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Who’s who in Israel’s new far-right government, and why it matters
(JTA) – As the sun set on the fourth night of Hanukkah in Israel on Wednesday, incoming Prime Minister Benjamin Netanyahu was expected to announce that he had successfully formed his new coalition government after more than five weeks of negotiations.
There are some asterisks: Netanyahu hasn’t officially signed any coalition deals yet with other parties (he has until 48 hours before the new government is seated Jan. 2 to do so), and some of his expected new partners are first demanding new legislation that has been delayed until after coalition talks.
But Netanyahu seems confident that he has formed a coalition that will grant him a comfortable majority in the Knesset, Israel’s parliament. Assuming he pulls it off before the swearing-in date, Israel seems set to welcome a new set of ministers who have set off alarm bells around the globe for their extremist beliefs and records.
Among the most worried observers are the U.S. government and Diaspora Jewish groups, who warn that, should these ministers get their way, Israel would be placing its status as both a pluralistic Jewish and democratic state at serious risk.
So what has everyone so concerned? Before the new government looks to be formally seated in January, here’s what you need to know about who’s set to take power in Israel.
Who’s in the new government?
Netanyahu’s coalition is full of incendiary characters hailing from Israel’s far-right and haredi Orthodox wings — including multiple fringe figures who until recently had been shunned by the country’s political mainstream, but who the incoming prime minister needs on his team in order to hold a governing majority (and attempt to dodge his own corruption charges).
Chief among them is Itamar Ben-Gvir, leader of the far-right Otzma Yehudit party, who will likely hold a newly created ministry position that gives him power over the state’s police force. A onetime follower of Jewish extremist rabbi Meir Kahane, Ben-Gvir has been convicted of incitement over his past support of Israeli terrorist groups and inflammatory comments about Israel’s Arab population. He has also encouraged demonstrations on the Temple Mount by religious nationalists that often lead to sectarian violence, leaving analysts worried about what he would do once placed in control of the state’s police force.
Itamar Ben-Gvir, leader of Israel’s Otzma Yehudit party, and Bezalel Smotrich, leader of the Religious Zionist Party, attend a rally with supporters in the southern Israeli city of Sderot, Oct 26, 2022. (Gil Cohen-Magen/AFP via Getty Images)
In addition, the new government will include Bezalel Smotrich, leader of the extremist-aligned Religious Zionist party, who has been accused by Israeli security forces in the past of plotting violent attacks against Palestinians. Like Ben-Gvir, Smotrich will also likely be given a newly created ministership role in Netanyahu’s government to oversee Jewish settlements in the occupied West Bank — a move which liberal groups say would lead to “de facto annexation” given his desire to expand settlements and deny Palestinian claims to the area.
Smotrich, who will additionally hold the position of finance minister, is also fervently anti-LGBTQ in a country that prides itself on its treatment of LGBTQ citizens. He has organized opposition to pride parades and compared same-sex relationships to bestiality.
He’s not the only incoming anti-LGBTQ minister: Avi Maoz, head of the far-right Noam party, has described himself as a “proud homophobe” and has called all liberal forms of Judaism a “darkness” comparable to the Hellenistic Empire that controlled the Jews in the Hanukkah story. (A leading Israeli LGBTQ group has invited him to attend a pride parade.) Maoz would headline a new “National Jewish Identity” education position with the power to demand certain content be taught in schools. He has said he wants to fight liberal attempts to “brainwash the children of Israel” with progressive ideology, aligning him with many figures on the American right today.
Another controversial figure in Israel’s new government is Aryeh Deri, head of the haredi Orthodox Shas party, who is set to become interior and health minister pending new legislation. Deri has been convicted of tax fraud and served 22 months in prison in 2002 — which would bar him from holding a ministry position, unless Netanyahu can pass a law allowing him to serve. (There are reports that Netanyahu’s party, Likud, may offer Deri the position of alternate prime minister if the court rules he cannot serve in the Cabinet.) Netanyahu himself is embroiled in a years-long corruption trial, and may be relying on his allies to help shield him from the consequences of an eventual verdict.
Who’s not in?
Not all Israelis are excited to see Netanyahu return to power. Hundreds of protesters recently took to the streets of Tel Aviv to object to his pending far-right alliance.
Government officials have also lashed out against him in the press. Outgoing Prime Minister Yair Lapid, outgoing Attorney General Gali Baharav-Miara, outgoing Diaspora Affairs Minister Nachman Shai and a coalition of business executives are among the figures warning that the new laws, in the hands of the new government, would turn Israel into an illiberal state.
