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Tunisia’s Jewish pilgrimage and Tuesday’s shooting, explained
(JTA) — When a security official opened fire outside a Tunisian synagogue during a pilgrimage on Tuesday night, killing two Jewish pilgrims and two security guards, he shattered what was meant to be a day of sacred celebration for the country’s Jews and their compatriots around the world.
The shooting at the synagogue in Djerba, an island in Tunisia, is the deadliest attack on the holy site in more than 20 years. It brought tragedy to a public celebration of Jewish life at Africa’s oldest Jewish house of worship.
Here’s an introduction to the Jews of Tunisia, the annual pilgrimage to Djerba and how the community is reacting to Tuesday’s attack.
Who are the Jews of Tunisia?
Jews have lived in Tunisia since ancient times. Archaeological evidence has shown that there was a Jewish community in the area that once surrounded the Roman city of Carthage, and Jewish life continued to exist there as the territory was conquered by Muslim empires, France and Nazi Germany. During the Holocaust, the Nazis seized Jewish property, put thousands of Jews in forced labor camps and persecuted them in other ways.
Tunisia gained independence in 1956. During and after Israel’s victory in the Six-Day War in 1967, Jews endured an increasingly hostile environment, including antisemitic riots and the torching of a synagogue in Tunis. In the years that followed, the vast majority of the country’s Jews emigrated, shrinking a Jewish population that once may have numbered more than 100,000 to around 1,000-1,500 today.
What is the Djerba synagogue, and why does it host an annual pilgrimage?
Tradition has it that the synagogue on the island of Djerba was founded at the time of the destruction of the First or Second Jewish Temple in Jerusalem in either 586 BCE or 70 C.E., and contains a stone from the temple. Today the synagogue, which was rebuilt in the 19th century, has rows of benches, brilliant white-and-blue arches as well as an outdoor arcade and other resplendent design features.
The synagogue’s name, El Ghriba, means “the isolated one” and comes from another legend. According to “A History of Jewish-Muslim Relations,” published in 2013, local Jews long ago found the body of a girl who lived and died alone — but whose body was miraculously preserved.
That incident was also the inspiration for the annual pilgrimage on the holiday of Lag B’Omer, which takes place each spring, a little more than a month after the beginning of Passover. Pilgrims who come to the synagogue pray, dance, sing, feast, light candles and write their wishes on hard-boiled eggs.
In the 1990s, the pilgrimage attracted some 10,000 people, according to a report in The Conversation, and attracts thousands today. Since 2011, Israelis have been able to enter the country for the pilgrimage even though Israel and Tunisia do not maintain diplomatic relations. Attendance dipped in the years following the 2011 Arab Spring, which began in Tunisia, and the pilgrimage was canceled in 2020 and 2021 due to the COVID-19 pandemic.
A Djerba Jew praying at the El Ghriba Synagogue in 2012. (Wikimedia Commons)
Has the synagogue ever been attacked before?
Yes. In 2002, al-Qaeda set off a truck bomb near the synagogue that killed 20 people, most of them German tourists, about six weeks before the pilgrimage. Tunisia’s government denounced the attack and paid to restore the damage.
And in 2018, five men were arrested in connection with a firebomb attack at the synagogue. A suspicious fire also broke out at the synagogue in 1979.
How will this attack affect the pilgrimage?
Tuesday’s attack, and the fact that it was perpetrated by a security official, have led to despair among current and former pilgrims to the synagogue. Avi Chana, who has gone on the pilgrimage, told the Times of Israel, “I think it’s a death blow, at least for the foreseeable future, to a beautiful tradition and pilgrimage, and it is causing palpable pain. This is dealing the pilgrimage a mortal blow.” Another former pilgrim opted not to organize a group this year out of fears of an attack.
Tunisian President Kais Saied, who has been accused of gutting Tunisia’s democracy, is seeking to reassure future visitors that the country will be safe, and condemned the attack as “criminal and cowardly.”
“I want to reassure the Tunisian people and the whole world that Tunisia will remain safe despite this type of attempt intended to disturb its stability,” Saied said, according to the Times of Israel.
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The post Tunisia’s Jewish pilgrimage and Tuesday’s shooting, explained appeared first on Jewish Telegraphic Agency.
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The gift Tom Stoppard gave to me — and to all who adore him
In 2022, during a reporting trip to London, I had tea with a source who confessed to me that her mother’s central interest was the work of Tom Stoppard. It was more than an interest, really: “He was the main thing in her life,” she said.
There are artists you admire, and then there are artists you flat-out adore. Particularly cerebral types, like Stoppard, risk falling into the first category: They may generate great thoughts, but those great thoughts have a great chance of leaving you cold. That wasn’t the case for Stoppard, who died Saturday at 88, and was a thinker worth adoring. His best work achieved a rare balance: Audiences left his most affecting plays with both a fresh perspective on the world, and a feeling of great warmth toward it.
I felt that myself, after seeing a much-heralded revival of Stoppard’s Travesties on Broadway in 2018. It’s quite a highbrow play, about the brief intersection, in Switzerland during World War I, of the lives and work of James Joyce, Vladimir Lenin and Tristan Tzara, founder of Dadaism. It made me laugh until I cried. And the gloss Stoppard bestowed on this obscure episode of history followed me out of the theater, giving a brief sheen to everything and everyone I saw. I felt as though I floated back to Brooklyn, and as if the Q train might be full of personalities I’d never guess were important until years afterward.
Much of Stoppard’s work revolved around the question of what it really means to live an important life — one that is not just full, but has some kind of identifiable impact on others. The main character of Travesties isn’t Joyce, Lenin or Tzara; he’s an endearingly self-satisfied British diplomat, Henry Carr, who briefly found himself in the same circles as those luminaries. As the play opens, decades later, he’s trying to conjure up a memoir about his time in the presence of the greats, with the implication that he deserves to be considered among their ranks.
