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The real Jewish history in ‘History of the World: Part II’: Part I
Spoilers for “History of the World: Part II” follow.
(JTA) – Finally fulfilling the promise Mel Brooks made in 1981, the long-belated “History Of The World: Part II” brings us … “Hitler on Ice.”
For a sketch first teased during the end credits of Brooks’ film “History Of The World: Part I,” the leader of Nazi Germany can be seen attempting to land some difficult moves (perhaps a triple Axis?) at an Olympics-like skating competition.
Needless to stay, Hitler wasn’t known as a figure skater. But some aspects of the sketch — such as why collaborationist Vichy France would give the Nazi leader’s routine a perfect score — might benefit from a more detailed understanding of the real history that’s being pilloried.
The same goes for the sendups of Christianity, the Russian Revolution and Henry Kissinger — all historical events and figures depicted in the first episodes of the series, which landed on Hulu on Monday. Produced by Brooks and offering up its share of his Catskills-style Jewish humor, the eight-episode, four-night romp through history stops frequently on items of Jewish interest. Some sketches recur throughout the series.
So here is your guide to the real-life Jewish history of “History of the World: Part II,” to be updated daily as new episodes drop.
The Russian Revolution
In a longer narrative first introduced in Episode 1, the show’s depiction of the fall of the Russian Empire is a high-wire blend of parodies and stylistic influences, as well as a crash course on Russian antisemitism.
It begins with a grody depiction of early-1900s Jewish shtetl life borrowing heavily from “Fiddler on the Roof.” Mud-pie dealer and patriarch Shmuck Mudman, played by Jewish actor Nick Kroll, uses a truncated song-and-dance number (“Submission”) to encourage his feisty son to follow Jewish traditions and stay away from cosmopolitan life in Moscow. But his son is unconvinced: “The shtetl stinks, it’s no place for a Jew.” Like Anatevka, the tiny Jewish village from “Fiddler,” the Jews are heavily implied to be living in the “Pale of Settlement,” the only region of the Russian Empire where Jews were permitted to live starting in the early 19th century and lasting until the Russian Revolution in 1917. State-backed schooling and “Russianization” programs sought to erode Jewish communal identity and replace it with a Russian national identity; a small number of Jews were allowed to work or study beyond the Pale if they had special skills.
In “History,” the Mudmans, including a mother played by Jewish comic Pamela Adlon, are menaced by the Cossacks, the Ukrainian mercenaries and feared horsemen who carried out a series of pogroms agains the Jews often at the behest of the Russian state. Meanwhile, the gilded Romanov family are depicted as Kardashian-like beauty influencers headed up by Tsar Nicholas II (Danny DeVito), who discovers their empire is on the brink of collapse.
In real life, the Russian Revolution liberated the state’s Jewish population with the fall of the tsar in 1917, and a large percentage of Communist party members at the time were Jewish. (Like DeVito, Nicholas II in real life was a short man, around five-foot-six.) In the decades to follow, Communist rule would come to have a devastating effect on the Jews of the Soviet Union, suppressing their religion and culture, and purging many of the Jewish party members.
Hitler on ice
It’s hard to impress a team of international judges when you’re the genocidal maniac who tried to conquer them.
In the skit, Hitler is despondent when judges from the countries in which he waged war all give him zeroes — with the exception of Vichy France, which awards him a perfect score, and Poland, which awards him an expletive. (It’s an uneasy restaging of the line “Winter for Poland and France,” from “Springtime for Hitler,” the musical highlight in Brooks’ “The Producers.”)
The scores reflect Nazi Germany’s relationship with the countries: It conquered France and installed a puppet government that acquiesced to Hitler’s orders to round up and denationalize the country’s Jews. Meanwhile, the Nazis invaded Poland in 1939, dividing up its rule with the Soviets and murdering much of its Jewish population in the Holocaust. Unlike the French government, which signed an armistice with Germany after heavy losses to clear the path for Vichy rule while preserving the Republic in name, Poland does not acquiesce to a collaborationist narrative; decades later, it is illegal in Poland to suggest that the country was complicit in Nazi atrocities.
