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With her ‘Totally Kosher’ cookbook, Chanie Apfelbaum aims for a wider audience
(New York Jewish Week) — Chanie Apfelbaum’s newest cookbook, “Totally Kosher,” is filled with many inventive, flavor-packed recipes, like “Miso Matzo Ball Soup,” “Berbere Brisket” and “Pad Chai,” a shrimp-free version of the Thai staple.
But while the book is designed for kosher-keeping observant Jews like herself, Apfelbaum — who boasts 101,000 followers on Instagram and runs the popular Jewish lifestyle blog “Busy in Brooklyn” — had a larger audience in mind. Her first book, “Millennial Kosher,” published in 2018, is now in its sixth printing and is available in just about every Judaica store across the country. With her second effort, however, “I wanted to reach a larger demographic,” Apfelbaum, 42, told the New York Jewish Week. “I wanted to reach people that don’t necessarily know what kosher is.”
That’s how Apfelbaum ended up publishing “Totally Kosher” with Clarkson Potter, an imprint of the Crown Publishing Group and publisher of cookbooks by culinary megastars like Ina Garten and Alison Roman. When Raquel Pelzel, the editorial director of cookbooks at Clarkson Potter approached Apfelbaum in 2019 about writing a cookbook — pitched as a “celebration of kosher,” as Apfelbaum recalls it — she immediately said yes.
“I was so excited,” Apfelbaum said.
“We hadn’t published a kosher cookbook in a really long time and, with Instagram and social media, there is obviously a massive kosher community,” Pelzel told the New York Jewish Week. “To not publish a kosher cookbook seemed like a huge omission and a hole on our list.”
“When I scout for authors, I look for someone whose recipes look delicious, original and creative and who has a really strong voice and is clear who their audience is,” Pelzel added. “Chanie certainly has all that.”
Apfelbaum’s decision to go with a mainstream publisher mean the book would appear in “regular” bookstores — and not just Judaica stores — but the change meant some new challenges. One hurdle was the publisher’s decision to feature a large, color photo of Apfelbaum on the book’s rear cover — a decision that could be considered controversial in the haredi Orthodox world where many publishers refrain from showing photos of women in the interest of sexual “modesty.” (Apfelbaum’s photo does not appear anywhere in “Millennial Kosher,” published by Artscroll/Shaar Press, which serves the haredi market. A spokesperson for ArtScroll said that, to date, they have not featured any photographs of women in their cookbooks, but “we are not against putting pictures of women in our books.”)
“If my photo is on the back of the book, maybe the Judaica stores really won’t take it,” Apfelbaum recalled thinking when she was sent a mockup of the cover. “I called friends in the publishing industry. I called Judaica shops and asked if my photo is on the back cover, are you going to carry the book?” The answers, Apfelbaum said, were mixed.
And yet, she didn’t back down or ask for a change in the cover. “I was like — you know what? I’m doing this for my daughters, I’m doing this for the women out there,” she said. “There is nothing wrong with having a photo of a Jewish woman on the back of the book. I’m just doing it, and I stand behind it.”
Fortunately, validation came quickly. “When I walk down the street in my neighborhood [of Crown Heights], I pass Hamafitz Judaica and they have two books in the window — one of the front cover of my book, depicting my Pad Chai, and one of the back.”
Apfelbaum’s mother, Devorah Halberstam, a prominent member of Crown Heights’ Chabad community, couldn’t be prouder. Her first-born son, Ari Halberstam, was killed in 1994 when a Lebanese-born man shot at a van filled with Chabad Lubavitch students, killing Ari and wounding three others. In the aftermath, Halberstam fought tirelessly to have his murder formally classified as a terrorist attack, which eventually happened in 2005. She was also a founder of the Jewish Children’s Museum, which was dedicated to the memory of her son.
Of all people, Halberstam understands the power of a photo. “At Ari’s yahrtzeit [anniversary of his death], I tweet things out,” she told the New York Jewish Week, noting that her son died 29 years ago. “I got 85,000 responses because I put his picture up there. Pictures make you stop. They make you pause.”
