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The sequel to the Holocaust novel ‘Boy in the Striped Pajamas’ is here. Its author has no regrets.
(JTA) – At one point in John Boyne’s new novel “All The Broken Places,” a 91-year-old German woman recalls, for the first time, her encounter with a young Jewish boy in the Auschwitz death camp 80 years prior.
“I found him in the warehouse one day. Where they kept all the striped pajamas,” she says.
The woman, Gretel, quickly realizes her mistake: that “this was a phrase peculiar to my brother and me.” She clarifies that she is referring to “the uniforms. … You know the ones I mean.”
Boyne’s readers are, in fact, likely to know what Gretel means, as “All The Broken Places” is a sequel to Boyne’s 2006 international bestseller “The Boy in the Striped Pajamas.” At a time when other Holocaust books intended for young readers have been challenged or removed from some American schools, the enduring popularity of “Striped Pajamas” has conjured up love and loathing in equal measure for its depiction of Nazi and Jewish youths during the Holocaust. It has sold 11 million copies, appeared in 58 languages and in major motion picture form, and been the only assigned reading about Jews or the Holocaust for countless schoolchildren, mostly in Britain. Yet Holocaust scholars have warned against it, panning it as inaccurate and trafficking in dangerous stereotypes about Jewish weakness.
Speaking to the Jewish Telegraphic Agency from his Dublin home on Tuesday, the day “All the Broken Places” hit U.S. shelves, Boyne said he hoped readers would take his new book on its own terms — as a more sophisticated meditation on guilt, culpability and evil, for an adult audience rather than children this time. But he also wants to defend the original work that made him famous.
“I do feel it’s a positive contribution to the world and to Holocaust studies,” said Boyne, who estimates that he has personally spoken to between 500 and 600 schools about “Striped Pajamas.”
Not everyone agrees. A 2016 study published by the Centre for Holocaust Education, a British organization housed at University College London, found that 35% of British teachers used his book in their Holocaust lesson plans, and that 85% of students who had consumed any kind of media related to the Holocaust had either read the book or seen its movie adaptation.
That level of widespread familiarity with the book led many students to inaccurate conclusions about the Holocaust, such as that the Nazis were “victims too” and that most Germans were unaware of the horrors being visited upon the Jewish people, the study found.
A promotional image from the 2008 film adaptation of “The Boy in the Striped Pajamas.” (Miramax)
As overall awareness of the Holocaust has decreased among young people especially, Boyne’s novel has become a casualty of its own success. Holocaust scholars in the United Kingdom and United States have decried the book, with historian David Cesarani calling it “a travesty of facts” and “a distortion of history,” and the Holocaust Exhibition and Learning Centre in London publishing a long takedown of the book’s inaccuracies and “stereotypes.”
“With the rise in antisemitism, such as it is in this country, and that so often manifests through trivialisation, distortion and denial of the Holocaust, this book could potentially do more harm than good,” Centre for Holocaust Education researcher Ruth-Anne Lenga concluded at the end of her 2016 study.
Boyne came to the Holocaust as subject matter purely on his own, having never been taught about the history growing up in Ireland. (He attended a Catholic school, where, as he has recounted publicly, he was physically and sexually abused by his teachers.) Reading Elie Wiesel’s “Night” as a teenager, Boyne said, “made me want to understand more.”
He would read many more Holocaust books during his twenties, from Primo Levi to Anne Frank to “Sophie’s Choice,” fascinated by the sheer recency of the atrocity. “How could something that seems like it should have happened, say, 1,000 years ago — because the death count is so enormous and so horrifying — how could that happen so close to the time that I’m alive in?” he thought. “And if it could, then what’s to stop it happening again?”
That fascination led to the publication, when Boyne was 33, of “Striped Pajamas,” which he’d always conceived of as a children’s story. In the book, Bruno, the 9-year-old son of a Nazi commandant, befriends Shmuel, a Jewish concentration-camp prisoner of the same age; it ends with Bruno donning the “striped pajamas” and following his friend into the gas chambers. Further driving home the fable conceit, an initial draft included a framing device of Boyne as a character reading the story to an audience of children, before an editor advised him to cut it.
