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Tunisia’s Jewish pilgrimage and Tuesday’s shooting, explained
(JTA) — When a security official opened fire outside a Tunisian synagogue during a pilgrimage on Tuesday night, killing two Jewish pilgrims and two security guards, he shattered what was meant to be a day of sacred celebration for the country’s Jews and their compatriots around the world.
The shooting at the synagogue in Djerba, an island in Tunisia, is the deadliest attack on the holy site in more than 20 years. It brought tragedy to a public celebration of Jewish life at Africa’s oldest Jewish house of worship.
Here’s an introduction to the Jews of Tunisia, the annual pilgrimage to Djerba and how the community is reacting to Tuesday’s attack.
Who are the Jews of Tunisia?
Jews have lived in Tunisia since ancient times. Archaeological evidence has shown that there was a Jewish community in the area that once surrounded the Roman city of Carthage, and Jewish life continued to exist there as the territory was conquered by Muslim empires, France and Nazi Germany. During the Holocaust, the Nazis seized Jewish property, put thousands of Jews in forced labor camps and persecuted them in other ways.
Tunisia gained independence in 1956. During and after Israel’s victory in the Six-Day War in 1967, Jews endured an increasingly hostile environment, including antisemitic riots and the torching of a synagogue in Tunis. In the years that followed, the vast majority of the country’s Jews emigrated, shrinking a Jewish population that once may have numbered more than 100,000 to around 1,000-1,500 today.
What is the Djerba synagogue, and why does it host an annual pilgrimage?
Tradition has it that the synagogue on the island of Djerba was founded at the time of the destruction of the First or Second Jewish Temple in Jerusalem in either 586 BCE or 70 C.E., and contains a stone from the temple. Today the synagogue, which was rebuilt in the 19th century, has rows of benches, brilliant white-and-blue arches as well as an outdoor arcade and other resplendent design features.
The synagogue’s name, El Ghriba, means “the isolated one” and comes from another legend. According to “A History of Jewish-Muslim Relations,” published in 2013, local Jews long ago found the body of a girl who lived and died alone — but whose body was miraculously preserved.
That incident was also the inspiration for the annual pilgrimage on the holiday of Lag B’Omer, which takes place each spring, a little more than a month after the beginning of Passover. Pilgrims who come to the synagogue pray, dance, sing, feast, light candles and write their wishes on hard-boiled eggs.
In the 1990s, the pilgrimage attracted some 10,000 people, according to a report in The Conversation, and attracts thousands today. Since 2011, Israelis have been able to enter the country for the pilgrimage even though Israel and Tunisia do not maintain diplomatic relations. Attendance dipped in the years following the 2011 Arab Spring, which began in Tunisia, and the pilgrimage was canceled in 2020 and 2021 due to the COVID-19 pandemic.
A Djerba Jew praying at the El Ghriba Synagogue in 2012. (Wikimedia Commons)
Has the synagogue ever been attacked before?
Yes. In 2002, al-Qaeda set off a truck bomb near the synagogue that killed 20 people, most of them German tourists, about six weeks before the pilgrimage. Tunisia’s government denounced the attack and paid to restore the damage.
And in 2018, five men were arrested in connection with a firebomb attack at the synagogue. A suspicious fire also broke out at the synagogue in 1979.
How will this attack affect the pilgrimage?
Tuesday’s attack, and the fact that it was perpetrated by a security official, have led to despair among current and former pilgrims to the synagogue. Avi Chana, who has gone on the pilgrimage, told the Times of Israel, “I think it’s a death blow, at least for the foreseeable future, to a beautiful tradition and pilgrimage, and it is causing palpable pain. This is dealing the pilgrimage a mortal blow.” Another former pilgrim opted not to organize a group this year out of fears of an attack.
Tunisian President Kais Saied, who has been accused of gutting Tunisia’s democracy, is seeking to reassure future visitors that the country will be safe, and condemned the attack as “criminal and cowardly.”
“I want to reassure the Tunisian people and the whole world that Tunisia will remain safe despite this type of attempt intended to disturb its stability,” Saied said, according to the Times of Israel.
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The post Tunisia’s Jewish pilgrimage and Tuesday’s shooting, explained appeared first on Jewish Telegraphic Agency.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