But these wartime victories make Hitler the loser of “Hitler on Ice.” Accompanied by his “coach” Joseph Goebbels (the Nazis’ propaganda minister) and partner Eva Braun, this Hitler hangs his head in shame as he trudges away to the jeers of the crowd, intending to go shoot himself in his Berlin bunker in a repeat of his actual death by suicide at the end of World War II.
“If you put concentration camps in people’s countries,” offers one of the sportscasters (played by Jewish comic Ike Barinholtz), “you better be flawless on the ice.”
Jesus (Jay Ellis) and Judas (Nick Kroll) in a scene from the “Curb Your Judaism” sketch in “History of the World” Part II.” (Aaron Epstein/Hulu)
The betrayal of Jesus Christ
Titled “Curb Your Judaism,” the show’s dramatization of the events following the Last Supper is styled in the manner of Larry David’s long-running HBO comedy “Curb Your Enthusiasm.” Kroll plays Judas like he’s Larry David, and his betrayal of Jesus is depicted as a series of comic misunderstandings — which, like the original “Curb,” often revolve around questions of Jewish identity. “Curb” regulars play supporting roles as disciples, with J.B. Smoove as Luke and Richard Kind as Peter.
Besides aping the “Curb” mannerisms, including Judas’ grumblings about foot-washing and the size of the portions at the Last Supper, much of the comedy of the Jesus segments revolves around to what degree Jesus himself (Jay Ellis of “Insecure”) has formally renounced his Judaism. The segment depicts how Christ endeared himself to his followers, and introduced Christianity, by relaxing many of the requirements of Jewish tradition, including kosher laws and circumcision. “Something’s off with this Jesus guy. He’s trying to phase out his Judaism,” Judas remarks.
Jewish scholars have generally viewed Jesus Christ as a teacher, but not as a prophet or messiah as Christians believe. Jews have granted differing levels of respect to Jesus depending on Jewish-Christian relations at any given point throughout world history (Jews weren’t such big fans of Jesus during the Spanish Inquisition, so memorably depicted in “Part I”).
Whether Jesus really did instruct his followers to disregard kosher laws and other Jewish practices is disputed by New Testament scholars and interpreters of the Gospel of Mark; other scholars believe Jesus intended to live as any other Jew. But “Curb Your Judaism” does depict Jesus as ultimately perishing at the hands of the Roman Empire, with whom Jews had a contentious relationship at the time, rather than at the hands of Jews, which was a popular belief used to justify antisemitism among various Christian denominations for centuries. “Nostra Aetate,” the influential 1965 papal decree, finally “absolved” the Jews for Christ’s murder, at least according to official Catholic doctrine.
Henry Kissinger
A sketch that imagines Shirley Chisholm, the first Black female member of Congress, as the star of a 1970s sitcom modeled on “The Jeffersons” includes a role for Kroll as Henry Kissinger, Richard Nixon’s Jewish secretary of state. (Kroll is also an executive producer on the entire series, which helps explain his regular onscreen appearances.)
Historians generally view Kissinger, a refugee from Nazi Germany, as the lead architect of the Nixon administration’s most controversial decisions, including prolonging the Vietnam War and orchestrating a secret bombing campaign on Cambodia. Some call him a war criminal.
The Kissinger of “History” catches some of that criticism. A throwaway line further suggests he is an immortal demon.
Check back in throughout the week as JTA brings you Jews in space… the history space, that is.
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The post The real Jewish history in ‘History of the World: Part II’: Part I appeared first on Jewish Telegraphic Agency.
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Slovenia’s last Jewish institution endures through desecration and decay
On a Saturday morning last July, Robert Baruh Waltl watched two processions converge on central Ljubljana. From one direction, near the river, came a column of neo-Nazis chanting nationalist slogans chanting “Long live Slovenia.” From the other came pro-Palestinian marchers singing “from the river to the sea”.
