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The Jewish Sport Report: A Jewish guide to Super Bowl Sunday
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Happy Friday, Jewish Sport Report readers! And it’s a happy Friday indeed, because baseball season is upon us.
Pitchers and catchers report to spring training next week, the games begin Feb. 24 and the 2023 World Baseball Classic is less than one month away.
If you close your eyes, you can almost smell the fresh-cut grass and hear the crack of the bat.
The WBC begins March 8, and the official rosters for all 20 teams were announced Thursday night.
Here is Team Israel’s full roster — which features an unprecedented 15 Jewish players with MLB experience.
And this weekend, a new documentary on the team, “Israel Swings for Gold,” will premiere at a film festival in Atlanta. I spoke to the director about the film.
A Jewish guide to Super Bowl Sunday
(JTA illustration by Grace Yagel; Images: Harris Brisbane Dick Fund 1953, Creative Commons)
Before we fully dive into baseball season, this weekend is, of course, all about the Super Bowl.
While there won’t be any Jewish players on the field when the Kansas City Chiefs face the Philadelphia Eagles Sunday in Phoenix, there are still plenty of Jewish angles to the game.
First, there’s Eagles general manager Howie Roseman and owner Jeffrey Lurie, both of whom are Jewish.
Roseman is a New Jersey native who has worked for the Eagles since 2000. Lurie, a film producer from Boston, bought the Eagles in 1994.
During the DeSean Jackson antisemitism controversy in 2020, during which the then-Eagles star posted (and then deleted) antisemitic quotes online, Jackson apologized personally to Roseman and Lurie.
For Jewish Eagles fans, the Weitzman National Museum of American Jewish History in Philly is selling Eagles (and Chiefs) mezuzahs.
But some Jewish fans are feeling conflicted about the big game — with longstanding concerns renewed after Damar Hamlin went into cardiac arrest after an onfield hit last month.
“Although Hamlin’s medical crisis was a rare on-field occurrence, the trauma surrounding his collapse stirred up age-old questions for me, and for many of us, about the toll football takes on the bodies of its players,” Rabba Yaffa Epstein writes in a JTA essay. “What are we allowing to happen to these young men, in the name of sportsmanship, entertainment and national identity? When the Super Bowl airs on Sunday, what is our responsibility as spectators?”
Epstein, a scholar and educator with the Jewish Education Project, explores what Jewish tradition has to say about this dilemma — and offers a path forward for Jewish fans who still want to enjoy the game. You can read her piece here.
And if you do plan to watch the game, our friends at The Nosher suggest some Jewish inspiration for your Super Bowl snacks.
Halftime report
GOLDEN. Israeli judoka Gili Sharir won a gold medal at the Paris Grand Slam judo tournament last weekend, and Gefen Primo won bronze. Israel has long been a judo powerhouse.
THE AMAZINS. New York Mets owner Steve Cohen is doing things his own way — including spending more money than anyone else. Cohen offered a rare interview to ESPN’s Jeff Passan this week, sharing insight into his plan to change baseball in New York and beyond. Check it out.
KINSLER RETURNS TO TEXAS. Former All-Star second baseman Ian Kinsler is in high demand. The 2018 World Champion is managing Team Israel in next month’s WBC, and he’s also now working for his old team, the Texas Rangers, as a special assistant to the general manager.
NEW SHERIFF IN TOWN. Mat Ishbia, the Jewish billionaire who bought the Phoenix Suns and Mercury from suspended Jewish owner Robert Sarver, has officially taken the reins of his new NBA franchise. He made it clear right away that he will prioritize fixing the team’s workplace culture, according to ESPN.
Kyrie Irving has Jewish family?
Kyrie Irving looks on from the bench during a game against the Indiana Pacers at the Barclays Center in Brooklyn, Oct. 31, 2022 (Dustin Satloff/Getty Images)
NBA star Kyrie Irving is now a Dallas Maverick, but he didn’t leave the drama of his antisemitism scandal behind in New York.
