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The sequel to the Holocaust novel ‘Boy in the Striped Pajamas’ is here. Its author has no regrets.
(JTA) – At one point in John Boyne’s new novel “All The Broken Places,” a 91-year-old German woman recalls, for the first time, her encounter with a young Jewish boy in the Auschwitz death camp 80 years prior.
“I found him in the warehouse one day. Where they kept all the striped pajamas,” she says.
The woman, Gretel, quickly realizes her mistake: that “this was a phrase peculiar to my brother and me.” She clarifies that she is referring to “the uniforms. … You know the ones I mean.”
Boyne’s readers are, in fact, likely to know what Gretel means, as “All The Broken Places” is a sequel to Boyne’s 2006 international bestseller “The Boy in the Striped Pajamas.” At a time when other Holocaust books intended for young readers have been challenged or removed from some American schools, the enduring popularity of “Striped Pajamas” has conjured up love and loathing in equal measure for its depiction of Nazi and Jewish youths during the Holocaust. It has sold 11 million copies, appeared in 58 languages and in major motion picture form, and been the only assigned reading about Jews or the Holocaust for countless schoolchildren, mostly in Britain. Yet Holocaust scholars have warned against it, panning it as inaccurate and trafficking in dangerous stereotypes about Jewish weakness.
Speaking to the Jewish Telegraphic Agency from his Dublin home on Tuesday, the day “All the Broken Places” hit U.S. shelves, Boyne said he hoped readers would take his new book on its own terms — as a more sophisticated meditation on guilt, culpability and evil, for an adult audience rather than children this time. But he also wants to defend the original work that made him famous.
“I do feel it’s a positive contribution to the world and to Holocaust studies,” said Boyne, who estimates that he has personally spoken to between 500 and 600 schools about “Striped Pajamas.”
Not everyone agrees. A 2016 study published by the Centre for Holocaust Education, a British organization housed at University College London, found that 35% of British teachers used his book in their Holocaust lesson plans, and that 85% of students who had consumed any kind of media related to the Holocaust had either read the book or seen its movie adaptation.
That level of widespread familiarity with the book led many students to inaccurate conclusions about the Holocaust, such as that the Nazis were “victims too” and that most Germans were unaware of the horrors being visited upon the Jewish people, the study found.
A promotional image from the 2008 film adaptation of “The Boy in the Striped Pajamas.” (Miramax)
As overall awareness of the Holocaust has decreased among young people especially, Boyne’s novel has become a casualty of its own success. Holocaust scholars in the United Kingdom and United States have decried the book, with historian David Cesarani calling it “a travesty of facts” and “a distortion of history,” and the Holocaust Exhibition and Learning Centre in London publishing a long takedown of the book’s inaccuracies and “stereotypes.”
“With the rise in antisemitism, such as it is in this country, and that so often manifests through trivialisation, distortion and denial of the Holocaust, this book could potentially do more harm than good,” Centre for Holocaust Education researcher Ruth-Anne Lenga concluded at the end of her 2016 study.
Boyne came to the Holocaust as subject matter purely on his own, having never been taught about the history growing up in Ireland. (He attended a Catholic school, where, as he has recounted publicly, he was physically and sexually abused by his teachers.) Reading Elie Wiesel’s “Night” as a teenager, Boyne said, “made me want to understand more.”
He would read many more Holocaust books during his twenties, from Primo Levi to Anne Frank to “Sophie’s Choice,” fascinated by the sheer recency of the atrocity. “How could something that seems like it should have happened, say, 1,000 years ago — because the death count is so enormous and so horrifying — how could that happen so close to the time that I’m alive in?” he thought. “And if it could, then what’s to stop it happening again?”
That fascination led to the publication, when Boyne was 33, of “Striped Pajamas,” which he’d always conceived of as a children’s story. In the book, Bruno, the 9-year-old son of a Nazi commandant, befriends Shmuel, a Jewish concentration-camp prisoner of the same age; it ends with Bruno donning the “striped pajamas” and following his friend into the gas chambers. Further driving home the fable conceit, an initial draft included a framing device of Boyne as a character reading the story to an audience of children, before an editor advised him to cut it.
