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These NYC college students want to kickstart a Jewish arts renaissance
(New York Jewish Week) – On a mild Thursday evening in late March, some 100 people gathered at Kistuné, a hip café and bar in the West Village that’s associated with the French-Japanese “lifestyle brand” of the same name.
Sipping on custom-designed cocktails — like the Refusenik, a Moscow mule with a “resilient mix of vodka, ginger beer and lime” or the Tamar Collinsky, a Tom Collins reimagined and given “very possibly the name of someone you went to summer camp with” — guests mingled, discussing topics as varied as college classes, career choices and their favorite poetry.
Nearly everyone in the room was a Jewish artist or writer; the gathering was to celebrate the launch of “Verklempt!”, a new quarterly print magazine that bills itself as “The Magazine of Jewish Art and Literature.” The 75-page first issue is filled with paintings, photographs, drawings, poetry and fiction solicited from more than 30 Jewish artists around the country.
“We see the Jewish community as a place where people want to engage with fiction and poetry more seriously,” editor-in-chief Yoni Gutenmacher, a 24-year-old creative writing MFA candidate at Brooklyn College, told the crowd, which included two of his brothers and his parents. “This is a personal dream of mine so I’m very happy that it’s real.”
Specialty cocktails were on offer at the launch party of “Verklempt!” (David Gutenmacher)
The aim of “Verklempt!” (Yiddish-English slang for “overcome with emotion”) is to publish and amplify art and literature with a specifically Jewish lens — hopefully in a way that encourages pursuing art as part of a spiritual journey, Gutenmacher explained. A painting of a man praying with tefillin and tallit; a poem about Leopold Bloom, the Jewish anti-hero of James Joyce’s “Ulysses” and a collage of the Lubavitcher Rebbe and a drawing of a half-drunk bottle of Kedem grape juice all grace the pages of the first issue, whose theme is, fittingly, “On Creation.”
“I write fiction and I have a whole friend group and community in New York who aren’t Jewish, and if they are, they’re not really interested in religious or communal Jewish life,” Gutenmacher told the New York Jewish Week. “Then I have my Jewish life on the Upper West Side and all my friends from summer camp and school and everything else who are not really interested in engaging with high quality literature and art. At certain points in my life, I felt like I kind of have to choose.”
By working on “Verklempt!” he’s come to understand that those choices shouldn’t have to be so mutually exclusive, he said.
The journal is a project of Havurah (Hebrew for “fellowship”), an organization founded by two Modern Orthodox sophomores at NYU whose lofty but determined vision is to be the “bearer of a new Jewish renaissance” for young Jews in New York, according to their impressively designed website.
Founded by Daniella Messer and Eitan Gutenmacher (Yoni’s younger brother), Havurah aims to create a gathering place, a “kehila (community) of frum Jewish creatives” — both virtual and IRL — where Jewish artists can meet and mingle, make art, perform and share ideas about how all of those endeavors connect them to religious life. One of their goals, according to the “manifesto” on their website, is to “invigorate a generation of young Jews and restore the Jewish artistic impulse.”
While “Verklempt!” has wide-reaching aspirations — the artists they hope to publish can come from anywhere and be of any age — Havurah was founded to appeal to a hyper-specific community: young New York artists who are dedicated to being Jewish and Jews who are dedicated to being artists.
The idea arose during Gutenmacher and Messer’s freshman year of college in the winter of 2022. “I remember going to Israel over winter break, experiencing such an obvious realization that art and creativity is so integral to religious lifestyles,” Eitan Gutemacher, who is studying studio art at NYU’s Gallatin School of Individualized Study, told the New York Jewish Week. “But [at NYU] for example, in a lot of the artistic programs, if you’re a religious Jew, you are usually the only religious Jew in the classroom, and, more often than not, the only one in the department.”
“Daniella and I wanted to create a community of lively Judaism expressed in any artistic and creative way,” he added.
With funding from the Next Gen Inc., “a start-up style incubator” that’s a project of the World Jewish Congress and World Union of Jewish Students, Havurah pursues their vision through a variety of avenues, including real-life events and performances, such as art fairs, concerts and Torah study conversations held at bars, cafés, apartments and synagogues.
