Uncategorized
A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.
(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes.
The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter.
Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.
Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether.
But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.
David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity.
Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government.
“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”
(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)
Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about.
This interview has been lightly edited for length and clarity.
New York Jewish Week: How did you get involved as producers with the show?
Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on.
I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier.
We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle.
We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are.
How did your Jewish communities step in to help get the show back on its feet again?
DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this.
CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family.
As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?
CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.
When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”
Why should people see it?
CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize.
So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.
DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.
“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.
—
The post A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage. appeared first on Jewish Telegraphic Agency.
Uncategorized
Tucker Carlson’s Huckabee Interview: Confidence Without Comprehension
Tucker Carlson speaks on first day of AmericaFest 2025 at the Phoenix Convention Center in Phoenix, Arizona, Dec. 18, 2025. Photo: Charles-McClintock Wilson/ZUMA Press Wire via Reuters Connect
When Tucker Carlson announced he would be interviewing US Ambassador to Israel Mike Huckabee, it was clear this would not be a friendly exchange. Carlson, who appears to be funded by Qatar, a state that openly backs Hamas, has positioned himself as one of Israel’s fiercest critics in American media.
What followed was not the exposé Carlson likely imagined.
It was a two-hour display of confident ignorance.
Yet much of the media coverage focused on a single distorted headline: Carlson’s suggestion that biblical scripture implies Israel seeks to “take over the Middle East.”
That became the story.
It was also the least revealing part of the interview.
What went largely unreported was not Huckabee’s answers, but Carlson’s performance: his theological confusion, historical sloppiness, conspiratorial insinuations, and failure to grapple with facts that contradicted his narrative.
A Disaster From Start to Finish
Carlson opened the interview with a monologue that appeared designed to rehabilitate his own credibility.
He repeated claims that he had been “detained” at Ben Gurion Airport when leaving Israel after recording the interview, suggesting it was unsafe for him to travel to Jerusalem. He implied he felt endangered after Prime Minister Benjamin Netanyahu allegedly called him a “Nazi.”
That was among the first of his distortions. There is no verified record of Netanyahu making such a statement.
Footage from the airport shows Carlson in the VIP lounge, posing for photos and interacting amicably with staff.
He claimed he was “detained,” that security “took passports,” and his producer was “hauled into a side room.”
Footage from Ben Gurion’s VIP lounge shows Tucker Carlson hugging staff and posing for photos.
This pattern — reframing routine events as persecution –serves a rhetorical purpose. It casts Carlson as a dissident truth-teller under siege. It does not withstand scrutiny.
Huckabee directly confronted Carlson over his earlier interview with Aguilar, a former Gaza Humanitarian Foundation aid worker who claimed he witnessed Israeli soldiers kill a young boy in Gaza.
As Huckabee pointed out, that account was later proven false when the boy was discovered alive.
Huckabee stated that he personally helped coordinate the child’s evacuation from Gaza, working with four countries to secretly extract the boy and his mother less than a week after the alleged “murder.” The operation had to remain covert, he said, because Hamas would have killed the child to validate Aguilar’s narrative.
And yet Carlson still entertained the claim as plausible, naturally failing to acknowledge his own role in broadcasting this fiction to millions.
For a commentator who brands himself as a skeptic of mainstream media narratives, the absence of self-scrutiny was striking.
Bethlehem and Basic Geography
Carlson cited Bethlehem – the birthplace of Christianity – as evidence that Christians are being driven out of the West Bank by Israel.
Bethlehem has been under Palestinian Authority control since 1995. Israel does not govern it, and there has been no Jewish community there for decades.
If the Christian population has declined, the obvious question is: under whose governance?
Huckabee raised precisely that point.
Carlson did not engage.
1/
The media’s takeaway from Tucker Carlson’s interview with Ambassador @GovMikeHuckabee?A distorted headline about Israel “taking over the Middle East.”
That wasn’t the story…
The story was Tucker Carlson self-immolating for over two hours.
Watch the clip.
Then let’s… pic.twitter.com/e5AvpTMGW6
— HonestReporting (@HonestReporting) February 21, 2026
Theology as Geopolitical Caricature
Carlson invoked God’s promise to Abraham – “from the river of Egypt (Nile) to the Euphrates” – and suggested that this covenant implies contemporary Israeli expansionism across sovereign Middle Eastern states.
This is a categorical error.
The Abrahamic covenant is a theological concept, not a modern policy platform. No Israeli government has articulated a program to annex the Middle East based on Genesis.
By collapsing ancient scripture into a present-day territorial blueprint, Carlson substituted provocation for analysis.
