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Turner Classic Movies is airing a ‘Jewish Experience’ series of films this month
(JTA) — Turner Classic Movies admits that capturing the “Jewish experience” in a series of films is a daunting task, but the network is attempting to do so anyway.
Every Thursday night in January, the channel is showing movies spanning from the 1930s through the 1990s on the theme. According to an article on the TCM website, the series aims to show “how filmmakers have attempted to deal with such themes as assimilation, antisemitism, religion, family life and the Holocaust, sometimes with clarity and honesty, other times with varying degrees of distortion and caricature.”
There are a couple of films in the series set during the Holocaust, but notably none involve concentration camp settings. Instead, the general focus seems to be on portraying comedy, romance and the joy of everyday Jewish life.
Antisemitism does come up often in the Jewish experience, and that is reflected in the films, including in “Crossfire,” a film noir from 1947 about the murder of a Jewish man that helped kick off the series last week. The theme is also prominent in “Fiddler on the Roof,” which also aired on the series’ first night.
Here are the remaining movies to look forward to, in the order in which they will air in EST.
“Bye Bye Braverman” (1968), Jan. 12 at 8 p.m.
In this film adapted from the novel “To An Early Grave” by Wallace Markfield, four Jewish writer friends — played by George Segal, Jack Warden, Sorrell Brooke and Joseph Wiseman — travel to the funeral of their other friend after he dies suddenly. Though the film was not as well received as other films directed by Sidney Lumet (who started his career as a child actor in Yiddish theater), it includes a Black-Jewish character, which is still rare in cinema today.
“The Angel Levine” (1970), Jan. 12 at 10 p.m.
Speaking of Jews of color on screen: this movie has a Jewish angel played by Harry Belafonte, whose real-life father was of Jewish descent. The angel visits a poor Jewish tailor, played by Zero Mostel, who starred as the original Tevye in “Fiddler on the Roof” on Broadway. It was directed by Hungarian-born Jew Ján Kadár.
“Annie Hall” (1977), Jan. 13 at 12 a.m.
This is the only Woody Allen film in the lineup. Before the scandalous accusations against the director picked up steam again over the past decade, “Annie Hall” was a landmark for American Jews in film, encapsulating the neurotic Jewish New York comedic archetype. Allen plays comedian Alvy Singer who falls in love with the titular character played by Diane Keaton.
“Soup For One” (1982), Jan. 13 at 2 a.m.
This is not a Woody Allen film, but his influence is all over this comedy written and directed by Jonathan Kaufer, in which a New York Jewish television producer played by Saul Rubinek tries to find his perfect woman.
“Set Me Free” (1999), Jan. 13 at 3:45 a.m.
Most of the movies in the series are American, but there are a couple of international films, including this French-Canadian coming-of-age story about a 13-year-old Jewish girl obsessed with the character that Anna Karina plays in Jean-Luc Godard’s film “Vivre sa vie.” Directed by Léa Pool, it’s the most recent film in the lineup, though it is set in 1963. Pool, whose father was a Holocaust survivor from Poland, is one of several women directors represented in the series.
“Crossing Delancey” (1988), Jan. 19 at 8 p.m.
Probably the most famous of the romantic comedies in the series, “Crossing Delancey” was also directed and written by women: Joan Micklin Silver and Susan Sandler, respectively. Amy Irving stars as Isabelle Grossman, a young New Yorker who works for a bookstore and is close with her grandmother — who wants to see her granddaughter settle down. She has a matchmaker set her up with Sam Posner (Peter Riegert), a pickle salesman, and Isabelle is torn between him and the intellectual world. The film also shows the Lower East Side from the era when it was bustling with Jewish immigrant shops and vendors, before gentrification irrevocably changed it.
“Over the Brooklyn Bridge” (1984), Jan. 19 at 10 p.m.
One can never have too many romantic comedies set in New York. In this one, directed by Israeli-born Menahem Golan, Elliott Gould plays Alby Sherman, a business owner whose wealthy uncle will only loan him money if he breaks up with his gentile girlfriend (Margaux Hemingway). The very Jewish cast also includes Sid Caesar, Carol Kane, Shelley Winters and a very young (and uncredited) Sarah Michelle Gellar.