During his writing process, Boyne said he was concerned with “the emotional truth of the novel” as opposed to holding to historical accuracy, and defended much of the book’s ahistorical details — such as moving the Auschwitz guards’ living quarters to outside the camp, and putting no armed guards or electric fences between Bruno and Shmuel — as creative license. A common critique of the book, that the climax encourages the reader to mourn the death of Bruno over that of Shmuel and the other Jews in the camps, makes no sense to Boyne: “I struggle to understand somebody who would reach the end of that book and only feel sympathy for Bruno. I think then if somebody does, I think that says more, frankly, about their antisemitism than anything else.”
He also justified his decisions by reasoning that a novel like his shouldn’t be the basis for Holocaust instruction.
“I don’t think that it’s my responsibility, as a novelist who didn’t write a school book, to justify its use in education when I never asked for that to happen,” he said. “If [teachers] make the choice to use a novel in their classrooms, it’s their responsibility to make sure the children know that there is a difference between what happens in this novel and what happened in real life.”
Boyne added that he was “appalled” by a recent JTA report about a Tennessee school district removing Art Spiegelman’s graphic Holocaust memoir “Maus” from its curriculum. If teachers are choosing between teaching the two books, he said, “‘Maus’ is better, no question about that. And a much more important book.” (Earlier this year, Spiegelman himself took a swipe at “Striped Pajamas” by telling a Tennessee audience that no schools should read Boyne’s novel because “that guy didn’t do any research whatsoever.”)
“The Boy in the Striped Pajamas,” John Boyne’s 2006 bestseller, has been critiqued for the way it presented the Holocaust to children. (Illustration by Grace Yagel)
For the first decade of his book’s release, Boyne would frequently receive invites to speak at Jewish community centers and Holocaust museums. He met with survivors who shared their stories with him.
Over the years, more research has been published about the book’s popularity in the classroom, which has led to more scrutiny of its factual inaccuracies. Other authors, Holocaust researchers and some educators have come out forcefully against the book’s use in the classroom. At the same time, Boyne said, his invitations to Jewish venues dried up.
The author has also been known to exacerbate the issue by sparring with his critics, even when they are respected institutions. Most infamously, in 2020, Boyne got into a Twitter feud with the Auschwitz-Birkenau Memorial and Museum, which said his Auschwitz-set book “should be avoided by anyone who studies or teaches about the history of the Holocaust.”
The back-and-forth was provoked after Boyne criticized what he saw as the crassness of more recent Holocaust novels, such as “The Tattooist of Auschwitz” by Heather Morris. Reflecting on the spat, Boyne said of the Auschwitz memorial, “I hope that they do understand that, whether my book is a masterpiece or a travesty, that I came at it with the very best intentions.”
Boyne conceived of the sequel shortly after finishing “Striped Pajamas.” It follows Bruno’s older sister Gretel as she lives in hiding after the war and successfully conceals her Nazi upbringing all the way into the present day. A preteen during the Holocaust, Gretel becomes gradually more aware of its horrors after seeing newspaper articles and documentaries and encountering former Resistance members and Jewish descendants of survivors (including one, David, who becomes her lover without knowing her true background).
Unlike “Striped Pajamas,” “All the Broken Places” is intended for adults. It’s filled with sex, violence, suicide attempts and bad language — and also some of the details of the Holocaust that were omitted from the first book. It mentions the Sobibor death camp by name, for example, and also takes the time to correct Bruno’s childish assumptions about the death camps being a “farm.”
But it tells the story from the perspective of a German who was directly implicated in the Holocaust. Throughout, Gretel reflects on her complicity in the Nazi regime, and her self-interest in hiding from authorities in the following years rather than trying to bring people like her father to justice. Missing from the book is any serious discussion of antisemitism as an ideology, and to what extent Gretel ascribes to it — though there is plenty of hand-wringing over postwar anti-German sentiment. In one shocking moment, a former S.S. lieutenant in hiding presents Gretel with a pair of Hitler’s eyeglasses and urges her to try them on; she is terrified to discover that this excites her.
