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A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.
(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes.
The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter.
Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.
Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether.
But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.
David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity.
Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government.
“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”
(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)
Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about.
This interview has been lightly edited for length and clarity.
New York Jewish Week: How did you get involved as producers with the show?
Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on.
I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier.
We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle.
We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are.
How did your Jewish communities step in to help get the show back on its feet again?
DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this.
CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family.
As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?
CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.
When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”
Why should people see it?
CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize.
So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.
DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.
“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.
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The post A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage. appeared first on Jewish Telegraphic Agency.
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Trump says Syria would do a ‘better job’ of fighting Hezbollah than Israel
(JTA) — Syria would be better at tackling Hezbollah in Lebanon, U.S. President Donald Trump said Tuesday, as Israel’s presence in Lebanon continued to be an Achilles’ heel in the fledgling U.S.-Iran deal set to be formally signed in Geneva on Friday.
Trump said Syrian President Ahmed al-Sharaa, a former leader of an al Qaeda-affiliated group who has fashioned himself as a modern statesman after taking power in 2024, could be more effective and less destructive than Israel has been.
“If Israel can’t do the job without killing everyone else, he will do the job, Syria will do the job,” Trump said in Evian, France, on the sidelines of the G7 Summit.
Trump accused Israel of taking too long to oust the Iranian proxy group from Lebanon, just one day after he said that he himself might intervene by speaking directly with Hezbollah.
Trump also said Tuesday that “regime change” had never been the goal of the war with Iran and described Iran’s current leadership as “rational,” “smart” and “strong.” The president said the deal would prevent Iran from acquiring, building or developing a nuclear weapon.
The Iran deal to end months of hostilities between Washington and Tehran was digitally signed on Sunday, according to Trump’s vice president, JD Vance. Its terms have not been published, but officials have said that it also includes an end to hostilities between Israel and Hezbollah, even though Israel is not a party to the agreement. Separate talks have been held in Washington between Lebanese and Israeli officials toward a peace deal that Hezbollah has so far rejected.
Israel has insisted that its army will remain in southern Lebanon to prevent Hezbollah attacks against communities in northern Israel. Iran’s Foreign Minister Abbas Araghchi told reporters in Tehran on Tuesday that the deal with Washington was contingent on an Israeli withdrawal from Lebanese territory and a halt to the fighting, according to the state-affiliated Press TV.
Trump addressed the issue of Hezbollah on Tuesday in France during a meeting with Qatar’s Emir Sheikh Tamim bin Hamad Al Thani, whose country has been among those playing a mediating role between the U.S. and Iran.
“Israel is fighting Hezbollah too long, and too many people are being killed, and you do not have to knock down an apartment house every time you are looking for someone,” Trump said.
“There are a lot of people in those apartment houses, and they are not all Hezbollah, and I suggested to Israel that Syria should take care of Hezbollah, and to be honest with you, I think they will do a better job at it,” he stated.
Trump downplayed any tension between himself and his ally in Israel, Prime Minister Benjamin Netanyahu, even though he admitted that he had been upset by Netanyahu’s decision to attack Hezbollah in Beirut on Sunday just hours before the Iran deal was announced.
At one point in his remarks Tuesday Trump described the relationship as “unbelievable” and “effective,” and when asked if there was tension between the two leaders, responded “no,” even as he gave examples of how Netanyahu’s handling of Lebanon has frustrated him.
“I didn’t like that two hours before we were signing the agreement … that there was an attack in Lebanon, it was right in Beirut. I did not like it, I let them [Israel] know it,” Trump said, adding that the Hezbollah drone attack on Israel that prompted Israel’s retaliation was minor.
“You can do too much also,” Trump said, explaining that he “was not happy” with how Israel conducted itself in Lebanon, where it should have been “able to do the job faster. It just goes on and on [in a way that] throws a negative light on the big deal.”
Still, Trump said he did not think that Lebanon would derail the agreement with Tehran, describing it as a “minor war.”
Lebanon aside, Israel is concerned that the Iran deal strengthens the Islamic Republic, which it had hoped would be overthrown as a result of the war, and that the deal would allow it to continue to pursue a nuclear and ballistic missile weapons program. That the deal allows for more money to flow to the heavily sanctioned regime has only fueled that concern.