“Girlfriends” (1978), Jan. 20 at 12 a.m.
This pioneering indie film — which according to The New York Times was the first independent American film to be funded primarily by grantmaking organizations — is also is notable for its portrayal of female friendship between Susan Weinblatt (Melanie Mayron), a Jewish photographer, and her ex-roommate Anne Munroe (Anita Skinner), who moves out to get married. Directed by Claudia Weill, who also wrote it along with Vicki Polon, the film is a precursor to so many contemporary indies, including Noah Baumbach and Greta Gerwig’s “Frances Ha.”
“The Frisco Kid” (1979), Jan. 20 at 1:45 a.m.
Jews are not usually associated with Westerns. But in this comedy, Gene Wilder stars as a rabbi from Poland who is set to lead a congregation in San Francisco. He gets stuck en route in the Wild West and befriends a bank robber played by Harrison Ford. Some scenes don’t hold up in contemporary times, especially ones portraying Native Americans, but TCM doesn’t shy away from showing how stereotypes are part of film history.
“Au Revoir, Les Enfants” (1987), Jan. 20 at 4 a.m.
This French film is one of the few in the series that takes place during the years of the Holocaust. Louis Malle’s autobiographical film is based on his time at the Catholic school Petit-College d’Avon, at which the real headmaster Pére Jacques (Pére Jean in the film) attempted to hide Jewish children from the Nazis. The film focuses on the friendship of two fictionalized 12-year-old boys, Julian Quentin (Gaspard Manesse) and Jean Bonnet, whose real name is Jean Kippelstein (Raphael Fejtö).
“Biloxi Blues” (1988), Jan. 26 at 8 p.m.
Neil Simon adapted his own play, the second in his semi-autobiographical trilogy about growing up in Brighton Beach, for the screen. Eugene Jerome (Matthew Broderick), a young Jewish Brooklynite, is drafted into the army during World War II and is sent to bootcamp in Mississippi. The movie is helmed by prolific Jewish film and theater director Mike Nichols, who was born in Germany and immigrated to the United States as a young boy in 1939.
“The Chosen” (1981), Jan. 26 at 10 p.m.
Many of the movies selected for this series unsurprisingly take place in Brooklyn, including this one based on Chaim Potok’s 1967 novel set towards the end of World War II. It shows the conflict between different sects of Judaism by focusing on the friendship of two Jewish teenagers — Reuven Malter (Barry Miller), who is Modern Orthodox, and Danny Saunders (Robby Benson), who is Hasidic.
“Portnoy’s Complaint” (1972), Jan. 27 at 12 a.m.
Richard Benjamin stars in this movie based on Philip Roth’s book, adapted and directed by Ernest Lehman. Though the novel — which is written as a monologue from Alexander Portnoy to his psychoanalyst — turned Roth into a celebrity author, the film adaptation was not critically or commercially successful, especially when compared to another Roth adaptation starring Benjamin: “Goodbye Columbus.”
“The Last Metro” (1980), Jan. 27 at 2 a.m.
The other Holocaust movie in the series is also from France, and is one of director French New Wave pioneer François Truffaut’s most commercially successful films. The manager of a small theater company in Paris (Catherine Deneuve) hides her Jewish husband (Gérard Depardieu) during the Nazi occupation.
“Tevya” (1939), Jan. 27 at 4:15 a.m.
The series closes with another take on Sholem Aleichem’s stories that makes a nice bookend with “Fiddler on the Roof.” Adapted and directed by Maurice Schwartz, who also stars in the titular role, the Yiddish film was thought to be lost until a print was found in 1978. In 1991, it became the first non-English film to be selected for preservation in the library of Congress National Film Registry for its cultural significance.
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Israelis pause for a different kind of siren: the one marking Holocaust memorial day
(JTA) — For the last six weeks, whenever Israelis have heard a siren, they were instructed to run to their nearest bomb shelter. On Tuesday, a siren instead brought them to a halt.
