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This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur

(JTA) — The most notable message Melissa Klapper got during her four-night run this week on “Jeopardy!” didn’t come because the Jewish studies scholar was unable to answer a question about Yom Kippur. It also wasn’t an unkind note from a game-show stickler who believed she’d gotten credit for a wrong response.

Instead, it was an email from a past student who recognized herself in the story Klapper told as part of her self-introductory stage banter — a staple of the game show. Klapper, who teaches history at Rowan University in New Jersey, described accusing a student of having plagiarized her paper.

The student then replied, Klapper recalled, that she “didn’t know [it] was plagiarized when she bought it.” The anecdote yielded laughs from host Ken Jennings and the two co-contestants whom Klapper later defeated to notch her third win.

After the episode aired Wednesday night, Klapper heard from the former student, whose name she had previously forgotten.

“She watches ‘Jeopardy!’ and when she was watching that interview, she thought to herself, this is about me,” Klapper told the Jewish Telegraphic Agency. “And she wrote to me to apologize. She’s a teacher now and, I think, is more understanding of why what she did was really not good. And I really appreciated it. It was kind of brave of her to get in touch with me after all these years.”

The experience was a fitting highlight of Klapper’s run on the show, which ended Thursday with a third-place finish and total winnings of $60,100. She said it was her training as an educator — not her education in Modern Orthodox schools or her scholarship on Jewish women, immigrant children and more — that prepared her for success on the show.

“I’m up in front of people all the time,” said Klapper, who is active in the Association for Jewish Studies and whose most recent book, “Ballet Class: An American History,” was published in 2020. “I do not have stage fright.”

Klapper spoke with JTA about her Jewish background, her research interests and how her most religiously observant friends managed to watch her on TV.

This interview has been condensed and lightly edited for clarity.

JTA: First, I have to ask: Last night, did you end up with $1,800 on purpose? That’s a very Jewish number.

Klapper: No! That’s so funny. It didn’t even occur to me.

How are you feeling this morning? Any initial reflections on your appearance now that it’s over?

These shows were recorded in January, so I’ve had time to come to peace with what happened. I was disappointed not to win another game — or two. But Alec, the guy who won last night, was just unstoppable on the buzzer. Knowing the answers is not enough to do well in “Jeopardy!” You also have to have good hand-eye coordination, which I do not. I would say I knew the vast majority of answers but I often just could not get the buzzer in time. Once I knew I was going to be on the show, I did sort of sit at home and practice with a ballpoint pen, but it’s not the same.

I will say the fact that I couldn’t be fast enough to answer the Yom Kippur clue was pretty frustrating. [The clue was about a Jon Stewart quip about the Jewish day of atonement.] And I heard about that — I got a lot of fun teasing from some of my Jewish friends who were sending me helpful emails with links to the dictionary.com definition of Yom Kippur.

Can you share a little bit about your relationship with “Jeopardy!”, how you came to be on the show and your general reflection about your experience?

I grew up in a household where we watched “Jeopardy!” when I was kid. We had a “Jeopardy!” board game that I would play with my parents and my sister and I actually tried out for the teen tournament when I was in high school. Those were the days that you had to go in person, so my parents very kindly drove me into D.C. when we heard that there would be a tryout. I didn’t get past the first round — I didn’t know anything about sports, and I still don’t know that much, although I answered a surprising number of sports questions.

In the last few years I started to watch more regularly and it occurred to me, you know, I really think I could do OK on this show. I made it into the contestant pool the first time I took the online test, but I did not get called. The day after my 18 months [in the pool] ended, I started the process again, but I sort of assumed I would never hear from them again — especially because they asked you to write down dates when you can’t come and I had to write that I was not available during the semester — and, oh, also on Jewish holidays. But they called me for winter break.

They record five shows in a day, and all of mine were on one day. There’s about 10 minutes between shows when you change your top and can have a drink and then go right back onstage. It was just — really, it was all a blur. If you’d asked me at the beginning of this week what any of the categories were I would have been very hard-pressed to tell you.

