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Canadian University Hires Convicted Terrorist Who Bombed Paris Synagogue to Teach ‘Social Justice’
Carleton University in Ontario, Canada is being castigated for hiring convicted terrorist Hassan Diab — who carried out a 1980 bombing of a synagogue in Paris, which killed four Jewish worshippers and injured dozens of others — as a professor.
Diab, 70, is teaching at least one course in Carleton University’s sociology department this fall, according to B’nai Brith Canada, a Jewish civil rights group. He will lecture on “social justice in action.” So far, no high level administrative official has attempted to explain what merited his being hired.
A former member of the Popular Front for the Liberation of Palestine (PFLP) who is currently the subject of an international arrest warrant issued by French law enforcement, Diab was found guilty in 2023 in absentia of detonating a bomb at Rue Copernic synagogue on Oct. 3, 1980, an attack which coincided with Shabbat. The French court last year sentenced him to life in prison and issued a warrant for his arrest.
Decades passed between the incident and Diab’s conviction, owing to his elusiveness and oscillations of a criminal justice system which ordered his extradition on charges of terrorism, dropped them, and then reinstated them when the case reached France’s highest judicial body, the Court of Cassation. Throughout the proceedings, Diab has professed his innocence and even compared himself to Alfred Dreyfus, a French army officer falsely convicted of espionage in a landmark case that sparked antisemitic violence across France.
“Despite being handed a life sentence by a French court, Hassan Diab continues to live freely in Canada, while Carleton University, unconscionably, continues to allow him the privilege of teaching at a Canadian institution,” B’nai Brith Canada said in a statement, which included a link to a petition calling for the termination of Diab’s employment. “The university has ignored B’nai Brith’s formal request to terminate his position, allowing Diab to remain in a position of authority over students.”
It continued, “Carleton’s silence is deeply disturbing. Its decision to continue to employ Diab not only presents a danger to the well-being of its students, but it is an insult to the memory of innocent victims of his heinous crime and an affront to all Canadians who value law and order. This must change! We must act now!”
Carleton University has not responded to The Algemeiner‘s request for comment for this story.
Diab, a Lebanese-Canadian academic, is not the first PFLP terrorist to find refuge in academia. Leila Khaled, who hijacked a Tel Aviv-bound plane in 1969 and attempted another hijacking, this time of an El Al flight, in 1970 — has been invited to speak at San Francisco State University, the University of California, Merced, and New York University. Additionally, Khaled has a strong following among radical activists in the American anti-Zionist movement, in which she is highly praised as “the poster girl of Palestinian militancy.” American lawmakers, however, have described Khaled as “unrepentant” and suggested that inviting her to an American campus violates anti-terrorism laws.
In Diab’s case, Carleton University’s Department of Sociology and Anthropology, in which he is currently employed, has effusively advocated ignoring France’s request for extradition, which would result in Diab’s serving the life sentence to which he was sentenced for his crime.
“Dr. Diab has been caught in a political nightmare in which the existence of accuse has become the foundation for a guilty finding in a trial with no official transcripts and no opportunity for appeal,” the department said in 2023. “While our hearts go out to the victims, families, and communities hurt by this act of antisemitic terror, causing further damage to the life of an innocent man and continued harm to his family will not heal their pain. Canada must refuse to extradite Hassan Diab and end his 15-year long ordeal.”
Jewish civil rights leaders in France, however, support the court’s findings and have demanded Canadian compliance with the two countries’ extradition treaty.
“Forty-three years after the attack on the Rue Copernic synagogue, Hassan Diab is sentenced to life imprisonment,” Yonathan Arfi, president of the Representative Council of Jewish Institutions in France (CRIF), said following the verdict. “Everything must now be done to enforce the international arrest warrant. CRIF calls on Canada to cooperate with the French justice system. CRIF expresses its solidarity with the families of the victims, who have devoted their lives to ensuring that justice is done.”
Follow Dion J. Pierre @DionJPierre.
