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A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.
(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes.
The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter.
Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.
Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether.
But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.
David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity.
Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government.
“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”
(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)
Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about.
This interview has been lightly edited for length and clarity.
New York Jewish Week: How did you get involved as producers with the show?
Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on.
I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier.
We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle.
We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are.
How did your Jewish communities step in to help get the show back on its feet again?
DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this.
CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family.
As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?
CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.
When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”
Why should people see it?
CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize.
So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.
DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.
“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.
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Catholic University of America Under Fire for Requiring ‘Opposing Viewpoint’ for Combating Antisemitism Event
A general view of the Catholic University of America (CUA) campus in Washington, DC. Photo: Graeme Sloan/Sipa USA via Reuters Connect
The Catholic University of America (CUA) is being criticized for denying the Students Supporting Israel campus organization approval to host events on combating antisemitism and defending Israeli security unless it agrees to feature “opposing viewpoints.”
The episode began earlier this month when Students Supporting Israel (SSI), a national organization that has faced opposition from CUA before, publicly complained that the university refused to sanction both an event in which US Rep. Randy Fine (R-FL) would discuss “ending campus antisemitism” and another featuring an Israel Defense Forces (IDF) soldier with experience in resisting jihadist terrorism along Israel’s security fence with the West Bank.
According to university policy, civil dialogue on the contemporary issues can’t be held unless it includes “speakers representing both sides.” While the policy purports to promote intellectual exchange, critics say it has the effect of compelling speech or censoring it altogether by imposing conditions on free speech to which no group could agree without undermining its mission.
In SSI’s case, the group has said that CUA’s policy demands the participation of anti-Israel, even antisemitic voices who would leverage a speaking engagement to utter dehumanizing opinions about Jews or propaganda confected by the Hamas terrorist organization and other groups which seek to destroy the world’s only Jewish state.
The case has now become the cause of the Foundation for Individual Right and Expression (FIRE), a group which has at times disagreed with the pro-Israel community’s outlook on free speech issues.
“While CUA is a private university and therefore not bound by the First Amendment, it is legally and morally bound to adhere to the institutional commitments it has voluntarily made to protect students’ freedom of speech,” FIRE said on March 18 in a blistering demand letter to the university. “Forcing student organizations ‘to host or accommodate another speaker’s message,’ even in the service of providing a greater range of views, inevitable ‘alters the expressive content’ of the event. Having made these free speech commitments, it is no more appropriate for CUA to require Students Supporting Israel to host speakers who oppose Israel than it would be for the federal or state government to force CUA to couple its institutional pro-Catholic messages with anti-Catholic viewpoints.”
This is not the first time that the Catholic University of America has allegedly trampled on the rights of pro-Israel advocates.
In October, it allegedly used bureaucratic obstruction to suppress Jewish grieving and commemoration of the children, women, and men whom Hamas-led Palestinian terrorists murdered during the Oct. 7, 2023, massacre in southern Israel by canceling a memorial display that was approved in August.
According to the school’s SSI chapter, university officials cited an arcane policy which proscribes flying the flag of any foreign nation, except for that of the Vatican, on campus. However, SSI maintains that it was selectively applied to it with malice, citing that anti-Israel organizations have flown the Palestinian flag on campus numerous times, with and without official permission, as have many other organizations.
At the time, The Algemeiner requested photographic evidence of SSI’s claims of selective enforcement, to which the group responded by sending several pictures showing dozens of foreign flags flying on the campus, including those representing the nations of Brazil, France, and Ukraine. The group added that after canceling SSI’s memorial for the second anniversary of the Oct. 7 atrocities, university staff marched toward the event spaces and dismantled everything SSI had set up and topped off the act by stuffing Israeli flags into a plastic bag, which was left on a random office chair as an afterthought.
On Monday, SSI president Felipe Avila told The Algemeiner that CUA has a pattern of squelching pro-Israel speech.
