Uncategorized
These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
—
The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
Uncategorized
As Supreme Court dilutes Voting Rights Act, Tennessee’s first Jewish congressman could lose his seat
The first Jew elected to represent Tennessee in Congress could lose his seat to redistricting following a Wednesday Supreme Court decision that weakened the Voting Rights Act by limiting states’ ability to take race into account when drawing voting maps.
Rep. Steve Cohen, a progressive Democrat elected in 2006, represents a majority-Black district that includes parts of Memphis. He is the only Democrat among Tennessee’s nine members of the House.
Sen. Marsha Blackburn, a Republican running for Tennessee governor, called on the legislature to redistrict “immediately” following the Supreme Court decision, posting to X an all-red map of Tennessee that would split up Cohen’s district, effectively eliminating his seat.
Cohen, 76, had been set to face Justin Pearson, 31 — a challenger positioned to Cohen’s left on Israel — in the August Democratic primary. Cohen has historically been backed by J Street, the left-leaning political advocacy group that supports a two-state solution and describes itself as “pro-Israel” and “pro-peace.”
But if district lines are redrawn before the midterms, as Blackburn has proposed, neither candidate would likely be competitive.
In a statement, Cohen said he had been “expecting this decision” but was “disappointed that the Court has diluted the Voting Rights Act which guaranteed minority voters the right to elect the representative of their choosing.”
Cohen’s Jewish identity
This would not be Cohen’s first brush with redistricting. In 2012, Tennessee’s voting borders were redrawn in such a way that Cohen was cut off from representing many of his Jewish constituents — including the area where his own synagogue is located in Memphis.
“When I get asked how many Jews are in your district, I used to say 10,000,” Cohen told the Jewish Telegraphic Agency in 2018. “Now I say, ‘well, there’s Laurie, Jeff, Malcolm …”
Despite the redrawn lines, Cohen has consistently been re-elected since 2006, even as his campaigns have been marked by attacks on his Jewish identity; a flyer distributed in 2008 read “Cohen and the Jews hate Jesus.”
That same year, an attack ad seemed to insinuate that Cohen was a member of the Ku Klux Klan. “This guy would have never invited me to his Seder,” Cohen told the Forward at the time, responding to what he called the “ludicrous” suggestion that he had an affinity for Klansmen.
In 2016, Cohen took a very-Jewish jab at Donald Trump’s pick to be Israel ambassador, David Friedman, with a Fiddler on the Roof reference: “You’re no Tevye the milkman.” His wry sense of humor was most recently on display during a cameo on the show The Rehearsal, with Jewish comedian Nathan Fielder.
Cohen has worked across partisan divides with Tennessee’s only other Jewish representative, Republican David Kustoff, elected in 2017, a decade after Cohen became Tennessee’s first Jewish representative. The two share a rabbi, Micah Greenstein of the Reform Temple Israel in Memphis.
If Tennessee’s legislature moves forward with a special session to redraw the maps, Cohen has vowed to fight back.
“This ruling effectively undoes the work of Martin Luther King and John Lewis. Changes to the Voting Rights Act should be made by Congress,” Cohen said in a statement. “If the General Assembly is called back into a special session and seeks to do Trump’s bidding, I will exercise every option, legal and political, to prevent the harm this decision today makes possible.”
The post As Supreme Court dilutes Voting Rights Act, Tennessee’s first Jewish congressman could lose his seat appeared first on The Forward.
Uncategorized
This Year in Israel, Yom HaZikaron Was Different
Mourners visit the graves of fallen IDF soldiers at Israel’s Yom HaZikaron ceremony. Photo: Israel Defense Forces
For most of my years, Yom HaZikaron (Israel’s Memorial Day) has had special significance. In 1948, my father’s younger brother (one of three survivors of a large Warsaw family) was killed in the Battle of Mishmar Hayarden. From 1950 until my father’s passing in 1990, he visited his brother’s grave, the only grave he was able to visit (his parents, sister, older brother, and baby brother were slaughtered in Auschwitz/Treblinka). I often joined him on this sad, but important, visit.
The atmosphere at the military part of the ancient cemetery in Safed was always mournful but serene and peaceful. Even after wars such as 1967, 1973 or the Lebanon campaign in 1982, it was mostly one or two family members standing by the graves of their family members. They would cry a little, listen to the memorial prayer El Moleh Rachamim, but celebrate the individuals buried in the kvarim and then go home.
This year was different. With tens of thousands of victims of the October 7 war and the wars initiated by Israel’s other enemies, every military cemetery in Israel was packed and turned into family gatherings. Noticeably, there was an upsurge of the number of children crying at graves of their parents or siblings. All I could think of was this is not the way it should be.
This war was a war for Israel’s survival. It involved the entire country from north to south, east to west. Thousands came back home to Israel to fight for the country’s existence. And the losses reflected this massive effort. Looking around the cemetery you saw every breed of Jew — religious, secular, Ashkenazi, Sephardi, Russian, Black. But as always, the saddest part was the children.
My friend Jackie Schimmel writes about the thousands of small stickers lining lampposts and bus stops, petrol stations, and kitchen fridges all across the country. Words that soldiers had as their mottos or themes of life:
“Love thy neighbor as thyself.”
“He fought out of love of those behind him rather than hatred of those in front of him.”
“It’s very good to live for our country.”
They are fragments of philosophy that stayed behind.
Rachel Goldberg-Polin quoted her son Hersh — who was quoting Holocaust survivor Viktor Frankl citing German philosopher Friedrich Nietzsche — “He who has a why to live can bear almost any how.”
