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Turner Classic Movies is airing a ‘Jewish Experience’ series of films this month
(JTA) — Turner Classic Movies admits that capturing the “Jewish experience” in a series of films is a daunting task, but the network is attempting to do so anyway.
Every Thursday night in January, the channel is showing movies spanning from the 1930s through the 1990s on the theme. According to an article on the TCM website, the series aims to show “how filmmakers have attempted to deal with such themes as assimilation, antisemitism, religion, family life and the Holocaust, sometimes with clarity and honesty, other times with varying degrees of distortion and caricature.”
There are a couple of films in the series set during the Holocaust, but notably none involve concentration camp settings. Instead, the general focus seems to be on portraying comedy, romance and the joy of everyday Jewish life.
Antisemitism does come up often in the Jewish experience, and that is reflected in the films, including in “Crossfire,” a film noir from 1947 about the murder of a Jewish man that helped kick off the series last week. The theme is also prominent in “Fiddler on the Roof,” which also aired on the series’ first night.
Here are the remaining movies to look forward to, in the order in which they will air in EST.
“Bye Bye Braverman” (1968), Jan. 12 at 8 p.m.
In this film adapted from the novel “To An Early Grave” by Wallace Markfield, four Jewish writer friends — played by George Segal, Jack Warden, Sorrell Brooke and Joseph Wiseman — travel to the funeral of their other friend after he dies suddenly. Though the film was not as well received as other films directed by Sidney Lumet (who started his career as a child actor in Yiddish theater), it includes a Black-Jewish character, which is still rare in cinema today.
“The Angel Levine” (1970), Jan. 12 at 10 p.m.
Speaking of Jews of color on screen: this movie has a Jewish angel played by Harry Belafonte, whose real-life father was of Jewish descent. The angel visits a poor Jewish tailor, played by Zero Mostel, who starred as the original Tevye in “Fiddler on the Roof” on Broadway. It was directed by Hungarian-born Jew Ján Kadár.
“Annie Hall” (1977), Jan. 13 at 12 a.m.
This is the only Woody Allen film in the lineup. Before the scandalous accusations against the director picked up steam again over the past decade, “Annie Hall” was a landmark for American Jews in film, encapsulating the neurotic Jewish New York comedic archetype. Allen plays comedian Alvy Singer who falls in love with the titular character played by Diane Keaton.
“Soup For One” (1982), Jan. 13 at 2 a.m.
This is not a Woody Allen film, but his influence is all over this comedy written and directed by Jonathan Kaufer, in which a New York Jewish television producer played by Saul Rubinek tries to find his perfect woman.
“Set Me Free” (1999), Jan. 13 at 3:45 a.m.
Most of the movies in the series are American, but there are a couple of international films, including this French-Canadian coming-of-age story about a 13-year-old Jewish girl obsessed with the character that Anna Karina plays in Jean-Luc Godard’s film “Vivre sa vie.” Directed by Léa Pool, it’s the most recent film in the lineup, though it is set in 1963. Pool, whose father was a Holocaust survivor from Poland, is one of several women directors represented in the series.
“Crossing Delancey” (1988), Jan. 19 at 8 p.m.
Probably the most famous of the romantic comedies in the series, “Crossing Delancey” was also directed and written by women: Joan Micklin Silver and Susan Sandler, respectively. Amy Irving stars as Isabelle Grossman, a young New Yorker who works for a bookstore and is close with her grandmother — who wants to see her granddaughter settle down. She has a matchmaker set her up with Sam Posner (Peter Riegert), a pickle salesman, and Isabelle is torn between him and the intellectual world. The film also shows the Lower East Side from the era when it was bustling with Jewish immigrant shops and vendors, before gentrification irrevocably changed it.
“Over the Brooklyn Bridge” (1984), Jan. 19 at 10 p.m.
One can never have too many romantic comedies set in New York. In this one, directed by Israeli-born Menahem Golan, Elliott Gould plays Alby Sherman, a business owner whose wealthy uncle will only loan him money if he breaks up with his gentile girlfriend (Margaux Hemingway). The very Jewish cast also includes Sid Caesar, Carol Kane, Shelley Winters and a very young (and uncredited) Sarah Michelle Gellar.
“Girlfriends” (1978), Jan. 20 at 12 a.m.
This pioneering indie film — which according to The New York Times was the first independent American film to be funded primarily by grantmaking organizations — is also is notable for its portrayal of female friendship between Susan Weinblatt (Melanie Mayron), a Jewish photographer, and her ex-roommate Anne Munroe (Anita Skinner), who moves out to get married. Directed by Claudia Weill, who also wrote it along with Vicki Polon, the film is a precursor to so many contemporary indies, including Noah Baumbach and Greta Gerwig’s “Frances Ha.”
