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DC’s new Jewish museum highlights Jews who shaped the nation’s capital, from a Confederate spy to RBG
WASHINGTON (JTA) – Washington, D.C.’s new Jewish museum features at least two notorious women from history.
One is Ruth Bader Ginsburg, the first Jewish woman to serve as a Supreme Court justice, who was dubbed “Notorious RBG” late in her life by a cluster of fans. When the Capital Jewish Museum opens next week, it will launch with Ginsburg at its center when a traveling exhibit on her life has its final stop here.
The other is the 19th-century figure Eugenia Levy Phillips, whom the museum characterizes as “notorious” without irony.
“One of DC’s most notorious Confederate sympathizers, Eugenia Levy Phillips (1891-1902) came to town in 1853 with her congressman husband, Philip Phillips (1807-1884) of Alabama,” one of the exhibits says. “Eugenia, a spy, delivered Union military plans and maps to Confederate President Jefferson Davis.”
Another description of Levy Phillips in the museum is more straightforward: “SPIED for the CONFEDERACY,” it says below her photo.
An exhibit on Ruth Bader Ginsburg at the new Capital Jewish Museum in Washington D.C.;, June 1, 2023. (Ron Sachs/Consolidated News Photos)
The late justice and spy are two of an assemblage of notable Jews throughout history who grace the Capital Museum, which opens next Friday in northwest Washington’s Judiciary Square neighborhood, which was a local center of Jewish life more than a century ago. Showcasing the warts-and-all history of Jews in and around the nation’s capital — both prominent officials and ordinary denizens of the city — is the point of the museum, its directors say.
“Jews are a Talmudic people, we like to argue, we like to look at different sides of a story,” Ivy Barsky, the museum’s interim executive director, said Thursday at a tour for members of the media. Sarah Leavitt, the museum curator, involved the Jewish idea of “makhloket l’shem shamayim,” Hebrew for “an argument for the sake of heaven” — in other words, for sacred purposes.
“We’re telling the story in this museum in a Jewish way,” Leavitt said. “So that it’s not just that we might not agree, but actually the disagreement is important and preserving those disagreements is important.”
Barsky, who was previously the CEO of the National Museum of American Jewish History in Philadelphia, said that in relating the local history of Washington’s Jews, the new museum fills a gap. Unlike many of the country’s other longstanding Jewish communities, Washington attracted Jews not because it was a port but because it was the center of government. Like the district’s broader community, Jews in the area have been prone to transitioning in and out of the city.
“Lots of our stories start in other places, with folks who end up in D.C.,” Barsky said. “This is a unique community, especially because the local business is the federal government.”
An exhibit at the new Capital Jewish Museum asks visitors, “Who are you? and features a diverse array of Jews , in Washington D.C., June 1, 2023. (Ron Sachs/Consolidated News Photos)
Jews have been in Washington since it was established in 1790, and the area now includes some 300,000 Jews, according to a 2017 study. The museum chronicles that community’s expansion from the capital to the Maryland and the Virginia suburbs, driven at times by Jews joining “white flight” — when white residents left newly integrated neighborhoods — and other times by restrictions that barred Jews from certain areas.
Larger historical events have also at times played a role: The Jewish population in the city grew in the 1930s and 1940s because of the expansion of government during President Franklin Delano Roosevelt’s New Deal and World War II.
An exhibition asks visitors “Who are you?” and features a diverse range of Washington Jews, past and present, as well as others with quirky biographies, including Tom King, a CIA spy who became a comic book writer.
The changing fortunes of American Jewry are embedded in the date the museum opens, June 9: On that date in 1876, Ulysses Grant was the first president to attend synagogue services, when he helped dedicate the new building of the Adas Israel congregation. Fourteen years earlier, as a Union general, he infamously expelled the Jews of Paducah, Kentucky, accusing them of being war speculators. President Abraham Lincoln rescinded the order, which has been described as “the most sweeping anti-Jewish regulation in all of American history,”
Esther Safran Foer, the museum’s president and the former executive director of the city’s historic Sixth & I synagogue, said Grant’s presence in 1876 in the Adas Israel building was emblematic of the upward trajectory of American Jewry. “He sat here for more than three hours in the heat, no air conditioning, and he even made a generous personal contribution,” she said.