The book’s reception has been mixed. While praised by publications including Kirkus Reviews (“a complex, thoughtful character study”) and the Guardian (“a defense of literature’s need to shine a light on the darkest aspects of human nature”), the New Statesman took Boyne to task for writing an “immoral” and “shameless sequel” that further erodes the “Jewishness” of the Holocaust.
At the behest of his publisher, Boyne has included an author’s note with “All The Broken Places” alluding to criticisms of “Striped Pajamas.” “Writing about the Holocaust is a fraught business and any novelist approaching it takes on an enormous burden of responsibility,” he tells the reader. “The story of every person who died in the Holocaust is one that is worth telling. I believe that Gretel’s story is also worth telling.”
Still, “Striped Pajamas” has its Jewish defenders. One, the 24-year-old composer Noah Max, is behind a new opera adaptation of the book, to be titled “The Child in the Striped Pyjamas.” It will debut in London in January; a recent story by the U.K. Jewish Chronicle helped convince the film’s rights holder Miramax to waive a $1 million licensing fee for the project.
A great-grandson of Jews who fled Vienna when the Nazis arrived, Max told JTA he’d initially read the book “years before I was capable of absorbing testimony,” and that it inspired him to seek out actual survivor testimonies and to begin composing the opera at the age of 19. He compared its message to Rabbi Jonathan Sacks’ writings on moral relativism.
“Ultimately, the book motivated me to write an opera about the Shoah and integrate Holocaust education into my music,” Max said. “Any book capable of that is worthy of attention.”
Composer Noah Max (center) rehearses for his upcoming opera adaptation of “The Boy in the Striped Pajamas,” to premiere in January 2023. (Courtesy of Noah Max)
Max’s passion for “Striped Pajamas” inspired at least one Holocaust group to change its mind about its educational merits. The Holocaust Educational Trust, a London-based group that advocates British educators on how to teach the Holocaust, had as recently as 2020 declared that “we advise against using” the book in the classroom.
But following what Max described as “richly fulfilling conversations” about “the story’s symbolic and artistic worth,” the trust fully endorsed the opera and, he said, has begun to rethink its view of the book. (The group did not respond to a JTA request for comment.)
Even with 16 years of hindsight and the chance to rethink his bestseller, Boyne said he wouldn’t change anything. Reflecting on his youthful audience, he said, “If they weren’t reading ‘Striped Pajamas,’ it’s more likely they would be reading something that has no relevance to this subject at all.”
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The post The sequel to the Holocaust novel ‘Boy in the Striped Pajamas’ is here. Its author has no regrets. appeared first on Jewish Telegraphic Agency.
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Beyond the frame, thousands are being murdered in Auschwitz but here, there are blueberries
”It’s a detective story,” Moisés Kaufman said. “It focuses on an archivist at the United States Holocaust Memorial Museum who is offered a mysterious album. The person offering the album claims that it is photographs of Auschwitz.”
Kaufman is talking about Here There Are Blueberries, the play about those photographs and that archivist. Kaufman conceived and directed the play, which he co-wrote with Amanda Gronich of the Tectonic Theater Project. It was a finalist for the 2024 Pulitzer Prize. The archivist — Rebecca Erbelding — “is very skeptical because there are very few photographs of Auschwitz in existence,” Kaufman, Tectonic’s founder and artistic director, told me over Zoom. “The Nazis did not want any photographs or records of what they were doing there.”
Once Erbelding gets the album, she discovers that the photos are authentic, but there are no photos of victims, only Nazis, including Josef Mengele. “The play,” Kaufman said. “is a detective story of her trying to figure out what these photos tell us.”
The album, which consisted of more than 100 photos taken between May and December 1944 and put together by Karl-Friedrich Höcker, a Nazi SS officer, was front page news in 2007 when Erbelding and the museum revealed it. “It’s something we didn’t know,” Kaufman said. “When you think Auschwitz, what do you think? Gas chambers, crematoria, you think barracks. And this is not that. We had never seen these photos before.”