You got some clues that seemed ready-made for a Jewish contestant such as one about Philip Roth’s “Portnoy’s Complaint” and another about Jack Antonoff, the Jewish musician and producer. What is your Jewish background like and were there moments where you felt like that gave you some kind of advantage?

Now I live in Lower Merion, Pennsylvania, which has a large observant Jewish community. My husband and I belong to a Modern Orthodox synagogue and we are involved in a partnership minyan, Lechu Neranena.

I went to Jewish day school my whole life, kindergarten through 12th grade, first at Akiba Academy of Dallas and then Bais Yaakov of Baltimore, which was the only girls high school and where I got a very solid education and was encouraged to pursue my intellectual ambitions. I went to Israel right after high school before I started college. So I have a very intensive Jewish educational background, and throughout my education and all the schools that I went to, I found a lot of encouragement for my innate nerdiness.

So I’m not sure I could draw a direct line, but what I will say is that in the Jewish educational environment I grew up in, matched by an extremely Jewish traditional home, there was just a huge, enormous value on reading and books and learning, and I think that makes a difference.

I will say I don’t think I knew about Jack Antonoff because he’s Jewish — I knew him because of Taylor Swift.

Were there Jewish highlights of your experience, either on the show or behind the scenes? 

They do not pay for you to go out to L.A. You’re responsible for your own travel, but they do provide lunch. I asked if it would be possible to get me a kosher lunch, and they immediately said yes, which I appreciated. There was no question or back and forth about it. I got a salad with a ton of protein that could take me through the day.

And then this is a little funny, but I have friends from across the spectrum of Jewish practice, or lack thereof. Some of my more traditionally observant friends don’t own TVs and wouldn’t have TVs in their houses — but they have been watching the show on YouTube every day because they have no other way to watch.

Your scholarship in American history and Jewish studies has been wide-ranging, and you’ve written books about American Jewish women’s activism, American Jewish girlhood and, most recently, ballet. How did your work as a scholar and a teacher prepare you for your appearance or dovetail with it?

I’m a teacher. I’m up in front of people all the time. I do not have stage fright. I give a lot of public talks of various kinds, in academic venues or community settings. And so I did not have any problems speaking or talking to Ken [Jennings] during the short interview period — that is not a problem for me. And for some contestants, it really is. They’re not used to just speaking in public at all like that. My professional background prepared me very well.

I have to ask about the big controversy. [Some viewers believed Klapper offered “Gregor” rather than “McGregor” as the response to a clue about the actor Ewan McGregor.]  What did you make of that, and what do you think it means for the “Jeopardy!” viewership to have such intensity of passion that they referee a professionally refereed show?

First, it’s not a controversy. It’s clear to everyone that I said McGregor on stage, including to my co-contestants who have spoken about this. There should not have been and there should not be any controversy.

That said, I don’t personally sort of participate in any kind of fandom, so the way that this sort of took off is a little alien to me. But I know not just in the “Jeopardy!” community people are really, I guess, just very invested. It’s hard for me to explain.

Has the response been hard for you?

I’m sure that everyone who appears on “Jeopardy!” gets some nasty emails because unfortunately fandom can be vicious and I’m very easy to find. But I do know that women who are on “Jeopardy!”, especially women who do well, really can be targeted. And I do think that is part of what happened. Some of the — most of the emails I got from strangers were extremely nice and positive and, you know, full of good wishes. And I appreciated that, but I also got some really misogynistic, nasty gendered messages.

It’s disappointing because in my mind the “Jeopardy!” community is one of the last nice spaces that exists. I’ve talked about that with other contestants over the years, who have said it’s a congenial space. And I’ve asked them — and now I’ll ask you — what do you think the Jewish community can learn from the “Jeopardy!” community?

