Uncategorized
Turner Classic Movies is airing a ‘Jewish Experience’ series of films this month
(JTA) — Turner Classic Movies admits that capturing the “Jewish experience” in a series of films is a daunting task, but the network is attempting to do so anyway.
Every Thursday night in January, the channel is showing movies spanning from the 1930s through the 1990s on the theme. According to an article on the TCM website, the series aims to show “how filmmakers have attempted to deal with such themes as assimilation, antisemitism, religion, family life and the Holocaust, sometimes with clarity and honesty, other times with varying degrees of distortion and caricature.”
There are a couple of films in the series set during the Holocaust, but notably none involve concentration camp settings. Instead, the general focus seems to be on portraying comedy, romance and the joy of everyday Jewish life.
Antisemitism does come up often in the Jewish experience, and that is reflected in the films, including in “Crossfire,” a film noir from 1947 about the murder of a Jewish man that helped kick off the series last week. The theme is also prominent in “Fiddler on the Roof,” which also aired on the series’ first night.
Here are the remaining movies to look forward to, in the order in which they will air in EST.
“Bye Bye Braverman” (1968), Jan. 12 at 8 p.m.
In this film adapted from the novel “To An Early Grave” by Wallace Markfield, four Jewish writer friends — played by George Segal, Jack Warden, Sorrell Brooke and Joseph Wiseman — travel to the funeral of their other friend after he dies suddenly. Though the film was not as well received as other films directed by Sidney Lumet (who started his career as a child actor in Yiddish theater), it includes a Black-Jewish character, which is still rare in cinema today.
“The Angel Levine” (1970), Jan. 12 at 10 p.m.
Speaking of Jews of color on screen: this movie has a Jewish angel played by Harry Belafonte, whose real-life father was of Jewish descent. The angel visits a poor Jewish tailor, played by Zero Mostel, who starred as the original Tevye in “Fiddler on the Roof” on Broadway. It was directed by Hungarian-born Jew Ján Kadár.
“Annie Hall” (1977), Jan. 13 at 12 a.m.
This is the only Woody Allen film in the lineup. Before the scandalous accusations against the director picked up steam again over the past decade, “Annie Hall” was a landmark for American Jews in film, encapsulating the neurotic Jewish New York comedic archetype. Allen plays comedian Alvy Singer who falls in love with the titular character played by Diane Keaton.
“Soup For One” (1982), Jan. 13 at 2 a.m.
This is not a Woody Allen film, but his influence is all over this comedy written and directed by Jonathan Kaufer, in which a New York Jewish television producer played by Saul Rubinek tries to find his perfect woman.
“Set Me Free” (1999), Jan. 13 at 3:45 a.m.
Most of the movies in the series are American, but there are a couple of international films, including this French-Canadian coming-of-age story about a 13-year-old Jewish girl obsessed with the character that Anna Karina plays in Jean-Luc Godard’s film “Vivre sa vie.” Directed by Léa Pool, it’s the most recent film in the lineup, though it is set in 1963. Pool, whose father was a Holocaust survivor from Poland, is one of several women directors represented in the series.
“Crossing Delancey” (1988), Jan. 19 at 8 p.m.
Probably the most famous of the romantic comedies in the series, “Crossing Delancey” was also directed and written by women: Joan Micklin Silver and Susan Sandler, respectively. Amy Irving stars as Isabelle Grossman, a young New Yorker who works for a bookstore and is close with her grandmother — who wants to see her granddaughter settle down. She has a matchmaker set her up with Sam Posner (Peter Riegert), a pickle salesman, and Isabelle is torn between him and the intellectual world. The film also shows the Lower East Side from the era when it was bustling with Jewish immigrant shops and vendors, before gentrification irrevocably changed it.
“Over the Brooklyn Bridge” (1984), Jan. 19 at 10 p.m.