Höcker “was a very high-up guy,” Kaufman continued. “That’s one of the reasons why the album is so important. Because he was very close to the center of operations. We’re looking at how the people who were running the camp behaved, and how they lived their daily lives.”
Kaufman decided he needed to turn those photos and that story into a play.
“I come from a Holocaust survivor family,” he said. “My father was a Holocaust survivor, and I knew that … I would at one point in my life have to write about this. But I kept postponing it because, as you probably know, the Holocaust is the one historical event that has been most written about. Many movies have been made about it. It’s like the historical event that has been most chronicled in art. So I thought, ‘What else is there to say?’ And yet, when I saw these photographs, I thought, this is something we didn’t know. I want to write a play about that.”
The play uses the photos, projected on the stage as the story is told.
“The Tectonic Theater Project is an experimental theater company,” Kaufman said. “And the kind of formal question for us was, ‘Can you write a play from an album of photographs? Can the photographs carry part of that narrative?’ Every play we do has a new form. We try to never repeat ourselves.”
Kaufman, 62, grew up in Caracas, Venezuela, and immigrated to New York City in 1987. He was nominated for a Tony Award for directing I Am My Own Wife and for writing 33 Variations. Blueberries previously played at the La Jolla Playhouse in California, the Shakespeare Theatre Company in Washington DC and Off Broadway at New York Theater Workshop.
The play’s title is taken from a picture in the album. “There’s a photograph in the album where they are eating blueberries,” Kaufman said — the title is a caption that the album’s owner had written. “I don’t want to give too much away,” Kaufman said, “but the location where this photograph is taken was something that few people knew about — that this location existed. And to me, it kind of encapsulates the spirit of the photos, which is a spirit of, a quotidian, a casual, the how do we live life in a moment like this?”
“What is happening outside the frame is that they’re killing 1.1 million people. Right outside the frame,” Kaufman continued. “And it poses questions about who we are as human beings.”
“We talk a lot about, what is the distance between culpability, complicity, and complacency?” said Kaufman. “And where do each one of us fall in that continuum?”
Why would someone knowing what’s happening in the camp take these photos and make an album of them?
“I think he thought the Reich was going to last a thousand years,” Kaufman said. “I thought that, in part, he wanted to chronicle his contribution to it.”
Kaufman said that although the play deals with what happened more than 80 years ago, it has a key relevance to today. “I think at a moment in time where so many governments around the world are turning towards authoritarianism, this play holds a mirror up to us. Who do we want to be?” he said.
What does he want audiences to get from this play after seeing it? What does he hope they are thinking as they leave the theater or afterwards?
“Number one, they’re going to see photographs that they’ve never seen before, and they’re going to see images that they’ve never seen before. Hopefully, the images will elicit new ideas, and hopefully, the conversation that they’re having when they exit the theater is different from the conversation they were having when they entered.”
The photo album, Kaufman said, “chronicles the life of everyone who runs the camp — people who worked in the kitchen, secretaries, high command, the people who drove the buses, the people who run the offices, the people who run the gas chamber. Everybody is portrayed. And I think that it invites the audience to think about not only how are humans capable of such a thing, but how are we all capable of such a thing? And what do we have to do in order to prevent ourselves from doing such a thing?”
‘Here There Are Blueberries’ begins performances Nov. 2 at Broadway’s Barrymore Theater and runs through Jan. 10.
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‘Halloween meets Israeli chutzpah,’ as holiday grows beyond American expats in the Jewish state
Israeli cellphones have been pretty busy lately, given Tuesday’s monumental national election. There were the constant robocalls and daily text surveys leading up to Election Day. And with the scramble to form a coalition now underway, Israelis are glued to their phones, waiting for news alerts and debating every possible scenario in various group chats. But around Tel Aviv, hundreds of parents have an extra WhatsApp group to manage: the one dedicated to their neighborhood’s trick-or-treat event, set to take place this Saturday night.
