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Turner Classic Movies is airing a ‘Jewish Experience’ series of films this month
(JTA) — Turner Classic Movies admits that capturing the “Jewish experience” in a series of films is a daunting task, but the network is attempting to do so anyway.
Every Thursday night in January, the channel is showing movies spanning from the 1930s through the 1990s on the theme. According to an article on the TCM website, the series aims to show “how filmmakers have attempted to deal with such themes as assimilation, antisemitism, religion, family life and the Holocaust, sometimes with clarity and honesty, other times with varying degrees of distortion and caricature.”
There are a couple of films in the series set during the Holocaust, but notably none involve concentration camp settings. Instead, the general focus seems to be on portraying comedy, romance and the joy of everyday Jewish life.
Antisemitism does come up often in the Jewish experience, and that is reflected in the films, including in “Crossfire,” a film noir from 1947 about the murder of a Jewish man that helped kick off the series last week. The theme is also prominent in “Fiddler on the Roof,” which also aired on the series’ first night.
Here are the remaining movies to look forward to, in the order in which they will air in EST.
“Bye Bye Braverman” (1968), Jan. 12 at 8 p.m.
In this film adapted from the novel “To An Early Grave” by Wallace Markfield, four Jewish writer friends — played by George Segal, Jack Warden, Sorrell Brooke and Joseph Wiseman — travel to the funeral of their other friend after he dies suddenly. Though the film was not as well received as other films directed by Sidney Lumet (who started his career as a child actor in Yiddish theater), it includes a Black-Jewish character, which is still rare in cinema today.
“The Angel Levine” (1970), Jan. 12 at 10 p.m.
Speaking of Jews of color on screen: this movie has a Jewish angel played by Harry Belafonte, whose real-life father was of Jewish descent. The angel visits a poor Jewish tailor, played by Zero Mostel, who starred as the original Tevye in “Fiddler on the Roof” on Broadway. It was directed by Hungarian-born Jew Ján Kadár.
“Annie Hall” (1977), Jan. 13 at 12 a.m.
This is the only Woody Allen film in the lineup. Before the scandalous accusations against the director picked up steam again over the past decade, “Annie Hall” was a landmark for American Jews in film, encapsulating the neurotic Jewish New York comedic archetype. Allen plays comedian Alvy Singer who falls in love with the titular character played by Diane Keaton.
“Soup For One” (1982), Jan. 13 at 2 a.m.
This is not a Woody Allen film, but his influence is all over this comedy written and directed by Jonathan Kaufer, in which a New York Jewish television producer played by Saul Rubinek tries to find his perfect woman.
“Set Me Free” (1999), Jan. 13 at 3:45 a.m.
Most of the movies in the series are American, but there are a couple of international films, including this French-Canadian coming-of-age story about a 13-year-old Jewish girl obsessed with the character that Anna Karina plays in Jean-Luc Godard’s film “Vivre sa vie.” Directed by Léa Pool, it’s the most recent film in the lineup, though it is set in 1963. Pool, whose father was a Holocaust survivor from Poland, is one of several women directors represented in the series.
“Crossing Delancey” (1988), Jan. 19 at 8 p.m.
Probably the most famous of the romantic comedies in the series, “Crossing Delancey” was also directed and written by women: Joan Micklin Silver and Susan Sandler, respectively. Amy Irving stars as Isabelle Grossman, a young New Yorker who works for a bookstore and is close with her grandmother — who wants to see her granddaughter settle down. She has a matchmaker set her up with Sam Posner (Peter Riegert), a pickle salesman, and Isabelle is torn between him and the intellectual world. The film also shows the Lower East Side from the era when it was bustling with Jewish immigrant shops and vendors, before gentrification irrevocably changed it.
“Over the Brooklyn Bridge” (1984), Jan. 19 at 10 p.m.
One can never have too many romantic comedies set in New York. In this one, directed by Israeli-born Menahem Golan, Elliott Gould plays Alby Sherman, a business owner whose wealthy uncle will only loan him money if he breaks up with his gentile girlfriend (Margaux Hemingway). The very Jewish cast also includes Sid Caesar, Carol Kane, Shelley Winters and a very young (and uncredited) Sarah Michelle Gellar.
“Girlfriends” (1978), Jan. 20 at 12 a.m.
