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A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.
(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes.
The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter.
Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.
Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether.
But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.
David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity.
Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government.
“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”
(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)
Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about.
This interview has been lightly edited for length and clarity.
New York Jewish Week: How did you get involved as producers with the show?
Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on.
I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier.
We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle.
We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are.
How did your Jewish communities step in to help get the show back on its feet again?
DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this.
CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family.
As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?
CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.
When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”
Why should people see it?
CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize.
So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.
DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.
“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.
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The post A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage. appeared first on Jewish Telegraphic Agency.
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Amsterdam’s New Warning to Europe on Antisemitism
Anti-Israel protesters clash with police outside Amsterdam’s Concertgebouw, breaking through barricades and setting off smoke bombs during a demonstration against a performance by the IDF’s chief cantor. Photo: Screenshot
Amsterdam likes to present itself as a city of tolerance. It celebrates diversity, prides itself on openness, and often reminds the world of its history as a refuge for those seeking freedom. Yet something deeply troubling happened in Amsterdam last week that should concern not only the Netherlands, but all of Europe:
A municipal debate about antisemitism had to be held at a secret location because of security concerns.
Pause for a moment and consider what that means. In a democratic European capital, a discussion about protecting a Jewish minority could not take place openly for fear of threats and intimidation. If that does not signal a serious problem, what does?
That’s in addition to the bombing of a Jewish school, and another attack that just occurred.
During the meeting, a 15-year old Jewish boy addressed the room. His testimony cut through political rhetoric and statistics with the clarity only a young voice can bring. Since the October 7, 2023, massacre in Israel, he said, life for Jewish students in Amsterdam has changed dramatically. Many of his friends have already left the city. They no longer see a future there.
Imagine hearing those words in 2026 in one of Europe’s most celebrated liberal cities. A teenager speaking calmly about the disappearance of his community.
Amsterdam alderman Melanie van der Horst was visibly moved and struggled to hold back tears. The emotional moment showed that some political leaders understand the gravity of what is happening. Yet empathy alone will not solve the problem.
Another participant in the debate raised a painful but necessary question: How must it feel for Jewish residents to walk daily through public spaces where demonstrations take place in which their country and their people are shouted down? Pro-Palestinian protests have become a constant presence in parts of the city. Political protest is a democratic right, but when rhetoric turns into open hostility toward Jews, society has crossed a dangerous line.
One proposal during the debate illustrated the level of frustration. A politician suggested sending undercover police officers into the streets wearing a kippah in order to identify those who harass Jews. Critics called the idea controversial. But the fact that such a measure is even being discussed reveals how serious the situation has become.
The problem extends beyond the streets. Jewish organizations in the Netherlands increasingly report difficulties renting venues for events. Cultural gatherings and lectures sometimes struggle to find halls willing to host them. It rarely makes headlines, but this quiet exclusion sends a clear message: you are welcome in theory, but not visibly.
History has taught Europe where that kind of atmosphere can lead. Antisemitism rarely begins with violence. It begins with discomfort, social pressure, and the slow normalization of hostility toward Jewish identity.
Meanwhile, another factor fuels the problem. Much of the European media landscape presents Israel through a lens that reduces a complex reality to a simple narrative of aggressor and victim. When context disappears and facts are replaced by slogans, public perception shifts. The hostility directed at Israel easily spills over into hostility toward Jews living thousands of kilometers away.
That is why factual education and responsible journalism matter so much. Civil society organizations that work to counter misinformation often struggle to be heard. Yet without a commitment to truth, public debate becomes an echo chamber for activism rather than a search for understanding.
There is also a question for Jewish communities themselves. When fear grows, the instinct to become less visible is understandable. But invisibility comes at a cost. If intimidation forces people to hide their identity, those spreading hatred learn that their tactics work.
The lesson of Jewish history is painfully clear. Silence has never protected Jewish communities.
Strength does not mean confrontation. It means refusing to surrender identity and dignity to intimidation. It means raising a generation that is proud rather than afraid. It means understanding that resilience is sometimes the only answer to those who seek to erase a people’s presence.
The young boy in Amsterdam asked a simple question without even intending to pose a challenge to Europe: will the Jewish community still exist here in the future?
