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The sequel to the Holocaust novel ‘Boy in the Striped Pajamas’ is here. Its author has no regrets.
(JTA) – At one point in John Boyne’s new novel “All The Broken Places,” a 91-year-old German woman recalls, for the first time, her encounter with a young Jewish boy in the Auschwitz death camp 80 years prior.
“I found him in the warehouse one day. Where they kept all the striped pajamas,” she says.
The woman, Gretel, quickly realizes her mistake: that “this was a phrase peculiar to my brother and me.” She clarifies that she is referring to “the uniforms. … You know the ones I mean.”
Boyne’s readers are, in fact, likely to know what Gretel means, as “All The Broken Places” is a sequel to Boyne’s 2006 international bestseller “The Boy in the Striped Pajamas.” At a time when other Holocaust books intended for young readers have been challenged or removed from some American schools, the enduring popularity of “Striped Pajamas” has conjured up love and loathing in equal measure for its depiction of Nazi and Jewish youths during the Holocaust. It has sold 11 million copies, appeared in 58 languages and in major motion picture form, and been the only assigned reading about Jews or the Holocaust for countless schoolchildren, mostly in Britain. Yet Holocaust scholars have warned against it, panning it as inaccurate and trafficking in dangerous stereotypes about Jewish weakness.
Speaking to the Jewish Telegraphic Agency from his Dublin home on Tuesday, the day “All the Broken Places” hit U.S. shelves, Boyne said he hoped readers would take his new book on its own terms — as a more sophisticated meditation on guilt, culpability and evil, for an adult audience rather than children this time. But he also wants to defend the original work that made him famous.
“I do feel it’s a positive contribution to the world and to Holocaust studies,” said Boyne, who estimates that he has personally spoken to between 500 and 600 schools about “Striped Pajamas.”
Not everyone agrees. A 2016 study published by the Centre for Holocaust Education, a British organization housed at University College London, found that 35% of British teachers used his book in their Holocaust lesson plans, and that 85% of students who had consumed any kind of media related to the Holocaust had either read the book or seen its movie adaptation.
That level of widespread familiarity with the book led many students to inaccurate conclusions about the Holocaust, such as that the Nazis were “victims too” and that most Germans were unaware of the horrors being visited upon the Jewish people, the study found.
A promotional image from the 2008 film adaptation of “The Boy in the Striped Pajamas.” (Miramax)
As overall awareness of the Holocaust has decreased among young people especially, Boyne’s novel has become a casualty of its own success. Holocaust scholars in the United Kingdom and United States have decried the book, with historian David Cesarani calling it “a travesty of facts” and “a distortion of history,” and the Holocaust Exhibition and Learning Centre in London publishing a long takedown of the book’s inaccuracies and “stereotypes.”
“With the rise in antisemitism, such as it is in this country, and that so often manifests through trivialisation, distortion and denial of the Holocaust, this book could potentially do more harm than good,” Centre for Holocaust Education researcher Ruth-Anne Lenga concluded at the end of her 2016 study.
Boyne came to the Holocaust as subject matter purely on his own, having never been taught about the history growing up in Ireland. (He attended a Catholic school, where, as he has recounted publicly, he was physically and sexually abused by his teachers.) Reading Elie Wiesel’s “Night” as a teenager, Boyne said, “made me want to understand more.”
He would read many more Holocaust books during his twenties, from Primo Levi to Anne Frank to “Sophie’s Choice,” fascinated by the sheer recency of the atrocity. “How could something that seems like it should have happened, say, 1,000 years ago — because the death count is so enormous and so horrifying — how could that happen so close to the time that I’m alive in?” he thought. “And if it could, then what’s to stop it happening again?”
That fascination led to the publication, when Boyne was 33, of “Striped Pajamas,” which he’d always conceived of as a children’s story. In the book, Bruno, the 9-year-old son of a Nazi commandant, befriends Shmuel, a Jewish concentration-camp prisoner of the same age; it ends with Bruno donning the “striped pajamas” and following his friend into the gas chambers. Further driving home the fable conceit, an initial draft included a framing device of Boyne as a character reading the story to an audience of children, before an editor advised him to cut it.
