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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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The post The hora, the hora! How Jewish wedding music got that way appeared first on Jewish Telegraphic Agency.
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Israel’s supreme court says Arab parties can run in Oct. 27 election
(JTA) — TEL AVIV – Israel’s Supreme Court ruling upholding the right of Arab parties to run in the Oct. 27 election could make it more difficult for Prime Minister Benjamin Netanyahu to form a new coalition after the election.
In a unanimous decision, the Supreme Court ruled on Friday that the Joint Arab List and Ra’am, the two Arab-led political lists competing in Israel’s elections, could run. The ruling overturned a decision by the Central Elections Committee, a largely political body in which parties in Netanyahu’s right-wing coalition hold a majority of the seats, which had voted last month to bar the lists from running.
“The court found that the materials submitted to the Central Elections Committee did not meet the standards established in the case law for disqualifying a list of candidates,” the court said in its ruling, which did not include extensive reasoning.
The decision restored the parties that traditionally represent Israel’s more than 2 million Arab citizens and in doing so helped the opposition block. Now a wide constituency that rejects working with Netanyahu will have a reason to head to the polls rather than stay home.
Most polls have shown that the opposition bloc would need to include the parliamentary seats held by the Ra’am party, led by MK Mansour Abbas, in order to gain the lead over Netanyahu’s coalition. Unlike Ra’am, the Joint Arab List has never sat in an Israeli coalition and there is no expectation that it would join with Zionist Jewish-led parties to do so.
The court also took a number of other steps regarding the upcoming election. It overturned the committee’s decision to disqualify Ofer Cassif, a Jewish lawmaker running as part of the Joint List. In Cassif’s case, the decision was made by a 7-2 majority.
The Supreme Court justices said they “strongly condemn the outrageous statements and actions by Cassif that evoke revulsion.” At the same time, they ruled that “these statements or actions do not meet the stringent tests established” for disqualifying a candidate.
According to the petition seeking Cassif’s disqualification, he had legitimized Palestinian violence during the war, referred to those seeking to attack Israeli soldiers as “freedom fighters” and taken actions against Israel in international legal forums.
The most significant development, however, came in the case of Sami Abu Shehadeh, the leader of Balad, one of the parties that make up the Joint List.
During a Thursday hearing, the Supreme Court took the unusual step of indicating to Abu Shehadeh that a majority of the justices were inclined to disqualify him and recommended that he withdraw his candidacy.
Following internal consultations, Balad announced that Abu Shehadeh would withdraw his candidacy, rendering the court’s expected ruling on his disqualification moot.
“Sami Abu Shehadeh did not retract his positions and did not flee the struggle. Only after the court itself announced its intention to uphold the disqualification did he decide to withdraw his candidacy,” Balad said in an official statement.
A central part of the case against Abu Shehadeh focused on an article he published on Oct. 8, 2023, one day after Hamas’ Oct. 7 attack, in which the terror organization killed 1,200 people in Israel and took another 251 hostage.
In the article, Abu Shehadeh described the Oct. 7 events as an “important historic event” and suggested that lessons could be learned from how Hamas had managed to surprise Israel and carry out its invasion. His comments were cited as evidence that he supports armed struggle against Israel, one of the grounds on which candidates can be disqualified under Israeli law.
In its ruling, the Supreme Court said there was “a consensus that the things said by Mr. Abu Shehadeh are painful, outrageous and revolting.” The decision to disqualify Abu Shehadeh was also supported by the Democrats, Israel’s most left-wing Zionist party.
During the Supreme Court hearing, Abu Shehadeh acknowledged that “this paragraph was not written correctly.” He said, “I have never supported violence in my life,” and said that he knows victims of the Oct. 7 attack.
Balad said Abu Shehadeh would continue to lead the party’s political activities even without serving in the Knesset.
The Joint List sharply criticized the court’s handling of the case. In a statement, the list said that “the heart of the matter” was “preventing an Arab political leader from running in the elections and infringing on our public’s right to choose its representatives.”