“These event details are not isolated incidents; they represent a systemic pattern of discrimination we have faced since our founding,” Avila said. “From the dismantling of our Oct. 7 memorial to the unequal enforcement of event guidelines today, administrators consistently place insurmountable hurdles in front of our students. We should not be forced to platform competing viewpoints as a condition of discussing our own community’s safety and security.”
Citing the Second Vatican Council’s rejection of antisemitism in the Catholic Church, he added, “Students Supporting Israel will continue to vigorously defend our right to speak out against antisemitism, in the very spirit of the Church’s own teaching in Nostra Aetate.”
Follow Dion J. Pierre @DionJPierre.
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London Jewish Community Feels ‘Anxious’ but ‘Resilient’ as It Prepares for Potential Future Attacks
A person holds a sign near the scene where four ambulances belonging to Hatzola, a Jewish community organization, were set on fire in an incident that the police say is being treated as an antisemitic hate crime, in northwest London, Britain, March 23, 2026. Photo: REUTERS/Isabel Infantes
The Jewish community in London is feeling “very anxious” while trying to stay vigilant and prepared for potential incidents in the future after four Hatzalah emergency vehicles were destroyed in an antisemitic arson attack last week, the president of the UK’s main Jewish umbrella organization said on Sunday.
“We’ve had two-and-a half-years of very high levels of antisemitism, obviously, the deadly attack at Heaton Park Synagogue in Manchester just in October, and now this incident, an arson attack in the heart of London’s Jewish community in Golders Green,” Phil Rosenberg of the Board of Deputies of British Jews said during an appearance on “BBC London Politics.”
“It is nonetheless a very resilient and proud community, and we are looking at how we push back and build back stronger,” Rosenberg added.
Roughly 150,000 Jewish people live in London.
Rosenberg, a deputy at a north London synagogue and former Labour councillor in Camden, was also asked about the British government’s response to the arson attack. He said that, with help from the government, the Jewish community in London is now equipped with specialist kits designed to help during future attacks, including equipment that could help with chemical exposure. The equipment was provided through a £28.4 million government grant to the Community Security Trust (CST), a Jewish charity that safeguards the safety and security of Jews across the UK.
“On the way here, I was looking at my WhatsApps. I saw one come in from my synagogue, and it was talking not about the great services we put on, the outreach to local communities, the wonderful art and charity that we do, but about a series of kits we’ve just received that will help the community if there’s an attack to stem the flow of blood, or if there’s a chemical attack. That is the situation we’re facing,” Rosenberg explained.
“It’s sad that it’s needed, though,” he added. “Because what we need to do is prevent this and create a situation where those things are not the things we’re talking about, and those are not the things we need. We want to be celebrating the Jewish community, and all communities in this city, and not [be] in fear of those sorts of attacks happening.”
Last year, there were over 1,800 antisemitic incidents in London, according to data compiled by CST. When asked if the Jewish community believes the government is doing enough to tackle the issue of antisemitism, Rosenberg said the response is “mixed.” He noted the speed at which the British government provided replacements vehicles for the Hatzalah ambulances destroyed last week and other moves by the government, like proscribing the pro-Hamas group Palestine Action.
“The government still needs to go further,” Rosenberg added, before calling for British leaders to proscribe Iran’s Islamic Revolutionary Guard Corps and to take more action to combat hatred flourishing on social media, among other issues.
“We’ve seen in our society a growth of extremism … and we are very concerned that we are seeing society being pulled apart,” he said. “We need to come together, among all communities, to push back against hatred in all its forms, including antisemitism, and marginalize those extremists.”
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Antisemitic Acts in Australia Persist With Car Attack, Statue Vandalism
A suspect commits vandalism outside the Victorian Trades Hall on March 6. Photo: Facebook screenshot.
Law enforcement in Australia has launched investigations into multiple recent antisemitic incidents, including a car attack on Hasidic men on Saturday and the vandalism earlier this month of a statue honoring an Australian Jewish feminist.
