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The mysterious disappearance of Yemenite children in Israel is the focus of a new play
(New York Jewish Week) — Shortly after the State of Israel was founded, Shanit Keter-Schwartz was born on a dirt floor, in a hut made of aluminum siding outside the burgeoning town of Tel Aviv. She was the second of six children, the daughter of Yemenite Jews who had recently immigrated to the new country. They’d faced discrimination and violence in their country of origin, so when Jewish emissaries turned up in 1949 to bring 50,000 Yemenite Jews to Israel as a part of “Operation Flying Carpet,” they were all in.
Unfortunately, Keter-Schwartz’s upbringing in Israel was no magic carpet ride. “[Yemenite Jews] were seen as savages, primitive, inferior in the eyes of the Ashkenazi Jews,” Keter-Schwartz recalled in an interview with the New York Jewish Week. “They were not sophisticated or educated. It was a cultural domination, a collective trauma in Israel. They faced war, hunger, poverty, and living in very harsh conditions.”
The worst, though, wasn’t near-starvation due to rationing, or the harsh conditions of the shanty towns that these new immigrants were placed in, or the way European children wrinkled their nose at her and called her smelly. No, the worst was when the government stole her sister, Sarah, whom Keter-Schwartz never saw again.
In what has become known as the Yemenite Children Affair, more than 1,000 children of Yemenite, Mizrahi and Balkan descent were separated from their children during the first decade of Israel’s existence. The families and their advocates have long insisted, over denials by officials, that the children were taken from their families by the Ashkenazi government during the first decade of Israel’s existence. More often than not, parents were told their children had died when they had, in fact, been given to families of European descent for adoption, according to Amram Association, one of several organizations dedicated to documenting these abductions and advocating for victims’ families.
Now, Keter-Schwartz — a writer and performer who lives in Los Angeles, and a mother to two grown daughters — has brought to life her family’s story and her search for her missing sister in the form of a one-woman show. Premiering on Thursday at New York City Center, and running through May 15, “Daughter of the Wicked” chronicles her family’s journey from the Yemenite ma’abarot (refugee camps) to shikunim (government housing projects), where they lived in a tiny two-room apartment amid a melting pot of Jewish immigrants who were often at odds with one another.
“It is overcrowded, and the people who live here come from many different places. In their countries they were… respected by their communities,” she says in the show, which is named after one of the many Yemenite curses her mother would hurl at her when she’d done something wrong. “But here [in Israel] they are forced into stereotypes.”
“Israel had no choice but to bring the Jews from the Arab countries because the European Jews population had been greatly diminished after the Holocaust, but they didn’t want us,” Keter-Schwartz told the New York Jewish Week. “They took control of our lives, tried to assimilate us, wanted the whole country to be secular and uniform. They made all the decisions for us.”
One such “decision” made by the government, she said, was to remove her oldest brother, Yossi, from the family home to “re-educate” him at an Ashkenazi kibbutz. It worked: Yossi returned as a proud secular farmer, disdainful and ashamed of his spiritualist, religious family and their traditional ways.
The disappearance of her baby sister, Sarah, inspired Keter-Schwartz’s play, which is also informed by the kabbalistic teachings of her father. (Russ Rowland)
In the case of Keter-Schwartz’s sister, the abduction occurred directly after she was born. “When my father went to the hospital to pick up the twins, my siblings, he returned only with David. They told him that the girl, Sarah, was sick, and he should come back the following day. But when he came back, they told him that she had died,” Keter-Schwartz said. “Being naive, he didn’t question this. He didn’t ask to see a death certificate. He didn’t even know [a certificate] existed. He didn’t demand to see her body, didn’t think to bury her or give her funeral rites. He never suspected for a minute they could deceive him.”
This story, and others, is conveyed in “Daughter of the Wicked” through a series of monologues, each tied to an idea from Kabbalah,the Jewish mystical tradition. Keter-Schwartz defines each concept — like ahava (love), metsuka (hardship), busha (shame) — then tells a personal story that relates to the topic.