One can never have too many romantic comedies set in New York. In this one, directed by Israeli-born Menahem Golan, Elliott Gould plays Alby Sherman, a business owner whose wealthy uncle will only loan him money if he breaks up with his gentile girlfriend (Margaux Hemingway). The very Jewish cast also includes Sid Caesar, Carol Kane, Shelley Winters and a very young (and uncredited) Sarah Michelle Gellar.
“Girlfriends” (1978), Jan. 20 at 12 a.m.
This pioneering indie film — which according to The New York Times was the first independent American film to be funded primarily by grantmaking organizations — is also is notable for its portrayal of female friendship between Susan Weinblatt (Melanie Mayron), a Jewish photographer, and her ex-roommate Anne Munroe (Anita Skinner), who moves out to get married. Directed by Claudia Weill, who also wrote it along with Vicki Polon, the film is a precursor to so many contemporary indies, including Noah Baumbach and Greta Gerwig’s “Frances Ha.”
“The Frisco Kid” (1979), Jan. 20 at 1:45 a.m.
Jews are not usually associated with Westerns. But in this comedy, Gene Wilder stars as a rabbi from Poland who is set to lead a congregation in San Francisco. He gets stuck en route in the Wild West and befriends a bank robber played by Harrison Ford. Some scenes don’t hold up in contemporary times, especially ones portraying Native Americans, but TCM doesn’t shy away from showing how stereotypes are part of film history.
“Au Revoir, Les Enfants” (1987), Jan. 20 at 4 a.m.
This French film is one of the few in the series that takes place during the years of the Holocaust. Louis Malle’s autobiographical film is based on his time at the Catholic school Petit-College d’Avon, at which the real headmaster Pére Jacques (Pére Jean in the film) attempted to hide Jewish children from the Nazis. The film focuses on the friendship of two fictionalized 12-year-old boys, Julian Quentin (Gaspard Manesse) and Jean Bonnet, whose real name is Jean Kippelstein (Raphael Fejtö).
“Biloxi Blues” (1988), Jan. 26 at 8 p.m.
Neil Simon adapted his own play, the second in his semi-autobiographical trilogy about growing up in Brighton Beach, for the screen. Eugene Jerome (Matthew Broderick), a young Jewish Brooklynite, is drafted into the army during World War II and is sent to bootcamp in Mississippi. The movie is helmed by prolific Jewish film and theater director Mike Nichols, who was born in Germany and immigrated to the United States as a young boy in 1939.
“The Chosen” (1981), Jan. 26 at 10 p.m.
Many of the movies selected for this series unsurprisingly take place in Brooklyn, including this one based on Chaim Potok’s 1967 novel set towards the end of World War II. It shows the conflict between different sects of Judaism by focusing on the friendship of two Jewish teenagers — Reuven Malter (Barry Miller), who is Modern Orthodox, and Danny Saunders (Robby Benson), who is Hasidic.
“Portnoy’s Complaint” (1972), Jan. 27 at 12 a.m.
Richard Benjamin stars in this movie based on Philip Roth’s book, adapted and directed by Ernest Lehman. Though the novel — which is written as a monologue from Alexander Portnoy to his psychoanalyst — turned Roth into a celebrity author, the film adaptation was not critically or commercially successful, especially when compared to another Roth adaptation starring Benjamin: “Goodbye Columbus.”
“The Last Metro” (1980), Jan. 27 at 2 a.m.
The other Holocaust movie in the series is also from France, and is one of director French New Wave pioneer François Truffaut’s most commercially successful films. The manager of a small theater company in Paris (Catherine Deneuve) hides her Jewish husband (Gérard Depardieu) during the Nazi occupation.
“Tevya” (1939), Jan. 27 at 4:15 a.m.
The series closes with another take on Sholem Aleichem’s stories that makes a nice bookend with “Fiddler on the Roof.” Adapted and directed by Maurice Schwartz, who also stars in the titular role, the Yiddish film was thought to be lost until a print was found in 1978. In 1991, it became the first non-English film to be selected for preservation in the library of Congress National Film Registry for its cultural significance.
—
The post Turner Classic Movies is airing a ‘Jewish Experience’ series of films this month appeared first on Jewish Telegraphic Agency.