Irving was traded to Dallas, a team owned by Mark Cuban, who is Jewish and had spoken out during Irving’s controversy last year. Cuban said the eight-time All-Star was “not educated about the impact” of his online platform.
At a press conference with his new team on Tuesday, Irving was asked why he deleted his apology post — which at the time was viewed as a critical step toward him returning from his suspension.
“I delete things all the time and it’s no disrespect to anyone within the community,” Irving said.
Irving said he stood by his apology. But he also shared some new information about his family.
“I stand by who I am and why I apologized. I did it because I care about my family and I have Jewish members of my family that care for me deeply,” Irving said. “Did the media know that beforehand, when they called me that word — antisemitic? No. Did they know anything about my family? No. Everything was assumed.”
It’s unclear which members of Irving’s family are Jewish, or if he is expressing the Black Hebrew Israelite ideology promoted in the film he shared, which includes the claim that African Americans are the genealogical descendants of the ancient Israelites.
Jews in sports to watch this weekend
IN HOCKEY…
Jakob Chychrun and the Arizona Coyotes play the Chicago Blackhawks tonight at 8:30 p.m. ET. Chychrun has been a frequent subject of rumors with the NHL trade deadline approaching on March 3. Saturday is an action-packed day in the NHL — Quinn Hughes, Zach Hyman, Adam Fox, Chychrun, Jack Hughes and Jason Zucker are all playing.
IN BASKETBALL…
Deni Avdija and the Washington Wizards host the Indiana Pacers Saturday at 7 p.m. ET. Ryan Turell and the Motor City Cruise face the Oklahoma City Blue tonight and tomorrow, both at 7 p.m. ET.
IN GOLF…
Max Homa will look to keep the momentum going this weekend at the Phoenix Open. Homa announced this week that he will join Tiger Woods’ TGL league in 2024, a partnership with the PGA Tour. David Lipsky, who grew up just miles away from Homa, will also be on the green in Phoenix.
Hut, hut, hora
New England Patriots owner Robert Kraft dances at a wedding ceremony for Ukrainian couples who did not have Jewish weddings in their native country, Boston, Feb. 7, 2023. Rabbi Shlomo Noginski is on his left. (Photo by Igor Klimov)
The New England Patriots may not be playing in the Super Bowl, but owner Robert Kraft still had plenty to celebrate this week. Here he is at a Chabad wedding event in Boston for couples from the former Soviet Union who were not able to have Jewish ceremonies there.
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The post The Jewish Sport Report: A Jewish guide to Super Bowl Sunday appeared first on Jewish Telegraphic Agency.
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Two Years Since Oct. 7: A World That Lost Its Moral Compass

People react near the scene, after an attack in which a car was driven at pedestrians and stabbings were reported at a synagogue in north Manchester, Britain, on Yom Kippur, Oct. 2, 2025. Photo: REUTERS/Phil Noble
Two years have passed since October 7, 2023 — a day of unspeakable horror for Israel and the Jewish people.
Across Israel and Jewish communities worldwide, this weekend was marked by somber commemorations, filled with dignity and tears. Candles were lit, names were recited, and prayers rose for the 1,200 victims, for the hostages still held in Gaza, and for the survivors who carry the trauma of that day.
But even as Jews mourn, the streets of Europe and particularly in the Netherlands, have been filled with anger and hatred. More than a quarter of a million protesters recently marched, not to demand the release of hostages or condemn terrorism, but to denounce Israel. Some waved Hamas flags, others shouted calls for the destruction of the Jewish state, and openly echoed antisemitic slogans. Among them were politicians, cultural figures, and so-called “human rights activists” who have chosen ideology over morality.
The renewed peace initiative led by former President Trump receives little attention, as does the suffering of Israeli hostages or the trauma of their families. The same protesters who speak the language of “human rights” fall silent in the face of atrocities that do not involve Israel.
Ignored Tragedies Around the World
While the global media fixates on Israel, genuine humanitarian catastrophes unfold elsewhere, largely unnoticed:
- In Sudan, a brutal civil war since April 2023 has displaced over 12 million people and claimed tens of thousands of lives.