During his writing process, Boyne said he was concerned with “the emotional truth of the novel” as opposed to holding to historical accuracy, and defended much of the book’s ahistorical details — such as moving the Auschwitz guards’ living quarters to outside the camp, and putting no armed guards or electric fences between Bruno and Shmuel — as creative license. A common critique of the book, that the climax encourages the reader to mourn the death of Bruno over that of Shmuel and the other Jews in the camps, makes no sense to Boyne: “I struggle to understand somebody who would reach the end of that book and only feel sympathy for Bruno. I think then if somebody does, I think that says more, frankly, about their antisemitism than anything else.”
He also justified his decisions by reasoning that a novel like his shouldn’t be the basis for Holocaust instruction.
“I don’t think that it’s my responsibility, as a novelist who didn’t write a school book, to justify its use in education when I never asked for that to happen,” he said. “If [teachers] make the choice to use a novel in their classrooms, it’s their responsibility to make sure the children know that there is a difference between what happens in this novel and what happened in real life.”
Boyne added that he was “appalled” by a recent JTA report about a Tennessee school district removing Art Spiegelman’s graphic Holocaust memoir “Maus” from its curriculum. If teachers are choosing between teaching the two books, he said, “‘Maus’ is better, no question about that. And a much more important book.” (Earlier this year, Spiegelman himself took a swipe at “Striped Pajamas” by telling a Tennessee audience that no schools should read Boyne’s novel because “that guy didn’t do any research whatsoever.”)
“The Boy in the Striped Pajamas,” John Boyne’s 2006 bestseller, has been critiqued for the way it presented the Holocaust to children. (Illustration by Grace Yagel)
For the first decade of his book’s release, Boyne would frequently receive invites to speak at Jewish community centers and Holocaust museums. He met with survivors who shared their stories with him.
Over the years, more research has been published about the book’s popularity in the classroom, which has led to more scrutiny of its factual inaccuracies. Other authors, Holocaust researchers and some educators have come out forcefully against the book’s use in the classroom. At the same time, Boyne said, his invitations to Jewish venues dried up.
The author has also been known to exacerbate the issue by sparring with his critics, even when they are respected institutions. Most infamously, in 2020, Boyne got into a Twitter feud with the Auschwitz-Birkenau Memorial and Museum, which said his Auschwitz-set book “should be avoided by anyone who studies or teaches about the history of the Holocaust.”
The back-and-forth was provoked after Boyne criticized what he saw as the crassness of more recent Holocaust novels, such as “The Tattooist of Auschwitz” by Heather Morris. Reflecting on the spat, Boyne said of the Auschwitz memorial, “I hope that they do understand that, whether my book is a masterpiece or a travesty, that I came at it with the very best intentions.”
Boyne conceived of the sequel shortly after finishing “Striped Pajamas.” It follows Bruno’s older sister Gretel as she lives in hiding after the war and successfully conceals her Nazi upbringing all the way into the present day. A preteen during the Holocaust, Gretel becomes gradually more aware of its horrors after seeing newspaper articles and documentaries and encountering former Resistance members and Jewish descendants of survivors (including one, David, who becomes her lover without knowing her true background).
Unlike “Striped Pajamas,” “All the Broken Places” is intended for adults. It’s filled with sex, violence, suicide attempts and bad language — and also some of the details of the Holocaust that were omitted from the first book. It mentions the Sobibor death camp by name, for example, and also takes the time to correct Bruno’s childish assumptions about the death camps being a “farm.”
But it tells the story from the perspective of a German who was directly implicated in the Holocaust. Throughout, Gretel reflects on her complicity in the Nazi regime, and her self-interest in hiding from authorities in the following years rather than trying to bring people like her father to justice. Missing from the book is any serious discussion of antisemitism as an ideology, and to what extent Gretel ascribes to it — though there is plenty of hand-wringing over postwar anti-German sentiment. In one shocking moment, a former S.S. lieutenant in hiding presents Gretel with a pair of Hitler’s eyeglasses and urges her to try them on; she is terrified to discover that this excites her.
