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The hora, the hora! How Jewish wedding music got that way
(JTA) — When my wife and I were planning our wedding, we thought it might be cool to hire a klezmer band. This was during the first wave of the klezmer revival, when groups like The Klezmatics and The Klezmer Conservatory Band were rediscovering the genre of Jewish wedding music popular for centuries in Yiddish-speaking Eastern Europe.
Of course we also wanted to dance to rock ‘n’ roll and needed musicians who could handle Sinatra for our parents’ benefit, so we went with a more typical wedding band. Modernity won out over tradition.
Or did it? Musician and musicologist Uri Schreter argues that the music heard at American Jewish weddings since the 1950s has become a tradition all its own, especially in the way Old World traditions coexist with contemporary pop. In a dissertation he is writing about the politics of Jewish music in the early postwar period, Schreter argues that American Jewish musical traditions — especially among secularized Conservative and Reform Jews — reflect events happening outside the wedding hall, including the Holocaust, the creation of Israel and the rapid assimilation of American Jews.
That will be the subject of a talk he’ll be giving Monday for YIVO, titled “Yiddish to the Core: Wedding Music and Jewish Identity in Postwar New York City.”
Because it’s June — and because I’m busy planning a wedding for one of my kids one year from now — I wanted to speak to Schreter about Jewish weddings and how they got that way. Our Zoom conversation Wednesday touched on the indestructibility of the hora, the role of musicians as “secular clergy” and why my Ashkenazi parents danced the cha-cha-cha.
Born in Tel Aviv, Schreter is pursuing his PhD in historical musicology at Harvard University. He is a composer, pianist and film editor.
Our conversation was edited for length and clarity.
I was struck by your research because we’re helping to plan a child’s wedding now. It’s the first wedding we’ve planned since our own, and we’re still asking the same questions, like, you’ve got to make sure the band can handle the hora and the Motown set and, I don’t know, “Uptown Funk.” Your research explores when that began — when American Jewish weddings began to combine the traditional and secular cultures.
In the period that I’m talking about, post-World War II America, this is already a fact of life for musicians. A lot of my work is based on interviews with musicians from that period, folks now in their 80s and 90s. The oldest one I have started playing professionally in 1947 or ’48. Popular American music was played at Jewish weddings as early as the 1930s, but it’s a question of proportion — how much the wedding would feature foxtrots and swing and Lindy Hop and other popular dance tunes of the day, and how much of it is going to be klezmer music.
In the postwar period, most of the [non-Orthodox] American Jewish weddings would have featured American pop. For musicians who wanted to be in what they called the “club date” business, they needed to be able to do all these things. And some “offices” — a term they used for a business that books wedding bands — would have specialists that they could call on to do a Jewish wedding.
You’re writing about a period when the Conservative movement becomes the dominant American Jewish denomination. They have one foot in tradition, and the other in modernity. What does a wedding look like in 1958 when they’re building the big suburban synagogues?
The difference is not so much denominational but between the wide spectrum of Orthodoxy and the diverse spectrum of what I describe as “secular.”
Meaning non-Orthodox — Reform, Conservative, etc.?
Right. Only in the sense that they are broadly speaking more secular than the Orthodox. And if so they are going to have, for the most part, one, maybe two sets of Jewish dance music — basically a medley of a few Jewish tunes. You might have a wedding where it could be a quarter of the music or even half would be Jewish music, but this would be for families that have a much stronger degree of attachment to traditional Jewish culture, and primarily Yiddish culture.
There’s a few interrelated elements that shape this. Class is an important thing. For lower class communities in some areas, and I am talking primarily about New York, you’d have communities that are a little bit more secluded, probably speaking more Yiddish at home and hanging out more with other Jewish people from similar backgrounds. So these kinds of communities might have as much as a third or half of the music be Jewish, even though they consider themselves secular. It’s actually very similar to an Orthodox wedding, where you might also have half and half [Jewish and “American” music].
Jews in the higher socioeconomic class might, in general, be more Americanized, and want to project a more mainstream American identity. They might have as little as five minutes of Jewish music, just to mark it that they did this. Still, it’s very important for almost all of them to have those five minutes — because it’s one of the things that makes the wedding Jewish. I interviewed couples that were getting married in the ’50s, and a lot of them told me, “You need to have Jewish dance music for this to be a Jewish wedding.”
Composer and pianist Uri Schreter is pursuing his PhD in historical musicology at Harvard University. (Nicole Loeb)
When I was growing up in the 1970s at a suburban Reform synagogue on Long Island, klezmer was never spoken about. I don’t know any parents who owned klezmer albums. Then when I got married a decade later, it was in the middle of the klezmer revival. Am I right about that? Were the ’50s and ’60s fallow periods for klezmer?