That question should echo far beyond the walls of the municipal chamber where he spoke. Because if a Jewish teenager in Amsterdam already doubts his future in the city, then Europe is facing not just a Jewish problem.
It is facing a moral test of its own values.
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Billy Crystal Leads Tribute at Oscars for His Late Best Friend, Jewish Filmmaker Rob Reiner
Billy Crystal speaks about Rob Reiner during the Oscars show at the 98th Academy Awards in Hollywood, Los Angeles, California, US, March 15, 2026. Photo: REUTERS/Mike Blake
Billy Crystal delivered an emotional tribute to his late best friend and legendary actor-turned-director Rob Reiner at the 98th Academy Awards on Sunday night, and was joined on stage by several of Reiner’s other Hollywood friends and stars of his iconic films.
While eulogizing Reiner at the Dolby Theatre in Los Angeles, Crystal, 78, spoke about his longtime friend as a “master storyteller” and mentioned his long list of memorable projects. The longtime collaborators first met in 1975, when Crystal was cast as Reiner’s best friend in an episode of “All In The Family.”
“My friends, Rob’s movies will last for lifetimes, because they were about what makes us laugh and cry, and what we aspire to be far better in his eyes: far kinder, far funnier, and far more human,” Crystal said. He then talked about Reiner’s marriage to the late Michele Singer Reiner, who was killed alongside her husband on Dec. 14. Crystal called the two “unstoppable” together and said the couple’s loss is “immeasurable.”
“A gifted photographer, she not only produced films with Rob, but it was her energy that had them working tirelessly to fight social injustice in the country that they both loved,” he added. “Rob and Michele Reiner became the driving force in the landmark decision for marriage equality across the United States.”
“To the millions who have enjoyed his films all these years, I want you to know, here and around the world, how many times Rob told me that it meant everything to him, that his work meant something to you — and for us who had the privilege of working with and knowing him and loving him,” Crystal continued.
After the “When Harry Met Sally” star concluded his speech — by saying “Buddy, what fun we had storming the castle” — over a dozen actors who worked alongside the director on films joined Crystal on stage and stood silently together. They included Meg Ryan, Michael McKean, Jerry O’Connell, Mandy Patinkin, Kathy Bates, Annette Bening, John Cusack, Demi Moore, Kiefer Sutherland, Daphne Zuniga, Christopher Guest, Wil Wheaton, Fred Savage, Cary Elwes, Carol Kane, and Kevin Pollak. They had worked with the late filmmaker on movies that included “When Harry Met Sally,” “The Princess Bride,” “This Is Spinal Tap,” “Misery,” “A Few Good Men,” and “Stand by Me.”
Sunday night’s tribute came three months after the director died at the age of 78 on Dec. 14.
Crystal was introduced to the stage by Conan O’Brien, who was hosting the Oscars on Sunday night but was also one of the last people to see the Reiners alive. The couple was found stabbed to death in their Brentwood home hours after they attended a holiday party at O’Brien’s house on Dec. 13. Two sources who attended the party said they witnessed a loud verbal exchange between the Reiners and their middle son, 32-year-old Nick Reiner. He was arrested the following night and charged with murdering his parents.
The younger Reiner is charged with two counts of first-degree murder with special circumstances, including the use of a knife. He pleaded not guilty and has remained in custody without bail since his arrest. Reiner is next due in court on April 29 and could face life in prison without parole, or the death penalty, if convicted.
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Israel Says It Has Plans for At Least 3 Weeks of War as Airstrikes Pound Iran
Emergency personnel work at the site of a strike on a residential building, amid the US-Israeli conflict with Iran, in Tehran, Iran, March 16, 2026. Photo: Majid Asgaripour/WANA (West Asia News Agency) via REUTERS
Israel said on Monday it had detailed plans for at least three more weeks of war as it pounded sites across Iran overnight, while Iranian drone attacks temporarily shut Dubai airport and hit a key oil facility in the United Arab Emirates.
The US-Israeli war on Iran is now entering its third week with no clear end in sight, largely shutting the Strait of Hormuz, through which 20% of the world’s oil and liquefied natural gas flow, pushing up energy prices and raising fears of a spike in global inflation.