The book’s reception has been mixed. While praised by publications including Kirkus Reviews (“a complex, thoughtful character study”) and the Guardian (“a defense of literature’s need to shine a light on the darkest aspects of human nature”), the New Statesman took Boyne to task for writing an “immoral” and “shameless sequel” that further erodes the “Jewishness” of the Holocaust.
At the behest of his publisher, Boyne has included an author’s note with “All The Broken Places” alluding to criticisms of “Striped Pajamas.” “Writing about the Holocaust is a fraught business and any novelist approaching it takes on an enormous burden of responsibility,” he tells the reader. “The story of every person who died in the Holocaust is one that is worth telling. I believe that Gretel’s story is also worth telling.”
Still, “Striped Pajamas” has its Jewish defenders. One, the 24-year-old composer Noah Max, is behind a new opera adaptation of the book, to be titled “The Child in the Striped Pyjamas.” It will debut in London in January; a recent story by the U.K. Jewish Chronicle helped convince the film’s rights holder Miramax to waive a $1 million licensing fee for the project.
A great-grandson of Jews who fled Vienna when the Nazis arrived, Max told JTA he’d initially read the book “years before I was capable of absorbing testimony,” and that it inspired him to seek out actual survivor testimonies and to begin composing the opera at the age of 19. He compared its message to Rabbi Jonathan Sacks’ writings on moral relativism.
“Ultimately, the book motivated me to write an opera about the Shoah and integrate Holocaust education into my music,” Max said. “Any book capable of that is worthy of attention.”
Composer Noah Max (center) rehearses for his upcoming opera adaptation of “The Boy in the Striped Pajamas,” to premiere in January 2023. (Courtesy of Noah Max)
Max’s passion for “Striped Pajamas” inspired at least one Holocaust group to change its mind about its educational merits. The Holocaust Educational Trust, a London-based group that advocates British educators on how to teach the Holocaust, had as recently as 2020 declared that “we advise against using” the book in the classroom.
But following what Max described as “richly fulfilling conversations” about “the story’s symbolic and artistic worth,” the trust fully endorsed the opera and, he said, has begun to rethink its view of the book. (The group did not respond to a JTA request for comment.)
Even with 16 years of hindsight and the chance to rethink his bestseller, Boyne said he wouldn’t change anything. Reflecting on his youthful audience, he said, “If they weren’t reading ‘Striped Pajamas,’ it’s more likely they would be reading something that has no relevance to this subject at all.”
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Cori Bush promised to bury AIPAC. Her rematch with Wesley Bell in Missouri tests that.
(JTA) — Missouri primary voters will travel back two years when they head to the polls on Tuesday. There they’ll confront a rematch of two candidates whose previous face-off was largely defined by an influx of AIPAC cash that helped oust one of Israel’s most ardent critics in Congress.
In 2024, AIPAC “demonstrated its clout,” in the words of The New York Times, with a massive contribution that knocked out incumbent U.S. Rep. Cori Bush in favor of challenger Wesley Bell. In her concession speech, she promised revenge.
On Tuesday, Bush is seeking to make good on the pledge. But while she is competing against the same candidate, the political landscape around them has changed dramatically.
Since Bush’s loss in the district representing the St. Louis metropolitan region, AIPAC has become a bogeyman in the Democratic Party and Israel a major campaign issue. Other anti-Zionist members of the Democratic Socialists of America have been racking up victories in blue districts across the country throughout the 2026 primary season.
The changing winds might have given Bell incentive to shift to the left instead of leaving himself vulnerable to a challenger whose background and political stances are otherwise similar. But Bell has held firm in his support for Israel, enjoying the backing of mainstream Democrats and a continued financial infusion from the American Israel Public Affairs Committee to the tune of more than $1 million this cycle.
As a result, Tuesday’s rematch is one of the most striking tests of whether AIPAC still has traction in Democratic strongholds or whether Bush and other DSA candidates have subdued the once-powerful lobby.
“The war is a lot different today than it was two years ago,” Braxton Payne, a St. Louis-based Democratic strategist, told JTA, referring to the Israel-Gaza conflict that unfolded following Hamas’s attack on Oct. 7, 2023, and the ensuing war. “Sentiment inside the Democratic Party, even among the establishment, has changed.”