As a historian, it’s sort of not in my nature to comment on the contemporary Jewish community. I do think there are shared values around knowledge and education.

I do think there’s a nice community of contestants. Even though we were all each other’s competitors, everybody was just really friendly and encouraging. It’d be nice if all communities would just be like that.

You teach women’s and gender studies. You mentioned one big gender dynamic related to being a “Jeopardy!” contestant. Were there others, or other connections to your scholarship, that jumped out during your time as a contestant?

Not so much gender, but my current research project is about American Jewish women who traveled abroad between the Civil War and World War II. It’s a research interest — I noticed as I was working on all my other projects that the Jewish girls and women I was writing about traveled a lot, way more than you would expect for the late 1800s and early 1900s — but it’s also because I love to travel myself. And that’s another way to learn. There were definitely questions on “Jeopardy!” that I knew because I’ve been there — like about the sculpture in the harbor in Copenhagen of the Little Mermaid. I thought: I’ve been there and I’ve seen that.

So you like traveling and you just won a little over $60,000. Do you have any specific plans for the winnings?

Well, first, I’ll have to deal with the IRS. I’m involved with a bunch of different charities and so I will certainly be giving some of this money to them. And my husband and I already have our big trip for the year planned in May — to the north of England, to Newcastle and Hadrian’s Wall — and so we are going to upgrade some parts of that experience a little bit.

And then let’s go back to the student who reached out to you. What do make of that?

Whatever they’re teaching, teachers really matter, for better or for worse, and that’s where my real impact is. I teach a lot of students a lot of different things and I really value my relationship with them. And as it says in Proverbs, right, I have learned a lot from my students, just like I hope they learned from me. Seeing how excited some of my students have been this week, I do think that, in a way, being on “Jeopardy!” was sort of part of my teaching practice and that it just shows, again, this value of education and knowledge. Yes, it’s trivia, but still it just makes you a better-rounded person. And it was nice to be able to demonstrate that.

—
The post This Jewish studies professor won $60,000 on “Jeopardy!” — despite missing out on a question about Yom Kippur appeared first on Jewish Telegraphic Agency.

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Mamdani joins Theo Von’s podcast. They find common ground in criticizing Netanyahu.

(JTA) — New York Mayor Zohran Mamdani appeared for an interview with “manosphere” podcaster Theo Von, during which he called for the United States to join the International Criminal Court and enforce its arrest warrant for Prime Minister Benjamin Netanyahu.

“If I had my say, the U.S. government would have joined the ICC, honored every single warrant that they issued,” Mamdani said near the end of the 75-minute interview that was posted on Thursday.

“F–k yeah,” Von replied.

The interview came one week after Netanyahu visited the United Nations and delivered a speech during which he called Mamdani an “antisemite” and a supporter of Hamas. (Mamdani has condemned Hamas as a terrorist organization.)

Von, meanwhile, is part of a growing ecosystem of everyman “manosphere” podcasters who host sprawling conversations with a wide array of famous guests — he has hosted Donald Trump, Bernie Sanders, JD Vance and Mark Zuckerberg — and increasingly are seen as representing a crucial sector of the electorate. He drew an invite to Trump’s inauguration in 2025 after hosting him on the campaign trail the year before.

Theo Von at NBC’s “Opry 100: A Live Celebration” held at The Grand Ole Opry House in Nashville, March 19, 2025. (Tammie Arroyo/Variety via Getty Images)

Since then, Von has become increasingly critical of Israel and pressed the case in his Vance interview that Israel is committing genocide in Gaza. The International Court of Justice, which is separate from the ICC, is adjudicating charges Israel committed genocide — which the country rejects — but has not issued a ruling. Von has also hosted guests who have spread conspiracy theories about Israel and Jews.

At the end of his interview with Mamdani, Von thanked the New York mayor for “talking a little bit about the genocide” during their podcast, noting that “a lot of people are afraid to speak about it in politics.”

