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A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.
(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes.
The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter.
Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.
Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether.
But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.
David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity.
Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government.
“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”
(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)
Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about.
This interview has been lightly edited for length and clarity.
New York Jewish Week: How did you get involved as producers with the show?
Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on.
I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier.
We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle.
We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are.
How did your Jewish communities step in to help get the show back on its feet again?
DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this.
CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family.
As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?
CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.
When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”
Why should people see it?
CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize.
So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.
DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.
“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.
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The post A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage. appeared first on Jewish Telegraphic Agency.
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82 years after his plane was shot down in China, Jewish WWII pilot Morton Sher is laid to rest at home
An American Jewish fighter pilot whose plane was shot down in the Chinese theater during World War II was given a proper burial 82 years after his plane went down, according to the United States Department of Defense.
The remains of Lt. Morton Sher, identified earlier this year, were buried in Greenville, South Carolina on Dec. 14 — what would have been his 105th birthday.
Sher was a member of the pilot group known as the “Flying Tigers” — formed to protect China from Japanese invasion following the assault on Pearl Harbor in 1941. He was piloting a P-40 Warhawk when he was shot down by Japanese bombers on Aug. 9, 1943. His mother Celia received Sher’s Purple Heart that same year.
Sher’s squadron put up a memorial stone at the crash site in Xin Bai Village, and a postwar army review in 1947 concluded that his remains had been destroyed and were assumed to be unrecoverable.
The remains of Morton Sher were returned to Greenville, North Carolina and buried on Dec. 14, 2025. (Courtesy Department of Defense)
Two attempts were made to locate his remains in 2012 and 2019, but neither was successful. A breakthrough came in 2024 when a Defense POW/MIA Accounting Agency excavated a crash site in the province where Sher’s plane fell, and then in April 2025, when DNA analysis was conducted. The match was confirmed in June.
Sher was born in Baltimore, Maryland on Dec. 14, 1920, and his family later moved to Greenville where they became members of the Conservative synagogue Congregation Beth Israel. In high school, he was a member of the aviation club and enrolled in ROTC. Sher was a founding member of B’nai B’rith Youth Organization’s Aleph Zadik Aleph chapter in Greenville, according to the funeral home that organized his burial.
“He dreamed of being a pilot,” Sher’s nephew, Steve “Morton” Traub told Greenville’s local NBC station. “This guy did a lot for his country. He was my hero.”
Traub, who never met his uncle, but heard stories and read his letters, was raised by Sher’s father, David.
“I wish I had known him, but if he had, I wouldn’t have been named after him. I feel like I knew Mason because I knew Papa,” Traub said.
This article originally appeared on JTA.org.
The post 82 years after his plane was shot down in China, Jewish WWII pilot Morton Sher is laid to rest at home appeared first on The Forward.
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Trump administration Christmas messages emphasize Jesus in overtly religious terms
The Trump White House marked Christmas with a formal message that celebrated “the birth of our Lord and Savior, Jesus Christ,” extending a week of overtly religious holiday communications from federal agencies and prompting renewed debate over church-state boundaries.
“The First Lady and I send our warmest wishes to all Americans as we share in the joy of Christmas Day and celebrate the birth of our Lord and Savior, Jesus Christ,” the presidential message, posted on the White House website on Thursday, began.
The statement went on to recount the Nativity story in devotional language, calling Jesus “the Light of the World, the source of eternal salvation, and the living Son of God,” and praising “the graces of Christ’s life, death, and resurrection.”
While previous presidents have routinely issued Christmas greetings, they have typically emphasized themes of charity, family and goodwill in language meant to include Americans of many faiths. The White House message this year asserted a specifically Christian vision of faith and national identity.
The presidential message followed a series of social media posts from federal departments that also invoked Jesus directly. Defense Secretary Pete Hegseth wrote, “Today we celebrate the birth of our Lord and Savior, Jesus Christ.” The Department of Labor posted, “Let Earth Receive Her King.” A video from the Department of Homeland Security declared, “We are blessed to share a nation and a Savior,” alongside images of a Nativity scene and the American flag.
The president of Americans United for Separation of Church and State, Rachel Laser, who is Jewish, called the messaging “divisive” in a statement to The New York Times, saying that citizens “should not have to sift through proselytizing messages to access government information.”
Some Jewish commentators reacted with unease, saying the cumulative effect of the posts was to define the American “we” in explicitly Christian terms. Critics see something closer to Christian nationalism, the idea that the United States is fundamentally a Christian nation and should be governed accordingly.
“This is not a comforting message for American Jews,” one Jewish writer posted in response to the Homeland Security video.
Others emphasized that the objection was not to Christmas itself, but to the government’s role in promoting religious belief. Seth Abramson, an author and political commentator who is Jewish, wrote on X that while he enjoys celebrating Christmas with relatives, “separation of church and state is vital.”
