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A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.

(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes. 

The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter

Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.

Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether. 

But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.

David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity. 

Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government. 

“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”

(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)

Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about. 

This interview has been lightly edited for length and clarity.

New York Jewish Week: How did you get involved as producers with the show?

Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on. 

I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier. 

We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle. 

We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are. 

How did your Jewish communities step in to help get the show back on its feet again?

DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this. 

CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family. 

As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?

CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.

When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”

Why should people see it?

CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize. 

So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.

DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.

“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.


The post A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage. appeared first on Jewish Telegraphic Agency.

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Mark Mellman, pollster who championed Democrats and Israel, dies

(JTA) — The talk was timed just ahead of the Ninth of Av, one of the most mournful dates in the Jewish year, so Mark Mellman came prepared with a drash — a Torah commentary — and delivered it to a rapt room.

That the room at the 2004 Democratic National Convention in Boston was packed with political operatives, not all of them Jewish, did not seem to matter to Mellman, the veteran pollster pro-Israel voice within the Democratic Party whose death was announced Friday by his family.

For Mellman, Jewish values and Democratic values went hand in hand. As soon as he heard the appreciative murmurs of “yashar koach” (roughly, “well done”) marking the end of his drash, he launched into an endorsement of party presidential nominee John Kerry.

“Mark possessed a profound understanding for American and Jewish history.” the Democratic Majority for Israel, the group he founded in 2019, said in a statement. “His unwavering commitment to Democratic values will continue to guide and inspire us.”

Mellman died after a long illness, his family said in announcing his funeral, which will take place on Sunday in Maryland. They did not give a cause of death or mention his age, although some sources indicate he was born in 1955. 

Mellman joined his first political campaign in 1981, three years after graduating from Princeton and while he was a graduate student at Yale. He successfully managed the congressional campaign of Bruce Morrison, a Connecticut Democrat who unseated a Republican, Larry DeNardis, in the 1982 election.

The upset made Mellman’s reputation and, still in his 20s, he launched a career in Washington as a pollster and a consultant. His company was eventually known as The Mellman Group.

Within a couple of decades he was the go-to pollster, not just for Democrats but for a wide variety of firms, including the NBA’s Washington Wizards, United Airlines and both Pepsi and Coca-Cola.

He never let it get to his head: “The truth is we know damn little about what works in campaigns,” he wrote in The Hill, the insidery Washington newspaper, in 2006. “Most of what passes for evidence in this business is nothing more than dimly remembered anecdote or thinly disguised salesmanship.”

His self-deprecation came through after Kerry lost in 2004. Mellman was the campaign’s pollster. 

“You can’t imagine how much time it takes to lie on the floor in a fetal position, it really takes a lot out of me,” he told a conference a week after the election.

Mellman made himself accessible to Jewish groups, frequently appearing at events organized by the Jewish Federations of North America and at the American Israel Public Affairs Committee, and often opposite a Republican counterpart.

The debate was always friendly, with the understanding on both sides that ensuring the full-throated participation of Jewish Americans in the political process outweighed partisan differences.

“I always respected him and the fact that he was committed to fighting the rise of antisemitism and anti-Zionism in the Democratic Party,” Matt Brooks, the CEO of the Republican Jewish Coalition, told JTA. “Mark put principle over politics. He and his voice will be missed.”

He was sought-after mentor to younger Jewish operatives. “When I started working in Jewish Dem politics and needed a poll, we looked to Mark. When I first spoke at a JCC, I spoke alongside Mark,” Halie Soifer, the CEO of the Jewish Democratic Council of America, said on X. “I learned from and appreciated Mark, and he’ll be deeply missed.”

William Daroff, now the CEO of the Conference of Presidents of Major American Jewish Organizations, recalled that Mellman’s mentorship crossed party lines, when Daroff was the RJC’s deputy director.

“During my own partisan youth, when I was loudly advocating for President George W. Bush and Mark was working just as energetically on the other side, he never treated me as an adversary,” Daroff told JTA. “He cared more about the Jewish community than about partisan labels and made a point of saying that pro-Israel voices in the GOP mattered.”