During his writing process, Boyne said he was concerned with “the emotional truth of the novel” as opposed to holding to historical accuracy, and defended much of the book’s ahistorical details — such as moving the Auschwitz guards’ living quarters to outside the camp, and putting no armed guards or electric fences between Bruno and Shmuel — as creative license. A common critique of the book, that the climax encourages the reader to mourn the death of Bruno over that of Shmuel and the other Jews in the camps, makes no sense to Boyne: “I struggle to understand somebody who would reach the end of that book and only feel sympathy for Bruno. I think then if somebody does, I think that says more, frankly, about their antisemitism than anything else.”
He also justified his decisions by reasoning that a novel like his shouldn’t be the basis for Holocaust instruction.
“I don’t think that it’s my responsibility, as a novelist who didn’t write a school book, to justify its use in education when I never asked for that to happen,” he said. “If [teachers] make the choice to use a novel in their classrooms, it’s their responsibility to make sure the children know that there is a difference between what happens in this novel and what happened in real life.”
Boyne added that he was “appalled” by a recent JTA report about a Tennessee school district removing Art Spiegelman’s graphic Holocaust memoir “Maus” from its curriculum. If teachers are choosing between teaching the two books, he said, “‘Maus’ is better, no question about that. And a much more important book.” (Earlier this year, Spiegelman himself took a swipe at “Striped Pajamas” by telling a Tennessee audience that no schools should read Boyne’s novel because “that guy didn’t do any research whatsoever.”)
“The Boy in the Striped Pajamas,” John Boyne’s 2006 bestseller, has been critiqued for the way it presented the Holocaust to children. (Illustration by Grace Yagel)
For the first decade of his book’s release, Boyne would frequently receive invites to speak at Jewish community centers and Holocaust museums. He met with survivors who shared their stories with him.
Over the years, more research has been published about the book’s popularity in the classroom, which has led to more scrutiny of its factual inaccuracies. Other authors, Holocaust researchers and some educators have come out forcefully against the book’s use in the classroom. At the same time, Boyne said, his invitations to Jewish venues dried up.
The author has also been known to exacerbate the issue by sparring with his critics, even when they are respected institutions. Most infamously, in 2020, Boyne got into a Twitter feud with the Auschwitz-Birkenau Memorial and Museum, which said his Auschwitz-set book “should be avoided by anyone who studies or teaches about the history of the Holocaust.”
The back-and-forth was provoked after Boyne criticized what he saw as the crassness of more recent Holocaust novels, such as “The Tattooist of Auschwitz” by Heather Morris. Reflecting on the spat, Boyne said of the Auschwitz memorial, “I hope that they do understand that, whether my book is a masterpiece or a travesty, that I came at it with the very best intentions.”
Boyne conceived of the sequel shortly after finishing “Striped Pajamas.” It follows Bruno’s older sister Gretel as she lives in hiding after the war and successfully conceals her Nazi upbringing all the way into the present day. A preteen during the Holocaust, Gretel becomes gradually more aware of its horrors after seeing newspaper articles and documentaries and encountering former Resistance members and Jewish descendants of survivors (including one, David, who becomes her lover without knowing her true background).
Unlike “Striped Pajamas,” “All the Broken Places” is intended for adults. It’s filled with sex, violence, suicide attempts and bad language — and also some of the details of the Holocaust that were omitted from the first book. It mentions the Sobibor death camp by name, for example, and also takes the time to correct Bruno’s childish assumptions about the death camps being a “farm.”
But it tells the story from the perspective of a German who was directly implicated in the Holocaust. Throughout, Gretel reflects on her complicity in the Nazi regime, and her self-interest in hiding from authorities in the following years rather than trying to bring people like her father to justice. Missing from the book is any serious discussion of antisemitism as an ideology, and to what extent Gretel ascribes to it — though there is plenty of hand-wringing over postwar anti-German sentiment. In one shocking moment, a former S.S. lieutenant in hiding presents Gretel with a pair of Hitler’s eyeglasses and urges her to try them on; she is terrified to discover that this excites her.
The book’s reception has been mixed. While praised by publications including Kirkus Reviews (“a complex, thoughtful character study”) and the Guardian (“a defense of literature’s need to shine a light on the darkest aspects of human nature”), the New Statesman took Boyne to task for writing an “immoral” and “shameless sequel” that further erodes the “Jewishness” of the Holocaust.