With this framework, Keter-Schwartz pays homage to her father, a spiritualist rabbi who spent his days poring over holy texts and divining the true meaning of the universe. She reads from his writings — which were collected and published towards the end of his life as a book, “Nachash HaNechoshet” — detailing her complex relationship to a man who was both an inspiration and, at times, inscrutable to all around him.
“The play is set in a hotel room, while I’m waiting for my sister to show up,” Keter-Schwartz explains. “As I wait, I tell my life. Behind me, on three screens, there’s archival footage from the 1950s that I got from Steven Spielberg’s archive. That footage tells the story, too, and so does the music.” The accompanying music, which transitions the audience from segment to segment, was written by Israeli composer Lilo Fedida, using traditional Yemenite melodies and instruments.
“We lived with this [tragedy] all my childhood, and I’ve been wondering all these years about my missing sister,” said Keter-Schwartz. “If I see her on the street, will I recognize her? Where does she live? Is she happy? I felt guilty that I never really tried to find her, I was so busy with my own life. But now I need to know.”
As a young woman, Keter-Schwartz said she went to great lengths to distance herself from her family’s tragedies. She lived in Amsterdam, London and New York, finally finding her footing in Los Angeles. She changed her name — from Shoshana to Shanit — and declared herself a new person in a new land. It was only when she lost all but one of her siblings, as well as both parents, that she felt an urge to revisit the past. When her last surviving sibling got so ill he almost died, she swore to search for Sarah. Initially, the idea was just to hire a private investigator to try to locate her. During her search, though, she began to feel an urge to share her story.
“I’d never written a play, so it took me two years [working] with coaches,” says Keter-Schwartz. “I’ve been an actress all my life, I’ve edited other people’s scripts, I produced movies, but to actually write — ha! I had amazing coaches. I’m especially grateful to Yigal Chatzor, the Israeli playwright. He brought the Israeli spice and the humor, which is wonderful now because now the play is balanced. It’s heart-wrenching and it’s hysterical. It’s everything, you know.”
The Yemenite Children Affair has never been formally confirmed by the state of Israel, which maintains the position that most of the babies died of malaria or malnutrition and were not, as some have proposed, sold to Ashkenazi families in exchange for donations to the young country. Several government-led commissions have claimed that there was no official wrongdoing, but testimonies continue to emerge that suggest otherwise. According to a 2016 article in Yediot Ahronot, a prominent Israeli news source, the government has sealed the official records of these disappearances until 2071, despite ongoing demonstrations and demands for actions.
In 2021, the Israeli government authorized tens of millions of dollars in reparations to families whose children disappeared while in government care. Nonetheless, no official admission of guilt or apology has been issued, a fact which caused many affected families to reject the plan, calling it “hush money.” Only a fraction of the affected families are eligible for these payments and, according to recent reporting, very few have claimed the money. Less than 1% of the allocated funds have been distributed thus far.
For Keter-Schwartz, no amount of money could compensate for the loss of her sister. She’s more interested in creating connections with others who lost family members and bringing awareness to this chapter in Israeli history. “Going back to my roots, revisiting the past, is an act of forgiveness,” Keter-Schwartz said in a statement. “By writing this play, I was able to forgive and accept the past. I hope that when audiences see my play they come to terms with their own history, and that they feel a sense of what it means to be free, and the challenges that confront us in maintaining that freedom.”
That is a major throughline of “Daughter of the Wicked”: Keter-Schwartz does not forsake the country that gave her her identity and childhood; rather, she insists on loving it while demanding recognition of past wrongs. Towards the end of her show, Keter Ashkenazi raises both arms to the sky and screams at those who wronged her: “My country! I blame you, shame on you for forsaking us, shame on you!”
But then, she lowers her arms and says, voice cracking with heartbreak: “I love you, I blame you, I love you. My country, I love you.”
—
The post The mysterious disappearance of Yemenite children in Israel is the focus of a new play appeared first on Jewish Telegraphic Agency.