You’re definitely right. Up until the mid-1920s, you still have waves of immigration coming from Eastern Europe. So you still have new people feeding this desire for the traditional culture. But as immigration stops and people basically tried to become American, the tides shift away from traditional klezmer.
The other important thing that happens in the period that I’m looking at is both a negative rejection of klezmer and a positive attraction to other new things. Klezmer becomes associated with immigrant culture, so people who are trying to be American don’t want to be associated with it. It also becomes associated with the Holocaust, which is very problematic. Anything sounding Yiddish becomes associated for some people with tragedy.
At the same time, and very much related to this, there’s the rise of Israeli popular culture, and especially Israeli folk songs. A really strong symbol of this is in the summer of 1950, when the Weavers record a song called “Tzena, Tzena,” a Hebrew Israeli song written in the 1940s which becomes a massive hit in America — it’s like number two in the Billboard charts for about 10 weeks. Israeli culture becomes this symbol of hope and the future and a new society that’s inspiring. This is all in very stark contrast to what klezmer represents for people. And a lot of the composers of Israeli folk song of its first decades had this very clearly stated ideology that they’re moving away from Ashkenazi musical traditions and Yiddish.
So the Jewish set at a wedding becomes an Israeli set.
At a typical Conservative wedding in the 1950s and ’60s, you might hear 10 minutes of Jewish music. The first one would be “Hava Nagila,” then they went to “Tzena, Tzena,” then they would do a song called “Artza Alinu,” which is today not very well known, and then “Hevenu Shalom Aleichem.” They are songs that are perceived to be Israeli folk songs, even though if you actually look at their origins, it’s a lot murkier than that. Like two of the songs I just mentioned are actually Hasidic songs that received Hebrew words in pre-state Palestine. Another probably comes from some sort of German, non-Jewish composer in 1900, but is in Hebrew and is perceived to be a representation of Israeli culture.
But even when the repertoire already represents a shift towards what’s easier to digest for American Jewry, the arrangements and the instruments and the musical ornamentation are essentially klezmer. The musicians I spoke to said they did this because they felt that this is the only way that it would actually sound Jewish.
That is to say, to be “Jewish” the music had to gesture towards Ashkenazi and Yiddish, even if it were Israeli and Hebrew. As if Jews wanted to distance themselves from Eastern Europe — but only so far.
Someone like Dave Tarras or the Epstein Brothers, musicians who were really at the forefront of klezmer in New York at the time, were really focused on bringing it closer to Ashkenazi traditions. Ashkenazi Jewish weddings in America are not the totality of Jewish weddings in America, and Israeli music itself is made up of all these different traditions — North African, Middle Eastern, Turkish, Greek — but in effect most of the really popular songs of the time were composed by Ashkenazi composers. Even “Hava Nagila” is based on a melody from the Sadigura Hasidic sect in Eastern Europe.
Of course, if you’re a klezmer musician you’re allergic to “Hava Nagila.”
Then-Vice President Joe Biden dances the hora with his daughter Ashley at her wedding to Howard Krein in Wilmington, Delaware on June 2, 2012. (White House/David Lienemann)
You spoke earlier about Latin music, which seemed to become a Jewish thing in the 1950s and ’60s — I know a few scholars have focused on Jews and Latinos and how Latin musical genres like the mambo and cha-cha-cha became popular in the Catskill Mountain resorts and at Jewish weddings.
Latin music is not exclusively a Jewish thing, but it’s part of American popular culture by the late 40s. But Jews are very eagerly adopting it for sure. In the Catskills, you would often have two separate bands that alternated every evening. One is a Latin band, one is a generic American band playing everything else. And part of that is American Jews wanting to become American. And how do you become American? By doing what Americans do: by appropriating “exotic” cultures, in this case Latin. This is a way of being American.
Jews and Chinese food would be another example.
And by the way, in a similar vein, it also becomes very popular to dance to Israeli folk songs. A lot of people are taking lessons. A lot of people are going to their Jewish Y to learn Israeli folk dance.
I’ve been to Jewish weddings where the “Jewish set” feels very perfunctory — you know, dance a hora or two long enough to lift the couple on chairs and then let’s get to the Motown. Or the Black Eyed Peas because they were smart enough to include the words “Mazel Tov!” in the lyrics to “I Gotta Feeling.”
So that’s why we always hear that song! I will say though, even when the Jewish music appears superficial, it does have this deeper layer of meaning. It’s very interesting how, despite all these changes, and despite the secularization process of American Jewish weddings, the music still connects people to their Jewishness. These pieces of music are so meshed with other religious components. Of course, most people see this as secular. But a lot of people connect to their Jewish identity through elements such as Jewish music, Jewish food, certain Jewish customs that are easier to accommodate in your secular lifestyle, and the music specifically has this kind of flexibility, this fluidity between the sacred and the profane.