Huckabee attempted to correct the framing.
Carlson appeared uninterested.
Ancestry as Legitimacy Test
In one of the interview’s most jarring moments, Carlson questioned Netanyahu’s right to live in Israel on the basis of ancestry.
“Netanyahu’s family is from Poland,” Carlson said. “There’s no evidence his ancestors ever lived here. On what basis does he have a right to be here?”
Huckabee responded bluntly: “I’m totally unable to process what you’re saying.”
The exchange spoke for itself.
Framed as a critique of one politician, the logic extended further – implying that Jewish belonging in Israel requires genealogical proof acceptable to Carlson.
It was delivered not tentatively, but with certainty.
And then there was the subject of Qatar.
Carlson appeared surprised when Huckabee noted that Christians in Qatar are overwhelmingly migrant workers confined to a restricted church compound, with no Christian citizens and limited public expression of faith.
By contrast, Israel has approximately 184,000 Christian citizens, hundreds of churches, open Easter processions, and church bells ringing weekly.
Carlson initially leaned on a cursory reading of Wikipedia before conceding he did not know the details.
For someone positioning himself as a defender of Christianity in the Middle East, all while seemingly receiving funding from the Qatari state, the disconnect was difficult to ignore.
Conspiracy, Recycled
Carlson floated additional insinuations and conspiracy, including the absurd claim that the United States went to war in Iraq after September 11 because of Israel.
This trope, that Jewish or Israeli influence dragged America into war, has circulated for decades across ideological extremes.
Reducing complex American strategic decisions, Congressional votes, and post-9/11 security policy to “Israel made us do it” is not serious analysis. Yet here it was, presented as such by a former Fox News host watched by millions.
By the end of nearly three hours, a pattern had emerged.
Carlson repeatedly blurred theology into policy, questioned Jewish historical continuity, recycled war-blame insinuations, dismissed counter-evidence, and spoke authoritatively on subjects he appeared not to have mastered.
And he did so with confidence.
That is what much of the media missed.

The story was not Huckabee’s answer to a distorted Biblical question.
It was watching a prominent commentator unravel under the weight of his own thinly sourced claims.
Criticism of Israeli policy is legitimate. Debate over strategy is healthy.
But when interrogation gives way to insinuation, and skepticism morphs into selective credulity, the result is not fearless journalism.
It is confidence without comprehension.
And it was watched by nearly two million viewers in under 24 hours.
The author is a contributor to HonestReporting, a Jerusalem-based media watchdog with a focus on antisemitism and anti-Israel bias — where a version of this article first appeared.
Uncategorized
A new curriculum brings adults with intellectual disabilities into Jewish learning
(JTA) — When he’s not working at the local dog care and boarding center, 24-year-old Raffi Stein-Klotz is usually playing kickball or tending to the garden at his residential facility in Boca Raton.
But once a week, Stein-Klotz can be found in an adult Jewish learning class series created specifically for people with intellectual and developmental disabilities, like him and his housemates at JARC, the Jewish Association for Residential Care.
“We learn the book of Genesis,” Stein-Klotz, the son of two rabbis, told the Jewish Telegraphic Agency. “And we get to know how everything is in Hebrew and English, and every morning we say ‘boker or,’ ‘boker tov,’” referring to the Hebrew expressions for “good morning.”
Stein-Klotz’s class is possible thanks to a new curriculum from Melton, the adult Jewish education network that offers in-person and online classes. The program, called What’s Mine is Yours, aims to provide Jewish academic resources for adults with disabilities, who advocates say have few if any options for formal Jewish education tailored to their needs.
“There’s really not a lot specifically designed for adults with intellectual and developmental disabilities to have a continued adult learning experience,” said Carol Morris, Jewish disabilities advocates coordinator at Jewish Family Service of Colorado. “That doesn’t mean that there aren’t some educational programs that they could attend or be part of, but not really anything designed specifically for them as adults to do higher-level Jewish learning.”
The curriculum was developed in partnership with Matan, an organization that educates Jewish community leaders on how best to include people with disabilities. After a successful precursor curriculum with Melton took off in Atlanta in 2021, What’s Mine is Yours began piloting the Melton and Matan curriculum in 2023. Four cities are offering the curriculum for the first time this year.
The rollout comes as the Jewish world has otherwise made significant strides in some aspects of disability inclusion in recent years. (February is Jewish Disability Awareness, Acceptance and Inclusion Month, a global Jewish organizational initiative.)
“One of the things that’s so important here is the Jewish world, to a great extent, has embraced the importance of inclusion, the importance of adding ramps where there are stairs to get into the synagogue, to get up to the bimah in the front, they’ve thought about the ways to include people with disabilities,” said Morey Schwartz, international director of Melton.
