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The war in Gaza is over. The battle to stop Israel from becoming Sparta is just beginning.
Now that the war in Gaza appears to have come to an end and Hamas has returned the remaining 20 living hostages to their families, we can fully expect Israel’s enemies and other critics across the globe to turn their attention to the declared intention of some of the extremist members of the Israeli government to formally make the West Bank part of a greater Israel that stretches from the Jordan River to the Mediterranean.
Except, of course, that President Donald Trump seems to have preemptively put the kibosh on any such scenario. “I will not allow Israel to annex the West Bank,” Trump told reporters two weeks ago. “It’s not going to happen.”
Trump realizes and has said out loud the simple truth that Israeli Prime Minister Benjamin Netanyahu and his acolytes stubbornly ignore: Israel cannot endure in the long run by permanently subjugating the Palestinian population of the territories it has held since the June 1967 Six-Day War. More importantly, as Trump told Netanyahu in a telephone conversation this past week, “Israel can’t fight the world.” Or as he told Netanyahu during his speech to the Knesset on Monday, “Be a little bit nicer, Bibi, because you’re not at war anymore. … You don’t want to have to go through this again.”
An Israeli – or Jewish – hegemony over what was once the biblical land of Judea and in due course morphed into pre-1948 British Mandatory Palestine is not and has never been the goal of mainstream Zionism as conceived and understood by the likes of Theodor Herzl, Chaim Weizmann, David Ben-Gurion and Louis D. Brandeis. But with the concept and essence of Zionism widely misunderstood or deliberately mischaracterized, it is more critical than ever to place the broad and multifaceted nature of this ethnocultural ideology in its accurate historical context.
We know whereof we speak. We are both unabashed Zionists who unequivocally identify with the State of Israel even though we radically disagree with the extremist ideology and many of the policies of its present government. One of us is a former national president of the Labor Zionist Alliance and past member of the Zionist General Council which oversees the work and activities of the World Zionist Organization. The other has been a visiting professor at both the Hebrew University in Jerusalem and Tel Aviv University, and maintains ongoing relations with both. We are long-time supporters of the Israeli-Palestinian peace process. One of us met with Yasser Arafat and senior leaders of the Palestine Liberation Organization together with four other American Jews in Stockholm in December 1988, resulting in the PLO’s first public acceptance of Israel as a state in the Middle East. The other is presently writing a book on the early socialist founders of modern Israel.
Trump’s above-quoted comments regarding the West Bank came against the backdrop of an earlier pronouncement by Netanyahu in which he resurrected the old meme of Israel as latter-day Sparta. Acknowledging Israel’s ever-increasing political and economic isolation in consequence of what then still seemed as his government’s seemingly interminable war in Gaza, Netanyahu declared that his country “will increasingly need to adapt to an economy with autarkic characteristics” and become a “super-Sparta.”
Had Netanyahu’s reference been to Plutarch’s account of the ancient Greek polity — a society highly unified, disciplined, and militarily formidable when existentially threatened – then perhaps, fair enough. The problem with his analogy, however, is what it leaves out: First, that Sparta’s hegemonic dominance was decisively and permanently ended by its catastrophic defeat at the hands of a far superior Theban army at the Battle of Leuctra in 371 BCE. And, more importantly, second, that Israel was meant by its socialist founders to emulate Athens more than Sparta, and that most of its population longs to return to this “Athenian normal” even as its current leaders try to force it into a Sparta-only straight-jacket.
There are, in short, two conflicting contemporary visions of Israel that can, when taken in “absolutist” fashion, distort understandings of both the Athenian and the Spartan aspects of today’s Israel. Peace, progress and prosperity await both refinement and synthesis of both visions.
The first vision, part of which was at the core of the Labor-Zionist-guided establishment of Israel under U.N. auspices in 1948, is of a democratic polity rooted in not only the quintessentially Jewish values of justice and social solidarity but also, equally important, a Jeffersonian-republican model of social democracy pursuant to which religiously and ethnically diverse groups coexist and co-govern as a matter of course.
