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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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Iran Prepares Counterproposal as Trump Weighs Strikes
U.S. President Donald Trump speaks with members of the media on board Air Force One en route to Palm Beach, Florida, U.S., January 31, 2026. REUTERS/Nathan Howard
Iran’s foreign minister said on Friday he expected to have a draft counterproposal ready within days following nuclear talks with the United States this week, while US President Donald Trump said he was considering limited military strikes.
Two US officials told Reuters that US military planning on Iran had reached an advanced stage, with options including targeting individuals as part of an attack and even pursuing leadership change in Tehran, if ordered by Trump.
Trump on Thursday gave Tehran a deadline of 10 to 15 days to make a deal to resolve their longstanding nuclear dispute or face “really bad things” amid a US military buildup in the Middle East that has fueled fears of a wider war.
THREATS OF ATTACK FOLLOW CRACKDOWN ON MASS PROTESTS
Asked on Friday if he was considering a limited strike to pressure Iran into a deal, Trump told reporters at the White House: “I guess I can say I am considering” it. Asked later about Iran at a White House press conference, Trump added: “They better negotiate a fair deal.”
Iranian Foreign Minister Abbas Araqchi said after indirect discussions in Geneva this week with Trump’s Special Envoy Steve Witkoff and son-in-law Jared Kushner that the sides had reached an understanding on main “guiding principles,” but that did not mean a deal was imminent.
Araqchi, in an interview on MS NOW, said he had a draft counterproposal that could be ready in the next two or three days for top Iranian officials to review, with more U.S.-Iran talks possible in a week or so.
Military action would complicate efforts to reach a deal, he added.
After the US and Israel bombed Iran’s nuclear facilities and some military sites in June, Trump again began threatening strikes in January as Tehran crushed widespread protests with deadly force.
Referring to the crackdown on Friday, Trump said there was a difference between the people of Iran and the country’s leadership. He asserted that “32,000 people were killed over a relatively short period of time,” figures that could not immediately be verified.
“It’s a very, very, very sad situation,” Trump said, adding that his threats to strike Iran had led the leadership to abandon plans for mass hangings two weeks ago.
“They were going to hang 837 people. And I gave them the word, if you hang one person, even one person, that you’re going to be hit right then and there,” he said.
The US-based group HRANA, which monitors the human rights situation in Iran, has recorded 7,114 verified deaths and says it has another 11,700 under review.
Hours after Trump’s statements on the death toll, Araqchi said that the Iranian government has already published a “comprehensive list” of all 3,117 killed in the unrest.
“If anyone doubts the accuracy of our data, please speak with evidence,” he posted on X.
ARAQCHI SAYS DEAL POSSIBLE IN ‘VERY SHORT PERIOD’
Araqchi gave no specific timing as to when Iranians would get their counterproposal to Witkoff and Kushner, but said he believed a diplomatic deal was within reach and could be achieved “in a very short period of time.”
United Nations spokesperson Stephane Dujarric reiterated concerns about heightened rhetoric and increased military activities in the region.
“We encourage both the United States and the Islamic Republic of Iran to continue to engage in diplomacy in order to settle the differences,” Dujarric told a regular news briefing at the U.N.
During the Geneva talks, the United States did not seek zero uranium enrichment and Iran did not offer to suspend enrichment, Araqchi told MS NOW, a US cable television news network.
“What we are now talking about is how to make sure that Iran’s nuclear program, including enrichment, is peaceful and would remain peaceful forever,” he said.
He added that technical and political “confidence-building measures” would be enacted to ensure the program would remain peaceful in exchange for action on sanctions, but he gave no further details.
“The president has been clear that Iran cannot have nuclear weapons or the capacity to build them, and that they cannot enrich uranium,” the White House said when asked about Araqchi’s comments.
