidarity, and formal agreements spanning the economic, energy, and industrial sectors. Today, both countries maintain comprehensive diplomatic ties via their official embassies and frequent high-level exchanges. The partnership intensified under current Venezuelan President Nicolás Maduro and includes regular presidential meetings, official delegation visits, and joint commission sessions.
Iran has used this leverage to establish a robust foothold in Latin America, constructing a dense network involving both direct state-to-state links and the integration of proxy actors like Hezbollah. The bilateral relationship has been solidified by defense pacts, including a 20-year agreement signed in 2022, and joint manufacturing of Iranian drones and weapons on Venezuelan soil, including potential deployments of loitering munitions and jamming devices.
Economically, the alliance is built on mutual circumvention of Western sanctions. Iran and Venezuela have exchanged oil, gold, and infrastructure assistance, often using Iran’s Islamic Revolutionary Guard Corps (IRGC) and Hezbollah-linked front companies for money laundering and sanctions evasion. This economic cooperation enables the Maduro regime to survive by generating hard currency and illicit financial streams, while also facilitating transnational criminal activity including drug trafficking, with groups such as Cartel de los Soles and Tren de Aragua working with Hezbollah proxies to move drugs into US territory. The proceeds fuel both regimes and deepen their partnership and resilience to international pressure.
Simultaneously, Iran and Venezuela collaborate on energy trade that is inimical to US interests and enriches Russia. Iran not only exports refined crude oil to Venezuela to enrich itself, but also helps Venezuela build and fix energy infrastructure, increasing Venezuelan storage and refining capacity. In turn, that boosts Caracas’s appetite for Russian naphtha, a petroleum product that further enables Venezuela to dilute and export its oil, giving Russia a new and growing energy market for its exports to replace Europe and undermining Western sanctions.
As the US presence in the region grows, Venezuela and Iran have enhanced their military coordination. Recently, Venezuela requested additional Iranian drones, military electronics, and asymmetric warfare technologies. Iran provides technical personnel and expertise, optimizing Venezuela’s capacity for electronic warfare and irregular tactics, thereby enhancing deterrence and complicating US intervention plans.
Against this backdrop, the United States has deployed significant naval assets and possibly special operations elements off the coast of Venezuela, amounting to the largest regional buildup since the Cuban Missile Crisis. Officially, the United States has justified this surge to counter escalating drug trafficking, with at least 20 recent kinetic strikes on alleged narco-trafficking vessels departing Venezuelan ports. Many of these drug networks are tied to Venezuelan state actors and Iran-linked proxies. It would not be a stretch to assume that the Maduro regime is leveraging its Iranian connection as strategic insurance.
Venezuela provides Iran and Hezbollah with greater access to the Western Hemisphere. This expanding axis has regional security consequences beyond criminality and drug flows. Venezuelan threats toward neighbors like Guyana, coupled with the risk to Western energy interests and the broader use of Iranian technology, could draw the United States and its partners into more direct conflict. Furthermore, Iran’s strategy of exporting proxy warfare to the Western Hemisphere — mirroring tactics used in the Middle East — creates parallel dilemmas for US policy in both regions.
To counter these threats, enhanced sanctions enforcement against the Iranian–Venezuelan illicit oil trade, improved intelligence and interdiction of military shipments, and regional efforts to dismantle Hezbollah networks are essential. Disrupting the financial pipeline sustaining both the regime and its Iranian backers is critical for neutralizing their broader destabilizing potential.
Iran — along with its proxy Hezbollah — and Venezuela are force multipliers. All three work in concert to enrich the Iranian regime, strengthen Venezuela’s military and imperil regional stability, and facilitate transnational crime that threatens the US homeland. Washington should not allow this Venn diagram of threats to continue converging.
LTG Ray Palumbo, USA (ret.) is the former Deputy Commander of US Army Special Operations Command and a 2021 Jewish Institute for National Security of America (JINSA) Generals and Admirals Program participant. Yoni Tobin is a senior policy analyst at JINSA.