Uncategorized
North Carolina Democrats reject Gaza genocide resolution following campaign by Jewish caucus
(JTA) — For weeks, Jewish Democrats in North Carolina worked to block the state’s Democratic Party from passing a resolution declaring Israel’s actions in Gaza a genocide.
On Saturday, they narrowly prevailed.
The measure, titled the “Genocide Accountability Resolution,” was struck down by members of the North Carolina Democratic Party’s State Executive Committee with a vote of 163-130.
For Amy DeLoach, the first vice chair of the North Carolina Democratic Party Jewish Caucus, the victory marked a sign that Jewish Democrats still have a place in the party, even as debates over Israel have roiled Democratic politics across the country.
“Most Jews vote Democratically, and we were feeling abandoned, and now we feel like we have a home again,” said DeLoach, who also sits on the party’s international subcommittee.
The defeat of the resolution comes as support for Israel has dropped dramatically among Democrats, and the U.S.-Israel alliance has increasingly emerged as a third rail within the party.
While resolutions condemning the pro-Israel lobby AIPAC and calling to halt arms sales to Israel have been blocked by the Democratic National Committee over the past year, last June, the North Carolina Democratic Party passed a resolution calling for an immediate arms embargo on Israel.
Joel Wanger, the chief political officer of the Democratic Majority for Israel, welcomed the outcome of the genocide resolution in a statement to the Jewish Telegraphic Agency Tuesday.
“This resolution would have divided Democrats at a time when we should be united in opposing Donald Trump, while doing nothing to advance peace between Israelis and Palestinians,” he said.
The resolution was introduced earlier this year by a member of the progressive, Arab and Muslim caucuses of the North Carolina Democratic Party. It advanced from the precinct level through county, district and state bodies before reaching the State Executive Committee for a final vote Saturday.
The resolution would have added language to the state party platform calling for the “prosecution” and “vetting” of individuals and entities in the United States who “may have participated in or enabled genocide.” The resolution also cited a United Nations Commission of Inquiry that concluded for the first time in September that Israel had committed a genocide in Gaza.
The resolution’s defeat Saturday followed an extensive campaign by the party’s Jewish Caucus to block its adoption.
In a May 27 letter to members of the executive committee, leaders of the Jewish Caucus urged them to reject the resolution, arguing that state parties “should not adopt contested international policy positions” and that its timing would hurt 2026 Democratic candidates and divide voters.
“Jewish, Muslim, Palestinian, Christian, and secular Democrats are united on affordability, public education, healthcare, voting rights, and reproductive freedom,” the letter said. “This resolution forces them to take sides on something most did not join the party to fight about.”
The letter cited “serious factual and legal problems” with the resolution and said Jewish Democrats would support a substitute “affirming NC Democrats’ commitment to ending civilian suffering in Gaza, supporting humanitarian aid, and opposing antisemitism, Islamophobia, and political violence in all forms.”
But the Jewish Caucus was not the only group within the party invested in the outcome of the vote.
Last month, the leaders of the Muslim, Arab, interfaith and progressive caucuses of the North Carolina Democratic Party issued its own a letter calling on members of the State Executive Committee to support the resolution in order to “affirm our party’s commitment to human rights and the protection of civilian life.”
“All too frequently, the burdensome narrative of genocide denial has been heard from those persons and organizations who have 1) either acquiesced to genocide or 2) feared the worst reprisals from those who have supported it,” the letter read. “This silence compromises the faith of many voters in our party.”
The letter, which cited a recent study that found 80% of Democrats have an unfavorable view of Israel, was undersigned by the head of the state party’s Jewish Democrats, a non-Zionist Jewish subgroup within the Interfaith Caucus.
Mark Bochkis, the communications chair of the Jewish Democrats, told JTA that his group and the Jewish Caucus “fundamentally disagree about the divisiveness” of the resolution.
“We believe this is actually an issue that galvanizes the younger base of the party and other other important key voting blocks for the Democratic party,” Bochkis said. “We believe not speaking out on something like this is actually holding the party back.”