“One thing I would just say is, your curiosity is a beautiful thing,” Mamdani told Von.

The chummy conversation was notable, arising as it did out of a meeting between an icon of the libertarian-leaning “manosphere” and a self-declared socialist.

Mamdani decried Israel’s campaign in Gaza during their conversation.

“People talk about a ceasefire — just last week, the Israeli military killed an 11-year-old boy, Palestinian boy in Gaza, in a section that’s considered to be a safe zone,” he said. “This is continuing.”

He also recalled hosting Palestinian families at Gracie Mansion, the mayor’s official residence, where they told him about “the ways that their lives have been shattered.”

Von asked Mamdani how he keeps people “from misdirecting energy that’s against Israel towards their Jewish friends,” especially as the mayor of the country’s most Jewish city.

Part of that, Mamdani said, is being clear that “no Jewish person in New York City is responsible for the actions of the State of Israel. And if you want to hold anybody accountable, it’s the people who are making those decisions — the prime minister, the State of Israel, also our complicity as American taxpayers knowing how many billions of dollars we have sent in bombs and continue to send.”

Mamdani also pointed to his administration’s official strategy to combat antisemitism, which it released earlier this week, as an effort to both condemn and prevent antisemitism. Some groups said the strategy “failed to address” anti-Israel rhetoric and links between anti-Zionism and antisemitism, while applauding aspects like security funding boosts and Holocaust education expansion.

Finally, he added, it takes “being very clear that critique of the State of Israel, the policy actions, the genocide — that in and of itself is not being antisemitic.”

“Yeah, I agree, speak up about it,” Von said.

Von, who has nearly 700 podcast episodes and more than 4.7 million YouTube subscribers, has interviewed or spoken positively about multiple controversial figures who have spread conspiracy theories about Israel and Jews, including former Fox News personality Tucker Carlson, streamer and Holocaust denier Nick Fuentes and commentator Candace Owens.

During an episode from this past January with comedian Dave Smith, Von called Fuentes “fascinating” and said, “He’s f–ing brave, dude.”

Von hosted Carlson on his show in December 2025. The two men spoke at length about Israel and Von criticized what he said was a lack of transparency in the control that Israel and corporate interests have over American politics.

“If they would just say, ‘Hey, America is a country that’s owned by Israel,’ or that it’s always been this outpost or this LLC of Israel — or maybe not even of Israel, it could just be of corporate entities, I’m not really sure exactly — but if they would just tell us, you can operate from a place of knowing what’s going on,” Von said.

Pro-Israel lobbies have repeatedly defended their role as no different than any other interest group seeking influence, citing the successes over the years of pro-choice and anti-abortion groups, environmental groups and gun owner groups, among others.

During that interview, Von also played a clip of CBS News editor-in-chief Bari Weiss calling Carlson anti-American and anti-Jewish, which elicited laughter from both Von and Carlson. Von then read out an AI-generated overview that described Weiss as “a vocal supporter of Israel.”

“If her allegiance isn’t to America first, how is she the head of an American network?” Von said.

“Well that’s of course an entirely fair question, that you’re not allowed to ask,” Carlson replied.

Von’s conversation with Mamdani this week covered a number of topics including socialism, the achievability of the American Dream and their preferred fish.

When asked about Netanyahu’s U.N. speech, Mamdani explained that he’d been meeting with the prime minister of the Netherlands about an LGBTQ center and the community’s history in New York.

“Then I get back from that meeting and it’s like, ‘Oh by the way, here’s what he was saying at the U.N.’,” Mamdani said.

“It’s so bizarre. Did it feel personal then?” Von asked.

Mamdani replied that “all of this is an attempt to distract from responsibility, name as many people as possible, try and make it into a back and forth.”

He added, “It’s not about me and him. It’s about the fact that he’s the architect of a genocide.”

This article originally appeared on JTA.org.