US President Donald Trump on Sunday called for a coalition of nations to help reopen the strait and said the US-led NATO defense alliance faced a “very bad” future if its members failed to help.
But while allies voiced support for diplomatic efforts to reopen the route, they were cautious about joining any military action.
ISRAEL STILL HAS ‘THOUSANDS’ OF TARGETS IN IRAN
Israeli military spokesperson Lieutenant Colonel Nadav Shoshani told reporters there were detailed operational plans for the war with Iran for the next three weeks, and other plans extending further ahead.
Israel has said it wants to weaken Iran‘s capacity to threaten it, striking ballistic missile infrastructure, nuclear facilities, and the security apparatus, and that it still has thousands of targets to hit.
“We want to make sure that they are as weak as possible, this regime, and that we degrade all their capabilities, all parts and all wings of their security establishment,” Shoshani said.
Iranian Foreign Minister Abbas Araqchi for his part said Tehran had not asked for a ceasefire or exchanged messages with the US, according to Iran‘s semi-official Student News Network.
In a post on X, Araqchi also said that some “neighboring states” that host US forces and permit attacks on Iran were also actively encouraging the killing of Iranians.
“Stances should be promptly clarified,” he said.
He said 200 children were among the hundreds of Iranian civilians killed in US or Israeli bombings.
Fars News Agency reported that several civilians had been killed in a strike near Tehran’s Martyrs’ Square, without giving figures.
ISRAEL CLAIMS STRIKES ON IRAN‘S SPACE PROGRAM
The Israeli military said on Monday it was carrying out air strikes on Tehran, Shiraz, and Tabriz.
It said its Air Force had also struck sites linked to Iran’s space program, including destroying a research facility in Tehran involved in developing a satellite launched in 2024.
One Tehran resident told Reuters that there had been no internet overnight and Iranians felt isolated from the world.
“People are being killed,” Shahnaz, 62, said via WhatsApp. “Just days before Nowruz (Iranian New Year, on March 20), but people are not in the mood to celebrate. When will this end?”
Asked if she supported the Islamic Republic, Shahnaz said: “No, I don’t. How can I? They killed my granddaughter in [January’s] protests. We want this regime to go. We want this misery to end.”
In Israel, air raid sirens warned of Iranian missiles. Iran‘s Revolutionary Guards said Tehran had launched attacks on areas In Tel Aviv, the US al-Dhafra air base in Abu Dhabi, the US naval base in Bahrain, and Bahrain’s Sheikh Issa air base.
Furthermore, oil loading operations at the UAE port of Fujairah on the Gulf of Oman were suspended following an Iranian drone strike.
Fujairah is a key exit point for the UAE’s Murban crude – a volume equivalent to roughly 1% of global demand.
Flights at Dubai International Airport, one of the world’s busiest, were suspended for several hours after a drone strike on a nearby fuel storage facility sent plumes of black smoke into the sky. Saudi Arabia intercepted 34 drones in its eastern region in one hour, state media said. No injuries were reported in either incident.
Later on, Reuters reporters also heard booms in the Qatari capital, Doha.
OIL SLIPS ON BESSENT SHIPPING COMMENTS
Despite the turbulence, oil prices, which had been above $100 a barrel, fell sharply and stocks rallied after US Treasury Secretary Scott Bessent told CNBC the US was “fine” to let some Iranian fuel vessels sail through the strait, and believed Indian and Chinese tankers had also passed through.
Ship-tracking data showed a Pakistan-bound oil tanker had passed through the Strait of Hormuz over the weekend, indicating that some countries are able to negotiate safe passage for their vessels.
On Sunday, Trump had demanded that countries relying heavily on oil from the Gulf should help protect the strait, and said he hoped China, France, Japan, South Korea, Britain, and others would participate.
However, many – including Germany, Italy, Greece, Japan, and Australia – said they would not send warships.
Israel continued to strike Lebanon and Gaza, attacking Iran-backed Hezbollah and Palestinian Hamas terrorists. The Israeli military said its troops had begun limited ground operations against Hezbollah positions in southern Lebanon.