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The PA Just Made More ‘Pay-for-Slay’ Payments; Here’s How the US and EU Could Stop It
The opening of a hall that the Palestinian Authority named for a terrorist who killed 125 people. Photo: Palestinian Media Watch.
Palestinian Media Watch (PMW) reported yesterday that the Palestinian Authority (PA) is continuing its Pay-for-Slay payments outside the PA areas, beyond US and EU donor oversight.
Families in Jordan and Syria confirmed the salaries were paid earlier this week. Yesterday, families in Lebanon also reported receiving their Pay-for-Slay payments. Families in Egypt were told to expect the payments, “Thursday or the beginning of next week.”
So, how is the PA keeping these monthly terror salaries flowing without triggering EU and US scrutiny?
The PA’s own budget exposed the foreign Pay-for-Slay payments
The PA’s 2017 budget book included a breakdown of how many “Martyrs and wounded” families receive monthly allowances — both inside and outside PA-controlled areas. (The PA has not published the figures about the number of Martyr family recipients since 2017.)
Although the file is no longer available online, PMW downloaded it at the time.
The relevant section on page 622 states:
13,500 families of Martyrs and wounded received monthly allowances. The Institution [for Care of the Families of the Martyrs and the Wounded] pays monthly allowances to the families of the Martyrs and the wounded through the institution’s branches abroad.
The budget continues:
21,500 families of martyrs and wounded inside the homeland (the PA areas and Israel) received allowances. Providing financial allowances to the families of the Martyrs and the wounded inside the homeland through the institution’s branches.
This was the PA admitting — in its budget — that it maintained an organized foreign-branch system to pay 13,500 terror “allowances” outside the “homeland.”
The minimum foreign Pay-for-Slay total: NIS 18.9 million per month
Under PA regulations, the minimum monthly payment to “Martyrs’ families” is 1,400 shekels.
The 2017 figure for overseas recipients:
- 13,500 families × 1,400 shekels = 18,900,000 shekels per month
This figure of 18.9 million is clearly a minimum for 2026:
- Payments rise based on family status (+400 shekels for a wife and +60 shekels for each child). For simplicity, PMW has ignored the extras.
- The number of eligible “Martyrs” families has certainly increased since 2017.
- PMW did not calculate the exiled Palestinian released terrorist prisoners who have continued to receive monthly payments.
The method: The PA hides foreign payments under the PLO heading
This money avoids EU and US donor scrutiny because the PA does not pay terrorists’ families outside the country through the PA’s local Commission of Prisoners. Instead, the PA routes payments through the PLO, where donors are not demanding transparency.
Donors scrutinize PA payments; donors do not scrutinize PLO payments. The PA exploits that gap.
Looking at the PA transfers to the PLO in 2025 confirms PMW’s analysis.
In 2025, the PA reported transferring to the PLO 269,434,600 shekels, averaging 22.5 million shekels per month, listed as “transfer expenses” — the budget category used to describe the terrorist payments.
That number aligns cleanly with what the PA already documented in 2017:
- Foreign terror payments in 2017 were NIS 18.9 million/month (minimum)
- A 2025 monthly transfer average of NIS 22.5 million/month to cover these “transfer expenses” reflects an expected increase over eight years
Case study: Ahlam Tamimi — paid in Jordan, protected from scrutiny
This month, Ahlam Tamimi should have received 6,000 shekels, bringing her total PA salary since arrest to 1,158,800 shekels.
Tamimi is one of the most notorious freed terrorists. She orchestrated the Sbarro restaurant bombing, in which 15 people — including 8 children — were murdered. Two victims were US citizens. After being released in the Gilad Shalit deal, Tamimi was exiled to Jordan.
According to PA law, released prisoners continue receiving monthly salaries. Tamimi has therefore continued receiving her PA salary while living outside PA areas. As a celebrated PA figure, there is no reason her payment would have stopped, meaning she certainly would have received her salary this week with the thousands of other Jordanian Pay-for-Slay recipients.
If the US and EU want to seriously eliminate Pay-for-Slay, they must stop ignoring PA transfers to the PLO.