At the behest of his publisher, Boyne has included an author’s note with “All The Broken Places” alluding to criticisms of “Striped Pajamas.” “Writing about the Holocaust is a fraught business and any novelist approaching it takes on an enormous burden of responsibility,” he tells the reader. “The story of every person who died in the Holocaust is one that is worth telling. I believe that Gretel’s story is also worth telling.”
Still, “Striped Pajamas” has its Jewish defenders. One, the 24-year-old composer Noah Max, is behind a new opera adaptation of the book, to be titled “The Child in the Striped Pyjamas.” It will debut in London in January; a recent story by the U.K. Jewish Chronicle helped convince the film’s rights holder Miramax to waive a $1 million licensing fee for the project.
A great-grandson of Jews who fled Vienna when the Nazis arrived, Max told JTA he’d initially read the book “years before I was capable of absorbing testimony,” and that it inspired him to seek out actual survivor testimonies and to begin composing the opera at the age of 19. He compared its message to Rabbi Jonathan Sacks’ writings on moral relativism.
“Ultimately, the book motivated me to write an opera about the Shoah and integrate Holocaust education into my music,” Max said. “Any book capable of that is worthy of attention.”
Composer Noah Max (center) rehearses for his upcoming opera adaptation of “The Boy in the Striped Pajamas,” to premiere in January 2023. (Courtesy of Noah Max)
Max’s passion for “Striped Pajamas” inspired at least one Holocaust group to change its mind about its educational merits. The Holocaust Educational Trust, a London-based group that advocates British educators on how to teach the Holocaust, had as recently as 2020 declared that “we advise against using” the book in the classroom.
But following what Max described as “richly fulfilling conversations” about “the story’s symbolic and artistic worth,” the trust fully endorsed the opera and, he said, has begun to rethink its view of the book. (The group did not respond to a JTA request for comment.)
Even with 16 years of hindsight and the chance to rethink his bestseller, Boyne said he wouldn’t change anything. Reflecting on his youthful audience, he said, “If they weren’t reading ‘Striped Pajamas,’ it’s more likely they would be reading something that has no relevance to this subject at all.”
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AfD is predicted to win 40% in the German state of Saxony-Anhalt. Should Jews be worried?
(JTA) — BERLIN – Why are so many Germans wringing their hands over Sunday’s election in Saxony-Anhalt?
After all, what impact could 1.7 million registered voters in this former East German state have on a nation with 16 Laender (federal states) and some 60 million voters?
Here’s why Sunday’s election matters:
As it turns out, German voters in Saxony-Anhalt could give the right-wing extremist political party — the Alternative for Germany, or AfD — its most significant achievement since its founding in 2013.
Although the AfD is predicted to win only 40 percent of the vote, that would be enough to affect upcoming general local elections in Lower Saxony on Sept. 13, and elections in the state of Mecklenburg-Pomerania and the city-state of Berlin on Sept. 20.
There is also an outside chance it could open the door to an AfD-led government in Saxony-Anhalt, a first for the far right since the end of World War II. Although that is considered unlikely, the party’s state website proclaims: “Everything is possible.”
Voters in this economically depressed state are, pundits say, drawn to the AfD’s anti-immigrant and anti-European Union rhetoric; its promise to expel non-citizens; its focus on German national pride rather than on the dark side of its past; and its ambition to repair relations with Putin’s Russia. Their drumbeat resonates particularly in former east German states, which have suffered since unification with the closing of factories and flight of younger workers to western states.
The AfD has also done well in elections in other former east German states, and increasingly in western ones. Last March, for example, it earned 19% of the popular vote in elections in Baden-Wuerttemburg, nearly doubling its previous tally there. In the 2025 federal election, it leapt to second place next to the conservative Christian Democratic Union led by German Chancellor Angela Merkel from 2005-2021. Opinion polls show the AfD is the leading party, if there were to be federal elections today.
While some observers note that the party’s agenda on national issues could not be implemented, they are troubled by the party’s goals on the state level.
Stephan Kramer, president of Germany’s domestic intelligence agency in the state of Thuringia, and former general secretary of the Central Council of Jews in Germany, told the JTA that the main concern is with the power the party could wield “over the interior ministry, police, the state intelligence service, education, appointments and the handling of sensitive information.”