But, he added, “Inclusion can’t just be about ramps. It has to be about giving them inspiration, education, engaging, thought-provoking materials that can give them also the ability to participate fully to the extent that they can to the enterprise of Jewish learning. It can’t be like some watered-down version of something else. That’s not what we’re doing.”
What’s Mine is Yours includes units about prayer, holidays, Shabbat and rituals that are structured to be accessible for adults with intellectual disabilities without giving up on the core elements of advanced Jewish learning: open-ended questions, engagement with original texts and group discussions. Lesson plans ask students to relate the ideas they encounter to their own lives, and materials include prominent visual markers to enable students who might have trouble accessing text-based materials to follow along.
The pilot class in Atlanta, in 2021, was supported by a local Jewish disability support network. “Then we got feedback: We should take this over, nationalize it, scale it up,” Schwartz said.
The result is a customizable system that can be used wherever Melton classes are held, such as synagogues, JCCs and Jewish federations — or in residential facilities, day programs, specialty organizations, adult camp programs, community centers and educational networks. It’s in use in nine cities, mostly in the United States but also in Cape Town, South Africa.
Each module in the curriculum is three lessons, but can be stretched over more classes if teachers prefer. The first collection of four adapted modules has been completed, and another 12 are still in process.
Subject matter includes the meaning and purpose of prayer; the Exodus story; the miracles of Hanukkah and Purim; symbols in Judaism; and marriage, divorce, and conversion in Judaism.
“There are suggestions made, and everyone can kind of enter at a different point of where their knowledge is,” said Judy Snowbell Diamond, director of curricular development at Melton. “In addition to the course book, there’s a faculty guide, which gives the faculty some suggestions as to how to modify it depending on the learners.”
At JARC in Boca Raton, teacher Harvey Leven’s class recently completed the “Sacred Cycles” module, where students learned about Rosh Hashanah and Yom Kippur. During a recent class, which JTA viewed by Zoom, six students, roughly mid-30s and older, sat around a conference table. (The rest of the class was on a field trip to Orlando.)
In his class, Leven reviewed relevant terms with students like “atonement,” “repentance” and “self-denial.”
Leven also played a three-minute video where a narrator, speaking quickly, recapped the basics of the holiday. Before playing any video, Leven tells his students a few of the things they might see, and a few things to look out for.
“Some people participate a lot, and some never say a word,” said Leven.
Stein-Klotz said he counts himself as one of those quieter students.
“For me, it’s hard, because I have autism, and it takes my brain a little bit to get it,” he said.
Leven has worked in Jewish education for more than 20 years, teaching both children and adults. But teaching the Melton curriculum marks the first time he has adapted his teaching specifically for students with special needs.
“Sometimes, like today, the vocabulary in the material often needs translating for these students,” Leven said. “And so you have to spend some time helping the students to understand what exactly is being said there.”
It can be difficult to measure how much information is getting through to his students, Leven said.
“We don’t do tests,” he said. “Today, one or two barely said anything. So I’m hoping that something sinks in.”
Over the past two years of teaching from the What’s Mine is Yours curriculum, Leven has had a number of returning students. Having worked with them in the past, he is already familiar with their learning styles and with their personalities, which has been helpful in the classroom.
“Every one of those students has particular idiosyncrasies that I had to learn and to be able to work with in order to make this class meaningful and fun for them, enjoyable for them,” Leven said.
But he said he had identified challenges in executing the curriculum. Leven said he avoids the suggested physical activities, for example, because many of his students have limited mobility, and the space and shape of his classroom is not conducive to much movement.
And though the program seeks to be accessible to all, in practice, it doesn’t work for every person’s needs.
Alissa Korn is the mother of two adult daughters, including 27-year-old Jillian, who has intellectual disabilities and mental health challenges. After learning about the success of the adapted curriculum in Atlanta, Korn was inspired to introduce the What’s Mine is Yours curriculum to Jillian’s adult living facility in New Haven, Connecticut.
“My daughter, it wasn’t great for her, because she really learns best in a one-on-one setting,” Korn admitted. “And with adults raising their hands and talking over each other, it was very challenging for her.”
Still, Korn finds value in the program, and her family continues to support it at her daughter’s living facility.
“It doesn’t necessarily need to be the perfect match for my daughter,” Korn said. “It just makes me feel good to be involved in anything in the special needs world, where we can feel like we’re empowering people and making them feel good about themselves.”
Erica Baruch, Jewish disabilities advocates adviser at Jewish Family Service of Colorado, said just offering the program takes the burden off families like Korn’s.
