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Three-time war veteran and longtime JTA correspondent Tom Tugend dies at 97
(JTA) — It was the kind of story that Tom Tugend loved to tell, except he lived it.
He left Berlin, aged 13, on Adolf Hitler’s birthday, in 1939, driven out by the ideology reflected in the swastikas on the banners fluttering in the streets. Six years later, he was back in Germany as an American soldier interrogating the Nazis who had driven his family out.
“I had been a refugee a few years before,” Tugend told the Jewish Telegraphic Agency in 2021. “They kicked me out, they were the masters. And suddenly they couldn’t be nice enough, and couldn’t do enough for us. And of course, each one, some of his best friends were Jews.”
Tom Tugend, who fought in three wars — two for the United States and one for Israel — spent decades as Jewish media’s gentleman correspondent, covering, among other beats, Hollywood.
He died at his home in Sherman Oaks, California, on Wednesday at 97, his daughter Alina said.
“His authenticity came through to anyone who knew him,” Alina Tugend told JTA Thursday. “He was a hero to many people.”
Tugend was unfailingly kind and soft-spoken, including in an interview last year with the JTA, in which he shared story after story, from firing swastika-emblazoned anti-tank guns in Egypt to his experience facing antisemitism as a young German immigrant in the United States.
Born in 1925, Tugend was raised in a well-to-do German Jewish family. His father, Gustav Tugendreich, a respected pediatrician, understood the danger of Hitler’s rise and left for the United States in the mid-1930s after securing a lectureship at Bryn Mawr College.
When he was able to bring them over, he urged his family to follow him, but life remained good enough in Germany that they resisted until it was almost too late — they left four months before World War II started.
It was Hitler’s 50th birthday, April 20, and the city’s trees and poles were draped with massive swastika banners. “Gee, I mean, they may not like the Jews, but it’s very nice of them to give us such a nice sendoff,” Tugend recalled last year with a laugh.
The transition to life in the United States was not easy. The family encountered antisemitism in their new home.
In eighth grade, for example, Tugend’s class read Shakespeare’s “The Merchant of Venice,” which famously includes Shylock, a Jewish moneylender, as a main character. One of Tugend’s classmates, whom he had considered a friend, raised his hand and asked the teacher, “Wouldn’t you rather buy from an American than a Jew?”
“I don’t generally talk about it because it goes so counter, it sounds almost disloyal that you say I had a more difficult time initially in the United States than I had in Germany,” Tugend recalled.
He was restless, and joined the army when he was 18 — where he found more antisemitism. He was deployed in March 1944 and spent time in Marseille helping the French army fight SS units. When his commanders learned he spoke fluent German, they sent him to that country to interview Nazis.
He returned to the United States in March 1946 but remained unsettled. Two years later he saw an opportunity.
“Since a Jewish state is established only every 2,000 years, I was afraid I might not be around the next time,” he said, so he enlisted in the nascent and notoriously strapped Israeli army, which got its material where it could.
Tugend served as a squad leader in an English-speaking anti-tank unit, where he wound up using German guns that featured large swastikas on the barrel.
When that war ended, Tugend returned to California to complete his journalism degree. That stay was short-lived, too — he was drafted again in 1950 but was spared combat. Instead, he went to San Francisco to edit an Army newspaper.
After Korea, Tugend said, he ran out of wars. He shifted his focus to writing. He spent 30 years working at the University of California, Los Angeles and also had a parallel career in Jewish journalism, starting in 1964. He would go on to write for the Jerusalem Post, the Jewish Chronicle and the Jewish Journal of Greater Los Angeles, and he spent decades as the Jewish Telegraphic Agency’s West Coast correspondent.
Lisa Hostein, the longtime former JTA editor-in-chief and current executive editor of Hadassah Magazine, remembered meeting Tugend on a Jewish press trip to Argentina in 1986. She told JTA last year that Tugend was “always the consummate professional and gentleman.”
Over the years, Tugend was honored by the Greater Los Angeles Press Club and the Society of Professional Journalists. He also received a lifetime achievement award from the American Jewish Press Association.
His last published article was last month in the Jewish Journal of Los Angeles; it was an obituary for Edward Robin, a Los Angeles philanthropist and businessman, who was 80, 17 years Tugend’s junior.
Weeks before his own death, Tugend infused the article with his gentle and generous warmth. “A mere listing of his leadership roles in Jewish organizations worldwide would call for a book-length article,” Tugend wrote about Robin.
Honored at last month’s Jewish Journal gala, which he attended, Tugend never lost his love of writing. “You still get a certain kick in seeing your byline,” he told JTA last year.
Tugend is survived by his wife of 66 years, Rachel, and their daughters Alina Tugend, Orlee Raymond and Ronit Austgen.