The Victoria branch of the Community Security Group (CSG), an organization focused on protecting local Jews, released a statement on Saturday alerting the community of an incident in Melbourne “on Glen Eira Road, Ripponlea, where a vehicle swerved towards community members while occupants shouted antisemitic remarks.”
The CSG reported that “Victoria Police patrols were active in the area and responded to the scene rapidly. There are no reports of physical injuries. CSG is liaising closely with police and continuing to monitor the situation.”
Ripponlea has a significant Haredi population with members of the Adass Israel community comprising 15.2 percent of the population. The neighborhood has seen other recent antisemitic incidents, including the bombing of the group’s synagogue in December 2024.
The suspects — four women — allegedly drove a black Hyundai stolen on Wednesday from a home in the Caulfield suburb. Victoria police confirmed they had opened an investigation and received reports of other incidents involving the antisemitic occupants driving erratically and throwing eggs at people while yelling abuse.
“Those responsible are brazen, bold, and appear to act with impunity,” Naomi Levin, the CEO of the Jewish Community Council of Victoria (JCCV), told The Australian.
On Friday, Victoria Police announced the arrests of seven women alleged to have vandalized the statue of Zelda D’Aprano — a Jewish Australian feminist — outside the Victorian Trades Hall on March 6 at approximately 11:00 am.
In a statement, law enforcement described the women as part of an activist group and listed their ages as ranging between 34 and 71. The police stated that security footage showed that the vandals pulled out umbrellas to conceal their identities as they sprayed black and red paint on the statue. They also hung a “difficult woman” apron.
D’Aprano worked as an advocate for women’s rights from the 1950s through the 1980s and co-founded the Women’s Action Committee in 1970. She was known to have chained herself to a government building in 1969 to advocate equal pay for women. Her statue was unveiled in 2023.
The activists face charges of “criminal damage, behaving in a riotous manner in a public place, marking graffiti on a residence without consent, recklessly damaging part of a registered place without a permit, and refusing to leave scheduled public place after a warning.” An eighth suspect remains at large.
So far, the only named suspect is Jemima Demanuele, 34, who appeared in a Melbourne court on Friday and was reportedly on bail for another protesting offense.
Victoria Police officer Tiffany Lamesta pushed back on releasing Demanuele, saying that “the accused has been given bail for the last incident but is showing no respect for court orders” and warning that “police believe the accused will continue to offend if she’s granted bail.”
Demanuele is currently on paid leave from her position at St Vincent’s Hospital as staff conduct a Fair Work investigation.
Magistrate Michelle Hodgson granted Demanuele bail and instructed her that “there is no issue with protest, but it must be lawful, it must not endanger the safety and welfare of other persons and it must not cause property damage.”
Police have not yet stated a motive for the vandalism. Photographs from the scene show multiple members of the group wearing black and white keffiyehs, the symbol of anti-Israel militancy popularized by the late Palestinian leader Yasser Arafat.
Antisemitism surged in Australia following Hamas’s Oct. 7, 2023, terrorist attacks across southern Israel. On Feb. 24, Australia announced the creation of a Royal Commission led by retired judge Virginia Bell to investigate antisemitism in the country following the murder of 15 Jews at Bondi Beach in December.
Bell said that the commission needs to “investigate the security arrangements for that event, and to report on whether our intelligence and law enforcement agencies performed to maximum effectiveness.”
Australia’s intelligence authorities revealed last year that the Islamic regime in Iran had directed antisemitic acts in the country using cryptocurrency to compensate criminals, prompting the expulsion of Iran’s Ambassador Ahmad Sadeghi and three other officials.
On Friday, the CSG and JCCV released an annual report on antisemitism in Australia’s Victoria state, documenting 564 incidents, the highest number ever recorded.
“Behind each of these reports is a Jewish person,” Levin said. “A child in school uniform abused on a school excursion, a man in a kippah verbally abused on public transport, a worshipper arriving at synagogue to find hateful words painted on its walls, a business owner wiping racist symbols off their window before opening for the day.”