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Letty Cottin Pogrebin wants Jews to own up to the corrosive power of shame

(JTA) — When a lawyer for Donald Trump asked E. Jean Carroll why she didn’t scream while allegedly being raped by Donald Trump, I thought of Letty Cottin Pogrebin. In her latest book, “Shanda: A Memoir of Shame and Secrecy,” she writes about being assaulted by a famous poet — and how the shadow of shame kept women like her silent about attacks on their own bodies.

That incident in 1962, she writes, was “fifty-eight years before the #MeToo movement provided the sisterhood and solidarity that made survivors of abuse and rape feel safe enough to tell their stories.”

Now 83, Pogrebin could have coasted with a memoir celebrating her six decades as a leading feminist: She co-founded Ms. magazine, its Foundation for Women and the National Women’s Political Caucus. She served as president of Americans for Peace Now and in 1982 blew the whistle on antisemitism in the feminist movement

Instead, “Shanda” is about her immigrant Jewish family and the secrets they carried through their lives. First marriages that were kept hidden. An unacknowledged half-sister. Money problems and domestic abuse. An uncle banished for sharing family dirt in public. 

“My mania around secrecy and shame was sparked in 1951 by the discovery that my parents had concealed from me the truth about their personal histories, and every member of my large extended family, on both sides, was in on it,” writes Pogrebin, now 83. “Their need to avoid scandal was so compelling that, once identified, it provided the lens through which I could see my family with fresh eyes, spotlight their fears, and, in so doing, illuminate my own.”

“Shanda” (the Yiddish word describes the kind of behavior that brings shame on an entire family or even a people) is also a portrait of immigrant New York Jews in the 20th century. As her father and mother father move up in the world and leave their Yiddish-speaking, Old World families behind for new lives in the Bronx and Queens, they stand in for a generation of Jews and new Americans “bent on saving face and determined to be, if not exemplary, at least impeccably respectable.”

Pogrebin and I spoke last week ahead of the Eight Over Eighty Gala on May 31, where she will be honored with a group that includes another Jewish feminist icon, the writer Erica Jong, and musician Eve Queler, who founded her own ensemble, the Opera Orchestra of New York, when she wasn’t being given chances to conduct in the male-dominated world of classical music. The gala is a fundraiser for the New Jewish Home, a healthcare nonprofit serving older New Yorkers.

Pogrebin and I spoke about shame and how it plays out in public and private, from rape accusations against a former president to her regrets over how she wrote about her own abortions to how the Bible justifies family trickery.

Our conversation was edited for length and clarity. 

I found your book very moving because my parents’ generation, who like your family were middle-class Jews who grew up or lived in the New York metropolitan area, are also all gone now. Your book brought back to me that world of aunts and uncles and cousins, and kids like us who couldn’t imagine what kinds of secrets and traumas our parents and relatives were hiding. But you went back and asked all the questions that many of us are afraid to ask. 

I can’t tell you how good writing it has been. I feel as though I have no weight on my back. And people who have read it gained such comfort from the normalization that happens when you read that others have been through what you’ve been through. And my family secrets are so varied — just one right after the other. The chameleon-like behavior of that generation — they became who they wanted to be through pretense or  actual accomplishment. 

In my mother’s case, pretense led the way. She went and got a studio photo that made it look like she graduated from high school when she didn’t. In the eighth grade, she went up to her uncle’s house in the north Bronx and had her dates pick her up there because of the shanda of where she lived on the Lower East Side with nine people in three rooms. She had to imagine herself the child of her uncle, who didn’t have an accent or had an accent but at least spoke English.

You describe yours as “an immigrant family torn between loyalty to their own kind and longing for American acceptance.”  

There was the feeling that, “If only we could measure up, we would be real Americans.” My mother was a sewing machine operator who became a designer and figured out what American women wore when she came from rags and cardboard shoes, in steerage. So I admire them. As much as I was discomforted by the lies, I ended up having compassion for them.  

It’s also a story of thwarted women, and all that lost potential of a generation in which few could contemplate a college degree or a career outside the home. Your mother worked for a time as a junior designer for Hattie Carnegie, a sort of Donna Karan of her day, but abandoned that after she met your dad and became, as you write, “Mrs. Jack Cottin.”