“For the first time, the party could use the machinery of a state government and thereby gain substantially greater political and institutional influence at the federal level,” he said.
Banning the AfD would be a painstaking process, thanks to post-war protections of free speech. Former West Germany banned only two political parties: a neo-Nazi one in 1952, and a far-left Communist party in 1956. Later attempts to ban neo-Nazi parties stumbled on legal hurdles, and many politicians fear to try again, lest the AfD make hay of a failure.
Support for the AfD fits right in with trends on the European and UK level: According to the latest survey of European far-left, far-right and populist parties published by the PopuList research group, nearly a quarter of European and UK voters back far-right parties today, up from 5% in 1995. According to the Guardian newspaper, the biggest surge in support came in national elections in France and the UK in 2024, and Germany in 2025.
Here’s why AfD votes might not matter, yet:
A key difference from U.S. state elections is that “voters do not directly elect the equivalent of a governor,” Paulina Fröhlich, senior expert for democracy at the Gütersloh-based Bertelsmann Foundation, told the JTA. “Instead, the state parliament elects a state premier after the parties have built a coalition or secured enough support. So, the party that wins the most votes does not necessarily lead the government.”
In 1980, the CDU and its Bavarian sister party, the Christian Social Union (CSU), won 44.5% of the vote, but the Social Democratic Party (SPD) with 42.9% and the Free Democratic Party (FDP) with 10.6% support built a coalition government.
Two years ago in the state of Thuringia, the AfD became the first far-right party to get the most votes in a state election since World War II, but was blocked from forming a coalition.
Similarly, the likely outcome of Sunday’s Saxony-Anhalt election will be a coalition of minority parties that together exceed 50% of the vote; the AfD, despite a significant electoral achievement, will not be able to pull together the needed majority to take power.
It can take days, weeks, even months before a state or federal government is formed, including appointment of the minister-president or chancellor, and ministers dealing with education, policing and culture (and foreign policy, on the federal level). After the CDU and CSU won Germany’s federal election in February 2025 with only 28.5 percent of the vote, it took until early April for them to form a government with the SPD, as they argued over policy differences. But neither party would work with the AfD, which actually came in second
Most Germans still reject the AfD’s message. Several states have classified the party as right-wing extremist, a designation that its leaders have opposed in court. And there are calls to ban the party, including by prominent Jews such as Charlotte Knobloch, 93-year-old former chairwoman of the Central Council of Jews in Germany and head of the Jewish community of Munich and Upper Bavaria.
There has been much media buzz over an interview that Knobloch, who survived the Holocaust in hiding with a German Christian family, gave to Stern magazine. “Even the Nazi Party started small and tried out what was possible,” and now AfD politicians “are testing the limits of what is acceptable,” said Knobloch, arguing for a ban: “Everything that could help should be tried.”
Unlike in the United States, German elections include many political parties – from the large, mainstream ones to those on the fringes, which usually fail to meet the 5% vote threshold required to have seats in the parliament.
Even if the AfD receives a plurality this time, it is highly unlikely that it will rule the state. That’s because virtually no one else will work with them. Mainstream democratic parties have set up a “firewall” to that end. So the probable outcome will be a government built through a coalition of the remaining parties.
But this year, even some of the previous top parties are teetering on the edge of the 5% threshold, polls say.
Should the past winners – the CDU, and possibly the center-left Social Democratic Party, the center-right Free Democratic Party, and the progressive Green Party – make it past the threshold, they are expected to build that minority coalition, even holding their noses to do so: The CDU is even expected to seek informal support from the communist Left Party.
Thus the procedure in Saxony-Anhalt is likely to echo what happened in the neighboring state of Thuringia two years ago. While the AfD got the biggest piece of the electoral pie, it did not gain a majority of seats in the parliament. So the mainstream democratic parties were able to form a coalition government.
What do the AfD stand for? Why are they so popular?
Its appeal “comes from a mixture of protest, distrust of established parties, concerns about migration and social change, and a sense among some voters that [AfD] articulates grievances others avoid,” said Kramer of Thuringia’s domestic intelligence agency.