“Can we change the date for Sabbath observers?” one mother asks.
“Halloween is always October 31st,” someone responds.
“I don’t think anyone here cares about the actual date,” another chimes in.
There are dozens of questions about where to buy candy in bulk, along with frantic costume emergencies. “Our order won’t make it! Does anyone have a witch costume for an 8-year-old?”
“We are so excited,” one parent writes. “This is our first time. Can someone explain how it works?”
Over the last decade, Halloween in Israel has grown from a small gathering of American immigrants into neighborhood-wide celebrations across Tel Aviv and other big cities. Bars and clubs now host annual spooky soirées, and costume shops that once depended almost entirely on Purim sales have added a second busy season in late October. And on Saturday night, thousands of children are expected to take to the streets for some classic trick-or-treating — with an Israeli twist.
The birthplace of Halloween b’Aretz remains its epicenter: Tel Aviv’s Old North neighborhood. The area has long been an enclave of both young families and English-speaking immigrants, a combination that helped transform the unfamiliar Halloween ritual into an annual local tradition.
The first trick-or-treat event was organized in 2015 by expat mothers Smadar Barak and Eliza Duenow, whose children were missing an American Halloween. It began with just 10 families spread out across the Old North. Within four years, that number had jumped to more than 100. And it was no longer just English speakers. Israeli friends and classmates had begun asking if they could join “American Purim.” Participation exploded as other neighborhoods began hosting their own Halloween-themed events.
But over time, many of the original families, including both organizers, returned to the States. The whole thing might have fizzled out completely had it not been for Noa Rudik, a young mother on extended maternity leave, who often ran Jewish holiday events for neighborhood families.
“A community candle-lighting for Chanukah. A kibbutz-style Shavuot celebration in the park. I saw that families, like mine, were hungry for opportunities to be together,” Rudik says.
Somehow, she ended up on an email list from Duenow, who was organizing a group pumpkin order and carving activity. Born and raised in Israel, Rudik had very little exposure to Halloween, but she was immediately enchanted. After taking her kids to the pumpkin carving, they eventually joined the trick-or-treaters. “In those early years, we didn’t have access to all of the Halloween supplies, so everything was very homemade — the costumes, the decorations, which I love. Plus, what kid doesn’t want to run around all night collecting candy?”
Beyond her own family’s enjoyment, Rudik understood the holiday’s potential for community building. “It doesn’t get any more communal than Halloween,” she points out. “Rosh Hashanah. Passover. You can celebrate those holidays just within your own family. Many people do. But for trick-or-treating, you literally cannot do it without your neighbors.”
Rudik and a few others eventually took over for Barak and Duenow and opened it up to the entire community. Today, the original WhatsApp group has close to 1,000 members, and nearly every Tel Aviv neighborhood hosts its own event. While the early trick-or-treaters sometimes had to endure strange looks as they traipsed from house to house in their costumes, these days you can feel the spirit of Halloween across the city, as the sidewalks fill with pint-sized ghosts and goblins.
Not everyone is on board with the Pagan-rooted holiday, though. Last year, Israeli pop star Miri Mesika sparked a public debate over Halloween and Jewish identity when she pointedly told an interviewer that her daughters would be waiting until Purim to dress in costume. Rudik has also sensed some reluctance on the part of the Tel Aviv municipality to support trick-or-treating, even though it typically helps fund her other events. Efforts to promote the activity through local schools were also met with objections from some parent representatives, leading to a compromise: each could decide whether to pass the invitation along to their class.
Occasionally, Rudik hears from more traditional families who are hesitant or have decided not to participate. “But otherwise, the response has been overwhelmingly positive,” she reports. “Most people do not even think about the religious aspect or the fact that it’s not ‘our holiday.’ They just see it as an opportunity to be creative, to spend time with friends, and to come together as a community.”
