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White House says it will not meet with Israel’s Bezalel Smotrich when he visits the US
WASHINGTON (JTA) — Biden administration officials will not meet with Bezalel Smotrich, the Israeli finance minister who called for a Palestinian village to be “wiped out,” then backtracked, and who is visiting the U.S. next week to meet with leaders of Israel Bonds.
At least five liberal Jewish groups want the U.S. government to consider barring Smotrich from coming here. Ned Price, the department’s spokesman, said at Thursday’s daily briefing that questions on Israeli ministers’ travel should be referred to Israel, and that he does not comment on the eligibility of individuals to enter the United States.
The trip comes as Smotrich and his far-right allies in Israel’s governing coalition have upended traditions of comity between establishment U.S. Jewish groups and Israel. Those relationships have become even more strained in recent days, after Israeli West Bank settlers rioted in a Palestinian village. They also come amid raucous protests of the Israeli government’s plan to sap the power of the judiciary, which critics say endanger minority rights.
William Daroff, the CEO of the Conference of Presidents of Major American Jewish Organizations, said Smotrich’s remarks were “disgusting,” and a spokesman for the American Israel Public Affairs Committee, the powerful pro-Israel lobby, said the group would not be meeting with him.
Asked by the Jewish Telegraphic Agency whether the minister will meet with the White House, a National Security Council spokeswoman said, “No U.S. government meetings are planned for this trip.” That includes officials in the U.S. Treasury, the counterpart to Smotrich’s ministry, she said.
Smotrich is also responsible for civilian affairs in much of the West Bank. His call to “wipe out” the West Bank village of Huwara came after a settler rampage through the village following a shooting there that killed two Israeli brothers. At least one Palestinian in another village died amid the riots.
“I think the village of Huwara should be wiped out, I think that the state of Israel should do it,” he said in an interview on Wednesday. A few hours later, he walked back his statement: “To remove any doubt, in my words I did not mean wiping out the village of Huwara, but rather acting in a targeted way against terrorists and supporters of terror, and exacting a heavy price from them in order to return security to local residents.”
This week, the State Department’s annual report on terrorism recorded a “substantial rise” in settler attacks on Palestinian in 2021, the first time it had made such an assessment. On Wednesday, Price called Smotrich’s remarks about wiping out the village “disgusting” and “incitement to violence.”
“Just as we condemn Palestinian incitement to violence, we condemn these provocative remarks that also amount to incitement to violence,” Price said in his briefing that day. “We call on Prime Minister Netanyahu and other senior Israeli officials to publicly and clearly reject and disavow these comments.”
Netanyahu has yet to do so, and with Smotrich just days away from a visit stateside to give a speech to Israel Bonds in Washington D.C., five Jewish groups are saying the Biden administration should at least consider keeping him out and others will not sit down with him. AIPAC’s declining to meet with Smotrich is particularly noteworthy. It routinely meets with senior Israeli ministers.
“The administration should make clear that comments promoting grave violations of human rights, such as those made by Smotrich, are grounds for re-examination of a visa for entry to the United States,” J Street, the liberal Jewish Israel policy group, said in a statement.
Four other Jewish groups are saying outright that the Biden administration should keep Smotrich out, among them Americans for Peace Now, an affiliate off the Israeli left-wing group; the Israel Policy Forum, a group that advocates for an independent Palestinian state alongside Israel; T’ruah, a liberal rabbinic human rights group; and Jewish Voice for Peace, an anti-Zionist group.
The T’ruah statement referred to U.S. immigration law, which bans entry to those who have “incited terrorist activity with intent to cause serious bodily harm or death.” It said the threat Smotrich poses is especially acute since he assumed responsibility for administering civilian life in parts of the West Bank.
“Smotrich’s comments are even more dangerous now that Israel’s de jure annexation of the West Bank has made him effectively the governor of the territory, with broad oversight over most areas of civil administration,” the T’ruah statement said.
IPF, a group led by former lay leaders of mainstream pro-Israel organizations, also joined the calls. its policy director, Michael Koplow, told JTA, “We believe that there are sufficient grounds to deny Smotrich a visa.”
The Americans for Peace Now petition, addressed to Biden, garnered more than 1,100 signatures less than a day after it was posted.
“Smotrich wants to bring his hatred to US soil. He has plans to travel to the United States later this month. We’re here to say that he is not welcome,” the petition says. “We have seen how incitement in Israel-Palestine has led to devastating violence and we urge your administration to deny entry to Smotrich and his hateful rhetoric.”
A sixth U.S.-based liberal group, the New Israel Fund, which raises money for social justice organizations in Israel, said Jewish groups should make clear Smnotrich is unwanted here. “Our responsibility right now as American Jews is to say ‘take your hateful racism, your homophobia your plans for an apartheid Israel and get out. We do not want you here’,” it said in a statement. Smnotrich has called himself a “proud homophobe.”
Daroff, of the Conference of Presidents, declined to comment to JTA on whether he would meet with Smotrich.But he tweeted his agreement with Price. “I agree. His statement seeking to ‘wipe out’ Huwara was, as Ned Price said, ‘irresponsible, repugnant and disgusting’,” he wrote.
Israel Bonds, which promotes investment in Israeli government bonds, said in a statement that because it works closely with the Finance Ministry, welcoming the sitting finance minister to its events was a matter of routine. Smotrich will speak to the group’s Washington, D.C. leadership meeting.
“As part of their long-established responsibilities, Israel’s finance ministers from across the political spectrum have historically, over Israel Bonds’ 72-year history, attended our events,” a spokesman said, replying to a JTA query. “One of the organization’s most unique and paramount attributes is that it remains unbiased with regard to any political party or affiliation.”
Hundreds of rabbis have said they would not welcome Smotrich or his allies into their synagogues and would encourage their communities to boycott him. The Presidents’ Conference did not invite ministers from Smotrich’s Religious Zionism party to address its annual colloquy in Israel last month, although they were invited to a luncheon for all Knesset members.
One group that backs settlements, the Zionist Organization of America, said not meeting with Religious Zionism leaders was a mistake.
‘Nobody has to agree with them or disagree with them,” Klein said. “But they should speak and whoever wants to challenge them, challenge them, criticize them, disagree with them.”
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The post White House says it will not meet with Israel’s Bezalel Smotrich when he visits the US appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”