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A jingle inspired a show about dueling lawyers. Two synagogues helped bring it back to the stage.
(New York Jewish Week) — For any New Yorker, the background noise of the 2000s may well have been marked by the numbers 800-888-8888, the ubiquitous jingle for the Buffalo-based personal injury law firm Cellino and Barnes.
The renown of Ross Cellino and Stephen Barnes grew even more when the pair contentiously split up in 2017. Their acrimonious business divorce included clashes over managing the business, a restraining order against Cellino, claims of “bullying” by Barnes and a complaint that Barnes refused to let Cellino hire his own daughter.
Naturally, comedy writers Michael Breen and David Rafailedes needed to write a show about what might have gone down, including a scene about how that infamous jingle came into existence.
Breen and Rafailedes had performed the show, “Cellino v. Barnes,” a handful of times in New York in 2020 before the pandemic shut it down. Breen moved to California and Rafailedes headed to grad school and the play they wrote about a unique New York sensation almost faded into the ether.
But this isn’t that story. This is the story of how two 25-year-old high school buddies and amateur theater producers made sure that didn’t happen — and how they leaned on their synagogues to get the job done.
David Pochapin and Cameron Koffman were 22 when they saw “Cellino v. Barnes.” They loved the show for the way it spoke to their sense of humor, their New York childhoods and their love of niche theater. The pair would eventually take on the task of producing the play and teaming up with Breen and Rafailedes to bring it to a wider audience, this time in a vacant office space in Manhattan to really give audiences the feeling of authenticity.
Now 25 and a year into producing “Cellino v. Barnes: The Play,” Pochapin and Koffman are admittedly amateurs — Pochapin works a day job in FinTech and Koffman in city government.
“When we are trying to get people to come see the show, we say, ‘we’re doing this not because we saw a business opportunity but because we genuinely saw a story that more people needed to see,’” Pochapin said. “It’s hard to imagine finding another project quite like this. It’s been a wild ride and we’re super excited for the show.”
(On Oct. 2, 2020, Stephen Barnes and his niece were killed in the crash of a private plane in upstate New York. Pochapin said there is “absolutely no comedy about the plane crash” and the show centers around the creation, success and break-up of the firm.)
Ahead of the show’s opening, the New York Jewish Week spoke to Koffman and Pochapin about why they love the show, how their synagogues and Jewish communities have supported them in this process and what changes they are most excited about.
This interview has been lightly edited for length and clarity.
New York Jewish Week: How did you get involved as producers with the show?
Cameron Koffman: We first saw the show in January of 2020. We had no involvement — we had just seen an article from the Buffalo News: “Show about Cellino and Barnes is an 8.8888 out of 10.” It sounded fun and it was playing in New York City for just a couple shows in January at the Bell House in Gowanus. It was the absolute funniest thing. Then COVID hit, obviously, six, seven weeks later, and life moved on.
I got an email from the venue that the show was back for two performances in August of 2021. David and I dragged more of our friends. It was a big group activity because we had been talking about the show for a year and a half at this point. I mean, it’s Cellino and Barnes, iconic New York names and a jingle that everybody recognizes. We saw it again and it was even funnier.
We had a mutual friend with one of the actors and pushed to get a drink because we just really wanted to tell them, “We thought the play was so funny. It was so great that someone wanted to tell this story.” When we met up with him, we asked if he ever had aspirations to make a permanent run out of it. He said yes, but COVID happened, he ended up having a kid and the other co-writer and actor moved out to the West Coast. Basically, life got in the way. When we talked to [Breen and Rafailedes], it really just sounded like more than anything they needed people to help initiate the process, which we thought we would be able to handle.
We certainly didn’t have experience in production, but we were so passionate about the story and we like to get our hands dirty with logistics. We just thought it was so fun that we wanted to take it to another level and really create a full run of this. We put our heads down, worked on a proposal and here we are.
How did your Jewish communities step in to help get the show back on its feet again?
DP: When we first got into this, which was over a year ago now, we talked to everyone we could, every person that would hear us out and offer an opinion. We reached out to people at my synagogue and they offered to provide chairs for the audience and books for the set, so now we have chairs and books. We’re both very involved in our synagogues — mine is Sutton Place Synagogue and Cameron’s is Temple Emanu-El. My first exposure to theater at a young age was not only in school, but during the Purim spiels at my synagogue. It is because of our communities and our upbringing there that we have the confidence that we’ll be able to do this.