PMW recommends that the US and EU demand full disclosure of the recipients of “transfer expenses” in the PLO’s budget, including the names and countries of where the PA is paying terrorists and their families beyond donor oversight.
As long as the donors turn the other way and ignore the foreign payments, even the PA “reform” of Pay-for-Slay will remain a sham, and Pay-for-Slay will continue, on schedule, every month.
The author is the Founder and Director of Palestinian Media Watch, where a version of this article first appeared.
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Chabad attack suspect had previously sought ‘spiritual guidance’ from rabbi
The 36-year-old man arrested after repeatedly crashing into the entrance of the Chabad-Lubavitch world headquarters in Brooklyn on Wednesday night has a history of engaging with Chabad.
Rabbi Levi Azimov, who leads Chabad of South Brunswick in New Jersey, said the suspect, who has not yet been identified by police, attended a Purim service at Chabad in March of last year. He visited there twice more, seeking spiritual guidance, Azimov told the Forward.
“I was able to talk to him for a few minutes and see that he’s not exactly stable,” Azimov said.
Video confirmed by eyewitnesses shows the suspect repeatedly ramming his grey Honda sedan into the doors at 770 Eastern Parkway in the Crown Heights neighborhood, the main headquarters of the Chabad movement and one of the most recognized Jewish buildings in the world.
The video shows the driver yelling at bystanders to move out of the way before he drove down a ramp leading to the doors.
Video from Daniel David Yeroshalmi via Storyful:
Police arrived at the scene around 8:45 p.m. and arrested the individual. There were no reported injuries. A bomb squad conducted a sweep of the vehicle and found no explosive devices, police said.
According to Chabad spokesperson Yaacov Behrman, the suspect had arrived at 770 Eastern Parkway earlier in the night and removed two metal bollards that block cars from going down the driveway toward the building.
The incident took place on the 75th anniversary of the date that Rabbi Menachem Mendel Schneerson became the leader of the Lubavitch movement. Thousands were gathered Wednesday night at the movement’s headquarters — Schneerson’s former home.
Rabbi Motti Seligson, a spokesperson for the movement, said on X that the ramming “seems intentional, but the motivations are unclear.” The evening’s festivities would carry on elsewhere undeterred, he said. Rabbi Mordechai Lightstone, Chabad’s social media director, said in a post on X that the attack did not appear to be antisemitic.
The attack follows a rash of antisemitic incidents across the city. On Tuesday, a rabbi was punched in Forest Hills, Queens, and last week, a playground frequented by Orthodox families in the Borough Park neighborhood in Brooklyn was graffitied with swastikas two days in a row. In both incidents, the suspects have been arrested. Antisemitic incidents accounted for 57% of reported hate crimes in New York City in 2025.
The incident is being investigated as a hate crime, said Police Commissioner Jessica Tisch.
Additional reporting by Jacob Kornbluh and Louis Keene.
The post Chabad attack suspect had previously sought ‘spiritual guidance’ from rabbi appeared first on The Forward.
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Shiri Shapira’s Yiddish stories reflect the anxieties of millennials
שירי שאַפּיראַס ליטעראַרישע שאַפֿונג איז שױן באַקאַנט די לײענערס פֿון „פֿאָרװערטס“. די העלדן פֿון אירע דערצײלונגען, װאָס זײַנען אַרײַן אינעם בוך „די צוקונפֿט“, זײַנען ישׂראלדיקע מענער און פֿרױען פֿון אַ גאַנץ יאָר, די מחברטע בתוכם. זײערע דאגות זײַנען װעגן פּרנסה, משפּחה, געזונט און וכּדומה. אָבער הינטער אָט דעם טאָג־טעגלעכן שטײגער שטעקט אַ נײַע פּערזענלעכע דערפֿאַרונג, װאָס אַנטפּלעקט זיך אין אַ קריטישן מאָמענט און עפֿנט אָפֿט מאָל אַ נײַע תּקופֿה אין זײער לעבן.