In addition to the physical journal, the organization’s high-design web site publishes essays, interviews, criticism, reviews and Torah commentaries, as well as “Sessions” for musicians, which are professionally mixed video tapings of live music performances similar to NPR’s “Tiny Desk Concerts.”
“When Eitan and Daniella approached us and told us about Havurah, we knew instantly they would be a great fit for our incubator,” Yoni Hammerman, senior manager of the NextGen, told the New York Jewish Week via email. “Their work, to build a university student-run art community, perfectly aligns with NextGen’s mission of amplifying and supporting the voice and the work of Jewish student leaders.”
The Havurah staff — all eight of them are volunteers — believe that their offerings are the first time people who are both deeply involved in their Jewish communities and in their artistic pursuits have had a definable place to gather and collaborate that celebrate both.
“It’s so simple that you’d think it would already exist,” said Yosef Itzkowitz, a 24-year-old artist and poet who has three drawings in the first edition of “Verklempt!” “Jews love writing and art, and love talking about writing and art,” so why not make it happen?” Itzkowitz got involved, he said, after Eitan Gutenmacher reached out via Instagram.
Of course, similar initiatives have and do exist — for example, the fiction journal JewishFiction.net publishes original and in translation work from Jewish writers around the globe, while CANVAS matches emerging Jewish multimedia artists with funders and grants. The Jewish Book Council puts out their literary journal “Paper Brigade” with art, interviews, essays and fiction, once a year.
On Tuesday, the inaugural Jewish Writers’ Initiative Digital Storytellers Lab showcased works by creators taking part in an eight-month fellowship supported by the Maimonides Fund. The work shown at Manhattan’s Rubin Museum included animation for Jewish kids, pop songs about women in the Bible and a podcast about the gay Jewish dating scene in Los Angeles.
According to Yona Verwer, founder of the Jewish Arts Salon — “a global network for Jewish visual art” that does regular programming in New York — while what the group is doing may not be “new,” one of the most exciting things about Havurah is how young its members are and how dedicated they are to the cause.
“Being geared specifically towards people in their 20s” attracts people who have to be “very enthusiastic and very into it,” Verwer said.
“It’s interesting to see this immense interest in Jewish arts” from younger generations, added Verwer, who started the salon in 2008 and now serves as an advisor for Havurah. “When I started the salon, it was something that a lot of people were not interested in. Things have really changed over the years and it’s great to see people so dedicated.”
Yoni Gutenmacher reads a poem at the launch party of “Verklempt!”, March 30, 2023. (David Gutenmacher)
As of now, contributors are unpaid, though there are hopes that the cover price of “Verklempt!” ($10) may help change that. “There’s a lot of places I see where you submit completely unpaid and it is completely not worth my time,” said Kim Kyne, a 32-year-old painter and sculptor from Los Angeles whose painting was in the first edition of the journal.
“What felt different about this is it feels like everyone’s all in it together,” she added. “Yoni and his brother are super humble and super young. What was really attractive to me about it is being connected with all these other Jewish artists in a way that I haven’t been before.”
Messer and the Gutenmacher brothers understand that the media and literary magazine worlds are very crowded spaces, especially in New York. But for now, they are embracing the heimish vibe and say they’ve seen, first-hand, just how many Jewish artists were looking for a space exactly like this. Submissions are already arriving for the next edition of “Verklempt!”, which is set to be published this summer, and according to Gutenmacher, he doesn’t recognize any of the names — meaning no repeats of last time, and no friends submitting as a favor.
“Of course, there are Jewish artists all over the world. But it feels different because it has more of a modern take and the younger feel,” Kyne said. “It feels like the beginning of a movement.”
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The post These NYC college students want to kickstart a Jewish arts renaissance appeared first on Jewish Telegraphic Agency.
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Mamdani’s Oct. 7 statement draws Israeli rebuke, as anniversary bares divides among NYC mayoral candidates
In New York City, the second anniversary of Hamas’ Oct. 7 attack on Israel fell against the backdrop of a mayoral election that brought Israel and Gaza to the fore of local politics.