Photos, she added, “personalize everything. A story is not a story without pictures. It makes it real. It comes to life.”
Apfelbaum agrees, feeling that her decision to include photos of herself, her boys in their tzitzit (ritual prayer fringes) and her children around a table, is “a huge step in the Orthodox world.”
“I’m doing this because I think this is something that has to change,” she said. “Jewish women should be celebrated just like men.”
As a child, Apfelbaum said, she was a rule-follower who was drawn to the creative world. “I got very into artistic projects for school,” she said. “I loved drawing and craftsy, artsy things.”
Apfelbaum’s culinary journey began in 2002 when she was 22 and newly married. Apfelbaum’s mother had been the chef in the Halberstam home, and Apfelbaum was raised on what she calls “brown food” — matzah ball soup, gefilte fish, potato kugel. She came to her marriage skilled as a web designer but not knowing how to boil an egg. Her Syrian/Argentian/Jewish mother-in-law introduced her to ingredients like rosewater and dishes like empanadas, piquing Apfelbaum’s interest.
“When I started cooking, I was always very artistic and looking for ways to put color in my food and plate it nicely,” said Apfelbaum. “I would make my mom’s recipes. But when I started hosting friends and putting out a spread, with menus and plated meals, I remember thinking, ‘Wow, this is beautiful. Such a beautiful way to express my artistic side.’”
When Apfelbaum left her web design job after the birth of her third child in 2010, she poured her creative juices into her nascent cooking and photography skills, and her family encouraged her to start her own blog. In 2011, she launched “Busy in Brooklyn” — at the time she was raising three children under 5, running a home and teaching Hebrew while taking knitting and crochet classes.
Her first post, in January of that year, was for sauteed chicken cutlets topped with canned dark sweet cherries. Later that year, she gave her first cooking class for the teachers at her children’s school.
In 2013, she enrolled in a program at the Center for Kosher Culinary Arts (now closed). “I started to seek out different cultural dishes and put my kosher Jewish spin on it,” she said. She also took a photography class.
The following year, her recipe for “Drunken Hasselback Salami” — a whole salami sliced, coated in a sauce of jam, brandy and mustard, then baked until crispy — went viral. Later that year, she was featured on the front page of the Wall Street Journal for her creative spins on the traditional Ashkenazi Hanukkah treat, latkes. In 2015, she made the first of many out-of-town food demonstrations, traveling to Montreal to prepare harissa chicken sliders with preserved lemon carrot slaw and a marble halvah mousse.
These recipes, among others, made it into “Millennial Kosher.” And although Apfelbaum swore that she would never write another cookbook because of all the work involved, that call in 2019 from Clarkson Potter made her rethink her decision. Apfelbaum’s global recipes — such as “Nachos Bassar,” nachos with hummus, Israeli salad and pickles — and how she “bounces off of trends that are happening in social media, in restaurants,” as Pelzel describes her, are what drew the mainstream publisher to Apfelbaum
“From the first time I met Chanie, I understood why she was the obvious choice to make kosher cool,” Apfelbaum’s mentor and fellow cookbook author Adeena Sussman told the New York Jewish Week via text. “She’s wildly passionate about her food and her Judaism, and makes no apologies for either.”
“Add to that her natural warmth, sense of humor and willingness to share the ups and downs of life with her followers, and you’ve truly got a recipe for success,” Sussman added.
And there have been plenty of ups and downs: After signing her book contract in 2019, Apfelbaum became a single mom due to divorce. She was also hospitalized with COVID-19 (as was one of her kids) and lost her sense of smell and taste, at a time when nobody knew that this was a side effect of the virus.
