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This is what an $8 million synagogue renovation looks like
(New York Jewish Week) — Ansche Chesed, a historic Conservative synagogue located in a large, Romanesque- and Byzantine-inspired building on the Upper West Side, has completed an $8 million, two-year renovation project.
The updates to the landmarked 53,000-square-foot building, which began construction in 1927, included adding an elevator, which will improve the building’s accessibility; tripling the size of the lobby, and adding bathrooms, a coat room and a lounge. Upgraded security measures include a security booth near the entrance, an updated camera system and an electronic seal on interior doors.
Located at 251 W. 100th Street, the 600-family congregation will have a rededication ceremony and celebration during services on Saturday.
“We’re feeling fabulous,” said Jeremy Kalmanofsky, the congregation’s senior rabbi who has been at Ansche Chesed since 2001.
“We have evolved the various ways in which we use it,” Kalmanofsky said of the 96-year-old building, and why the congregation, which was founded in 1829, decided to renovate. “It was dark and it was not terribly welcoming and now we’ve opened it up in so many ways — greater light, more welcoming and easier to get around, especially for folks who use wheelchairs and walkers.”
The ground floor main entry lobby tripled in size and was renovated with updated lighting and HVAC system. It also includes a coat room and updated bathrooms. (Courtesy of Studio ST Architects)
The synagogue partnered with New York-based Studio ST Architects on the project. “In our work, we tried to really capture and maintain the nature of that congregation. The word they used is heimish — a Yiddish word for homey and welcoming,” said the principal architect Esther Sperber. “They wanted it to be nice, clean and comfortable, but down to earth. They didn’t want it to be fancy and they weren’t looking for lots of marble or gold.”
“We shared a real sense about what it means to be building up Jewish ritual communal spaces,” Kalmanofsky said.
Both Sperber and Kalmanofsky noted that the largest improvement to the space — and the biggest undertaking of the renovation — was adding a small elevator from the lobby to the sanctuary, which seats 1,200 people. Before, congregants who needed it had to use a “clunky chairlift” that could only be used one at a time and required a second person to operate.
“It really was not a dignified way for people to enter the space and it made them feel as if they were potentially not welcome,” Sperber noted.
Another angle of the updated basement lobby. An elevator was added to get from the lobby to the sanctuary, which substantially improved the synagogue’s accessibility.(Courtesy of Studio ST Architects)
Nearly every part of the ground floor and basement levels was renovated — except for the sanctuary, Sperber said. “The sanctuary is a beautiful, historic space,” Sperber said, adding that it had recently been repainted. “We updated the fire alarm system, added the elevator which now reaches the sanctuary … but the design of the space was kept.”
The social hall was expanded with new flooring and lighting and will now be able to accommodate extra seating for High Holiday services and major celebrations. (Courtesy of Studio ST Architects)
Renovation on the building began in the winter of 2021, and it stayed open while undergoing construction, though Kalmanofsky noted that during 2021 the building was used far less due to the pandemic.
Sleek bronze signage was added to the exterior of the building with the name and address of the congregation. The architects also upgraded the building’s HVAC systems and relocated the office spaces from the first floor to the fifth.
The newly renovated offices (left) are on the fifth floor of the building, rather than in a windowless space off the lobby (right). (Courtesy of Studio ST Architects)
“Our offices, which were literally in windowless dungeons, are now much more filled with light,” Kalmanofsky said. “It’s easier for people to feel happy to be in them when our members come into the office to see us.”
The renovation also updated the lighting and floors of the social hall, which was last renovated in the 1980s, Kalmanofsky said. “We have a social hall space now that is worthy of larger and more elegant celebrations, both of our own members and maybe, if we’re so fortunate, other people will want to celebrate in our building as well,” he said.
Bathrooms were updated on the ground level. (Courtesy of Studio ST Architects)
“When you enter the building, it doesn’t feel like you’re entering an old building — it feels like you’re entering something contemporary,” Kalmanofsky said. “It’s nice and inviting and modern.”
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The post This is what an $8 million synagogue renovation looks like appeared first on Jewish Telegraphic Agency.
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‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards
At last year’s Academy Awards, Anora — a frenetic, somewhat ambiguously Jewish look at a Jewish enclave of New York, took home best picture, original screenplay, director and actress for its Jewish lead Mikey Madison. This year, we have a film that feels, in some ways, quite parallel, while cranking the Yiddishkeit to 11: Josh Safdie’s breathless picaresque Marty Supreme, set on the Lower East Side, is up for best picture and its star, Timothée Chalamet is a favorite for best actor.
There’s also Blue Moon, Richard Linklater’s portrait of Jewish lyricist Lorenz Hart’s breakup with composer Richard Rodgers (Ethan Hawke is up for best actor). And One Battle After Another, a campy and absurdist satire about the infiltration of white supremacists in the U.S. government, is poised to have a massive night, with the blockbuster Sinners serving as its main competition.
That all goes to say that it’s another great year for Jewish stories at the Oscars, with some really compelling fodder for discussion about the place that Jews occupy today in arts and media. What stories are we telling and how are they received?
Here, as ever, the Forward culture team is here to break it all down for you, live as it unfolds. Of course, we cover Jewish movies all year. But at the Academy Awards, we get to see how the rest of the world feels about these movies. We will be updating this story with our thoughts throughout the ceremony.
Traditionally, as we begin these Oscars roundtables, we discuss what we’re all wearing and eating. What’ve we got?
Olivia: brown sweater and jeans; no food but aggressively chewing mint gum. I will later be drinking some of the seltzer I got from Brooklyn’s Seltzer Fest today.
