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Why was my Jewish identity so apologetic and humiliating?, Obama speechwriter asks in new book
(JTA) — Sarah Hurwitz calls her first book, “Here All Along,” a “love letter” to Jewish tradition. Describing a journey begun when she worked as a speechwriter at the White House— first for President Barack Obama and later for First Lady Michele Obama — the book was a celebration of her rediscovering Judaism as a thirty-something who grew up with what she describes as a “thin” Jewish identity.
But if that book was sunny, her new book explores the shadows and storm clouds of Jewish belonging. “As a Jew: Reclaiming Our Story from Those Who Blame, Shame, and Try to Erase Us,” confronts the challenges of being Jewish at a time of rising antisemitism, a polarizing debate over Israel, and pressures and temptations that keep many Jews from appreciating a tradition that belongs to them.
Shifting the focus from personal discovery to a host of contemporary issues, “As a Jew” is both a primer and a polemic, explaining Jewish history, texts and practices in order to counter misinformation and inspire readers.
“We need to know our story. We need to know our history. We need to know our traditions,” she said in an interview on Thursday. “We need to know what we love about being Jews, so that when people come to us and they say, ‘Judaism is violent and vengeful and sexist and has a cruel God and is unspiritual,’ we can say that’s not true.”
The book also draws on her recent training and experience as a hospital chaplain, volunteering on the oncology floor of a hospital in the Washington, D.C. area, where she lives.
Hurwitz, 44, is a graduate of Harvard University and Harvard Law School. She also served as a speechwriter for Vice President Al Gore and in Hillary Clinton’s 2008 presidential campaign. In January, she plans to start training for the rabbinate at the Shalom Hartman Institute’s Beit Midrash for New North American Rabbis.
We spoke at a livestreamed “Folio” event presented by the New York Jewish Week and UJA-Federation of New York. Hurwitz discussed her time in the Obama White House, what she’s learned from meeting with college students struggling with antisemitism, and the challenges of writing a Jewish book in the post-Oct. 7 moment.
Our conversation was edited for length and clarity. To watch the full conversation, go here.
Your first book, “Here All Along,” was about your return to Jewish learning. What hadn’t you said in that first book that you felt compelled to say now? And how does “As a Jew” extend or challenge the earlier journey?
My first very much a love letter to Jewish tradition, and this book is much more of a polemic. That first book really reflected me at the age of 36 rediscovering Jewish tradition, having grown up with this very thin kind of Jewish identity.
In this new book, I began to really ask the question, why did I see so little of Jewish tradition growing up, why did I have to wait until age 36 to actually discover so much of our tradition? Why was my identity so apologetic, so kind of humiliating and, having grown up in a Christian country, how much of my approach to Judaism was really through a Christian lens? This book really dives into those questions at a time of rising antisemitism, where Jews need to start thinking about these things.
What does it mean to be apologetic? How did the Christian lens distort your understanding of Judaism?
I certainly believed that Christianity is a religion of love, but Judaism is really a religion of law. And I really did buy that, that ours is a kind of weedy, legalistic, nitpicky tradition with this angry, vengeful god. I mean, that is just classic Christian anti-Judaism. I also used to think this world is carnal, degraded, inferior, kind of gross, and the goal of spirituality was to transcend them. That is not a central Jewish idea at all. That is not what Jewish spirituality is. If you read the Torah, our core sacred text, you’re going to find a great deal about our bodies, but how we treat them, about really contemplating how they are quite sacred.
You say more than once in your book that you want to “take back the Jewish story.” What does it mean to take back the Jewish story, and from whom or what?
Our story has often been told by others, and you actually see this in this very old story about Jewish power, depravity and conspiracy. You see it in the core story about a group of Jews conspiring to kill Jesus. And you see these themes winding their way through history. That story has been told about Jews for centuries. I want to replace it with our actual story, as told through Jewish texts and traditions.
The alternative you propose, in order for Jews to embrace their own story, is that they embrace the “textline,” which you call “the repository of our Jewish memory, the raw material for the story we tell about who we are.” I am not familiar with “textline” — how does it differ from “text”?
This is actually from [the late Israeli novelist] Amos Oz, and his daughter, historian Fania Oz-Salzberger. They say, “Ours is not a bloodline, it’s a textline.” Jews are racially and ethnically diverse, but our shared DNA, the thing that unites us, is our texts. Sadly, in the early 1800s, as Jews gained citizenship in Europe, there was a decision to assimilate and reshape Judaism to look more like Protestantism — a kind of “Jewish church.” In doing so, we de-emphasized 2,500 years of textual tradition beyond the Torah, which is where much of Jewish wisdom and ritual is found. Reclaiming that textual tradition is critical.