In the past few years, the AIPAC has faced growing hostilities from ultra-left-wing politicians, who have denounced Israel’s treatment of the Palestinians in Gaza and the West Bank, particularly in the aftermath of Oct. 7.
“AIPAC is now a household name in Democratic politics,” Payne noted.
But heading into Tuesday’s primaries, it wasn’t clear that the anti-AIPAC activism had moved the needle for St. Louis voters. While the polymarket prediction platform has given Bell a 66% chance of winning, compared to Bush’s 34%, there’s a dearth of nonpartisan polling. Bush’s campaign commissioned one of the few publicly available survey results, an April HIT Strategies poll that declared the candidates “statistically tied,” with Bell in the lead at 44% and Bush at 40%.
On paper, the two candidates have much in common. Born in Missouri in the mid-1970s, Bell and Bush are both Black progressive Democrats who entered politics following the 2014 police shooting of Michael Brown in the city of Ferguson.
After protests for police reforms surged across the area for about a year, Bell won a seat on the city council and worked on enacting such changes. In a 2018 race for St. Louis County prosecutor, he defeated Bob McCulloch, a 27-year incumbent who had come under national scrutiny for failing to prosecute the officer who had killed Brown. Bell is now serving his first term in Congress.
Bush, meanwhile, first became engaged in politics as a participant in the Ferguson protests. Though she lost Democratic primaries for the U.S. Senate and House in 2016 and 2018, success in 2020 led her to serve Missouri’s 1st Congressional District for two terms. But in 2024, Bush fell short, losing in the primaries to Bell by more than 5 percentage points.
The candidates agree on most of their political platforms, both of which prioritize issues like reproductive freedom, gun violence prevention and the dismantling of Immigration and Customs Enforcement, as well as reducing the costs of housing, utilities, healthcare and prescriptions. But they diverge when it comes to the Middle East, with Bush’s campaign promising to “stand for justice in Palestine.”
Like other DSA candidates in New York, Colorado, Wisconsin and Michigan, Bush’s campaign accuses Israel of carrying out a genocide in Gaza with the backing of “U.S. weapons and U.S. dollars.”
Following her loss to Bell in 2024, Bush threatened to tear down AIPAC’s “kingdom” after it spent nearly $9 million on her takedown, in one of the most expensive House races in U.S. history. Federal Election Commission records show that of that total, AIPAC invested about $3.4 million in support of Bell and about $5.2 million in opposition of Bush, through the lobby’s super PAC, the United Democracy Project.
“People are beginning to understand that — much like the crypto industry, AI, Big Oil, and Big Pharma — AIPAC has become yet another way for MAGA-donors to divide the Democratic base by meddling in primaries,” Bush told JTA in a written statement.
“In St. Louis and across the country, people know that our fight against antisemitism means fighting against the far-right’s effort to divide us,” Bush added.
Throughout her current rematch against Bell, Bush has gone after her opponent for his ties to AIPAC.
“Wesley Bell is a former Republican campaign manager who is bought and paid for by AIPAC,” Bush posted last month on X. Bush was referring to a 2006 period when Bell served as campaign manager for a conservative, which he has maintained was no more than a favor for a friend.
“We’re going back to DC, and we’ll do it with no corporate cash or AIPAC funded-trips,” Bush added, referencing Bell’s trip to Israel with the lobby group last year.
Yet compared to 2024, AIPAC has spent much less on the current race. Through its UDP super PAC, the lobby has invested in the neighborhood of $3 million in the rematch, with the vast majority spent opposing Bush, according to FEC data. Overall in this race, the candidates themselves have also raised fewer funds than they did two years ago, according to the FEC. Bell has secured $3.6 million and Bush $1.3 million, as opposed to $5.4 million and $4.2 million, respectively, in 2024.
Deryn Sousa, spokesperson for AIPAC, told JTA in a written statement that his group was proud to support Bell’s campaign.
“Bell is a principled fighter for the people of St. Louis, while Cori Bush spent her time in Congress missing votes and demonizing a key democratic ally,” Sousa added.