- In Ukraine, the war continues to devastate both sides, leaving hundreds of thousands dead.
- In Myanmar, entire villages have been destroyed amid ongoing conflict.
- Across the Congo and the Sahel, armed groups massacre civilians daily.
- In Yemen, famine and war push entire families to starvation.
- In Somalia and the Horn of Africa, drought and fighting threaten tens of millions with hunger.
Even more overlooked are the massacres of Christians in Africa. Since 2023, over 22,000 Christians have been murdered by Islamist extremists across the continent.
- In Nigeria, the Yelwata massacre (2025) left 200 dead and entire Christian communities destroyed.
- In the Democratic Republic of Congo, the Komanda and Kasanga attacks killed more than 100 worshippers, many inside their churches.
- In 2023 alone, 4,761 Christians were killed for their faith.
There are no mass demonstrations, no “solidarity weeks,” no campus rallies for these victims. Their suffering does not fit the fashionable narrative.
The Moral Epidemic of Selective Outrage
This is the defining moral crisis of our time: selective outrage. The global community claims to champion justice and peace, yet its attention and anger are rationed, directed almost exclusively at the world’s only Jewish state.
In Paris, Amsterdam, London, and New York, chants of “intifada” echo through the streets. At leading universities, students glorify Hamas as a “resistance movement.” At the United Nations, Israel is condemned more often than all other nations combined.
The evidence is clear: this is not about human rights. It is about hatred, the oldest and most adaptable hatred in history, repackaged as activism.
When the World Turns Upside Down
Today, we live in an age where terrorists are celebrated, and their victims are blamed for defending themselves. Where Jewish blood is once again cheap, and the world remains silent. And yet, Israel endures. The Jewish State mourns, rebuilds, and defends itself because it has learned, time and again, that Jewish survival cannot depend on global approval.
Two Years Later: The Truth Remains
On this October 7, 2025, we remember the murdered, we pray for the hostages, and we reaffirm an unshakable truth: “Israel is not the cause of the world’s chaos. It is the moral measure of it, a nation that proves, even after centuries of hate, that the Jewish people still choose life.”
Sabine Sterk is the CEO of Time To Stand Up For Israel
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Pro-Palestinian LA Times Heiress Seizes Left-Wing Outlet to Push Agenda

May 1, 2024; Los Angeles, California, USA; A flag is waved during a sit-in outside of a pro-Palestinian encampment at the campus of UCLA. Violence broke out early in the morning at the encampment, hours after the university declared that the camp “is unlawful and violates university policy.” Photo: USA TODAY Network via Reuters Connect.
The pro-Palestinian daughter of the Los Angeles Times owner has recently been appointed publisher of the left-leaning outlet Drop Site News— a new platform for her to espouse her hateful views about Israel.
Nika Soon-Shiong, 32, daughter of billionaire Patrick Soon-Shiong, is no stranger to newsrooms. She has allegedly interfered behind the scenes at her father’s newspaper to influence coverage, meddling with headlines and clashing with editors who didn’t align with her activist agenda.
Soon-Shiong’s own public statements reveal a consistent hostility toward Israel and Zionism. On social media, she has displayed a Palestinian flag in her bio, dismissed the IHRA working definition of antisemitism, described Israel as an “apartheid state” that is engaged in “genocide” — and even alleged that the Los Angeles City Council was funding a “Zionist militia.”

It’s not journalistic malpractice to describe the state of Israel as an Apartheid state. This is well-established in international law. It’s the legal term for unlawful “killing, torture, forcible transfer, and denial of basic rights.” pic.twitter.com/hIoi3FiuSB
— Nika Soon-Shiong
(@nikasoonshiong) November 1, 2023
Despite this pattern of rhetoric aligning with fringe, hardline narratives rather than journalistic neutrality, Soon-Shiong has, since 2021, sat on the board of the Committee to Protect Journalists (CPJ) — an organization that redefines international law to designate terrorists as journalists.