The two-minute siren was the one sounded annually on Yom HaShoah, Holocaust memorial day. In keeping with a national tradition, Israelis stopped whatever they were doing for a moment of silence to remember the 6 million Jews murdered in the Holocaust. Drivers exited their cars on the streets; shoppers froze in grocery store aisles; and people strolling the streets paused where they were.
Even for seasoned Israelis, the dissonance was strong this year. Hillel Fuld, an Israeli influencer, wrote that he was initially unnerved to see so many people failing to follow the guidance about what to do when a missile is incoming.
“I exited my car and was about to lie down when I realized, that’s not a siren warning of a missile. That’s a siren remembering the six million!” he wrote.
“I felt that emotional confusion that every Israeli knows too well. Sadness. Devastation. Hopelessness,” Fuld continued. “And at the same time, tremendous pride, optimism, and unity.”
This year’s Yom HaShoah is the first since all Israeli hostages taken on Oct. 7, 2023, were freed from Gaza. Some of the freed hostages, including Eli Sharabi, participated in small remembrance gatherings known as Zikaron Basalon. Others posted symbols of Jewish survival, including Sagui Dekel-Chen, whose wife posted pictures of him alongside his grandfather, a Holocaust survivor, and Elkana Bohbot, who with his wife announced that he is expecting a child.
This article originally appeared on JTA.org.
The post Israelis pause for a different kind of siren: the one marking Holocaust memorial day appeared first on The Forward.
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Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up.
(JTA) — As each week’s Shabbat morning service comes to a close at Temple Beth El in West Palm Beach, Florida, an unusual tradition unfolds as the congregation prepares to recite the Mourner’s Kaddish.
Rabbi Alan Bell asks to stand all those reciting the prayer on the anniversary of the death of a loved one. He also asks other congregants to stand, too: those who have taken it upon themselves to recite Kaddish for a child up to the age of 17 who was murdered in the Holocaust and for whom there are no living relatives to recite it.
The Conservative synagogue calls the program Remember a Child, and at least a third of members in the 150-family congregation participate. Most recite the mourner’s prayer on the date of the child’s burial as well as on Yizkor, the special memorial prayer for the departed recited in the synagogue four times a year.
But some recite the Mourner’s Kaddish far more often.
Bell and his wife Susan have “adopted” a girl named Renee Albersheim who was born in 1930 in Berlin. They do not know when she died, only that it was in the Kovno Ghetto in German-occupied Lithuania. As a result, Susan Bell said, they recite Kaddish for her each time Kaddish is recited — multiple times a day and sometimes multiple times in a single service.
It’s become a family tradition. “When each of our granddaughters became bat mitzvah we got each a child to show them that children their age were dying [in the Holocaust],” Susan Bell said.
“They were girls from different places in the world — one was from Greece and the other from Romania — and they had the same first name as my granddaughters,” she continued. “I wanted to show the girls how widespread the Holocaust was; it was a learning experience for them.”
The Nazis murdered an estimated 1.5 million Jewish children during the Holocaust, many of whom died alongside everyone else in their family. That left no one traditionally assumed by Jewish law to recite the Mourner’s Kaddish on their behalf — siblings, parents or, for adults, children and spouses.
Rabbi Alan Bell and his wife Susan Bell lead a Holocaust remembrance initiative at Temple Beth El in West Palm Beach, Florida. (Courtesy)
At Beth El, those who participate in Remember a Child think of themselves as having “adopted” a child who was murdered more than eight decades ago. Cheryl Finkelstein, who helmed the project for many years since it launched as a Men’s Club initiative about 40 years ago, said she found those who opted in tended to “take this very seriously” and grow deeply connected to the child they have committed to remembering.
“When I sent one woman a photo of the child she had ‘adopted,’ she wrapped her arms around it and waited until the paper was warm,” Finkelstein recalled. “It breaks your heart.”
The project has gained attention far beyond the synagogue’s walls, and elicited a range of mourning practices that go beyond reciting the traditional prayer.