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Israeli Strikes in Lebanon Kill at Least 10, Including Senior Hezbollah Official
People inspect the damage at the site of an Israeli strike on Friday, in Bednayel, Bekaa valley, Lebanon, February 21, 2026. Photo: REUTERS/Mohamed Azakir
At least 10 people were killed and 50 wounded in Israeli strikes in Lebanon’s Bekaa Valley, two security sources told Reuters, after the Israeli military said it had targeted Hezbollah sites in the Baalbek area.
The strikes on Friday were among the deadliest reported in eastern Lebanon in recent weeks and risk testing a fragile US-brokered ceasefire between Israel and Shi’ite Islamist group Hezbollah, which has been strained by recurring accusations of violations.
The Israeli military said in a statement that it struck Hezbollah command centers in the Baalbek area, part of eastern Lebanon’s Bekaa Valley.
In a separate statement on Saturday, it said it had “eliminated several terrorists of Hezbollah’s missile array in three different command centers … recently identified as operating to accelerate the organization’s readiness and force build-up processes, while planning fire attacks towards Israel.”
Hezbollah said on Saturday that eight of its fighters, including a commander, Hussein Mohammad Yaghi, were killed in Friday’s strikes in the Bekaa area.
CEASEFIRE BROKERED IN 2024
Israel and Hezbollah agreed to a US-brokered ceasefire in 2024 intended to end more than a year of cross-border exchanges of fire that culminated in Israeli strikes that weakened the Iran-aligned group. Since then, the sides have traded accusations of ceasefire violations.
US and Israeli officials have pressed Lebanese authorities to curb Hezbollah’s arsenal, while Lebanese leaders have warned that broader Israeli strikes could further destabilize the country already battered by political and economic crises.
Separately, the Israeli military said it also struck what it described as a Hamas command center from which militants operated in the Ain al-Hilweh area in southern Lebanon. Ain al-Hilweh is a crowded Palestinian refugee camp near Sidon.
Lebanese President Joseph Aoun condemned the overnight Israeli strikes on the Sidon area and towns in Bekaa as a “new violation” of Lebanon’s sovereignty and a breach of U.N. obligations, urging countries backing regional stability, including the United States, to press for an immediate halt to avert further escalation, the presidency said.
Hamas condemned in a statement the Israeli strike on Ain al-Hilweh and rejected Israeli assertions about the target, saying the site belonged to the camp’s Joint Security Force tasked with maintaining security.
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The ‘Hymietown’ affair degraded Black-Jewish relations. Jesse Jackson wasn’t the real culprit
Conventional wisdom suggests Rev. Jesse Jackson’s infamous, unfortunate, off-the-record, 1984 “Hymietown” comment radically reshaped and further degraded Black-Jewish relations. It’s true. But not for the reasons that one might imagine.
Jackson, then a presidential candidate, initially denied the report, first published in The Washington Post, that he had used the aforementioned slur in a Washington, D.C. airport bar. Two weeks later he reversed course. In an address at synagogue Adath Yeshurun in New Hampshire, he asked to be forgiven.
How much damage to Black-Jewish relations did Jackson’s remark actually do? Some, for sure. But given how wobbly the two communities’ once-vaunted “grand alliance” had become by 1984, the degree of the slur’s impact has, I think, been overstated. Both groups had already built a vast reservoir of mutual mistrust. Among the causes: Jackson’s meetings with Yasser Arafat of the PLO rendered him suspect to Jews, and Jewish opposition to affirmative action struck Blacks as a betrayal. Ditto for the Andrew Young affair of 1979, a takedown of one of the community’s most distinguished public servants.
What actually changed Black-Jewish relations for the worse was not the “Hymietown” indiscretion, but Nation of Islam Minister Louis Farrakhan’s entry into the fray.
On Feb. 25, 1984, 12 days after the slur was first reported and one day before his synagogue apology, Jackson attended a meeting of the Nation of Islam in Chicago. There, Farrakhan told Jews: “If you harm this brother, I warn you in the name of Allah, this will be the last one you harm.”