Schimmel compares these sayings to Pirkei Avot (Ethics of Our Fathers), our sayings from famous rishonim, each beginning with “Hu haya omer” — “he used to say.”
So, with the large increase of children and teens that now have to visit graves and mourn their losses, perhaps we can look at these stickers and these sayings as a way for the young to mourn. These notes, the fragments of themselves that people have left behind, can be a way to pay tribute to the bravest of the brave — our soldiers and victims of terror. And even more so, a way for adults to reconnect to all of the young fighting or who fought.
“I go in search of my brothers.”
J. Philip Rosen is currently Chairman of the American Section of the World Jewish Congress and Board Member of Yeshiva University, as well as several other Jewish causes. He was Vice-Chair of Birthright Israel for many years.
Uncategorized
UK Raises Threat Level to ‘Severe’ After London Antisemitic Terror Attack
Protesters hold up placards against British Prime Minister Keir Starmer during his visit to Golders Green, northwest London, following a terror attack on April 29, 2026, in which two men were stabbed, in London, Britain, April 30, 2026. Photo: Stefan Rousseau/Pool via REUTERS
Britain on Thursday raised its national terrorism threat level to “severe,” signaling that a terrorist attack was considered “highly likely,” following an antisemitic stabbing in north London.
Interior minister Shabana Mahmood said the level had been increased from “substantial” after the attack in the Golders Green area on Wednesday, adding that the decision reflected a broader and rising threat environment rather than a single event.
“I know this will be a source of concern to many, particularly amongst our Jewish community, who have suffered so much,” the minister said in a statement. “As the threat level rises, I urge everyone to be vigilant as they go about their daily lives and report any concerns they have to the police. And I can assure everyone that our world-class security services and the police are working day and night to keep our country safe.”
Meanwhile, Prime Minister Keir Starmer vowed to take action to protect the Jewish community in Britain, acknowledging that Jews were scared a day after the stabbing left two Jewish men, one in his 70s and one in his 30s, hospitalized in stable condition.
The attacked followed a spate of antisemitic attacks in the British capital.
Starmer, who has faced severe criticism from some in the Jewish community for the government’s response, promised more police in Jewish areas, a crackdown on those spreading antisemitism, and new legislation to deal with state-sponsored threats from the likes of Iran.
He had earlier been jeered and heckled by a small crowd waving banners reading “Keir Starmer Jew Harmer” when he visited Golders Green where the two Jewish men were stabbed on Wednesday.
‘PEOPLE ARE SCARED’
“People are scared, scared to show who they are in their community, scared to go to synagogue and practice their religion, scared to go to university as a Jew, to send their children to school as a Jew, to tell their colleagues that they are Jewish,” Starmer said in a televised statement.
The suspect in the Golders Green attack, a 45-year-old British national who was born in Somalia, had a history of serious violence and mental health issues, police said.
They also confirmed he had previously been referred to the counter radicalization scheme Prevent in 2020, while local media reported he had served time in prison for an incident in 2008 when he stabbed an officer and a police dog.
Amid widespread calls for more to be done to protect the about 290,000 Jews living in Britain, Starmer said the government would do “everything in our power to stamp this hatred out,” with stronger powers to shut down charities promoting extremism and a clampdown on “hate preachers.”
The government has also said it would fast-track legislation allowing the prosecution of people acting as proxies of a state-sponsored group, so they can be dealt with in the same way as spies for foreign intelligence services.
“We need stronger powers to tackle the malign threat posed by states like Iran, because we know for a fact that they want to harm British Jews,” Starmer said.
A pro-Iranian government group has claimed responsibility for several recent attacks while last month, two men were charged under Britain’s existing National Security Act with being tasked by Iran to carry out hostile surveillance.
Tehran has rejected such accusations.
PROTEST PROBLEM
One of the major issues which has caused anger amongst the Jewish community in Britain has been anti-Israel marches, which have become commonplace since the October 2023 Hamas assault on the Jewish state that triggered the war in Gaza. Critics say the protests have generated hostility and become a hotbed of antisemitism.
“If you stand alongside people who say, ‘Globalize the Intifada,’ you are calling for terrorism against Jews, and people who use that phrase should be prosecuted,” Starmer said. “It is racism, extreme racism, and it has left a minority community in this country, scared, intimidated, wondering if they belong.”
The recent incidents in London are part of a rising number of antisemitic attacks.
Last October, two people were killed after an attack at a synagogue in the northern English city of Manchester. A week later, two men went on trial over a plot to kill hundreds in an Islamic State-inspired gun rampage against the Jewish community.
They were found guilty in December, just over a week after a mass shooting at a Jewish Hanukkah celebration on Australia’s Bondi Beach.
Britain’s independent reviewer of terrorism legislation, Jonathan Hall, told the BBC the British attacks had become “the biggest national security emergency” since 2017, when there was a string of high-profile attacks.
Mahmood said additional funding would pay for more protective security for the country’s synagogues, schools, places of worship, and community centers, boosting police numbers in areas with a large Jewish community.
According to the British government, an additional £25 million ($34 million) will be invested to increase security for Jewish communities.
“We are seeing a huge increase in antisemitism, and that’s why the government’s work on education and stamping out antisemitism across other parts of the public sector is also an incredibly important part of this picture,” Mahmood said.
She did not say the legislation would be used against Iran’s Islamic Revolutionary Guard Corps (IRGC) but told Sky News: “I expect to be making decisions in the very near future about the groups that we will be designating as state-linked.”
Several countries have designated the IRGC as a foreign terrorist organization.