How much influence has Soon-Shiong exerted on the CPJ? Even before the October 7 massacre and the resulting war, the CPJ published a report accusing the Israeli military of acting with “impunity” and severely undermining freedom of the press. This, even while according to the organization’s own data, Israel did not even feature in its so-called “Global Impunity Index,” which charts the countries in which press freedom is curtailed and where there is a lack of accountability when journalists are killed.
The double standards were glaring.
The CPJ has also been at the forefront of eulogizing so-called “journalists” who were killed in Gaza while working for outlets like Al-Aqsa TV and Quds News Network, which are affiliated with Hamas.
As we will see below, Soon-Shiong isn’t overly concerned when it comes to distinguishing between journalists and terrorists. One can only assume that this has played an active role in the CPJ’s willful blindness on this issue.
A New Platform for Anti-Israel Hate
So what happens if someone who brings both money and an extreme pro-Palestinian agenda is given her own media outlet?
We’re about to find out. Soon-Shiong has been appointed publisher of Drop Site News, a proudly left-wing outlet positioning itself as a corrective to what it calls mainstream media’s failure to cover “genocide” and “apartheid.”
It’s a media outlet devoted to delegitimizing Israel and promoting terrorist agendas. Alarmingly, its audience keeps growing.
The move provides Soon-Shiong’s ideological agenda a direct platform with more than 400,000 followers, which is most likely now set to receive a significant injection of cash.
Funding Gaza Journalists or Terrorists?
For starters, just before Soon-Shiong’s new role was announced, she launched a fund to support an undisclosed list of Gaza “journalists” whose vetting process raises questions about possible terror ties.
The fundraising initiative is run in partnership with Unmute Humanity, which describes itself as “a grassroots collective to disrupt media complicity and call for accurate reporting of the U.S.-funded genocide by Israel against Palestinians.”
The so-called “Gaza Journalist Fund” has already raised more than $200,000, but no list of beneficiaries has been published. Instead, the group says it supports “journalists who have appeared on Unmute Humanity’s Voices of Palestine webcast or weekly TikTok Lives, or individuals with whom Unmute Humanity maintains ongoing direct communication.”
In partnership with @unmutehumanity, @DropSiteNews launched the Gaza Journalist Fund. As Israel’s invasion of Gaza City escalates, the steep costs for evacuation and shelter are the line between life and death.
Donate at: https://t.co/AGAOXpIf7Q pic.twitter.com/xFVQSBIRYM
— Nika Soon-Shiong
(@nikasoonshiong) September 11, 2025
That vague “vetting process” has already spotlighted troubling figures. One is Bisan Owda, an Al Jazeera reporter exposed as a longtime member of the Popular Front for the Liberation of Palestine (PFLP) — a terror group responsible for suicide bombings, shootings, rocket fire, and the 2014 massacre of five Jewish worshipers in a Jerusalem synagogue. Unmute Humanity repeatedly promoted Owda across its platforms throughout 2024.
Another example is Anas al-Sharif, a Hamas operative who masqueraded as an Al Jazeera journalist until being killed by the IDF. Unmute Humanity openly eulogized him in posts and collaborations with other pro-Palestinian groups. Had he survived, it appears he would have been eligible for Soon-Shiong’s Gaza Journalist Fund.
Another “journalist” whose material was promoted is Mohammed Salama, a Hamas terrorist who posed as an Al Jazeera journalist and was targeted by the IDF together with al-Sharif.
If these examples are the norm rather than the exception, Soon-Shiong may effectively be financing terrorists under the guise of supporting Gaza reporting, through partnerships with groups that present them as journalists.
And she does not even try to hide her agenda.
Soon-Shiong also proudly announced her plans to turn her new media toy into an instrument of propaganda, for the sake of “the verdict of history”:
As I shared with @maxwelltani for @semafor, for media institutions that downplay genocide, ignore apartheid, and fail to cover America’s (profitable) role in foreign wars—the verdict of history will be merciless.https://t.co/sbeuvJCBb2
— Nika Soon-Shiong
(@nikasoonshiong) September 19, 2025
And Drop Site News’ Middle East editor recently explained — in an agenda-driven panel with CPJ’s CEO and former head of Human Rights Watch — that journalists should join the Gaza-bound flotilla (and thus take part in a blatant breach of international maritime law) because avoiding it is a “political” decision.