The powerlessness of women was complicated in the 1950s by the demands of the masculine Jewish ideal. So having a wife who didn’t work was proof that you were a man who could provide. As a result women sacrificed their own aspirations and passions. She protected her husband’s image by not pursuing her life outside the home. In a way my feminism is a positive, like a photograph, to the negative of my mother’s 1950s womanhood.

“I’m not an optimist. I call myself a ‘cockeyed strategist,” said Pogrebin, who has a home on the Upper West Side. (Mike Lovett)

You write that you “think of shame and secrecy as quintessentially Jewish issues.” What were the Jewish pressures that inspired your parents to tell so many stories that weren’t true?

Think about what we did. We hid behind our names. We changed our names. We sloughed off our accents. My mother learned to make My*T*Fine pudding instead of gefilte fish. Shame and secrecy have always been intrinsically Jewish to me, because of the “sha!” factor: At every supper party, there would be the moment when somebody would say, “Sha! We don’t talk about that!” So even though we talked about what felt like everything, there were things that couldn’t be touched: illness, the C-word [cancer]. If you wanted to make a shidduch [wedding match] with another family in the insular communities in which Jews lived, you couldn’t let it be known that there was cancer in the family, or mental illness.

While I was writing this memoir, I realized that the [Torah portion] I’m listening to one Shabbat morning is all about hiding. It is Jacob finding out that he didn’t marry Rachel, after all, but married somebody he didn’t love. All of the hiding that I took for granted in the Bible stories and I was raised on like mother’s milk was formative. They justified pretense, and they justified trickery. Rebecca lied to her husband and presented her younger son Jacob for the blessing because God told her, because it was for the greater good of the future the Jewish people.

I think Jews felt that same sort of way when it came to surviving. So we can get rid of our names. We wouldn’t have survived, whether we were hiding in a forest or behind a cabinet, a name or a passport, or [pushed into hiding] with [forced] conversions. Hiding was survival.  

I was reading your book just as the E. Jean Carroll verdict came down, holding Donald Trump liable for sexually assaulting her during an encounter in the mid-’90s. You write how in 1962, when you were working as a book publicist, the hard-drinking Irish poet Brendan Behan (who died in 1964) tried to rape you in a hotel room and you didn’t report it. Like Carroll, you didn’t think that it was something that could be reported because the cost was too high.

Certainly in that era powerful men could get away with horrible behavior because of shanda reasons. 

Carroll said in her court testimony, “It was shameful to go to the police.” 

You know that it happened to so many others and nobody paid the price. The man’s reputation was intact and we kept our jobs because we sacrificed our dignity and our truth. I was in a career, and I really was supporting myself. I couldn’t afford to lose my job. I would have been pilloried for having gone to his hotel room, and nobody was there when he picked up an ashtray and threatened to break the window of the Chelsea Hotel unless I went up there with him.The cards were stacked against me.

In “Shanda,” you write about another kind of shame: The shame you now feel decades later about how you described the incident in your first book. You regret “how blithely I transformed an aggravated assault by a powerful man into a ‘sticky sexual encounter.’” 

I wrote about the incident in such offhand terms, and wonder why. I wrote, basically, “Okay, girls, you’re gonna have to put up with this, but you’re gonna have to find your own magical sentence like I had with Behan” to get him to stop. 

You write that you said, “You can’t do this to me! I’m a nice Jewish girl!” And that got him to back off.

Really painful.

I think that’s a powerful aspect of your book — how you look back at the ways you let down the movement or your family or friends and now regret. In 1991 you wrote a New York Times essay about an illegal abortion you had as a college senior in 1958, but not the second one you had only a few months later. While you were urging women to tell their stories of abortion, you note how a different shame kept you from telling the whole truth.  

Jewish girls could be, you know, plain or ordinary, but they had to be smart, and I had been stupid. I could out myself as one of the many millions of women who had an abortion but not as a Jewish girl who made the same mistake [of getting pregnant] twice.

The book was written before the Supreme Court overturned Roe v. Wade. In the book you write powerfully about the shame, danger  and loneliness among women when abortion was illegal, and now, after 50 years, it is happening again. Having been very much part of the generation of activists that saw Roe become the law of the land, how have you processed its demise?  