This vision requires updating in one subtle respect to stay true to the Israel-as-Athens picture: namely, by supplementing the largely pastoral-agricultural imaginary of Israel’s primarily kibbutznik Labor-Zionist founders (not to mention of Jefferson himself) with a now-fuller and more productively-diversified picture of the Israel now widely called, among tech visionaries and others, the “Startup Nation.” This we must do if we are to understand both the motivations and, indeed, the promise of the Abraham Accords with their vision of a vibrantly revived Mediterranean-Levantine civilization the likes of which hasn’t been seen since the days of the ancient Phoenicians.
The second, borderline-apocalyptic vision of Israel now dominant in today’s Netanyahu-led Israel government is that of a fundamentalist Jewish hegemony over the entire biblical territory that encompasses not only Israel but the West Bank as well – “From the River to the Sea for Jews and Jews Only,” as it were. This is the pseudo-messianic model that Netanyahu and the shots-calling extremist far right members of his government are working feverishly and openly to bring about at the expense of Israel’s Jewish and non-Jewish citizens alike — not to mention its neighbors, its standing in the international community, and even the interests of Jews across the globe.
This vision requires far more radical revision to do justice to a plausible — and indeed desirable — Spartan comparison than does the original Labor-Zionist vision to do justice to a plausible Athenian comparison. Indeed, an accurate Spartan vision would have to be as Jeffersonian as the Athenian model: It would be that of a republic of citizen-soldiers able to mobilize on short notice, “Minute Man” style, when threatened, but otherwise going about the business of producing, inventing, arguing (these are Israelis, after all), and governing under the rule of law just as the ancient Israelite leaders were anointed only on condition that they rule under then-Hebrew law.
Happily, there are hundreds of thousands of Israelis who not only reject the Netanyahu government and its (distorted) “Super-Sparta” policies, but also have consistently taken to the streets against it since long before Hamas’ terrorist savagery on Oct. 7, 2023. These Israelis have sought to block Netanyahu’s attempt to eviscerate their country’s independent judicial system. They are the ones who called consistently for the ceasefire in Gaza that has now been reached and that will hopefully result in a pathway to a viable Israeli-Palestinian coexistence. And they are among those whom, alas, the likes of Hollywood actors Javier Bardem, Emma Stone,and Hannah Einbinder seek to boycott.
Israel’s aforesaid enemies, for whom a putative “anti-Zionism” they do not begin to comprehend or deliberately distort is an article of blind and blinded faith, seem either cognitively unable or perversely unwilling to distinguish between anything-but-Athenian neo-fascists like Israeli Finance Minister Bezalel Smotrich and Internal Security Minister Itamar Ben-Gvir who want to destroy Israel’s democracy on the one hand, and the likes of Israeli President Isaac Herzog and opposition leader (and former prime minister) Yair Lapid, among others — who work to preserve that democracy — on the other hand. And in his heart of hearts, we fear, Netanyahu desperately wants the world to see only the former and never the latter.
Nahum Goldmann, then president of both the World Zionist Organization and the World Jewish Congress, pointedly observed, in the wake of Israel’s June 1967 “Six-Day War,” that Israel cannot prevail exclusively as “the Sparta of the Middle East.” He was right. Israel must be both Athens and Sparta — and it must be the actual, not the children’s book, version of both. Netanyahu does not seem to “get” this. Nor, sadly, do some of those who support New York City mayoral candidate Zohran Mamdani, who in endorsing a “global intifada” are, wittingly or otherwise, effectively calling for the elimination of Israel altogether and thereby perpetuating Netanyahu’s comic-book Sparta government with all the apocalyptic horrors that this entails.
The road ahead will not be easy even after the Gaza war is in the rearview mirror and it will not be short, but if there is to be any hope for the future, the leaders of both sides of the Israeli-Palestinian conflict must embark on it by recognizing each other’s humanity and seeking to emulate Athens more and Sparta less.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.

But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey
(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.
The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.
“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”
The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.
“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”
Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.
The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.
The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.
Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.
Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”
Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”
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