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These NYC college students want to kickstart a Jewish arts renaissance

(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name. 

Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.

Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country. 

“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”

Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)

The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”

“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”

By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.

The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website. 

Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.” 

While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.

The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”

“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.

With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues. 

In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.” 

“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”

The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.

“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram. 

Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.

On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.

According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause. 

“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.

“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.” 

Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)

As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.

“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”

Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor. 

“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”


The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.

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How would Jews fleeing Europe have fared under Trump’s anti-immigration policies?

Donald Trump’s vision of foreigners worthy of emigrating to the United States appears to boil down to this: white, Nordic, Christian, politically conservative, not obese, and not a potential drain on public services. It’s a fantasy that’s reminiscent of Nazi values, and one that is being rejected by many Americans.

Trump’s Thanksgiving Day responses to the Washington, D.C. shooting of two National Guard members — one of whom has died — are among the most overtly racist statements he has ever made in public. Trump said he would stop migration from “all Third World Countries” and deport foreign nationals who are “non-compatible with Western Civilization.”

Trump has faced accusations of racism since he was a young real estate developer working with his father. During his first term as president, Trump said America should welcome more immigrants from places like Norway, rather than from Haiti, El Salvador, and African nations — which he dismissed as ‘shithole countries.” Trump, during his second term, has been enacting something like a purity code: Hispanics guilty of nothing more than being in the country illegally get deported; right-wing extremists who tried to carry out a coup in his name get pardons.

About 66,000 migrants are currently locked up under Trump’s immigration crackdown — the largest detention population in U.S. history. Many have no criminal record. Social media is flooded daily with videos of ICE agents smashing car windows, masked men in battle gear dragging immigrants from vehicles, and children left crying as parents are hauled away in handcuffs. Each outrage carries the same message: You are not wanted here.

More than 250 Venezuelan migrants were sent to El Salvador’s notorious CECOT prison, branded by critics as a ‘black hole of humanity.”

Other migrants have been spirited away to South Sudan and countries where they had never set foot — their destinies left unknown.

The Trump administration’s unequal treatment of white South Africans and Palestinian survivors of Gaza is an infuriating display of heartlessness and racism. Even though Afrikaners were the architects and beneficiaries of apartheid’s cruelty, they have been promised the lion’s share of America’s drastically reduced refugee slots. Meanwhile, Gazan Palestinians — whose homes have been destroyed, whose loved ones have been killed by the tens of thousands, and who have endured famine for months — are excluded entirely. In Trump’s America, whiteness and ideological alignment matter more than human suffering.

I can’t help but think of the plight of refugees in postwar Europe after Nazi Germany’s defeat. Up to 60 million people were uprooted across the continent. Some 11 million refugees crowded into Allied‑run displaced persons camps, including hundreds of thousands of Jews, Roma, and other survivors of Nazi camps.

Most of these souls would not pass muster in Trump’s America. His new guidance to embassies and consulates instructs visa officers to screen out applicants who are overweight, elderly, or suffering from chronic conditions — diabetes, heart disease, depression.  Applicants must prove financial self‑sufficiency, English proficiency, and the ability to work without reliance on public benefits. Yet multitudes of Europe’s postwar refugees were sick, stripped of education, and dependent on government support just to survive. Compassion has no place in Trump’s transactional brain; these are not the kind of people he would deem worthy of America’s embrace.

What Trump apparently did not see coming was the backlash against his terror campaign against foreigners. In towns and cities across the country, neighbors have rallied as immigrant friends, business owners, and longtime contributors to their communities were hunted down and disappeared. Vigils, marches, and local resolutions have sprung up, with ordinary citizens insisting that their communities will not be defined by terror.

Charlotte offers one example: when ICE launched Operation Charlotte’s Web in November, agents stormed immigrant neighborhoods and even a church, prompting pastors to prepare sanctuaries and residents to organize vigils and rapid‑response patrols.  In St. Paul, Minn., rapid‑response networks sprang up to protect immigrant families, alerting neighbors when ICE vans appeared and mobilizing lawyers to defend detainees. During Trump’s first major sweep, in Los Angeles, mass protests turned the city into a showcase of resistance rather than submission.