The First Amendment prohibits the government from establishing a religion or favoring one faith over others. Jewish organizations have historically viewed that principle as a key protection for religious minorities. As of Friday afternoon, major Jewish groups had not issued statements specifically addressing the Christmas messages.
Supporters of the administration say its messaging is merely stating the obvious, and serving to restore space for faith in public life. According to an editorial in The Nevada Globe, “For many Nevadans — and millions of Americans nationwide — it was a welcome return to the simple truth of the season: Christmas is about Christ, family matters, faith still belongs in public life, and America is worth praying for.”
This article originally appeared on JTA.org.
The post Trump administration Christmas messages emphasize Jesus in overtly religious terms appeared first on The Forward.
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Mamdani Taps Anti-Israel Voices Ms. Rachel, Cynthia Nixon, Jewish Voice for Peace Director for Inaugural Committee
New York City mayor-elect Zohran Mamdani attends a press conference at the Unisphere in the Queens borough of New York City, US, Nov. 5, 2025. Photo: REUTERS/Kylie Cooper
New York City Mayor-elect Zohran Mamdani on Wednesday unveiled the members of his inaugural committee, and the list includes a slate of anti-Israel appointments, sparking renewed concerns over the incoming administration’s commitment to protecting the Jewish community.
Among the most controversial appointees are high-profile activists and cultural figures who have taken public anti-Israel positions or are affiliated with organizations sharply critical of the Jewish state, such as children’s entertainer Rachel “Ms. Rachel” Accurso and actress Cynthia Nixon. Another controversial name on the list is Beth Miller, political director at Jewish Voice for Peace (JVP), an organization that rejects Zionism and has defended protests targeting Israeli institutions.
In the two years following the Hamas-led Oct. 7, 2023, assault on Israel, Accurso has used her sizeable platform to launch an unremitting barrage of condemnation toward Israel, accusing the Jewish state of committing so-called “genocide” and starving children. She sparked backlash after posting about a three-year-old Gazan girl named Rahaf, who lost her legs in an Israeli airstrike. Accurso did not contextualize the situation by acknowledging that the Palestinian terrorist group Hamas often uses children as human shields during their operations, instead framing Rahaf’s injuries as a result of Israeli military malfeasance. She has also falsely accused Israel of purposefully triggering starvation in Gaza against the civilian population.
“We must not let one more baby or child die of starvation. This isn’t about politics, it’s about basic humanity,” she posted on Instagram.
Nixon has repeatedly lambasted Israel and signed a petition supporting South Africa’s genocide case against the Jewish state at the International Court of Justice.
Miller helps lead one of the most vocal anti-Israel organizations in the country. She recently shared a post on X which read that Israel has “starved, abducted, and displaced Palestinian children every day in 2025.” She also shared another post which characterized Israel’s military operations as “unfathomably evil” and wrote that Israel is “actively carrying out a genocide,” citing allegations from “Palestinian, Israeli, and international human rights organizations.” She even condemned outgoing New York City Mayor Eric Adams for visiting Israel, saying he “continues to demonstrate what it looks like to truly not give one single flying f–k about New Yorkers.”
Despite JVP’s name, a poll released earlier this year found that the vast majority of American Jews believe that anti-Zionist movements and anti-Israel university protests are antisemitic. The findings also showed that Jews across the US overwhelmingly oppose the views and tactics of JVP.
Meanwhile, StandWithUs (SWU), an organization which promotes a mission of “supporting Israel and fighting antisemitism,” released a report in January examining how the far-left JVP organization “promotes antisemitic conspiracy theories” and even partners with terrorist organizations to achieve its “primary goal” of “dismantling the State of Israel.”
According to the report, JVP weaponizes the plight of Palestinians to advance an “extremist” agenda which promotes the destruction of Israel and whitewashes terrorism, receiving money from organizations that have ties to Middle Eastern countries such as Iran.
JVP, which has repeatedly defended the Hamas-led Oct. 7 massacre, argued in a recently resurfaced 2021 booklet that Jews should not write Hebrew liturgy because hearing the language would be “deeply traumatizing” to Palestinians.
Critics of the organization often point out that many JVP chapters do not have a single person of Jewish faith. The organization does not require a Jewish person to found a chapter and has even helped orchestrate anti-Israel demonstrations in front of synagogues.
The new appointments cast doubt over whether the Mamdani administration will protect the city’s Jewish population amid a record wave of antisemitic attacks in the city. The mayor-elect has vowed to defend Jewish New Yorkers and attempted to mend relations with outreach to Jewish leaders. He has also expressed public grief over the recent Bondi Beach massacre targeting a Hanukkah celebration in Sydney, Australia.
Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.
Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.
A Sienna Research Institute poll released in early November revealed that a whopping 72 percent of Jewish New Yorkers believe that Mamdani will be “bad” for the city. A mere 18 percent hold a favorable view of Mamdani, according to the results, while 67 percent view him unfavorably.