Paul McAllister, the chair of the Interfaith Caucus, told JTA that “we don’t want to see anything happen to any member of any community, Jewish or otherwise, but we do want accountability.”
While McAllister said that the language concerning “prosecution” in the resolution could have been “clarified,” he said the Jewish Caucus’ suggestion of an alternative to the resolution attracted little support because he felt it “waters down the need to hold a nation accountable for what it is doing to another people.”
“My major concern is that we have a faction within the party that wants justice for all people equally, Jews and Palestinians, and that there’s some in the party, namely members of the Jewish caucus, who do not comprehend how critical it is that we not only look after our own interest or our own group’s interest, but the interest of others, and this is the struggle,” McAllister said.
DeLoach said the scheduling of the vote last week on Shabbat had bothered members of the Jewish caucus. But she said they had “let that one go” to focus on fighting the resolution.
“We talk about that amongst ourselves, but we’re in a war right now,” she said. “We’re going to pick and choose the battles we fight.”
DeLoach said her group viewed the resolution as a political liability that could potentially force Democratic candidates in the state to either distance themselves from the party or embrace a “difficult divisive issue” on the campaign trail.
“No politician is going to want to run on a platform that includes this,” DeLoach said. “Platforms don’t win elections, and this is going to risk us losing an outrageously important election.”
DeLoach pointed to the campaigns of Roy Cooper, the state’s former governor who’s running for a Senate seat, and Anita Earls, who is running for reelection to the North Carolina Supreme Court.
“Most Democrats in North Carolina really are more concerned about their electric bill right now, and the cost of food,” DeLoach said. “As the vote shows, you know, nobody likes what’s going on in the Middle East. We don’t like what’s going on in the Middle East, but we know that’s not where our focus should be right now.”
Looking ahead, DeLoach said she hoped that the resolution’s defeat would serve as a warning against rhetoric she saw as “adding to a drumbeat of antisemitism that is so prevalent in the country.”
“There’s war crimes on both sides here, but it’s not a genocide, and y’all pounding this drum is making it more and more dangerous for Jews to live in this country,” DeLoach said. “We see the defeat of this resolution not only as a chance for us to start just electing Democrats, but as a hopeful pause, at least, if not a stop to this horrible rhetoric.”
This article originally appeared on JTA.org.
The post North Carolina Democrats reject Gaza genocide resolution following campaign by Jewish caucus appeared first on The Forward.
Uncategorized
Tidbits: For the first time, a kosher restaurant has won a Michelin star
Tidbits is a Forverts feature of easy news briefs in Yiddish that you can listen to or read, or both! If you read the article and don’t know a word, just click on it and the translation appears. Listen to the report here:
צום ערשטן מאָל געווינט אַ כּשרער רעסטאָראַן אַ „מישעלין־שטערן“
ייִט״אַ. — ווען מע האָט באַשאָטן דעם ישׂראלדיקן קוכער רז שבתי (ראַז שאַבטײַ) מיט קאָנפֿעטי האָט ער זיך ממש צעוויינט — און זײַנע מיטאַרבעטער האָבן אים וואַרעם אַרומגענומען.
מיט עטלעכע מינוט פֿריִער האָט מען געמאָלדן, אַז זײַן רעסטאָראַן אין מיאַמי, וואָס הייסט „מוטראַ“, איז געוואָרן דער ערשטער כּשרער רעסטאָראַן צו באַקומען אַ „מישעלין־שטערן“ — דעם גרעסטן כּבֿוד אין דער רעסטאָראַן־אינדוסטריע.