The city, he notes drily, is very small. “You could see both demonstrations at the same time,” he told me over a video call from his office. “Far right from one side, far left from the other.”
In Slovenia, this is what the view looks like from the only Jewish institution in the country.
The Jewish Cultural Center Ljubljana, which Waltl has directed since its founding in 2013, is overextended by design and necessity. In the absence of a synagogue elsewhere, it functions as one. It is also a cultural center, a museum, and, increasingly, a one-man operation.
“If I’m not in Ljubljana,” Waltl says, “there is no one to even open the door.” For more than a decade, the center has run almost entirely on donations, German embassy micro-grants, and cross-subsidies from Waltl’s adjacent performance space, the Mini Theater. The Slovenian government has never provided stable funding. Applications to the Ministry of Culture go unanswered. “They tell us the Festival of Tolerance is the most important anti-racism event in Slovenia,” Waltl says, speaking of an open event organized by him and the community, “and we don’t receive a single euro for it.”
Waltl did not grow up Jewish. He was born near the Austrian border and moved to Ljubljana as a young man to study theater. Then came a letter from the local Jewish community: did he know that his grandmother had been Jewish? He didn’t. He began attending events, cautiously at first. A trip to Israel changed things. He started reading, learning Hebrew and collecting Judaica. Eventually, he underwent a formal conversion — a giyur — at a liberal congregation in Frankfurt. “I said, OK, now I’m so deep,” he recalls. “I will never feel truly Jewish if I don’t take this last step.”
The community he joined had only barely survived the 20th century. Before the Second World War, Slovenia’s largest Jewish population lived in the Prekmurje region in the northeast. Most were deported to Auschwitz after 1941; roughly 90% were killed. In Ljubljana itself, Jews had been expelled in 1515, and the postwar communist Yugoslav government did nothing to restore their memory: cemeteries and schools were destroyed or simply left to ruin. By the time Waltl arrived, the standard answer when Ljubljana tour guides were asked about Jewish history was blunt: no Jews after 1515. “They didn’t know anything about the Holocaust,” he says. “Nothing about anything.”
His response was methodical. He installed the first memorial plaque on the site of Ljubljana’s medieval synagogue. In 2014, at a gathering of young Jewish leaders in Berlin, he met Gunter Demnig, the German artist behind the Stolpersteine project, and brought the initiative home. Today, Ljubljana and surrounding cities have 68 stumbling stones and one large stone commemorating 150 Jewish refugees expelled from Croatia who sheltered in Ljubljana. He co-founded the Festival of Tolerance with Branko Lustig, the Auschwitz survivor and double Oscar-winning producer of Schindler’s List and Gladiator, born in Osijek, Croatia, who brought early credibility and international reach to the project before his death.
For years, the center also served as a functioning synagogue, anchored by a wave of Israeli tourism. After the Jewish congregation of Slovenia lost its premises in 2014 and moved into Waltl’s building, the arrangement found its footing through sheer numbers. According to Walt 50,000 to 60,000 Israeli tourists visited Slovenia each summer and many of these came to services organized by a Chabad rabbi from Trieste, Ariel Hadad. Then COVID hit. The tourists vanished. So did the rabbi. The pandemic forced a theological rethinking: Waltl discovered liberal Judaism through the Central Synagogue of New York’s online programming and began working with a rabbi from Luxembourg, who now visits several times a year alongside a rabbi from Vienna. When there is money to bring them, they come.
Oct. 7 transformed the center’s situation entirely. On November 6, 2023, someone painted a large swastika equated with a Star of David on the center’s front door. The Jewish graveyard was desecrated during the Festival of Tolerance. When Waltl attempted to screen footage from the Hamas attack for the city’s diplomatic corps, hundreds of pro-Palestinian demonstrators gathered outside and tried to set the doors on fire. The screening was cancelled. There is no Israeli embassy in Slovenia, and no other address for the anger. “In their eyes, we represent Israel,” Waltl says. “We represent everything bad happening in the Middle East.”