The idea and dilemmas of Jewish power is a theme in your book and incredibly timely, given the debate over Israel’s display of power in Gaza and several other fronts. How does your book approach the moral and spiritual tension of Jews moving from centuries of powerlessness to now having power and a state?
Many Jews today feel distress over the responsibility that comes with power. For 2,000 years, Jews were powerless, blameless victims. The problem with statelessness was that it led to slaughter on a massive scale. Some yearn for that innocence of powerless Jewish life, but I disagree that the cost of millions of deaths was worth it. With power comes moral responsibility. Israel, like all nations, is conceived and maintained in violence. I see the moral complexity, but I do not want to give up the power or the responsibility that comes with it.
After your first book came out, you became a prominent voice in Jewish life. Can you share encounters on the road that shaped your thinking for this book?
First, training as a volunteer hospital chaplain helped me realize the profound, Jewish-centered human experience of accompanying people in moments of illness, grief and death. Second, visiting universities before Oct. 7, 2023, I was stunned by Jewish students asking how I dealt with antisemitism in college. When I said I hadn’t experienced any, the students were shocked. Post-2023, the Gaza war accelerated ugly narratives on social media, which deeply worried me. I also reflected on my first book and realized that the Judaism I grew up with was oddly edited, shaped by our ancestors’ attempts to assimilate for safety — a choice I deeply respect but which left us somewhat “textless.”
How do your chaplaincy experiences relate text to real life?
I volunteer in D.C. hospitals. Being present with people in illness, grief and death is profoundly Jewish. Modern society finds these experiences uncomfortable, but Jewish tradition calls us to accompany mourners, prepare the dead lovingly, and inhabit the thin spaces where life and death blur. This presence, grounded in community, is essential. People often find relief simply in having someone acknowledge reality and speak openly about it.
You started writing this book before Oct. 7. How did the Hamas attacks and the Gaza war influence your writing about peoplehood, empathy and responsibility?
Oct. 7 didn’t change the arguments or themes of my book, but it gave more data points. For decades, Jews in America and Israel lived somewhat disconnected lives. Oct. 7 revealed underlying tensions and reminded us that Jewish identity has always carried conditionality. Some had illusions about a “golden age” of safety in the 1980s and 1990s, but many had faced real threats. The attacks shattered any illusions of security and exposed deeper societal challenges.
You talk about students on campuses being excluded from college clubs and causes because they are Zionist. I found your response intriguing — that Jews again create their own institutions the way they created Jewish hospitals and universities in the early part of the 20th century as a response to exclusion. Do you worry that you are overreacting?
Campuses vary widely. Some departments are excellent; some are hostile. In difficult environments, I advise Jewish students to try dialogue, but if excluded, to create their own spaces — clubs, organizations and initiatives, that are radically inclusive and excellent. Historically, Jews created hospitals, law firms and universities that welcomed anyone committed to excellence and tolerant of Jews. We can do that again. For example, Allison Tombros Korman founded the Red Tent after being ostracized [in the reproductive rights space] for her Zionist beliefs. It funds abortion services for anyone and is inclusive — an inspiring model.
Your book includes a chapter on Israel that aims to counter the accusations that Zionism is colonialist and racist. But you also include criticism of Israel, saying the country is not without its “serious flaws.” How do you navigate the lonely place of being a liberal Zionist today, which I often define as being too Zionist for the liberals and too liberal for many Zionists?
I navigate it like I navigate being an American: I can criticize, feel frustrated and yet remain committed. Israel is the home of 7 million Jewish siblings. Criticism does not mean abandonment. Many confuse ideology with family obligation, but Israel is our family, and we must stand with it while lovingly correcting its errors. This mirrors my commitment to America.
You were active in a Democratic administration and no doubt have seen the evidence of decreasing support for Israel among Democrats. Was that your experience when you worked in the Obama administration? Is that something you had to push back against?
I think people are a little bit confused about when the Obama administration ended, which was 2017. That was well before this 2023 dark turn, you know, it was a pretty normie administration. I don’t remember a single time in the Obama administration where anything negative was said about Israel. It was a great administration to be a Jew. I started first exploring Judaism when I was working in the White House, and my colleagues were so overwhelmingly proud of me, I could not just [believe] the encouragement they gave me. One time I actually ran into the White House chief of staff, a wonderful guy named Denis McDonough, and he asked me what I was doing for the December vacation, and the answer was, I was going to a weeklong silent Jewish meditation retreat. You don’t tell the chief of staff that you’re doing that, but I did, because I didn’t want to lie, and he just could not have been more proud.
