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A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.

(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes. 

The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter. 

Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.

Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether. 

But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.

David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity. 

Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government. 

“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”

(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)

Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about. 

This interview has been lightly edited for length and clarity.

New York Jewish Week: How did you get involved as producers with the show?

Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on. 

I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier. 

We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle. 

We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are. 

How did your Jewish communities step in to help get the show back on its feet again?

DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this. 

CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family. 

As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?

CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.

When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”

Why should people see it?

CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize. 

So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.

DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.

“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.

—
The post A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage. appeared first on Jewish Telegraphic Agency.

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Can this suburban kibbutz and civil rights trailblazer maintain its identity in the 21st Century?

POMONA, NY— The Skyview Acres Cooperative is located about 30 miles north of New York City. Think of it as a suburban kibbutz.

“One felt like they had many parents,” recalled Carol Bowman, a professor of education at Ramapo College who grew up in this close-knit housing development in leafy Rockland County. “When I was growing up I could just walk into any of the houses where I had friends.”

“It was just a giant united family,” said Jo Simons, a retired piano teacher whose parents taught music and organized community singing events at Skyview.

Skyview was created in the aftermath of World War II as an intentionally integrated community. Quakers figured prominently in its creation. The land for Skyview was purchased in January 1947 with loans totaling $16,500 from two Quakers, who were strangers to the founding families and to each other. The loans came with terms that could’ve come from the Hebrew Free Loan Society: They were interest-free and simply said, “Pay us back when you can.”

A home at Skyview. Photo by Jon Kalish

The founding families scraped together the rest of the $29,500 purchase price. Today, Skyview consists of 115 acres and about four dozen homes. Most of them have at least two acres of land.

About a third of the original 45 or 46 families at Skyview were Jewish, according to Naomi Kleinberg,  a retired editor and children’s book author, whose parents were among the original families who cleared land to build homes, make roads and create a swimming pond here. Key residents who played pivotal roles in Skyview’s evolution as a progressive bastion and a caring community included Jo’s father, Edward Simons, who founded what is now the Rockland Conservatory of Music, and Irving Wolfe, a political organizer for whom the cooperative’s ball field is named.

At the community’s recent 80th anniversary celebration, Wally Glickman recited an original poem. Skyview, he wrote, is a “ magic island in suburbia.”

‘My father wanted nothing more than to live in the woods’

Jack and Lena Kleinberg were among four Jewish couples who came to Skyview together from the Lower East Side. Back in the city their social lives revolved around the University Settlement House on Eldridge Street.

They raised a son and three daughters at Skyview. The son, Joseph, remains in the family home where he makes a living as a beekeeper and vegetable farmer.

“My father wanted nothing more than to live in the woods,” Naomi Kleinberg told me.

Lena Kleinberg, an early Skyview Acres resident, protested on behalf of the Scotsboro Boys. Above, a view of a protesters carrying banners and placards reading ‘Lynching is a Social Blot, Wipe it Out!’ and ‘Free the Scottsboro Boys,’ 1934. Photo by Peter Lewsen/FPG/Archive Photos/Getty Images

Jack Kleinberg was a World War II veteran who considered himself an atheist but was “adamantly, proudly, belligerently Jewish,” she said.

His maternal uncle’s entire family perished in Poland during the Holocaust and Kleinberg resolved that his family would know how to defend itself, so he taught them how to shoot revolvers and rifles.

“My father said he would never allow his family to be led like sheep to the slaughter, like in Europe,” Naomi Kleinberg said.

Her parents grew up on the Lower East Side amidst much misery and poverty. That experience prompted her late mother, who was raised in an observant Sephardic household on Orchard Street, to work as a social justice activist. In the 1930’s, Lena Kleinberg campaigned on behalf of the Scottsboro Boys, the Black men wrongfully charged with the rape of white women in Alabama. During the 1940’s, Lena worked for the establishment of the Jewish state, volunteering with the American League for a Free Palestine. During the Cold War, she demonstrated at missile sites near Skyview and, in more recent years, stood vigil at a local abortion clinic, to counter anti-abortion protesters intimidating patients.

“All this involvement in social justice, making tikkun olam, it’s so Jewish,” Naomi told me.

‘Can you imagine how dangerous that was in the ’40’s?’

Although there were seders and Hanukkah parties held at the cooperative, Kleinberg remembers only two Skyview families who attended synagogue regularly.

The other families had “Jewish upbringings, Jewish identities,” Kleinberg said, “but not a Jewish existence.”