Fortunately, Apfelbaum has since regained her sense of taste and smell, and she remains very busy in Brooklyn — and elsewhere. In July, she is leading a food tour in Italy where her group will make gelato, hunt for truffles and taste olive oil. She hopes to continue culinary travel in the future. She has just come out with a line of her own spices called TK (as in “Totally Kosher”) Spices; her first two products are the Yemenite spice mix, hawaijj — one for savory foods and one for coffee, which has a sweet profile. With “Totally Kosher” now in its third printing, she is looking to (finally) hire an assistant and find work space outside of her home.
“There were many times I said I don’t have the emotional bandwidth and strength to do this book — I wanted to give up,” Apfelbaum said. “My friends believed in me and pushed me and made it happen. When I look at this book, I see so much more than recipes. It was really a journey for me.”
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The post With her ‘Totally Kosher’ cookbook, Chanie Apfelbaum aims for a wider audience appeared first on Jewish Telegraphic Agency.
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Trump defends Tucker Carlson, whose interview with antisemite Nick Fuentes split Republicans
(JTA) — President Donald Trump defended Tucker Carlson’s recent interview with avowed antisemite Nick Fuentes, weighing in on a debate over antisemitism that has roiled the Republican party.
“I’ve found him to be good. He’s said good things about me over the years,” Trump told a reporter over the weekend who asked about Carlson’s interview. “You can’t tell him who to interview. If he wants to interview Nick Fuentes, I don’t know much about him, but if he wants to do it, get the word out.”
The president’s comments were his first on a growing divide within the Republican party over Carlson giving a platform on his top-rated podcast to Fuentes and over the growth of the antisemitic Fuentes-led “groyper” movement on the right.
Jewish conservatives and some of their allies have expressed alarm at explicit antisemitism within the movement. Conservative writer Rod Dreher recently estimating that as many as 40 percent of young GOP staffers in Washington, D.C. are followers of the 27-year-old Fuentes, who complained to Carlson that “organized Jewry” undermines American unity.
Yet neither Trump nor Vice President J.D. Vance has joined the chorus of condemnation for Fuentes’ brand of white supremacy. Vance, who employs Carlson’s son Buckley on his staff, in recent days defended Buckley from a right-wing Jewish activist’s accusations of antisemitism without directly addressing the Fuentes controversy. The vice president was also criticized for responding to a college student’s question about Israel and Jews without acknowledging the question’s antisemitic underpinnings.
The debate over Carlson was stoked when the president of the right-wing Heritage Foundation defended Carlson. A growing number of Heritage Foundation staffers and associates, both Jewish and not, have since distanced themselves from the think tank. Legal fellow Adam Mossoff, who is Jewish, and former board member Robert George, a Princeton University professor and prominent public intellectual, recently left Heritage, citing its handling of Carlson.
And in the cultural sphere, the actress and podcaster Dasha Nekrasova was also dropped by her agent on Friday over a weeks-old interview with Fuentes that she and her co-host conducted on the podcast “Red Scare.” “Nekrasova had a recurring role on HBO’s “Succession,” and “Red Scare” was initially a thought leader on the young left before lurching hard to the right in recent years.
Carlson campaigned with Trump for his 2024 reelection and has significant influence within his administration, while Trump dined with Fuentes and the antisemitic rapper Ye in Mar-a-Lago in 2022, an incident that prompted criticism from staunch Jewish Republican allies. Trump has since claimed he didn’t know who Fuentes was at the time.
Meanwhile, Paul Ingrassia, a Trump administration staffer who attended a Fuentes rally last year and recently withdrew his nomination from a Cabinet-level post over the revelation of texts in which he said he had a “Nazi streak,” remains in the administration. Instead Ingrassia found a new position as deputy general counsel of the General Services Administration.
Carlson, for his part, has doubled down, even as some sponsors have quietly exited his show. Last week he disparaged Dietrich Bonhoeffer, the anti-Nazi pastor who was executed in 1945 for his involvement in the German resistance movement. Carlson also compared the Israel Defense Forces to Nazi war criminal Adolf Eichmann.
The GOP’s fault lines over Fuentes and antisemitism aren’t breaking as cleanly as those over other issues. Even a newly minted Trump adversary on the right, Rep. Marjorie Taylor Greene, declined to condemn Carlson or Fuentes in a recent CNN interview.