That’s beautiful. It sort of makes the musicians secular clergy.
It’s interesting that you say that. In his history of klezmer, Walter Zev Feldman refers to the klezmer — the word itself means “musician” — as a kind of a liminal character, an interstitial character between the secular and the mundane. The music is not liturgical, but when the klezmer or the band is playing, it is an interval woven with all these other religious components and things that have ritual meaning.
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France issues arrest warrants against 2 right-wing French-Israeli activists for ‘complicity in genocide’
(JTA) — France has issued arrest warrants for two French-Israeli activists for “complicity in genocide,” a charge that stemmed from the pair allegedly blocking humanitarian aid from entering the Gaza Strip.
The arrest warrants were issued in July against Nili Kupfer-Naouri, the president of the organization Israel Is Forever, and Rachel Touitou, an activist with the organization Tsav 9, a right-wing Israeli group that was sanctioned by the United States in June 2024 for destroying humanitarian aid for Gaza.
The two have been charged with “complicity in genocide” and “public and direct incitement to genocide,” the French newspaper Le Monde reported on Monday. They are accused of trying to block humanitarian aid trucks from entering Gaza between January and November 2024 and in May 2025.
An array of activists, including military reservists and family members of some hostages, sought to block the aid trucks from entering Gaza on the theory that helping Gazans would alleviate pressure on Hamas.
In an interview with i24News, Kupfer-Naouri said, “I blocked trucks that were supplying Hamas. If I had to do it again, I would do it again.” (Israel accused Hamas of stealing aid shipments to Gaza during the conflict.)
The warrants are notable because they represent a success by advocacy organizations seeking to hold Israelis responsible for what they say are war crimes. The warrants stemmed from a complaint made last year by the Palestinian Center for Human Rights and the groups Al-Mezan and Al-Haq, which were all sanctioned by the United States in September for having “directly engaged in efforts by the International Criminal Court to investigate, arrest, detain, or prosecute Israeli nationals, without Israel’s consent.”
In a joint statement with the French Jewish Union for Peace, which joined the complaint, the groups called the arrest warrant against Kupfer-Naouri “a historic step forward in the fight against impunity.”
The warrants call for Kupfer-Naouri and Touitou, who were both born in France and live in Israel, to appear before an investigating judge, but not for their detention, according to the French news agency AFP.
Touitou condemned the arrest warrant in a post on X Monday.
“If peacefully demonstrating with an Israeli flag against a terrorist organization seizing humanitarian aid, diverting it, and reselling it at exorbitant prices to Gazans is a crime—then there’s no need to look down on the Mullahs, France is just like Iran!,” she wrote. “I will always fight to defend the truth, my people, and my country 🇮🇱.”
In an interview posted on X last month, Kupfer-Naouri called the investigation an “antisemitic delusion,” adding, “I will no longer be able to set foot in France because I have no intention of going to French jails, neither in police custody, nor anything else.”
Kupfer-Naouri said the investigation could set a “very dangerous precedent” for French-Israeli soldiers in the Israeli military who return home to France.
Some Israeli soldiers traveling abroad have faced war crime inquiries for their actions in Gaza. Over the summer, some Canadian IDF soldiers also reported that they feared returning home after the Royal Canadian Mounted Police announced it had opened an investigation into crimes committed by Canadians during the war in Gaza.
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Islamic State Terrorist Attack on Niger Airport Potentially More Deadly Than Government Revealed
Members of the Nigerien army walk near the motorcycles seized from the attackers, following an attack on Niamey International Airport, in Niamey, Niger, Jan. 29, 2026, in this screengrab from a video. Photo: ORTN/Reuters TV/Handout via REUTERSISIS
Islamic State’s attack on the airport in Niger‘s capital Niamey last week may have been more severe than the Nigerien government claimed, according to recent reports and a video released by a media outlet affiliated with the terrorist group.
More than 30 members of the Islamic State branch in the Sahel region targeted the Diori Hamani International Airport and Air Base 101 shortly after midnight on Thursday using guns, drones, and explosives. The jihadist group on Friday took credit for the assault in a short statement released online through its propaganda outlet, Amaq News Agency.
US forces had previously used the air base in Niamey — located six miles from the presidential palace — for maintaining drones until withdrawing in 2024 following the previous year’s coup d’état orchestrated by former Presidential Guard commander General Abdourahamane Tchiani, who now serves as the landlocked country’s 11th president.
Niger’s military and Russia’s Africa Corps mercenary group, which was also stationed at the base, said they combated the attack. Niger has so far reported four of its troops suffered injuries and there was little damage. The government said it killed 20 attackers and captured 11, at least one of whom was a French national, leading Nigerien authorities to blame France and the Economic Community of West African States (ECOWAS) for the attack.