For the most part, religious tradition was supplanted by political activism. Skyview residents attended seminal civil rights marches in Washington, brought medicine to Cuba, demonstrated against the Vietnam War and went to Nicaragua to aid the Sandinista regime. To this day, residents demonstrate regularly against the Trump administration at an intersection in Nanuet that has long served as Rockland’s town square for political protest.

Naomi Kleinberg. Photo by Jon Kalish

A handful of key political activists lived  at Skyview during the 1960s. Among them were Conrad Lynn, the Black civil rights attorney who defended Black Panther leader H. Rap Brown and one of the Puerto Rican nationalists who carried out the attack on the U.S. House of Representatives in 1954; George Houser, a co-founder of both the Congress of Racial Equality and the American Committee on Africa; and Alfred Hassler, a Methodist minister who served as executive director of the Fellowship of Reconciliation, the interfaith peace and justice group. Lynn, Hassler and civil rights activist Bayard Rustin went on a freedom ride down south in 1947.

“They did that in the 40’s, not in the 60’s,” noted the poet Wally Glickman. “Can you imagine how dangerous that was in the 40’s?”

Skyview has also been home to some prominent entertainers, including Krishna Das, a globe-trotting Jewish performer of Hindu devotional music. The late Steven Hill, born Solomon Krakovsky, had starring roles in the TV shows Mission: Impossible and Law & Order. Hill left Skyview after becoming an observant Jew and moved to nearby Monsey. Eliot Asinof, who wrote for such classic western TV shows as Maverick and Wagon Train and authored the nonfiction account of the Chicago “Black Sox” World Series scandal in 1919, Eight Men Out, rented a home at Skyview during summers in the 1950’s and 60’s. And two founding members of the Grammy-nominated jazz fusion group Spyro Gyra currently live at Skyview.

Krishna Das lived at Skyview for a time. Photo by Hiroyuki Ito/Getty Images

But no one in showbiz had quite the run as Ed Simons, who was said to be the oldest working conductor in the country when he wielded a baton at the age of 100. The maestro’s career included performing in the military band that accompanied President Harry Truman to the Potsdam Peace Conference in the Summer of 1945 and conducting pit orchestras for eight Broadway musicals, including My Fair Lady.

Edmund Gordon, a Black psychologist who was one of the architects of the federal Head Start program, is still professionally active at the age of 105. He treads water in the indoor pool at his Skyview home.

Several people I spoke with offered the same quip to comment on the longevity of the cooperative’s residents: “There must be something in the water.”

‘I was the first Skyview baby’

Some of the children who lived at Skyview Acres inherited their parents’ political sympathies. In the 1950’s, several Skyview kids refused to recite the Pledge of Allegiance or participate in the “duck and cover” drills held during the Cold War to prepare students for a nuclear attack. In 1968, when Martin Luther King Jr.’s Poor People’s Campaign set up a tent city dubbed Resurrection City on the National Mall in Washington D.C., some teenagers at Skyview erected their own Insurrection City in the woods. And, no matter how liberal and left-leaning the cooperative’s grown-ups may have been, young people skinny dipping in Skyview’s man-made pond upset some of the adults.

Several people who grew up at Skyview and are now in their 70s or 80s, recall attending the “March on Washington for Jobs and Freedom” in 1963 where Martin Luther King, Jr. gave his famous “I Have a Dream” speech. Skyview’s roughly four dozen households filled two buses for the march. That year, Skyview block party attended by some 400 Rockland County residents raised money for the Southern Christian Leadership Conference (SCLC). The contribution elicited a signed thank-you letter from Dr. King, then SCLC’s president.

Several current Skyview residents attended the March on Washington for Jobs and Freedom, where Martin Luther King Jr gave his “I Have a Dream” speech in 1963. Photo by Fotosearch/Getty Images

And many of the Skyview kids carried on the good works of their parents.

Two of Edmund Gordon’s children are tenured college professors. Ted Gordon teaches Black Studies at the University of Texas. Jessica Gordon Nembhard teaches political economy at John Jay College of Criminal Justice.

Then there is Laura Hassler, the daughter of Skyview co-founder Alfred Hassler, a conscientious objector during World War II and the man responsible for introducing Martin Luther King Jr. to the Vietnamese monk Thich Nnat Hanh in 1966, a connection credited with influencing King’s opposition to the Vietnam War.

“I was the first Skyview baby,” Laura Hassler told me during a phone interview. “I wear it with pride.“

Hassler started the Netherlands-based non-profit Musicians Without Borders. She recalled kids at school calling the Skyview students hippies and communists. One oral history of the cooperative recounted a local hardware store that refused to service Skyview because its residents were “commies.