The post Mamdani joins Theo Von’s podcast. They find common ground in criticizing Netanyahu. appeared first on The Forward.

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A Jewish journalist recorded pro-Palestinian protesters outside services. He was reportedly suspended from his job

(JTA) — TORONTO – A number of Canadian groups are demanding answers in the wake of media reports that the country’s national broadcaster suspended a Jewish reporter after he posted a video of pro-Palestinian protesters outside Yom Kippur services and wrote about his pained reaction.

The reported suspension came after Neil Herland shared footage of protesters gathered outside the Meridian Arts Centre in north Toronto, which on Sept. 20 was hosting Yom Kippur services for The Song Shul.

Herland, who has worked for the Canadian Broadcasting Corporation for nearly 30 years, began his post on X, “On Yom Kippur I went to a synagogue service in Toronto and was met by protesters trying to taunt and intimidate me from entering the building.”

A man can be heard yelling “Zionist alert!” through a megaphone, while another masked protester approaches the camera and screams, “You’re going to hell.”

A pro-Palestinian group, Canadians for Justice and Peace in the Middle East, filed a complaint against Herland with the CBC, saying he had mischaracterized the protest.

“It is clear to CJPME that Mr. Herland was aiding the pro-Israel side of these demonstrations defending Mark Regev’s presence, while smearing these pro-Palestine protesters as antisemitic for their criticisms of Regev’s awful record on Palestinian human rights,” their complaint said, referring to the presence of a former Israeli diplomat at the event.

The Toronto Sun reported the suspension on Sept. 24. CBC declined to confirm the suspension and said reporting had mischaracterized what had happened.

“We don’t comment on internal matters,” a spokesperson said. “That said, we are aware of reporting on this matter which has errors and mischaracterizations but we can’t get into the specifics given the confidentiality of the situation.”

Reached by JTA, Herland declined a request for comment.

A press freedom group decried the reported suspension, however.

“Recording events in a public place and reporting them to the public is not misconduct,” Sheila Gunn Reid, president of the Independent Press Gallery — a non-profit advocating for independent and nongovernmental journalist organizations — said. “It is journalism. It is not the role of a public broadcaster to punish its journalists for doing their jobs to appease activist groups. Its role is to defend their right to report.”

In a thread under his tweet about the protest, Herland noted that “The guest speaker at the Toronto synagogue tonight was an Australian-born university teacher who lives in Israel and once served as Israeli ambassador to the UK. His speech was about making peace in the Middle East. Let’s hope that happens this year.”

He was referring to Regev, formerly the Israeli ambassador to Britain, who gave a talk during Yom Kippur services. Online defenders of the protesters chided Herland for not personally naming the prominent media defender of Israel’s war in Gaza in his post.

Commenters also scored Herland for describing the venue as a synagogue even though the service was held in a public events space.

However, Jewish groups who reviewed the video or otherwise tracked the protest said that Regev’s presence did not seem germane to the protesters’ chants, and noted that synagogues often move to event venues for the High Holidays because of the volume of congregants attending.

“The protesters claimed to have been demonstrating against the speaker, but I don’t recall seeing anything that particularly said they were targeting [Regev],” Rochelle Direnfeld, senior criminal counsel for the Alliance of Canadians Combatting Antisemitism, said in an interview. “It seemed to be much more general against Jews and supporters of Israel.”

Criticism of Israel is not inherently antisemitic, Direnfeld said, but the protesters’ apparent targeting of worshipers was worrying. “It’s not okay to blame Canadian Jews for what’s going on in the Middle East,” Direnfeld said. “Given what [the protesters] were saying to the people trying to enter the building for services, that’s what they were doing.”

Simon Wolle, CEO of B’nai Brith Canada, said the protests on Judaism’s holiest day amounted to intimidation. “It is deplorable that members of the Jewish community are subject to these incessant acts of hatred and intimidation,” he said. “It is especially alarming when these protesters target members of the community as they enter their houses of worship, in this instance on Kol Nidre, the holiest night of the year.”