“The AfD officially presents itself as supportive of Jewish life and Israel,” he added. But the platform “explicitly demands a complete ban on ritual slaughter without exception, which would directly affect Jewish religious practice. AfD leaders also use world conspiracy arguments and antisemitic language, we should not forget.”
It’s illegal in Germany to celebrate the crimes of National Socialism, to repeat Nazi slogans and other propaganda. But AfD leaders “do not always stay on the safe side of the law,” Kramer added. For example, Björn Höcke, who heads the party’s parliamentary faction in the neighboring state of Thuringia, “was convicted for repeating the banned Nazi stormtrooper slogan ‘Alles für Deutschland’ [everything for Germany], and the Federal Court of Justice rejected his appeal in August 2025, making that conviction final.”
Höcke “is a certified history teacher, so he knows what he is doing,” Kramer added. “I would not describe the AfD simply as a party that carefully stays legal. Rather, parts of it repeatedly test those boundaries, and in some cases demonstrably cross them, [moving the] boundaries of what is acceptable to say in public and what is not.”
In Saxony-Anhalt, the party is “classified as definitely right-wing extremist” and is under observation by the domestic intelligence service, Maik Reichel, director of Saxony-Anhalt’s State Agency for Civic Education, told JTA. “And I think we also have the most extreme AfD state branch.”
The party wants to “restrict state-sponsored [school] trips to memorial sites, which they say turn young people into ‘memorial zombies,’ ” Reichel added.
“Our mission is to provide pluralistic civic education” and the AfD is against diversity, Reichel said. The AfD also takes a nationalist perspective, “which means we leave out important dictatorial, anti-democratic periods that were truly terrible in Germany,” he explained.
The main architect of the AfD’s platform in Saxony-Anhalt, Hans-Thomas Tillschneider, is known for wanting “more Bismarck, less Hitler.” Otto von Bismarck (1815-1898), who served as Germany’s first chancellor from 1871-1890, is seen as a hero by some German nationalists.
Despite such concerns, the AfD gained in the polls. At the EU parliament level, the AfD has 15 members, the largest contingent in the far-right Europe of Sovereign Nations group.
Should the AfD win an absolute majority on Sunday, they would most certainly appoint their state party leader Ulrich Siegmund, age 35, as minister president. He is described as personable, even affable.
But his messages are not so friendly, critics say. Siegmund says his “100-day immediate action plan” includes a promise to “deport from minute one” many foreign nationals, including professional specialists; to cut funding to pro-democracy NGOs; to crack down on diversity programs in the state; and to cut taxes that support such programs.
Whatever the final tally, the lead-up to tomorrow’s election has made it clear: A ballot cast for the AfD is no longer dismissible as a “protest vote.” Other mainstream parties are taking a plunge, while the AfD’s star continues to rise.
Ultimately, the other parties have to regain the people’s trust, said Reichel. In Saxony-Anhalt that means “solving the problems that concern people in a way that they actually notice a difference.”
This article originally appeared on JTA.org.
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Hollywood’s Jews take sides in Mark Ruffalo-Paramount antisemitism row
(JTA) — Some 170 notable Jewish personalities have released an open letter defending actor and producer Mark Ruffalo, who has been accused of antisemitism for his comments on Paramount Skydance’s pending acquisition of Warner Bros. Discovery.
Entertainers, rabbis and a physician who is featured in a new documentary about doctors treating Palestinians in Gaza signed the letter released Wednesday, which called the attacks against Ruffalo a “false and dangerous weaponization of charges of antisemitism.” George Clooney also defended Ruffalo on Thursday.
Signatories of the pro-Ruffalo petition include “Broad City” creators Abbi Jacobson and Ilana Glazer; celebrated filmmakers Joel Coen, Jonathan Glazer and Todd Haynes; Pulitzer Prize-winning playwright Tony Kushner; and actors including Hannah Einbinder, Joaquin Phoenix and Debra Winger.
In late August, Ruffalo, the award-winning actor and progressive activist, went on social media to link Paramount Skydance CEO David Ellison, the chief driver of the looming Paramount-Warner Bros. merger, to tech giant Oracle, which Ruffalo claimed is responsible for “an apartheid system of oppression” in Gaza.