Community members have demonstrated an incredible fearlessness in their efforts to protect immigrants from federal agents — shouting at them to identify themselves, to show a warrant, and that they’re not welcome in the neighborhood. Sometimes the agents have retreated, getting back into their van or SUV without making an arrest.

ICE agents’ attempts to arrest a 16‑year‑old high school student in Rhode Island this month offers a stirring example of community compassion in action. The teen, interning for Superior Court Judge Joseph J. McBurney in Providence, was misidentified by agents who surrounded the judge’s car and threatened to smash the windows. McBurney stood firm, insisting they had the wrong person. Only after confirming his words did the agents back down, and the boy was freed.

In several communities, high school students, peers and teachers have stepped in to defend migrant classmates against ICE and Border Patrol agents prowling neighborhoods, often accused of racial profiling based on skin color or accents.

In Oregon, nearly 300 students walked out of McMinnville High School to protest the ICE arrest of a classmate during lunch break and demanded school administrators create protocols to alert migrant students whenever ICE agents are spotted nearby.

“Honestly, after what happened to that kid, the 17-year-old, I don’t feel safe going to school,” fellow  student Alexis Hernandez Flores told KOIN 6 News.

As depressing and alarming as the past several months have been — as Trump has brought the United States to the abyss of autocracy — I have found reason for hope in ordinary citizens’ bold actions to protect foreigners in their midst from illegal and racist roundups. From Chicago to Charlotte, from Los Angeles to Providence, neighbors, churches, and even judges have refused to be silent. Their defiance recalls what was missing in Nazi Germany: a public willing to stand up, to insist that fear and violence will not define their communities.

If Trump sends federal agents into neighborhoods to arrest and deport foreign nationals who are deemed “non-compatible with Western Civilization,” as he has threatened, the backlash will surely become louder, and the resistance against him stronger.

 

The post How would Jews fleeing Europe have fared under Trump’s anti-immigration policies? appeared first on The Forward.

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Most American Jews believe Zohran Mamdani will make NYC Jews less safe, Israeli poll finds

(JTA) — More than two-thirds of American Jews believe that New York City Mayor-elect Zohran Mamdani will make the city’s Jews less safe, according to a new survey by a nonpartisan Israeli research institute.

The finding came in the Jewish People Policy Institute’s latest Voice of the Jewish People Index, which surveyed 745 American Jews about a range of topics last month, just 10 days after Mamdani was elected. It offers the latest insight into Jewish sentiments about Mamdani, whose staunch criticism of Israel has drawn attention, and at times allegations of antisemitism, from Jews around the world.

The survey found that 67% of respondents believed Mamdani’s election would make New York City’s Jews less safe, while 6% believed they would be more safe and 18% believed he would make them neither more or less safe.

Among Jews identifying as politically conservative, 93% said they believed Mamdani would make New York City Jews less safe. Concerns were lower among liberal-leaning Jews, but still one third of respondents who identified as “strongly liberal” said they believed Mamdani would make Jews less safe.

Over half of respondents said they felt “worried” about the election of Mamdani, while 11% said they were “afraid.” Another 13% said they were “hopeful.”

A different poll in August found that 58% of Jewish New Yorkers believed the city would be less safe for Jews under Mamdani.

The Jewish People Policy Institute conducts regular surveys of Jewish sentiment, drawing on a pool of Jews who have agreed to be part of a survey pool. The institute notes that as a result, “the survey tends to reflect the attitudes of ‘connected’ American Jews, that is, those with a relatively strong attachment to the Jewish community and/or Israel and/or Jewish identity.”

It found that 70% of respondents identified as Zionist, while 12% identified as “not a Zionist, but a supporter of Zionism.” Additionally, 7% identified as “neither a supporter nor an opponent of Zionism,” 5% identified as a post-Zionist and 3% identified as an anti-Zionist.