“We had a number of people who are not Jewish who felt strongly that they wanted to be engaged in this,” Finkelstein added. “One of those women wrote a poem about her ‘child,’ imagining her as a little girl who chased butterflies, living in a world of innocence. And another woman purchased aging software and used it on a photo of the child she had adopted to see what the child would have looked like as an adult.”
Having taken over the initiative from Finkelstein, Susan Bell has sought to gather as much information as she can about roughly 15 of the children whom congregants have “adopted,” starting with a page of testimony assembled by Yad Vashem, the World Holocaust Remembrance Center in Israel.
Ari Rabinovitch, head of Yad Vashem’s international media section, said the names of the children murdered in the Holocaust and for whom there is no one to say Kaddish are kept in the organization’s online names database, which has 587,226 names of children up to and including age 17.
Rabinovitch noted that Yad Vashem has prepared a list of names — both children and adults — with details about them for use in Holocaust name reading ceremonies. “It is not uncommon for groups to access lists of names on their own for memorial services,” he said. But the memorial does not track how they are used, or how many synagogues may have adopted a practice like Beth El’s.
Bell believes at least some have. A Beth El member promoted the project on business trips, she said.
“Several of those synagogues picked it up but I don’t know if any have continued it,” she said. “It takes a toll on you when you do the research and learn what happened to each of these children.”
Menachem Rosensaft, general counsel emeritus to the World Jewish Congress who was born in 1948 to survivors of Auschwitz and Bergen-Belsen, is an outspoken advocate for such a commemoration. He believes every synagogue should incorporate some mention of the Holocaust during Shabbat services, to ensure that its legacy is woven into the ongoing fabric of Jewish life — and he sees the Kaddish for child victims at Beth El as one powerful way to do that.
“It’s important in whatever way to bring into our consciousness that we are not letting it become just another event in Jewish history, just another occurrence, just another tragedy, just another pogrom,” Rosensaft added. “Because if that happens, in another generation the Holocaust will be a statistic and basically a catchphrase for people to throw around.”
As Holocaust memory is increasingly contested in the public sphere and the trauma of the Holocaust is joined by other tragedies for the Jews, Rosensaft’s vision has grown uncertain. But Finkelstein said she knew of at least one case where Remember a Child is likely to have impact into the next generation.
One Beth El congregant who “adopted” a child murdered by the Nazis “put in his will that his son was to say Kaddish for the child after he dies,” she said. “He put the instructions in his safe deposit box so that his son would take them out along with the keys to his house.”
This article originally appeared on JTA.org.
The post Many children killed in the Holocaust had no one to say Kaddish for them. These Jews have stepped up. appeared first on The Forward.
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VIDEO: ’Love was there too:’ A Yom Hashoah commemoration in Yiddish
די פֿאַרגאַנגענע וואָך האָט דער „ייִדישפּיל“־טעאַטער אין תּל־אָבֿיבֿ אַרויסגעשטעלט אַ ווידעאָ פֿון אַ „יום־השואה“־אַקאַדעמיע וואָס די טרופּע האָט דורכגעפֿירט אין 2022. די טעמע פֿון דער פּראָגראַם איז געווען מאָמענטן פֿון ליבע בײַ ייִדן אין די געטאָס און קאָנצענטראַציע־לאַגערן.
אינעם ווידעאָ לייענען די אַקטיאָרן פֿאָר זכרונות פֿון לעבן געבליבענע ווי אויך ייִדישע לידער אָנגעשריבן בשעת דעם חורבן. זיי באַשרײַבן ווי אַזוי געליבטע פּאָרלעך האָבן זיך געטראָפֿן בשתּיקה; רירנדיקע מאָמענטן פֿון געזעגענען זיך און ווי די לעבן געבליבענע האָבן זיך באַמיט מיט אַלע כּוחות צו געפֿינען די געליבטע נאָך דער באַפֿרײַונג.
דער ווידעאָ הייבט זיך אָן מיט אַ באַגריסונג פֿונעם תּל־אָבֿיבֿער בירגערמײַסטער, רון חולדאי, אויף העברעיִש, אָבער די פּראָגראַם גופֿא איז אין גאַנצן אויף ייִדיש.
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