All of which involves some pretty complicated logistics. Even with the holiday’s growth in popularity, most residents don’t hand out treats, so America’s door-to-door model won’t work. In the early years, participants shared addresses, apartment numbers and even door codes with each other. But as the group grew, the prospect of giving hundreds of strangers access to their buildings became less appealing. Some families moved their candy stations downstairs; others divided up, with one parent taking the children around while the other stayed home to distribute candy, as they often do in the States. For years, families navigated with a Google map of participating homes. Last year, a tech-savvy neighborhood parent designed a custom trick-or-treating app that will now be available across the city.
“Start-up Nation does Halloween,” Rudik jokes.
The guiding principle is that anyone collecting candy should also help provide it. Some families put up elaborate decorations and stick around to distribute treats; others leave a simple help-yourself bowl by the door. Those who can’t host typically arrange to buy candy for someone else’s house, which gets coordinated through the Whatsapp group the week before.
“We go by the honor system,” Rudik says. “We trust people to figure out a way to contribute. And there is always plenty of candy for everyone.”
But just in case, Rudik spends much of the night manning a centrally located emergency candy station, dispatching reinforcements to households that are running low.
After more than a decade, the festivities usually run pretty smoothly, though the growing number of Israelis has brought with it a learning curve.
“I really love that this started with Americans,” Rudik says. “I think it lends a legitimacy that would not necessarily be there if a bunch of Israelis just decided to start trick-or-treating. But it has definitely changed shape over the years.”
“Halloween meets Israeli chutzpah,” she calls it. Like any cultural tradition, trick-or-treating comes with its own etiquette that isn’t necessarily obvious to newcomers.
“Usually parents would be responsible for making sure their kids follow the rules. But we realized parents themselves didn’t necessarily know the ins and outs. Most of us didn’t grow up on this,” she points out.
One year, after families complained that older children had emptied their unattended candy bowls, Rudik and her fellow organizers visited neighborhood schools to talk to the kids and sent parents reminders on WhatsApp.
“In the days before Halloween, we really urge everyone to review the rules with their children: just take one candy, leave enough for others. Be good neighbors.”
This year’s turnout is expected to be their biggest yet, Rudik says, with several hundred families registered in the Old North alone. It follows a string of quieter celebrations, beginning in 2020, when the pandemic kept everyone inside.
“I think we did something over Zoom,” Rudik says, rolling her eyes.
Then came the quietest year of all: 2023. Less than three weeks before Halloween, on Oct. 7, Hamas terrorists infiltrated Israel’s southern border, killing more than 1,200 people and taking another 251 hostage.
“It wasn’t even a question,” Rudik recalls. “It was just obvious to everyone it would be cancelled. Nor was it specific to Halloween. No one was in the mood to celebrate anything. We were just engulfed in grief.”
The following year, the organizers went ahead with a toned-down version.
“The war wasn’t over, there were still hostages in Gaza,” she says, “but we also felt like we wanted to give the children some sense of normalcy. We asked people not to do anything too gory or scary — no blood or body parts or skeletons — and everyone really respected that. It was a pretty muted night.”
Last year, Israeli Halloween was back in full force, with one new addition: an adults only party, which Rudik also co-organized and will be bringing back this year as well. “Most of us didn’t get to celebrate Halloween as kids,” she says, with a smile. “So we are just making up for lost time.”
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Jewish Democrats head to the polls frustrated with their party. Will they still help flip control of Congress?
For decades, Jewish voters have been among the Democratic Party’s most loyal supporters, though Republicans have made some inroads in recent elections. Now, with early voting underway and the midterms just days away, Jewish voters could help decide control of Congress in what may signal a broader change.
After a heated primary season, Republicans see an opportunity and signs of a potential shift their way. They hope growing Jewish frustration with Democrats over antisemitism and support for Israel will translate into votes in closely contested races.
Democrats need a net gain of four House seats and four Senate seats to take control of both chambers. But the Democratic Party’s advantage among Jewish voters on the generic congressional ballot has fallen from 49 points to 13.