Some of the Skyview residents had, in fact, been members of the Communist Party earlier in their lives. Conrad Lynn was active in the party during the 1920’s and 30’s. Irving Wolfe was also a member. Wolfe, whose Honda sedan bore a VIVA CHE license plate, defied the U.S. embargo against Cuba 16 times to bring humanitarian aid to the island. In the 1980’s, he served on a construction brigade in Nicaragua.

Ed Simons, the conductor, was suspected of communist sympathies and called before the House Un-American Activities Committee in 1958 where he was successfully represented by a lawyer from Local 802 of the American Federation of Musicians.

‘Still a genuine community’

Skyview is located about six miles north of the burgeoning ultra-Orthodox community of Monsey. New Square, another Haredi hamlet, is even closer. Those communities have a pressing need for more housing. Many current Skyview residents told me they are reluctant to speak publicly about the threat posed by new housing development, fearing that their efforts to limit development might be interpreted as antisemitism.

A number of Skyview residents have been active in the NAACP, which has been battling the East Ramapo school board run by Orthodox Jews who tend not to send their children to public schools. Test scores, graduation rates and other data indicate that the school district, once the best in New York State, is now among the worst, according to Oscar Cohen, a Jewish NAACP activist and retired school administrator who lives nearby. A 2026-2027 U.S. News & World Report ranking of high schools noted that Ramapo High School had proficiency rates in math and English of 18% and 44% respectively.

The Skyview pond. Photo by Jon Kalish

Skyview residents are particularly concerned about the future of a 75-acre forested parcel known as the Stryker property that borders Skyview to the south, according to Anna Friedberg, a lawyer who serves as president of the Skyview’s board. Friedberg noted that the property’s development could impact traffic in the area, as well as the local watershed, which includes a stream that feeds Skyview’s pond and the west branch of the Hackensack River, a source of water for Nyack and Northern New Jersey.

“There have been some plans by the town to suggest that they would develop that entire property,” she told me at the cooperative’s annual Winter Doldrums party in March. “There is a tremendous population boon in this area and so there’s significant pressure to find more housing for folks.”

The Stryker property was purchased with a public bond approved by residents of the Town of Ramapo that earmarked the land for open space and low-income, clustered housing for first responders. But the town subsequently commissioned a planning study that cited a religious campus as one potential use of the Stryker property. Michael Specht, the Ramapo town supervisor, wrote in an email, “There are no plans at this time to develop the Stryker property or use it as a religious campus.”

“I would take anything that the town says with a grain of salt,” said Bob Trostle, a retired builder who grew up in Skyview and now lives just outside its border. “We’ve learned that the hard way, especially concerning development planning, zoning, and things like that.”

In 2015, the Skyview Acres Land Trust was created to preserve the cooperative’s greenery. Membership in the trust is voluntary but once a homeowner joins, subsequent owners of that home can’t add more buildings to their property or clear-cut trees. The trust is headed by Paul Nagin, a longtime Skyview resident who now lives in Connecticut. Nagin not only continues to be involved in the land trust but is still active in the Spring Valley NAACP, which has been in court fighting the East Ramapo school district.

“As far as I’m concerned, the Stryker property is a sword of Damocles hanging over Skyview,” Nagin told me. “It’s going to be an ongoing issue for sure.”

Skyview is “a pretty blue dot in the middle of a reddish part of Rockland County,” according to Robin Shapiro, a Skyview resident who describes himself as a checkbook Democrat active in J Street. He sees the concerns over housing development in the area as “a special case of NIMBYism with an overlay of religion and politics.”

Skyview poet Brian Kates won the Pulitzer Prize for editorial writing when he worked at the New York Daily News. Photo by Jon Kalish

“I don’t think that you can explain the opposition to development plans as antisemitic,” he told me. “There are legitimate and long-standing concerns about preserving open space, water quality, traffic that you’d see in any community that was encountering very rapid growth from new folks of any kind.”

Will Skyview retain its unique political and communal character as its properties turn over? Will it continue to be the kind of place where Wally Glickman and his fellow Skyview poet Brian Kates post their poetry on trees along a pathway in the woods?

“This is still a genuine community. I don’t really see that ending,” said Kates, who won the Pulitzer Prize for editorial writing when he worked at the New York Daily News. “I think it’s something more than politics. It’s an ethos of people helping each other, of being kind to each other, a kind and caring community.”

 

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American music producer Justin Goldner at work on a Yiddish album 

How many Yiddish rock stars do you know?

