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The sequel to the Holocaust novel ‘Boy in the Striped Pajamas’ is here. Its author has no regrets.
(JTA) – At one point in John Boyne’s new novel “All The Broken Places,” a 91-year-old German woman recalls, for the first time, her encounter with a young Jewish boy in the Auschwitz death camp 80 years prior.
“I found him in the warehouse one day. Where they kept all the striped pajamas,” she says.
The woman, Gretel, quickly realizes her mistake: that “this was a phrase peculiar to my brother and me.” She clarifies that she is referring to “the uniforms. … You know the ones I mean.”
Boyne’s readers are, in fact, likely to know what Gretel means, as “All The Broken Places” is a sequel to Boyne’s 2006 international bestseller “The Boy in the Striped Pajamas.” At a time when other Holocaust books intended for young readers have been challenged or removed from some American schools, the enduring popularity of “Striped Pajamas” has conjured up love and loathing in equal measure for its depiction of Nazi and Jewish youths during the Holocaust. It has sold 11 million copies, appeared in 58 languages and in major motion picture form, and been the only assigned reading about Jews or the Holocaust for countless schoolchildren, mostly in Britain. Yet Holocaust scholars have warned against it, panning it as inaccurate and trafficking in dangerous stereotypes about Jewish weakness.
Speaking to the Jewish Telegraphic Agency from his Dublin home on Tuesday, the day “All the Broken Places” hit U.S. shelves, Boyne said he hoped readers would take his new book on its own terms — as a more sophisticated meditation on guilt, culpability and evil, for an adult audience rather than children this time. But he also wants to defend the original work that made him famous.
“I do feel it’s a positive contribution to the world and to Holocaust studies,” said Boyne, who estimates that he has personally spoken to between 500 and 600 schools about “Striped Pajamas.”
Not everyone agrees. A 2016 study published by the Centre for Holocaust Education, a British organization housed at University College London, found that 35% of British teachers used his book in their Holocaust lesson plans, and that 85% of students who had consumed any kind of media related to the Holocaust had either read the book or seen its movie adaptation.
That level of widespread familiarity with the book led many students to inaccurate conclusions about the Holocaust, such as that the Nazis were “victims too” and that most Germans were unaware of the horrors being visited upon the Jewish people, the study found.
A promotional image from the 2008 film adaptation of “The Boy in the Striped Pajamas.” (Miramax)
As overall awareness of the Holocaust has decreased among young people especially, Boyne’s novel has become a casualty of its own success. Holocaust scholars in the United Kingdom and United States have decried the book, with historian David Cesarani calling it “a travesty of facts” and “a distortion of history,” and the Holocaust Exhibition and Learning Centre in London publishing a long takedown of the book’s inaccuracies and “stereotypes.”
“With the rise in antisemitism, such as it is in this country, and that so often manifests through trivialisation, distortion and denial of the Holocaust, this book could potentially do more harm than good,” Centre for Holocaust Education researcher Ruth-Anne Lenga concluded at the end of her 2016 study.
Boyne came to the Holocaust as subject matter purely on his own, having never been taught about the history growing up in Ireland. (He attended a Catholic school, where, as he has recounted publicly, he was physically and sexually abused by his teachers.) Reading Elie Wiesel’s “Night” as a teenager, Boyne said, “made me want to understand more.”
He would read many more Holocaust books during his twenties, from Primo Levi to Anne Frank to “Sophie’s Choice,” fascinated by the sheer recency of the atrocity. “How could something that seems like it should have happened, say, 1,000 years ago — because the death count is so enormous and so horrifying — how could that happen so close to the time that I’m alive in?” he thought. “And if it could, then what’s to stop it happening again?”
That fascination led to the publication, when Boyne was 33, of “Striped Pajamas,” which he’d always conceived of as a children’s story. In the book, Bruno, the 9-year-old son of a Nazi commandant, befriends Shmuel, a Jewish concentration-camp prisoner of the same age; it ends with Bruno donning the “striped pajamas” and following his friend into the gas chambers. Further driving home the fable conceit, an initial draft included a framing device of Boyne as a character reading the story to an audience of children, before an editor advised him to cut it.