Benny Gantz — the outgoing defense minister and Netanyahu’s former rival-turned-unlikely-political-partner — had been floated as a wild card coalition contender in the wake of this fall’s election: A unity government involving his Blue and White party and Likud would reduce Netanyahu’s need to cater to far-right parties. But Gantz has not been mentioned in recent reporting on Netanyahu’s coalition negotiations.
How could the new government change Israel?
In some ways, it already has. As a precondition to some of his coalition deals, Netanyahu is pushing laws through the Knesset that grant new powers to his incoming ministers, allowing them expanded oversight of everything from law enforcement to Jewish settlements in the West Bank. The Shas party is also demanding an overhaul of the Israeli court system that would grant more authority over rabbinic judges and less oversight from secular ombudsmen, a move that legal observers in the country warn would cripple the judiciary and open the door to misconduct by rabbinic judges.
Netanyahu’s opposition bloc, which successfully ousted him in 2021 only to see its own coalition crumble a year later, is still in power through the end of the year and tried to delay Netanyahu’s moves with parliamentary gamesmanship this week. While they weakened some of the laws Netanyahu sought to pass, they seem to have failed to prevent the incoming PM’s ability to form a government.
Some figures in the new government also favor policies backed by the country’s Orthodox rabbinate that are hostile to much of Diasporic Jewry. Among the sweeping changes that could soon be on the table:
Removing the “grandchild clause,” a rule that allows anyone with at least one Jewish grandparent to apply for Israeli citizenship, from the country’s Law of Return (haredi parties have promised to back off trying to change the Law of Return in the short-term);
Passing a law to no longer recognize non-Orthodox converts to Judaism as Israeli citizens, reversing a recent high court decision;
And scuttling long-in-the-works plans to create a permanent egalitarian prayer space at the Western Wall.
How will this affect the Israeli-Palestinian peace process?
The answer many experts would give: What peace process?
With Ben-Gvir, Smotrich and other new ministers presenting themselves as openly hostile to Palestinian statehood, the chances of restarting viable negotiations for a two-state solution in the near future are slim to nil. Netanyahu continues to insist that any formal peace process would require the Palestinians to allow Israel to maintain some manner of security presence in the occupied territories, terms which the Palestinian Authority has strongly refused.
People gather to protest against the far-right upcoming coalition government led by Benjamin Netanyahu in Tel Aviv, Dec. 17, 2022. (Mostafa Alkharouf/Anadolu Agency via Getty Images)
With a recent rise in violent attacks on Israelis and Palestinians alike forefront in citizens’ minds, security concerns were a foremost reason why Israel’s recent elections played out so well for the right wing. There is little incentive for the new government to engage in peace talks.
In addition, one of the carrots Netanyahu offered to his incoming coalition members was that the Israeli government would formally recognize a greater number of Jewish settlements in the West Bank, which the international community consider to be part of an illegal occupation. Such a move would even further deteriorate relations with Palestinians and the international community.
Netanyahu’s discussions with other Arab nations, however, are continuing unabated. Seeking to build off of the success of the Abraham Accords, he recently hinted that Saudi Arabia may soon join the normalization agreements, urging the United States to formalize their own relationships with the Saudis.
What is the U.S. response?
The United States is certainly worried about the rightward direction Israel is headed in. President Joe Biden has often boasted of his decades-long “friendship” with Netanyahu, but that relationship is soon to be tested the further the Israeli leader embraces his coalition partners, some of whom the Biden administration has hinted it would refuse to work with directly.
Biden’s current strategy, insiders told Politico, is to work only through Netanyahu and to hold the prime minister responsible for any actions taken by his Cabinet. In interviews with American media, Netanyahu has insisted that he is still fully in control of his government.
Mainstream American Jewish groups including Jewish Federations of North America and the American Jewish Committee have stewed over Netanyahu and tried to reaffirm a commitment to “inclusive and pluralistic” policies in Israel, but they have publicly said they would wait until the new government was formed to make any judgments. Abe Foxman, former head of the Anti-Defamation League, has warned he “won’t be able to support” Ben-Gvir and Smotrich’s vision for Israel.
Other groups, like B’nai Brith International and the American Israel Public Affairs Committee, have characterized the new government as just the latest in a long line of Israeli governments they have successfully worked with.
Most American Jews are politically liberal, support a two-state solution, generally oppose Netanyahu and also highly prize the sense of egalitarianism that his new government has threatened to do away with. Any changes to the Law of Return, in particular, would be catastrophic for the relationship between Israel and American Jews, warns Union for Reform Judaism President Rabbi Rick Jacobs.
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The post Who’s who in Israel’s new far-right government, and why it matters appeared first on Jewish Telegraphic Agency.
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New documentary captures the lively history of Yiddish theater in America
The new documentary Immigrant Songs: Yiddish Theater and the American Jewish Experience, produced by the Milken Archive of Jewish Music, is fast, entertaining and a good introduction to the topic.
