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Wild pitch: How an Israeli kibbutznik became a Cincinnati Reds pitching coach
KIBBUTZ GEZER, Israel (JTA) — Bill James, the influential baseball writer, historian and statistician, once described the great Yankee first baseman Don Mattingly in only four words: “100% ballplayer, 0% bulls—.”
The same can be said of Alon Leichman, by all accounts the first athlete born and raised in Israel to make it to the major leagues, having just been named assistant pitching coach of the Cincinnati Reds.
Under manager David Bell, Leichman will help instruct the team’s pitchers — including Chase Anderson, Luis Cessa, Fernando Cruz, Alexis Díaz and Hunter Greene — on mechanics, pitch selection, preparation, concentration and execution.
His journey has been unlikely, verging on preposterous: How could someone from Israel, where baseball is barely an afterthought, step out of the wheat fields of a kibbutz to the highest level of baseball in the world?
The 33-year-old Leichman is the product of Kibbutz Gezer, the youngest child born to two idealists who grew up in Zionist youth groups and helped found this kibbutz in central Israel in the 1970s together with other Anglo — that is, English-speaking — Zionists.
But David, Alon’s father, couldn’t leave it all behind in Queens, New York. He was a baseball fan, a big baseball fan — “I always knew that if, God forbid, there’s a fire in my house, I know where my baseball glove is” — and one day, he and his fellow kibbutz residents had an idea: Why don’t we cut off a slice of the wheat crop and construct a regulation-sized field in the southwest corner of the kibbutz, where we can all go play when we get off work?
That was 1983, and there wasn’t a single baseball or softball field in all of Israel So David, who was in charge of construction on the kibbutz (Alon’s mother, Miri, is the kibbutz rabbi), built his field of dreams, just 450 yards from his front door and in the shadow of the 4,000-year-old archaeological site that gives Gezer its name.
And that’s where Alon Leichman grew up, first brought to the field by his father for the 1989 Maccabiah Games, five weeks after Alon was born on May 29.
“I never related to that field as the place my dad built,” Leichman said. “It was a field that was on the kibbutz. Growing up, everyone around me played — my older brother played, and all my friends, a little older than me, played.
David Leichman, left, stands behind the backstop at the baseball field he helped build at Kibbutz Gezer in Israel, where his son Alon, right, learned the game that has brought him to the major leagues. (Elli Wohlgelernter)
“I remember — I was 4, in gan [pre-kindergarten], and I would walk to the baseball field and practice. I vividly remember being in the gan and going to practice. But baseball on the kibbutz is just something that I grew into. Everyone did it; I was not special, just another kid who played. I happened to love it a lot.”
So he played and played and got better and better. By age 10, he was on the team representing Israel at a tournament in the Netherlands. But baseball in Israel back then was in its infancy, and there was not enough money to pay for the team to travel. So Leichman had to work extra hours to get the kibbutz to fly him over.
Not that he wasn’t used to working — like all kibbutz members, he was already contributing by third grade. But now he had to put in extra hours, picking olives or milking cows, to make the extra money.
“I liked milking cows,” he recalled. “Sometimes it’s hard work, but I got more of a kick out of it than hitting an olive tree” to shake loose the olives.
Leichman remembers well that tournament in Holland, the first time he wore the Israeli uniform representing his country abroad.
“It was really cool,” he recalled. “A sense of pride. That’s the first time I think I felt like: ‘You’re not just Alon, you’re not just representing the kibbutz anymore — you’re representing a whole country.’
“I knew back then that Israel was not on the best terms [with] the world. So it was something that I was aware of: that part of our job of playing baseball is also making sure that these guys get to know Israelis other than what they hear on the news and show them that, you know, we’re good people.”
The 5’-8” right-hander kept playing, kept improving and kept representing Israel at tournaments. He played in the one-season Israel Baseball League in 2007 as the second-youngest player, served in the Israeli army from 2007 to 2010, and then headed to the states to play college ball at two schools, Cypress College and the University of California, San Diego.