“This deal is a wall to a nuclear weapon,” Trump said, rejecting the idea that U.S. funding was a part of the agreement. “We are not investing any money. We have no obligation to invest any money in Iran,” he said.
Trump underscored the danger to the region and to Israel should Iran become a nuclear power and said the war and this deal prevented that. Echoing comments he has made before, he said, “Without me, Israel would not exist right now.”
This article originally appeared on JTA.org.
The post Trump says Syria would do a ‘better job’ of fighting Hezbollah than Israel appeared first on The Forward.
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In new book, JD Vance says Charlie Kirk warned him about antisemitism on the right
Vice President JD Vance acknowledges a growing strain of anti-Israel sentiment on the American right that has at times slid into outright antisemitism, writing in his new memoir released on Tuesday.
In Communion: Finding My Way Back to Faith, Vance recounts a conversation with conservative activist Charlie Kirk months before he was fatally shot, in which they spoke about two trends Kirk was observing among young conservatives.
“The first was that they were very angry about Israeli influence in American politics,” Vance writes about the phone call in the summer of 2025. “The second was that some were going from legitimate disagreement with the Israeli government to antisemitism.”
According to Vance, Kirk told him that many younger conservatives believed the United States was allowing Israel too much sway over American foreign policy. Vance quotes Kirk as saying that for some, “that concern is turning to anger, and even Jew hatred.”
The passage offers a revealing glimpse into the debate that has intensified inside President Donald Trump’s MAGA movement since the Oct. 7, 2023, Hamas attack and the war in Gaza. While support for Israel remains strong among Republican voters, a growing faction of younger Republicans has become more skeptical of foreign intervention generally and increasingly critical of U.S. support for Israel. A recent Politico poll found that 32% of Trump voters below the age of 35 say the U.S. is too closely aligned with Israel’s government, and nearly half of the president’s voters ages 18 to 34 say there should be distance between the two countries.
Vance, who first gained prominence in 2016 with his best-selling memoir Hillbilly Elegy, has often taken a complicated position in that conversation. A supporter of Israel’s right to defend itself, he has also repeatedly said that the U.S. should define its Middle East policy primarily through an “America First” lens.
During the 2024 presidential campaign and after he was elected vice president, Vance said that the interests of the U.S. are “not always identical.” In recent days, amid disagreements between the U.S. and Israel over a deal to end hostilities with Iran, Vance said in interviews with the media, “Even when we’ve been close partners, sometimes we have interests that are perfectly aligned and sometimes we have interests that are misaligned.”
Vance’s associations with right-wing influencers who have trafficked in antisemitism, and his reluctance to disavow them, have also made some American Jews uncomfortable.
On Tuesday, he is expected to appear on a program hosted by Megyn Kelly, the former Fox News host who is among conservative figures, including Tucker Carson, Candace Owens, Joe Kent and Nick Fuentes, who accuse “Israel-first” advocates of pushing the United States into war with Iran. “Mark Levin wanted it, it’s his war, Ben Shapiro, Lindsey Graham, Miriam Adelson — that’s obvious,” she said in March. “They are the ones who’ve been pushing us into it.” Vance’s expected appearance drew criticism.
In the memoir, Vance writes that Kirk was working to prevent criticism of Israel from developing into bigotry. “He knew the situation was delicate and complicated, and he treated it with genuine care, appealing to the better angels in all of us,” Vance writes. “He did so in his conversations with the president and me, but also in the ways he engaged his massive following.”
The post In new book, JD Vance says Charlie Kirk warned him about antisemitism on the right appeared first on The Forward.
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Trump may be making a classic error in seeking peace with Iran
An assumption has shaped Western thinking about Iran for decades: that the Islamic Republic has similar goals to those of the West, and can therefore be incentivized to integrate into a more stable regional order.
Vice President JD Vance gave that assumption its latest expression when he said a potential new peace agreement between Iran and the United States could “fundamentally transform the Middle East for the next 50 years” — if Iran complies with the deal.
Perhaps he’s right, and Iran is in fact committed, this time, to never again pursuing the creation of nuclear weapons. But the Islamic Republic’s own rhetoric provides serious reasons for skepticism on that front.