Today the center carries a 60,000-euro mortgage taken out for emergency renovations after earthquakes damaged the 500-year-old building, leaving water leaking and unsustainable structural issues. Robert thought that he would receive some sort of financial help from the government to keep this, the only Jewish center in the country, running, but he was unpleasantly surprised to have received none. Since Oct. 7 the relationship with the government soured even more: the prime minister and the president used to show up for Holocaust Remembrance Day and Chanukah festivities, but stopped, says Waltl.
This month, Slovenia changed leadership again, with Israel ally Janez Janša returning as prime minister.
Some other signs of hope: The Rothschild Foundation recently awarded a grant for the country’s first permanent exhibition on Jewish history in Slovenia, set to open this September. The German Embassy contributed 3,000 euros. American tourists — a growing presence — help cover operating costs through summer donations. But the structural problem remains unchanged: roughly 150 Jews, one institution, and a government that adopted the expansive International Holocaust Remembrance Alliance definition of antisemitism, which encompasses anti-Israel actions, while declining to fund the sole organization actually sustaining the community.
“If I say I will stop doing this,” Waltl says, “there will be no Jewish life in Slovenia anymore.”
The post Slovenia’s last Jewish institution endures through desecration and decay appeared first on The Forward.
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Volatility, Hit Frequency, and RTP: Why the Number Casinos Advertise Is the Least Useful One
The return to player percentage looks clean as a casino data point. It gives players a neat number, usually around 94% to 97% for many online slots, and that number feels easy to compare. A 96.5% game appears better than a 95.2% game. The problem starts when players treat RTP as a forecast for their next 50 spins or one evening.
You may find the RTP listed on slot pages on a leading online casino in Ontario, but the number only tells part of the story. Two games can share the same RTP and create different sessions: one may return small wins often, while the other may drain a balance before one bonus round changes everything.
The RTP Trap
Return to player (RTP) measures the theoretical share of total wagers a game returns across a very large number of rounds. In plain terms, a 96% RTP slot returns about $96 for every $100 wagered in the long run. That does not mean one player who deposits $100 should expect $96 back.
The trap sits in the word “theoretical.” RTP comes from the game’s math model. It works across huge samples, not personal sessions. A player can finish far above that percentage, far below it, or with nothing left after a short run of poor results.
Is it useless then? No, RTP can still help. It gives a baseline cost of play. Lower-RTP games cost more on average than higher-RTP games. Still, once a game passes a reasonable threshold, the next question matters more: how does it distribute that return?
Hit Frequency: The Number That Shapes Session Feel
Hit frequency tells you how often a game produces a winning outcome. This often misleads players because any win can count. A spin that returns $0.10 on a $1 bet may still count as a hit, even though the player lost $0.90 in real terms.
A game can feel active because symbols connect often, sounds play, and the screen keeps celebrating small returns. The balance may still fall. In many modern slots, “win” does not always mean profit on the spin.
Hit frequency answers one practical question: how much silence can you tolerate? Some players dislike long dry spells. Others accept quieter sessions because they chase bonus rounds or larger payouts.
The educational site Get Gambling Facts gives a useful distinction: RTP concerns the percentage of money returned over time, while hit frequency concerns how often a machine stops on a winning combination.
Volatility: The Risk Label Players Need More Often
Volatility, also called variance, describes how unevenly a game pays. Low-volatility games tend to return smaller amounts more often. High-volatility games hold more value in rare events: bonus rounds, premium symbols, multipliers, or jackpots.
Here is where RTP becomes less useful on its own:
- A 96% low-volatility slot may give modest returns and longer play from the same balance.
- A 96% high-volatility slot may burn through funds quickly unless the player hits a strong feature.