At a Columbia Journalism School panel on press freedom in Gaza, moderator Azmat Khan revealed CNN editors barred one of their reporters from joining the Gaza-bound Global Sumud Flotilla. Drop Site’s @SharifKouddous explained the risks and reasoning behind sending our editor Alex… pic.twitter.com/9jbNCTYK92
— Drop Site (@DropSiteNews) September 28, 2025
Many questions arise: How much cash is Soon-Shiong funnelling into Drop Site News? Is she planning to tighten her grip on her father’s newsroom, too? And who are the so-called “journalists” in Gaza now poised to receive US dollars?
The American public is owed absolute transparency — because when media power and US money are funneled into agendas that imperil Jewish lives — silence is complicity.
HonestReporting is a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
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Satire on ‘Saturday Night Live’ used to be a deadly weapon; is it still enough in the Trump era?

A funny thing happened when I went to Austin last week. My youngest child, Basil, a junior at the University of Texas, and I paid a visit to the university’s Harry Ransom Center.The crown jewel of UT, the Center is named after its founder, Harry Huntt Ransom, who began as a professor of English at the university and ultimately became its visionary president. In a speech he gave to the Philosophical Society of Texas in 1956, he declared “that there be established somewhere in Texas — let’s say in the capital city — a center of cultural compass, a research center to be the Bibliothèque Nationale of the only state that started out as an independent nation.”

Nearly 75 years later, the massive stone and glass building in the heart of the campus stands as the realization of Ransom’s dream. The Center’s holdings include nearly one million books along with some 42 million manuscripts, five million photographs, and 100,000 works of art; the manuscripts of Gabriel Garcia Marquez, Doris Lessing, Jack Kerouac and Ezra Pound are here; so are the papers of Albert Einstein and Robert de Niro; even original works by Frida Kahlo and Pablo Picasso.
Three of those last four iconic figures also appear in the Ransom Center’s most recent acquisition: the papers of Lorne Michaels.
Born Lorne Lipowitz in Toronto in 1944 — and not, as some folks still believe, on a kibbutz in Israel — Michaels is, of course, the creator of Saturday Night Live, the weekly NBC television comedy show that has been running, and often stumbling, since 1975. (Now 80 and with no plans to retire, Michaels has said he would like “Uneven” inscribed on his tombstone.)
The collection begins with Michaels’ years in theater productions at the University of Toronto and his early work in television — including his stints with The Beautiful Phyllis Diller Show in 1968 and, that same year, Rowan & Martin’s Laugh-In — before moving on to the half-century of SNL as well as the dozens of films on which Michaels served as producer.
As my Longhorn and I visited the just-opened and eye-popping SNL exhibit, I noticed, with a surge of verklempt, the index cards that Michaels tacks to a bulletin board every Friday, outlining the segments of the following night’s show. The show, after all, has to go on — a huge weight for a handful of cards to carry. According to his recent biographer Susan Morrison, Michaels often shakes his head slowly as he gazes at the index cards, concluding “We have nothing.”
But as anyone with a good memory or, lacking that, a good pair of walking shoes knows — the exhibit covers figuratively and literally a good deal of ground — there is much ado, and much to do, with that nothing. It is impossible to exaggerate the show’s impact on American culture and politics. There are, of course, the gag lines that have bled into everyday usage where the user usually has no idea of the line’s origin, such as Gilda Radner’s Emily Litella, who ends every misunderstanding with “Nevermind” and Stuart Smalley aka Al Franken’s mantra: “I’m good enough, I’m smart enough, and doggone it, people like me.” And, of course, the motivational blast of Matt Foley, played by Chris Farley, “I live in a van down by the river” as well as, yes, Mike Myers’ Linda Richman, who punctuates her monologues with “I’m getting a little verklempt.”