Zohran Mamdani, the Democratic nominee and frontrunner, attended a vigil hosted by Israelis for Peace in Union Square on the anniversary of the attack. The anti-occupation activists have rallied weekly for two years to demand a ceasefire, the release of hostages and an end to Israel’s military campaign in Gaza.
Mamdani’s pro-Palestinian advocacy and staunch criticism of Israel are central to his swift ascent in politics, and his opponents in the race have latched onto his views, accusing him of fanning antisemitism at a time when anti-Jewish attacks are on the rise.
Now, the race enters its final stretch as a tentative peace dawns on the Middle East, with President Donald Trump announcing that Israel and Hamas agreed to a hostage deal and an initial phase to end the two-year war on Wednesday night.
Mamdani attended the Tuesday vigil with Brad Lander, the city comptroller and a close Jewish ally, and held a lit candle while listening to Israeli and Palestinian speakers, as well as local rabbis. One of the speakers, Tamar Glazerman — whose aunt was killed by Hamas on Oct. 7 — decried Israel’s retaliation in Gaza, saying, “War crimes cannot justify other war crimes.” A banner behind her read, “Stop the Genocide. Save Gaza. Free All Hostages.”
These sentiments echoed a statement that Mamdani released to mark the anniversary. “Two years ago today, Hamas carried out a horrific war crime, killing more than 1,100 Israelis and kidnapping 250 more,” he said. He called for the return of the remaining hostages and said he mourned the dead.
He went on to say that Israeli Prime Minister Benjamin Netanyahu and the Israeli government “launched a genocidal war,” killing more than 67,000 Palestinians and reducing swaths of Gaza to rubble. He criticized the U.S. government for being “complicit” and reiterated his long-held view that “the occupation and apartheid must end.”
The statement gathered over 20 million views on X and rebukes from many, including the Israeli government, who said he was wrong to focus on Gaza on a day anchored in Israeli tragedy.
“Two years after Hamas launched its barbaric massacre against Israel and the Jewish people, Mamdani has chosen to act as a mouthpiece for Hamas propaganda — spreading Hamas’s fake genocide campaign,” the Israeli Foreign Ministry said, adding that Mamdani “normalizes antisemitism” and “stands with Jews only when they are dead.”
Mamdani also drew criticism from Jews who said he only paid lip service to their mourning. Zachary Braiterman, a professor of modern Judaism at Syracuse University who supports the Israeli movement to end the war, said Mamdani “speaks quickly past NYC Jews as we stop and mark the 2 year anniversary of 10/7.”
Other critiques came from pro-Palestinian activists who said his statement undermined their cause. Nerdeen Kiswani, founder of the group Within Our Lifetime, accused Mamdani of erasing “the decades of siege, occupation, and systematic killing that led to that day.”
The double-sided critique drew the attention of Adam Carlson, head of the polling firm Zenith Research. “The fact that everyone on both extremes is up in arms over this statement means that he absolutely nailed it,” tweeted Carlson.
Former Gov. Andrew Cuomo, Mamdani’s closest competitor, focused his own comment on the Hamas attack and did not mention Israel’s retaliation or the fate of Palestinians.
“To the Jewish people — I stand with you. I mourn with you and I will forever be by your side in the fight against evil and anti-semitism in all forms,” said Cuomo, who lost to Mamdani in the Democratic primary and relaunched his campaign as an independent.
Cuomo has centered an appeal to Jewish New Yorkers in his bid for mayor, touting his pro-Israel record as governor. He recently collected a slew of endorsements from Jewish groups and leaders, largely representing Orthodox communities, after incumbent Mayor Eric Adams dropped out and the field narrowed to Cuomo, Mamdani and Republican nominee Curtis Sliwa.
Jewish voters are divided over this election, with many younger, more progressive Jews backing Mamdani and many aligning with his views on Israel and Gaza. A recent Marist poll conducted before Adams quit found the same proportion of Jewish voters — 35% — breaking for both Cuomo and Mamdani.
Sliwa said that Oct. 7 was “a dark day” and called for the release of hostages. He also acknowledged the ensuing devastation without explicitly naming Palestinians in Gaza.