“I defend every single person’s free speech rights. I think that’s incredibly important. So I don’t apologize for that. And I don’t believe in cancelling people. And I think it’s important for people like Tucker Carlson and yourself to interview everyone,” Greene told Dana Bash over the weekend.
On CNN Greene noted that she had spoken at a Fuentes-led conference in 2022, but claimed, “I don’t know Nick Fuentes. He’s someone I’ve never exchanged text messages with or phone calls.”
Asked specifically about Fuentes’s past antisemitic comments, Greene continued, “You should have Nick Fuentes on your show, and you can ask him questions about that. I myself am not antisemitic. I have never criticized the Jewish people or said anything about them in particular. I am critical of the government of Israel.”
The post Trump defends Tucker Carlson, whose interview with antisemite Nick Fuentes split Republicans appeared first on The Forward.
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How Mussolini’s Jewish lover changed Fascist art and design
Not even 70 years after Italy unified, Benito Mussolini’s staged march on Rome so unnerved the government that King Victor Emmanuel III named him prime minister, opening the door to Fascist rule. “And so then began the task of selling Italy: at home, abroad, and as an idea in itself,” according to “The Future Was Then: The Changing Face of Fascist Italy.”
Now on view at Manhattan’s Poster House, the exhibition examines the intersection of propaganda and art in Mussolini’s Italy. Featuring 75 works on loan from the Fondazione Massimo e Sonia Cirulli in Bologna and curated by photographic artist and author B.A. Van Sise, the show explores how the regime used bold design, vivid color and modernist imagery to shape the nation’s self-image and fuel the Futurist movement.
But beyond the bombast, the sleek typefaces and arresting compositions lies a deeper, more complicated story. At its heart is Mussolini’s longtime lover and muse, Margherita Sarfatti, a Venetian Jew whose aesthetic sensibilities helped define the visual language of Italian Fascism.
“It’s not a Jewish show, though a person could argue it has a huge Jewish element since everything goes back to Margherita Sarfatti, who’s as Jewish as they come,” Van Sise said. “Fundamentally, Sarfatti’s the core of the show. The entire Italian art establishment changes gears because Mussolini’s girlfriend likes Futurism.”
Born in 1880 into a wealthy Jewish family, Sarfatti became a journalist, art critic and socialite who served as Mussolini’s adviser, biographer and cultural strategist. She funded Il Popolo d’Italia and was, as the exhibition text notes, “the uncrowned queen of Italy.”
“Think Gertrude Stein with better couture,” Van Sise said. “Every single thing in this show exists because of her — the Duce’s girlfriend adored Futurist art, and her taste dictated the direction of Italy’s visual culture. Artists and movements jumped ship to follow her lead, obeying in advance.”
Her influence is evident in pieces such as Marcello Dudovich’s 1936 poster “Esposizione Rhodia Albene alla Rinascente,” which depicts two elegantly dressed women striding in lockstep, evoking Sarfatti’s emphasis on fashion, modernity and movement.
The exhibit unfolds in three sections — “Italy as an Idea,” “Italy at Home,” and “Italy in the World” — each highlighting how Italian identity was constructed through imagery that linked domestic life, political messaging, and global ambition.
“Cioccolato Ali d’Italia,” a poster from 1931, depicts a sleek silver aircraft soaring across the page. Created to commemorate Minister of Aviation Italo Balbo’s transatlantic flights to South America, the image showcases Italy’s growing aviation prowess. A small rendering of Columbus’ ship tucked in the corner underscores the regime’s imperial aspirations.
The 1933 “Ardita Fiat” poster highlights the introduction of the Fiat Ardita, a streamlined, torpedo-shaped car whose name, which means “the daring one,” embodied Fascist vigor. In it a woman sits behind the wheel, her white gloves and black fez hat mirroring those worn by the Arditi, Italy’s elite assault troops.