“Oftentimes families don’t ask for things because they make the assumption that it wouldn’t be possible or it would be a burden on the community,” she said. “Learning is such a big piece of Jewish life.”
Stein-Klotz is exactly the kind of student Melton is trying to reach. He fondly recalls marking his bar mitzvah at 13, when his godfather, who is also a rabbi, taught him his Torah portion — the story of Noah and the ark. He recalls having fun, learning about the animals and getting to sing songs.
“It was great, because I had people helping me, and I remembered everything,” he recalled of his bar mitzvah. “Learning it was hard for me, and I didn’t want to do it, but I took my time and learned well, and I still remember it, and I’m still Jewish throughout this day.”
Now, he is able to play a helping role in his Melton course, which he said has been a great way to get to know his neighbors from JARC and from the garden.
“It’s great to see them in the Melton class and learn what their disability is and what their strong skills and what their weaknesses are,” Stein-Klotz said. “So that’s a good thing, so I help them with that, if I can.”
Stein-Klotz said he even helps some of his classmates who are new to Judaism or interested in converting one day.
“They make me feel happy and good and strong,” he added. “Like I’m helping people, or like a good mitzvah.”
The post A new curriculum brings adults with intellectual disabilities into Jewish learning appeared first on The Forward.
Uncategorized
Truck ramming at Australian synagogue prompts hate crime charges as antisemitism commission opens
(JTA) — An Australian man is facing hate crime charges after he allegedly rammed his truck into a historic synagogue in Brisbane, in an attack that has spurred calls for increased security from the synagogue’s rabbi.
Matthew De Campo, 32, of Sunnybank, was arrested on Friday after he allegedly backed his pickup truck into the Brisbane Synagogue in Queensland, Australia, narrowly missing a person as he struck its gates. He has been charged with willful damage, serious vilification or hate crime, dangerous driving and possession of a dangerous drug.
The ramming comes two months after gunmen opened fire on a Hanukkah celebration in Sydney, killing 15 and injuring dozens more. Last month, Australian Prime Minister Anthony Albanese announced the launch of a Royal Commission inquiry, the country’s highest level of inquiry, which is slated to hold its first public hearing on Tuesday.
In the wake of the attack, the Australian government also tightened gun ownership laws and introduced legislation to curb hate speech, efforts that have been echoed by Queensland Premier David Crisafulli, who earlier this month introduced a package of legislation to combat antisemitism.
“This is another signal as to why we have to put strong laws before parliament to protect all people where they worship,” wrote Crisafulli in a post on X following the attack.
Libby Burke, the vice president of the Queensland Jewish Board of Deputies, said that the local Jewish community had been “deeply distressed” by the incident, according to the Australian Broadcasting Corporation.
“A synagogue is a sacred place, a place of prayer, reflection, and community,” said Burke. “To see its gates viciously rammed is profoundly devastating and is not dissimilar to what we have seen throughout the globe, vehicles used as weapons to kill and harm Jews.”
North Brisbane District acting Superintendent Michael Hogan said that police did not consider the ramming a “terrorist act,” though he added that it was “definitely a targeted attack against the Jewish synagogue.”
During an appearance Saturday before the Brisbane Magistrates Court, De Campo, who represented himself, claimed that he “did not do any hate crime or anything like that” and said that he was a “man of good faith,” according to The Courier Mail.
“Last night was a bit of a brain snap and I believe there is something more sinister going on behind the scenes,” De Campo said.
Rabbi Levi Jaffe of the Brisbane Synagogue told The Australian that the attack had “shaken” his community, which had concluded Shabbat services shortly before the ramming.
“Friday night’s ramming of a synagogue, when prayers usually take place, seems to me like a pretty direct attack on a Jewish institution,” said Jaffe. “Lives could have been lost.”
Jaffe said that it was important that the “authorities come down strong on this kind of behavior,” adding that it had underscored the need for boosted security.
“Sadly, we need a lot of security because of these kind of events,” Jaffe said. “There needs to be more police presence around the synagogue, and there needs to be, sadly, armed guards.”
Rabbi Levi Wolff of the Central Synagogue in Sydney told The Australian that the attack had sent a “chilling message that even sacred spaces are not safe.”
“At a time of catastrophic antisemitism, as we saw at Bondi, this inevitably deepens fear and insecurity,” said Wolff. “People must know they can prayer, gather, and live openly without intimidation. Ultimately, the real question is whether there are strong, visible consequences for these crimes.”
The post Truck ramming at Australian synagogue prompts hate crime charges as antisemitism commission opens appeared first on The Forward.