Bell did not respond to a request for comment from JTA.
However, on the campaign trail, Bell said he was “proud to stand with our Jewish brothers and sisters, and support Israel, particularly in a time that has been very tumultuous,” in a March video posted by AIPAC.
“When we see what has happened in the last few years, I think it’s even more apropos to stand with our friends and one of our greatest allies,” he continued. “Oftentimes, what gets lost is yes, we support Israel, but Israel also supports us.”
And in Congress, Bell voted last month against an amendment that aimed to cut military aid to Israel. He has also previously co-sponsored a bill to increase defense partnerships with Israel, while also voting in favor of legislation that would have sanctioned the International Criminal Court for seeking to arrest U.S. allies, including Israeli officials.
David Cohen, executive director of the Jewish Community Relations Council of St. Louis, which does not endorse candidates, said the recent Iran war transformed “a national conversation about the Middle East into something more common.”
“The sheer number of conversations on this topic compared to the last race look different,” Cohen said. “The confluence of conspiracy theorists from the left and the right have blown out of proportion since the war started.”
Within these national conversations, which he described as “catchy” talking points and “black and white” discussions about AIPAC and Israel, Cohen warned that certain campaigns are “playing that dangerous game of demonizing Jews.”
Cohen said he believes that Bush’s campaign decided to focus on Israel because “they thought it would get her traction,” as opposed to focusing on the “many issues that people in Missouri care about.” Payne echoed Cohen’s sentiments, stressing that he “wouldn’t consider the Israeli-Hamas conflict as the top issue” at the ballot box amid higher-priority concerns like the “insane” cost of living. He noted that Bush’s “central campaign issue is AIPAC money,” a message that “motivates her base” but might not sway the everyday voter.
Jewish leaders and activists in the state have followed the race closely. Rabbi Ze’ev Smason, president of the Coalition for Jewish Values – Missouri, told JTA in an email that his organization also doesn’t endorse candidates. But the difference between Bell and Bush, he said, was obvious to his regional chapter of a national Orthodox rabbinic group.
While Bell “supports Israel’s right to self-determination” and to exist as a Jewish nation, Bush has “established an adversarial relationship with Israel abroad, as well as with the overwhelming majority of her Missouri constituents,” according to Smason.
“At home in her district, Cori Bush was a ‘no-show’ for her Jewish constituents,” Smason stated. “She regularly refused requests for interviews from the local Jewish press, and was shockingly absent from the dedication ceremony of the Holocaust Museum and Learning Center, with no explanation.”
Cohen, whose JCRC branch serves 36 Jewish groups from “liberal to Conservative to Orthodox,” said that “almost none of them believe what Cori Bush believes about Israel.” Jews made up 4.1% of the population in the district as of 2024, according to the Berman Jewish DataBank.
On the other hand, Michael Berg, a volunteer for St. Louis Jewish Voice for Peace, which is not a JCRC member, is among a minority of organized Jewish voices who oppose Bell due in large part to the candidate’s support for Israel. It was upsetting, Berg said, that Bell was “perfectly willing to take $15 million from the interests of a foreign government that’s committing a genocide.”
For Berg, the Israel-Gaza conflict is by no means a fringe concern. He praised Bush for her “unwavering advocacy” for a Gaza ceasefire and support for “multi-ethnic democracy,” as well as her refusal to accept corporate funds, her commitment to fighting climate change and her history of standing up for the interests of St. Louis’s people.
Bush has also earned the support of a second local Jewish group, Progressive Jews of St. Louis, who described her as “a champion for our St. Louis community and a brave leader in the fight for justice and peace for all people, regardless of where they call home.”
Out-of-state Jewish groups have also been vocal about their stances on this race, with the vast majority backing Bell, but some groups, like the IfNotNow movement, advocating for Bush. The Washington, D.C.-based IfNotNow, which calls for “a thriving future for all Israelis and Palestinians,” praised Bush for leading “the call for a ceasefire in Congress.”
In contrast, Jacob Spiegel, communications director of the Washington-based Jewish Democratic Council of America, recounted his organization’s grassroots action in favor of Bell. A network of volunteers, he explained in an email, is working to “elect the candidate we believe aligns with our Jewish values.”