Van Sise said it was essential to acknowledge the significant, though often overlooked, role Italian Jews played in Fascism’s early years. Among them were Gino Arias, an economist who addressed the National Fascist Party shortly before it seized power in 1922; Elisa Majer Rizzoli, who led the party’s women’s wing; and Guido Jung, an Orthodox Jew who served as finance minister.
“It was really important to include the Jewish history of the Italian Fascist period because it’s partly my own,” Van Sise said. “My family were Tunisian and Libyan Jews who came to Italy, and some branches were old-line Italian families — there for centuries, if not a millennium.”
Eventually Jews were targeted in Italy. By 1938 Mussolini had enacted racial laws, forcing thousands of Jews, including Sarfatti and Van Sise’s grandfather, to flee. Sarfatti spent her exile in Switzerland, Argentina, and Uruguay before returning after the war, only to learn her sister was among the more than seven thousand Italian Jews murdered in the Holocaust.
Van Sise’s grandfather also returned, before the war’s end, and joined the partisans.
He provides the exhibition’s stark coda: a small black-and-white photograph showing the corpses of Mussolini and others hanging by their heels in Milan’s Piazzale Loreto. The photographer was Van Sise’s grandfather.
“It’s a brutal image,” Van Sise said. “But it brings the story full circle — art, politics and identity collapsing into history itself.”
“The Future Was Then: The Changing Face of Fascist Italy” runs through Feb. 22 at the Poster House.
The post How Mussolini’s Jewish lover changed Fascist art and design appeared first on The Forward.
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Berlin to Lift Suspension of Israel Weapons Sales, but Says Ceasefire Must Hold
A German and Israeli flag fly, on the day Chancellor Friedrich Merz meets with Israeli President Isaac Herzog for talks, in Berlin, Germany, May 12, 2025. Photo: REUTERS/Liesa Johannssen
Germany on Monday moved to resume weapons sales to Israel that had been suspended since August over the war in Gaza, but said the decision is subject to the observance of the ceasefire and the large-scale provision of humanitarian aid.
Germany, the second-largest exporter of arms to Israel after the United States, announced a suspension of some arms exports to Israel in August, amid mounting popular pressure over the war.
The decision affected weapons and systems that could be used in Gaza but not others deemed necessary for Israel to defend itself from external attacks.
Berlin will lift the suspension order on Nov. 24 and return to a case-by-case review of arms exports to Israel, while continuing to monitor the developments on the ground, a German government spokesperson said on Monday.
HUMANITARIAN AID MUST CONTINUE ‘ON A LARGE SCALE’
The ceasefire between Israel and Hamas “is the basis for this decision, and we expect everyone to abide by the agreements that have been made – that includes maintaining the ceasefire,” a second government spokesperson said.
“It also means that humanitarian aid is provided on a large scale and that the process continues in an orderly manner, as agreed,” the spokesperson added.
Germany remains committed to supporting a lasting peace between Israel and the Palestinians on the basis of a two-state solution and would continue to engage in supporting reconstruction in Gaza, the spokesperson said.
Germany is one of Israel‘s staunchest supporters, in part because of historical guilt for the Nazi Holocaust – a policy known as the “Staatsraison.”
German Chancellor Friedrich Merz came under massive criticism from his own conservatives for the decision to partially suspend the deliveries, which he said was in response to Israel‘s plan at the time to expand operations in Gaza.
According to the Stockholm International Peace Research Institute, Germany provided 30 percent of Israel‘s major arms imports in 2019-2023, primarily naval equipment including Sa’ar 6-class frigates (MEKO A-100 Light Frigates), which were used in the Gaza war.
ISRAEL CALLS ON OTHERS TO FOLLOW
Israeli Foreign Minister Gideon Saar on X lauded Germany for its decision to lift the order.
“I call on other governments to adopt similar decisions, following Germany,” he wrote.
German Foreign Minister Johann Wadephul said the decision, in which his ministry was closely involved, was “responsible and correct” and that the ceasefire appeared to be sustainable.