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Translating ‘tzedakah’ for Marylanders: Sen. Ben Cardin’s long Jewish goodbye

WASHINGTON (JTA) — Ben Cardin’s love letter to Maryland, the state he has represented in the U.S. Senate since 2007, was also a love letter to his family’s Jewish values.

In a video that Cardin released this week to announce his retirement from the Senate, he reminisced about the 56 years he has spent representing Maryland voters in various capacities. In conversation with his wife Myrna, he also reflected on the ideals that animated his work and his family life.

“We use the expression ‘tikkun olam,’ repairing the world. We use it a lot. It’s in our DNA,” Myrna Cardin says in the video. “I love the way you’ve taken that from our family, to Annapolis, to Washington. It undergirds so much of what you do.”

“It also comes back to the tzedakah part of our tradition as Jews to help those that are less fortunate,” Ben Cardin later tells his wife, as a definition of the Hebrew word floats across the screen. Elsewhere, the video shows Cardin in a kippah at his wedding, then surrounded by children including one wearing a kippah himself.

Cardin, 79, this week announced his plans to retire in 2024 from the Senate seat he first won in 2006, with commanding majorities then and since. He wants people to know: He is as much a Jew as he is a Marylander. In fact, he sees the two identities as inextricable.

“It’s been an incredible opportunity,” Cardin told the Jewish Telegraphic Agency. “The people in Maryland are so understanding. It’s been a wonderful state where I’ve been able to talk about and acknowledge my Jewish faith easily.”

Cardin’s legacy is shaped as much by the still waters of the Chesapeake and the protections he has secured for it, as it is by his Jewish upbringing and the far-reaching human rights law it inspired him to author.

The mention in the five-minute video of tzedakah and its explanation is striking for how casual it is. Cardin told JTA that he wanted to convey, 56 years after he was first elected in 1968 to the Maryland House of Delegates, how much his Jewish identity shaped him.

“My Jewish values are what got me throughout my entire life,” he said. ”I grew up in a very strong Jewish family and a strong Jewish community.”

“Jewish values” can be amorphous when a Jewish politician cites them as fueling his or her actions, but Cardin is able to cite specifics.

He says the involvement of his wife and his cousin, the late Shoshana Cardin, in the Soviet Jewry movement shaped his work in government. “I would come home at night from Congress, and Myrna would ask me, what have I done to help Soviet Jews that day?” he recalled.

Cardin’s close personal ties to the movement propelled him to his years-long involvement with the Helsinki Commission, the network of parliamentary bodies that monitor compliance with the landmark 1975 human rights Helsinki Accords.

It also propelled, decades later, his most significant legislation, the 2012 Magnitsky Act, which sanctions individuals for human rights abuses. Sergei Magnitsky was an accountant who died in a Russian prison in 2009 after exposing massive corruption implicating Russian President Vladimir Putin and his circle.

“You can talk about human rights tragedies, but unless you put a face on it, it’s hard to get corrective action,” he said about why he made sure Magnitsky’s name was attached to the legislation. “So I was determined to put a face on it.”

Naming the act for an individual gave it a face, something he learned from the wristbands he once wore bearing the names of Jewish Prisoners of Zion.

“We put a face on every one of these individuals,” Cardin said of advocates for Soviet Jewry. “And that was the success of the Soviet Jewry movement. Putting a face on the refuseniks, on those that were in prison really helped us a good deal.”

The Magnitsky case underscored how Cardin’s human rights advocacy did not stop with the collapse of the Soviet Union, and the freedom of its Jews. In the three years Cardin was the top Democrat on the Senate Foreign Relations Committee, from 2015 to 2018, he invited reporters to the Capitol for periodic briefings.

The reporters would gather in the stately Foreign Relations Committee room, framed by daunting portraits of its past chairmen,and take seats around its conference table. At each place, they would find a one-page printout of a single person being persecuted by a repressive regime, usually activists unknown outside of their region.

Cardin made clear the blurry photo atop the printout exercised him more than the portraits on the walls. He would open the meeting with a minute or so of explanation about the persecuted person, and then take questions on whatever was on a reporter’s mind, an unusual gambit in the hyper-controlled Senate. He did not expect reporters to necessarily write about the human rights activist, but he wanted them on the media’s radar.

Cardin’s style, soft-spoken and self-effacing, stood out in a body crowded with self-promoters; he is able to attract bipartisan support and navigate far-reaching legislation through the Senate, cleaning up waterways, enhancing retirement plans and providing dental care to impoverished children.

Sen. Ben Cardin, D-Md., speaking at J Street’s conference in Washington D,C., April 16, 2018. (J Street)

There were occasions when his best efforts at finding accommodation stymied him, never more so when he was one of just four Democrats in the Senate in 2015 to oppose President Barack Obama’s signature foreign policy achievement, the Iran nuclear deal that traded sanctions relief for Iran’s rollback of its nuclear enrichment capabilities.