Wolle said the CBC needed to explain its reported disciplinary measures. “Neil Herland had every right to document his lived experience, and the very idea that he would face disciplinary action for that is deeply concerning,” he said. “As Canada’s public broadcaster, the CBC owes the public an explanation for its inexplicable treatment of Mr. Herland.”

Vivian Bercovici, a lawyer as well as former ambassador of Canada to Israel and a CBC board member, said the alleged discipline Herland has faced is cause for concern.

“Herland didn’t say anything derogatory, rude or inappropriate,” said Bercovici. “He told us what was happening in a very clear and factual way, and so I think that the CBC owes us an explanation as to why that post was so egregious.”

Herland’s tweet thread also included a post noting that his late father was an Austrian Jew who survived the Holocaust in Romania, and that he “came to Canada as a refugee. This year I got an Austrian passport, in case Canada becomes unsafe for me as a Jew. I fear that moment is approaching, here in Canada and elsewhere.”

Herland’s expression of his own distress at the alleged harassment is not usual practice for reporters, but it is also not unheard of.

His comments echo those of many Canadian Jews, who increasingly are saying they do not feel safe in the country and even considering taking up potential offers to move to the United States as refugees.

Direnfeld said the incident reflected what is becoming a pervasive complaint among Canadian Jews that the authorities are not doing enough to decrease tensions. The police practice of deescalation was failing, she said.

“De-escalation can quickly turn into capitulation, which only serves to embolden these protesters to continue,” she said. “We’re now seeing the fruits of that capitulation in conduct such as what happened in Belleville,” she continued, referring to a gunman who tried to attack the Sons of Jacob synagogue on Yom Kippur but was killed in a shootout with police.

Bercovici said the protest was no less distressing because the Meridian Arts Centre is an events space.

“A synagogue can be anywhere, and there are a lot of religious groups that rent space over specific holidays because they don’t have their own building,” she said. “That’s just a fatuous, ridiculous argument.”

Herland has posted only once to X since his reported suspension: A photo of Shabbat candles on Friday, Sept. 25.

This article originally appeared on JTA.org.

The post A Jewish journalist recorded pro-Palestinian protesters outside services. He was reportedly suspended from his job appeared first on The Forward.

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A great Jewish intellectual understood the Kafkaesque horror of Tennessee’s botched execution

Two days ago, the state of Tennessee tried to kill Christa Pike, the Death Row prisoner who, in 1995, was found guilty of the torture and murder of her classmate Colleen Slemmer. After spending more than 30 years on death row, Pike was strapped to a prison gurney and, as journalists watched through a window, an execution team cycled through at least a half-dozen syringes before finding a vein suitable for the injection of pentobarbital.

Or so they thought.

After Pike herself tried to help the team find a vein, they injected her with a supposedly lethal dose of the barbiturate. Though it caused an intense burning sensation in Pike’s arm, the dose failed to do its job, leading the executioners to empty a second dose into what they thought was a vein but turned out to be the surrounding tissue. Shortly thereafter, a curtain was drawn across the window and, for an hour, the journalists heard Pike continue to breathe and snore. Pike’s legal team eventually learned that their client, barely but still stubbornly alive, had been rushed to the emergency room of a nearby hospital.

While Pike’s physical prognosis is uncertain, there is nothing uncertain about the ethical diagnosis of this event. At least this would be the case for two earlier journalists who wrote at length on the death penalty: Arthur Koestler and Albert Camus. Long after they both became celebrated novelists and intellectuals, the two men each wrote essays on state-sanctioned killing, which were combined and published in France with the title Réflexions sur la peine capitale, or Reflections on the Death Penalty.

These reflections are as relevant in our own age of drug-induced executions as in Koestler and Camus’ era of where the delivery system of death was a noose or the guillotine.