The list accused the court of acting “following a campaign of incitement and political persecution led by the fascist and Kahanist right, joined by the leaders of the Zionist opposition parties.”
“The court must bear responsibility for its disgraceful decision before our public and before public opinion in Israel and around the world, for providing judicial cover for political exclusion. This ruling is another link in the chain of persecution of our public.”
Right-wing Israeli politicians also criticized the court for declining to issue a ruling formally disqualifying Abu Shehadeh rather than merely pressing him to withdraw.
National Security Minister Itamar Ben-Gvir, an ultranationalist member of Netanyahu’s government, called the court’s proposal “too merciful” and said it “harms the democracy of the State of Israel.”
This article originally appeared on JTA.org.
The post Israel’s supreme court says Arab parties can run in Oct. 27 election appeared first on The Forward.
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A town in the Alps that rescued Jews from the Nazis
על-פּי צופֿאַל האָב איך הײַיאָר פֿאַרבראַכט עטלעכע טעג אין די פֿראַנצייזישע אַלפּן-בערג. די בילעטן זײַנען נישט געווען אַזוי טײַער, און „בוקינג“ האָט רעקאָמענדירט אַ דאָרף נישט ווײַט פֿון ניצע (ניס).
דאָס דאָרף, סאַן-מאַרטען-וועזובי , איז פֿאַרשפּרייט אויף אַ באַרג אין דרום-פֿראַנקרײַך, און די קאָלירפֿולע הײַזער גיבן אָנצוהערן, אַז עס געפֿינט זיך נישט ווײַט פֿון דער איטאַליענישער גרענעץ. אין מיטן דעם דאָרף איז פֿאַראַן אַ טײַך, און אַלץ איז מלא-חן, פֿול מיט סאָסנע־ביימער און רײַפֿע טרויבן. אויף אַזעלכע ערטער זאָגט מײַן מאַמע: „מײַן באָבע האָט אויך נישט געהערט פֿון דעם.“
אָבער עס ווײַזט זיך אויס אַז מײַן באָבע וואָלט יאָ געקאָנט הערן פֿון סאַן-מאַרטען-וועזובי. שוין אינעם ערשטן טאָג האָב איך געפֿונען דאָרטן אַ ייִדיש פּינטעלע, און דווקא גאָר אַ וויכטיקס. די וועגווײַזערין פֿון דאָרף, אַן סיווירין, האָט אונדז דערציילט אַז אין דער צײַט פֿונעם צווייטן וועלטקריג איז סאַן-מאַרטען-וועזובי געווען כּמעט אַ יאָר לאַנג אַ מקום-מיקלט פֿאַר מער ווי 1,200 ייִדן.
צווישן די ייִדן זײַנען געווען פּליטים פֿון דײַטשלאַנד, פּוילן, האָלאַנד און בעלגיע, וואָס זײַנען אַנטלאָפֿן צו דער „זאָן ליברע“ – דעם פֿרײַען געביט, ד״ה דרום־פֿראַנקרײַך, וואָס איז אין די ערשטע צוויי יאָר פֿון דער מלחמה געבליבן פֿרײַ פֿון די נאַציס. אויך מײַן באָבע פֿייגע, צוזאַמען מיט דער משפּחה, האָט פּראָבירט אַנטלויפֿן פֿון בעלגיע קיין דרום־פֿראַנקרײַך, אָבער צוליב פֿאַרשיידענע סיבות איז עס נישט געלונגען, און די משפּחה איז געבליבן אין אַנטווערפּן.