Focusing mainly on the musical side of the story, but covering ‘straight plays’ as well, the film opens with a superb ‘warm-up act’: “Hu Tsa Tsa,” a stock Yiddish vaudeville number performed by the widely mourned Bruce Adler, who died in 2008 at age 63. Bursting with charm and talent, Adler, scion of a top Yiddish vaudeville family, demonstrates that Yiddish theater used to be pretty damned lively.
What follows is the oft-told story of the rise and decline of the American Yiddish theater, beginning with its prehistory in the Purimshpiels — the annual performances that for centuries served as the only secular entertainment in the Ashkenazic world. From there the film takes us to Yiddish theater’s 1876 birth in Romania, courtesy of Avrom Goldfadn, a.k.a. “The Father of Yiddish Theater.”
The film also describes Yiddish theater’s arrival in America, which, thanks to massive Jewish immigration, quickly became its capital. We learn of its influence on American theater’s styles of acting and set design. And the film describes the decline of its audience, due to assimilation and the immigration quotas of the 1920s.
There’s an excellent section on “The Big Four” Yiddish theater composers — Joseph Rumshinsky, Alexander Olshanetsky, Abe Ellstein, and Sholom Secunda. All in all, the documentary does a fine job of teaching the aleph-beyz, the ABCs, of the history of Yiddish theater to the uninitiated.
The most impressive aspect of Immigrant Songs is its well-crafted pace. Though there are a few snippets of vintage Yiddish cinema (Yiddish theater’s “kid brother”), most of the film consists of recent concert footage, some well-selected photographs and ephemera, and a lot of talking heads. Almost every prominent Yiddish theater historian was interviewed for it, along with several musicologists, an archivist, Yiddish actors, directors, producers, etc. (Full disclosure: I am one of them.) Director Jeff Janeczko cuts between the interviewees so smoothly — sometimes in mid-sentence — that it feels like they’re in the same room and feeding off each other’s energy. The movie just flies by.
There are a few errors. Marc Chagall is described as an important designer of Yiddish theater; actually he designed one minor production in Russia in 1921, and never did another. In a bizarre, and biblically illiterate, statement, one interviewee claims that Jews hadn’t developed a theater culture earlier because the Second Commandment’s prohibition of “graven images” forbade the construction of sets. (Actually it’s about idol worship.)
Another interviewee claims that the Yiddish play Der Yeshiva Bokher; oder, Der Yudisher Hamlet — The Yeshiva Student; or, The Jewish Hamlet (Yiddish plays then often had subtitles), is closely patterned on Shakespeare’s tragedy. In truth, the play — written by Isidore Zolotarevski, the prolific writer of shund (“trash”) melodramas — is not only awful, but is as close to Shakespeare as baked ham is to your grandmother’s kreplach.
The film’s biggest fault, however, is its short running time (45 minutes). This is a rich topic, and too much is left by the wayside in the interest of brevity. There’s nothing about what shund melodramas felt like, why they appealed to their audiences, and why they became the only thing a lot of people know about Yiddish theater.
There’s also nothing about the World War I-era wave of shtetl plays, which reflected immigrants’ homesickness without indulging in nostalgia, and provided some of Yiddish theater’s shining moments with plays like Green Fields, The Empty Inn and Tevye. And the most important play in the Yiddish canon, The Dybbuk, is never mentioned.
Perhaps most surprisingly, considering the film’s emphasis on music, there is no examination of Yiddish theater’s influence on Broadway’s music. (Cole Porter — ironically, the only gentile among the major composers of Broadway’s Golden Age — had a pronounced Jewish lilt in a number of his songs, and he actually attended Yiddish theater regularly.)
The film’s last section is about the renewed interest in Yiddish that began in the 1970s and ’80s with the klezmer revival. Much of it focuses on the 2018 Yiddish production of Fiddler on the Roof in Yiddish, whose success was predetermined the moment the production was announced.
For the overwhelming majority of American Jews, from the Orthodox to the unaffiliated, Fiddler is all they know about the lives of their ancestors. And though it’s a world-class piece of musical theater, as a work of social history Fiddler is as phony as a glass eye. Nevertheless, for American Jews it’s a sacred text.
Fiddler was a huge hit, but it was a gimmick, a one-off, whose success does very little for the future of Yiddish theater. Worse, the Yiddish — not the text, but the lines spoken by most of the actors — was often mispronounced and had the wrong intonation. (One elderly gentleman of my acquaintance, a native Yiddish speaker from Czechoslovakia, told me he didn’t understand a word the actors said, and spent the whole evening reading the English supertitles.)
What follows the Fiddler section in Immigrant Songs is mostly bromides. But the best current Yiddish theater reflects the kind of fresh thinking that keeps the form alive.