Born into a secular Jewish family in Budapest, Koestler was, as the phrase goes, a child of his century, one convulsed by catastrophic wars, murderous ideologies, and multiple genocides. Described by his friend George Orwell as an “outstanding figure” of his time, Koestler, like Orwell, fought in and reported on the Spanish Civil War. As a member of the Spanish republican forces, he was captured by Franco’s intelligence service and sentenced to death — a fate Koestler escaped when, after several months of imprisonment, he was released in a prisoner exchange.

Yet this experience deeply marked him. In the mid-1950s, he rallied to the campaign to end capital punishment in Great Britain, penning the essay “Reflections on Hanging.” Serialized in two newspapers, the essay galvanized public opinion and played a pivotal role in the parliamentary vote that, while not entirely abolishing the death penalty, severely limited it. Given the clarity and ferocity of Koestler’s writing — which, Rebecca West observed, was as historically misleading as it was rhetorically moving — this sea change in the public’s attitude and parliament’s position is not surprising.

One passage seems especially relevant for the recent events in Tennessee. “There is indeed a Kafkaesque horror attached to an execution,” Koestler writes, “which goes beyond the mere fear of death or pain or indignity. It is connected not with the brutality but with the macabre, cold-blooded politeness of the ceremony, in which the person whose neck is going to be broken is supposed to collaborate in a nice, sensible manner, as if it were a matter of a minor surgical operation…it is present in the delinquent’s knowledge that in the embarrassed stares of the officials he is already mirrored as a dead man with a blue face and ruptured vertebrae; and that what for him is the final, violent termination of life is for them merely an unpleasant duty, followed by a sigh of relief and a plate of bacon and eggs.”

Did the unnamed doctor, I wonder, stare with embarrassment as he repeatedly tried but failed at killing the — perhaps this is not the best word — patient? How, I also wonder, should readers respond to the description of Pike’s attempted execution?  (With embarrassment, I admit while I was revulsed, I also continued sipping from a mug of coffee as I read the New York Times’ account.)

Arthur Koestler, circa 1980. Photo by Louis MONIER/Gamma-Rapho via Getty Images

We can guess how Lucien Camus might have responded. His son, Albert Camus, told and retold the story in his writings of his father who, having witnessed a public execution by guillotine, returned to the house, vomited in the sink, and never spoke about the experience. In the essay “Reflections on the Guillotine,” which accompanied Koestler’s, Camus suggested that rather than telling the condemned man or woman that they will pay the ultimate price or their debt to society for their crime, they instead be told the truth. “If you kill you will be imprisoned for months and years, torn between impossible death and constantly renewed terror, we shall slip into your cell…tie your hands behind your back [and] bind your arms with a strap to that you are forced to stoop [and] then carry you through the corridors [and] seize you by the seat of your pants and throw you on a board [then] let fall from a height of seven feet a 120 pound blade that will slice off your head like a razor.”

What, then, did the judge overseeing the 1995 trial tell Christa Pike when the sentence was rendered? The delivery system for death then was the electric chair and, to the judge’s credit, she did inform Pike that she would be subjected to a degree of electroshock sufficient to kill her. I do not know when the agent of death shifted from electroshock to pentobarbital nor do I know if a judge explained to Pike how the drug would act on her brain and organs to bring about her death. But I am pretty certain that none of the judges informed Pike of one legal scholar’s assessment of this form of death: “It is not the most humane, it is the most humane-looking.” I am even more certain they did not inform her, in case she survived another botched execution by the state of Tennessee, which boasts a history of such botches, that her brain would be irreversibly damaged.

Finally, I am most certain that, whether strangled by a tightened noose, decapitated by a sharpened blade, or injected by what was possibly an expired dose of pentobarbital, the sheer barbarism exercised by officials wearing white coats remains constant.

 

The post A great Jewish intellectual understood the Kafkaesque horror of Tennessee’s botched execution appeared first on The Forward.

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