CK: It really is. So many people that we know, that we rely on, that we talk to and the time that we spend with them have helped us put this show together. For example, I lead a couple of lay-led groups at Temple Emanu-El. Through that, I’ve become friendly with dozens of people, I’ve met other people through the young members circle, through becoming friendly with the rabbi and actually leading Shabbat once last year. So — for both of us — one of the main reasons we knew we could do this was because we’re deeply embedded in a large Jewish community and we knew that we could tap into people that would be able to sort of help and guide us with advice and knowledge along the way. Also, we knew we’d be able to blast out the show to a lot of people. David could tell you, one of the first people to buy a ticket for the play was the rabbi [Rachel Ain] from Sutton Place Synagogue, she and her whole family.
As producers you have a little more control than you did as audience members. What changes are you most excited about since the first production?
CK: Not much had to change about the story. Breen and Rafailedes had done the play and certainly the story of Cellino and Barnes is still ever present in the cultural milieu of today. For a large swath of people, millions of people in the New York area, and even in California, where Cellino and Barnes worked too, that jingle just rings a bell and it seared itself into our brains, so our vision didn’t have to be focused on making sure there was name recognition.
When we saw it at The Bell House, the show was very bare bones. The venue had a stage, but it’s a big hall with 200-250 seats and you don’t really feel like you’re at a theater venue — you certainly don’t feel like you’re at an experiential venue. The space that we got on West 23rd is a vacant commercial space that feels like you’re actually in a law office. That was one of the key things we brought — we thought, “if we’re going to really lean on the vibe and the aura of Cellino and Barnes, we want to make you feel like you’re stepping into a dingy personal injury attorney’s office, with plaques on the wall and all of it.”
Why should people see it?
CK: I’m deeply passionate about my love for New York. A couple years ago, right out of college, I actually ran for the New York State Legislature. I love the city. It’s just such an amazing place. Cellino and Barnes is very much a part of New York’s cultural fabric. There are just certain things that resonate with all New Yorkers. It’s Roscoe the bedbug dog from Bell Environmental, it’s Sandy Kenyon from the Eyewitness News “movie minute” in the back of the taxi cab. All those sorts of things that people who grew up in New York or who have spent significant time here will know and recognize.
So many people come from different backgrounds, but there are still these unifiers — everybody’s seen the billboards and subway ads. And although it is a very New York production, we do think that it can resonate with everybody. Every city seems to have their own version of Cellino and Barnes — the mysterious personal injury lawyer who’s on every billboard, on every bus, and who has their slogan.
DP: When you’re in the theater and you’re laughing at these two people that are so nostalgic and are two of the easiest people to laugh and make jokes about, it’s just an unforgettable night. It’s hilarious, and even though it’s a comedy it also makes you think. Cameron and I have had several discussions about who’s right or wrong and Team Cellino or Team Barnes.
“Cellino v. Barnes: The Play” opens on April 13 at 320 W 23rd St. Tickets start at $40.
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Les Wexner testifies that he was ‘conned’ by Jeffrey Epstein and did not know of his crimes
(JTA) — Leslie Wexner, the Ohio retail billionaire whose association with Jeffrey Epstein has shadowed his philanthropic legacy, spent six hours Wednesday answering questions in a closed-door congressional deposition that Democrats later derided as implausible and evasive.
Wexner, 88, appeared before staff of the House Committee on Oversight and Government Reform at his home in New Albany, Ohio, where he sought to rebut years of scrutiny tied to Epstein, the disgraced financier and convicted sex offender who once managed Wexner’s personal finances.
In a prepared opening statement submitted to the committee, Wexner cast himself as a victim of deception.
“I was naive, foolish, and gullible to put any trust in Jeffrey Epstein,” Wexner said. “He was a con man. And while I was conned, I have done nothing wrong and have nothing to hide.” He added: “I completely and irrevocably cut ties with Epstein nearly twenty years ago when I learned that he was an abuser, a crook, and a liar.”
Wexner’s testimony comes amid renewed attention to his relationship with Epstein following the release of previously redacted federal investigative records. Wexner, long celebrated across the Jewish communal world for his business achievements and billion-dollar philanthropy, has never been charged with a crime connected to Epstein’s sex-trafficking operation and has consistently denied knowledge of Epstein’s misconduct.