I now see, unfortunately, an ideology that’s been on the fringes of the left slowly making its way to the mainstream, and that worries me. I don’t think it is outrageous for Democrats to withhold an occasional shipment of weapons to express displeasure with Israel’s policy, but what worries me is that we are in a bigger environment of a real demonization and delegitimization of Israel.
I’m also really worried about the right. If you look at the data, especially among young men, they’re increasingly antisemitic, increasingly anti-Israel. And what I particularly worry about is that I see President Trump under the guise of fighting antisemitism on campus, engaging in really heavy-handed efforts to defund university campuses. And you can celebrate that. You can say it’s good for Jews, but I disagree, and I also worry about the precedent, that five or 10 years from now, when there is a president with a very different political ideology, who says that “Israel is a terrorist country, Zionism is a terrorist ideology, and I’m going to go and defund every campus that has an active Hillel, because Hillel is a Zionist entity.” We’ve paved that illiberal path, and it’s very easy for someone on the other side to walk down it.
I also really worry about, on the right, the MAGA ideology that says that a small group of powerful, depraved elites is conspiring to harm you and your family, to vaccinate you, to make your kids trans. It’s a very ugly ideology that is the very structure of antisemitism. The leap between elites and Jews is about a centimeter and Tucker Carlson’s made the leap. It’s got millions of followers. A lot of other people are making the leap.
Your books are, as you’ve said, love letters to Jewish tradition. But often observant Jews, here and in Israel, who are deeply steeped in Jewish text and practice, also embrace views that are illiberal and ultra-nationalist. How do you reconcile their embrace of the “textline,” and the illiberal positions they arrive at?
You are talking about the extremists, like [Bezalel Smotrich and Itamar Ben-Gvir, two far-right Israeli cabinet ministers]. I think they are being quite unfaithful to Jewish tradition. Judaism operates in polarities, holding opposing truths: love the stranger yet remember Amalek; humility and self-esteem; compassion with caution. Extremists claim only one pole, but both are essential. Jewish tradition demands wrestling with these tensions.
And yet those tensions are straining communal ties. How do Jews remain responsible for one another when there are such deep disagreements?
Judaism emphasizes the ethic of family. Even if family members espouse objectionable views, we engage them with tochecha — loving, private rebuke — to correct and guide them. Boundaries must exist for safety, but generally, we strive to keep people at the table, engage with them, and educate them.
A lot of Jewish authors are finding that it is difficult since Oct. 7 to promote their books, especially when they lean heavily into Jewish or Israeli content. How are you being received, having written a Jewish book in this time and place?
I only do events in Jewish institutions with a very small number of exceptions, so I haven’t been in any bookstores. I’m not really interested in going to bookstores. I want to go to places that have, frankly, good security and where it will be more than 20 people. I will say I’ve been surprised at how little pushback I’ve gotten to my book, because I thought this was a pretty edgy book. You know, I think my first book was pretty soft — like, “yay Judaism!” The second book is a polemic, and I was worried that I would get real pushback, real criticism, real anger. And yet, from the Jewish world, I’ve had Jewish leaders who are more on the right-wing side of the spectrum politically who like it, and leaders who are on the left-wing part of the spectrum who like it. They’ll tell me, “I see your compassion, and I see that you’re really wrestling with the other side, with those who disagree with you.”
Is there a Jewish text that you kind of live by, or that you really love, or just came across yesterday that really spoke to you this week or in this hour?
There’s so many, but I’ll take one. I’ll just simplify it. In [the Babylonian Talmud, Brachot 5b,] Rabbi A gets sick and then Rabbi B shows up and takes his hands and heals him. But then Rabbi B himself gets sick and Rabbi C shows up and takes Rabbi B’s hand and heals him. And the rabbis studying the story are very confused, because if Rabbi B, who was kind of known as a healer, could heal Rabbi A, then when he got sick himself, why didn’t he just cure himself? Why did he need Rabbi C to come and cure him?
And the answer that they offer is because “the prisoner cannot get himself out of prison.” I just think that’s a really beautiful story about the ways that we become trapped in our own anxiety, fear, anger, loneliness and really do need other people to come and take our hand and kind of pull us out. I thought about this a lot while writing my book. There’s about 80 people in my acknowledgements who read part or all of this book. And that was very important, because as a writer, I cannot get myself out of the prison of my own biases, my own ignorance, my own narrow views, and so many people reached out, took my hand and said, “What you’re writing is wrong,” or “that’s offensive,” or “you don’t know what you’re talking about.” And they said it very nicely. It was so important to me because I could actually step out and learn.
