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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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Sovereignty Is the Soul of Democracy
A general view shows the plenum at the Knesset, Israel’s parliament, in Jerusalem. Photo: REUTERS/Ronen Zvulun
Democracy is often invoked as a slogan, yet rarely defined with precision. It is more than elections and campaign rallies. A true democracy rests on institutions that limit power, protect minorities, and uphold the rule of law even when it is politically inconvenient. A democracy requires an independent judiciary, a free press, and leaders who understand that their authority is temporary and constrained by law. Above all, democracy requires sovereignty: a nation must be free to govern itself.
By all of these standards, Israel stands as one of the most dynamic democracies in the world.
Israel’s parliamentary system is frequently misunderstood, particularly by observers accustomed to the American two party structure. Unlike the United States, Israel’s multi-party parliamentary democracy allows a wide range of political voices to enter the Knesset.
Coalition governments are formed through negotiation and compromise. This system may appear fragmented to outsiders, but in truth, it reflects a deeper level of representation. Communities that would be marginalized in a two-party structure can influence national policy. Power is dispersed rather than concentrated.
That dispersion of power is a democratic strength.
It also explains why Israel’s institutions continue to work, even amid intense political debate. The country has seen repeated elections, coalition collapses, and fierce public protests. Yet the army remains under civilian control. The courts continue their work. The press operates freely. These are not signs of instability. They are signs of democratic strength.
The legal proceedings involving Prime Minister Benjamin Netanyahu offer a powerful illustration. Whatever one’s political view of Netanyahu, the fact that a sitting prime minister can face prosecution demonstrates the independence of Israel’s judiciary. In much of the Middle East, leaders are untouchable. In Israel, no one is above the law. The trial proceeds through established legal channels, with the defense and prosecution presenting their arguments before judges bound by statute.
President Trump recently urged Israeli President Isaac Herzog to pardon Netanyahu. President Herzog responded appropriately. He emphasized that he is the president of Israel and that any pardon request would be considered only after legal proceedings conclude, in accordance with the law. That response was not defiance. It was democratic clarity.
Sovereignty is not a rhetorical flourish. It is the bedrock of self government. Critics frequently scrutinize Israel’s democracy, often holding it to standards not applied elsewhere in the region. Yet Israel remains the only state in the Middle East where self government actually happens — where civil society is vibrant, protest is protected, and the media is relentless.
Democracy is not the absence of controversy. It is the presence of functioning institutions capable of withstanding controversy.
Israel’s strength lies not only in its military or technological achievements but in its commitment to law and accountable governance.
Sovereignty is not negotiable. It is the soul of democracy itself.
Sabine Sterk is the CEO of Time To Stand Up For Israel.
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Tucker Carlson Did Not Even Leave the Airport During Quick Israel Visit to Interview Mike Huckabee
Tucker Carlson speaks at Indiana University in Bloomington, Indiana, Oct. 21, 2025. Photo: Gage Skidmore/ZUMA Press Wire via Reuters Connect
Controversial podcaster Tucker Carlson spent only a few hours in Israel on Wednesday to interview US Ambassador Mike Huckabee and chose not to leave the Ben Gurion Airport complex before flying out of the Jewish state, of which he has been strident critic.
Carlson landed at the airport on a private flight, did not leave the premises while interviewing Huckabee, and then immediately returned to Europe, Israel’s Channel 14 reported.
Sources also confirmed to the Jerusalem Post that the visit went as planned: short and confined to Ben Gurion Airport with Carlson arriving and leaving on private flights.
Channel 14 correspondent Libby Alon noted on the social media platform X that Carlson opted not to spend time any time in the country “despite all the invitations from the Christian community in Israel.”
Carlson, who describes himself as an ardent Christian, has falsely accused Israel, whose Christian population is growing and well educated, of persecuting Christians. Critics have noted that the far-right media personality has seemingly devoted more time on his podcast to targeting Israel over its treatment of Christians than to other parts of the world, such as Nigeria, where Christians are being murdered and otherwise persecuted in large numbers.
On Wednesday, Carlson posted a “Greetings from Israel” message on X which included a photo of himself with his left arm over the shoulder of an unnamed man, both standing in front of fluttering Israeli flags.
Greetings from Israel. pic.twitter.com/1uBWvqBNST
— Tucker Carlson (@TuckerCarlson) February 18, 2026
Online disagreements between Carlson and Huckabee over allegations of Israel mistreating Christians had prompted the quick trip.