The museum’s core is the 1876 building that Grant helped dedicate. It has since been physically moved in its entirety three times in order to preserve it, most recently in 2019 as part of the initiative to build the museum, which began in 2017. The museum’s upper floor reproduces the sanctuary, with the original pews. Its walls, however, are renovated: they display an audiovisual chronicle of the area’s Jews.
The museum’s permanent exhibition aims to traverse that history in other engaging ways as well. The same section that highlights Levy Phillips’ adventures (including her diary’s account of her arrest — “I am not in the least surprised Sir” she told the agent who had come to take her away) also mentions Rabbi Jacob Frankel, who was commissioned by Lincoln during the Civil War as the first Jewish military chaplain.
A photo of Jews and Blacks joined in a bid to desegregate a local amusement park in the early 1960s gets equal billing with one of Sam Eig, a Jewish developer who in 1942 advertised the new Maryland suburb he built as “ideally located and sensibly restricted,” a euphemism for not allowing Black people to buy property.
Interactive exhibits include a Seder table that encourages guests to debate immigration, Israel and civil rights. Parts of the museum’s exhibition recount Jewish debates over pivotal issues such as those and others, including abortion.
Ginsburg will be the museum’s first main attraction, and it makes clear she was a role model. The special exhibition on her life and career includes a glamorous photo of the two Jewish women who coined the “Notorious RBG” nickname, Shana Knizhnik and Irin Carmon. Visitors can go into a closet and don duplicates of Ginsburg’s judicial robes.
One of the first events is on July 12, when museum goers will join in fashioning the special “I Dissent” collars that Ginsburg would famously wear over her robes when she was ready to dissent from the bench.
Jonathan Edelman, the museum’s collections curator, described one prized collection — items he persuaded disability rights advocate Judy Heumann to donate before she died in March.
“Judy’s is a Washington story,” he said. “She came to this city first as an outsider as a protester protesting for disability rights. And then she came back to the city as an insider working within the government to make change both in D.C. government and in the federal government.”
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Jonah Hill’s cancel culture dramedy makes an antisemitism exception — all about Kanye
Ye, the rapper formerly known as Kanye West, is having an interesting April.
Fans are hailing his new album Bully as a return to form. (Critics are more mixed.) He reportedly made $33 million from two sold-out shows in Los Angeles, but he was also banned from entering the U.K. owing to a pressure campaign by Jewish groups over a scheduled headlining performance at the Wired music festival, even as the artist, who recently attributed his antisemitic behavior to a brain injury and bipolar disorder, offered to have “meet and listen” sessions with the Jewish community.
On top of this mixed reception, add a movie premiere. Ye has a memorable cameo in Jonah Hill’s new AppleTV+ film The Outcome, about an A-list actor’s teshuvah tour. And that moment has something to say about what to do with the artist’s outbursts.
Hill’s character, a crass crisis lawyer named Ira, assembles a dream team to protect his client, Reef Hawk (Keanu Reeves), who is awaiting the release of an incriminating video. The nature of this video is unknown beyond its potential to derail his comeback after a five-year sabbatical to treat a secret heroin addiction. Among Reef’s potential defenders are a Gloria Allred-style lawyer (Laverne Cox), a Black minister legendary for his work on civil rights (Roy Wood Jr.) and an ambassador from the Asian-American community (Atsuko Okatsuka). Ira notes someone missing from the mix, one “Moshe, from the Antisemitism Committee,” perhaps a poorly-named stand-in for the ADL.
“We ran the numbers,” Ira’s assistant says by way of explanation. “It turns out that hating Jews doesn’t negatively affect a person’s career. In fact, it could help.”
And we cut to a black-and-white headshot of Ye, occupying the whole screen.
Hill explained this choice in an interview with TMZ, saying the scene wasn’t just there to score a cheap shot at Ye, who publicly (and compellingly) apologized in an ad in the Wall Street Journal in January.
“In the midst of all this Jew stuff, he did Instagram a picture of me in the 21 Jump Street poster,” Hill recalled. “And he said something along the lines of ‘I don’t hate Jews anymore because I love Jonah Hill.’”
“Me and him got no beef,” Hill continued.” I just put that in there like, ‘Yo, you’re gonna f—ing put the 21 Jump Street poster up there and say you don’t hate Jews anymore. That’s pretty wild. I’m gonna put a picture of you saying that like, hating Jews helps your career.’”