Nonetheless, Berg maintained that even if Bell wins this race, the future “of the Democratic Party is only going in one direction,” which he said is the “direction of Democratic socialism.”
“The United States is increasingly becoming an anti-Zionist country,” Berg said. “The people understand they do not want the United States to continue to fund and support an ethno-national state in the Middle East that oppresses half of its people.”
Regardless of who is victorious, Payne predicted that the outcome would give “fodder” to the triumphant side. Payne, who noted his position as a non-Jewish “outsider,” said he believes that a fear of antisemitism will be motivating many Jewish voters as they head to the polls.
“To be frank, I think it’s a fear that it’s not ill-placed or unfounded,” he added.
This article originally appeared on JTA.org.
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The Met’s plan to honor designer John Galliano puts Jewish ideas of repentance to the test
(JTA) — Before the Metropolitan Museum of Art announced that it would honor fashion designer John Galliano with a major Costume Institute exhibition next spring, the museum convened at least two unusual meetings: a face-to-face with Galliano and a number of prominent rabbis, and a larger meeting with Vogue editor-in-chief Anna Wintour, museum officials and several prominent Jewish leaders.
The unusual collision of fashion and Judaism, first reported in The New York Times, reflected the challenge facing the Met as it prepares to celebrate one of fashion’s most influential designers who was also the perpetrator of one of its most notorious scandals. Fifteen years after Galliano was fired as chief designer of Dior for praising Hitler and hurling antisemitic abuse at patrons in a Paris café, the fashion exhibition has become a test of what Judaism means by teshuvah — repentance — and whether genuine accountability can coexist with public redemption.
The Met’s announcement also comes at a time when many Jews see a spike in antisemitism, ostensibly ignited by Israel’s war in Gaza but fanned by anti-Israel rhetoric that is often indistinguishable from antisemitism.
Accordingly, the debate over Galliano’s return to fashion — he recently signed a multi-year deal with the fashion brand Zara — touches on questions that Jewish tradition has wrestled with for centuries: how to repent, and when to forgive.
Jewish thinkers, from the medieval sage Maimonides to the 21st century thinker Rabbi Jonathan Sacks, have emphasized that teshuvah is not a simple apology or a request for forgiveness. It is a demanding process of acknowledgment, repair and transformation. And crucially, they argue, forgiveness is not something the person who caused harm is entitled to receive on demand.
Galliano has been a touchstone in debates like these since 2011, when a video, which that surfaced online, showed the designer, in a lengthy rant, praising Hitler and telling onlookers that they would have been killed by Nazis. Earlier that same year, a Jewish woman and an Asian man accused him of directing slurs at them during an altercation at the same café. A French court later found Galliano guilty of making public insults based on race, religion or ethnicity in the cafe incident and levied a suspended fine.
Dior fired him. His reputation appeared destroyed.
But Galliano’s story did not end there.
After entering treatment for substance abuse, Galliano began a long process of rehabilitation. He released a statement of regret, met with Jewish leaders and spoke publicly about confronting his own ignorance and prejudice. In 2013, the Anti-Defamation League said it believed he had demonstrated “true contrition” and that people could change when they accepted responsibility and worked to understand the harm they had caused.
The late Abraham Foxman, then the national director of the ADL and perhaps the last Jewish leader who could unilaterally grant an accused antisemite absolution, met with Galliano. He arranged for the designer to study with a rabbi and visit Auschwitz, and felt Galliano’s amends were sufficient to even asked retailers to again stock his designs.
“Mr. Galliano has worked arduously in changing his worldview and dedicated a significant amount of time to researching, reading, and learning about the evils of anti-Semitism and bigotry,” Foxman, who died in May, said at the time.
Jonathan Greenblatt, chief executive of the ADL, echoed Foxman’s approval in an email to The New York Times last week that he subsequently posted to X: “We believe John Galliano has genuinely worked through the issues that led to his antisemitic outburst years ago in Paris, and we have long since accepted his apology,” Greenblatt wrote. “His efforts to repair the damage his words caused and to learn from that incident should be applauded.”