CNN chief data analyst Harry Enten recently highlighted a sharp decline, for example, in Democratic support among Jewish voters in New York. Gov. Kathy Hochul’s lead among Jewish voters has narrowed from 51 percentage points in 2022 to just 13 points this year.
In Michigan, Jewish Democrats remain divided over their party’s Senate nominee, Abdul El-Sayed, who has intensified his criticism of Israel in recent weeks. Last weekend, a PAC supporting the El-Sayed campaign faced online backlash for a TV ad that showed a couple blaming Israel aid for the high price of groceries.
But whether that frustration will lead Jewish voters to stop supporting Democratic candidates is another question.
Two national surveys conducted this year show Jewish voters remain firmly in the Democratic camp despite the declines. A September poll by the Jewish Electorate Institute found that 71% of Jewish voters planned to support Democrats for Congress, compared with 23% who planned to support Republicans. Another survey, conducted by GBAO Strategies, found Democrats with a 67%-26% lead among Jewish voters.
The Jewish Electorate Institute poll also found that Jewish voters were nearly equally concerned about rising antisemitism within both parties.
Still, with control of the House and Senate at stake and several close races, even a small shift among Jewish voters could make a difference.
Republicans see an opening in Michigan
Michigan offers perhaps the clearest test of the battle over the Jewish vote.
The Republican Jewish Coalition is spending $2 million to target approximately 50,000 Jewish voters, primarily in Oakland County, home to some of Michigan’s largest Jewish communities.
Sam Markstein, RJC’s spokesperson, said in an interview with the Forward that the campaign includes digital advertising, direct mail, text messages, phone calls and door-to-door canvassing in communities such as Bloomfield Hills, West Bloomfield and Southfield, where former Rep. Haley Stevens performed strongly in the Democratic Senate primary.
It’s the group’s largest general-election investment, after its super PAC, the RJC Victory Fund, spent $3.9 million against Kentucky Republican Rep. Thomas Massie, an Israel critic, in the GOP primary earlier this year. Massie lost by nine points.
El-Sayed’s nomination has divided Jewish Democrats because of his criticism of Israel and his response to the March attack on Temple Israel in West Bloomfield that some Jewish voters interpreted as justifying the attack. He later apologized for the remarks. Some Jewish Democrats are publicly supporting former Rep. Mike Rogers, saying El-Sayed has to assuage concerns in his outreach and in public comments.
Jewish voters make up just 1.4% of the electorate in Michigan. But the stakes are high, with polls showing a dead heat between El-Sayed and Rogers. In 2024, Democratic Sen. Elissa Slotkin defeated Rogers by fewer than 20,000 votes. A relatively small shift among Jewish voters could prove crucial.
In his closing statement during the last Michigan Senate debate, Rogers appealed directly to Jewish Democrats “who are afraid for their children, when their daughters can’t wear their Star of David walking across Michigan’s campus” to support him. “You’ll have a home with us,” Rogers said. At a rally last Sunday, Trump once again accused Democrats of disloyalty, saying that Jewish voters backing El-Sayed “should be ashamed of themselves.”
Markstein predicted that “you could see a Republican carry the Jewish community in Michigan for the first time in decades.” He suggested there’s an “acceleration of Jewish voters” out of the Democratic Party after the Oct. 7, 2023 Hamas attack and the subsequent rise in antisemitism. But Markstein also acknowledged that the change may be gradual.
“I don’t think that’s going to happen overnight,” he said. “I do think they’re going to be much more open-minded and be a lot more ticket-splitting in the future.”
The RJC plans to examine precinct-level election results rather than relying solely on exit polls, Markstein said, to measure whether Jewish voters are moving toward Republicans.
Jewish Democrats fight to hold their voters
The Jewish Democratic Council of America is also mounting its largest midterm voter outreach effort, hoping to prevent Jewish dissatisfaction with Democrats from turning into Republican votes.
While its advertising budget is significantly smaller than the RJC’s, JDCA is relying heavily on direct voter outreach.
JDCA said it is spending more than $300,000 on digital advertising specifically targeting Jewish voters, aiming for more than 4 million ad impressions by Election Day.