In his statement, Wexner presented that denial in unequivocal terms. “Let me be crystal clear: I never witnessed nor had any knowledge of Epstein’s criminal activity,” he said. “I was never a participant nor co-conspirator in any of Epstein’s illegal activities.” He continued, “At no time did I ever witness the side of Epstein’s life for which he is now infamous.”
Wexner also addressed the emotional toll of the scandal and expressed sympathy for survivors. “Before going any further, though, I want to acknowledge the survivors of Epstein’s terrible crimes and the devastation that each of them has endured,” he said. “The pain he inflicted upon them is unfathomable to me. My heart goes out to each of them.”
Throughout the document, Wexner portrayed Epstein as a master manipulator who carefully curated an image of elite credibility. “Epstein lived a double life. He was clever, diabolical, and a master manipulator,” Wexner said, describing how Epstein “revealed to me only glimpses into the life in which he was a sophisticated financial guru.”
Wexner reiterated longstanding claims about the unraveling of their relationship, saying that after Epstein’s legal troubles surfaced, his wife Abigail Wexner reviewed financial records and concluded Epstein had misappropriated “vast sums” from the family. “Once I learned of his abusive conduct and theft from my family, I never spoke with Epstein again. Never,” he said.
But Democrats who participated in the deposition emerged sharply skeptical.
“He’s claiming there was no friendship with Jeffrey Epstein,” Rep. Robert Garcia of California, the committee’s top Democrat, told reporters during a press conference outside Wexner’s residence, calling the claim “bogus.”
Garcia went further, arguing that Epstein’s wealth and influence were inseparable from Wexner’s patronage. “There would be no Epstein island, there’d be no Epstein plane, there would be no money to traffic women and girls … without the support of Les Wexner,” he said.
Rep. Stephen Lynch of Massachusetts struck an even harsher tone. “There’s no question in my mind, given the evidence so far, that Les Wexner knew about this and failed to stop it,” Lynch said.
Other Democrats questioned the credibility of Wexner’s repeated assertions that he had neither seen nor suspected misconduct. Rep. Yassamin Ansari of Arizona said his claims of not recalling key details about Epstein strained belief. Rep. Dave Min of California summarized the testimony as a case of “see no evil, hear no evil,” calling it “really just not credible.”
Committee Republicans did not attend the deposition, citing a medical procedure for Chairman James Comer. A committee spokeswoman said Wexner “answered every question asked of him” and pledged that video and transcripts would be released.
For Wexner, the proceeding marked another chapter in a saga that has complicated his public image and tarnished his name in the Jewish world, where countless rabbis and other professionals have received fellowships bearing his name. In his statement, he framed the deposition as an opportunity for to help the Epstein’s victims.
“I hope you are successful in uncovering the truth and bringing closure to all survivors,” Wexner said. “If I am able to assist you in that effort by answering your questions, I am grateful for the opportunity to do so.”
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Quietly sold by Jewish library, letter by famed 18th-century rabbi surfaces at auction, fetching $400,000
(JTA) — A decade ago, amid a financial crisis, the Jewish Theological Seminary turned to its assets, selling real estate as well as rare books from its world-renowned library. The book sales were private, and the institution has never detailed what was sold or for how much.
Now, a lost treasure from the library has once again emerged at auction: this time, a letter written and autographed by the 18th-century Jewish luminary Moshe Chaim Luzzatto, also known as the Ramchal.
When it was housed at the library, the letter belonged to a Ramchal collection numbering hundreds of pages. Removed from the collection and marketed to the auction house’s Orthodox clientele as a profound text by “a great and holy Kabbalist,” the letter sold on Sunday for nearly $400,000. The identities of the seller and buyer are not publicly known.
The price reflects the massive appeal of heritage items in a newly affluent Orthodox market, where rare texts and autograph material are increasingly treated as both status symbols and investment vehicles. It is a market the auction house, Genazym, has helped supercharge by selling not just books, but proximity to revered rabbinic figures.
Born in 1707, Luzzatto was an Italian Jewish thinker, mystic and writer whose influence far exceeded his brief life. His best-known work, “Mesillat Yesharim,” became a cornerstone of Jewish ethical literature and remains widely studied today. Though his mystical teachings stirred suspicion among some contemporaries, later generations regarded him as a major figure of Jewish thought.
In a famous 1928 essay titled “The Boy from Padua,” the Hebrew poet Hayim Nahman Bialik offered one of the most enduring modern interpretations of Luzzatto’s legacy. Bialik described Luzzatto as a forerunner of three great streams of modern Jewish history: the Lithuanian rabbinic tradition, Hasidism and the Enlightenment.