בײַם 13־יאָריקן מײדל אין דער דערצײלונג „די צוקונפֿט“, װאָס עפֿנט דאָס בוך, האָט זיך די נײַע תּקופֿה אָנגעהױבן אין 2001. די טעראָר־אַטאַקע אױף ניו־יאָרק האָט זיך צונױפֿגעפֿאַלן מיט אַ טעראָר־אָנפֿאַל אין איר שטאָט:
„אין יאָר 2001 איז געקומען דער ערשטער טעראָר־אָנפֿאַל אין אונדזער שטאָט. די השפּעות אויפֿן טאָג־טעגלעכן לעבן זענען געווען גרויס. מע האָט אָנגעפֿירט אָנסופֿיקע שמועסקרײַזן צום אָנדענק פֿון איין קרבן פֿון אונדזער שול, וועמען איך האָב ניט געקענט; יעדן פֿרימאָרגן האָב איך געדאַרפֿט קוקן אויף זײַן שמייכלענדיק, פּרישטשעוואַטע פּנים אויפֿן בילד, וואָס מע האָט געהאַט פֿאַרגרעסערט און אויפֿגעהאָנגען לעבן דעם שולטויער.“
אַזױ האָט דאָס יאָר 2001 אַרײַנגעבראַכט די „טעראָר־אָנפֿאַלן פֿון דער צוקונפֿט […] הױך ביז אין הימל אַרײַן, גלאַנציקע, זילבערנע“, װאָס זײַנען געװאָרן אַ באַשטאַנדטײל פֿון דער נײַער טאָג־טעגלעכקײט אי פֿאַר שאַפּיראַ אי פֿאַר מדינת־ישׂראל אי פֿאַר דער גאַנצער װעלט.
דאָס װאָרט „צוקונפֿט“ איז סײַ דער טיטל פֿונעם גאַנצן בוך און סײַ דאָס קעפּל פֿון דער ערשטער און דער לעצטער דערצײלונג. דער דאָזיקער באַגריף דינט װי אַ שליסל צו שאַפּיראַס שאַפֿונג. בײַ דער מחברטע און אירע העלדן איז די צוקונפֿט געפֿערלעך און אומזיכער. אַזאַ מין געפֿיל שפּיגלט אָפּ די אַלגעמײנע שטימונג פֿונעם „מילעניאַל“ דור (געבױרן צװישן די 1980ער און 1990ער יאָרן), צו װעלכן זי געהערט.
„די צוקונפֿט“ איז אױך דער נאָמען פֿון אײנער פֿון די װיכטיקסטע ייִדישע צײַטשריפֿטן, װאָס איז פּובליקירט געװאָרן אין ניו־יאָרק צװישן די יאָרן 1892 און 2010. אין אַ קאַפּיטל זכרונות דערצײלט שאַפּיראַ װעגן דעם, װי זי האָט קאַטאַלאָגירט אַרטיקלען פֿונעם דאָזיקן זשורנאַל פֿאַרן ייִדישן ביבליאָגראַפֿישן פּראָיעקט אינעם העברעיִשן אוניװערסיטעט אין ירושלים. אַזױ בױט זי אַ טעמאַטישע בריק צו ייִדיש, װאָס פֿאַרנעמט אַ חשובֿן טײל פֿון איר לעבן.