“The Frisco Kid” (1979), Jan. 20 at 1:45 a.m.
Jews are not usually associated with Westerns. But in this comedy, Gene Wilder stars as a rabbi from Poland who is set to lead a congregation in San Francisco. He gets stuck en route in the Wild West and befriends a bank robber played by Harrison Ford. Some scenes don’t hold up in contemporary times, especially ones portraying Native Americans, but TCM doesn’t shy away from showing how stereotypes are part of film history.
“Au Revoir, Les Enfants” (1987), Jan. 20 at 4 a.m.
This French film is one of the few in the series that takes place during the years of the Holocaust. Louis Malle’s autobiographical film is based on his time at the Catholic school Petit-College d’Avon, at which the real headmaster Pére Jacques (Pére Jean in the film) attempted to hide Jewish children from the Nazis. The film focuses on the friendship of two fictionalized 12-year-old boys, Julian Quentin (Gaspard Manesse) and Jean Bonnet, whose real name is Jean Kippelstein (Raphael Fejtö).
“Biloxi Blues” (1988), Jan. 26 at 8 p.m.
Neil Simon adapted his own play, the second in his semi-autobiographical trilogy about growing up in Brighton Beach, for the screen. Eugene Jerome (Matthew Broderick), a young Jewish Brooklynite, is drafted into the army during World War II and is sent to bootcamp in Mississippi. The movie is helmed by prolific Jewish film and theater director Mike Nichols, who was born in Germany and immigrated to the United States as a young boy in 1939.
“The Chosen” (1981), Jan. 26 at 10 p.m.
Many of the movies selected for this series unsurprisingly take place in Brooklyn, including this one based on Chaim Potok’s 1967 novel set towards the end of World War II. It shows the conflict between different sects of Judaism by focusing on the friendship of two Jewish teenagers — Reuven Malter (Barry Miller), who is Modern Orthodox, and Danny Saunders (Robby Benson), who is Hasidic.
“Portnoy’s Complaint” (1972), Jan. 27 at 12 a.m.
Richard Benjamin stars in this movie based on Philip Roth’s book, adapted and directed by Ernest Lehman. Though the novel — which is written as a monologue from Alexander Portnoy to his psychoanalyst — turned Roth into a celebrity author, the film adaptation was not critically or commercially successful, especially when compared to another Roth adaptation starring Benjamin: “Goodbye Columbus.”
“The Last Metro” (1980), Jan. 27 at 2 a.m.
The other Holocaust movie in the series is also from France, and is one of director French New Wave pioneer François Truffaut’s most commercially successful films. The manager of a small theater company in Paris (Catherine Deneuve) hides her Jewish husband (Gérard Depardieu) during the Nazi occupation.
“Tevya” (1939), Jan. 27 at 4:15 a.m.
The series closes with another take on Sholem Aleichem’s stories that makes a nice bookend with “Fiddler on the Roof.” Adapted and directed by Maurice Schwartz, who also stars in the titular role, the Yiddish film was thought to be lost until a print was found in 1978. In 1991, it became the first non-English film to be selected for preservation in the library of Congress National Film Registry for its cultural significance.
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The Netherlands will return to Eurovision after boycott over Israel
(JTA) — The Netherlands will return to the Eurovision Song Contest, overriding a broadcaster that withdrew over Israel’s actions in Gaza.
The Dutch organization that oversees public broadcasting, the Nederlandse Publieke Omroep, said on Wednesday that it will take over the country’s entry to Eurovision after Avrotros, the broadcaster that usually takes part in Eurovision for the Netherlands, pulled out of the 2027 event in Burgas, Bulgaria.
Avrotros said last month that it withdrew because the event “can no longer be considered neutral,” citing Israel’s inclusion amid “the severe humanitarian suffering in Gaza and the ongoing restrictions on press freedom.”
Avrotros dropped out of the most recent contest in May 2026, and the Netherlands did not participate after the NPO ruled out identifying another broadcaster. Spain, Ireland, Iceland and Slovenia also boycotted this year’s Eurovision. Israel’s participation in the world’s largest music contest has become a source of intense controversy, sparking mass protests. The contest drew 35 million fewer viewers this year.
For the next Eurovision, NPO is assigning the broadcaster NOS to provide coverage of the event and an “independent team of experts” to select the Dutch act.
“We understand that participation in the Eurovision Song Contest evokes mixed feelings in the Netherlands,” said Jet de Ranitz, the chairman of the NPO’s executive board. “We have explicitly asked the [European Broadcasting Union] to once again make the unifying character of the festival an important part of the event, in recognition of a time of geopolitical unrest, war, and polarization.”
The NPO added that the EBU, which owns the contest, has “taken significant steps regarding the rules of the Eurovision Song Contest.” The EBU introduced changes in August that included barring countries involved in armed conflict from hosting the competition. It also made adjustments to the voting process after accusations of politically motivated voting.