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VIDEO: A Hasid gives us a tour of Morocco in Yiddish
דער ירושלימער יוטוב־שטערן וועלוול קירשנבוים האָט לעצטנס אַרויסגעשטעלט אַ ווידעאָ אויף ייִדיש פֿון אַ פּרעכטיקן וויזיט, וואָס ער האָט געמאַכט אין מאַראָקאָ. עס באַגלייט אים זײַן חבֿר אַבֿרהם פּרץ.
אינעם ווידעאָ זעט מען ווי קירשנבוים דאַוונט שחרית מיט די אָרטיקע ייִדן און באַזוכט אַ גוט אָפּגעהיטענעם בית־עולם, וווּ עס ליגן באַערדיקט גרויסע צדיקים ווי למשל הרבֿ חיים בן עתר (1696–1743), באַקאַנט ווי דער „אור החיים“. „מענטשן מיינען, אַז נאָר אין אייראָפּע זענען דאָ קבֿרים פֿון צדיקים!“ זאָגט קירשנבוים.
מיר זעען אַ גרויסע, שיינע שיל מיט אַ פֿײַנער אַרכיטעקטור אין קאַזאַבלאַנקאַ; דעם גרויסן אַראַבישן שוק, וווּ קירשנבוים קויפֿט זיך אײַן מלבושים פּונקט ווי די מאַראָקאַנער גייען אָנגעטאָן. ער באַוווּנדערט אויך די שיינע טיי־גלעזער און טשײַניקן, וואָס מע פֿאַרקויפֿט דאָרט, און באַקענט זיך מיט אַ ייִדישן סוחר וואָס האַנדלט מיט זילבער און גאָלד, פּונקט אַזוי ווי זײַן טאַטע און זיידע האָבן געטאָן פֿאַר דור־דורות.
The post VIDEO: A Hasid gives us a tour of Morocco in Yiddish appeared first on The Forward.
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Conservative and Christian movies are coming for Hollywood
A star-studded new movie set in a Soviet prison is coming out in November. James Franco and Rob Lowe anchor the cast of Confession, playing a brutal prison guard and an imprisoned dissident professor, and a disheveled Nick Nolte appears as a fellow prisoner.
These actors were once huge gets, and their names could convey legitimacy to a project. Nolte and Franco both have received Academy Award nominations. Lowe was a member of the Brat Pack, and was a regular on The West Wing.
Confession, written by Ben Shapiro and produced by the rightwing tabloid-esque news site The Daily Wire, is not the expected fare for actors with that kind of name recognition; Shapiro’s screenwriting aspirations have been the target of ridicule for years.
Nevertheless, this isn’t the only Daily Wire production getting big names; Danny Trejo signed onto a pro-ICE movie about Minneapolis in the aftermath of the Renee Good shooting, and Jonathan Majors led Run, Fight, Hide: Infidels earlier this year.
Each one of these actors has been, in some way, canceled or in career doldrums so may have been more open to working with The Daily Wire. And some have claimed that they did not know who Shapiro was, or what his politics were; Trejo’s son, Gilbert, said his 82-year-old father did not endorse ICE and was misled about the movie before he signed his contract.
Movie studios have struggled through the pandemic and the streaming era, both of which have tanked box office receipts, leaving the field open for movies from offbeat production studios. In addition to The Daily Wire, there has been a whole ream of Christian movies attempting to shift the stereotype of bible movies — that they’re preachy, low-budget straight-to-TV affairs with cardboard acting — to something more prestigious, or at least profitable.
The Christian company Angel Studios has been placing screenings of the half philo-semitic, half-antisemitic Jesus TV series The Chosen in movie theaters across the country, produced the right-wing hit The Sound of Freedom and is pumping out faith-based movies like the animated King of Kings Christmas story and David, a kiddie movie about the biblical king. Recently, Pinnacle Peak Pictures, another faith-based production company, premiered Daniel and the Fiery Furnace, another bible movie that was notable enough to merit a review in The New York Times. (Though admittedly it wasn’t a particularly positive one.)