לכתּחילה האָט זי געהאָפֿט, אַז זי װעט קענען לײענען די צײַטשריפֿט און „זיך לערנען אָן אַ שיעור וועגן ייִדישער געשיכטע.“ אָבער אַנשטאָט דעם האָט זי געלײענט די טאָגלעכע נײַעס װעגן טעראָריסטישע אָנפֿאַלן אין ישׂראל בעת דער אַזױ־גערופֿענער „יחידים־אינטיפֿאַדע“. די ישׂראלדיקע הײַנטצײַטיקײט מאַכט בטל דעם שײנעם צוקונפֿט־חלום פֿון די אַמאָליקע ייִדישע סאָציאַליסטן: „ווער רעדט נאָך וועגן עפּעס אַ צוקונפֿט? די צוקונפֿט איז שוין אַ געוועזענע זאַך.“
שירי שאַפּיראַ פֿאַרמאָגט אַ שאַרפֿן חוש פֿאַר צײַט און הײַנטצײַטיקײט. די צײַט אין אירע מעשׂיות פֿליסט כּסדר מאָנאָטאָן אָבער צומאָל ברענגט זי אַרײַן בײַטן אינעם לעבן פֿון יחידים און פֿונעם כּלל. די סתּירה צװישן דעם גלײַכמעסיקן צײַטגאַנג און דעם פּלוצעמדיקן צײַטבראָך פֿילט מען ספּעציעל שאַרף אין ישׂראל. יעדער טאָג טראָגט אין זיך אַ פּאָטענציעלע סכּנה.
װי אַזױ קען אַ פּשוטער בשׂר־ודם זיך געבן אַן עצה אין דעם הײַנטיקן פּאָליטישן װירװאַר? װאָס איז טאַקע די נאַטור פֿון דער צײַט?
שאַפּיראַ דערמאָנט זיך: „מיידלווײַז האָב איך געהאַט אַ רושם, אַז פֿאַר דער פֿאַרגאַנגענהייט בין איך אָנגעקומען צו שפּעט, און אַז פֿאַר דער צוקונפֿט טויג ניט קיין מענטש, וועמענס פֿאַרגאַנגענהייט איז אים פֿאַרווערט.“ אַ סבֿרא, אַזאַ מין קשיות האָבן זי געשטױסן צו שטודירן פֿילאָסאָפֿיע אינעם אוניװערסיטעט.
דער פֿילאָסאָפֿישער יסוד איז װיכטיק פֿאַרן פֿאַרשטײן שאַפּיראַס ליטעראַרישער שאַפֿונג. אָבער װי אַ געניטע שרײַבערין קען זי קונציק אַרײַנפֿלעכטן די פֿילאָסאָפֿישע חקירות אינעם נאַראַטיװן לײַװנט פֿון אירע דערצײלונגען.
שאַפּיראַס העלדן לעבן אין ישׂראל און רעדן העברעיִש. לרובֿ קענען זײ ניט קײן ייִדיש. זי אַלײן איז אַ העברעיִשע שרײַבערין װאָס האָט איבערגעזעצט אַ היפּשע צאָל ליטעראַרישע װערק פֿון דײַטשיש אױף העברעיִש. איז אױף װאָס דאַרף מען ייִדיש? אַן ענטפֿער אױף אַזאַ פֿראַגע לאָזט זיך געפֿינען אין אירע דערצײלונגען.
דאָס עלטערע פּאָרפֿאָלק בני און דליה, אין דער דערצײלונג „ערדציטערניש“, האָט איבערגעלעבט אַן ערדציטערניש אין ירושלים. זײער מאָדערנע דירה איז ניט געשעדיקט געװאָרן, אָבער אַ סך געבײַדעס אינעם פּאַלעסטינער פּליטים־לאַגער שואַפֿאַט אינעם מזרחדיקן טײל פֿון דער שטאָט זײַנען יאָ חרובֿ געװאָרן און אַרום 700 מענטשן זײַנען אומגעקומען. זײער אַראַבישע אױפֿראַמערין איז פֿאַרפֿאַלן געװאָרן און קײנער װײסט ניט, װאָס עס איז מיט איר געשען.
בײַ דעם פּאָרפֿאָלק גייט דאָס לעבן װײַטער װי פֿריִער. זײ האָבן אין גיכן פֿאַרגעסן אָן דער אױפֿראַמערין, בפֿרט אַז זײ האָבן אַפֿילו ניט געװוּסט, װי אַזױ מען זאָל אַרױסרעדן איר נאָמען. ייִדן און אַראַבער זײַנען תּושבֿים פֿון דער אײגענער שטאָט אָבער באַװױנען פֿאַרשײדענע װעלטן.
