By MYRON LOVE With her latest book, “Rising” (published by Candlewick Press in the United States), acclaimed Winnipeg-born author Sidura Ludwig has taken her career in a slightly different direction. 

According to publicist Evan Munday (who works for Penguin Random House Canada, the Canadian distributor of the book), “Rising” is  “a quiet, joyful story celebrating a Jewish mother’s tradition of making challah with her child. A child and a mother measure, mix, knead, shape, and tuck their dough under a towel like a sleeping baby, then wait while their dough rises, soon to be baked and gratefully shared at a Shabbat gathering with loved ones.”
In “Rising,” he continues, “Sidura turns a Jewish family’s gathering into a lesson in patience, slowing down, faith, and love.”
He adds that there is an easy-to-follow recipe for challah at the end of the book –  along with a glossary and an author’s note describing the personal meaning of her family’s weekly ritual.
He describes “Rising” as “a much needed picture book that acts as both an exultation and balm in this time of exploding antisemitism in North America.” 
 As was reported in earlier stories about Sidura Ludwig in the pages of The Jewish Post & News,  the daughter of Israel and Maylene Ludwig has been writing seriously since she was a teenager.  She left Winnipeg originally in 1994 to study at York University.  After graduation, she was back here for a year working as a teacher’s assistant, then went back east to study journalism at Carleton.  In between, she married and she and her husband eventually settled in Thornhill in 2004. 

Sidura noted in an earlier story that she worked for a time as a journalist and in communications – largely on a freelance basis before starting a family.  Her first book, a novel, “Holding My Breath,” was published in 2007. 
She pointed out that, as a young mother, she didn’t have a lot of time to read novels and, as a result, gravitated to short stories – which was always her first love.
 “I had started on a second novel,” she notes, “but it just wasn’t working for me.  I began to focus on the individual characters and develop each as a short story.”
She noted that she set herself a goal of trying to send out five submissions a week and, after a year, had nine short stories published in different media.  That gave her the confidence that there was enough interest in the stories to approach a publisher.  The result was her second book , “You Are Not What We Expected” (published in 2020), which recounts the lives of the multi-generational Levine family and their neighbours over a period of 15 years, capturing the celebration, transitions and drama in their lives.
 
In November 2021,Sidura was presented with the Vine Award for fiction for “You Are Not What We Expected.”  You could rightly say that Sidura Ludwig was “over the moon” about being named the winner of that award for her first collection of short stories. (The Vine Awards for Canadian Jewish Literature “honour both the best Canadian Jewish writers and non-Jewish Canadian authors who deal with Jewish subjects in Fiction, History, Non-Fiction, Young Adult/Children’s literature, and Poetry”. Each winning author receives a prize of $10,000. The 2021 three-person jury reviewed 42 entries to the Fiction, History, Non-Fiction and Young Adult/Children’s categories.) 
 Earlier that year,  Ludwig graduated from  a Masters Degree program in Fine Arts, specializing in writing books for children and young adults at the Vermont College of Fine Arts.   “Rising” is in that genre.
Ludwig’s first children’s book was inspired by her own new-found love of baking challah four years ago when Covid lockdowns were in place.
“With everything turned upside down, I was looking for a way to reintroduce some consistency, something familiar into our lives,” the mother of three teenagers recalls.  “As I was stuck at home, I began waking up early on Friday mornings, mixing the dough and baking challah following a recipe.  It became my anchor. It was something quiet and peaceful I could do on a regular basis.  As well as showing my love for my family, I felt a spiritual connection.”
 
“Rising” was illustrated by Tel Aviv-based expatriate Canadian illustrator Sophie Vincent Guy.who now lives in Tel Aviv. “Rising” is scheduled to be arriving in book stores in a couple of weeks with a launch in Winnipeg set for Thursday, June 6, at McNally Robinson.  
Sidura is currently working on some picture books for younger children and a novel intended for middle grade students.   The latter is entitled “Swan” and is based on the life of 19th century Nova Scotian Anna Swan, who grew to be 8’ tall.  The book, published by Nimbus Publishing is due out in September.
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A very brave Palestinian who was willing to put his name to paper and write an article for Newsweek Magazine has exposed the utter hypocrisy of all those students – and others, who have been setting up encampments across the U.S. – and now Canada, too.

You can read the article at https://www.newsweek.com/message-gazan-campus-protesters-youre-hurting-palestinian-cause-opinion-1894313

By MARTIN ZEILIG “Jewish resistance during the Holocaust took many forms, armed and unarmed,” notes Holocaust scholar and archeologist Professor Richard Freund in this timely and beautifully crafted feature documentary film by directors Paula Apsell and Kirk Wolfinger.
“We’ve all heard of the Warsaw Ghetto Uprising, but most people have no idea how widespread and prevalent Jewish resistance to Nazi barbarism was. Instead, it’s widely believed Jews went to their deaths like sheep to the slaughter.”
Filmed in Poland, Lithuania, Latvia, Israel, and the U.S., Resistance – They Fought Back provides, as one of the specialists interviewed emphasizes, “a much-needed corrective to this myth of Jewish passivity.
Indeed, the film is a fervent repudiation of the thinking that Jewish resistance was either non-existent or occurred on rare occasions only.
As Dr. Margers Vestermanis, historian and resistance fighter in the Riga Ghetto, articulates, “The idea of resistance practically started with the formation of the ghetto. As we used to say in the ghetto back then, there were two options. You would be undressed…and wait for the bullet. Or you would resist, and you would be shot anyway. You would die anyway, but that would be a different death– a meaningful death, defending the honor of your people.”
There were uprisings in ghettos large and small, rebellions in death camps, and thousands of Jews fought Nazis in the forests, as is discussed in the film.