- A progressive jackpot game may look exciting, but it often places more value on rare top prizes.
The same RTP can hide very different risk profiles. Players who ignore volatility often blame the casino or the game when the session follows its math design.
Why the Same RTP Can Feel So Different
Picture two slots with 96% RTP. Slot A pays small wins on many spins, has a modest top prize, and rarely creates dramatic balance swings. Slot B pays less often but offers a large max win and volatile bonus rounds. The advertised return matches, but the experience does not.
Slot A may suit a player who wants a slower bankroll drop and more regular feedback. Slot B suits someone who accepts sharper losses in exchange for a shot at a heavier payout.
A Better Way to Read a Slot Page
Most slot pages give players more clues than they notice. The trick is to read the details together rather than chase the highest percentage.
Start with RTP. If two games look similar, the higher number has better long-term value. Then check volatility. If the game uses terms such as high, very high, or extreme variance, lower your bet size or expect shorter sessions. Next, look at the paytable. A huge max win usually means the game saves a lot of its value for rare outcomes.
A sensible pre-play check looks like this:
- RTP: What is the average long-term return?
- Volatility: How rough can the session become?
- Hit frequency: How often will the game show any wins?
- Paytable: Where does most value sit?
To Conclude
Casinos advertise RTP because it looks objective, tidy, and easy to rank. Players should read it, but they should not give it more authority than it deserves. For long sessions, volatility may matter more than a small RTP difference. For comfort, hit frequency may explain the feel better than the payback rate.
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Lahmeyer, pastor who says Antichrist will be Jewish, heads to Oklahoma GOP runoff
(JTA) — Jackson Lahmeyer, a pastor who supports Israel and believes the Antichrist will be Jewish, is headed to a runoff in his district’s Oklahoma congressional primary.
The Donald Trump-backed Lahmeyer will face off against Mark Tedford, a member of the state House of Representatives from Tulsa, in the August runoff to decide who will be the Republican candidate for Congress in Oklahoma’s 1st Congressional District.
The runoff will pit candidates with two very different approaches to politics, and Israel, against each other at a time when the Republican Party is divided on multiple lines. Lahmeyer is part of Trump’s MAGA movement, while Tedford is a more traditional conservative. Both men promote a hard line on immigration, but Lahmeyer’s rhetoric has been peppered with incendiary claims about efforts by Muslims to establish “sharia law” in the United States.
While both competitors are also evangelical Christians with training in ministry, Lahmeyer works as a pastor and preaches an end-times theology that includes an Antichrist with Jewish heritage. Lahmeyer is also a vocal supporter of Israel, in keeping with his Christian Nationalist outlook, while Tedford has made few if any public comments about Israel or the war in Gaza.
The two candidates pulled far ahead of the pack in Tuesday’s crowded primary, which attracted 11 candidates to fill an open seat. Tedford received 32.1% of the votes, and Lahmeyer drew 25.9%, according to the Oklahoma State Election Board.
Lahmeyer had been seen as a favorite, but his star fell in the days before the election amid revelations that he had been unfaithful to his wife. (He said the episode, which he confirmed, was a private matter and in the past, and Trump reaffirmed his endorsement following the revelation.)
Few if any of the nine candidates who did not make the runoff are part of the MAGA movement, suggesting that Tedford could see more of their supporters turn to him in November.
“We need everyone who came out today to keep fighting until we succeed,” Lahmeyer said in a statement to local media. “Let’s send a Trump-endorsed warrior to fight for Oklahoma values in Congress.”
The district is solidly red, virtually assuring the primary winner of victory in November. The Democratic candidate, John Croisant, is a Tulsa school board member who has not spoken publicly about Israel or Gaza, issues that are occupying some Democrats.
This article originally appeared on JTA.org.
The post Lahmeyer, pastor who says Antichrist will be Jewish, heads to Oklahoma GOP runoff appeared first on The Forward.