אין נאָוועמבער 1942 זײַנען די דײַטשן אַרײַן אינעם „פֿרײַען געביט“, און זייערע אַליִירטער, די איטאַליענער, האָבן אָקופּירט די דרום-מזרחדיקע געביטן פֿון פֿראַנקרײַך. פֿאַר די ייִדן איז עס דווקא געווען אַ גוטע בשׂורה. כאָטש די איטאַליענער האָבן געפֿירט זייערע אייגענע „ראַסע-געזעצן“, האָבן די ייִדן אין איטאַליע — און דערווײַל אויך אין דרום-פֿראַנקרײַך — געקאָנט לעבן; און לעבן איז גאָר נישט געווען קיין קלייניקייט אין סוף 1942, בשעת ס׳רובֿ ייִדן פֿון אייראָפּע האָבן די דײַטשן שוין דערמאָרדעט.
אַ דאַנק די באַמיִונגען פֿון אַנדזשעלאָ דאָנאַטי, אַן איטאַליענישן ייִד וואָס האָט געוווינט אין ניצע, האָבן די איטאַליענער מסכּים געווען צו שאַפֿן אין סאַן-מאַרטען-וועזובי אַ צענטער פֿאַר ייִדישע פּליטים, וווּ זיי זאָלן קאָנען לעבן כּמעט אַ נאָרמאַל לעבן. אַזוי זײַנען אָנגעקומען אין דאָרף מער ווי 1,200 ייִדן. פֿאַר דער מלחמה האָט דאָ געוווינט נאָר איין ייִדישע משפּחה — די משפּחה לעווין-דריזדאָ, און מיט אַ מאָל איז עס געוואָרן ממש אַ ייִדיש שטעטל.
אין מיטן דער מלחמה, צווישן די אַלפּן-בערג און די וועלדער, האָבן ייִדן פֿון אָנהייב 1943 זיך געלערנט, געדאַוונט, געאַרבעט, געשאַפֿן יוגנט- און ספּאָרט-אָרגאַניזאַציעס, און אַפֿילו חתונה געהאַט. די אײַנוווינער, די פֿראַנצויזן, האָבן זיי בדרך-כּלל פֿרײַנדלעך אויפֿגענומען, און אַ סך האָבן זיי געגעבן עסן און געהאָלפֿן אויף אַנדערע אופֿנים — אַ זעלנטקייט, און נישט נאָר אין פֿראַנקרײַך.
אין אָנהייב סעפּטמבער 1943, נאָך דעם ווי די איטאַליענער האָבן קאַפּיטולירט, איז אָבער געקומען אַ סוף צו דעם גן-עדן. די דײַטשן זײַנען אַרײַן אין איטאַליע, און אין אַ פּאָר טעג אַרום זײַנען זיי אָנגעקומען אויך אין סאַן-מאַרטען-וועזובי. ווען די ייִדן האָבן דערהערט די נײַעס זײַנען אַ סך פֿון זיי, מיט דער הילף פֿון די אָרטיקע, אַנטלאָפֿן אין די בערג, מיט דער כּוונה צו גנבֿענען די גרענעץ קיין איטאַליע. די טעג זײַנען געווען קאַלטע און רעגנדיקע, און יציאת-סאַן-מאַרטען-וועזובי איז געוואָרן שווער אָן אַ שיעור (אויך פֿאַר מיר, ווי אַ טוריסט, איז דאָס קלעטערן געווען כּמעט אוממעגלעך).
אין איטאַליע האָבן הונדערטער ייִדן געפֿונען נײַע באַהעלטענישן, אָבער אַ סך האָבן די דײַטשן דאָרטן געכאַפּט. צוזאַמען מיט ייִדן וואָס זײַנען געבליבן אין דאָרף — מסתּמא אַלטע לײַט און קינדער — האָט מען זיי דעפּאָרטירט קיין דראַנסי, לעבן פּאַריז, און פֿון דאָרטן קיין אוישוויץ.
אָבער אויך דעמאָלט זײַנען צענדליקער ייִדן געבליבן אין סאַן-מאַרטען-וועזובי, און אָרטיקע מענטשן האָבן זיי באַהאַלטן אין פֿאַרשיידענע ערטער. פֿאַרשטייט זיך, נישט אַלע אין דאָרף האָבן זיי געהאָלפֿן, אָבער ס׳רובֿ אײַנוויינערס, וואָס האָבן געוווּסט וואָס קומט פֿאָר, האָבן דאָס קיינעם נישט אויסגעזאָגט. נאָר איין ייִד האָט מען געמסרט — דעם ייִד וואָס האָט געוווינט דאָ פֿאַר דער מלחמה.