This pioneering indie film — which according to The New York Times was the first independent American film to be funded primarily by grantmaking organizations — is also is notable for its portrayal of female friendship between Susan Weinblatt (Melanie Mayron), a Jewish photographer, and her ex-roommate Anne Munroe (Anita Skinner), who moves out to get married. Directed by Claudia Weill, who also wrote it along with Vicki Polon, the film is a precursor to so many contemporary indies, including Noah Baumbach and Greta Gerwig’s “Frances Ha.”
“The Frisco Kid” (1979), Jan. 20 at 1:45 a.m.
Jews are not usually associated with Westerns. But in this comedy, Gene Wilder stars as a rabbi from Poland who is set to lead a congregation in San Francisco. He gets stuck en route in the Wild West and befriends a bank robber played by Harrison Ford. Some scenes don’t hold up in contemporary times, especially ones portraying Native Americans, but TCM doesn’t shy away from showing how stereotypes are part of film history.
“Au Revoir, Les Enfants” (1987), Jan. 20 at 4 a.m.
This French film is one of the few in the series that takes place during the years of the Holocaust. Louis Malle’s autobiographical film is based on his time at the Catholic school Petit-College d’Avon, at which the real headmaster Pére Jacques (Pére Jean in the film) attempted to hide Jewish children from the Nazis. The film focuses on the friendship of two fictionalized 12-year-old boys, Julian Quentin (Gaspard Manesse) and Jean Bonnet, whose real name is Jean Kippelstein (Raphael Fejtö).
“Biloxi Blues” (1988), Jan. 26 at 8 p.m.
Neil Simon adapted his own play, the second in his semi-autobiographical trilogy about growing up in Brighton Beach, for the screen. Eugene Jerome (Matthew Broderick), a young Jewish Brooklynite, is drafted into the army during World War II and is sent to bootcamp in Mississippi. The movie is helmed by prolific Jewish film and theater director Mike Nichols, who was born in Germany and immigrated to the United States as a young boy in 1939.
“The Chosen” (1981), Jan. 26 at 10 p.m.
Many of the movies selected for this series unsurprisingly take place in Brooklyn, including this one based on Chaim Potok’s 1967 novel set towards the end of World War II. It shows the conflict between different sects of Judaism by focusing on the friendship of two Jewish teenagers — Reuven Malter (Barry Miller), who is Modern Orthodox, and Danny Saunders (Robby Benson), who is Hasidic.
“Portnoy’s Complaint” (1972), Jan. 27 at 12 a.m.
Richard Benjamin stars in this movie based on Philip Roth’s book, adapted and directed by Ernest Lehman. Though the novel — which is written as a monologue from Alexander Portnoy to his psychoanalyst — turned Roth into a celebrity author, the film adaptation was not critically or commercially successful, especially when compared to another Roth adaptation starring Benjamin: “Goodbye Columbus.”
“The Last Metro” (1980), Jan. 27 at 2 a.m.
The other Holocaust movie in the series is also from France, and is one of director French New Wave pioneer François Truffaut’s most commercially successful films. The manager of a small theater company in Paris (Catherine Deneuve) hides her Jewish husband (Gérard Depardieu) during the Nazi occupation.
“Tevya” (1939), Jan. 27 at 4:15 a.m.
The series closes with another take on Sholem Aleichem’s stories that makes a nice bookend with “Fiddler on the Roof.” Adapted and directed by Maurice Schwartz, who also stars in the titular role, the Yiddish film was thought to be lost until a print was found in 1978. In 1991, it became the first non-English film to be selected for preservation in the library of Congress National Film Registry for its cultural significance.
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A chat in Yiddish with filmmaker Pearl Gluck
וואָס געשעט ווען אַ יונגע פֿרוי פֿאָרט זוכן אַ פֿאַרלוירענע געבענטשטע חסידישע סאָפֿע אין אונגערן, און געפֿינט דווקא אַ נײַעם קונסטוועג וואָס ברענגט ייִדיש אין קינאָ אַרײַן און דערבײַ הייבט זי אָן אַ הצלחהדיקע פֿילם־קאַריערע?