He was getting it from both sides: Obama and the organized Jewish community, which mostly opposed the deal. Obama kept him in a room for more than 90 minutes, seeking to attach to the deal the credibility of the lawmaker most identified with Jewish activism. Meanwhile, the American Israel Public Affairs Committee organized a rally at Cardin’s synagogue, Beth Tfiloh in Pikesville, Maryland.

“Call Senator [Barbara] Mikulski and call Senator Cardin and urge them to oppose the deal,” Howard Kohr, AIPAC’s CEO at the time, said in a rare public appearance outside of AIPAC’s policy conferences.

“It was a tough vote,” Cardin recalled. “I was lobbied very, very heavily by President Obama personally. It lasted probably about an hour and a half, two hours. President Obama was pretty insistent on getting my vote, so it was a tough vote.”

Wait, a reporter asks, 90 minutes alone with the U.S. president, for a single vote?

Cardin grins. “It felt like five hours.”

Cardin does not regret the vote; he said the Obama administration gave up too much too early by going into the talks conceding that Iran would walk away with some level of enrichment. But he made it clear that he thought President Donald Trump’s withdrawal from the deal in 2018 was a disaster, giving Iran a pretext to break its commitments, leading it to near-weaponization levels of enrichment today.

“One of the most tragic foreign policy mistakes of our time was Donald Trump withdrawing from the nuclear agreement while Iran was in compliance, and today we’re in much worse shape than we would have been if we were still in the agreement,” he said.

AIPAC spokesman Marshall Wittman said the pro-Israel lobby would miss Cardin’s reliable support.

“For his entire tenure in Congress, Senator Cardin has been an extraordinary leader in advancing the US-Israel relationship,” Wittman told JTA. “Time after time, he could be counted on to take the initiative to support our alliance with the Jewish state. We will miss his stalwart leadership but his legacy of standing with our ally will long endure.”

Indeed, with Cardin’s departure, the organized Jewish community is losing go-to senator for Jewish and pro-Israel issues — most recently, Cardin joined Texas Republican Sen. Ted Cruz in seeking to honor Israeli Prime Minister Golda Meir with a gold coin.

Not to worry, Cardin said: Every generation of Jews frets as it ages that it will be the last to fully represent on the American stage.

“I love the Jewish community. You can find every flavor imaginable in the Jewish community, and that’s healthy,” he said. “It was that way when I was growing up, it’s that way today. There are a lot of Jews that have very little identification to the traditions of Judaism, and there are a lot of young people who are much more engaged than I was.”

He added, “We’ve lasted these thousands of years — we’re going to continue to have a healthy, young population that understands the values of our religion and are committed to making sure we carry it out.”

Cardin is concerned by the turmoil in Israel in the face of the government’s radical proposals to overhaul the courts, but even there he sees hope.

“What Prime Minister [Benjamin] Netanyahu is doing with the judiciary is wrong, I’m going to speak out against it. I think it weakens their democratic institutions and democracy is their bedrock,” he said. “The Israelis are speaking pretty strongly against what the Netanyahu government is trying to do.”

Cardin described the typical headache of a Jew explaining his faith to others: It doesn’t quite match other faiths’ concepts of identification.

“I keep kosher in my house and we observe the major holidays in the Orthodox traditions, but I’m not an observant Orthodox Jew,” he said. “It’s hard to explain that.”

He recalled the late Sen. Harry Reid calling him, apologetically, to come in on the second day of Rosh Hashanah for a critical vote to fund the government and avoid a shutdown. Reid’s assumption was that Cardin would abjure working for the holiday.

“I said, ‘Look, it’s perfectly OK if you do it in the afternoon, I go to synagogue in the morning — I’ll be there for the vote,” Cardin said.

That’s typical of Cardin’s most tender memories — his non-Jewish colleagues expressing sensitivity to his Jewishness. In 1971, members of the House of Delegates noticing him gathering a minyan to say Kaddish after his mother died, and offering to join in; in 2006 after his election to the Senate, Mikulski telling him that she would handle meet and greets on Friday nights, knowing that he and Myrna routinely have as many as 30 people over for the Shabbat meal.

Asked if he would encourage younger Jews to get into politics, he doesn’t hesitate.

“This is a great country,” he said. About being Jewish, he added, “It has certainly not interfered with my political career.”

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The post Translating ‘tzedakah’ for Marylanders: Sen. Ben Cardin’s long Jewish goodbye appeared first on Jewish Telegraphic Agency.

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VIDEO: A Hasid gives us a tour of Morocco in Yiddish

דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.

אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.

מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.

 

The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.

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Conservative and Christian movies are coming for Hollywood

A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.

These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.

Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.

Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.

Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.

Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.

The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)

For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while  M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.

But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are  bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. —  to the American movie-going public.

This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.

Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”

Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.

But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.

After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.

The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.

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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons

If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.

Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.

“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.

A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.

Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.

“Falcons were up 28-3 at Dunkirk,” that tweet read.

The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.

All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.

The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.

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