Mira: I did a bunch of cooking for the week so I have vegetarian avgolemono soup and Alison Roman’s fennel salad. (I’m obsessed with this salad.) I am proudly wearing hard pants.
PJ: I am reheating some chicken from last night. Wearing a blue sweater with a little toggle and jeans. How many of Stellan Skarsgård’s large adult sons are here? In other l’dor v’dor news, Bill Pullman just mentioned how they filmed the Spaceballs sequel with his son Lewis.
Talya: I believe I’m wearing the exact same sweater I donned for this event last year — where’s my award for consistency? And, as always, sweatpants; I cannot comprehend suffering through this event in jeans.
Discussion of Israeli-Palestinian protests on the red carpet
Mira: Love a toggle. Speaking of outfits, anyone have thoughts on Odessa A’zion’s spangled red carpet set? She is one of the only people who styles herself on the red carpet, which I do respect.
Olivia: A’Zion’s outfit kind of looks like she forgot to tie whatever was supposed to be holding it up. I don’t think it looks bad, just like it’s falling down.
PJ: It wouldn’t look out of place hanging from the window of a VW van with shag carpet and some Tibetan prayer flags.
Mira: Of note, the past several years have seen protesters approaching people on their way into the ceremony, and a lot of pins on the red carpet taking a stance on the Israel-Hamas war, largely pro-Palestinian ones. We’re seeing less of that this year — though not none. Javier Bardem posted a photo of him wearing a pin reading “no to the war” in Spanish, along with another pin featuring Handala, a cartoon boy considered a symbol of Palestinians. The team of The Voice of Hind Rajab, nominated for best foreign film, are also wearing red pins with a white dove.
PJ: Those have replaced the red hand ArtistsforCeasefire pins, which some said recalled the bloody palms of Palestinians who killed IDF soldiers in 2000.
Olivia: A reporter for ABC in a pre-recorded segment asked executive producers and showrunners for the ceremony Raj Kapoor and Katy Mullan if anything would get bleeped, such as mentions of Trump, Israel and Palestine. Recently, the BBC removed director Akinola Davies Jr’s call for a “Free Palestine” from their BAFTA stream. Kapoor asserted that the night’s production team supports free speech, but we’ll see what transpires over the course of the night.
The post ‘Marty Supreme’ and everything else Jewish at this year’s Academy Awards appeared first on The Forward.
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US Sends Additional Arms to Israel to Sustain Iran Operations
The first of two Terminal High Altitude Area Defense (THAAD) interceptors is launched during a successful intercept test. Photo: US Army.
i24 News – The United States has recently increased shipments of munitions to Israel to support ongoing Israeli air operations against Iran.
According to reports broadcast by the public radio network Kan Reshet Bet, several weapons deliveries have arrived in Israel in recent days as part of what officials describe as an ongoing airlift aimed at sustaining the pace of military strikes.
Since the start of the campaign, Israeli forces are believed to have dropped more than 11,000 bombs on targets across Iran.
The shipments come as reports emerge about a potential shortage of ballistic missile interceptors in Israel. US officials told the news outlet Semafor that Israel’s interceptor stockpiles have been heavily used during the conflict.
According to those sources, Washington had already been aware for months that supplies could become strained, though it remains unclear whether the United States would be willing to share its own interceptor reserves. Israeli officials have since rejected claims that such a shortage exists.
Unlike the Iron Dome, which is designed to intercept short-range rockets and projectiles, ballistic missile interceptors serve as Israel’s primary defense against long-range missile threats. Fighter jets can also be used to attempt interceptions, though this method is considered a supplementary measure to missile defense systems.
Meanwhile, the Israeli government has taken additional budgetary steps to support the war effort. During an overnight vote between Saturday and Sunday, ministers approved a roughly 1 billion shekel reduction across various ministry budgets to help finance classified military purchases linked to Operation “Roar of the Lion.”
The government had already approved a 3 percent cut in ministry budgets, a move expected to increase the defense budget by approximately 30 billion shekels as the conflict continues.
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Pope Leo Decries ‘Atrocious Violence’ in Iran War, Urges Ceasefire
Pope Leo XIV leads the Angelus prayer from a window of the Apostolic Palace, at the Vatican, March 15, 2026. Photo: REUTERS/Matteo Minnella
Pope Leo made an impassioned plea on Sunday for an immediate ceasefire in the expanding Iran war, lamenting “atrocious violence” that he said had killed thousands of non-combatants and caused suffering across the region.
As the US-Israeli war on Iran enters its third week, the first US pope warned that violence would not bring the justice, stability and peace that the peoples of the region long for.
“For two weeks, the peoples of the Middle East have been suffering the atrocious violence of war,” the pope said at his weekly Angelus prayer in St. Peter’s Square.
“In the name of Christians in the Middle East and of all women and men of good will, I appeal to those responsible for this conflict: Cease fire!” Pope Leo said.
IDEA THAT WAR SOLVES PROBLEMS IS ‘ABSURD’
Leo added that the situation in Lebanon – ravaged by a war between Israel and the Iran-backed Lebanese group Hezbollah – was also a cause of “great concern.”
“I hope for paths of dialogue that can support the country’s authorities in implementing lasting solutions to the serious crisis currently underway, for the common good of all the Lebanese people,” the pope said.
During a visit to a Rome parish later, the pope said war could never resolve problems and hit out at people who invoke God to justify killings.
“Today many of our brothers and sisters in the world are suffering because of violent conflicts, caused by the absurd claim that problems and disagreements can be resolved through war, when instead we must engage in unceasing dialogue for peace,” he said during his homily.
“Some even go so far as to invoke the name of God to justify these choices of death, but God cannot be enlisted by darkness. Rather, He always comes to bring light, hope and peace to humanity.”