Two of the rabbis who attended the May meeting (a third wasn’t named by participants or reporting on the meeting) also accepted the sincerity of Galliano’s contrition, even as they bluntly described to the exhibit organizers the climate in which the exhibit would be appearing.
In an interview with JTA, Rabbi Rick Jacobs, president of the Union for Reform Judaism, said he also met separately with Galliano in the spring. He came away feeling assured that the designer was “an incredible positive model of a guy who did the work to really earn back his position.”
The 2011 “Inspiration Dior” exhibition at the Pushkin State Museum of Fine Arts in Moscow featured John Galliano’s extravagant 18th-century French court-inspired designs. (Shakko/Wikimedia Commons)
Jacobs said meeting with Galliano reinforced what he considered a persuasive endorsement by Foxman.
“I was compelled by John Galliano and how he addressed his story. He wasn’t sugarcoating it. He wasn’t mouthing something that he was prepped to share,” said Jacobs. “I felt he was really honest and contrite.”
At the same time, Jacobs made clear to the Met team that the exhibit would be a missed opportunity if it didn’t forthrightly acknowledge the harm Galliano had caused.
Like Jacobs, Rabbi Joshua Davidson of the Reform Congregation Emanu-El in New York also said at the May meeting that many Jews may reasonably find the tribute painful, given it comes amid a rise in antisemitic incidents and renewed anxiety about Jewish safety. Like Jacobs, he also suggested that they include not just Galliano’s accomplishments but his failings.
“You have the opportunity to use this as a chance to teach about the dangers of antisemitism, the way it metastasizes, and what can be done to fight it,” Davidson told JTA, characterizing his charge to the organizers. “This is a challenging moment to do this sort of exhibition. I think we all acknowledged that, therefore, it places a greater responsibility upon the shoulders of the museum to do what it can to use this in order to push back against antisemitism.”
The Met appeared to hear that message, and says it intends to make Galliano’s transgressions part of the exhibition rather than gloss over them.
“It will directly address the rupture caused by his antisemitic, racist, and anti-Asian conduct in 2010 and 2011, which resulted in his dismissal from Christian Dior and his eponymous label and his conviction by a Paris court for public insults based on race, religion, ethnicity, or origin,” Andrew Bolton, the Costume Institute’s curator in charge, said in announcing the exhibition. “It will also consider his subsequent treatment for substance addiction and his later public acknowledgment of his actions.”
Not everyone, however, is persuaded that Galliano’s rehabilitation — or the Met’s framing of it — satisfies the demands of teshuvah.
Hen Mazzig, the pro-Israel writer and activist, argued that the museum’s decision reflects a wider culture that has become inured to antisemitism and dismissive of the concerns of the Jewish community. Noting that the Met abandoned plans to honor Galliano in 2024, Mazzig wrote on Substack this weekend that objections from Jewish donors and allies were “a cost the Met was unwilling to pay” at the time. Two years later, he continued, the museum appears to have concluded that the “cost had fallen to roughly zero. That is a market read on how much anyone cares when Jews object.”
Scarlett Johansson at the Metropolitan Museum of Art gala in New York City, May 7, 2018. The extravaganza is the kick-off event for each year’s annual Costume Institute exhibit. (Noam Galai/Getty Images for New York Magazine)
Rabbi Danya Ruttenberg, author of the 2022 book “On Repentance and Repair,” was unconvinced that Galliano has demonstrated the kind of transformation Jewish tradition demands.
She recalled finding Galliano’s original public apology — in which he said he accepted that the accusations had “greatly shocked and upset people” and that “anti-Semitism and racism have no part in our society” — lacking.
“It didn’t appear very sincere or heartfelt or engaged with what he really had done,” she told JTA.
In Jewish tradition, Ruttenberg said, repentance is a multistage process that includes an apology to the harmed party, a sincere and forthright confession and a demonstration in words and deeds that the transgressor has changed for the better.
“The work of teshuvah is the work of humility and the work of care and the work of relationship,” she said. “That’s not what I’m seeing here.”
