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‘We’re listening,’ Israel’s new Diaspora minister says in first public comments in the US
AUSTIN, Texas (JTA) — The new Israeli government is listening to the concerns of more liberal Jews, Israel’s new minister of Diaspora affairs said on Thursday.
But Amichai Chikli said that while some proposed changes that worry Americans — including an overhaul to the country’s Law of Return — would happen slowly, any criticism is largely misplaced.
“There is a large alarm on the left, it’s obvious, and it affects dramatically most of the Jews who live here in America,” Chikli said at the summit of the Israeli American Council, which aims to keep Israelis in America connected to Israel, often through business.
“We had an election. The result was crystal clear. We were very honest with our agenda, and it is our responsibility to form this agenda,” he said. “And it does not mean that we are not listening. We do listen, and I spent hours today, yesterday, to listen to Jewish leaders and what they have to say about the Law of Return, about the judicial changes, and everything. We’re listening to the criticism. We’re listening to the concerns. We care about it.”
Chikli was making his first public comments outside of Israel since being appointed minister of Diaspora affairs late last month in Israel’s new right-wing government, helmed by Prime Minister Benjamin Netanyahu. Netanyahu’s decision to ally with extremist parties, including ones that advocate for curbing rights to Arab Israelis, LGBTQ Israelis and non-Orthodox Jews, has drawn concern from across the Diaspora, as has the government’s effort to weaken Israel’s judiciary, which historically has acted to protect the country’s minorities.
Diaspora Jewish leaders have raised particular concern about the coalition’s agreement to amend Israel’s hallmark Law of Return, which permits anyone with a Jewish grandparent to claim citizenship. The eligibility rules were crafted to reflect the Nazis’ criteria for whom to kill during the Holocaust, but Israel’s religious parties say that has left the door open to immigrants who are not invested in building a strong Jewish state.
Speaking in a live interview with Israeli journalist and TV presenter Miri Michaeli, Chikli said he believed it was a problem for Israel’s identity that a decreasing percentage of immigrants from the former Soviet Union are connected to Judaism and many of them don’t stay in Israel for very long.
But the new minister said any changes to Israel’s Law of Return would happen slowly and through a process that includes consultation with others.
“No one, no one is going to cancel the Law of Return, which is fundamental for the state of Israel,” Chikli said.
“We’re not saying we’re about to cancel Chapter Four tomorrow morning,” he said, referring to a technical name for the law. “That’s not what’s going to happen. What’s going to happen is there’s going to be a committee to determine how can we deal with this serious challenge. And as you see when you go into the details, that’s a challenge. We need Israel to be a strong Jewish state, and we need to tackle this challenge, and we’re going to do it slow. We’re going to do it by listening to all.”
Chikli, who has previously made disparaging remarks about Reform Judaism and who has said the LGBTQ Pride flag is an antisemitic symbol, grew up and lives on a kibbutz founded by the Conservative movement of Judaism where three-quarters of voters backed left-wing parties in the most recent election. He said his government’s critics would do well to change how they form their opinions about the government.
“I think that maybe one tip is less Haaretz and New York Times, and more common sense and tachlis, what the government is actually doing,” Chikli said, referring to newspapers perceived as liberal and using the Hebrew word meaning details. “That’s it. We are proud to be Zionists. Me, myself, I’m proud to represent this government.”
Nearly 3,000 people, many of them Israelis living in America, are expected to attend the IAC’s summit in Austin this week. Chikli’s comments came during the opening day, when Israeli President Isaac Herzog spoke to the summit via video message and acknowledged concerns around the new administration.
“It’s no secret that, since Israel’s most recent election, questions were raised by many of our friends around the world and in the United States,” Herzog said. “Our friends want to know that Israel will continue to carry the rich, ethical heritage on which our country was founded, that it will continue to stand for those values of democracy, liberty and equality, which are the animating force behind the United States and Israel alliance. So allow me to reassure you that Israeli democracy is strong.”
Many of the events during the conference’s first day did not address the month-old government, its turmoil or the concern ricocheting across the world, including among many of Israel’s allies.
Ofer Krichman, an Israeli expat who works in finance and lives in New Jersey, told the Jewish Telegraphic Agency that he had expected the new Israeli administration to be a bigger topic of conversation.
Instead, he said, he had conversations about “ideology, but based not on politics, based on Jews all around the world, antisemitism, how to cope with that, which is not business, but that’s a valid topic to discuss, and it’s a concerning topic.”