For decades, Hollywood, and the media industry at large, has been associated with liberalism, progressive politics and diversity. (This is part of why conservative conspiracy theorists often insist that Jews control the media.) Even when conservatives are in power, satirical movies have poked fun at the ruling class — Team America: World Police spoofed George W. Bush’s foreign policy, while M*A*S*H critiqued Richard Nixon. During the current Trump administration, we’ve seen One Battle After Another lambasting immigration policies and rising white nationalism, Eddington on misinformation and populism, and The Apprentice depicting Trump directly.
But a rising number of higher-budget, bigger releases from the right wing, whether The Daily Wire’s conservative political parables or the Christian fables, are bringing a new kind of messaging — about the importance of God and country, about gender roles, about about the centrality of Jesus to the U.S. — to the American movie-going public.
This is no accident. A group of powerful conservative Christians, many of whom worked on Project 2025, are proponents of the Seven Mountains Mandate, a blueprint for Christian nationalism that instructs Christians to gain influence and control over the “seven mountains” of society — which include media, entertainment and the arts. The Mandate is part of the New Apostolic Reformation, a decentralized evangelical movement embraced by millions of Americans.
Jeremy Boreing, the director of many Daily Wire movies — though he has since left the company — said on a podcast hosted by businessman Patrick Bet-David that “It had always been part of our strategy to move into making culture, not just criticizing culture” as a way of proving that “there is a future where conservatives aren’t losing. There’s a future where we have political power and cultural power.”
Cultural power, of course, requires more than just a lot of movies; they have to be well-done, or at least appear to be. Previous Daily Wire productions, as well as other right-wing, MAGA movie ventures, have been hacky. Lady Ballers, about an unsuccessful men’s basketball team pretending to be women so they can dominate the league, was an unsubtle, unfunny and ultimately unwatchable spoof of transgender athletes. And even plenty of higher-budget attempts, like Daniel and the Fiery Furnace, can still fall victim to wooden acting and writing.
But now, with the financial success of movies like The Sound of Freedom and biblical parables like The Chosen, bigger stars are being drawn to projects like the Daily Wire’s lineup of pro-ICE, anti-immigration and anti-LGBTQ movies. With those bigger stars may come new audiences who might not have watched a Christian movie or Daily Wire project otherwise. And where there is money and viewers, mainstream Hollywood will go, too, no matter how progressive people expect the industry to be. We’ve already gotten a biblical epic from Amazon Prime, with The House of David, and there are likely to be many more to come.
After all, it wasn’t so long ago, after all, that Cecil DeMille’s The Ten Commandments was the biggest movie in town.
The post Conservative and Christian movies are coming for Hollywood appeared first on The Forward.
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‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons
If there was something off about the logo the Atlanta Falcons unveiled on social media Wednesday, whoever runs their accounts did, uh, not see it.
Behind the black falcon graphic that began appearing on the football team’s helmets in the 1960s was a new background — a flag of red, tan, black and white vertical stripes. To thousands of people who responded to the logo, it looked distinctly German — in a 1930s kind of way.
“The Atlanta Falcons are preparing to invade Poland,” one fan wrote.
A day after its posting, the new profile picture had unleashed a deluge of Nazi memes in the 4,000-plus replies on X. One picture swapped in the logo for Nazi flags in the background of a historical photo of a Hitler rally. Another edited the Falcon claw to look like a Nazi salute.
Others depicted Hitler in a Falcons cap, references to Inglourious Basterds and the Battle of the Bulge and a World War II joke invoking a blown lead in Super Bowl LI.
“Falcons were up 28-3 at Dunkirk,” that tweet read.
The Falcons’ snafu enters a small but growing catalogue of Reich-coded brand mixups. Who can forget the German national soccer team’s ‘44’ soccer jerseys? There was also the swastika-emblazoned Hallmark gift wrap; the accidental Hitler mugs; and (for my money) the worst of the bunch, Zara’s concentration camp uniform shirt.
All of those have been addressed; so far, the Falcons’ has not. We’ve reached out to them for comment.
The post ‘Heil’ Mary? New Atlanta Falcons logo inspires Nazi comparisons appeared first on The Forward.