Since the 1970s, we thought everything was happening in this proper linear way. We got legislation passed, we had litigation and we won, and we saw the percentage of women’s participation in the workplace all across professions and trades and everything else rise and rise. And then Ronald Reagan was elected and then there was the Moral Majority and then it was the Hyde Amendment [barring the use of federal funds to pay for abortion]. I was sideswiped because I think I was naive enough to imagine that once we articulated what feminism was driving at and why women’s rights were important, and how the economic reality of families and discrimination against women weren’t just women’s issues, people would internalize it and understand it and justice would be done. 

In the case of Roe, we could not imagine that rights could ever be taken away. We didn’t do something that we should have done, which is to have outed ourselves in a big way. It’s not enough that abortion was legal. We allowed it to remain stigmatized. We allowed the right wing to create their own valence around it. That negated solidarity. If we had talked about abortion as healthcare, if we had had our stories published and created organizations around remembering what it was like and people telling their stories about when abortion was illegal and dangerous…. Instead we allowed the religious right to prioritize [fetal] cells over a woman’s life. We just were not truthful with each other, so we didn’t create solidarity. 

Are you heartened by the backlash against restrictive new laws in red states or optimistic that the next wave of activism can reclaim the right to abortion? 

I’m not an optimist. I call myself a “cockeyed strategist.” If you look at my long resume, it is all about organizing: Ms. magazine, feminist organizations, women’s foundations, Black-Jewish dialogues, Torah study groups and Palestinian-Jewish dialogues. 

Number one, we have to own the data and reframe the narrative. We have to open channels for discussion for women who have either had one or know someone who has had one, even in religious Catholic families. The state-by-state strategy was really slow, but Ruth Bader Ginsburg wanted that. She almost didn’t get on the court because she didn’t like the nationwide, right-to-privacy strategy of Roe but instead wanted it won state by state, which would have required campaigns of acceptance and consciousness-raising.

So, the irony is she hasn’t lived to see that we’re going to have to do it her way. 

You share a lot of family secrets in this book. Is this a book that you waited to write until, I’ll try to put this gently, most of the people had died?

I started this book when I was 78 years old, and there’s always a connection to my major birthdays. And turning 80 – you experience that number and it is so weird. It doesn’t describe me and it probably won’t describe you. I thought, this could well be my last book, so I needed to be completely transparent, put it all out there. 

My mother and father and aunts and uncles were gone, but I have 24 cousins altogether. I went to my cousins, and told them I am going to write about the secret of your parents: It’s my uncle, but it’s your father. It’s your family story even though it’s my family, but it’s yours first. And every cousin, uniformly, said, “Are you kidding? You don’t even know the half of it,” and they’d tell me the whole story. I guess people want the truth out in the end.

Is that an aspect of getting older?

I think it’s a promise of liberation, which is what I have found. It’s this experience of being free from anything that I’ve hid. I don’t have to hide. Years ago, on our 35th wedding anniversary, we took our whole family to the Tenement Museum because we wanted them to see how far we’ve come in two generations.


The post Letty Cottin Pogrebin wants Jews to own up to the corrosive power of shame appeared first on Jewish Telegraphic Agency.

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Netanyahu, Sa’ar Rebuke Ben-Gvir Over Flotilla Video as Pro-Israel Voices Warn of Strategic, Diplomatic Damage

Israeli National Security Minister and head of Jewish Power party Itamar Ben-Gvir gives a statement to members of the press, ahead of a possible ceasefire between Israel and Hamas, in Jerusalem, Jan. 16, 2025. Photo: REUTERS/Oren Ben Hakoon

Israeli Prime Minister Benjamin Netanyahu and Foreign Minister Gideon Sa’ar issued rare public rebukes of National Security Minister Itamar Ben-Gvir on Wednesday after he filmed himself confronting detained Gaza flotilla activists, prompting a wave of criticism from Israeli officials and pro-Israel advocates who warned that the far-right minister had turned a successful security operation into an unnecessary strategic and diplomatic liability.

Netanyahu defended Israel’s right to stop the flotilla, but sharply distanced himself from Ben-Gvir’s conduct.

