Features
A People and a Pulse: Jewish Voices in Jazz and Modern Music
By MARTIN ZEILIG Jazz history is usually told through its most iconic names — Armstrong, Ellington, Parker, Davis — yet running alongside that familiar story is another, often under‑acknowledged one: the deep and enduring contribution of Jewish musicians, bandleaders, composers, and cultural intermediaries.
From the moment jazz emerged at the turn of the 20th century, Jews were not simply observers but active shapers of the music and the industry around it. Their influence — artistic, entrepreneurial, and cultural — has been both significant and, in many respects, disproportionately large. Jews and Jazz (171 pg. $18.75 US) a self‑published work by Laurence Seeff, brings this parallel narrative into sharp, affectionate focus.
Seeff is an ideal guide.
Born in London in 1951, he built a career that moved from statistics to energy policy in Paris, from financial markets at Bloomberg to corporate training in the City of London, all while writing poetry, songs, and humorous verse. Today he lives in Israel, where he continues to write, perform, learn Ivrit, and enjoy life with his large family. Through all these chapters runs a constant passion for jazz — a passion sparked more than fifty‑five years ago when he first heard Terry Lightfoot’s Jazzmen in a Bournemouth pub.
His writing blends clarity, humour, and genuine love for the music and the people who made it.
The musicians he profiles often came from immigrant families who brought with them the musical DNA of Eastern Europe — the cadences of synagogue chant, the urgency of klezmer, the cultural instinct for learning and artistic expression. When these sensibilities met the African American genius of early jazz, the result was a remarkable creative fusion.
Some figures, like Chico Marx, are better known for comedy than musicianship, yet Seeff reminds us that Chico was a serious pianist whose jazz‑inflected playing appeared in every Marx Brothers film and whose orchestra launched young talents like Mel Tormé. Others — Abe Lyman, Lew Stone, and Oscar Rabin — shaped the dance‑band era on both sides of the Atlantic.
Canadian readers will be pleased to find Morris “Moe” Koffman included as well: the Toronto‑born flautist and saxophonist whose “Swinging Shepherd Blues” became an international hit and whose long career at the CBC helped define Canadian jazz.
Seeff also highlights artists whose connection to jazz is more tangential but culturally revealing. Barbra Streisand, for example — a classmate and choir‑mate of Neil Diamond at Erasmus Hall High School — was never a natural jazz singer, yet her versatility allowed her to step into the idiom when she chose.
She opened for Miles Davis at the Village Vanguard in 1961 and, nearly half a century later, returned to the same club to promote Love Is the Answer, her collaboration with jazz pianist Diana Krall. Her contribution to jazz may be limited, but her stature as one of the greatest singers of all time is unquestioned.
Neil Diamond, too, appears in these pages.
Though not a jazz artist, he starred — with gusto, if not great acting finesse — in the 1980 remake of The Jazz Singer, 53 years after Al Jolson’s original. The film was not a success, nor was it truly a jazz picture, but its title and its star’s Jewish identity make it part of the cultural tapestry Seeff explores.
Diamond and Streisand recorded together only once, in 1978, on “You Don’t Bring Me Flowers,” a reminder of the long‑standing artistic ties between them.
Mel Tormé, by contrast, was deeply rooted in jazz. Nicknamed “The Velvet Fog,” he was a prodigy who sang professionally at age four, wrote his first hit at sixteen, drummed for Chico Marx, and recorded with Benny Goodman and Artie Shaw. Ethel Waters once said he was “the only white man who sings with the soul of a black man.” His story exemplifies the porous, collaborative nature of jazz.
Seeff also includes non‑Jewish figures whose lives intersected meaningfully with Jewish culture. Frank Sinatra — perhaps the greatest crooner of them all — was a steadfast supporter of Jewish causes, from protesting during the Holocaust to raising funds for Israel Bonds and the Hebrew University. His multiple visits to Israel, including a major concert in Jerusalem in 1975, underscore the depth of his connection.