באַקענט זיך אויף אַ זומישן שמועס אויף ייִדיש מיט פּראָפֿ׳ פּערל גליק — אַ פֿילמאָגראַפֿקע וואָס איז דערצויגן געוואָרן בײַ אַ חסידישער משפּחה — זונטיק, דעם 23סטן נאָוועמבער, 1:30 נאָך מיטאָג ניו־יאָרקער צײַט.
הײַנט איז גליק אַ פּראָפֿעסאָרין פֿון פֿילם־פּראָדוקציע בײַ פּען־סטייט־אוניווערסיטעט, און די גרינדערין פֿון Palinka Pictures. זי שאַפֿט דאָקומענטאַלע און נאַראַטיווע פֿילמען, אין וועלכע זי וועבט צונויף ייִדיש־לשון מיט די טעמעס זכּרון, משפּחה און דאָס דערציילן פּערזענלעכע געשיכטעס.
דער אינטערוויו, וואָס וועט געפֿירט ווערן דורך אלי בענעדיקט, ווערט געשטיצט פֿון דער ייִדיש־ליגע.
גליקס פֿילמען האָט מען שוין געוויזן אינעם Film Forum און אויף PBS, ווי אויך אין פּראָגראַמען פֿאַרבונדן מיט דעם „קאַן־קינאָ־פֿעסטיוואַל“. צווישן אירע באַקאַנטסטע פֿילמען זענען: „דיוואַן“, Where is Joel Baum און „שלעסער אינעם הימל“.
בענעדיקט וועט שמועסן מיט איר וועגן איר שאַפֿערישן פּראָצעס, ווי ייִדיש שפּילט אַ ראָלע אין אירע פֿילמען, און די געשיכטע הינטער געוויסע סצענעס. מע וועט אויך ווײַזן קורצע אויסצוגן צו פֿאַרטיפֿן דעם שמועס.
כּדי זיך צו פֿאַרשרײַבן אויף דער פּראָגראַם, גיט אַ קוועטש דאָ.
The post A chat in Yiddish with filmmaker Pearl Gluck appeared first on The Forward.
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UN Says Israeli Wall Crosses Lebanon Border
The United Nations headquarters building is pictured though a window with the UN logo in the foreground in the Manhattan borough of New York, Aug. 15, 2014. Photo: REUTERS/Carlo Allegri
A survey conducted by the United Nations Interim Force in Lebanon last month found that a wall built by the Israeli military crosses the Blue Line, the de facto border, a U.N. spokesperson said on Friday
The Blue Line is a U.N.-mapped line separating Lebanon from Israel and the Israeli-occupied Golan Heights.
Stephane Dujarric, the spokesperson for the U.N. secretary-general, said the concrete T-wall erected by the IDF has made more than 4,000 square meters (nearly an acre) of Lebanese territory inaccessible to the local population.
A section of an additional wall, which has also crossed the Blue Line, is being erected southeast of Yaroun, he said, citing the peacekeepers.
Dujarric said UNIFIL informed the Israeli military of its findings and requested that the wall be removed.
“Israeli presence and construction in Lebanese territory are violations of Security Council resolution 1701 and of Lebanon’s sovereignty and territorial integrity,” UNIFIL said in a separate statement.
An Israeli military spokesperson denied the wall crossed the Blue Line.
“The wall is part of a broader IDF plan whose construction began in 2022. Since the start of the war, and as part of lessons learned from it, the IDF has been advancing a series of measures, including reinforcing the physical barrier along the northern border,” the spokesperson said.
UNIFIL, established in 1978, operates between the Litani River in the north and the Blue Line in the south. The mission has more than 10,000 troops from 50 countries and about 800 civilian staff, according to its website.
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Hamas Quietly Reasserts Control in Gaza as Post-War Talks Grind On
Palestinians buy vegetables at a market in Nuseirat, central Gaza Strip, November 13, 2025. Photo: REUTERS/Mahmoud Issa
From regulating the price of chicken to levying fees on cigarettes, Hamas is seeking to widen control over Gaza as US plans for its future slowly take shape, Gazans say, adding to rivals’ doubts over whether it will cede authority as promised.
After a ceasefire began last month, Hamas swiftly reestablished its hold over areas from which Israel withdrew, killing dozens of Palestinians it accused of collaborating with Israel, theft or other crimes. Foreign powers demand the group disarm and leave government but have yet to agree who will replace them.