In his first appearance at Cypress, his elbow blew out, and he needed what’s known as “Tommy John surgery” to repair a torn ulnar ligament inside the elbow. Then he got hurt again and had a second Tommy John surgery. But when he got hurt a third time, and the doctor said he needed to go under the knife yet again, Leichman knew that his hopes for a professional playing career were over.
But not before proving to himself that he had what it takes.
“I know I was good in Israel. I knew that. But I had no idea how I would fare coming to the States. I thought I could fare [well] there, but I really never knew because I had never faced those types of hitters. And then, in my first game, I did really well for two and a third innings, four strikeouts. No one got on. It was 1-2-3, 1-2-3, and then I got the first guy out in the ninth. And on a one-two fastball, my elbow popped. So it was like, ‘Okay, I can do this here.’”
His love for the game never left him, and Leichman grew into an insightful and intuitive coach. His expertise and aptitude were self-evident.
Various jerseys from Alon Leichman’s baseball career are displayed on the wall of his family’s home at Kibbutz Gezer, Israel. (Elli Wohlgelernter)
“Alon will be a big-league coach one day,” pitcher and teammate Alex Katz said three years ago. “It’s hard to get a coaching job in affiliate ball without professional experience, let alone non-affiliated experience. But he’s just one of the most intelligent baseball minds I’ve ever been around. And he’s young.”
Leichman said his strength is “helping guys get better. Communicating with them. Being able to relate to them. Getting on their level. Simplifying it for them. And being creative and finding ways to throw more strikes.”
Despite the surgeries, Leichman could still pitch, if he did it sparingly. He joined Israel’s World Baseball Classic teams of 2012, 2016 and 2017 as a player or coach; pitched for the European Baseball Championship team in 2019; threw in the Olympic qualifying tournaments in 2019; and hurled one perfect inning against Team USA at the Olympics in 2021 in Tokyo. Along the way, he also earned a black belt in jujitsu.
But coaching was his future, and after being given a chance in 2017 to instruct in the Seattle Mariners farm system, Leichman kept moving up, from Single A to Double AA to Triple AAA, before being grabbed by the Reds to join their major league staff this season.
His father is overwhelmed. “It’s unbelievable,” David Leichman said. “I’m still shaking and crying to myself about how wonderful this has been. It’s really amazing.”
Alon is no less shell-shocked, having agreed to sign a contract with the Reds on the same day the New York Mets asked to interview him about a potential job.
“It’s not really sinking in yet, to be honest,” he said while in Israel recently to visit his family on Gezer. “But it’s definitely a dream come true, something I’ve been dreaming about since I’m a little kid. Obviously, I wanted to be there as a player, but once I got hurt and realized that playing was not an option anymore, I started pursuing coaching. I wanted to do it at the highest level. The dream remained; it just took a different route. But it’s still as exciting.”
Leichman is still undecided on whether to join Team Israel’s coaching staff in Florida for the WBC in March before heading back to Goodyear, Arizona, to rejoin the Reds in spring training. But this product of the wheat fields of Gezer won’t ever forget from where he’s come: His uniform numeral, 29, is a constant reminder. It’s his laundry tag number at the kibbutz.
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2026 Tribeca Film Festival to Screen World Premiere of Israeli Films, Including Noga Erez Documentary
A still from “What Is To Come.” Photo: Tribeca Film Festival
Organizers of the 2026 Tribeca Film Festival announced on Thursday the official lineup for this year’s event in June and it includes the world premiere of three Israeli co-productions.
“What Is to Come” will be screened as part of the festival’s International Narrative Competition. The drama from Israel and the United Kingdom is about a woman named Yehudit who unexpectedly loses her husband and is forced to start over on her own. “In the process, she finds that abrupt and painful detours can lead to bright roads,” according to a synopsis of the film. The feature is directed and written by Ruthy Pribar, and stars Ronit Yudkevitch, Yaakov Zada Danielm and Tovit Adis Semay. “What Is to Come” will make its world premiere on June 8.
Pribar’s debut feature film “Asia” screened at the Tribeca Film Festival in 2020 and won three awards, including the Nora Ephron Prize for Pribar, a best actress award for Shira Haas, and best cinematography for Daniella Nowitz. The film also won nine Ophir Awards in Israel.