יעדן אָװנט עסן בני און דליה װעטשערע, קוקן אַ טעלעװיזיע־פּראָגראַם און כאַפּן בעת־מעשׂה אַ דרעמל. אָבער עפּעס נײַס קומט טאַקע פֿאָר אין זײער לעבן. זײ פֿאַרשרײַבן זיך אױף ייִדיש־קורסן. כאָטש זײ געדענקען כּמעט גאָרנישט פֿון ייִדיש, װאָס זײערע עלטערן האָבן אַ מאָל גערעדט האָפֿן, אַז „זיי וועלן זיך לערנען כאָטש עפּעס, איידער סע קומט דאָס קומעדיקע ערדציטערניש.“
דאָס ערדציטערניש דינט װי אַ מעטאַפֿאָר פֿאַר דראַמאַטישע און טראַגישע געשעענישן, װאָס טרעפֿן זיך אין ישׂראל. אַזוינע אומגליקן רײַסן איבער דעם מאָנאָטאָנעם צײַטגאַנג אָבער אין גיכן גײט דאָס לעבן װײַטער װי פֿריִער. און אין די דאָזיקע מאָמענטן קומט ייִדיש אַרײַן װי אַ מין געשפּענסט פֿון דער ייִדישער געשיכטע, בײַ װעמען מען קען אָנלערנען „כאָטש עפּעס“ פֿאַרן קומעדיקן איבערבראָך.
שאַפּיראַ דערמאָנט זיך װעגן אַ געפֿיל, װאָס האָט זי מײדלװײַז באַאומרויִקט: „איך בין געווען גאָר יונג און האָב געמיינט, אַז אַלע מענטשן אַחוץ מיר געבן זיך אַן עצה אין אַלע פֿאַלן, אַז אַלע זענען גוט פֿאַרוואָרצלט אין זייער לעבן, און נאָר איך שוועב אין דער לופֿטן, ניט וויסנדיק וווּ זיך אַהינצוטאָן.“ און דװקא ייִדיש שאַפֿט אַ מין גײַסטיקן מקום־מלקט װוּ מען קען „זיך אַהינטאָן“ און געפֿינען היסטאָרישע װאָרצלען.
צומאָל װערט שאַפּיראָס טאָן ביטער־איראָניש, בפֿרט װען ס׳גײט װעגן דעם לײדיקן גורל פֿונעם שרײַבער אין דער הײַנטיקער געזעלשאַפֿט. די העלדין פֿון דער דערציילונג „זעלבסטפּאָרטרעט װי אַ העברעיִשע שרײַבערין“ חלומט װעגן אַן אידעאַלן לײענער:
„ער קומט צום אָוונט לכּבֿוד מײַן ערשט בוך, מײַן דעביוט. […] דאָ זיצט אַ מאַן, שיין ווי די וועלט, און הערט זיך צו צו מײַן פּלאַפּלערײַ וועגן דער שווערער,
אויסגעצויגענער אַרבעט אויפֿן טעקסט, אַפּלאָדירט ענערגיש, ווען די מוזיקערס ענדיקן זייער טייל.“
דער מאַן האָט צװײ מאָל איבערגעלײענעט איר בוך און האָט טיף פֿאַרשטאַנען איר נשמה. זײער באַגעגעניש ענדיקט זיך אין בעט: „דערגרייכנדיק צום שפּיץ, לאָזט ער אַרויס אַ זיסן זיפֿץ, אַ זאַטן געזאַנג, ווי אַן ענטוזיאַסטישע, שאַרפֿזיניקע רעצענזיע.“
שאַפּיראַס דערצײלונגען זײַנען פֿײַנע מוסטערן פֿון דער עכטער ערנסטער ליטעראַטור, װאָס זוכט ענטפֿערס אױף די הײסע פֿראַגן פֿונעם מענטשלעכן קיום. זײ שפּיגלען אָפּ די איצטיקע צײַט װי אַ פֿליסיקער מאָמענט פֿונעם גרױסן היסטאָרישן איבערבראָך.
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