Danny Kaye earns his place through his close work with Louis Armstrong, his pitch‑perfect scat singing, and his starring role in The Five Pennies, the biopic of jazz cornetist Red Nichols. Though not a jazz musician per se, his performances radiated a genuine feel for the music.
A later generation is represented by Harry Connick Jr., whose Jewish mother and New Orleans upbringing placed him at the crossroads of cultures. A prodigy who played publicly at age five, he went on to become one of the most successful jazz‑influenced vocalists of his era, with ten number‑one jazz albums.
Even Bob Dylan appears in Seeff’s mosaic — another reminder that Jewish creativity has touched every corner of modern music, sometimes directly through jazz, sometimes through the broader cultural currents that surround it.
Taken together, the concise portraits in Jews and Jazz form a lively, engaging mosaic — a celebration of creativity, resilience, and cross‑cultural exchange. They show how Jewish musicians helped carry jazz from vaudeville and dance halls into swing, bebop, cool jazz, pop, rock, and film music.
They remind us that jazz, at its heart, is a meeting place: a space where people of different backgrounds listen to one another, learn from one another, and create something larger than themselves.
For further information, contact the author at the following email address: laurenceseeff@yahoo.co.uk
Features
New Opportunities for XRP in the Trump Era: How XRP Holders Can Earn $7,899 Daily in Passive Income Through FTMINING Cloud Mining in 2026
If you’ve always believed that XRP can only be held long-term and wait for its value to appreciate, then FTMINING cloud mining might bring a completely new way to utilize this asset. Today, there is no need to purchase expensive mining machines or master complex mining techniques. You can quickly participate in digital asset mining through cloud computing platforms, giving idle XRP more application value. FTMINING’s cloud mining service, with its convenient operation process, 24/7 computing power service and flexible product solutions, has attracted the attention of many digital asset users, providing a new option for XRP holders who want to obtain continuous mining rewards. The launched cloud computing service supports the participation of various mainstream digital assets such as XRP, helping users to access the digital asset ecosystem in a more convenient way. Users can generate a passive income of up to $7,899 per day.
From holding assets to participating in cloud mining
Traditional mining often requires a significant investment in specialized mining equipment, along with costs for electricity, site access, and maintenance. For ordinary investors, this model presents a high technical and financial barrier to entry. FTMINING adopts a cloud computing power model, which centralizes the operation of mining farms, equipment management, computing power allocation and maintenance, etc., and allows users to choose different cloud computing power products according to their own needs and complete the participation process online, reducing the complexity of operation while still being able to participate.
Features of FTMINING:
● Zero-barrier entry: No need to purchase mining rigs or build a mining farm; even beginners can easily get started.
● Automated mining: The system runs 24/7, with daily automatic settlement of profits.
● Flexible asset management: Profits can be withdrawn or reinvested at any time, supporting multiple mainstream cryptocurrencies.
● Low correlation with price fluctuations: Even during short-term market downturns, cash flow remains stable.
FTMINING: Safe, Transparent, and Trustworthy Investment
FTMINING was founded in 2021 and is headquartered in the UK. It is an innovative platform focusing on digital asset management and cloud computing services. Its operations comply with the regulatory frameworks of the UK and EU. The platform follows the principles of compliance, security and transparency, and is regularly subject to financial and security audits by third-party agencies.
At the technical level, the platform adopts multiple security mechanisms, including bank-level firewalls, cloud security certification, multi-signature cold wallets and asset isolation systems, to provide multi-layer protection for user funds.
Its security infrastructure includes:
●Platform operations comply with the European MiCA and MiFID II regulatory frameworks
● Annual financial and security audit conducted by PricewaterhouseCoopers (PwC)
● Digital asset custody insurance provided by Lloyd’s of London
How to participate in FTMINING
Step 1: Register an Account
Visit the official FT MINING website: https://ftmining.com
Create an account by entering your email address and password. Receive a $15 sign-up bonus and a $0.75 daily login bonus.
Step 2: Deposit Cryptocurrency Assets
The platform supports a wide range of cryptocurrencies—including BTC, ETH, LTC, USDT, USDC, XRP, SOL, DOGE, and BCH—eliminating the need for cumbersome currency conversions and making deposits and withdrawals convenient.