In Rosencrantz and Guildenstern Are Dead, the play that made Stoppard into a star at age 29, the two title characters grapple with their inability to in any way change the course of a narrative — that of Hamlet — that they know will lead to their deaths. In Shakespeare in Love, the film that won Stoppard an Oscar in 1998, he and his coauthor Marc Norman imagined the king of English playwrights as a young man full of talent but still struggling toward greatness, in need of an overwhelming emotional shock to propel him into complete ownership of his gifts.
There are the 19th-century Russian revolutionaries of the ambitious trilogy The Coast of Utopia; the intellectuals seeking to redefine the world and its history in Arcadia; the striving academics of The Hard Problem; the newly emancipated Viennese Jews of Leopoldstadt, the play Stoppard wrote that most profoundly invoked his heritage. Over and over, variations of the same question emerge. What does it mean to live completely and well, as an individual and a member of society?
“If there is any meaning in any of it” — “it” being the brutal course of history, its neverending cycles of destruction — “it is in what survives as art, yes even in the celebration of tyrants, yes even in the celebration of nonentities,” Joyce declares in Travesties. Later, Carr echoes him — a surprise, as the two hold very little respect for one another. When told that the only relevant function of art is “social criticism,” he protests.
“A great deal of what we call art,” he says, “has no such function, and yet in some way it gratifies a hunger that is common to princes and peasants.”
Not everyone wants to be an artist, and, as Carr reflects at the end of Travesties, it’s a sure thing that not everyone can be. But in the wake of Stoppard’s death, I’ve found myself thinking about the mother of my one-time source, so enraptured by what Stoppard created that her own child saw his work as the most profound passion of her life.
It’s easy to say that kind of effect made Stoppard’s life important. But the quieter story, I think, is that it made that devoted fan’s life important, too. Because she loved Stoppard, she saw herself as more firmly secured in her own existence; she saw herself as having a purpose and place.
To help someone experience their own significance — to gratify the common hunger that afflicts us all — is a great gift. And Stoppard gave it to many, including to me.
The post The gift Tom Stoppard gave to me — and to all who adore him appeared first on The Forward.
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Iran to Boycott World Cup Draw Over Visa Restrictions
Soccer Football – World Cup Playoff Tournament and European Playoff draws – FIFA Headquarters, Zurich, Switzerland- November 20, 2025 The original FIFA World Cup trophy is kept on display during the draws. Photo: REUTERS/Denis Balibouse
Iran intends to boycott next week’s World Cup draw due to the limited number of visas allocated to the country’s football federation.
According to the Tehran Times, the United States issued visas to only four members of Iran‘s delegation, with requests for three additional visas denied, including one for Iranian Football Federation (FFIRI) President Mehdi Taj.
“We have informed FIFA that the decisions taken are unrelated to sport and that the members of the Iranian delegation will not participate in the World Cup draw,” FFIRI spokesman Mehdi Alavi said on Friday, per the report.
Alavi said the federation has been in contact with FIFA in an effort to resolve the situation.
The World Cup draw will take place on Dec. 5 at the Kennedy Center in Washington, D.C.
The expanded 48-team World Cup is being hosted by the United States, Canada and Mexico from June 11 to July 19, 2026. Matches will be played at 16 venues, including three in Mexico and two in Canada.
The draw will sort the teams into 12 groups of four. The top two teams from each group and the eight best third-place teams will advance to the knockout stage.
Iran has secured a spot in its fourth consecutive World Cup and seventh appearance overall.
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Dublin to Rename Chaim Herzog Park in a Move Slammed as Attempt to Erase Jewish History
Anti-Israel demonstrators stand outside the Israeli embassy after Ireland has announced it will recognize a Palestinian state, in Dublin, Ireland, May 22, 2024. Photo: REUTERS/Molly Darlington
i24 News – Citing the Gaza war, Dublin city council voted to rename a park honoring Israel’s sixth president, the Irish-born Chaim Herzog, in further manifestation of anti-Israel sentiment in the country.
While a new name is yet to be chosen, reports cite efforts by pro-Palestinian activists to change it to the “Free Palestine Park.”
Former Irish justice minister Alan Shatter harshly criticized the vote, charging that “Dublin City Council has now gone full on Nazi & a committee of the Council has determined it should erase Jewish/Irish history. Herzog Park in Rathgar is named after Chaim Herzog, Israel’s 6th President, brought up in Dublin by his father, Yitzhak HaLevi Herzog, a friend of Eamon De Valera, who was Chief Rabbi of Ireland & Israel’s first Chief Rabbi… Some councillors want the Park renamed ‘Free Palestine Park.”
The Jewish Representative Council of Ireland issued a statement regarding the renaming of Herzog Park.
“It sends a hurtful and isolating message to a small minority community that has contributed to Ireland for centuries. We call on Dublin City Councillors to reject this motion. The removal of the Herzog name from this park would be widely understood as an attempt to erase our Irish Jewish history.”
A virtuoso diplomat and an intellectual giant, Herzog had served in a variety of roles throughout his storied career, including a memorable stint as the ambassador to the United Nations, where in 1975 he delivered a speech condemning the Soviet-engineered resolution to brand Zionism as a form of racism. The address is now regarded as a classic, along with the oration from the same session by the US Ambassador Daniel Patrick Moynihan.
Israel’s Foreign Minister Gideon Sa’ar slammed the decision, saying that Ireland’s “antisemitic and anti-Israel obsession is sickening.”