So I love that story. I think it illustrates something profound about what it means to be human.
The views and opinions expressed in this article are those of the author and do not necessarily reflect the views of JTA or its parent company, 70 Faces Media.
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He may have been the world’s most famous mime, but in this play, he won’t shut up
There is a kind of sublime poetry in Marcel Marceau’s first act.
As a young man in occupied France, Marceau (then Mangel) forged identity papers and shepherded dozens of Jewish children across the Alps to Switzerland. In scenarios where staying quiet was essential for survival, Marceau soothed his charges into silence with his own.
In Marcel on the Train, Ethan Slater and Marshall Pailet’s play of Marceau’s pre-Bip life, the world’s most famous mime is anything but silent.
The action of the play, which bounces through time back to Marcel’s father’s butcher shop and forward to a P.O.W. camp in Vietnam (don’t ask), unfolds over the course of a train ride. Slater’s Marceau is chaperoning four 12-year-old orphans, posing as boy scouts going on a hike.
The kids — played by adults — are a rambunctious lot. Marceau tries to put them at ease juggling invisible swords, performing Buster Keaton-esque pratfalls and exhausting his arsenal of Jewish jokes that circle stereotypes of Jewish mothers or, in one case, a certain mercenary business sense.
Pailet and Slater’s script toggles uncomfortably between poignancy and one-liners with a trickle of bathroom humor (the phrase “pee bucket” recurs more often than you would think.)
The terror of Marceau’s most melancholy escortee, Berthe (Tedra Millan) is undercut somewhat by her early, anachronistic-feeling declaration, “Wow, we’re so fucked.” The bumptious Henri (Alex Wyse) would seem to be probing a troubled relationship with Jewishness and passing, but does that discussion a disservice when he mentions how it wouldn’t be the biggest deal if he “sieged a little heil.” Adolphe (Max Gordon Moore) is described as “an exercise in righteousness” in the script’s character breakdown. Sure, let’s go with that.
The presence of a mute child, Etiennette (Maddie Corman), is tropey and obvious. It doesn’t suggest that she inspired him to abandon speaking in his performances, but it doesn’t dismiss that possibility either.

But the chattiness and contrived functions of the fictive children are made more disappointing by the imaginative staging maneuvering around the shtick. Slater, best known for his role in the Wicked films and as Spongebob in the titular Broadway musical, is a gifted physical performer.
When things quiet down, Pailet’s direction, and the spare set by scenic designer Scott Davis, create meadows of butterflies. Chalk allows Marceau to achieve a kind of practical magic when he writes on the fourth wall. One of the greatest tricks up the show’s sleeve is Aaron Serotsky who plays everyone from Marceau’s father and his cousin Georges to that familiar form of Nazi who takes his torturous time in sniffing out Jews.
Surely the play means to contrast silence and sound (sound design is by Jill BC Du Boff), but I couldn’t help but wonder what this might have looked like as a pantomime.
While the story has been told before, perhaps most notably in the 2020 film Resistance with Jesse Eisenberg, Slater and Pailet were right to realize its inherent stage potential. It’s realized to a point, though their approach at times leans into broad comedy that misunderstands the sensibilities of its subject.
Like Slater, who learned of the mime’s story just a few years ago, Marceau was an early acolyte of Keaton and Chaplin. But by most accounts he cut a more controlled figure — that of a budding artist, not a kid workshopping Borscht Belt bits on preteens.
The show ends with a bittersweet montage of Bip capturing butterflies (not jellyfish — you will probably not be reminded of Mr. Squarepants). It means to frame Marceau’s established style as a maturation that nonetheless retains a kind of innocence, stamped by the kids he rescued.
“You’ll live,” Berthe tells him in a moment of uncertainty. “But I don’t think you’ll grow up.”
In Marceau there was, of course, a kind of Peter Pan. But there’s a difference between being childlike and being sophomoric.
Marcel on the Train is playing through March 26 at Classic Stage Company in New York. Tickets and more information can be found here.
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US soldier who protected Jews in POW camp during WWII to be awarded Medal of Honor
(JTA) — An American soldier who is credited with saving the lives of 200 Jewish comrades in a prisoner of war camp in Germany during World War II will receive the U.S. military’s highest decoration, the Medal of Honor.
The award to Roddie Edmonds, who died in 1985, was announced last week. It comes more than a decade after Israel’s Holocaust memorial, Yad Vashem, recognized him as a “Righteous Among the Nations” for his bravery and six years after President Donald Trump recounted his heroism during a Veterans Day parade.