Clearly a sight gag and a bit of an inside joke. But is it true?
Running my own numbers, and not even accounting for this last week of ups and downs, Ye took a major hit to his net worth when he lost his Adidas partnership, backsliding all the way from billionaire to mere multimillionaire. Fans still turn up for Ye, and some even seem to like what I’ll call his Hitler catalogue. That said, it’s hard to imagine him making a full recovery, once again gracing the stage at the Grammys or headlining a major festival or getting a shot at the Super Bowl halftime show.
The difference between Ye’s transgression and that of others is instructive. There’s plenty of arguable antisemitism in the case of celebrities whose pro-Palestinian advocacy has crossed the line into something unsavory. Rappers Bob Vylan of “death, death to the IDF” fame and Kneecap, who chanted “up Hamas, up Hezbollah,” come to mind. They have had their own brushes with cancellation and been denied visas because of their antics — but also strong support from those who believe they are simply speaking up for Palestinians. The ascendancy of Israel conspiracies, echoing age old canards, has recently produced an odd coalition between pundits on the far-left and far-right, and hasn’t put a dent in their audience.
(Hill, though Jewish, was accused of dabbling in Jewish stereotypes his last film, You People, and he will likely get some flack for this movie, both for his character — a kind of grubby fixer who calls his client “Bubbie” — and for a joke where Man’s Search for Meaning is referred to as “the most lit Holocaust book.”)
Even in this environment, Ye is toxic for mainstream consumption, because when he went “death con 3” on the Jews, his words had no agenda beyond delusion-fueled animus about Jewish control of the media. Ye’s awareness of the Middle East was best expressed on the occasion he used a fish tank net and Yoo-hoo bottle to represent the Israeli prime minister. Vylan and Kneecap’s slogans are more subtle and plausibly deniable than one of Ye’s latest tracks, literally called “Heil Hitler.”
There was no hedging it, try as Candace Owens might. It was Jew Hate Classic, the original recipe. And it wasn’t, in the case of Mel Gibson, a pattern that emerged over relatively wide gaps of time with only one incident widely known to the general public. It was an endless, often marathon torrent of invective and odd tangents care of an unmedicated bipolar insomniac. It went on for months. Then died off. Then came back swinging in the form of an album the concept of which could, charitably, be defined as spiritually Hitlerian.
The sheer concentration of vitriol seems like proof that the outburst was the result of a manic episode, which could afford the rapper some grace. Instead, he now lives in a liminal space between relevance and punchline. This strain of antisemitism doesn’t boost careers — yet — but the man behind it can sell out stadiums in spite of it.
All the while, the question of what to do with Ye’s mental health, and how it factors into his cancellation makes him a conundrum, even if it should by rights be a better excuse than Mel Gibson’s squad car in vino veritas. (Gibson is mentioned in the film, in the context of a poppers-related Weekend at Bernie’s scenario, not his own scandal.) Before we render a judgment, we need commitments he won’t repeat his tirades and so continue to influence looksmaxxers, incels and their overlapping Venn Diagram of Nazi revivalists.
Hill’s belief that Ye’s antisemitic streak was good for business is symptomatic of something fundamentally off with the director’s treatment of cancel culture. It feels out-of-touch even — or maybe because — it draws from experience. Hill himself was the victim of cancellation some years ago, when his ex leaked texts in which he weaponized “therapy talk.” Hill’s project, with a cast that includes Reeves, Van Jones, Martin Scorsese, Drew Barrymore and a rare appearance from Cameron Diaz, is itself proof of how not all cancellations are created equal or indefinite.
The Outcome is in tension with itself, part Hill’s version of Don Henley’s “Dirty Laundry” and Seth Rogen’s The Studio, part earnest penance that may or may not be coming from the director-writer himself.
One of the lines, delivered by Reef’s reality star mother (soap opera icon Susan Lucci), as a crew films their rapprochement for Bravo, sums the film up nicely: “Just because it’s performative doesn’t mean it’s not the truth.” We’ll have to take her word for it.
When it comes to Ye, there is some truth that antisemitism alone can’t crater a career — with the exception of lesser talents, it never could. We need not wonder how it has affected Ye’s popularity with Hill, who cited him on TMZ as “probably the greatest artist whoever lived.”
As Ira departs the film, we see his bumper sticker: “Honk if you can separate the art from the artist.” Hill would blow out the horn, and hopes you might too.