Since 1979, the regime has presented itself as the standard-bearer of a revolutionary project. It is not merely a government. It is the self-appointed guardian of a worldview.
That worldview is often expressed through the concept of muqawama, which translates roughly to “resistance.” The term refers to far more than military opposition. It describes a political, religious and civilizational struggle against what the regime views as Western domination, American influence, Israeli sovereignty, and the regional order that emerged during the 20th century.
Ideologies shape behavior. A regime organized around economic growth behaves one way. A regime organized around the concept of revolutionary struggle behaves differently.
Western powers too often forget this truth when it comes to Iran, assuming that its leaders seek prosperity, stability, security and international acceptance. We assume that economic incentives and diplomatic agreements will eventually outweigh ideological commitments.
It is important to distinguish here between the regime and the people it governs. Iran is home to an ancient civilization, a sophisticated culture, and millions of citizens whose aspirations often appear very different from those of their rulers. For nearly half a century, many Iranians have lived under a system they neither created nor freely chose. Waves of protests and dissent have repeatedly suggested that large numbers of Iranians seek a different future — one characterized less by revolutionary struggle and more by ordinary human aspirations like freedom, dignity and connection to the wider world.
Viewed through the lens of muqawama, Iran’s nuclear program, ballistic missile program, proxy armies and regional interventions cease to look like products of separate policies. They become parts of a coherent strategy, manifestations of the same underlying vision: the transformation of the existing regional order.
The obvious question, then, is whether that vision has changed. And if it hasn’t, what does Iranian compliance with this new deal actually mean?
After all, one can honor the terms of an agreement while remaining fully committed to objectives that lie beyond the agreement’s reach. Iran has done so plenty of times in the recent past.
In 2018, Israeli intelligence agents removed a vast archive of nuclear documents from a secret warehouse near Tehran. The archive contained detailed records of weapons-related research and planning, suggesting that the regime viewed this knowledge as valuable, worth preserving and potentially applicable in the future.
Over the years, inspectors evaluating Iran’s nuclear capabilities have repeatedly encountered inconsistencies between Iran’s declarations about its efforts and the evidence before them. Each episode, by itself, may be explainable. Taken together, they paint a picture of a regime that has consistently viewed transparency as something to be managed rather than embraced.
Fordow, the infamous nuclear enrichment facility buried beneath a mountain, was designed by people expecting confrontation. Facilities intended to withstand intensive military attacks — as Fordow has — reveal something about the assumptions of those who build them.
Western policymakers often view negotiations as a path toward resolution. Iran tends, in contrast, to treat them as a strategic opportunity. Every round of talks creates opportunities to reposition and advance. Every agreement creates new debates about interpretation and enforcement that the regime can turn to its advantage.
It may be less useful to think in terms of bad faith than in terms of incentives. The issue is understanding the ambitions of the regime as it understands them. And there are reasons to doubt whether U.S. negotiators hammering out the details of this agreement understand those ambitions correctly.
This raises grave concerns for Israel, which is not a party to the new ceasefire. The nuclear issue is primary, but the ballistic missile program and satellite armies of Hamas, Hezbollah and the Houthis are all pressing problems for the Jewish state. A deal that fails to engage with all parts of that picture will leave Israel in danger.
The United States can afford strategic patience. It sits behind two oceans, far from Iran. Israel cannot. A nation smaller than New Jersey has little margin for catastrophic error. If American assumptions prove mistaken, American policy can be revised. If Israeli assumptions prove mistaken, the consequences are potentially fatal.
This is why many Israelis have expressed outrage at this ceasefire. They’re wondering: If the ideology remains intact; if the missile programs remain intact; if Hezbollah remains intact; if the regime’s revolutionary ambitions remain intact, what exactly has been resolved?
Near-term tension reduction has repeatedly served as a substitute for resolving the underlying threat from Iran’s radical regime. Sanctions relief following the 2015 nuclear deal brokered by then-President Barack Obama eased pressure on the regime while leaving its governing vision untouched. The underlying problem remained.
Muqawama is not merely resistance to particular policies. It is resistance as an organizing principle. Any agreement that ignores that reality risks confusing tactical restraint with strategic change.
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