Oracle is owned by Ellison’s father, Larry Ellison, one of the world’s richest men; both Ellisons are Jewish and prominent Israel supporters. Oracle also owns a stake in the social media network TikTok’s U.S. operations, and has long been a target of progressives who point to the company’s links to, and public support for, Israel.
“Larry Ellison will own most of ‘Para Bros,’” Ruffalo wrote in the post, which is no longer available, according to a screenshot reproduced by the Hollywood Reporter. The “Spotlight” and Marvel star also called Larry Ellison a “classic oligarch” who is “crushing workers and consolidating the wealth of the world for their own power and concentrated dominance.”
The $110 billion merger is under adjudication in federal court in California following an antitrust lawsuit filed by 12 state attorneys general and the Writers Guild of America. As backlash to the merger has steadily grown across Hollywood and in political and media spaces, Paramount at least since June has been pushing the idea that opposition to the merger has had an antisemitic element.
The company seized on Ruffalo’s comments, immediately releasing a lengthy statement to media after his controversial social media post that accused the actor of invoking “antisemitic tropes,” adding, “This simply exposes the true motivation of some who have advocated opposition to this transaction.”
Several leading Jewish groups have also said his post stepped beyond legitimate criticism of the merger and into classic antisemitic rhetoric about Jewish wealth and power.
In an August statement, the head of the Jewish Federation of Greater Los Angeles said the actor’s comments “combined Jewish wealth, media control, secret technology and sinister global power,” drawing on “recognizable antisemitic tropes with a long and dangerous history.” Other LA-based Jewish activist groups, including Creative Community For Peace and the Simon Wiesenthal Center, have also condemned his comments.
Speaking amid the unfolding controversy about Ruffalo and his use of the word genocide to describe Israel’s campaign in Gaza, “Fauda” co-creator Avi Isaacharoff called him “a rare combination” of “ignorant” and “stupid.”
The Jewish Telegraphic Agency has reached out to Shani Rosenzweig, Ruffalo’s agent and a prominent Jewish entertainment figure in her own right, for comment and a Ruffalo interview request. Rosenzweig did not respond to either request.
Ruffalo has found support from several progressive Jewish figures beyond the entertainment industry, including IfNotNow co-founder Simone Zimmerman, Israeli Holocaust historian Raz Segal and Jewish Currents editor Peter Beinart.
In their open letter defending Ruffalo, the progressive Jewish cohort argued the actor was right to draw links between Israel’s behavior and the merger.
“Pointing out the crucial connections between what is happening in Gaza and what is happening in Hollywood is the exact opposite of antisemitism,” the letter reads. “It is, for us, the very essence of Jewish ethical duty.” The letter points to specific statements from Larry Ellison, and Oracle executives, describing their surveillance and artificial-intelligence technological ventures and their positive relationship with Israel.
Other entertainment figures have tried to thread a more careful needle. Oscar-winning filmmaker Kenneth Lonergan, who has directed Ruffalo in two movies and was at one point developing an American remake of the hit Israeli TV series “Shtisel,” defended the actor from antisemitism charges this week while also noting, “I disagree profoundly with many of his positions on the Middle East, Israel, Gaza, and Iran’s constellation of fanatical Islamist fundamentalist proxies.”
“But Mark and I have been friends for over 30 years,” Lonergan continued in his letter to the Hollywood Reporter. “The notion that he is antisemitic is overtly preposterous, and the accusation itself a cynical and disgusting lie.”
Ruffalo is soon scheduled to attend the Toronto International Film Festival for the Sept. 10 premiere of the biopic “Being Heumann,” about Jewish-American disability rights activist Judy Heumann, in which he co-stars.
Opposition to David Ellison’s bid to combine two historic media giants, each having recently weathered smaller mergers of their own, has grown considerably in recent months. Those objections have come both from Hollywood rank-and-file concerned about further industry consolidation, as well as from political and media figures voicing objections to Ellison’s close ties to President Donald Trump and his intentions with Warner’s flagship news property, CNN.
The merger was initially thought to be on track to be finalized this fall with Trump’s blessing. The president has publicly championed the merger, and his Justice Department approved the deal in June. But talks have ground to a halt following the antitrust lawsuit. The fate of the merger is now in question, with Paramount having agreed to a trial in March 2027 and on the hook for a $7-million-per-day “ticking fee” it had previously agreed to pay out to shareholders if the deal failed to close by this October.