During his writing process, Boyne said he was concerned with “the emotional truth of the novel” as opposed to holding to historical accuracy, and defended much of the book’s ahistorical details — such as moving the Auschwitz guards’ living quarters to outside the camp, and putting no armed guards or electric fences between Bruno and Shmuel — as creative license. A common critique of the book, that the climax encourages the reader to mourn the death of Bruno over that of Shmuel and the other Jews in the camps, makes no sense to Boyne: “I struggle to understand somebody who would reach the end of that book and only feel sympathy for Bruno. I think then if somebody does, I think that says more, frankly, about their antisemitism than anything else.”
He also justified his decisions by reasoning that a novel like his shouldn’t be the basis for Holocaust instruction.
“I don’t think that it’s my responsibility, as a novelist who didn’t write a school book, to justify its use in education when I never asked for that to happen,” he said. “If [teachers] make the choice to use a novel in their classrooms, it’s their responsibility to make sure the children know that there is a difference between what happens in this novel and what happened in real life.”
Boyne added that he was “appalled” by a recent JTA report about a Tennessee school district removing Art Spiegelman’s graphic Holocaust memoir “Maus” from its curriculum. If teachers are choosing between teaching the two books, he said, “‘Maus’ is better, no question about that. And a much more important book.” (Earlier this year, Spiegelman himself took a swipe at “Striped Pajamas” by telling a Tennessee audience that no schools should read Boyne’s novel because “that guy didn’t do any research whatsoever.”)
“The Boy in the Striped Pajamas,” John Boyne’s 2006 bestseller, has been critiqued for the way it presented the Holocaust to children. (Illustration by Grace Yagel)
For the first decade of his book’s release, Boyne would frequently receive invites to speak at Jewish community centers and Holocaust museums. He met with survivors who shared their stories with him.
Over the years, more research has been published about the book’s popularity in the classroom, which has led to more scrutiny of its factual inaccuracies. Other authors, Holocaust researchers and some educators have come out forcefully against the book’s use in the classroom. At the same time, Boyne said, his invitations to Jewish venues dried up.
The author has also been known to exacerbate the issue by sparring with his critics, even when they are respected institutions. Most infamously, in 2020, Boyne got into a Twitter feud with the Auschwitz-Birkenau Memorial and Museum, which said his Auschwitz-set book “should be avoided by anyone who studies or teaches about the history of the Holocaust.”
The back-and-forth was provoked after Boyne criticized what he saw as the crassness of more recent Holocaust novels, such as “The Tattooist of Auschwitz” by Heather Morris. Reflecting on the spat, Boyne said of the Auschwitz memorial, “I hope that they do understand that, whether my book is a masterpiece or a travesty, that I came at it with the very best intentions.”
Boyne conceived of the sequel shortly after finishing “Striped Pajamas.” It follows Bruno’s older sister Gretel as she lives in hiding after the war and successfully conceals her Nazi upbringing all the way into the present day. A preteen during the Holocaust, Gretel becomes gradually more aware of its horrors after seeing newspaper articles and documentaries and encountering former Resistance members and Jewish descendants of survivors (including one, David, who becomes her lover without knowing her true background).
Unlike “Striped Pajamas,” “All the Broken Places” is intended for adults. It’s filled with sex, violence, suicide attempts and bad language — and also some of the details of the Holocaust that were omitted from the first book. It mentions the Sobibor death camp by name, for example, and also takes the time to correct Bruno’s childish assumptions about the death camps being a “farm.”
But it tells the story from the perspective of a German who was directly implicated in the Holocaust. Throughout, Gretel reflects on her complicity in the Nazi regime, and her self-interest in hiding from authorities in the following years rather than trying to bring people like her father to justice. Missing from the book is any serious discussion of antisemitism as an ideology, and to what extent Gretel ascribes to it — though there is plenty of hand-wringing over postwar anti-German sentiment. In one shocking moment, a former S.S. lieutenant in hiding presents Gretel with a pair of Hitler’s eyeglasses and urges her to try them on; she is terrified to discover that this excites her.
