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Turner Classic Movies is airing a ‘Jewish Experience’ series of films this month
(JTA) — Turner Classic Movies admits that capturing the “Jewish experience” in a series of films is a daunting task, but the network is attempting to do so anyway.
Every Thursday night in January, the channel is showing movies spanning from the 1930s through the 1990s on the theme. According to an article on the TCM website, the series aims to show “how filmmakers have attempted to deal with such themes as assimilation, antisemitism, religion, family life and the Holocaust, sometimes with clarity and honesty, other times with varying degrees of distortion and caricature.”
There are a couple of films in the series set during the Holocaust, but notably none involve concentration camp settings. Instead, the general focus seems to be on portraying comedy, romance and the joy of everyday Jewish life.
Antisemitism does come up often in the Jewish experience, and that is reflected in the films, including in “Crossfire,” a film noir from 1947 about the murder of a Jewish man that helped kick off the series last week. The theme is also prominent in “Fiddler on the Roof,” which also aired on the series’ first night.
Here are the remaining movies to look forward to, in the order in which they will air in EST.
“Bye Bye Braverman” (1968), Jan. 12 at 8 p.m.
In this film adapted from the novel “To An Early Grave” by Wallace Markfield, four Jewish writer friends — played by George Segal, Jack Warden, Sorrell Brooke and Joseph Wiseman — travel to the funeral of their other friend after he dies suddenly. Though the film was not as well received as other films directed by Sidney Lumet (who started his career as a child actor in Yiddish theater), it includes a Black-Jewish character, which is still rare in cinema today.
“The Angel Levine” (1970), Jan. 12 at 10 p.m.
Speaking of Jews of color on screen: this movie has a Jewish angel played by Harry Belafonte, whose real-life father was of Jewish descent. The angel visits a poor Jewish tailor, played by Zero Mostel, who starred as the original Tevye in “Fiddler on the Roof” on Broadway. It was directed by Hungarian-born Jew Ján Kadár.
“Annie Hall” (1977), Jan. 13 at 12 a.m.
This is the only Woody Allen film in the lineup. Before the scandalous accusations against the director picked up steam again over the past decade, “Annie Hall” was a landmark for American Jews in film, encapsulating the neurotic Jewish New York comedic archetype. Allen plays comedian Alvy Singer who falls in love with the titular character played by Diane Keaton.
“Soup For One” (1982), Jan. 13 at 2 a.m.
This is not a Woody Allen film, but his influence is all over this comedy written and directed by Jonathan Kaufer, in which a New York Jewish television producer played by Saul Rubinek tries to find his perfect woman.
“Set Me Free” (1999), Jan. 13 at 3:45 a.m.
Most of the movies in the series are American, but there are a couple of international films, including this French-Canadian coming-of-age story about a 13-year-old Jewish girl obsessed with the character that Anna Karina plays in Jean-Luc Godard’s film “Vivre sa vie.” Directed by Léa Pool, it’s the most recent film in the lineup, though it is set in 1963. Pool, whose father was a Holocaust survivor from Poland, is one of several women directors represented in the series.
“Crossing Delancey” (1988), Jan. 19 at 8 p.m.
Probably the most famous of the romantic comedies in the series, “Crossing Delancey” was also directed and written by women: Joan Micklin Silver and Susan Sandler, respectively. Amy Irving stars as Isabelle Grossman, a young New Yorker who works for a bookstore and is close with her grandmother — who wants to see her granddaughter settle down. She has a matchmaker set her up with Sam Posner (Peter Riegert), a pickle salesman, and Isabelle is torn between him and the intellectual world. The film also shows the Lower East Side from the era when it was bustling with Jewish immigrant shops and vendors, before gentrification irrevocably changed it.
“Over the Brooklyn Bridge” (1984), Jan. 19 at 10 p.m.