Yet, while this sort of humor zeroes in on cultural fads and ethnic tics, SNL has also specialized in satire with political bite, such as Will Ferrell’s coinage “stratergery” in his brilliant impersonation of George W. Bush — which, hilariously, Dubya proudly assumed he had himself coined — or the 2016 debates between Alec Baldwin’s Donald Trump and Kate McKinnon’s Hillary Clinton. In a small theater at the exhibit, this very sketch was repeatedly replayed. As I watched and listened — not for one, but two replays — I noticed that the knots of visitors, while mesmerized, did not often laugh. The silence was especially loud when Baldwin, playing Trump, suddenly given two more minutes to talk, lurches into this hallucinatory riff:
“The thing about the Blacks is that they’re killing each other. All the Blacks live on one street in Chicago, all on one street. I just read that this morning. It’s called ‘Hell Street’. And they run Hell Street and they’re all just killing each other. Just like I am killing this debate.”
In 2016, silence from the audience in Studio 8H would have been unimaginable; a decade later, laughter seems equally unimaginable. With the events now unfolding in Chicago and other “Democrat” cities under Trump 2.0, Baldwin’s rant is more a matter for laments than laughs. Perhaps some of the visitors wondered, as I did, what the Republican state leaders, housed just a short walk away in the capitol, would have thought of their state’s premier university showcasing this sketch. (One need not wonder very long,though, given that Jay Hartzell, the university’s former president, decided to resign rather than resist pressures from crusading Republicans to enforce the state’s ban on the use of DEI.)

Perhaps more important, the sketch raises a question worthy of “Coffee Talk” as well as for our collective and growing vibe of verklempt: Is comedy, even the middle of the road satiric fare at which SNL excels, the proper response to the tragic situation our country now faces? The answers to this question, long debated by political thinkers and actors, generally fall into two camps. In the first camp are those who believe that laughter is subversive, a weapon of the weak that reveals, through mockery and, as Dubya might say, snarkery, the incoherence of their justifications for taking power and the corruption that inevitably follows.
In short, comics show us an emperor with no clothes. This is a notion that Trey Parker and Matt Stone of South Park, unlike Michael’s middle-of-the-road SNL, have taken quite literally this year.
But as those in the other camp point out, even the sight of a butt-naked Donald Trump in bed with Satan has hardly dented the standing of a man who would be emperor. This camp’s slogan, to paraphrase W.H. Auden’s famous line about poetry, is that comedy makes nothing happen. Or, even more discouraging, it makes matters even worse. Comedy distracts us from grave matters at hand and, by diluting every event through entertainment, deadens our sense of outrage at the sheer cruelty and stupidity of this administration. Amusement, the sociologist Neil Postman observed 40 years ago, is “the supra-ideology of all discourse on television.”
Even, it seems, when the entertainment might qualify as Jewish humor. The efforts that have been made to explain Michaels’ humor, and that of SNL, through the prism of Michaels’ Judaism have mostly fallen flat for a simple reason: When Lorne Lipowitz opted to become Lorne Michaels, the biographer Morrison suggests, he also opted out of his Jewish upbringing. Morrison quotes one colleague who said that Michaels’ “yeah-yeah-yeah-yeah” verbal tic “is the one bit of Jewishness still left in him.” And yet, a way of being and seeing is not so easily uprooted. In Morrison’s book, Conan O’Brien marvels at his old boss’s achievement: “A Jewish kid who started out with a furrier for a father, and he somehow makes it to this place? Our insecurities, our defense mechanisms, are what we use to survive, and they build up, like plaque.”
Those insecurities and defense mechanisms, so fundamental to Jewish humor, are no longer unique to Jews in the Age of Trump. When we left the Ransom Center, Basil and I chatted about this subject. They thought there was something Jewish, or at least Jewishy, about the show. When I asked what made for Jewish humor, they paused before replying that it was self-deprecating yet also irreverent. This observation struck me as right, but also worrying. When the target of our humor is a president whose utter lack of reverence for our nation’s laws and norms endangers us all, irreverence makes for a dubious weapon, even for the weak.
The post Satire on ‘Saturday Night Live’ used to be a deadly weapon; is it still enough in the Trump era? appeared first on The Forward.