Avrotros said the new rules were not sufficient to ensure that Eurovision remains “independent and neutral.”
Martin Green, the director of Eurovision, said in a statement that the contest was “delighted to welcome the Netherlands back” in 2027.
Ireland is set to boycott Eurovision again in 2027 after RTÉ, the national broadcaster, said last week that its position “remains unchanged.”
RTÉ cited “the appalling and ongoing loss of lives in Gaza and the humanitarian crisis there which continues to put the lives of so many civilians at risk,” adding that it was “deeply concerned by the continued denial of independent access to international journalists to the territory.”
Spain could also stay out of Eurovision next year. José Pablo López, the president of Spanish broadcaster RTVE, announced at a Senate hearing on Tuesday that he supported a continued boycott, saying it was “painful that Israel continues to participate.”
Meanwhile, Belgium confirmed its participation despite calls for a boycott by its public media unions.
“Participation is in no way an endorsement or normalization of what is happening in Gaza and the rest of the world,” said Frederik Delaplace, the CEO of the Flemish broadcaster VRT. “We do note, however, that the EBU is no longer shying away from these difficult societal and geopolitical issues.”
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Police label shooting in Belleville, Ontario, a hate-motivated attack against the Jewish community
(JTA) — TORONTO – The shooter who opened fire on a Belleville, Ontario, synagogue Sunday evening committed an anti-Jewish hate-motivated offense, according to the city’s police chief.
“This was a deliberate attack directed at members of the Jewish community during one of the holiest observances of the year,” Belleville police chief Murray Rodd said at a press conference on Thursday, adding that the shooter had combustible materials, including gasoline, in his truck.
He said the threat posed to Jewish communities required increased alertness on the part of Canadian law enforcement. Police stationed outside the Sons of Jacob synagogue had engaged in a shootout with the assailant, Sean Ward, that prevented him from entering the building as members of the congregation were about to begin Yom Kippur services.
Rodd noted that the force had a long-time relationship with the Jewish community that involved “our proactive pre-positioning of on-duty staff” to ensure the safety of Jewish worshippers. “One of the messages to my colleagues around the province and the country is: It is clearly time that we all be proactive.”
Rodd said the efforts of Constables Jeff Smith and Michael McCurdy prevented the attacker from using the explosive materials he had with him, as well as a “significant” amount of ammunition.
Smith, who was stationed outside of Sons of Jacob to provide security, remains in critical condition but is making progress, according to Rodd. Ward later died of his wounds from the exchange with police.
“[The shooter] had the means, the mechanism, and the motive to perpetrate a greater act. The only thing that stopped entry into the synagogue to execute the intent were the two officers,” said Rodd. “He was equipped with other weapons and the means to carry on a gun battle for a long period of time.”
The CBC reported that police obtained a video of the attack in Belleville, a town over 100 miles east of Toronto on the north shore of Lake Ontario. On the video, Ward is heard shouting. Police report he is saying, “You are going to die for the Jews.”
Rodd confirmed that before Ward targeted the Sons of Jacob, he scoped out the synagogue grounds. “We know that there was a reconnaissance in the presence of our officer, but nothing that would have alarmed him or would have triggered him to be on the defensive,” Rodd said.
Ward was a former member of the Canadian Armed Forces. Rodd noted.
“He was shot multiple times in multiple places,” Rodd said. “He has everything extending from fractures to wounds, and is still bearing shrapnel.”
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US Senate Democrats seek sanctions on those facilitating controversial West Bank settlement project
(JTA) — A slate of U.S. Senate Democrats, led by staunch Israel supporter Chris Coons, is seeking to sanction individuals and businesses linked to a controversial settlement expansion in the West Bank.
The massive E1 project, which would add 3,401 housing units east of Jerusalem, would effectively bisect the West Bank, inhibiting the prospects for a contiguous Palestinian state in the West Bank. It would also further separate the West Bank from East Jerusalem, which Palestinians seek as the capital of a future state. Israel recently issued new construction tenders for the project, following the government’s approval of the plans last summer.
Coons, of Delaware, introduced legislation this week that would target “any foreign person” deemed “responsible for or complicit in” the construction or financing of, or investment in, the planned E1 settlement, as well as the leaders of any entity that has engaged in such activities.
“As Palestinian civilians face a campaign of devastation and fear from violent extremist settlers, the United States must send a strong message that this behavior is unacceptable,” Coons said in a statement.
Israel, he added, must demonstrate “that it remains committed to freedom, security, prosperity, and self-determination for all Israelis and Palestinians.”
Global leaders have slammed the prospective development, as have many U.S. lawmakers. Yet even amid the increased criticism of the Israeli government, the bill is unlikely to advance in a Congress with Republican majorities in both chambers.