“Everywhere in Eastern Europe, Jews waged campaigns of non-violent resistance against the Nazis,” observes one of the commentators.
“All over German-occupied territories, ghetto and camp residents disobeyed German edicts to care for the sick and needy, setting up soup kitchens and educating children, maintaining a spiritual life of Jewish observance as well as a cultural life of music, art and theater, hiding and escaping, and documenting German war crimes – all this in the face of starvation, beatings, humiliation, disease, poverty, and the threat of transports and death at any time.”

Among those interviewed in the film are Professor Yehuda Bauer of Hebrew University and Yad Vashem; Professor Avinoam Patt, the inaugural director of NYU’s Center for Study of Antisemitism; and, Maurice Greenberg, Professor of Holocaust Studies in NYU’s Skirball Department of Hebrew and Judaic Studies;  Professor Michael Berenbaum, an American scholar, professor, rabbi, writer, and filmmaker, who specializes in the study of the Holocaust; Steven Meed, who’s mother, Vladka Meed was a Warsaw Ghetto courier; Yoel Yaari, the son of Bela Hazan, who worked in Gestapo headquarters in Grodno. He is writing a book about her based on Bela’s own notebooks, which reveals her “courageous actions in both ghettos and camps.”
We also meet concert violinist Dana Mazurkevich, who was smuggled out of the Kovno ghetto in a truckload of potatoes; internationally known artist Samuel Bak who had his first exhibition in the Vilna Ghetto at age 9; and, David Gur, whose forgeries saved thousands of Budapest’s Jews.
This is a film that deserves the widest possible viewership.

Ms. Apsell, who was also co-writer and executive producer agreed to a Zoom interview with this reporter on April 15, 2024. (Comments from the “Director’s Statement” are also included in Ms. Apsell’s responses.)
MZ: What is the genesis of this film?
PA: It got its start on a sunny June day in 2019 at my kitchen table in Boston during a visit from Holocaust scholar and archeologist Richard Freund. In 2016, Kirk Wolfinger, his team from Lone Wolf Media, and I had made a documentary for the PBS NOVA series following Dr. Freund and his team as they discovered an underground escape tunnel in a forest in Lithuania where the Germans and their Lithuanian collaborators murdered 70,000 Jews.
As we learned when our film aired the next year, very few people had ever heard of this tunnel dug with spoons by shackled Jewish prisoners, twelve of whom escaped to fight with the partisans. But it is far from the only example of Jewish resistance during the Holocaust. When I asked why such examples of Jewish heroism were not more widely known, Dr. Freund quipped, “Because you haven’t made the film yet.”
Perhaps intended as a joke, I took the response as a challenge. I had just retired after 35 years as NOVA’s Executive Producer, and I was looking for a project to engage my mind and my heart. And what could be more worthwhile, more challenging to research and recount, than this largely unknown story of Jewish resistance during the Holocaust?
As I would learn, many stories of Jewish resistance have all but vanished. In some cases, no historical records exist, and no one survived to tell the tale. The Germans documented many aspects of their war against the Jews, but they were allergic to any mention of Jewish resistance, leading many to think it never happened and to believe that “Jews went to their deaths like sheep to the slaughter.”
MZ: What else would you like to say about the film?
PA: The film my production partners at Lone Wolf Media and I wound up making is a passionate refutation of that way of thinking (that Jewish resistance was either non-existence or rare). Told by survivors, their children, and expert witnesses from the U.S. Israel, and Europe, it is a revelation based on extensive research of how the Jews of Europe fought back.
It uncovers evidence of non-violent methods which served as crucial tools of resistance and evolved into Jewish armed revolts in ghettos, forests and death camps, even as the odds of success were vanishingly small. Today, almost eighty years after the Holocaust, this story remains largely unknown to the general public. Without it, our understanding of this genocide, which wiped out two-thirds of European Jews, remains incomplete, giving rise to renewed anti-Semitism, hatred, and denial of the Holocaust itself.
It took four years to produce the feature documentary Resistance – They Fought Back during which challenges abounded, some predictable when we began, others totally unknown.
Our society’s understanding of the Holocaust, even after all these decades, is limited, misunderstood and frighteningly transient. Surveys indicate that two-thirds of millennials in the United States cannot identify the infamous concentration camp Auschwitz. In the U.K., surveys suggest that 1 in 20 people don’t believe the Holocaust happened, and one-third of people from seven surveyed European countries know little or nothing about it.
That Jews were complicit in their own deaths has become a common meme of both anti-Semitic and white supremacy movements, which are steeply on the rise. Therefore, this story is one that demands to be told now with the authenticity that archeological finds, rigorous historical analysis, and eyewitness testimony describing tunnels that were dug, sewers used as escape routes, examples of sabotage against the all-powerful German army can provide.
Thus, even as survivors leave us and personal testimony fades, we are gaining a new perspective to our understanding of the Holocaust. It is this story of millions of victims whose brave acts of resistance against a barbaric and all-powerful enemy have too long remained unheralded, that we are determined to tell.