Farrakhan was just getting started. On March 11, he referred to Hitler “as a very great man.” In June, he described Judaism as a “gutter religion.” By summertime, Jewish organizations were demanding that Jackson, still at that point running for president, fully denounce Farrakhan. Jackson initially resisted that call, instead downgrading the controversial cleric’s status from campaign “surrogate” to “supporter.” Eventually, with his campaign on fire, a besieged Jackson made a complete disavowal.
The long-term repercussions of this episode for the fragile Black-Jewish alliance were immense. The scandal launched Farrakhan — who until that point could have been described, per The New Republic, as “the boss of a fringe Muslim sect” — into national and even international visibility, so much so that Libyan ruler Muamar Gaddafi soon donated to his cause. Perched atop this new platform, Farrakhan set about injecting his group’s unremittingly antisemitic worldview into the cultural mainstream.
Conspiracy theories with lingering influence
The consequences of this ascent are still unfolding today.
For instance, the falsehood that Jews were major players in the African slave trade had little traction before the events of 1984. After them, it became a hot subject in popular and even academic circles. The far-right commentator Candace Owen’s antisemitic espousal of it to her audience of millions is only the most recent manifestation of that trend.
Under Farrakhan, the Nation of Islam argued that “so-called Jews” were imposters who had usurped and appropriated an African religious identity. That trope has recently reappeared in statements by public figures like Nick Cannon, Kyrie Irving, Deshawn Jackson, and Ice Cube — some of whom have since apologized.
It’s not just the Jewish community that has suffered in response. Farrakhan’s emergence also triggered what journalist Marjorie Valburn has called a “litmus test” for Black politicians: A requirement that Black political candidates must publicly denounce Farrakhan, often at the summons of a Jewish leader. The test has been administered countless times, including to former President Barack Obama during his 2008 campaign; numerous Democratic lawmakers in 2018; and Congressman Jamaal Bowman in 2024.
As Cynthia Ozick once observed, a Jew is a person who makes distinctions. Major Jewish organizations who subjected Blacks to the litmus test seemed incapable of doing precisely that. Jackson was clearly not Farrakhan. Truth be told, most Black people who shared Farrakhan’s concerns about economic empowerment were not and are not Farrakhan; they have little interest in his antisemitic obsessions.
In any case, I know of no case where applications of this test helped to improve Black-Jewish relations. Quite the contrary: It bred further resentment and distrust.
A mistaken mythology
As I learned while co-authoring a book about Black-Jewish relations with Terrence L. Johnson, the Black-Jewish alliance was never quite as “feel-good” as its champions have alleged. Even when the groups collaborated toward impressive Civil Rights accomplishments,their encounter was rife with every imaginable tension.
Johnson and I date the alliance from the NAACP’s founding in 1909 to the Six-Day War in 1967. One of our key observations was that inter-group tensions between Blacks and Jews were exacerbated and even driven by intra-group tensions. In other words, pitched battles between Jewish liberals and conservatives, and between Church-based liberals and Black radicals did much to shape — and endanger — the alliance, even when it was racking up victories for civil rights.
The same held true after 1984. Because of the intra-group complexities with which Jackson was dealing — trying to temper the effusions of radicals like Farrakhan while absorbing them into his coalition — his relations with Jews got worse. And tension within the Jewish community about how to respond equally spurred reasonable mistrust on the other side. Many forgave, but others, like then- executive director of the ADL, Nathan Perlmutter, did not: Perlmutter once said that Jackson “could light candles every Friday night and grow side curls, and it still wouldn’t matter. He’s a whore.”
The irony and tragedy is that Jackson was, in fact, one of the leaders in either community who put in the most effort to repair the shattered alliance. He understood its importance, and the risks of its dissolution. He sought to solve collective problems by forging common ground among disparate actors in a mutli-racial, multi-ethnic Rainbow Coalition.
His plan did not come to fruition. But as we mourn his passing, we should ponder his legacy, and revisit his compelling vision.
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