Now, a dozen Gazans say they are increasingly feeling Hamas control in other ways. Authorities monitor everything coming into areas of Gaza held by Hamas, levying fees on some privately imported goods including fuel as well as cigarettes and fining merchants seen to be overcharging for goods, according to 10 of the Gazans, three of them merchants with direct knowledge.
Ismail Al-Thawabta, head of the media office of the Hamas government, said accounts of Hamas taxing cigarettes and fuel were inaccurate, denying the government was raising any taxes.
ANALYST SEES HAMAS ENTRENCHING
The authorities were only carrying out urgent humanitarian and administrative tasks whilst making “strenuous efforts” to control prices, Thawabta said. He reiterated Hamas’ readiness to hand over to a new technocratic administration, saying it aimed to avoid chaos in Gaza: “Our goal is for the transition to proceed smoothly.”
Hatem Abu Dalal, owner of a Gaza mall, said prices were high because not enough goods were coming into Gaza. Government representatives were trying to bring order to the economy – touring around, checking goods and setting prices, he said.
Mohammed Khalifa, shopping in central Gaza’s Nuseirat area, said prices were constantly changing despite attempts to regulate them. “It’s like a stock exchange,” he said.
“The prices are high. There’s no income, circumstances are difficult, life is hard, and winter is coming,” he said.
US President Donald Trump’s Gaza plan secured a ceasefire on October 10 and the release of the last living hostages seized during the Hamas-led October 7, 2023 attacks on Israel.
The plan calls for the establishment of a transitional authority, the deployment of a multinational security force, Hamas’ disarmament, and the start of reconstruction.
But Reuters, citing multiple sources, reported this week that Gaza’s de facto partition appeared increasingly likely, with Israeli forces still deployed in more than half the territory and efforts to advance the plan faltering.
Nearly all of Gaza’s 2 million people live in areas controlled by Hamas, which seized control of the territory from President Mahmoud Abbas’ Palestinian Authority (PA) and his Fatah Movement in 2007.
Ghaith al-Omari, a senior fellow at the Washington Institute think-tank, said Hamas’ actions aimed to show Gazans and foreign powers alike that it cannot be bypassed.
“The longer that the international community waits, the more entrenched Hamas becomes,” Omari said.
US STATE DEPARTMENT: HAMAS ‘WILL NOT GOVERN’
Asked for comment on Gazans’ accounts of Hamas levying fees on some goods, among other reported activities, a US State Department spokesperson said: “This is why Hamas cannot and will not govern in Gaza.”
A new Gaza government can be formed once the United Nations approves Trump’s plan, the spokesperson said, adding that progress has been made towards forming the multinational force.
The PA is pressing for a say in Gaza’s new government, though Israel rejects the idea of it running Gaza again. Fatah and Hamas are at odds over how the new governing body should be formed.
Munther al-Hayek, a Fatah spokesperson in Gaza, said Hamas actions “give a clear indication that Hamas wants to continue to govern.”
In the areas held by Israel, small Palestinian groups that oppose Hamas have a foothold, a lingering challenge to it.
Gazans continue to endure dire conditions, though more aid has entered since the ceasefire.
THEY ‘RECORD EVERYTHING’
A senior Gazan food importer said Hamas hadn’t returned to a full taxation policy, but they “see and record everything.”
They monitor everything that enters, with checkpoints along routes, and stop trucks and question drivers, he said, declining to be identified. Price manipulators are fined, which helps reduce some prices, but they are still much higher than before the war began and people complain they have no money.
Hamas’ Gaza government employed up to 50,000 people, including policemen, before the war. Thawabta said that thousands of them were killed, and those remaining were ready to continue working under a new administration.
Hamas authorities continued paying them salaries during the war, though it cut the highest, standardizing wages to 1,500 shekels ($470) a month, Hamas sources and economists familiar with the matter said. It is believed that Hamas drew on stockpiled cash to pay the wages, a diplomat said.
The Hamas government replaced four regional governors who were killed, sources close to Hamas said. A Hamas official said the group also replaced 11 members of its Gaza politburo who died.
Gaza City activist and commentator Mustafa Ibrahim said Hamas was exploiting delays in the Trump plan “to bolster its rule.” “Will it be allowed to continue doing so? I think it will continue until an alternative government is in place,” he said.