„דאָס איז אַ מאָמענט פֿון שׂימחה און פֿון שטאָלץ,“ האָט שאַבטײַ געזאָגט דער ייִדישער טעלעגראַפֿישער אַגענטור. „דעם שטערן באַקומט נישט בלויז ׳מוטראַ׳, נאָר דאָס גאַנצע ייִדישע פֿאָלק.“
שבתי, וואָס האָט שוין געאַרבעט אין אַ צאָל קיכן איבער ניו־יאָרק און ישׂראל, האָט געעפֿנט „מוטראַ“ אין פֿעברואַר 2025, געבנדיק דעם רעסטאָראַן אַ נאָמען נאָך זײַן ירושלים־געבוירענער באָבען, וועמעס קאָכן האָט אינספּירירט זײַן מעניו.
„איך האָב ליב צו באַצייכענען דאָס עסן אין דעם רעסטאָראַן ווי ׳ירושלימער מאכלים׳ אַנטקעגן ׳מיטל־מיזרחדיקע אָדער ישׂראלדיקע מאכלים׳ ווײַל די טעמען וואָס איך פּרוּוו ברענגען צום טיש זענען די טעמען וואָס זענען פֿאַרבונדן מיט מײַנע זכרונות און מיט מײַנע עקסקורסיעס אין מאַרק מיט דער באָבען,” האָט שבתי געזאָגט. „איך דאַרף זײַן געטרײַ די פּאָטראַוועס וואָס די באָבע האָט מיך געהאָדעוועט.“
אַ באַשרײַבונג פֿונעם רעסטאָראַן אויף דער „מישעלין“־וועבזײַט לויבט זײַנע „פּרעכטיקע בוריקעס אין ‘אַהאָ בלאַנקאָ’ (אַ קאַלטע זופּ געמאַכט פֿון מאַנדלען, קנאָבל און עסיק)“ און „שאָפֿנפֿלייש־קאָבאַב מיט גערייכערטן פּאַטלעזשאַן־קרעם און פּאָמידאָרן־בוימל“.
אַ דאַנק דער אָנערקענונג איז „מוטראַ“ געוואָרן איינער פֿון די אָנגעזעענסטע רעסטאָראַנען און באַטרעפֿט אַן אמתן ווענדפּונקט פֿאַר דער כּשרער קיך. פֿאַר שבתי, וואָס האָט אָנגעהויבן היטן כּשרות מיט מער ווי 10 יאָר צוריק, איז די פּרעמיע אַ קלאָרער באַווײַז, אַז קולינאַרע אויסגעצייכנטקייט קען בליִען אין די ראַמען פֿון דער כּשרער קיך.
„איך האָף אַז די דערגרייכונג וועט אינספּירירן אַנדערע כּשרע קוכערס,“ האָט ער געזאָגט.
צו זען דעם אַרטיקל אויף ענגליש, גיט אַ קוועטש דאָ.
To see the article in English, click here.
The post Tidbits: For the first time, a kosher restaurant has won a Michelin star appeared first on The Forward.
Uncategorized
Jewish witchcraft isn’t as weird as it sounds
Madonna, incongruously, may be largely responsible for introducing the public to a mystical, magical image of Judaism — one that went beyond old men bent over books, studying laws for keeping kosher or Shabbat. Her red string bracelet and her studies of kabbalah gave the religion a new air of mystery and occultism.
But Judaism has always been full of mystical, magical traditions. Jews made amulets to protect against the evil eye, or for luck and prosperity. They beseeched and pacified the dead. Rabbis wrote protective charms for their flock. Psychics and palm readers told the fortunes of Jews and non-Jews alike.
A new exhibit, “Jews are Magic: Occult Practices from Palmistry to Psychics” from YIVO and the Center for Jewish History, delves into the history of the occult in Ashkenazi Judaism. The display, which pulls from YIVO’s archives, has examples of occultism drawing from two Jewish communities: the shtetl and the city.
One side of the exhibit showcases letters to great rabbis asking for blessings and remedies, as well as written spells and amulets protecting against demons like Lilith. The other features photos and biographies of professional Jewish clairvoyants and fortune tellers, who worked mostly in urban areas serving both Jews and gentiles with seances, palmistry and the like, advertising in newspapers and performing on stages.