“The death and destruction that has followed in the region is deeply disheartening, and my prayers are with all families here in New York and abroad who continue to feel this pain,” he said.
The mayoral race coincides with a dramatic shift in how New Yorkers view Israel. According to a New York Times/Siena poll last month, 44% of New Yorkers said they had greater sympathy for Palestinians, compared with 26% who sympathized more with Israel. Voters also preferred Mamdani’s approach to the Israeli-Palestinian conflict — once viewed as a fringe left stance in the city’s political landscape — over the other candidates’ by a wide margin.
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The post Mamdani’s Oct. 7 statement draws Israeli rebuke, as anniversary bares divides among NYC mayoral candidates appeared first on Jewish Telegraphic Agency.
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In Good Faith: A Jewish/Muslim Night of Comedy and Conversation
Date and time: Wed, Oct 22, 2025 / 6:30 PM – 9:30 PM EDT
Location: Youngplace, 180 Shaw Street, Toronto, ON, M6J 2W5
In a post-Oct. 7 world, news feeds are filled with videos, podcasts and reports of Jews and Muslims talking at each other, about each other—but rarely with each other. This limited series brings together Jews and Muslims, Israelis and Palestinians, from across the country and the political divide, to sit down and have difficult conversations—in good faith.
In this live podcast recording, we’re bringing comedy sets from Adrienne Fish, Nour Hadidi, Foad HP and Dan Rosen before a panel discussion with all four about what it’s like performing as Muslim and Jewish comics in 2025—including all the pitfalls they have to navigate as they speak their minds onstage.
Included: Entrance to Koffler Arts and post-event reception.
Parking: Free and paid options available, but spots are limited.
All proceeds will go to charity
Hosted by The Canadian Jewish News, in partnership with the Canadian Race Relations Foundation and the Ronald S. Roadburg Foundation.
The post In Good Faith: A Jewish/Muslim Night of Comedy and Conversation appeared first on The Canadian Jewish News.
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Cycling team Israel–Premier Tech is ditching the ‘Israel’ brand. But was it entirely their decision?
After a tumultuous season, international cycling team Israel–Premier Tech, co-owned by Canadian-Israeli billionaire Sylvan Adams, is officially going to change its name and remove the word “Israel”. The decision comes after repeated anti-Israel protests across Europe disrupted the team—whose international roster of 31 cyclists includes just three Israelis—during their open-road events, which can last hundreds of kilometres across the continent. Several cyclists crashed due to protester intervention. The decision to remove Israeli branding from Israel–Premier Tech led co-owner Adams to announce he would step away from day-to-day involvement with the team.
There’s a lot to be said about the political ramifications of wearing the Israeli name on your shirt in 2025, but our sports podcasters have a different theory about the shift. Israel–Premier Tech enjoyed a successful season that brought them back to full status with the UCI World Tour, after being relegated down to the secondary UCI ProSeries since 2023. That means the stakes are higher, the stage is bigger, and the league’s propensity for risk and disruption may well have shrunk. Is this purely a political decision, or are UCI executives trying to prevent more bad press in the coming year?
Also on the docket: the boys talk about the Toronto Blue Jays’ run to the American League championship series, big baseball moves, early NHL impressions and a quick NFL check-in.
Transcript (excerpt)
James Hirsh: We want to talk about a recent story. There’s been some news with a cycling team, Israel Premier Tech, which is owned by Canadian billionaire Sylvan Adams. And it’s not going to be Israel Premier Tech anymore.
Gabe Pulver: They’ve been called Israel Premier Tech for, I guess it’s been around five years. They’ve been an official UCI squad, you know, for the last, I think, since 2020—
James Hirsh: Which means they compete in the big cycling races like the Tour de France and Giro d’Italia, things like that.
Gabe Pulver: Exactly. They were called Israel Start-Up Nation for a number of years and Israel Cycling Academy before that. They were a part of the Vuelta a España that had to be shut down due to anti-Israel protests going on across Spain. And for a while, they took the name off the jersey and just called themselves Premier Tech for the week. That seemed to not assuage the protesters, and they’ve decided to, as a quote, “move away from its current Israeli identity”.