One of Chikli’s first acts was to extend his title to include a mandate to fight antisemitism. He says the movement to boycott Israel, known as BDS, is of particular concern to him. Noa Tishby, Israel’s first special envoy for combating antisemitism and delegitimization of Israel, also spoke during the summit’s first day.
The turmoil was on the minds of some attendees. Grinstein, the founder of the Reut Group, a nonpartisan Israeli policy think tank, told JTA that the relationship between Israel and world Jewry is at a pivotal moment.
“The new government represents a massive challenge to world Jewry on a number of counts,” Grinstein said. “First of all, the government handed responsibility over key touchpoints to world Jewry in Israel to the most radical factions of the government. … These things really make it structurally challenging for world Jewry to be as involved in Israel as they used to be.”
Those concerns offered an undercurrent during the first day of the conference. But the dominant vibe was simply on making business connections and meeting people.
Shani Gil, who works in real estate in the Los Angeles area, said she spent her first day at the conference going through the booths, mingling and handing out business cards.
“It’s an electric vibe in the air,” she said. “Everyone’s very excited.”
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Stories of ghosts, grief and Shabbat gladness win top prizes in Jewish children’s literature
(JTA) — Anna is a misunderstood sixth-grade girl who communicates with the ghosts of her Jewish ancestors. Teased by her classmates and worried-over by her family, she finds comfort and understanding with her Bubbe and her beloved Jewish traditions.
“Neshama,” Marcella Pixley’s lyrically written novel-in-verse, won the gold medal for Jewish children’s literature for middle-grade readers from the Association of Jewish Libraries. Its Sydney Taylor Book Awards were announced today in a virtual livecast from Chicago.
The award committee called Pixley’s “a lyrical, deeply Jewish story about identity, grief, and resilience.”
The annual award, named in memory of Sydney Taylor, the author of the “All-of-a-Kind Family” series, “recognizes books for children and teens that exemplify high literary standards while authentically portraying the Jewish experience,” according to the award committee’s announcement.
Other winners include “D.J. Rosenblum Becomes the G.O.A.T,” a coming-of-age mystery by Abby White, which won in the young adult category, and “Shabbat Shalom: Let’s Rest and Reset,” a lively board book written and illustrated by Suzy Ultman, which won the picture book award.
The Sydney Taylor committee named Uri Shulevitz, whose 2008 book “How I Learned Geography” drew on his boyhood experiences fleeing Poland after the Nazi invasion in 1939, as the winner of its Body-of-Work award. Shulevitz, a multi-award winning storyteller and illustrator, died last year.
In addition to the top winners, the Sydney Taylor committee named five silver medalists and nine notable titles of Jewish content.
“This year’s winners and honorees exemplify excellence in Jewish children’s literature through vibrant storytelling and rich perspectives that foster empathy, understanding, and a deep appreciation for culture and community,” said Melanie Koss, chair of the award committee.
Winners will receive their awards in June in Evanston, Illinois at the AJL’s annual conference.
In “D. J. Rosenblum Becomes the “G.O.A.T,” an about-to-be bat mitzah-age girl is determined to prove that her beloved cousin did not die by suicide. Abby White lightens the emotional subject with a teen’s authentic, humorous voice.
“She wrestles with her Torah portion and faith, finding strength to face loss and begin moving forward,” the committee noted.
“Shabbat Shalom” may be the first board book to garner the award, Heidi Rabinowitz, a long-time podcaster about Jewish children’s books, told the Jewish Telegraphic Agency.
“The sophisticated board book combines succinct text with playful art,” the committee wrote in its release.
In awarding its Body-of-Work award to Shulevitz (1935-2025), who lived with his family in Israel before settling in New York, the committee recognized him as a “foundational voice in Jewish children’s literature.” His books “illuminate Jewish culture and reflect universal experience,” the committee wrote.
Many of Shulevitz’s titles reflect his Jewish roots, including “The Golem,” by Isaac Bashevis Singer and “The Travels of Benjamin of Tudela,” an illustrated travelogue for children based on the real-life voyages of the 12th-century Jewish traveler who visited Rome, Constantinople, Baghdad and Jerusalem. Shulevitz garnered the Caldecott medal, children’s literature’s top honor for illustrated books, for “The Fool of the World and the Flying Ship.”
Earlier, the AJL announced that Jessica Russak-Hoffman, a journalist for Jewish media outlets, won the organization’s new manuscript award for “How to Catch a Mermaid (When You’re Scared of the Sea),” a novel set in Israel for ages 8-13.