One can never have too many romantic comedies set in New York. In this one, directed by Israeli-born Menahem Golan, Elliott Gould plays Alby Sherman, a business owner whose wealthy uncle will only loan him money if he breaks up with his gentile girlfriend (Margaux Hemingway). The very Jewish cast also includes Sid Caesar, Carol Kane, Shelley Winters and a very young (and uncredited) Sarah Michelle Gellar.
“Girlfriends” (1978), Jan. 20 at 12 a.m.
This pioneering indie film — which according to The New York Times was the first independent American film to be funded primarily by grantmaking organizations — is also is notable for its portrayal of female friendship between Susan Weinblatt (Melanie Mayron), a Jewish photographer, and her ex-roommate Anne Munroe (Anita Skinner), who moves out to get married. Directed by Claudia Weill, who also wrote it along with Vicki Polon, the film is a precursor to so many contemporary indies, including Noah Baumbach and Greta Gerwig’s “Frances Ha.”
“The Frisco Kid” (1979), Jan. 20 at 1:45 a.m.
Jews are not usually associated with Westerns. But in this comedy, Gene Wilder stars as a rabbi from Poland who is set to lead a congregation in San Francisco. He gets stuck en route in the Wild West and befriends a bank robber played by Harrison Ford. Some scenes don’t hold up in contemporary times, especially ones portraying Native Americans, but TCM doesn’t shy away from showing how stereotypes are part of film history.
“Au Revoir, Les Enfants” (1987), Jan. 20 at 4 a.m.
This French film is one of the few in the series that takes place during the years of the Holocaust. Louis Malle’s autobiographical film is based on his time at the Catholic school Petit-College d’Avon, at which the real headmaster Pére Jacques (Pére Jean in the film) attempted to hide Jewish children from the Nazis. The film focuses on the friendship of two fictionalized 12-year-old boys, Julian Quentin (Gaspard Manesse) and Jean Bonnet, whose real name is Jean Kippelstein (Raphael Fejtö).
“Biloxi Blues” (1988), Jan. 26 at 8 p.m.
Neil Simon adapted his own play, the second in his semi-autobiographical trilogy about growing up in Brighton Beach, for the screen. Eugene Jerome (Matthew Broderick), a young Jewish Brooklynite, is drafted into the army during World War II and is sent to bootcamp in Mississippi. The movie is helmed by prolific Jewish film and theater director Mike Nichols, who was born in Germany and immigrated to the United States as a young boy in 1939.
“The Chosen” (1981), Jan. 26 at 10 p.m.
Many of the movies selected for this series unsurprisingly take place in Brooklyn, including this one based on Chaim Potok’s 1967 novel set towards the end of World War II. It shows the conflict between different sects of Judaism by focusing on the friendship of two Jewish teenagers — Reuven Malter (Barry Miller), who is Modern Orthodox, and Danny Saunders (Robby Benson), who is Hasidic.
“Portnoy’s Complaint” (1972), Jan. 27 at 12 a.m.
Richard Benjamin stars in this movie based on Philip Roth’s book, adapted and directed by Ernest Lehman. Though the novel — which is written as a monologue from Alexander Portnoy to his psychoanalyst — turned Roth into a celebrity author, the film adaptation was not critically or commercially successful, especially when compared to another Roth adaptation starring Benjamin: “Goodbye Columbus.”
“The Last Metro” (1980), Jan. 27 at 2 a.m.
The other Holocaust movie in the series is also from France, and is one of director French New Wave pioneer François Truffaut’s most commercially successful films. The manager of a small theater company in Paris (Catherine Deneuve) hides her Jewish husband (Gérard Depardieu) during the Nazi occupation.
“Tevya” (1939), Jan. 27 at 4:15 a.m.
The series closes with another take on Sholem Aleichem’s stories that makes a nice bookend with “Fiddler on the Roof.” Adapted and directed by Maurice Schwartz, who also stars in the titular role, the Yiddish film was thought to be lost until a print was found in 1978. In 1991, it became the first non-English film to be selected for preservation in the library of Congress National Film Registry for its cultural significance.