Step 3: Select and Purchase a Mining Contract
FT MINING offers various contracts to suit different budgets and goals. Whether you are seeking short-term gains or long-term returns, FT MINING has the right option for you:
Examples of popular contracts:
Starter Contract: $100 — 2-day term — Total profit approx. $108
Stable Contract: $1,000 — 10-day term — Total profit approx. $1,136
Professional Contract: $5,000 — 20-day term — Total profit approx. $6,500
Premium Contract: $25,000 — 30-day term — Total profit approx. $39,250
(Please visit the official website for more contract details.)
Contracts take effect immediately upon purchase, with earnings settled daily.
Real User Feedback
Michael, an XRP holder from Texas, USA:
“I’ve held XRP for years, but for the most part, it just sat there. Since using FTMINING, I’ve been generating steady monthly returns—with daily earnings consistently reaching as high as $7,899—so I no longer worry much about short-term price fluctuations.”
Thomas, an XRP investor from New York:
“The entire process is virtually hands-off, making it ideal for long-term investors. I prioritize regulatory compliance and automation; I joined FTMINING nearly a year ago, and the returns have been excellent.”
Industry Perspectives
Industry observers point out that the attention FTMINING cloud mining model has garnered reflects investors’ growing demand for “stable returns” and “automated asset management.” With the continuous improvement of compliance, security and automation technologies, the FTMINING cloud mining model provides cryptocurrency holders with a new asset management approach and makes “passive income” a realistic and feasible goal.
Conclusion
XRP holders are entering a new phase of digital asset application, moving from simply holding assets to participating in the blockchain ecosystem. FTMINING cloud mining provides users with a more convenient path to explore value. With the help of cloud computing power, users can participate in mining services without purchasing professional mining machines or undertaking complex operation and maintenance processes, allowing idle XRP to play a greater role. With the continuous development of blockchain technology, cloud mining is becoming an increasingly important focus for digital asset users, enabling XRP holders to manage their assets more flexibly and efficiently, and helping them explore new opportunities in the digital economy era.
If you wish to explore more revenue opportunities while holding XRP, the FTMINING cloud mining model is worth further understanding and attention.
Official Website: https://ftmining.com
app: https://ftmining.com
Customer Support Email: info@ftmining.com
Features
Musings from Dizengoff Street – by Bruce Brown
(August 8, 2026)
Outside Basimta Café in Central Jerusalem. Love the red shirt against a tiny sea of black. Not sure I am shrugging because of the ultra-orthodox uproar over a Jerusalem café operating on Shabbat or the lack of an ultra-orthodox uproar over a Jerusalem café operating on Shabbat. For the last six weeks Israeli headlines shouted about the cafe chaos. With the ultra-religious blocking entrances and storming the café. While shouting ‘Shabbos! Shabbos!’ Upsetting the secular amongst us just wanting to enjoy our Saturday iced matchas. So the wife and I thought we would check it out. And. Yes. Buy something to support the business. Uproar. Not. Blocked entrances. Not. Storming the café. Not. Albeit there were police barriers separating the devout protesters from the coffee drinkers. The protesters being just a few dozen black clad, pious Jews. Mostly teenagers. And yes. Shouting ‘Shabbos! Shabbos!’ Certainly underwhelming in its reported mayhem. Reminds me of the famous saying misattributed to Mark Twain – “If you don’t read the newspaper, you’re uninformed. If you do, you’re misinformed.” But I did enjoy my iced matcha.
(August 6, 2026)
Here we go again. Another round of forever negotiations. As someone who negotiates for a living. The way things are going in the straits. If I had to recommend a book on the subject to a new hire. Between The Art of the Deal, A Presidential Edition by Donald J. Trump or The Real Art of the Deal by the Mullahs of Iran with a special forward by the IRGC. Well. I would choose the latter.