An occasional well-presented museum piece, like the Folksbiene’s 2016 revival of Rumshinsky’s operetta The Golden Bride, is a very worthwhile project (though it, too, suffered from poorly spoken Yiddish). But the most dynamic contemporary Yiddish theater is, in Jeffrey Shandler’s apt phrase, “post vernacular” — i .e., the use of Yiddish is self-conscious, a deliberate choice rather than something that’s done automatically, as it would have been a century ago when there were a lot more Yiddish speakers in the world.
An example of this is the 2017 neo-realist film Menashe, which could far more easily and conventionally have been made in English. Or a well-known piece done in Yiddish translation, like Shane Baker’s stunning Yiddish translation of Waiting for Godot, can become something much more valuable than a mere stunt. The Yiddish version, under Moshe Yassur’s straightforward direction, humanized the play, stripping it of the encrusted pretentiousness that had hidden its soul. (When it was presented in the International Samuel Beckett Festival in Ireland, multiple audience members approached the cast afterwards with the same reaction: “I don’t speak a word of Yiddish. But I’ve seen Godot five or six times, and this is the first time I understood it.”)
There’s a lot to be learned from Immigrant Songs. If you find yourself hungry for more, you couldn’t do better than to seek out YIVO’s online Yiddish theater course “Oh, Mama, I’m in Love!” But by all means, start with Immigrant Songs. It’s a very entertaining and informative appetizer.
The post New documentary captures the lively history of Yiddish theater in America appeared first on The Forward.
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UK PM Starmer Says There Could Be New Powers to Ban Pro-Palestinian Marches
British Prime Minister Keir Starmer gives a media statement at Downing Street in London, Britain, April 30, 2026. Photo: REUTERS/Jack Taylor/File photo
British Prime Minister Keir Starmer said the government could ban pro-Palestinian marches in some circumstances because of the “cumulative effect” the demonstrations had on the Jewish community after two Jewish men were stabbed in London on Wednesday.
Starmer told the BBC that he would always defend freedom of expression and peaceful protest, but chants like “Globalize the Intifada” during demonstrations were “completely off limits” and those voicing them should be prosecuted.
Pro-Palestinian marches have become a regular feature in London since the October 2023 attack by Hamas on Israel that triggered the Gaza war. Critics say the demonstrations have generated hostility and become a focus for antisemitism.
Protesters have argued they are exercising their democratic right to spotlight ongoing human rights and political issues related to the situation in Gaza.
Starmer said he was not denying there were “very strong legitimate views about the Middle East, about Gaza,” but many people in the Jewish community had told him they were concerned about the repeat nature of the marches.
Asked if the tougher response should focus on chants and banners, or whether the protests should be stopped altogether, Starmer said: “I think certainly the first, and I think there are instances for the latter.”
“I think it’s time to look across the board at protests and the cumulative effect,” he said, adding that the government needed to look at what further powers it could take.
Britain raised its terrorism threat level to “severe” on Thursday amid mounting security concerns that foreign states were helping fuel violence, including against the Jewish community.
“We are seeing an elevated threat to Jewish and Israeli individuals and institutions in the UK,” the head of counter-terrorism policing, Laurence Taylor, said in a statement, adding that police were also working “against an unpredictable global situation that has consequences closer to home, including physical threats by state-linked actors.”
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War Likely to Resume After Trump’s Rejection of Latest Proposal, Says IRGC General
Iranians carry a model of a missile during a celebration following an IRGC attack on Israel, in Tehran, Iran, April 15, 2024. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
i24 News – A senior Iranian military figure said that fighting with the US was “likely” to resume after President Donald Trump stated he was dissatisfied with Tehran’s latest proposal, regime media reported on Saturday.
The comments of General Mohammad Jafar Asadi, one of the top Islamic Revolutionary Guard Corps (IRGC) commanders, were relayed by the Fars news agency, considered as a mouthpiece of the the powerful paramilitary body.
“Evidence has shown that the Americans do not not adhere to any commitments,” Asadi was quoted as saying.
He further added that Washington’s decision-making was “primarily media-driven aimed first at preventing a drop in oil prices and second at extricating themselves from the mess they have created.”
Iranian armed forces are ready “for any new adventures or foolishness from the Americans,” he said, going to assert that the Iran war would prove for the US a tragedy comparable with what was for Israel the October 7 massacre.
“Just as our martyred Leader said that the Zionist regime will never be the same as before the Al‑Aqsa Storm operation [the name chosen by Hamas leadership for the October 7, 2023 massacre in southern Israel], the United States will also never return to what it was before its attack on Iran,” he said. “The world has understood the true nature of America, and no matter how much malice it shows now, it is no longer the America that many once feared.”