It’s a lot to cover, and it’s complicated not only by the history but by a quote from Deuteronomy, highlighted in the exhibit. It explicitly forbids those who “useth divination” as well as those who are an “enchanter, or a witch, or a charmer, or a consulter with familiar spirits, or a wizard or a necromancer.” It is a comprehensive list, and doesn’t mince words, calling all of these magicians “an abomination.” Yet even great rabbis and Talmudists wrote charms. How could magic be so pervasive in Judaism when it is so expressly prohibited?
This is the fundamental question of the exhibit, but the show is small and has limited space to fully examine the contradictions. Its artifacts span so much time that it is difficult to intuit the connections between, say, Terfren Laila — a traveling psychic born Else Terese Frenkel who wore a ruby-adorned turban and pretended to be from Singapore by way of India (despite her Yiddish accent) — and letters asking a Talmud scholar to heal a loved one.
Thankfully, to open the exhibition, YIVO held a panel discussion between two scholars, Rokhl Kafrissen, an expert in Ashkenazi women’s folk magic, and Samuel Glauber, whose expertise is Jewish occultism in the late 1800s and early 1900s. Moderated by YIVO’s Eddy Portnoy, the panelists discussed the ways that superstitions arose in shtetls and were mined by those looking to make a few shekels.
Kafrissen explained that magic was a normal part of Jewish life for centuries, largely practiced by women; their domain was the home, encompassing everything from health to wealth, including charms and remedies. And just because these women’s rituals weren’t a “normative” part of Judaism — which is to say, institutional or recorded by official religious texts — they were certainly a normal part of life. Women led rituals such as cemetery measuring, a practice in which string was used to encircle the graveyard while praying and later used to make “soul candles” for Yom Kippur, and removed the evil eye from anyone concerned they had been cursed — what Kafrissen called “everyday Ashkenazi magic.”
But over time, these rituals — long central to Ashkenazi life — were pushed out as some Jewish leaders hoped to modernize their religion. Science rose to take the place of folk magic, and people began to dismiss these practices, which were rarely written down, as mere superstition.
This sense that Judaism was full of magic, however, fed easily into Christian suspicions about Jewish witchcraft, and perhaps encouraged some of the urban psychics and spiritualists to lean on Judaism to increase their mystery.
Glauber’s research focuses on this latter, urban category, a far cry from the shtetl folk magic. These Jewish men and women took part in a craze that enraptured far more than just Jews — seances and fortune-telling were trendy throughout the Victorian era and beyond, and its Jewish performers did not only serve Jews. (Though those suspected to be Jewish were covered hungrily by the Jewish press.) They worked magic on stage and sold their services to eager consumers hoping to speak to the dead or know the future.
Some of these performers tried to hide their Judaism, like the turban-wearing Laila, who managed to become famous enough to tell the fortunes of celebrity clients in Los Angeles and London. Another was trusted by Stalin.
Others, such as Abraham Hochman, were open about their Judaism; Hochman helped the Jewish immigrant community in New York by using his supposed psychic abilities to help women who had arrived in the city find runaway husbands. (The problem was so pervasive that the Forverts had a “Gallery of Missing Husbands” column to do the same.) One branded himself a mystical rabbi, leaning into Judaism’s mystique, which led to an audience, Glauber said, made up mostly of Christian barmaids.
Much of this information discussed by Glauber and Kafrissen is not included in the exhibit, which largely consists of fragments of papers from YIVO’s archives. The end of their discussion touched briefly on yet another rich source of magic: modern Hasidism. But neither the discussion nor exhibit had space to expand on this topic, making it hard to find the throughline between demon-warding amulets and today’s Judaism.
Still, no exhibit or discussion can capture the subject in its entirety. What “Jews are Magic” does best is spark curiosity, and a desire to learn more. That, in itself, is a kind of Jewish magic.
The exhibit ‘Jews are Magic’ is on display from May 26 to Dec. 31 2026 at the YIVO Institute for Jewish Research in the Center for Jewish History in New York City.
The post Jewish witchcraft isn’t as weird as it sounds appeared first on The Forward.