(August 3)
Bravo Yoav Segalovitz, Liberal Yesh Atid MK and Monsour Abbas, United Arab Ra’am MK and party head. For breaking a glass ceiling where a Jewish lawmaker joins an Arab political party. No less a political earthquake in my little shtetl. Which can significantly impact coalition block arithmetic and posturing and strategy in the upcoming elections. Now Ra’am can be considered a legitimate ‘Zionist’ partner when forming coalition blocks and potentially pushing the ‘center left/right’ party over the 60 seat majority threshold. In our crazy parliamentary democracy defined by a multi-party (about fourteen!!), proportional representation system. To paraphrase Winston Churchill, Israel’s proportional representation model of governance is the best parliamentary democracy system except for all other forms of working democracies. Stay tuned for more amateurish political musings as we move towards Israel’s 26th national election – five of them held since 2019.
(August 1)
Although both sides say they are open to diplomacy. Neither really trusts the other. And American military action, or its threat, continues. I read headlines in the middle of the night -it’s a nervous habit lately– that the Dynamic Duo of Trump and Netanyahu may again strike in unison. Possibly this weekend. Yikes! Prompting me, at 2:30 AM, to dash around the house stocking my safe room. Bottled water. Canned food. Medicines. Documents. The beat goes on….
If it’s crazy here. It’s insane in Italy. With a recent online ‘Jew Hunt’ in the Milan area. Before being removed, the digital forms urged reportings of Israelis and Italian Jews staying in local hotels. The infamous Global Sumud Movement -yes, the one coordinating ‘peace and humanitarian’ flotillas to Gaza- was somehow connected. Although they deny involvement?! This deranged decree was looking to identify Zionist tourism and Zionist neo-colonization in Italy. I’ll stick with stocking the saferoom.
Then there’s New York Mayor Mamdani, a Global Sumud Movement supporter, threatening to arrest Prime Minister Netanyahu if he comes to New York. But since discovered he has no legal right for such a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic antic. Maybe Mandami should be arrested! Or at least impeached. For being a grandstanding, antisemitic, anti-Israel, anti-Western, anti-democratic mayor.
Here’s a post Bruce sent us Friday, July 31:
WARTIME MUSINGS
Should credible threats against FLOTUS and ‘FSOTUS’ (first son..) not be justification to attack first.
As for yesterday’s summit. Netanyahu really can’t win. Explainer. If Trump now attacks without victory its ’cause of Netanyahu. If Trump now attacks with victory its ’cause of Trump. And, in Israel, if Trump doesn’t attack -victory or not- Netanyahu failed in his eighth meeting with Trump. And if Trump does attack -victory or not- half the country will vilify Bibi anyway. Missing a permutation?
Ya. I know. Kinda’ need a definition of victory for that musing to work.
And here in my little shtetle. We go to sleep unsure if there will be a code red in the middle of the night. And if not. We wake up thinking it will be tonight. How do you define stress?
Seemed like an appropriate way to end this musing.
Bruce Brown is a former Winnipegger who made aliyah to Israel over 35 years ago. Bruce first began writing for us – in his own inimitable style, in 2012, during what was known as “Operation Pillar of Defense.” His occasional musings on aspects of life in Israel that were far from what you’d typically read in other reports from Israel were hugely popular – both in the print Jewish Post & News and on this website.
We’re now glad to report that Bruce is back writing for us – this time on a regular basis. We will post Bruce’s reports as they arrive – with the date of each post at the beginning of that post.
Here’s some information about Bruce – and awards he’s received for his writing:
Bruce Brown. Canadian born. Now living in Israel (for a long time). Bruce works in Israel’s hi-tech sector by day and, in spurts, is a somewhat inspired writer by night. He received the American Jewish Press Association’s award for writing excellence in 2019 and 2025. And wrote the 1998 satire, “An Israeli is….” Bruce’s musings are political, social, economic and personal. With lots of biting, contrarian, sardonic and irreverent insight.
Features
K-tip placement at Sets on Corydon
Precision K-Tip placement: Where art meets ultimate hair engineering. ✨
Every strand is custom-blended to achieve seamless movement, zero detection, and absolute freedom (yes, even high ponytails on day one). Precision styling takes patience and technical mastery—the result speaks for itself.
.