The book’s reception has been mixed. While praised by publications including Kirkus Reviews (“a complex, thoughtful character study”) and the Guardian (“a defense of literature’s need to shine a light on the darkest aspects of human nature”), the New Statesman took Boyne to task for writing an “immoral” and “shameless sequel” that further erodes the “Jewishness” of the Holocaust.
At the behest of his publisher, Boyne has included an author’s note with “All The Broken Places” alluding to criticisms of “Striped Pajamas.” “Writing about the Holocaust is a fraught business and any novelist approaching it takes on an enormous burden of responsibility,” he tells the reader. “The story of every person who died in the Holocaust is one that is worth telling. I believe that Gretel’s story is also worth telling.”
Still, “Striped Pajamas” has its Jewish defenders. One, the 24-year-old composer Noah Max, is behind a new opera adaptation of the book, to be titled “The Child in the Striped Pyjamas.” It will debut in London in January; a recent story by the U.K. Jewish Chronicle helped convince the film’s rights holder Miramax to waive a $1 million licensing fee for the project.
A great-grandson of Jews who fled Vienna when the Nazis arrived, Max told JTA he’d initially read the book “years before I was capable of absorbing testimony,” and that it inspired him to seek out actual survivor testimonies and to begin composing the opera at the age of 19. He compared its message to Rabbi Jonathan Sacks’ writings on moral relativism.
“Ultimately, the book motivated me to write an opera about the Shoah and integrate Holocaust education into my music,” Max said. “Any book capable of that is worthy of attention.”
Composer Noah Max (center) rehearses for his upcoming opera adaptation of “The Boy in the Striped Pajamas,” to premiere in January 2023. (Courtesy of Noah Max)
Max’s passion for “Striped Pajamas” inspired at least one Holocaust group to change its mind about its educational merits. The Holocaust Educational Trust, a London-based group that advocates British educators on how to teach the Holocaust, had as recently as 2020 declared that “we advise against using” the book in the classroom.
But following what Max described as “richly fulfilling conversations” about “the story’s symbolic and artistic worth,” the trust fully endorsed the opera and, he said, has begun to rethink its view of the book. (The group did not respond to a JTA request for comment.)
Even with 16 years of hindsight and the chance to rethink his bestseller, Boyne said he wouldn’t change anything. Reflecting on his youthful audience, he said, “If they weren’t reading ‘Striped Pajamas,’ it’s more likely they would be reading something that has no relevance to this subject at all.”
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Romania’s secret police trailed a Jewish photographer. Decades later, their files have become a film.
(JTA) — BERLIN — He had wild hair and wore jeans. He was American — and Jewish. He had a camera.
That was enough to trigger surveillance by the notorious secret police of communist Romania, the Securitate.
Now, 41 years after photojournalist Edward Serotta boldly stepped behind the Iron Curtain, we can see just how obsessed the Romanians were with him, thanks to a short documentary by renowned Romanian director Radu Jude and historian Adrian Cioflâncă.
“Plan contraplan/Shot Reverse Shot,” which had its world premiere at the Berlinale international film festival last month, gives equal time to Serotta’s reminiscences about Romania in the 1980s, and to the Securitate’s observations of him.
And of course, to the photos: After his Romania adventure, Serotta put down new roots in Europe, and has spent decades documenting the Jewish life that was nearly obliterated in the Holocaust. He has published several books of photographs documenting Jewish communities. He also documented the fall of the communist regimes in which he’d set foot as a young man.
Twenty-two minutes long, the film was one of several shown at the festival with themes related to Jewish life and history, or to the Israeli-Palestinian conflict.
The obsessive spying of the communist regime, as documented here, appears absurd today. But it was fully serious at the time.
In his narration, Serotta — born in 1949 in Atlanta — recalls how communist authorities in 1985 “had given me the permission to come to Romania under the idea that they would have glowing and fine articles and positive articles about Romania.” His stated intention was to document World War II memorials, of which at the time there were only a handful. Today, there are many more.
“He will be put under surveillance,” declares the spy, narrated in the film’s second half by Romanian political scientist Diana Mărgărit, “in order to prevent contact with parasitic protest elements.”