When Daroff a couple of years later sought to transition to nonpartisan work, applying for the top Washington job at JFNA, Mellman was one of his fiercest advocates. 

“He backed me, he vouched for me, and he helped open doors that I could not have opened alone,” Daroff said. “Mark believed deeply in communal unity, and he acted on that belief.”

Mellman was one of the first to warn fellow Democrats that the obituarywas a trend, not an anomaly.

“It is a small problem that could get bigger,” he told The Forward in 2013.  The numbers then of progressive Democrats holding negative views of Israel were not large, he said, “but you need to address problems when they are small.”

He was proved correct after the 2018 election, which swept into office four Democrats, known as “The Squad,” who made criticizing Israel their brand. A year later he launched DMFI. 

“Our mission at Democratic Majority for Israel is to strengthen the pro-Israel tradition of the Democratic Party, fight for Democratic values and work within the progressive movement to advance policies that ensure a strong U.S.-Israel relationship,” Mellman said then.

DMFI occupied a unique place in the Democratic firmament: Other partisan groups tread lightly in countering adversaries within the party. Mellman and his group did not.

“We’ve got two words in our name that are important,” he told JTA in 2024, when DMFI helped lead the successful effort to oust New York Rep. Jamaal Bowman in a primary challenge. “One is ‘Israel.’ The other is ‘Democratic.’ We believe in the Democratic Party, we believe in a Democratic agenda. We find fault with Jamaal Bowman because he’s anti-Israel, but also because he’s not supportive of a Democratic agenda.”

It was a statement typical of Mellman, who was not afraid to smash taboos. He freely aligned himself with opponents to Israeli Prime Minister Benjamin Netanyahu, crossing a red line for many in the pro-Israel community, who prefer to stay out of Israeli politics. He consuklted with opposition leader Yair Lapid. 

“He was one of the architects of the 2013 election success,” when Lapid’s party, Yesh Atid, barely a year old, earned 19 seats and a place in the governing coalition, “and of the campaign that led to us forming the government in 2021,” Lapid said on X. 

“Mark embodied a love of the strong, successful, democratic Israel we believe in and worked tirelessly to secure the strategic relationship between Israel and the United States,” Lapid said. “His contribution to the Jewish people is far greater than most people will ever know.”

“A world class pollster and advocate for Israel, but a world class mensch, too,” Steve Rabinowitz, a longtime Washington PR maven told the Jewish Telegraphic Agency. “His loss is stunning.” 

The post Mark Mellman, pollster who championed Democrats and Israel, dies appeared first on The Forward.

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Judy Chicago’s feminist art lands in Tel Aviv — igniting a boycott call and hard questions about Israel

(JTA) — TEL AVIV — Judy Chicago may not have been directly involved in organizing two new Tel Aviv exhibits of her work, but the question at the center of one of the shows could not be more relevant amid Israel’s war in Gaza: “What If  Women Ruled the World?”

That’s the title of the Judy Chicago show that opened this fall at the Tel Aviv Museum of Art. It poses that question and other related ones, like “Would God Be Female?” and “Would There Be Violence?” on colorful art quilts. The questions are translated into Hebrew and Arabic, and visitors can record their responses.

“My motivation for bringing this project here, to a public space within the museum, was to shout in the loudest way we have at our disposal — where are the women who would end this war?” said Shahar Molcho, the exhibit curator, over the summer.

It’s a question that has echoed even after the ceasefire that began last month, as Israel’s male leaders have sparred over how to move forward and a new, all-male slate of leaders were chosen for Zionist institutions.

But some argued that the art exhibit should not go up. Just days before “What If Women Ruled the World?” was scheduled to open, a group of Israeli and Palestinian artists wrote to Chicago and her collaborator, artist Nadya Tolokonnikova, urging them to “not artwash the genocide and ongoing ethnic cleansing” in Gaza and the West Bank. The letter invoked Chicago’s feminism and said it would be hypocritical for her to display her work in Israel.