On Feb. 4, Carlson published a nearly 90-minute podcast on X, titled “Christian Persecution,” which he promoted by asking, “How does the US-funded Israeli government treat Christians in the Holy Land? We asked some. Listen carefully to their accounts. This will shock you.” He interviewed Anglican Archbishop of Jerusalem Hosam Naoum and Saad Mouasher, a Christian businessman in Jordan who serves as the chairman of Jordan Ahli Bank.
Carlson then highlighted such segments in his discussions as “The Christian Hospital in Gaza That Was Bombed Eight Times by Israel,” “How Many People Have Been Killed in Gaza?” “How Are Christians Treated in Israel?” “How Much Has Jewish Extremism Increased in Jerusalem?” “Why Israel Makes It Difficult for Christians to Visit Holy Sites,” and “Why Christians Are Safer in Jordan Than Israel.”
Huckabee shared Carlson’s X posting that day and responded on top of it: “Hey @TuckerCarlson instead of talking ABOUT me, why don’t you come talk TO me? You seem to be generating a lot of heat about the Middle East. Why be afraid of the light?”
Answering back, Carlson shared Huckabee’s post and wrote, “Thanks for this. I’d love to. We’ll reach out to your office today to set up an interview. Much appreciated.”
Carlson’s apparent eagerness to escape Israel contrasts with his enthusiasm for countries which he celebrates rather than criticizes. On Feb. 8, 2024, for example, Carlson published a more than two-hour episode featuring an interview with Russia’s President Vladimir Putin, the authoritarian leader whose invasion to conquer Ukraine has now resulted in nearly 600,000 Ukrainian casualties and 1.2 million Russian soldiers’ deaths. According to reports, Carlson conducted the interview on Feb. 6 after arriving on Feb. 3.
Qatar received an enthusiastic endorsement last year from Carlson. On Dec. 7, Carlson interviewed Qatar Prime Minister Mohammed bin Abdulrahman bin Jassim Al Thani at the Doha Forum, where he revealed his plans to purchase a home in the desert monarchy known for its longstanding support of the Muslim Brotherhood and Hamas.
“I have been criticized as being a tool of Qatar, and I just want to say, which you already know, I have never taken anything from your country and don’t plan to. I am, however, tomorrow buying a place in Qatar,” he said.
On Feb. 11, Carlson published an interview with Ron Paul, the former Texas congressman, paleo-libertarian advocate, presidential candidate, and longtime opponent of Israel who previously said that “Palestinians are virtually in a concentration camp.”
A study released in December by the Jewish People Policy Institute (JPPI) analyzed podcast transcripts from Carlson and fellow far-right podcast host Candace Owens, finding that both had increased their content targeting Israel in 2025.
The researchers identified April as the turning point for Carlson’s refocusing on Israel, and that “the share of negative content about Israel rose sharply from 48.9% in the previous six-month period to 70.3% over the last six months.”
Some of Carlson’s decisions last year which drew the most attention included his promotion of Nick Fuentes, the white supremacist podcaster who has praised Adolf Hitler, celebrated Hamas, and advocated rape. This provoked a revolt at the Heritage Foundation with multiple resignations after its president, Kevin Roberts, defended Carlson.
Carlson also got in on the game started by Owens of blaming Israel for the assassination of Charlie Kirk, while throwing in some traditional collective blame against Jews for the crucifixion of Jesus.
In a Jan. 30 interview with podcast host Piers Morgan, Jeremy Boreing, the co-founder and former co-CEO of The Daily Wire, explained the distinction he saw between Owens — who he had previously hired — and Carlson.
“I’d be careful not to conflate Candace Owens — who is sort of the queen of the Grift Industrial Complex — with Tucker Carlson, who — like him or leave him — is engaged in an actual political project,” Boreing said. “As far as I can tell, Tucker is trying to create a new American majority out of a sort of amalgamation of left-wing economic populism on the one hand and right-wing social populism on the other.”
Describing the scope of the two podcasters’ apparent ambitions, Boreing called Carlson “actively engaged behind the scenes at the White House and staffing decisions,” stating that “he wields his influence to try to effectuate a political end.”
In a Jan. 28 interview on the “Triggernometry” podcast, Boreing expanded on the point, saying that Carlson “is part of a small cohort of people” including the likes of Fuentes, former US Rep. Marjorie Taylor Greene, and Steve Bannon, who formerly advised US President Donald Trump, in pursuing a “political project” to reshape the American political right.