Jonah Hill’s The Outcome debits April 10 on AppleTV+.
The post Jonah Hill’s cancel culture dramedy makes an antisemitism exception — all about Kanye appeared first on The Forward.
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Dollar Struggles to Rebound as Fragile US-Iran Ceasefire Keeps Markets Wary
U.S. $100 bills. Photo: Wikimedia Commons.
A fragile calm reigned across currency markets on Thursday as traders kept their eyes fixed on whether the ceasefire between the US and Iran would hold, a day after its announcement sent the dollar tumbling across the board.
The deal appeared to be on thin ice, as Israel bombed more targets in Lebanon, and there was no sign Iran had lifted its blockade of the Strait of Hormuz, which has caused the worst disruption to global energy supplies in history.
Iranian negotiators were expected to set off later on Thursday for Pakistan for the first peace talks of the war, but Tehran said there would be no deal as long as Israel was striking Lebanon.
President Donald Trump said all US ships, aircraft, and military personnel would stay in place in and around Iran until it fully complied with a deal.
The uncertainty left currency markets on edge.
The euro was up 0.17 percent at $1.1683. It had gained 0.6 percent on Wednesday, but retreated late in the day having touched a one-month high of $1.1721 earlier in the session.
Sterling similarly was 0.21 percent higher at $1.342, after gaining 0.77 percent on Wednesday, but retreating from as high as $1.348.
Meanwhile, the Japanese yen lost some ground, with the dollar up 0.3 percent at 159.055 yen, having briefly dropped below 158 on Wednesday.
With the Strait of Hormuz closed, “the entire ceasefire remains tenuous,” said Derek Halpenny, head of research global markets EMEA at MUFG. But, he added, “while the US dollar has rebounded, the moves in general have been modest.”
He said the fact that further talks scheduled in Pakistan were still going ahead was keeping any retracement of Wednesday’s moves in check.
Elsewhere, new personal spending data released on Thursday showed that US inflation increased as expected in February and likely rose further in March amid the war with Iran, a trend that is expected to discourage the Federal Reserve from cutting interest rates for a while.
The personal consumption expenditures price index climbed 0.4% after an unrevised 0.3 gain in January, the Commerce Department’s Bureau of Economic Analysis said on Thursday.
Japan’s consumer confidence worsened in March for the first time in three months, a government survey showed on Thursday, adding to a recent string of data pointing to the potential economic hit from the Middle East war, which would complicate the Bank of Japan’s rate-hike decision. The yen showed little reaction to the data.
Speaking in parliament, BOJ Governor Kazuo Ueda said real interest rates were clearly negative and were keeping the country’s financial conditions accommodative.
Other currencies were also broadly steady. The Australian dollar was 0.15 percent higher at $0.7054, while the New Zealand dollar was 0.46 percent higher at $0.585. In cryptocurrencies, bitcoin was last down 0.97 percent at $70,680.
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Opposition Leader Lapid Calls the Ceasefire with Iran a ‘Political Disaster’
FILE PHOTO: Israeli opposition leader Yair Lapid delivers a statement at the Knesset, Israel’s parliament,, in Jerusalem, February 13, 2023. REUTERS/Amir Cohen/File Photo
i24 News – Israeli opposition leader Yair Lapid on Wednesday launched a sharp attack on the ceasefire agreement reached between the United States and Iran, calling it a “political disaster” and directly blaming Prime Minister Benjamin Netanyahu.
In a post on X, Lapid said the agreement sidelined Israel from critical decisions affecting its national security. “Never in our entire history have we experienced such a diplomatic disaster,” he wrote, adding that “Israel wasn’t even at the table when decisions were made regarding the core of our security.”
Lapid accused Netanyahu of failing to translate military achievements into strategic gains, despite praising the performance of the Israeli military and the resilience of the public during the conflict. “The army has accomplished everything that was asked of it, and the citizens have shown remarkable strength,” he said.
However, he argued that those efforts were not matched by political leadership. “Netanyahu has failed politically, failed strategically, and has not achieved any of the goals he set for himself,” Lapid added.
The opposition leader also warned of long-term consequences stemming from the agreement, saying the fallout could take years to repair. He criticized the government’s handling of the crisis, citing what he described as “arrogance, negligence, and a lack of strategic vision.”