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Israel-bound flight diverted to Saudi Arabia after terror attack on board
(JTA) — A Flydubai flight from Dubai to Tel Aviv made an emergency landing in Saudi Arabia after passengers reported that an altercation broke out between two pilots. Israeli officials are describing the incident as a terrorist attack and passengers say they intervened to restrain a man who had attacked one of the pilots.
The flight, carrying more than 100 Israeli passengers, was diverted while flying over Jordanian airspace and eventually landed at Tabuk Airport in northern Saudi Arabia, an Israeli official to the Jewish Telegraphic Agency.
An Israeli official briefed the media and was quoted by Israel’s Channel 12 as saying that one pilot stabbed the other and attempted to “do a 9/11” — either by hijacking the plane and flying it toward Israel or crashing it. The official said that a “dramatic disaster was prevented.”
According to accounts from passengers posted on social media and reports by Israeli media, the co-pilot attacked the captain and attempted to take control of the aircraft. At least two people were injured in the incident. The entire incident lasted about an hour and a half.
“We are on the flight from Dubai. We took control of the flight. There was an attacker with a knife who stabbed one of the pilots,” passenger Itzhak Liber said in a Facebook video. “A few of us jumped in and pulled him out of the cockpit. Everything is OK now. The terrorist is neutralized. There is a pilot who is seriously injured.”
“It was tough. Everything is covered in blood,” Liber added.
Another passenger, appearing in a video posted to social media with blood visible on his face, said the passengers were in the middle of a hijacking and had restrained the attacker as the plane prepared to land. In another video, several passengers said they were protecting the pilot.
A third passenger told Israel’s Channel 12, “There were moments when we were sure this was the end.”
Saudi authorities said the two pilots were taken to a hospital after sustaining injuries, according to international media reports. Flydubai, which is owned by the United Arab Emirates, has acknowledged that there was an “incident” that led to the diversion of the flight. It stressed that the plane landed safely and that all passengers were safe. UAE officials had not commented on the incident as of publication.
Data from Flightradar24 showed the aircraft descending roughly 14,000 feet in less than 30 seconds during the incident. The plane subsequently diverted from its route and landed in Tabuk.
The office of Israeli Prime Minister Benjamin Netanyahu said he had held consultations and was monitoring developments. “Following concerns over an aviation incident, the prime minister held consultations on the matter and followed developments,” Netanyahu’s office said. “The incident is under control, and all measures are now being taken to return the Israeli passengers safely to Israel.”
Israel and Saudi Arabia do not have formal diplomatic relations, but the two countries maintain ties. This is not the first time a flight carrying Israeli passengers has landed in Saudi Arabia.
Israeli Finance Minister Bezalel Smotrich said in a post on X that there had been an attempt to “crash” the aircraft and “murder 180 Israelis.” He called for Israel to hold accountable the “state or terrorist organization” responsible for the incident.
This is a developing story.
This article originally appeared on JTA.org.
The post Israel-bound flight diverted to Saudi Arabia after terror attack on board appeared first on The Forward.
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Far-right Israel critic James Fishback likens abortion to the Holocaust
(JTA) — James Fishback, a fierce critic of Israel and a far-right politician, offered scathing remarks about the Jewish state and likened abortion to the Holocaust during an address at the University of Mississippi on Tuesday evening.
Fishback, a former GOP gubernatorial candidate in Florida, recalled that earlier this summer the Combat Antisemitism Movement flagged as antisemitic one of his X posts describing abortion as a holocaust.
“Abortion is a holocaust, and by every single historical metric available, it was worse than the other one,” Fishback said, claiming that “61 million children have been killed in the womb since Roe v. Wade was wrongly decided in 1973.”
He also had harsh words for the state of Israel. “It is time for President Trump to call [Prime Minister] Benjamin Netanyahu and cut him off. We must decouple from Israel to save America,” he added.