Maybe more than you think.

If you watched the Grammy Awards back in 2018, you might have seen one of them, Justin Goldner, accompany Ben Platt as he sang “Somewhere” from the Broadway musical West Side Story.

A multi-instrumentalist who plays guitar, bass, mandolin, ukulele, and lute, Goldner has worked with an all-star array of artists as a session musician and producer, including Bruce Springsteen, James Taylor, Ricky Martin and Macy Gray. Goldner also appeared on Broadway and in Madison Square Garden, performed with the New York Philharmonic Orchestra, and recorded music for Disney’s live-action Snow White.

Goldner is no stranger to the spotlight, but for his latest project, he stepped away from the roaring arenas of pop stardom to inhabit a more intimate space: a dive into Yiddish culture. His work in progress, Songs of Longing and Belonging (Vi shturem a benken in Yiddish), sets Yiddish poetry to music, creating tracks that sound refreshingly contemporary even as they plumb the Yiddish literary archives for inspiration.

By the end of the project — which is being supported by a fellowship from the Jewish Writers Institute — the songs will comprise an entire album. Goldner estimates the full album will appear next spring. For now, he has been releasing them one at a time on YouTube under his Yiddish moniker, Reb Tsudek.

Like many younger people interested in Yiddish today, Goldner didn’t grow up with the language. Although Judaism was part of his upbringing in suburban Philadelphia, it was not a central part of his identity. “I grew up in what I would imagine is a pretty typical Reform family,” Goldner said when I spoke with him. “I had a bar mitzvah. I went to Jewish summer camp. But in retrospect, my memory of my Jewish upbringing was a little bit like: ‘Here’s Judaism. Don’t get too close to it.’”

If he had anything resembling religious commitment, it was to music, specifically the guitar, an instrument he took up at 13. “Relatively quickly it became an all consuming pursuit,” he recalled. “In high school, I barely did anything else. I was a very obsessive listener and wanted to devour as much music as possible.” After graduating high school, he earned a degree in music from NYU.

Goldner said he began to think differently about his Jewish heritage when he saw how his friends related to their own cultural backgrounds. “The thing that sort of primed the pump for me was getting into Greek and Spanish and Arabic and other languages and cultures,” he said. “I just found that so engaging. I was really inspired by my friends and colleagues who come from these backgrounds and carry their culture and their heritage with them, but they’re not living in the past.”

That epiphany, combined with the experience of getting to know a great-aunt with dementia who increasingly reverted to her native Yiddish, led Goldner to purchase a copy of College Yiddish, the classic textbook by Uriel Weinreich. For many years, Yiddish was a linguistic passion that he nurtured privately. Now it has become central to the evolution of his musical career.

The Yiddish title of Goldner’s project — Vi shturem a benken — comes from “Dos lid fun a meydl” (The Song of a Girl), a poem by Anna Margolin, a 20th-century Yiddish poet who immigrated to the United States from Lithuania in 1906. Previously unfamiliar with her work, Goldner was drawn to the “intensity” of Margolin’s lyric, which he translated for me as “it rocks me like a storm, this yearning.”

“I feel like she, as a writer, leaps off the page,” Goldner told me. “The intensity of wanting to do something or be something and not even knowing what, but just feeling like you can’t hold yourself back.”

Featuring vocalists Temma Schaechter and Ben Abraham, Goldner’s version of “The Song of a Girl” reveals another facet of Songs of Longing and Belonging: its blending of heritage languages and diasporic experiences. Besides Yiddish and English, “The Song of a Girl” also includes lyrics in Indonesian, one of the languages spoken by Abraham’s parents.

Future songs will take a similar approach. For example, “Meyerkepl” ( Seashell), based on a poem by the Yiddish writer Yehoash, will include words by Cuban poet José Marti. “I’ve been fascinated by Cuban music for a very long time,” Goldner said. “My wife’s family is Cuban. I was struck by how this sense of exile, of diaspora, of being far away from something or someone that we construe as home, manifested with these two very different authors in very similar imagery.”

In taking up Yiddish as a medium of musical expression, Goldner joins a growing group of artists recording contemporary music in the language, including Daniel Kahn, whose Yiddish versions of classics by Bob Dylan, Leonard Cohen, and Tom Waits are ingenuous feats of translation; Isabel Frey, whose 2020 debut album Millennial Bundist repurposes Yiddish labor and protest anthems; and the Bashevis Singers, a Melbourne-based folk band who, like Goldner, frequently turn to Yiddish poetry as a source of musical inspiration.