“Israel has every right to prevent provocative flotillas of Hamas terrorist supporters from entering our territorial waters and reaching Gaza,” Netanyahu said. “However, the way that Minister Ben-Gvir dealt with the flotilla activists is not in line with Israel’s values and norms.”

Foreign Minister Gideon Sa’ar went further, accusing Ben-Gvir of knowingly harming Israel’s national interests. “You knowingly caused harm to our State in this disgraceful display — and not for the first time,” Sa’ar wrote on X. “You have undone tremendous, professional, and successful efforts made by so many people — from IDF soldiers to Foreign Ministry staff and many others. No, you are not the face of Israel.”

The video, posted Wednesday by Ben-Gvir on X with the caption “Welcome to Israel,” showed dozens of detained activists after their arrival in Ashdod, some kneeling on the ground with their hands zip-tied behind their backs as Israel’s national anthem played over loudspeakers. Ben-Gvir, flanked by security personnel, walked among the detainees waving a large Israeli flag and shouting in Hebrew, “Welcome to Israel, we are the landlords,” according to the Associated Press and Times of Israel.

Ben-Gvir’s video quickly triggered a widening diplomatic incident.

Italy — led by Prime Minister Giorgia Meloni, one of Israel’s more reliable supporters in Europe — summoned Israel’s ambassador after the footage emerged. Canada summoned Israel’s ambassador over what it called “very disturbing” footage, while Spain and the Netherlands, two of Israel’s fiercest Western European critics during the Gaza war, also summoned Israeli diplomats.

The public criticism from Netanyahu and Sa’ar was notable in Israeli political terms, where coalition discipline often keeps disputes with senior ministers behind closed doors. It also reflected broader concern that Ben-Gvir’s actions had undermined what Israeli officials and supporters described as a complex, weeks-long effort by Israeli security forces to intercept Gaza-bound flotillas without casualties or serious incidents.

Israeli forces have faced repeated attempts by activists to challenge the naval blockade of Gaza in recent weeks. Supporters of the operations said the activists were stopped, processed, and deported to their countries of origin without injuries — an outcome they argued was being overshadowed by Ben-Gvir’s decision to stage and publicize a confrontation with detainees.

Public backlash came not only from Ben-Gvir’s usual opponents but from a range of pro-Israel voices spanning the political right and center.

Hillel Neuer, executive director of UN Watch, a pro-Israel NGO, addressed Netanyahu directly, writing: “Your Minister of Police Itamar Ben Gvir is a disgrace and a desecration. You need to fire him now.”

Zvika Klein, editor-in-chief of The Jerusalem Post, said he was “utterly ashamed and disgusted” by what he called Ben-Gvir’s “pathetic, childish stunt,” adding: “The humiliating way he filmed and mocked detainees is a national disgrace.”

Hillel Fuld, a prominent pro-Israel commentator often associated with Israel’s political right, wrote that Ben-Gvir was “a real idiot” and “nothing but a liability to the state of Israel.”

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In celebration of David Attenborough’s 100th birthday, a very Jewish song

When the much-beloved English broadcaster David Attenborough was celebrated at London’s Royal Albert Hall with the tribute 100 Years On Planet Earth, a spoken word recording was played of Attenborough reciting the song “What a Wonderful World.”

Co-written by the Jewish songwriter George David Weiss, a Juilliard-trained musician, the song was originally intended for Louis Armstrong as a reflective follow-up to Armstrong’s peppy smash hit “Hello, Dolly!” by the Broadway composer Jerry Herman. “What a Wonderful World” was not universally acclaimed at first. Armstrong’s clarinetist Joe Muranyi later described Satchmo’s first reaction to the tune in a way that may be politely paraphrased as “What is this drek?”

The unabashed sentimentality, funereal tempo, and absence of any jazziness may have put off musicians initially, and indeed discouraged record company president Larry Newton (born Louis Nutinsky). Newton so loathed the very concept of the melody that he tried to stop the recording session and had to be physically removed and locked out of the studio. Later, Newton refused to promote the song, which had almost no immediate impact in America, although it became a #1 hit in the U.K.