“Moishe Badhan (or The Tale of a Wedding Entertainer),” will also make its world premiere at the Tribeca Film Festival this year, in the Viewpoints section. Directed by Gidi Dar and written by Shuli Rand, the co-production from Israel and the US is a comedy-drama about a disgraced Hasidic wedding-comedian who is trying to gather enough funds to marry off his daughter. The cast includes Shuli Rand, Tal Friedman, and American Jewish comedian Elon Gold, who is also an executive producer on the film. The world premiere will take place on June 4.
The 2026 Tribeca Film Festival will also feature the world premiere of the documentary “Noga,” about Israeli alternative pop singer Noga Erez. The movie, which was directed and co-produced by Jono and Benji Bergmann, is a c0-production from Austria, Germany, Israel, and the US. It examines how Erez “must redefine her role as an artist on a global stage” after the Israel-Hamas war breaks out in 2023. The film’s world premiere on June 7 will be followed by an acoustic performance by Erez and her longtime partner in music and life Ori Rousso.
Erez is performing twice at the Coachella Valley Music and Arts Festival this month. She has never performed at the festival before and has made history as the first Israeli singer to take to the stage at the annual event in Indio, California.
The 2026 Tribeca Film Festival will run from June 3-14. The event will feature 118 feature films including 103 world premieres, which is the most in the history of the festival, and 86 short films. The festival this year will represent 143 filmmakers, including 55 first-time directors, spanning 44 countries.
“Tribeca began 25 years ago as an act of healing, a mission to reunite our community through the power of storytelling. Today, that purpose feels more urgent than ever,” said Jane Rosenthal, co-chair and co-founder of the Tribeca Festival. “This year’s incredible feature and short film lineup includes stories from filmmakers who make us think, feel, laugh, cry, and ask why. Tribeca remains dedicated to the artists’ voices and diverse perspectives that challenge us to see one another more clearly.”
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Over 1,000 Entertainment Industry Figures Back Israel’s Inclusion in 2026 Eurovision Song Contest
A photographer takes a picture of a TV screen in Wiener Stadthalle, the venue of next year’s Eurovision in Vienna, Austria, Nov. 18, 2025. Photo: REUTERS/Leonhard Foeger
More than 1,000 members of the entertainment industry have signed an open letter expressing support for Israel’s participation in the 2026 Eurovision Song Contest (ESC) held in May, in response to demands to have the country excluded from the competition because of its military actions in the Gaza Strip during the Israel-Hamas war.
Creative Community for Peace, a non-profit organization comprised of prominent members of the entertainment industry, penned the initial open letter in 2024 in response to efforts by anti-Israel activists to have the European Broadcasting Union, which organizes the ESC, ban Israel from the event and to pressure countries and artists to withdraw their participation from the competition. The open letter voiced support for Israel’s inclusion in Eurovision as well as solidarity with the contest’s participants, while denouncing calls for a boycott of the event.
Hundreds more entertainment industry leaders have since added their names to the open letter, including actresses Amy Schumer and Mila Kunis; singer Matisyahu; actors Jeremy Piven and Jerry O’Connell; television writer, producer, and directors Amy Sherman-Palladino and Matthew Weiner; “Wonder Woman” director Patty Jenkins; and “Nobody Wants This” co-creator Erin Foster.
“We have been shocked and disappointed to see some members of the entertainment community calling for Israel to be banished from the contest for responding to the greatest massacre of Jews since the Holocaust,” the letter stated. “We believe that unifying events such as singing competitions are crucial to help bridge our cultural divides and unite people of all backgrounds through their shared love of music.”
“Music should bring us together,” said O’Connell. “No artist should be silenced for where they are from. These boycott efforts destroy the very connections the arts are meant to build.”
Those who signed the initial open letter back in 2024 include Helen Mirren, Boy George, Liev Schrieber, Sharon Osbourne, Gene Simmons, Debra Messing, David Draiman, Mayim Bialik, Julianna Margulies, and Ginnifer Goodwin.
“Artists and culture are being dragged into the angry, misinformed politics of the moment,” said Osbourne in a released statement. “Attempts to exclude Israelis from the international stage twist art into a tool of division and erode the shared humanity that the arts are meant to preserve. I’ve watched this play out for over three years, and it just breaks my heart.”