Prior to Ruffalo’s post, Ellison himself published a New York Times op-ed defending his merger plans.
This article originally appeared on JTA.org.
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Spanish far-right activists use Nazi-style salutes in anti-migrant protests
(JTA) — MADRID — Dozens of far-right activists raised their arms in Nazi-style salutes and sang a Spanish fascist anthem in the heart of Madrid on Wednesday, amid protests against the government’s handling of migration.
Between 60 and 70 members of Núcleo Nacional, an ultra-nationalist anti-immigrant group, participated in mass demonstrations of tens of thousands of people across Spain, a spokesperson for the group told the Jewish Telegraphic Agency. The protests were in response to an influx of migrants from Morocco into Ceuta, a Spanish territory in North Africa.
The broader demonstrations in Madrid were called by Spain’s conservative People’s Party and far-right Vox party, drawing about 50,000 people to the streets, according to government estimates. The protests were planned for Ceuta Day, a holiday marking the Portuguese conquest of Ceuta from the Marinid Sultanate of Morocco in the 15th century, beginning centuries of Portuguese and later Spanish rule.
Núcleo Nacional activists were shown on video making the outstretched-arm gesture associated with neo-Nazi movements and chanting, “Ceuta is not for sale, Ceuta will defend itself.” They also sang the song “Cara al Sol,” a fascist anthem from 1935 that became central to the regime of former Spanish dictator Francisco Franco, who ruled from 1939 to 1975. Núcleo Nacional denied a link between their gesture and Nazi history.
The demonstration ended in clashes between protesters and police, with four people arrested and four police officers injured, according to local authorities. Protesters were also shown on camera grabbing, pushing and cursing at multiple journalists who were covering the rally.
Francisco Martín Aguirre, the delegate of the Spanish government in Madrid, condemned “the violent acts that occurred at the end of the gatherings in Madrid.”
“All respect to those who legitimately and peacefully protest for the cause they deem fit,” he said on X. “Violence is never the way and those who daily incite it are also responsible.”
A spokesperson for Núcleo Nacional told JTA that the group was not performing a Nazi salute, but an “Iberian or Roman salute.”
“It represents our ancestors,” the spokesperson said. They added that the group was protesting to “support the people of Ceuta.”
The outstretched arm salute in Nazi Germany was inspired by a gesture popularized in the 1920s in Italy’s fascist movement, which later allied with the Nazis. The Italians called it a Roman salute, though researchers say there is no evidence linking it to ancient Rome. Franco also instituted the gesture in 1937, then instructed Spaniards to abandon it in 1945 after the Axis powers lost World War II.
More than 72,000 Moroccan migrants crossed into Ceuta between July 30 and July 31, with at least 100 people dying in the attempt. Most have returned to Morocco, but some 5,000 remain in makeshift shelters or on the streets and beaches, inflaming tensions between migrants and local residents and heaping pressure on the left-wing government of Spanish Prime Minister Pedro Sánchez.
Núcleo Nacional has about 2,000 members, many from neo-Nazi and Francoist groups that lost their capacity to mobilize, according to the Global Network on Extremism and Technology. The group has grown rapidly and opened four regional branches since its founding in 2024. Earlier this year, it registered a political party as Noviembre Nacional.
The group pledges to defend the white race, Christianity, the Spanish nation and Europe against foreign and domestic enemies, including migrants, internal independence movements and “multicultural globalism.” Spain’s Civil Guard last year opened an investigation into Núcleo Nacional after it posted a video calling for groups to “actively defend” the streets and “jointly fight against the invasion” of immigration.
Núcleo Nacional leaders have also denied the Holocaust and suggested that Israel orchestrates migration to Europe, according to the Observatory of Antisemitism, a Spanish watchdog organization. Núcleo Nacional said in a 2024 statement, “Any Spanish patriot should not forget that it is Israel that is financing the Maghrebi invasion to which all of Europe is being subjected.”
On Núcleo Nacional’s social media channels, it has claimed that it is targeted by “the Jewish-Zionist lobby in Spain” and accused the “international Jewish-American financial elite” of “buying up Spain at bargain prices while ruining us.”
This article originally appeared on JTA.org.
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