“What a Wonderful World” expressed a Great Society optimism of the 1960s, which was overwhelmingly supported by American Jews, believing that successive generations would be better educated and the federal government would resolve systemic poverty and racial inequality. “I hear babies cry, I watch them grow/ They’ll learn much more than I’ll ever know,” Armstrong sang.

Louis Armstrong, 1956. Photo by Stroud/Daily Express/Hulton Archive/Getty Images

Meanwhile, the song acquired newfound popularity in 1999 when the saxophonist Kenneth Bruce Gorelick, known as Kenny G, added his own accompaniment to Armstrong’s vocals and other elements of the original recording. Jazz mavens were outraged, led by the guitarist Pat Metheny, who called Kenny G’s effort “musical necrophilia.” No such excoriations were heard in 2001, when punk rockstar Joey Ramone (born Jeffrey Ross Hyman), produced an exceedingly loud cover version with its own gritty integrity and authenticity. And in 2018, Barbra Streisand was generally praised for blending the song with John Lennon’s “Imagine” on her album Walls. As The Hollywood Reporter commented, Streisand’s purpose was likely to inspire hope during a crisis in American sociopolitical history, to offer a reason to “persevere during a period of cascading nightmares.”

The Attenborough event at the Royal Albert Hall also featured a performance of “Nature Boy” by the Jewish U.K. singer Sienna Spiro, whose full-throated singing recalls the precedent of the 1960’s Jewish U.K. singer Alma Cogan. The song Spiro chose to sing was written by George Alexander Aberle, who spent his early childhood at the Brooklyn Hebrew Orphan Asylum and adopted the pen name of eden ahbez, spelled with lower-case letters because, he asserted, only the words God and Infinity merited capitalization.

As was the case with “What a Wonderful World,” some controversy surrounded “Nature Boy,” originally popularized by Nat King Cole. The Belarusian Jewish-born composer and singer Herman Yablokoff claimed in a memoir that the melody of “Nature Boy” was plagiarized from his song “Shvayg mayn harts” (“Be Still, My Heart”), which he wrote for the play Papirosn (Cigarettes) in 1935.

At first, ahbez denied the charge, claiming to Yablokoff that he had first heard the tune in the California mountains, as if sung by angels. To which Yablokoff, with the brass-tacks realism of a Yiddish theater veteran, replied that the song was geganvet (stolen) and if any angels had been singing it, they must have purchased the sheet music of his song. Eventually ahbez’s lawyers offered an out-of-court settlement, which was accepted.

As far as the Attenborough concert is concerned, the tribute at the Royal Albert Hall brought to mind the case of Miriam Rothschild, a Jewish naturalist who preceded Attenborough in creating compelling nature documentaries. Rothschild was also a celebrated zoologist, entomologist and conservationist of lasting original achievements.

Nicknamed the queen of fleas due to her understanding of that life form, Rothschild was also an activist who saved lives of Jewish refugees during wartime, personally housing 49 children at her family estate and urging that laws be liberalized to allow more escapees from Fascist Europe to find safety in Britain. Perhaps tellingly, Rothschild also marveled at tiny mites that found refuge in the ears of moths. Her films did not dwell on the predatory violence of nature, which most other documentaries, even Attenborough’s, sometimes did to inspire thrills and chills among viewers.

With comparable compassion, Rothschild supported social causes including animal welfare, free milk for children at school, and gay rights by contributing to the 1957 Wolfenden Report which resulted in decriminalizing homosexual behavior in the U.K. By contrast, Attenborough, as a senior manager at the BBC, controller of BBC Two, and director of programming for BBC Television in the 1960s and 1970s, eschewed making public statements about societal issues until very recently, even those relating to climate change, as Nature Magazine observed in its centenary salute.

Yet by focusing on the world and latterly on damage from careless abuse of natural resources, Attenborough promoted biodiversity, renewable energy, and natural preservation areas, among other initiatives. And all Jewish TV spectators can only be grateful that as controller of BBC Two, Attenborough commissioned The Ascent of Man, the 1973 series in which Jacob Bronowski, the Polish Jewish mathematician and humanist, expressed his personal philosophy. In its own way a sometimes rueful homage to a wonderful world, Bronowski’s conclusions about nature and humanity were so powerful that they overshadow the occasional executive decision for which Attenborough later expressed regret, such as the budget-motivated 1960s destruction of archived BBC programs. As a result, much Jewish media history was lost, including The Madhouse on Castle Street, a 1963 teleplay with the then- little-known Bob Dylan among the performers.