A second exhibit of Chicago’s artwork, on loan from a private collection and surveying the artist’s six-decade career, is on display at at Tel Aviv’s Nassima Landau Foundation through January 2026.

Chicago, 86, declined requests for comment from JTA and other news outlets. Tolokonnikova, a Russian musician and the founder of the feminist group Pussy Riot, told the online publication Hyperallergic that she agrees with the letter but has no control over where the project is shown.

The question of how the world would be different under women’s leadership frames the museum exhibit. But another question has dominated the discourse: Should international artists of Chicago’s stature be showing their work in Israel at all?

Molcho said she had anticipated backlash to the exhibit but was surprised that the condemnation came from Israeli artists, too, including those whose work is or has been on view at the museum, such as David Reeb and Guy Ben-Ner.

“Boycott is between Israel and the rest of the world, not amongst Israelis,” Ben-Ner, a signatory whose solo show at the museum ran through June 2023, told JTA.

The Israeli documentary filmmaker Barak Heymann had never heard of Judy Chicago but signed the letter opposing the exhibit. “Anyone who takes action with the intention to direct international attention at the genocide, and the demand to stop it now, will receive my automatic and almost blind support,” he said.

 

The Tel Aviv Museum of Art is situated just a few hundred feet from Hostage Square, the site of mass demonstrations during the two-year Israel–Hamas war. Molcho said that she and other museum leaders have frequently joined anti-war protests at their doorstep.

State funding accounts for just 2% of the museum budget, with over 45% coming from the Tel Aviv municipality, Tania Coen-Uzzielli, the museum’s director, said.

Coen-Uzzielli said she opposes efforts to boycott Israeli cultural institutions, noting, “If we silence critical voices, we’re just playing the same game being played by those running our country. We should be promoting criticism, dialogue, participation. Culture, at its essence, is about conversation.”

Several signatories said they were unaware that just last year, Chicago herself loaned two preparatory studies she created while working on her 1992 stained glass window, Rainbow Shabbat, to Israel’s Mishkan Museum of Art in Ein Harod, where they remain on display. Days after the Oct. 7, 2023, Hamas attack on Israel, Chicago posted a photo of Rainbow Shabbat on Instagram, writing, “As the panels state: Heal those broken souls who have no peace and lead us all from darkness to light.”

The artist was not directly involved in bringing “What If Women Ruled the World?” to the Tel Aviv Museum. The exhibit is the result of a collaboration between the museum and the New York-based art tech company DMINTI.

This is Tel Aviv Museum’s culminating installation following a year of women-centered solo exhibitions. Inspired by a series of handmade banners Chicago created with the luxury goods brand Christian Dior for a 2020 haute couture show, the museum show comprises 11 art quilts, each posing a different question, a recording booth where “all who share feminist values” are invited to answer the questions, and a film about Chicago’s trailblazing career.

The post Judy Chicago’s feminist art lands in Tel Aviv — igniting a boycott call and hard questions about Israel appeared first on The Forward.

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Mamdani Under Fire for Response to Mob Targeting New York City Synagogue

New York City mayor-elect Zohran Mamdani attends a press conference at the Unisphere in the Queens borough of New York City, US, Nov. 5, 2025. Photo: REUTERS/Kylie Cooper

New York City Mayor-elect Zohran Mamdani is facing intense criticism from Jewish leaders and pro-Israel advocates after issuing a statement that appeared to legitimize a gathering of demonstrators who called for violence against Jews outside a prominent synagogue on Wednesday night.

The protesters were harassing those attending an event being held by Nefesh B’nefesh, a Zionist organization that helps Jews immigrate to Israel, at Park East Synagogue in Manhattan.

“We don’t want no Zionists here!” the group of roughly 200 anti-Israel activists chanted in intervals while waving the Palestinian flag. “Resistance, you make us proud, take another settler out.”

One protester, addressing the crowd, reportedly proclaimed, “It is our duty to make them think twice before holding these events! We need to make them scared.”