Meanwhile, independent record labels like Borscht Beat are producing Yiddish music that runs the gamut from traditional to experimental.

This thriving world of Yiddish popular music reflects a larger cultural and linguistic renaissance in which Goldner is a passionate participant. He has attended the Yidish Vokh, an annual week-long retreat for Yiddish speakers in upstate New York, takes online Yiddish classes, and has even developed a Yiddish keyboard app, YidShrift, that aims to bring familiar features like autocorrect and autocomplete to modern Yiddish communication.

Beyond the Yiddish lyrics he sets to music, Goldner has incorporated his affinity for the language into Songs of Longing by including Yiddish interviews with some of his collaborators, emphasizing the currency of Yiddish as a medium of colloquial expression.

While Songs of Longing and Belonging is firmly rooted in Goldner’s engagement with Yiddish language and lyrics, he also believes that the texts he is drawing on speak to shared human experiences.

“I think that there is a longing for connection that is universal and that manifests itself through the concepts and stories of who we are,” he said. That longing often pushes people to ask themselves probing questions of identity like “Who are my people?” or “where is my home?”

“I don’t think that there are ever simple answers,” he said.

 

 

 

 

 

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Katie Zacharia’s brief White House stint included a rebuke from the Auschwitz Memorial

Katie Zacharia’s five-day stint as White House Press Secretary ended almost as soon as it began. But before she was fired on Friday, she managed to draw a rebuke from the Auschwitz-Birkenau State Museum.

The museum’s reprimand came in response to a claim Zacharia posted to X in November 2025, asserting that the abortion pill is “connected to the manufacturer of the deadly gas Zyklon B, used in the World War II concentration camps.”

The supposed connection? A company descended from the conglomerate involved in producing Zyklon B later owned the company that developed the abortion pill, Zacharia intimated in her post.

The official Auschwitz Memorial X account rebuked Zacharia on Monday, calling the argument “a misleading chain of guilt by association.”

Mifepristone, commonly known as the abortion pill, was first synthesized in 1980 — more than three decades after World War II’s end — by Georges Teutsch, a chemist at the French pharmaceutical company Roussel-Uclaf, based on an idea developed by Jewish endocrinologist Étienne-Émile Baulieu.

The tenuous connection to the poison gas used in concentration camps goes something like this: Zyklon B was distributed by a company called Degesch, which was partly owned by the German conglomerate I.G. Farben. After World War II, I.G. Farben was broken up into successor companies, including Hoechst AG, which in 1997 acquired a majority stake in the French company that developed mifepristone.

“A corporate relationship between companies separated by decades is presented as if it proved continuity of products, purposes, or chemical composition,” the Auschwitz Memorial wrote on X. “That is not historical analysis, but the selective combination of unrelated facts to produce a predetermined conclusion.”

Zacharia offered another version of the claim in a June 2025 podcast episode of We the People with Gates Garcia, saying that “the abortion pill has the same chemicals that they used in the exterminant (sic) camps in Nazi Germany.”

Suffice it to say, mifepristone, a steroidal progesterone blocker, is not the same as cyanide. Zacharia, the Auschwitz Memorial wrote, “confuses corporate history with chemical composition.”

After the overturning of Roe v Wade in 2022, anti-abortion activists have increasingly set their sights on banning the abortion pill nationwide. Prescribing, dispensing, or mailing mifepristone is currently banned in 13 states. In May, the Supreme Court blocked a lower court ruling that would have effectively ended mail delivery and telemedicine prescribing of mifepristone nationwide, including in states where abortion is legal.

Zacharia has framed her opposition to abortion as deeply personal. Zacharia said that, when she met her biological mother at 18, she learned she was “approximately 20, 30 minutes away from being aborted.” A Christian counselor, Zacharia said, convinced her mother to place her for adoption instead.

On the podcast, Zacharia also spoke about her work on the board of the White Rose Resistance, an anti-abortion advocacy group named for the Nazi resistance movement of the same name.

Groups including the International Holocaust Remembrance Alliance and the Anti-Defamation League have condemned comparisons between abortion and the Holocaust, arguing that they trivialize the Holocaust and exploit its victims’ memory for political ends.

Zacharia has also made Nazi comparisons in other contexts: According to CNN, in September 2022, she reposted a Truth Social post comparing then-President Joe Biden and anti-fascist protesters to Nazis. It included the hashtags #Antifa, #PedoHitler and #WrongSideOfHistory.

The White House Press Office did not respond to the Forward’s request for comment Friday morning, before Zacharia’s firing had been announced.

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