Its advertisements include campaigns against Rep. Mike Lawler in New York, Republican Senate candidate Ken Paxton in Texas and Republican Sen. Jon Husted in Ohio. Other ads target younger Jewish voters in six states and 20 competitive House districts.
The organization has also mobilized more than 715 volunteers, who have made over 640,000 direct Jewish voter contacts through phone banks and canvassing; they’ve also recruited 32 campus fellows to help organize voters.
Halie Soifer, JDCA’s CEO, accused Republicans of exploiting Jewish fears about antisemitism.
“In the closing weeks of this election, Republicans are invoking fear as a political tactic, tapping into Donald Trump’s culture war,” Soifer wrote in an email to supporters. She accused Republicans of using antisemitism and Islamophobia to divide voters rather than addressing economic concerns. “It’s going to backfire,” she said.
“Democrats aren’t perfect, but Republicans under Trump aren’t the answer,” Soifer added.
The battle beyond Michigan
Beyond Michigan, Republicans are also trying to persuade Jewish voters to reject mainstream, pro-Israel Democrats, arguing that the party has moved too far to the left in an effort to satisfy the progressive wing.
One major test is New York’s 17th Congressional District, where Jewish voters make up an estimated 20% of the population. Although the RJC is not making a major investment there, other groups are spending heavily in one of the country’s most competitive House races.
The incumbent Republican congressman, Mike Lawler, has maintained close relationships with the growing Hasidic and Orthodox communities in Rockland County and parts of Westchester County and made Israel and antisemitism central issues in his campaign. The Democratic candidate, Cait Conley, an Army veteran and former national security official, is also a strong supporter of Israel. She has condemned antisemitism and publicly criticized New York City Mayor Zohran Mamdani’s statement marking the third anniversary of the Oct. 7 attack.
In Georgia, Democratic Sen. Jon Ossoff, who is Jewish, faces Republican Rep. Mike Collins in another competitive race.
Ossoff has faced criticism from some Jewish supporters over his votes to block certain weapons sales to Israel. In a recent debate, Collins criticized Ossoff for supporting El-Sayed, describing the Michigan Senate candidate as “the guy that hates Israel.” Ossoff has accused his opponent of ties to white nationalism, a charge Collins rejected.
But that dissatisfaction with Ossoff has not necessarily translated into support for his Republican opponent. Georgia state Rep. Esther Panitch, a Jewish Democrat who has criticized Ossoff’s Israel positions, is supporting his reelection.
J Street, the liberal pro-Israel organization, is spending nearly $500,000 to support Ossoff as part of a $3 million digital advertising campaign across five competitive races. Unlike JDCA and the RJC’s Michigan campaign, J Street’s advertisements target the general electorate, not specifically Jewish voters.
Tali deGroot, J Street’s vice president of political and digital strategy, said J Street is working to elect a “pro-Israel, pro-peace, and pro-democracy majority.”
Florida offers another test of the Jewish vote.
In the newly drawn 25th Congressional District, Jewish Democratic Rep. Jared Moskowitz, an outspoken supporter of Israel, is facing Republican Scott Singer, the former mayor of Boca Raton who is also Jewish. The district’s new boundaries favor Republicans, with Trump carrying the area by nine percentage points in 2024.
Moskowitz has frequently criticized antisemitism within his party and clashed with progressives over Israel. The outcome of this close race could show whether a Jewish Democrat with strong pro-Israel bona fides can win a Republican-leaning district. The GOP’s leading House super PAC recently canceled a planned $6 million advertising campaign in the district after major political forecasters shifted the race to “Lean Democratic.”
Florida’s Senate race between Republican incumbent Ashley Moody and progressive Democrat Angie Nixon offers a broader, though less competitive, test of the Jewish vote in a state where Jews make up an estimated 3% to 5% of the population.
Together, these races could show whether Jewish voters are judging Democratic candidates by their own positions on Israel and antisemitism or by the direction of the party as a whole.
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