While Serotta was aiming his lens, the informants were sneaking around, snapping quick shots and jotting down observations. They also slipped into his hotel room one day, and exposed a roll of film.
The things they frantically recorded are “funny right now,” a reminder of a bygone regime that at the time was deadly serious, said Cioflâncă in an interview. Cioflâncă is on the advisory college of the National Council for the Study of the Securitate Archives, a state institution that deals with the history of communism. “I lived for 15 years when I was a child under communism. And it was not fun.”
For 41 years, until the regime’s fall and the execution of president Nikolae Ceaușescu and his wife, Elena, in 1989, the Securitate spied on and terrorized citizens of Romania, suppressing dissent. According to the virtual Cryptomuseum, based in the Netherlands, the Securitate had up to 11,000 agents and 500,000 informants monitoring a population of 22 million.
In 2006, a governmental commission reported that more than 600,000 Romanians — and potentially around 2 million — were incarcerated for political crimes, and more than 100,000 died.
Western journalists, though suspect and surveilled, were to some extent wooed — at least in the 1980s. When Serotta requested to visit in 1985, Ceaușescu had been president for some 11 years (after heading the communist party from 1965). Ceaușescu was seen as more friendly to the west: He had refused to contribute troops to invade former Czechoslovakia in 1968; and he kept up relations with Israel when other communist countries severed their ties.
At the time, the regime wanted to gain “most favored nation” economic status from the United States, which depended on their allowing some freedom of movement to its population.
“There were 855 western journalists coming to Romania during the Ceaușescu period, and 80 of them were American,” said Cioflâncă, who also directs the Bucharest-based Center for the Study of Jewish History, under the Federation of Jewish Communities in Romania.
“Many of these visits were organized as a propaganda instrument. In all the cases, they wanted to interfere with the journalist and to influence his work. They tried something similar with Edward when he came,” he added.
“They felt that the Jews are so influential, especially in the relationship with the United States,” Serotta said in an interview.
“In their mind, everything that was Israeli, Jewish, or American Jewish was deemed like an important piece of influence to use for their political PR at that time,” said Serotta, who eventually moved to Europe and in 2000 founded the Centropa nonprofit archive aimed at preserving Jewish memory in Central and Eastern Europe, the Balkans, the Baltics, and the former Soviet Union.
Centropa was purchased by the US Holocaust Memorial Museum in 2024.
Given Serotta’s obsession with documenting history, Cioflâncă said he was surprised to learn that his friend had never viewed his Securitate files. Several years ago, he asked Serotta if he’d like to see them.
“The funny thing is, I didn’t think I was important enough to have any,” Serotta recalled.
Cioflâncă found some 300 pages of documents. The informants had tried to influence the photojournalist, saying that the World War II killings of Jews in the region were “a marginal moment,” Cioflâncă noted. “They wanted to make sure that their reputation remained clean, that they were not collaborators” with the Nazis.
According to the US Holocaust Memorial Museum and Yad Vashem, at least 380,000 Romanian Jews were killed during the Holocaust.
“I was there for a matter of several weeks,” Serotta said. He recalled “a very tense atmosphere. Nothing worked properly. We barely found food in stores. It was awful.”
And he is still astonished that the Securitate spent so much time following him. “It’s funny stuff.”
“Many Securitate officers were pretty stupid,” Serotta said in the interview. “They were so distorted in doing their job that they didn’t have this sense of [the] ridiculous and humor.”
Moreover, “their [photo] equipment, first of all, was not very good. Secondly, they were usually doing it surreptitiously: behind a wall or a door or something or something like that. But as the old expression goes, the pictures are great because I look young. I look like a casting reject from ‘Flashdance.’”
Serotta, for the most part, ignored or was unaware of the surveillance, except for when the only two cars on remote roads, hour after hour, were his and that of a spy on his tail.
And yet the trip to Romania was priceless. On one of his first visits to a Jewish community in Romania, he said to himself, “Wow, this is interesting. This is like the old country.”
“Then I said, ‘It’s not like the old country. It is the old country, and I’m in it,’” he added. “From that moment on, I felt like I had opened a door, and I’ve never come back through it.”