She also worries that powerful public figures — from President Donald Trump to the comedian Louis C.K. — increasingly earn public absolution in ways unavailable to the average person.
“Our society is delighted to give free passes to people who will give them access to wealth and power,” she said.
Jacobs and Davidson, having spent time with Galliano and being respectful of Foxman’s judgment, said they found the designer to be sincere, and that his example provides a lesson for the Jewish community in how it handles repentance.
“I don’t think you have as many stories of people who were the absolute embodiment of antisemitic behavior and views, who really worked through and took accountability,” said Jacobs. “For the Jewish community, I think it’s an underscoring that there’s not only power to teshuvah, but actually it can really bring someone back from a really dramatic fall from grace.”
Davidson concurred. “I think all of us present [at the meeting] also recognize the value that Judaism places on teshuvah, and when you do the work, that’s pretty significant,” he said.
The fashion world, meanwhile, has already welcomed Galliano back to the literal and metaphorical front row. Wintour, perhaps the most influential figure in fashion, has been one of his strongest champions.
The annual Costume Institute exhibit opens with the Met Gala, a lavish red carpet extravaganza that is one of the highest-profile events in fashion and pop culture. In his statement, Bolton, the curator, said that the show will demonstrate how as a designer for Givenchy and Dior, Galliano “has remapped the world through fashion and how his conduct, its consequences, and changing cultural values have reshaped our understanding of his work.”
Ultimately, Davidson said, there are more important things for the Jewish community to be debating than the rehabilitation of a fashion star.
“I’m certainly immersed in the fight against antisemitism and appreciate the importance of pushing back against it and just the dangers of this moment,” he said. “I think we have bigger issues than what, however bad it was, John Galliano did a decade and a half ago.”
This article originally appeared on JTA.org.
The post The Met’s plan to honor designer John Galliano puts Jewish ideas of repentance to the test appeared first on The Forward.
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Spike in number of Israelis leaving country may be harmful to security and economy, new study warns
(JTA) — Israelis are exiting the country in high numbers, a trend that could harm the state’s future security and economy, according to a new demography study published Tuesday by Tel Aviv University.
It showed that 268,509 Israelis left the country for a period of at least three consecutive months from 2023 to 2025, part of a spike that began after 2020 during the COVID pandemic.
“Even in 2025, the number of Israelis who left the country for a significant period of time is very worrying,” particularly coming on top of the number from the two prior years, said Itai Ater, one of the authors.
These numbers do not yet pose a risk, he explained. But he added that there is a “growing concern” that “immigration from Israel will increase in a way that will endanger security and the Israeli economy.”
In 2020, only 38,764 Israelis left for a three month period or more, the lowest such number since the start of the study in 2009, when 65,014 Israelis were absent for three consecutive months or more.
The numbers spiked rapidly from 2020, rising to 53,559 in 2021, then up to 66,966 the next year.
The leap was more dramatic in 2023, the year that saw pro-democracy protests sweep the country followed by the Oct. 7 attack on southern Israel and wars with Hamas in Gaza and Hezbollah in Lebanon.
That year, 86,509 Israelis were absent for three consecutive months or more, a 29.1% [[increase?]] from 2022, with the numbers then beginning to level off, rising to 91,499 in 2024 and then dropping slightly to 90,922 in 2025.
Data collected on those out of the country for 12 consecutive months was similar to the data for the three month periods, albeit with lower numbers. There was the same low drop in 2020 down to 24,400, followed by a rise to 32,036 in 2021, with an additional increase to 35,698 in 2022. The numbers spiked to 49,925 in 2023 and remained high, with 49,677 absent for at least a year in 2024.
The 2025 data won’t be available until 2027, but those conducting the study, professors Ater and Nittai Bergman, along with doctoral student Doron Zamir, said they believe it will remain high.
The researchers explained that the issue of Israeli emigration to countries abroad has long occupied the public discourse in Israel, with specific concern regarding the resulting “brain drain.”
Emigration is an issue for many countries, the researchers acknowledged, but said its impact is felt more keenly in Israel, which lacks abundant natural resources and depends heavily on human intellectual capital to field critical industries such as high tech and health.
This article originally appeared on JTA.org.
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