James Hirsh: And part of that is Sylvan Adams, we should say, who has a pretty big job right now as president of the World Jewish Congress, has said that he can’t continue to be part of the team that’s not putting Israel in the name. It seems like they acquiesced to demands, I think, based on his statement.
Gabe Pulver: So what’s interesting is that Premier Tech is a Canadian company. They’re, you know, a Quebecois tech company, and Premier Tech and its president own a chunk of it. A good chunk of the riders are Canadian and previously have been pretty supportive of the team’s Israeli identity. Another interesting part of this is that Sylvan Adams is sort of, like you said, busy with his other job, but you wonder what the future of the team holds given that, you know, sort of the face of their team and, you know, a huge part of their Canadian connection is no longer going to be day-to-day running things, you know, with their identity. Sylvan Adams is a pretty proud guy, and as their identity changes and he steps back, you wonder if he’ll continue to support the team financially as much as he has.
James Hirsh: Yeah, I think it’s very interesting to see this. This is sort of a test case for Israel’s continued involvement in certain international sports or sports that have an international component. We’ll see if that will change. Obviously, there’s been great news today about the peace deal being signed. And if anyone is getting that news on that from a Jewish sports podcast, you’ve got to tune in a little bit more.
Gabe Pulver: Yeah, yeah, yeah, exactly. Check out, close this and go to CNN and see what’s happening with that.
James Hirsh: But look, there have been calls for Israel to be removed from FIFA. We’ve talked about that. There have been calls for Israel to be excluded from other international sporting events. There have been on-the-ground protests that we’ve covered, you know, including at lower-tier sporting events. We’ll see what will come. This certainly seems like the first step of an Israeli team removing—continuing to be owned by an Israeli, is affiliated with Israeli coaches, owned by Israeli teams, all Israeli people, all that. But no longer having Israel in the name is not just a symbolic gesture.
Gabe Pulver: No. And I have a theory. It’s not a very charitable theory, but Israel Premier Tech had sort of been relegated to semi-conditional status on the World Tour this year. They had riders at a bunch of events, but they weren’t at every single event. They weren’t full Tour members. Next year, they have regained their position back in full Tour members. And after the disaster where virtually every rider on Tour was furious about all of the protesters in the Vuelta, I think they’re choosing to decide, I think they’re choosing to say we’re not going to have this shit anymore.
Like they’re going to get rid of Israel, the name, when you’re back on the Tour. Because we didn’t like the news, we didn’t like the coverage, we didn’t like the protests. You know, you can stay involved, the Israeli money. Obviously, they’ll take the Israeli money, they’ll support the Israeli riders. However, they’re very unlikely—they just don’t want the name Israel to be running around on the Tour so more people can show up and disrupt the Tour de France, which would be an enormous disaster for the sport. Maybe there are enough Jews in France and enough harmony in the international community in France that that won’t be a problem. I doubt it. But I think it’s probably a self-preservation move by the UCI before something a little bit bigger than the Vuelta a España has to get cancelled.
James Hirsh: Yeah, that makes total sense. And if there’s one thing, I don’t know much about the cycling federations and whoever runs that, but there’s one thing I know about European technocrats who run sporting organizations is that they’re all cowards and will always do the easiest thing in the goal of self-preservation.
Gabe Pulver: Yeah, self-preservation.
James Hirsh: They are about cycling, but I believe it, no matter what.
Gabe Pulver: No, they are all there. The show must go on in any possible way.
James Hirsh: Yeah.
Gabe Pulver: You know, I think if a single rider was to ever say something political, they would literally, you know, deflate their tires, like to, you know, steal a metaphor.
James Hirsh: Yeah. So when countries like Spain decide to, you know, continue their millennia-old tradition of anti-Semitism and protesters start protesting Israeli teams and non-Israeli riders at cycling events that they don’t care about in the first place—
Gabe Pulver: Yeah.
James Hirsh: —You can bet that whoever’s in charge of that cycling event is going to cave to those protesters. Absolutely.
Show Notes
Credits
- Hosts: James Hirsh and Gabe Pulver
- Producer: Michael Fraiman
- Music: Coby Lipovitch (intro), chēēZ π (main theme, “Organ Grinder Swing“)
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