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Madrid Museum Launches Investigation After Jewish Women Harassed, Kicked Out
Illustrative: Anti-Israel activists held a rally ahead of the game between Maccabi Tel Aviv and Real Madrid for the Turkish Airlines Euroleague, in front of the Palacio de los Deportes (Movistar Arena) in Madrid, Jan. 8, 2026. Photo: David Canales / SOPA Images via Reuters Connect
A national art museum in Madrid has launched an investigation after three elderly Jewish women — including a Holocaust survivor — who were verbally harassed over their openly displayed Jewish symbols were subsequently forced to leave, fueling criticism that the institution sided with the perpetrators rather than protecting the victims.
On Tuesday, a spokesperson for the Museum Reina Sofía told multiple news outlets that the institution would “immediately launch an independent and transparent internal investigation to clarify what happened,” formally confirming the opening of a probe as scrutiny over the incident intensified.
“The museum wishes to unequivocally express its commitment to equality, religious freedom, and zero tolerance for any type of violence or discrimination related to antisemitism,” the statement read. “The museum’s staff is highly qualified in fundamental rights, conflict management, and the prevention of any type of discrimination.”
“Once again, we would like to highlight the importance that Jewish artists, patrons, and benefactors have had for the institution and its collection, especially in the avant-garde, without whose selfless collaboration the museum as we know it today would be inconceivable,” it continued. “For all these reasons, we will not rest until the unfortunate events that have taken place are clarified.”
Footage of the incident was circulated on social media.
Nobody expects the Spanish Inquisition in 2026, but watch Spain’s shame, as three elderly tourists, including a Holocaust survivor, are harassed & kicked out of Madrid’s state run Reina Sofia museum over Jewish symbols. Staff said visitors were ‘disturbed’ by their presence and… pic.twitter.com/XdAlSlfKzd
— Saul Sadka (@Saul_Sadka) February 16, 2026
First reported by the Spanish news outlet Okdiario, the three women were visiting the museum in central Madrid last Saturday when other visitors spotted them wearing a Star of David necklace and carrying a small Israeli flag.
At that point, a group of people started attacking them verbally, shouting antisemitic insults, and calling them “crazy child killers.”
Rather than intervening against the instigators, museum officials expelled the Israeli women, telling them to leave because “some visitors were disturbed that they are Jewish.”
A security guard also told the group to hide their Jewish symbols, insisting they could not be displayed inside the museum.
Even though one of them pointed out that Spanish law allows people to wear religious symbols and carry national flags in public institutions, they were still forcibly removed from the building despite not breaking any rules.
The Action and Communication on the Middle East (ACOM) group, a leading pro-Israel organization in Spain, announced Monday it will pursue legal action against the Museum Reina Sofía “for discrimination and possible promotion of hatred from a public institution.”
“The legal action will be directed both at the institution and its top official, the museum director, Manuel Segade,” ACOM wrote in a post on X, adding that the museum’s actions reflect “a persistent pattern of using political agendas, engaging in discrimination, and promoting narratives of hate against the State of Israel and the Jewish-Israeli community from a publicly funded institution.”
“A public institution should never be used as a platform for sectarian activism,” the statement continued.
As a state-affiliated cultural institution under Spain’s Culture Ministry, the Reina Sofía is internationally recognized as one of the country’s leading contemporary art museums.
In the past, the museum has also faced criticism for hosting anti-Israel demonstrations and presenting an exhibition titled “From the River to the Sea,” a popular slogan among pro-Palestinian activists that has been widely interpreted as a genocidal call for the destruction of the Jewish state, which is located between the Jordan River and the Mediterranean Sea.
Like most countries across Europe and the broader Western world, Spain has seen a rise in antisemitic incidents over the last two years, in the wake of the Hamas-led invasion of and massacre across southern Israel on Oct. 7, 2023.
Still, Spain stands out as one of the most extreme cases, with experts warning that antisemitic violence and anti-Zionist rhetoric have moved beyond a social phenomenon to, in many instances, being state-promoted and legitimized as a political tool.
In particular, Spanish Prime Minister Pedro Sánchez and several members of his left-wing party have come under mounting criticism from some of the country’s political and Jewish leaders, who accuse them of fueling antisemitic hostility.