Fishback was speaking at a Turn Up the Mic forum arranged by members of the University of Mississippi chapter of Turning Point USA, the organization founded by the late Charlie Kirk.
Slamming immigration policies on both sides of the aisle — Republicans for too few mass deportations and Democrats for an influx of foreign workers — Fishback declared, “It’s time to stand up and tell both parties that no, American jobs are for Americans only.”
He noted, however, that making such demands could result in a person being labeled a racist or misogynist, and that “if you’re really bad they’ll call you an antisemite.” Stressing that he condemns “all forms of religious hatred,” he maintained that “the most virulent” type is the hostility “against Christians in this country.”
Fishback blamed Israel and the inability of the U.S. to “tell them no” for drawing the country into the war with Iran. That war, he argued, has pushed gas prices and Treasury yields higher.
This article originally appeared on JTA.org.
The post Far-right Israel critic James Fishback likens abortion to the Holocaust appeared first on The Forward.
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Protesters stormed Mahmoud Khalil’s book release. His Israeli editor confronted them.
Minutes before activist Mahmoud Khalil was scheduled to speak Tuesday night about his new memoir at a bookstore near the Columbia University campus where he led pro-Palestinian demonstrations, protesters stormed inside with a megaphone, a sign and a large American–Israeli flag.
“Zionist Jews are here,” announced Ross Glick over the megaphone, as he entered Book Culture. “We are against intifada.”
Glick is the former CEO of Betar US, a pro-Israel organization labeled an “extremist group” by the Anti-Defamation League for its harassment tactics. Betar previously shared names of pro-Palestinian protesters, including Khalil, with federal immigration authorities. Khalil is suing Betar along with the Heritage Foundation and the Canary Mission. Betar reached a settlement with New York state over harassment allegations and wound down its operations.
Khalil was upstairs, along with most of the book event’s attendees, when the demonstrators entered the store downstairs. Employees ushered the protesters outside, but one came back inside minutes later waving the flag and singing “Am Yisrael Chai.”
A store employee tried to grab the flag from the protester. After a brief tug-of-war, the protester appeared to hit the employee’s arm as he pulled the flag from her.
Khalil’s editor Riva Hocherman, who is Israeli, confronted the protesters in Hebrew.
“I really wanted to get a sense of whether they knew Hebrew, and they didn’t,” Hocherman told the Forward. “They just enrage me.”
Hocherman specializes in publishing books on the Middle East and previously worked with Rashid Khalidi as his editor on The Hundred Years’ War on Palestine. She said she was motivated to work with Khalid because, “His story was one that was really worth telling, and a great injustice was perpetrated.”
Khalil’s memoir, No Land to Stand on, focuses on his 2025 detention by Immigration and Customs Enforcement. Khalil was held for more than 100 days and became the face of the debate over free speech on campus and when anti-Zionism crosses the line into antisemitism.
In his book, Khalil, who was born in a Palestinian refugee camp in Syria, says that pro-Palestinian protesters were peaceful, while “it was the pro-Israel students and Zionist groups that had provoked confrontations, harassed Palestinian students, and in some cases physically attacked them.”
Khalid mentions Hocherman in the acknowledgments section of his book: “Riva, my editor, is not only a champion of the book but of the cause.”
Hocherman addressed the protesters because she said they lie about Khalil, and because she wanted to show that not all Jews and Israelis think the same.
“Our opinion is not a monolith,” she said. “There is a range of opinion among Israelis and Jews. We don’t all think like they do.”
The event, only slightly delayed, carried on without further interruptions. Khalil spoke with environmental lawyer and activist Steven Donziger and answered a few questions from attendees before signing books. He received a standing ovation from the crowd of more than 85 people.
The post Protesters stormed Mahmoud Khalil’s book release. His Israeli editor confronted them. appeared first on The Forward.