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Marx Brothers fans rejoice: There’s a recording of Harpo speaking
Harpo Marx’s wife, Susan Fleming, once remarked that, when you got him talking, you couldn’t shut him up.
The proof was there for those who chanced to see him in the 1930s and ‘40s, screening clips of the films he made with his brothers. If a crowd was good, he’d deliver what was known as “Red’s Speech,” a reference to the red wig he wore on stage.
The speech grew more verbose with each recitation, with input by Harpo’s friend, the critic Alexander Woollcott, a fount of $5 dollar words. It got so long, in fact, that Harpo would take it out in the form of a long script that spilled off the stage down the aisle.
“There’s always been this fallacy that Harpo never spoke on stage,” said Marx historian Robert S. Bader, author of Four of the Three Musketeers: The Marx Brothers on Stage and Zeppo: The Reluctant Marx Brother. When he did, he would often make a joke about the mute persona he adopted in 1914, opening his remarks with “as I was about to say in 1915.”
In 1964, Harpo was hitting the speaking circuit. He spoke at events for the United Jewish Appeal, having grown more connected to his Jewishness after a 1963 trip to Israel. On these occasions, Bader said, Harpo “might have looked like a local councilman, just wearing a business suit,” and would sneak in a line from his bar mitzvah speech: “For 13 long years, I have toiled and labored for your happiness.”
Advised to retire from performing after a number of heart attacks, Harpo reasoned that, so long as it was for charity and he didn’t get paid, it couldn’t count as work.
That rationale led to Harpo’s appearance at benefits for a number of symphony orchestras. On March 20, 1964, he gave his final performance at a concert for the Riverside Symphony Orchestra in California, playing a suite of songs about the moon, an original composition and conducting a particularly manic take on Haydn’s “Toy Symphony.”
This time, Harpo not only spoke, giving a lively recitation of Prokofiev’s Peter and the Wolf, he did something unprecedented by allowing himself to be recorded with the understanding the public might someday hear it.
On June 5, 2026 a record of the evening will be released as Harpo Speaks! The Riverside Symphony Concert. It was announced on April 1, but it was no April Fools joke. It’s an outstanding artifact, and it was discovered quite by accident.
John Tefteller, the foremost collector of rare, Marx-related records, was looking for a copy of a 1963 concert with Harpo and comedian-musician Allan Sherman, recorded by Sherman’s son Robert. Looking in the tape box for Pasadena, Sherman instead found the Riverside tape. Oddly enough, Robert Sherman had no memory of recording — or even attending — the Riverside concert.
Bill Marx, Harpo’s son and the arranger of much of his music, says the man on the recording, telling the tale of “Peeduh,” the “boid” and the “huntahs,” is the one he grew up with.
“It was very, very low key,” said Bill Marx, now a celebrated pianist and Juilliard-trained composer, recalling his father’s voice. “I think I would have to say that he was about five or six notes lower than Groucho’s. It was easy to hear him speak. I suppose you could call him soft-spoken. He rarely if ever raised his voice in our house with my two brothers and sisters.”
Instead, he would do something like wake his daughter in the middle of the night to play jacks.
Peter and the Wolf, written for young audiences, was a natural fit for Harpo, and it was his idea to do it. The version of the libretto, co-written by Harpo and Groucho, also features a topical joke for that election year of 1964: “Imagine the triumphant procession. Peeduh at the head, after him the huntahs leading the wolf, then Goldwatuh, Rockefelluh and Nixon.”
That Harpo was a patron of the symphony is no great surprise. He practiced the harp three hours a day and Bill Marx remembers his father’s love of French impressionist composers like Debussy and Ravel and Fauré. When Bill played records in his bedroom, without fail his father would knock on the door, ask what he was listening to, and commit to learning it — which he did.
“He just had a great learning thirst, and I had the privilege of watching this man appear in everybody’s life by doing things that he was compelled to do,” Bill Marx said.
As the narrator of Peter and the Wolf, Harpo is wonderfully expressive, evoking the storytelling of an old-time New York-born Zayde (dressed in his traditional costume at the concert, he donned a new accessory: reading glasses). He sounds quite a lot like Chico, his closest brother in age.
Restoring the tape took major work from audio restorer Joel Tefteller (John’s son) and audio engineer Nick Bergh. At one point, in his closing speech, Harpo walked away from the mic, making the original tape almost inaudible.
“He wasn’t used to looking for a microphone,” said Bader. “He didn’t have a lot of time in front of microphones. I don’t think anybody ever had to say ‘Harpo get closer to the microphone’ ever.”
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UCLA student government condemns campus Hillel for hosting former hostage
A campus event featuring freed Israeli hostage Omer Shem Tov drew the condemnation of UCLA’s student government on Tuesday. In an open letter, the UCLA Students Associated Council said that bringing Tov to speak to students “served to legitimize and normalize” atrocities in Gaza and Lebanon.