Footage on social media also showed agitators chanting “death to the IDF,” referring to the Israel Defense Forces, as well as “globalize the intifada” and “intifada revolution.” Community figures described the scene as openly threatening and a stark escalation of anti-Jewish hostility in New York City.

Mamdani, who was elected the city’s next mayor earlier this month, issued a statement that “discouraged” the extreme rhetoric used by the protesters on Wednesday night but did not unequivocally condemn the harassment of Jews outside their own house of worship. Mamdani’s office notably also criticized the synagogue, with his team describing the event inside as a “violation of international law,” an allegation apparently referencing Israel’s settlement policies in the West Bank. 

“The mayor-elect has discouraged the language used at last night’s protest and will continue to do so,” Mamdani spokesperson Dora Pekec said in a statement on Thursday. “He believes every New Yorker should be free to enter a house of worship without intimidation, and that these sacred spaces should not be used to promote activities in violation of international law.”

Jewish leaders reacted with disappointment, arguing that Mamdani effectively provided political justification for a protest that targeted Jews for participating in a mainstream, fully legal pro-Israel program. Critics said the state assemblymember’s framing implied that the synagogue’s event, not the threatening chants outside, was the real problem, a position they described as deeply irresponsible amid rising antisemitism in the city.

“Do they think this is clever? Telling Jews not to use synagogues to inform fellow Jews about how to move to Israel, which many Jews consider a commandment, because Jews living in Israel violates international law,” wrote Tal Fortgang of the Manhattan Institute. 

Mark Goldfeder of the National Jewish Advocacy Center suggested that Mamdani is failing to secure the safety of all New Yorkers.

“You are already failing on your commitment to protect all New Yorkers. An event to celebrate aliyah is not a violation of international law; it is a protected First Amendment right,” he wrote, referencing the process by which Jews immigrate to Israel.

The World Jewish Congress said the protests “produced scenes early [sic] reminiscent of Kristallnacht,” the infamous Nazi pogroms of November 1938 that terrorized the German Jewish community.

New York Gov. Kathy Hochul (D), who endorsed Mamdani for mayor, strongly condemned the protests. 

“No New Yorker should be intimidated or harassed at their house of worship,” Hochul posted. “What happened last night at [Park East Synagogue] was shameful and a blatant attack on the Jewish community.”

Pro-Israel advocates warned that Mamdani’s response normalizes intimidation of Jewish communities and shifts blame onto victims rather than confronting extremist activists. They also noted that support for making aliyah is a core part of Jewish communal life and expressed concern that an elected official would characterize such programming as grounds for protest, especially one marked by calls for violence.

The controversy has heightened tensions in New York’s Jewish community, with many observers calling Mamdani’s remarks a troubling signal that anti-Israel animus is increasingly being used to rationalize hostility toward Jewish religious spaces themselves.

Mamdani’s political ascendance comes amid a spike in anti-Jewish hate crimes within New York City.

The city has been ravaged by a surge in antisemitic incidents since Hamas’s Oct. 7, 2023, massacre across southern Israel. According to police data, Jews were targeted in the majority of hate crimes perpetrated in New York City last year. Meanwhile, pro-Hamas activists have held raucous — and sometimes violent — protests on the city’s college campuses, oftentimes causing Jewish students to fear for their safety.

Mamdani, a far-left democratic socialist and anti-Zionist, is an avid supporter of boycotting all Israeli-tied entities who has been widely accused of promoting antisemitic rhetoric. He has repeatedly accused Israel of “apartheid” and “genocide”; refused to recognize the country’s right to exist as a Jewish state; and refused to explicitly condemn the phrase “globalize the intifada,” which has been associated with calls for violence against Jews and Israelis worldwide.

Leading members of the Jewish community in New York have expressed alarm about Mamdani’s victory, fearing what may come in a city already experiencing a surge in antisemitic hate crimes.

A recently released Sienna Research Institute poll revealed that a whopping 72 percent of Jewish New Yorkers believe that Mamdani will be “bad” for the city. A mere 18 percent hold a favorable view of Mamdani. Conversely, 67 percent view him unfavorably.

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