Edmonds, a sergeant from Knoxville, Tennessee, was the highest-ranking soldier among a group taken prisoner during the Battle of the Bulge in January 2045 when the Nazis asked him to identify the Jews in the group. Understanding that anyone he identified would likely be killed, Edmonds made the decision to have all of the soldiers present themselves as Jews.
When a Nazi challenged him, he famously proclaimed: “We are all Jews here!”
The show of solidarity came to light only after Edmonds’ death, when a Jewish man who had been among the soldiers at the camp shared his recollection with the New York Times as part of an unrelated 2008 story about his decision to sell a New York City townhouse to Richard Nixon when Nixon was having trouble buying an apartment following his resignation as president.
When they found the article several years later, it was the first that Edmonds’ family, including his pastor son Christ Edmonds and his granddaughters, had heard about the incident. Soon they were traveling to Washington, D.C., and Israel for ceremonies honoring Edmonds, one of only five Americans to be credited as Righteous Among the Nations, an honor bestowed by Israel on non-Jews who aided Jews during the Holocaust.
As the family campaigned for a Medal of Honor, Edmonds was also the recipient of bipartisan praise from two American presidents.
“I cannot imagine a greater expression of Christianity than to say, I, too, am a Jew,” President Barack Obama said during remarks at the Israeli embassy in Washington, D.C., on International Holocaust Remembrance Day in 2016.
Three years later, President Donald Trump recounted the story at the New York City Veterans Day Parade. “That’s something,” he said. “Master Sergeant Edmonds saved 200 Jewish-Americans — soldiers that day.”
Last week, Trump called Chris Edmonds to invite him to the White House to receive the Medal of Honor on his father’s behalf, Chris Edmonds told local news outlets. The Medal of Honor ceremony is scheduled for March 2.
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Jewish hockey star Jack Hughes’ overtime goal propels US to historic gold medal in Olympic hockey
(JTA) — Jewish hockey star Jack Hughes scored the game-winning goal Sunday to clinch a gold medal for the U.S. men’s hockey team, its first since 1980.
The New Jersey Devils star center, who had scored twice in Team USA’s semifinal win, sent the puck between the legs of Canadian goaltender Jordan Binnington 1:41 into overtime to give the American team a 2-1 win.
“This is all about our country right now. I love the USA,” Hughes told NBC. “I love my teammates.”
The win broke a 46-year Olympic drought for Team USA, which had not taken gold since the famous “Miracle on Ice” team that upset the Soviet Union on its way to gold in 1980. The United States also won in 1960.
“He’s a freaking gamer,” Quinn Hughes, Jack’s older brother and U.S. teammate said, according to The Athletic. “He’s always been a gamer. Just mentally tough, been through a lot, loves the game. American hero.”
Quinn Hughes is a defender for the Minnesota Wild and a former captain of the Vancouver Canucks who won the NHL’s top defenseman award in 2024. He was also named the best defender in the Olympic tournament by the International Ice Hockey Federation after scoring an overtime goal to send the U.S. team to the semifinals.
The third Jewish member of the U.S. team, Boston Bruins goaltender Jeremy Swayman, won the one game he played, a Feb. 14 preliminary-round victory over Denmark.
The Hughes family — rounded out by youngest brother Luke, who also plays for the Devils — has long been lauded as a Jewish hockey dynasty. They are the first American family to have three siblings picked in the first round of the NHL draft, and Jack was the first Jewish player to go No. 1 overall. They are also the first trio of Jewish brothers to play in the same NHL game and the first brothers to earn cover honors for EA Sports’ popular hockey video game.
Jack, who had a bar mitzvah, has said his family celebrated Passover when he was growing up. Their mother, Ellen Weinberg-Hughes, who is Jewish, represented the U.S. women’s hockey team at the 1992 Women’s World Championships and was on the coaching staff of the gold-medal-winning women’s team in Milan. Weinberg-Hughes is also a member of the International Jewish Sports Hall of Fame.
Hughes’ golden goal ushered in a burst of Jewish pride on social media, with one user calling it “the greatest Jewish sports moment of all time.” The Hockey News tweeted that Hughes was “the first player in hockey history to have a Bar Mitzvah and a Golden Goal! Pretty cool!”
Jewish groups and leaders also jumped on the praise train. “Special shout out to @jhugh86 on scoring the game-winning goal!” tweeted Jonathan Greenblatt, CEO of the Anti-Defamation League. “Beyond his incredible skill on the ice, Jack makes history as a proud representative of the American Jewish community, reminding us that the Jewish people are interwoven into America in her 250th year! Mazel Tov, Jack!”
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