Nonetheless, Attenborough’s series, which include Life on Earth, The Living Planet, The Trials of Life, The Life of Mammals, Life in the Undergrowth and many others underscore the fact that appreciating nature is a L’chaim to all of creation, the ultimate message of his long life’s work, much deserving of the praise it has received.

The post In celebration of David Attenborough’s 100th birthday, a very Jewish song appeared first on The Forward.

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Barney Frank’s final warning on Israel: ‘America’s effort should be to support the opposition to Netanyahu’

(JTA) — Barney Frank, for years the progressive conscience of his party who died on Tuesday night, had one last piece of advice for Democrats as he entered hospice care earlier this month: Repudiate litmus tests – except for Israel.

The United States should cut off weapons sales to Israel as long as Prime Minister Benjamin Netanyahu does not relieve Palestinian suffering, Frank told the Jewish Telegraphic Agency this month, using his imminent death to state bluntly what he believed other Democrats could not.

“It’s what the Democrats should be doing, it’s what America should be doing, and it should be what the Democrats are advocating, is giving an ultimatum that [Netanyahu] either changes things substantially in Gaza and the West Bank, or we cut off any aid,” the onetime congressional powerhouse said in a May 8 phone call from his home in Ogunquit, Maine.

“I’ve been talking about the importance of repudiating positions from the left and from the far left, but the Israel one is almost 180 degrees” different, he said. “It’s the one area where we are not doing enough in terms of making our position clear.”

Jewish lawmakers criticizing Netanyahu’s Israel was extraordinary a decade or so ago but has become commonplace. Frank’s plea, however, came from a lawmaker who grew up in a Zionist household and who was throughout a decades-long career in the U.S. House of Representatives solidly pro-Israel, albeit with occasional deviations from the pro-Israel lobby’s orthodoxy.

In one of his final interviews, he acknowledged being heartbroken by Israel under Netanyahu, recalling his family’s support for the struggle to shuck off the British mandate and create a Jewish state.

“We had a ‘boycott Britain’ bumper sticker on our car,” he said. His older sister, Anne Lewis, brought the family into the Zionist fold after a summer at a Habonim camp. “During my congressional career, I was very supportive, emotionally as well as politically and for a while earlier in this century, I volunteered and traveled at the request of Hillel to a couple of college campuses to defend Judaism and Israel.”

That would be hard to do in the current moment, he said. “I guess I held on longer than I should have to, ‘Well, we can work with them, etc’,” he said. “But it’s become clear to me, particularly due to what they’re allowing to happen in the West Bank, that it is important morally and politically to repudiate the policy of supporting Israel’s military activity.”

From the home he shared with his husband in Ogunquit, Frank in his final days took calls from the media well ahead of the scheduled publication of his book, “The Hard Path to Unity.”

He freely admitted he was doing a virtual publicity tour because his survival until the September launch date was unlikely. He knew he was leveraging his decline to be heard, and he didn’t mind that at all.

“Frankly, if I weren’t dying, people wouldn’t be paying as much attention,” Frank told The New York Times earlier this month.

His message in many of those conversations: Don’t make or break viable Democratic candidates on issues like transgender rights or Medicare for all.

“The key to liberal democracy being able to come back is to get rid of the perception, that we have allowed to grow, that the entire Democratic Party is committed to a series of very drastic social reconstructions that go beyond the politically acceptable,” he told the Times.

Asked at the outset of his interview with JTA if that advice extends to the pressure from some of the Democratic base on candidates to pledge to cut assistance to Israel, he offered a vigorous “almost the opposite” because of his conviction that the party should be more vocal in its opposition to the current Israeli government.

Frank was a fighter during his congressional career from 1981 to 2013. The leadership made him the lead antagonist to Newt Gingrich during Gingrich’s consequential speakership in the 1990s. Frank ascended to the leadership of the House Financial Services Committee at a key time, during the late 2000s financial crisis. He coauthored the last major banking reform bill, 2010’s Dodd-Frank.