Among strong liberal respondents, 52% identified as Zionists, while 79% of strong conservatives identified as Zionists.

Asked whether they believed that Zionism is racism, a charge frequently leveled by Israel’s critics, 59% of respondents said they believed that Zionism is “not at all racism.” Among strong liberal respondents, the proportion was 28%, compared to 86% of strong conservatives.

The survey also asked respondents about their perception of antisemitism coming from the political left and right in the United States. In recent months, calls to condemn right-wing antisemitism among Jewish conservatives have revealed growing rifts within the party.

Among the survey’s respondents, 62% said they were worried about antisemitism from both the left and the right, while 20% said they were more worried about antisemitism on the left and 17% were more worried about it on the right. Among strong liberals, just 5% were worried about antisemitism on the left while just 1% of conservatives were worried about antisemitism on the right.

The post Most American Jews believe Zohran Mamdani will make NYC Jews less safe, Israeli poll finds appeared first on The Forward.

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Palestinian restaurant opening near Columbia names its location to honor girl killed in Gaza, campus protesters

(JTA) — A Palestinian restaurant in New York City has named its new location “Hinds Hall” after the moniker pro-Palestinian protesters at Columbia University gave to a campus building they occupied last spring.

In a post on Instagram on Thursday, the restaurant, Ayat NYC, which has eight locations, announced that its new storefront in Morningside Heights would be renamed in solidarity with the protesters at Columbia.

“It stands right next to Columbia University where students stood up for Gaza and renamed Hamilton Hall, a campus building to Hinds Hall and we choose to stand with them and carry that name forward,” the post read.

Critics of Columbia’s pro-Palestinian protests at the time accused its participants of antisemitism and calling for violence against Jews. In June, a report by the Columbia University Task Force on Antisemitism found that over half of its Jewish student body had experienced discrimination and exclusion after Hamas’ Oct. 7, 2023, attack on Israel.

The new location for the restaurant, which is owned by restaurateur Abdul Elenani and his wife, Ayat Masoud, faced criticism from some of the neighborhood’s Jewish residents, who say they have been overwhelmed by pro-Palestinian symbols and sentiment since Columbia became an epicenter of the encampment movement last year.

Ayat wove pro-Palestinian advocacy into its practices throughout the war in Gaza. In January 2024, one of its locations drew a public outcry after its menu featured the phrase “From the River to the Sea,”  a phrase frequently used by pro-Palestinian activists that Jewish watchdogs view as a call for Israel’s destruction. Afterwards, the location hosted a free Shabbat dinner for over 1,300 people that drew anti-Zionist and pro-Palestinian Jews and others.

“Our restaurants will not only ever serve food. It will serve memory, truth, and responsibility,” the new post from Ayat NYC continued. “The least we can do is carry her name in our hearts and on our storefront so that everyone who walks by knows that Hind mattered and every single child matters.”

The location’s name, which was also adopted in a song by rapper Macklemore, pays homage to Hind Rajab, a 6-year-old Palestinian girl who was killed in Gaza in January 2024. (The Israeli military denied responsibility for her death, but a Washington Post investigation found that Israeli armored vehicles were present in the area.)

Her heavily publicized death, and the phone call she made to paramedics with the Palestine Red Crescent Society while stranded in a vehicle, also inspired the docudrama “The Voice of Hind Rajab,” which won a top prize at the Venice Film Festival in September.

“Her name carries the weight of all the children whose voices were silenced and whose blood was treated like it meant nothing,” the post by Ayat NYC continued.

An opening date has not yet been set for the Upper West Side location. A new location opened in late October in Astoria, the Queens neighborhood that is home to Mayor-elect Zohran Mamdani and home to a thriving pro-Palestinian activist community.

The post Palestinian restaurant opening near Columbia names its location to honor girl killed in Gaza, campus protesters appeared first on The Forward.

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