Last week, the AJL named Jason Diamond as the 2026 winner of its Jewish Fiction award for his novel, “Kaplan’s Plot.”
At Tuesday’s event, the Youth Media Awards hosted by the American Library Association, the winners were also announced for the Caldecott, Coretta Scott King, Newberry and Printz awards, among others. The Asian American Picture Book award went to “Many Things All At Once,” by Veera Hiranandani and illustrated by Nadia Alam, the story of a girl with a Jewish mother and a South Asian father.
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NJ church deletes video of pageant featuring antisemitic character but says critics took it ‘out of context’
(JTA) — A New Jersey church says it is “committed to engaging in dialogue, and teaching others about our heritage” after putting on a Christmas pageant that drew criticism for reflecting antisemitic stereotypes.
St. Mary Protectress Ukrainian Orthodox Church’s pageant, known as a vertep, featured an antagonist named Moshko who danced with the devil while wearing faux Hasidic garb like side locks and a black hat. The character was referred to as “zhyd,” a Ukrainian slur for “Jew.”
“We do not have any intention to promote harm or hatred with this pageant,” the church said in a statement issued on Facebook on Friday night. “However, we recognize some outside of our culture may assign elements of the performance to stereotypes when taken out of context which is inclusive of peoples historically present in eastern Europe.”
The church did not respond to a Jewish Telegraphic Agency request for comment prior to an initial report on the vertep earlier this month. It did not respond to an additional request for comment on Monday, following the statement. The church removed photos and video of the pageant from its Facebook page following the JTA report.
The vertep is a centuries-old Slavic Christmas tradition that emerged from puppet theater. In recent years, many Ukrainian Orthodox churches have removed material criticized as offensive. Since the current war between Russia and Ukraine began in 2022, one popular replacement for the Jewish antagonist has been a Russian character.
In its statement, St. Mary Protectress Ukrainian Orthodox Church emphasized that “the event does not target any specific group” but indicated that it could make changes in future pageants.
“The church is reflecting on this matter seriously and is committed to engaging in dialogue, and teaching others about our heritage while ensuring that future events continue to uphold the dignity, respect, and safety of all people,” it said.
The Anti-Defamation League of New Jersey, which said earlier this month that it was reaching out to St. Mary Protectress, told JTA on Monday that it had not been able to communicate with anyone from the church.
The church’s apology rang hollow for Lev Golinkin, a Jewish writer born in Ukraine who has advocated against the antisemitic elements of the traditional vertep.
“It’s not an apology, it’s more of an insult,” Golinkin said. “The problem is not the context. The problem is exactly that. It is in context perfectly.”
He added, “They’re making it seem that the people who are criticizing them … are the ones who have a problem because they don’t understand the culture.”
St. Mary Protectress is not the only Ukrainian church in the United States to import the antisemitic elements of the vertep from the old country. A church in Connecticut erected a backdrop poster for its pageant this year that included a Moshko character standing next to the devil.
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A new exhibit honors writer Lore Segal, a child survivor and lifelong skeptic of easy truths
(JTA) — I’ve never read a Holocaust chronicle quite like Lore Segal’s autobiographical 1964 novel, “Other People’s Houses.” Mordant, unsentimental and sometimes painfully honest, it’s the story of an Austrian girl sent to England on the Kindertransport, as well as a portrait of the artist as a young refugee.
More than one of her legions of admirers have noted that Segal, who died in 2024 at the age of 96, was only one year younger than Anne Frank, and grew up to become the kind of writer Anne too might have become had she not died in Bergen-Belsen.
Segal’s work, which includes decades of stories in The New Yorker as well as a delightful children’s book, “Tell Me a Mitzi,” is also remarkable in its humility. Segal was adamant that memory — especially of traumatic events like the Holocaust — cannot be a perfect repository of truth. It’s not that authors couldn’t be trusted, but that neither the writer nor the reader should take anything for granted.
That challenge is captured in the title of a new exhibit mounted by the Leo Baeck Institute in New York: “And That’s True Too: The Life and Work of Lore Segal.” The title is a quote from “King Lear,” a favorite of Segal’s and a reminder to hold opposing truths in the same sentence, of resisting the false comfort of a single, final version.
“We tried to give you an insight into Laura’s ability to look at the world from many angles,” Karin Hanta, the exhibit’s curator, said at the exhibit’s opening on Thursday, just days before International Holocaust Remembrance Day.