Coons thus far has garnered support from 18 of the Senate’s 44 other Democrats, including three co-authors: Elizabeth Warren of Massachusetts, Ron Wyden of Oregon and Ruben Gallego of Arizona. Wyden is Jewish and a longtime Israel supporter.
“For decades, American presidents from both parties have warned successive Israeli governments that construction in E1 threatened the viability of a Palestinian state and was unacceptable to the United States,” Coons said.
As unlikely as it is that the bill will pass, its introduction is symbolic of the chasm that has grown in recent years between Israel and the Democratic Party. The legislation is led by Coons, who has a solid pro-Israel record. Previous sanctions backed by Democrats, including by former President Joe Biden, have generally targeted settler violence and offensive weapons, while this bill centers on what Israel’s government would regard as a conventional building project.
Warren, Wyden and Gallego all voted in favor of a failed resolution authored by independent Vermont Sen. Bernie Sanders, which sought to stop the sale of military bulldozers to Israel. Coons, who voted against the measure, was one of just seven Democrats to do so.
While Warren’s position on Israel has fluctuated in recent years, she has consistently maintained that Israel has a right to defend itself and has voted against measures to boycott, divest from and sanction Israel. But she has been a sharp critic of Israeli Prime Minister Benjamin Netanyahu and suggested conditioning military aid to Israel on compliance with U.S. and international humanitarian law.
Regarding the E1 settlement sanctions bill, Warren said the U.S. “must use all diplomatic and economic tools available to counter rapid settlement expansion and extremist settler violence.” These “spiraling trends” risk undermining “the prospect of lasting peace for Israelis and Palestinians,” she added.
The bill would sanction “foreign persons that have facilitated Israeli settlement construction in the E1 area,” including those who have submitted tender bids, offered guarantees to such bids, signed development or lease agreements, provided construction-related services or financed related infrastructure.
The sanctions would “block and prohibit all transactions in property and interests in property” of such a person in the U.S., with exceptions made for those providing humanitarian assistance or conducting intelligence activities in the area.
“The E1 settlement project is a move towards de facto annexation of the West Bank,” Warren stated. “Those who choose to facilitate settlement construction should understand that they risk losing access to the U.S. financial system.”
Wyden, who has a similar record of backing Israel while criticizing Netanyahu, slammed the prime minister’s “disgraceful policy of expanding West Bank settlements,” noting that such activity “crosses a clear red line and makes Palestinian statehood and lasting peace even more difficult.”
He, too, urged the U.S. to “stand up against Netanyahu’s campaign of violence and aggression against Palestinian civilians” by sanctioning those who “are complicit in this unlawful action.”
The fourth co-author, Gallego, in recent months has shifted his stance from pro-Israel centrist to a fierce and outspoken opponent of the country’s current military operations.
“Proposed Israeli construction of new settlement homes in the E1 area would cut off East Jerusalem from the West Bank and threaten a viable Palestinian state,” he said.
Describing the project as “a step in the wrong direction,” he noted that “for decades, Democrats and Republicans alike have pushed for a two-state solution.”
Coons, Warren, Wyden and Gallego are not alone in hammering the advancement of the E1 project. Their bill followed collective action taken by the United Kingdom, France and Canada earlier this month, when the countries decided to ban goods from West Bank settlements and Jewish areas of East Jerusalem.
At the same time, the U.K. and 11 other nations released a joint statement announcing “their intention to introduce national and/or support European restrictions on trade in goods with settlements which are illegal under international law.”
At the U.N. General Assembly on Tuesday, British Prime Minister Andy Burnham warned that the E1 settlement’s construction would “threaten to put a viable Palestinian state beyond reach.”
“We want to see the suffering and death finally come to an end,” Burnham added. “We want to see Israeli and Palestinian people living side by side in peace and security.”
Back in Washington, joining the four co-authors of the bill were 15 other senators who signed on as cosponsors, most of whom are likewise long-time allies of Israel but sharp critics of the Netanyahu government.
The co-sponsors include Michael Bennet of Colorado, Tammy Duckworth of Illinois, Martin Heinrich of New Mexico, Tim Kaine of Virginia, Mark Kelly of Arizona, Andy Kim of New Jersey, Jeff Merkley of Oregon, Chris Murphy of Connecticut, Patty Murray of Washington, Jack Reed of Rhode Island, Brian Schatz of Hawaii, Adam Schiff of California, Elissa Slotkin of Michigan, Chris Van Hollen of Maryland and Peter Welch of Vermont.
The liberal pro-Israel group J Street welcomed the legislation, with its president, Jeremy Ben-Ami, declaring “the end of the era in which right-wing Israeli governments could ignore U.S. demands to halt settlement expansion.”
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