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Avraham Burg, longtime fixture of Israeli left, meets Tucker Carlson on his own turf
(JTA) — Tucker Carlson has set off alarm bells among many Jewish groups and even some conservative allies by hosting conspiracy theorists, grilling the U.S. ambassador to Israel and dabbling in sinister-sounding theories about Benjamin Netanyahu and Chabad.
But on Monday a notable Israeli opted to appear on Carlson’s show: former politician and left-wing figurehead Avraham Burg. And their talk was demonstrably cordial — though not without some gentle ribbing.
“Listen, Tucker, I cannot stand you,” Burg told his interviewer over a video call. “But you’re a nice person, so I talk with you.”
“I’ll take that as a half compliment,” Carlson responded, laughing.
A former speaker of the Knesset, interim Israeli president and onetime chair of the Jewish Agency for Israel and World Zionist Organization, Burg today remains an outspoken member of Israel’s dwindling left. A proponent of positions like post-Zionism and the Palestinian right of return that are deeply unpopular in Israel, he is also a frequent Netanyahu critic and current member of Hadash, an Israeli far-left party with Communist roots.
In his newsletter, Burg explained his decision to appear on Carlson’s show by saying the influential podcast host was “one of the most powerful voices in today’s American Right.”
“This interview was born out of a genuine desire to step outside familiar patterns and meet the person behind the public image that has been built around him, not out of prior agreement and not out of any need to adjudicate, but out of a willingness to seriously engage with the challenges he poses to the political and cultural discourse of our time,” Burg wrote in his Substack.
In a veiled swipe at other Jewish groups and Israeli leaders that have denounced Carlson, he added, “Carlson manages to touch a raw nerve of an American society whose doubts are deepening, and the temptation is to dismiss that with slogans. I chose not to do that.”
Indeed, throughout their 90-minute conversation, Burg did not push Carlson on the more outlandish claims the pundit has made on his shows in the past, even as he noted he watched the show frequently. He did object to Carlson’s past contentions that Israel would consider using nukes against Iran, as well as to Carlson’s rejection of the question of whether Israel “has the right to exist.”
Another area of pushback came when Burg insisted that, contrary to Carlson’s claims, Israel doesn’t have a consistent security policy, let alone a grandiose religious or conspiratorial vision.
“I listened to you very carefully in the last couple of weeks, and the way you try to conceive the Israeli strategy, from Netanyahu’s 40-year life mission to the greater land of Israel,” as biblical, “Messianic” or “eschatological,” said Burg. “I envy you that you really believe that we have something like that.” However, he added, “It doesn’t work that way.”
He instead focused on what he referred to as the Israeli mindset, which he called “a very, very hard, stiff-necked” one. Israelis, Burg said, do not believe in a “win-win” solution to their conflicts with their neighbors: “We live in a zero sum game.”
“‘I want to win alone. I want you to be dead. I want to humiliate you. I want to cancel you,’” Burg said, explaining that mindset. “‘Whomever you are, you are my enemy.’ And when you look at this philosophy, you understand where comes the political rhetoric that every adversary, never mind who [he is], minor or major, but at the end of the day, he is a Hitler.”
Israelis, Burg claimed, are also isolated from much of the English-language media, and reflexively dismiss any media criticism of their actions as antisemitic, creating “a thick filter that enables us to reject any kind of legitimate criticism.”
Carlson, who himself has offered various denunciations of the Israeli mindset on other episodes, took a soft approach to interviewing Burg. He praised Burg as “a pretty brave guy,” citing a recent op-ed in which the Israeli had opposed war with Iran, and ended by stating, “This conversation has really been a blessing for me.”
He avoided testier subjects he had raised with U.S. Ambassador to Israel Mike Huckabee and other guests in recent episodes, such as suggesting genetics testing for all Israelis to test the Jewish claim to the Holy Land, or musing that the Chabad Hasidic movement orchestrated the war as a means of building the Third Temple.
Whether his audience appreciated the apparent sincerity is an open question. On YouTube, commenters variously described Burg as complicit in Israel’s failings despite his politics or offered backhanded praise for the ways he confirmed their worst suspicions about Israelis. “If what he’s saying is true then what an unbearable group of people,” read one comment.