Shem Tov, 23, was kidnapped from the Nova music festival in Southern Israel on Oct. 7, 2023, and held hostage in Gaza until his release in a prisoner exchange in February 2025. UCLA hosted him on April 14 for a Yom HaShoah event.
“While we affirm the humanity of all people impacted by violence, we reject the selective platforming of narratives that obscure the broader reality of ongoing state violence,” the student government letter wrote in the letter, which was addressed to the UCLA administration and UCLA Hillel among others. “Israel is currently continuing to carry out what has been widely identified by human rights advocates as a genocide in Gaza, while also expanding its illegal military campaign into Lebanon.
“In this context, elevating a single narrative, absent of critical political and humanitarian framing, serves to legitimize and normalize these ongoing atrocities.”
Rabbi Chaim Seidler-Feller, UCLA Hillel’s director emeritus, called the statement “completely ridiculous.”
“You can’t present the narrative of your experience without it being called ‘one sided,’” Seidler-Feller said. “There has to be a counter-story to persecution. Is there a counter-story to killing people?”
UCLA Hillel executive director Daniel Gold dismissed the criticism in Tuesday’s letter as antisemitic.
“Hillel at UCLA and Students Supporting Israel UCLA would like to apologize…for absolutely nothing,” he wrote in a statement. “Members of UCLA student government have once again shown they are anti-dialogue, anti-learning, anti-truth, anti-student and antisemitic.”
The USAC did not respond to a request for comment.
As college campuses across the country became a hotspot for pro-Palestinian activism following the Oct. 7 attack, UCLA, with an activist history and a large Jewish population, stood out as a major flashpoint. Its student encampment was the site of a riot in April 2024 and eventually cleared by police in riot gear.
The USAC has sided with pro-Palestinian protesters throughout. In a Feb. 2025 letter titled “We Are All SJP,” the USAC, which is democratically elected by the roughly 30,000-member UCLA student body, condemned Chancellor Julio Frenk’s suspension of Students for Justice in Palestine. The letter referred to Israel only as “the Zionist state” or put the country’s name inside quotation marks.
The University of California has since been sued by the Department of Justice, which said that UCLA created a hostile work environment against Jewish and Israeli faculty in violation of Title VII of the Civil Rights Act.
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Trump extends ceasefire with Iran, even after Iran balks at new round of negotiations
(JTA) — President Donald Trump announced on Tuesday that he would unilaterally extend the U.S.-Israeli ceasefire with Iran, even though Iran had not agreed to his conditions or even to return to the negotiating table.
Trump announced the decision on Truth Social just hours before the two-week-old deal was set to expire. Citing Iran’s “fractured” leadership, Trump wrote that he had been asked by Pakistani Prime Minister Shehbaz Sharif to “hold our Attack on the Country of Iran until such time as their leaders and representatives can come up with a unified proposal.”
Vice President JD Vance’s planned trip to Islamabad, where talks were set to take place, was postponed indefinitely after Iran failed to confirm its participation in negotiations.
Trump added that the United States would maintain its naval blockade of Iranian ports in the Strait of Hormuz, despite Iran’s repeated calls for the restrictions to be lifted.
The announcement marked a sharp departure from the president’s statements earlier in the day, telling CNBC that, if a deal was not made before the deadline, “I expect to be bombing.”
In a statement Tuesday, Sharif thanked Trump for his “gracious acceptance” of Pakistan’s request to extend the ceasefire, adding that the country would “continue its earnest efforts for a negotiated settlement of the conflict.”
The announcement adds to uncertain about the war’s future, including for Israelis who lived through six weeks of Iranian bombing, and renews questions about Trump’s commitment to achieving his war goals, which have varied and included blunting Iran’s nuclear ambitions, achieving regime change, and destroying Iran’s stockpile of ballistic missiles. He said earlier this week that he was asking Iran to limit its nuclear program for 20 years, five years longer than was required by the deal struck by Barack Obama in 2015. Trump exited that deal in 2018.
Last week, Trump announced a different ceasefire, between Israel and Lebanon, on Truth Social, contradicting Israel’s claim that the Iran ceasefire would not apply to its fighting with Hezbollah, an Iran-backed proxy in Lebanon.
Trump’s announcement of the ceasefire extension came during the night in Israel, after Israelis began their celebration of Independence Day. It drew criticism from one of his staunchest pro-Israel supporters, the Zionist Organization of America, whose national president Morton Klein said in a statement that “interminable delay is the standard Islamic Iranian regime negotiating tactic” and that acceding to it represented a victory for Iran. The statement did not mention Trump.
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