The 2026 Eurovision semi-finals will take place on May 12 and 14, and the final live show will be on May 16. The competition is being held in Vienna, Austria.
After the European Broadcasting Union confirmed late last year that it will allow Israel to participate in the 2026 ESC, Spain, the Netherlands, Ireland, Slovenia, and Iceland announced they will not participate in this year’s event.
Spain’s national broadcaster RTVE said it will not broadcast or participate in the event, which marks the first time the country has completely boycotted the ESC since it began participating in the competition in 1961. Spain’s Culture Minister Ernest Urtasun called the move “brave.”
Meanwhile, the EBU confirmed this week that for the first time ever the live shows of the 2026 Eurovision Song Contest will be available to watch for free in the United States. It will air on YouTube but also be available for viewing in the US on the Peacock streaming service.
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Yale University Admits Role in Crumbling Public Trust in Higher Education
Graduates enter Old Campus at Yale University for Commencement Day exercises, in New Haven, Connecticut, US May 19, 2025. Photo: REUTERS/Bryan Woolston
Yale University in New Haven, Connecticut blamed itself and other elite colleges for having played a role in crumbling public trust in higher education in a new committee report published on Wednesday.
Racial preferences in admissions, prohibitive sticker prices, declining academic standards, and advocacy of divisive progressive causes which polarized the American public to the point that “national divorce” became a byword on social media in recent years all contribute to a sense that elite higher education considers itself a class apart and above regular people, the report said.
Citing polling showing that just over a third of Americans, 36 percent, have “confidence” in higher education as opposed to 57 percent who did in 2016, it noted that “trust in higher education has declined faster than in other institutions and sectors.”
The statistics reveal uncertainty regarding the purpose of higher education and its relevance to a democracy that is contemptuous of gatekeepers and hollow indicators of status.
Yale University’s own opaque system of “preferences” in undergraduate admissions — which it said privileges the wealthy, athletes, and some minorities — is one source of discontent that needs to be addressed, the report said.
Yale University infamously adopted racial preferences under the leadership of president Kingman Brewster in the 1960s, despite growing evidence that the practice created an environment of academic maladjustment and racial division. This led to the creation of segregated programming and academic programs for African Americans, as well as a summer remedial program for minority students — PROP (Pre-Orientation Program) — that was eventually rebranded in the late 1990s when its apparent subtext proved unpalatable to a new generation of students.
“We recommend that Yale reduce preferences for special classes of applicants. We also believe that the admissions system can be made more effective and less onerous for applicants by establishing and making a public minimum standard of academic achievement necessary for consideration,” the report continued. “Under the current system, Yale informs potential students that everything matters, leaving applicants scrambling to second-guess what the university wants.”
The report authors, drawn from across Yale’s faculty, went on to recommend adopting a “minimum SAT score” or “Yale specific entrance exam” to “ensure that no student is admitted without the requisite academic preparation ability.”
Elite undergraduate admissions is a matter of growing importance to the Jewish community, as it has seen its representation in some Ivy League institutions plunge. According to a report issued by the Harvard Jewish Alumni Alliance in March, Jewish undergraduate enrollment at Harvard has plummeted to lows not seen since the eve of World War II and the Holocaust, falling to just 7 percent.
The same report also found that Jews are the only minority group at Yale University whose admittance rates have declined since the university expanded the size of its undergraduate class in 2018. The revelation has revived memories of elite education’s 20th century practice of “restriction,” by which admissions officers relied on a “holistic assessment” of applicants to deny admission to Jews.
Yale’s new report also touched on the charged issue of viewpoint diversity, a point of vulnerability for most universities.
“The campus has not been immune from pressures toward conformity, intimidation, and social shaming that have affected the rest of higher education and, indeed, the rest of American society,” it said, referencing a 2015 viral incident in which a Yale undergraduate shrieked at professor Nicholas Christakis because he had implored progressive students not to be hypersensitive over Halloween costumes portraying people of color. “Echo chambers do not produce the best teaching, research, or scholarship.”
Follow Dion J. Pierre @DionJPierre.