At the event, actress Toni Kalem, who played Angie Bonpensiero on “The Sopranos,” read an excerpt from “Other People’s Houses.” Kalem, who met Segal years ago and discovered that their mothers shared the experience of the Kindertransport, spoke of Segal’s “unbridled curiosity” — a quality that runs through the display of photographs, manuscripts and family keepsakes.
Lore (pronounced “Laura”) Groszmann was born in Vienna in 1928; one month after the Nazi pogrom on Kristallnacht, she was sent to England and raised in a series of foster homes (her refugee parents would eventually arrive and find work as domestics). Later she would join her family in the Dominican Republic, and they eventually found refuge in Washington Heights, the Manhattan redoubt for German-speaking Jews. After she established herself as a writer, she became part of a circle of mostly Jewish writers in New York, including Cynthia Ozick, Vivan Gornick, Grace Paley, Norma Rosen and Gloria Goldreich. Her husband, book editor David Segal, was 40 when he died in 1970.
Hanta had hoped to write a biography of Segal, but when that project stalled, she pivoted. “With all the materials I had gathered,” she recalled at the opening, “why not stage an exhibition?”
The first iteration, mounted in Vienna’s Bezirksmuseum Josefstadt — located in the district where Segal grew up, and, as Hanta later discovered, near the hospital where she was born — drew thousands of visitors. The New York version, expanded and sharpened, shifts the focus westward, tracing Segal’s journey from prewar Vienna to Manhattan, where she lived for decades, taught generations of writers, and, according to the New York Times, came “closer than anyone to writing the Great American Novel.”
That novel, “Her First American,” appeared in 1985 and explored the uneasy intersection of race and Holocaust history through the relationship of a Jewish refugee and a Black intellectual. (LBI has scheduled an online event about Horace Cayton, Segal’s real-life lover and the inspiration for the novel.) “Other People’s Houses,” her first book, earned Segal a Guggenheim Fellowship, and her short-story collection “Shakespeare’s Kitchen” (2007) became a Pulitzer Prize finalist. All three books will be reissued in the spring of 2026 by the New Press, while Melville House is publishing a posthumous collection, “Still Talking.” Introduced by Gornick, it features the linked “Ladies’ Lunch” stories she wrote late in her career, about elderly Manhattan friends dealing frankly and often hilariously with the daily indignities of growing old.
The exhibit at the Center for Jewish History, where LBI catalogues the history and culture of German-speaking Jews, includes notebooks from Bedford College in London, where Segal studied after the war, filled with short stories entered into competitions. There are manuscripts marked and re-marked in a hand that never stopped revising. There are address books kept by her parents — one from England, one from the Dominican Republic — opened to pages that quietly testify to vanished worlds: cousins who hid behind kitchen curtains in France, friends who assumed false identities, children who never made it onto the trains.
One small object carries particular weight: a childhood friendship book, the sort in which relatives and friends inscribe poems and well-intentioned advice. Segal’s includes an entry from her first English foster mother, urging her to cherish friendship — advice that reads differently if you know, as Segal later wrote, that their relationship was fraught. Her father’s contribution, a drawing of a boy hiking in the mountains, echoes a story Segal drafted as a young woman about a prewar hike in the Alps with him. She revised that story at 90 and retitled it “Dandelion.” The New Yorker published it in 2019, 70 years after its first draft.
The exhibition is accompanied by a season of in-person and virtual programs, and Hanta has her own wish list of commemorative projects: She hopes that a park in Vienna where Segal played as a child might be renamed in her honor; that the exhibition might travel; that “Other People’s Houses” might be distributed free in Austria in 2028, the centenary of Segal’s birth and the 90th anniversary of the Kindertransport.
On opening night, before reading from “Other People’s Houses,” Kalem paused to apologize for the necessary cuts she made. “As you know, all her life, Lore was a master of meticulously crafting and scrupulously revising her work,” said Kalem. “So it feels like literary malfeasance on my part to attempt to edit a word of Lore’s story. It feels akin to cutting Shakespeare by shortening Hamlet’s soliloquy…. So Lore, I hope you understand and I hope you will forgive me.”
The exhibition also includes a video produced by Hanta and Segal’s grandson, Benny, which captures Segal late in life, still circling her subjects, still attentive to the elusiveness of truth. At the opening, Segal’s son Jacob spoke of his mother’s ambition and her modesty, her seriousness about art and her refusal to be undone by success or disappointment.
“She always made the world larger,” he said. “It’s smaller now.”
“And That’s True Too: The Life and Work of Lore Segal” runs through April 15 at the Center for Jewish History, 15 W. 16th St., New York, New York.
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