מיט דער צײַט האָט „יד־ושם“ אַנערקענט צען אָרטיקע מענטשן, וואָס האָבן געראַטעוועט ייִדן ווי „חסידי-אומות-העולם“.
אויב איר האָט גאָרנישט געהערט פֿון דעם העראָיִשן, באַשיידענעם דאָרף זײַנט איר נישט די איינציקע. אַפֿילו אין סאַן-מאַרטען-וועזובי האָט מען יאָרן לאַנג נישט גערעדט וועגן די געשעענישן במשך פֿון דער צווייטער וועלט־מלחמה. „עס זײַנען געווען די וואָס האָבן געהאָלפֿן און די וואָס האָבן קאָלאַבאָרירט, און אַלע האָבן געדאַרפֿט לעבן אין איינעם נאָכן קריג“, האָט דערקלערט די וועגווײַזערין, אַן סיווירין. „אָבער איין טאָג האָט אַ יונגע פֿרוי געהערט, ווי די אַלטע לײַט ריידן צווישן זיך וועגן ׳די באַהאַלטענע ייִדן׳, און די פּאַנדאָרע-קעסטל האָט זיך צעעפֿנט.“
פֿון דעמאָלט אָן שטאָלצירן די איינווינערס פון סאַן-מאַרטען-וועזובי מיט דעם וואָס די מענטשן פֿון זייער שטעטל האָבן געהאָלפֿן ראַטעווען ייִדן בעת דער מלחמה. אין יעדן פֿראַנצייזישן דאָרף שטייט אַ דענקמאָל לזכר די געפֿאַלענע במשך פֿון די צוויי וועלט־מלחמות (און אויך אַנדערע קריגן). לעבן דעם גרויסן דענקמאָל אין סאַן-מאַרטען-וועזובי שטייען הײַנט דרײַ גרויסע דענקמעלער: איינער לזכר די אומגעקומענע ייִדן; אַ צווייטער אין אָנדענק פֿון די „חסידי-אומות-העולם“, און אַ דריטער וואָס דערציילט די גאַנצע געשיכטע.
הײַנט קאָן מען לייענען וועגן דער פּרשה אין פֿאַרשיידענע ביכער: איין ביכל אויף פֿראַנצייזיש, וואָס סאַן-מאַרטען-וועזובי האָט אַרויסגעגעבן: „די ייִדן און ‘צדיקים’ פֿון סאַן-מאַרטען-וועזובי“; אַ בוך אויף ענגליש: „די חורבן־אָדיסייעס: די ייִדן פֿון סאַן־מאַרטען־וועזובי און זייער פּליטה דורך פֿראַנקרײַך און איטאַליע“, און אויך אַ ראָמאַן אויפֿן סמך פֿון יענעם קאַפּיטל געשיכטע.
סאַן-מאַרטען-וועזובי שטאָלצירט מיט נאָך עפּעס. אינעם גרויסן קלויסטער פֿון דאָרף שטייט אַ הייליקע סטאַטוע פֿון דער מאַדאָנע, אַ הילצערנע סטאַטוע וואָס די אָרטיקע הייליקן שוין הונדערטער יאָרן. לכּבֿוד דער אַלטער מאַדאָנע מאַרשירן זיי יעדעס יאָר אין אַ גרויסן פּאַראַד צו די בערג, על-פּי דער טראַדיציע איז איר מקור. אין גײַסט פֿון יענער טראַדיציע האָבן די אײַנוויינערס פֿון סאַן-מאַרטען-וועזובי, מיט בערך 10 יאָר צוריק, באַשלאָסן אײַנצופֿירן אַ נײַע טראַדיציע: יעדן 3טן סעפּטעמבער מאַרשירן זיי לכּבֿוד די ייִדן וואָס זײַנען אַנטלאָפֿן אין די בערג, ביז דעם באַרגפּאַס אויף דער גרענעץ מיט איטאַליע. דאָרטן, לעבן דעם טאָוול לזכר די ייִדן, דערמאָנען זיי די אומגעקומענע און די וואָס זײַנען ניצול געוואָרן אַ דאַנק די אַמאָליקע אײַנווינערס פֿון סאַן-מאַרטען-וועזובי. אויך די קינדער אָדער אייניקלעך פֿון די געראַטעווטע ייִדן נעמען צו מאָל אַן אָנטייל אין די פּראָצעסיעס.