He was a progressive lion, championing the battles against income inequality and for civil rights. He came out in 1987 as gay, the first sitting member of Congress to do so. He had a reputation as a curmudgeon, once silencing a Holocaust survivor for exceeding his time in congressional testimony.

Frank believed that incremental moves are more likely to bring about change than full-on advocacy for far-reaching changes. He had noted in interviews that the same-sex marriage he enjoyed with his husband came about because of a slow roll of change in LGBTQ rights, including ones he championed, like allowing gays to serve openly in the military.

The onetime leading progressive endorsed moderates in this year’s elections, backing AIPAC-supported U.S. Rep. Haley Stevens in the Michigan Senate primary. In his own state’s Senate race, he also backed Gov. Janet Collins, who recently ceded the primary to Graham Platner, an ascendant figure on the party’s left.

Frank believed anti-Israel orthodoxies could be as damaging as the far-left orthodoxies he decried. He remained appalled at voters disgruntled with the Biden administration’s pro-Israel policies who stayed away from the polls or even voted for President Donald Trump, and he used their example as one of two to illustrate why purity tests backfire. (The other is voters who faulted President Joe Biden for not doing enough to address climate change.)

“People who voted against [Kamala] Harris because they thought the administration had been too supportive of Israel achieved exactly the opposite of what they wanted,” Frank said, referring to the former vice president who faced Trump in 2024. “She would have begun by now to have cut back substantially on aid to Israel.”

He made clear in his interview that he rejected the extremes of Israel criticism emerging among Democrats, including accusations it has committed genocide in the war Hamas launched in 2023, and the argument that it should not exist as a Jewish state.

“Genocide is trying to wipe out the whole people,” he said. “The Holocaust was killing every Jew. Israel is not trying to kill every Palestinian. What they’re doing – I do not think its genocide, but it’s certainly unacceptable, morally and very damaging, politically.”

But he argued that in order to effectively confront the anti-Israel left in the party, Democrats must address what he says is the main enabler of its rise: Netanyahu and his policies.

“Netanyahu has been their enabler,” he said of prominent anti-Israel Democrats, including New York Mayor Zohran Mamdani and Michigan Senate primary candidate Abdul El-Sayed.

Frank was especially exercised by attacks by some settlers on Palestinians in the West Bank, attacks he said are enabled by Netanyahu and his coalition partnership with far-right patrons of the extremist settlers.

“My recommendation to Democrats would be to say, if Netanyahu does not reverse the harassment of Palestinians in the West Bank and substantially cut back on the military attacks, America should announce that we are no longer going to supply him with arms or be otherwise supportive,” he said.

“We’ve now gone to the point where supporting Israel has become unpopular, and that’s all Netanyahu’s doing,” Frank said. “No question that what he’s done is legitimize opposition to the whole notion of Israel, beyond disagreement with the specific actions.”

He sympathized with Jewish voters who feel alienated by Democrats and who could never bring themselves to vote for Trump (whom he reviled — he told reporters that his one regret is that he will not live to see Trump implode.) But he said the way forward is to cut off Netanyahu.

“I understand the dilemma people face if the choice is supporting Israel and everything that Netanyahu is doing and repudiating that,” he said. “We should make it clear that the right position here is to support Israel’s right to exist, but to be unwilling to facilitate what they’re doing militarily and to give them an ultimatum.”

Frank said the United States should actively support Netanyahu’s opposition as a means of leverage. He cited as an example the campaign he helped lead for the release of the spy for Israel Jonathan Pollard.

Frank spearheaded congressional pressure on President Barack Obama in 2010 mostly because he believed Pollard’s sentence was unjust. But he also thought that it would serve as an incentive to Netanyahu to cooperate more closely with the Obama administration on other issues. (The Obama administration engineered Pollard’s parole in 2015 and he now lives in Israel.)

Instead, Netanyahu became even more confrontational and moved further to the right. Now, Frank said, he would dangle the prospect of Pollard’s release before the Israeli electorate as a means of ousting Netanyahu.

“I now think America’s effort should be to support the opposition to Netanyahu,” he said.

This article originally appeared on JTA.org.

The post Barney Frank’s final warning on Israel: ‘America’s effort should be to support the opposition to Netanyahu’ appeared first on The Forward.

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