The auctioned letter, spanning two handwritten pages and addressed to his mentor, captures Luzzatto engaged in a detailed discussion of mystical concepts. He uses the space to explain his reasoning and mentions additional writings then in progress.
For scholars like David Sclar, the quiet removal of Luzzatto’s writings from the JTS library and their transfer to private hands suggests a cultural decline.
“It’s a scandal within the world of scholarship and American Jewish institutions,” Sclar, a librarian at a Modern Orthodox high school in New Jersey, said in an interview. Sclar wrote his dissertation on Luzzatto using primary sources such as the auctioned letter.
He is also a former employee of the special collections division at JTS who left the institution years before the crisis that precipitated the sell-off. He sees the outcome of the auction as evidence of not only wrongdoing but incompetence.
“This is one of the items that they sold through the back door, which means they sold it for probably virtually nothing,” Sclar said. “And the tragedy in all of this, besides JTS sort of destroying cultural heritage, is that it’s also stupid, because if they had decided that they were desperate for money then just do an auction. Don’t do it through the back door.”
The librarian at JTS, David Kraemer, declined a request for an interview, directing questions to the institution’s spokesperson, who offered a brief emailed statement.
“Decisions were made at the time with careful consideration of what was in the best interest of the institution,” the spokesperson wrote.
In 2021, amid earlier revelations of the library’s sell-off, Kraemer told the Jewish Telegraphic Agency that he had been ordered to sell items of his choosing to raise a specified amount of money, which he did not disclose.
In their defense of the sales, Kraemer and other JTS officials said at the time that the deaccessioned materials had been digitized and were deemed to have limited research value, allowing scholars to access their contents even after the originals left the collection. Seminary leaders described the decisions as financially prudent and of minimal impact on the library’s core mission.
Critics, however, argue that digitization does not replace the scholarly and cultural value of original manuscripts.
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International social workers group rejects measure to expel Israeli union amid pressure from Jewish groups
(JTA) — An international federation of social workers has voted not to expel the Israeli Union of Social Workers following weeks of debate and opposition from Jewish groups over their potential ban.
“After careful deliberation, IFSW members voted against this motion,” the National Association of Social Workers, the U.S. affiliate of the International Federation of Social Workers, said in a statement.
The vote to suspend or expel the Israeli union on Wednesday would have required 75% of the union’s 67 voting member nations to vote for the measures.
The vote stemmed from a complaint issued by the Irish, Spanish and Greek affiliates of the federation, who accused the Israeli union of failing to seek an exemption from mandatory military service for its members.
Wednesday’s decision marked the end of weeks of internal debate within the federation, during which the proposed expulsion drew mounting scrutiny from the Israeli union and Jewish groups who warned that the measure would single out Israeli, and Jewish, professionals for discriminatory treatment.
On Tuesday, 12 prominent Jewish organizations, including Hadassah, the American Jewish Committee, the Anti-Defamation League and the Jewish Federations of North America, sent a letter to the American and Canadian members of the international federation calling on them to voice their opposition to the vote.
“Hadassah is alarmed by this blatantly antisemitic maneuver to isolate and exclude Jewish and Israeli professionals solely based on their ethnic and religious identity,” said Carol Ann Schwartz, the national president of Hadassah, in a statement. “We call on the National Association of Social Workers and the Canadian Association of Social Workers to reject this outrageous and grossly discriminatory proposal.”
The same day, the U.S.-based National Association of Social Workers voiced their opposition to the vote for the first time, calling on the other voting members to “uphold the profession’s core values of unity, dialogue, and compassion.”
The motion to expel the Israeli union “directly contradicts IFSW’s mission of promoting international cooperation, unity, and constructive engagement,” wrote the American union in a statement. “Rather than fostering hope and harmony, expulsion would sow division and disharmony, eroding the trust and solidarity that are essential to our global community.”
The Jewish Community Relations Council of Greater Washington, which also signed onto Tuesday’s letter, hailed the vote Wednesday as a “victory for inclusion over discrimination.”
“While it is disappointing that the IFSW even considered such exclusionary motions, we are hopeful that this closes the door on any effort to isolate Israeli social workers initiated by international bodies that should be supporting and lifting them up,” said Guila Franklin Siegel, the chief operating officer of the Jewish Community Relations Council of Greater Washington, in a statement.
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