אויפֿן טאָוול שטייט געשריבן, אויף איטאַליעניש און פֿראַנצייזיש: „דורך דעם באַרגפּאַס, אין סעפּטעמבער 1943, זײַנען דורכגעגאַנגען הונדערטער ייִדן פֿון גאַנץ אייראָפּע, וואָס האָבן געזוכט מיטלען זיך צו ראַטעווען פֿון די אַנטיסעמיטישע רדיפֿות.“
און גלײַך נאָך דעם בײַט זיך דער טאָן פֿון די ווערטער אויף אַ גאָר רירנדיקן אופֿן: „דו, וואָס דו גייסט דאָ אין דער פֿרײַ, דאַרפֿסט געדענקען אַז דאָס קאָן געשען ווען מע לאָזט נישט אַלע מענטשן געניסן פֿון די זעלבע רעכט.“
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Democratic socialists scored big primary wins. But that’s not the whole story.
(JTA) — A string of U.S. House primary successes for democratic socialists, most of whom are sharp Israel critics, was hailed as a major shift in party politics over the course of the summer. But now that the primaries have concluded, a full picture of the results shows that the group’s victories were concentrated in House races in the deepest-blue districts, while few politicians have scored wins in Senate races.
During the primary season, candidates backed by the Democratic Socialists of America won seven out of the 25 U.S. House primaries in which they competed, securing two wins in Michigan, one in Colorado, three in New York and one in Pennsylvania, according to the DSA’s vote tracker. However, these wins have all occurred in Democratic strongholds: New York City, Detroit, Denver and Philadelphia.
“It’s a little bit dangerous to overinterpret a handful of elections compared to all the others,” Elaine Kamarck, a senior fellow in governance at the Brookings Institution, told the Jewish Telegraphic Agency. “Calling the DSA the new big kid on the block is a little bit premature.”
In addition to the seven DSA primary winners, another DSA candidate who ran in a California nonpartisan primary advanced to a U.S. House runoff against a Democratic incumbent in November. Two additional democratic socialists, from Kansas and New Hampshire, withdrew before their respective House primaries.
Of the DSA’s 18 House primary losses, seven occurred in deep-blue areas – demonstrating that even in the country’s most progressive pockets, democratic socialists often weren’t popular. These defeats notably included one in St. Louis, where incumbent Wesley Bell trounced DSA firebrand and anti-AIPAC crusader Cori Bush.
Granted, the DSA victories are still unprecedented in a country where socialism has long been anathema. The candidates might have only succeeded in deeply Democratic districts – but that means they are all but assured victory on Election Day. Taken together, they’ll constitute a larger contingent in Congress than ever before.
Many of the DSA candidates made Israel and its supporters central issues during their campaigns, and there’s little doubt that their presence will tilt the Democratic caucus in the Congress further away from Israel.
The DSA’s official stance on Israel includes an end to the country’s “colonization and occupation of all Arab lands,” the “self-determination of the Palestinian people” and the cessation of “U.S. complicity in Israel’s genocide and apartheid.” Although the DSA has won fewer races than it has lost, the victories would more than triple the group’s presence in the U.S. House, with five newcomers in addition to Reps. Rashida Tlaib of Michigan and Alexandria Ocasio-Cortez of New York.