On X, Carlson’s other main platform, prominent pro-Israel Jews denounced Burg as a Communist and traitor to Israel.
Burg’s willingness to find common cause with Carlson was the latest sign of how some on the Jewish left, finding little appetite among institutional Jewish groups and Israeli society for sustained pushback against Israel’s actions in Gaza and Iran, may be looking instead to fringe voices on the right, where anti-Israel sentiment is also growing.
American Jewish left-wing intellectual Norman Finkelstein has appeared on Candace Owens’ podcast, while Israeli left-wing activist Miko Peled has aligned with Carrie Prejean Boller, a former religious liberties commissioner under Trump who was ousted over her stated Catholic opposition to Zionism.
Also this week Jewish journalist Peter Beinart, a leading progressive critic of Israel, praised former Trump counterterrorism director Joe Kent — another recent Carlson guest — as “a brave man” for resigning from his post while citing his opposition to war with Iran. Kent’s resignation letter accused Israel not only of manipulating Trump into war but also of having started the Iraq War and the Syrian Civil War, raising concern among American Jewish groups and providing further fodder for antisemitic elements on the right. (Beinart criticized aspects of the letter as “faulty” in his Jewish Currents essay, which was publicly assailed by a former magazine board member.)
For Burg and Carlson, the meeting revealed more similarities than differences in their worldviews. Toward the end of their talk, Burg expressed optimism that his grandchildren’s generation “will stand up and say, ‘We are ready to defend the legitimate Israel, but we’re not ready to sacrifice our life or to sacrifice the life of others on the altar of this craziness.’ This day is close.’”
“That’s a very reassuring thing to hear,” Carlson responded, in agreement.
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King Charles named patron of British Jewish security nonprofit following ambulance attack
(JTA) — King Charles has been named the first-ever patron of a British Jewish security nonprofit, a move announced in the wake of an arson attack that targeted four ambulances owned by a Jewish volunteer emergency service in north London.
The Community Security Trust, Britain’s main antisemitism watchdog, announced that King Charles had accepted the role — indicating a royal’s endorsement of a cause — during an annual fundraising dinner Monday night, where British leaders condemned the attack.
“His Majesty’s longstanding commitment to promoting tolerance, inclusion and interfaith understanding align closely with CST’s mission to protect British Jews and CST is honoured by this recognition and looks forward to working under His Majesty’s patronage to further its vital work across the country,” CST wrote in a statement.
While the attack is being investigated as an antisemitic hate crime but not a terrorist incident, counterterror officers have been leading the investigation after an Islamist group claimed responsibility for the attack. (The same group also claimed responsibility for synagogue bombings in Belgium and the Netherlands.)
“It is too early for me to attribute last night’s attack in Golders Green to the Iranian state … but whoever was responsible, the impact is serious,” London police chief Mark Rowley said at the annual dinner on Monday.
Police believe three suspects were involved in the attack, although no arrests have been made yet. Security footage of the scene of the attack in Golders Green, a heavily Jewish neighborhood of London, appeared to show three individuals approaching the ambulances parked outside the Machzike Hadath Synagogue.
In the wake of the attack, Rowley pledged to deploy over 250 additional police officers to protect Jewish communities and the British government announced it would provide four replacement ambulances to Hatzola.
In a speech at the dinner, British Home Secretary Shabana Mahmood said that antisemitism was on the rise and vowed that those responsible would be “pursued and made to face the consequences of their vile actions.”
“It is so warped it defies words,” Mahmood said of the arson attack. “This was more than an attack on four ambulances; it was more than an attack on one organisation or on one community. It was an attack on this country and on us all.”
In the days following that attack, donations to fundraising campaigns on behalf of Hatzola reached nearly $2 million following a plea from the organization for urgent support.
“We are launching an urgent appeal to rebuild what has been lost — we cannot to afford to let our life-saving work be put on pause,” Hatzola said in a statement. “We need immediate support so we can source: new ambulances, strengthening security, equipping the teams, restocking and ensuring we can continue to respond safely and effectively in every emergency.”
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