Jeff Robbins, a Boston-based attorney and former Democratic Senate staffer, said that supporters of Israel should be concerned by the wins, even if they don’t constitute a wave.
Robbins, who also served as a delegate to the United Nations Commission on Human Rights under former president Bill Clinton, warned that if anti-Israel DSA politicians keep racking up wins, Democratic strategists will discourage candidates from supporting Israel’s response to Hamas after the Oct. 7 attacks.
Recommending any action to the contrary, he argued, will result in “the quickest campaign you’ve ever seen.”
“It will be over before you can say ‘the Golan Heights’,” Robbins quipped.
And yet, although the media spotlight has shone on the DSA’s standout victories, establishment candidates have secured more wins at the ballot box from a numerical perspective. In addition, democratic socialists have focused more on the House than the Senate, where they would need to appeal to broader statewide electorates to win seats.
One major exception to that rule is Florida DSA member Angie Nixon, who pulled off a stunning primary victory in a state that Trump won by about 13 percentage points in 2024. But she didn’t join the DSA until shortly before the election and she didn’t get its endorsement.
Another DSA Senate candidate, Gregory Levy of Ohio, will be running in the November general election as an Independent.
But the three other staunchly progressive Senate candidates who will be on the Democratic ballot in November – in Maine, Michigan and Minnesota – don’t define themselves as democratic socialists. While many are still highly critical of Israel, they have differences with DSA and are more interested in making sure they appeal to the more politically diverse populations they will face statewide. They face close races where swing voters who don’t identify strongly with either party are likely to make the difference.
For instance, though many of Abdul El-Sayed’s positions are similar to DSA policies, last month he told The Wall Street Journal that he is “not technically or practically DSA” and that he doesn’t oppose capitalism. At the same time, he has earned the support of many democratic socialist politicians, including Vermont independent Sen. Bernie Sanders.
Kamarck observed that Michigan, which has a huge Arab-American population, remains the nerve center of the Democratic Party’s pro-Palestinian movement. Yet although polls forecast a landslide victory for El-Sayed, who sharply criticized Israel throughout his primary campaign, she termed his victory in early August as “a squeaker.”
“It was a one-point race,” she said. “What that says is that this is not finished.”
Haile Soifer, CEO of the Jewish Democratic Council of America, said in a statement at the time that although her group was disappointed in El-Sayed’s victory, his “razor-thin margin isn’t the resounding win for the far-left that was predicted.”
An Economist model issued shortly after El-Sayed’s victory predicted that the Democratic Party’s chances of winning in November fell to 48% following the primary. But a Marist poll published on Wednesday gave El-Sayed a seven-point lead over Republican Mike Rogers, with a 3.8% margin of error.
Meanwhile, post-primary predictions showed that Minnesota’s Peggy Flanagan would secure an easy victory in her blue state’s Senate race. However, a new KSTP/SurveyUSA poll found that her five-point lead over Republican Michele Tafoya had narrowed to a statistical tie. Like many party progressives, Flanagan has accused Israel of committing genocide in Gaza.
As for Maine’s Jackson, the progressive was trailing Republican Sen. Susan Collins, a five-term incumbent, by 3 points, with a 3.1% margin of error, according to an AARP poll released on Thursday.
Nixon in Florida was 11 points behind Republican Sen. Ashley Moody, with a 4% margin of error, a Stetson University from late last month poll found. On the other hand, St. Pete Polls placed the candidates in a dead heat just the week before, giving Moody just a 0.3-point edge, with a 3.2% margin of error.
In a testament to the growing power of the DSA – even in a red state – Moody reportedly told Fox News Radio this week that she is “seeing way-too-close-for comfort polls in many Republican Senate races.”
And in an email blast sent the same day, according to Florida Politics, Moody warned that “the polls have been all over the place.”
“Some have us up. Two have us tied,” she wrote. “We’re in the final stretch, where everything we do, and your support, really matters.”
This article originally appeared on JTA.org.
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