“We remind the sponsors of those mercenaries, who are Emmanuel Macron [president of France], Patrice Talon [president of Benin], and Alassane Ouattara [president of the Ivory Coast], we have sufficiently heard them bark, and they should now in turn be prepared to hear us roar,” Tchiani said in a statement on national television.
While the government’s reason for ignoring Islamic State was not immediately clear, Niger has previously blamed its neighbors and former colonial ruler France for internal instability.
However, following its initial claim of responsibility, Islamic State published a 90-secoind video of the attack through Amaq News Agency, depicting far more damage than what Nigerien authorities claimed.
The video showed that some attackers came in on motorcycles and attacked aircraft hangars in Air Base 101, burning and shooting the planes. The video also presented a burning helicopter, and an additional statement from the terrorist group claimed the torching of a drone.
Local reports and accounts circulated on social media aligned with Islamic State’s account of greater damage, describing hits on civilian aircraft and a destroyed ammunition depot.
The base is a key military hub in the region, reportedly hosting a contested stockpile of uranium and the headquarters for the Niger-Burkina Faso-Mali Joint Force.
Caleb Weiss, an analyst who focuses on the spread of the Islamic State in Central Africa, reported in the Foundation for Defense of Democracy’s Long War Journal that unconfirmed social media reports reveal “a much higher death toll for both local Nigerien security forces and men from Russia’s Africa Corps who were also stationed at the airbase” — specifically, at least 24 Nigerien soldiers and three Russian mercenaries.
At the same time as the Niger attack, Islamic State’s West Africa Province perpetrated a similar strike in Nigeria’s Sabon Gari army base in Borno, leaving at least nine dead and more wounded.
The assaults came amid a surge of Islamic State terrorist activity across Africa, including the Sahel region, which stretches from the Horn of Africa to the Atlantic Ocean, just under the Sahara Desert. The Islamic State regional affiliate there has killed more than 120 people in the Tillabéri territory in September and also kidnapped an American in October.
“From Somalia to Nigeria, the problem set is connected. So, we’re trying to take it apart and then provide partners with the information they need,” the deputy commander of US Africa Command (AFRICOM), Lt. General John Brennan, said in January.
Terrorism in western Africa has exploded in recent years following three coups which have led their military leaders to create a confederacy aligned with Russia. Niger has joined with Burkina Faso and Mali to create the Association of Sahel States (AES), as an alternative to the ECOWAS. Reports have emerged of alleged atrocities committed by Russian mercenaries in Mali.
A November report from the Combating Terrorism Center at West Point revealed that Africa had become the global hot spot for terrorist killings. Analysts explained that “where once the global terror threat was concentrated in the Middle East and North Africa, today it is centered in the Sahel, specifically in the tri-border region between Burkina Faso, Mali, and Niger.”
The data showed that 86 percent of deaths caused by terrorism happened in 10 countries with 7 in Africa and 5 in the Sahel.
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In 92NY talk, Bret Stephens urges ‘dismantling’ ADL and investing more in Jewish identity
(JTA) — In a speech that described antisemites as an “axis of the perfidious, the despotic, the hypocritical, the cynical, the deranged and the incurably stupid,” Bret Stephens asserted that supporters of the Anti-Defamation League and other Jewish defense groups should largely abandon their current strategy for combating antisemitism and instead redirect their resources toward strengthening Jewish life itself.
Stephens, the conservative New York Times columnist and founder of the Jewish thought journal Sapir, said antisemitism is largely impervious to appeals to tolerance, reminders of Jewish and Israeli accomplishments, or mandatory Holocaust education.
Instead, he called for large-scale investment in Jewish day schools, cultural institutions, philanthropy, media, publishing and religious leadership, arguing that the infrastructure already exists but lacks sufficient scale and coordination.
“What we call the fight against antisemitism, which consumes tens of millions of dollars every year in Jewish philanthropy and has become an organizing principle across Jewish organizations, is a well-meaning, but mostly wasted effort,” Stephens said, delivering the annual “State of World Jewry” address at the 92nd Street Y in Manhattan on Sunday. “We should spend the money and focus our energy elsewhere.”
In an on-stage conversation after the talk, Stephens told Rabbi David Ingber, the Y’s senior director for Jewish life, that if it were up to him, he would “dismantle” the ADL, the leading Jewish group fighting antisemitism.
“That’s not how Jewish money should be spent,” Stephens told Ingber, acknowledging that the ADL’s CEO, Jonathan Greenblatt, was in the audience. “That’s not helping raise a generation of young Jews who are conscious of their Jewishness as something other than the fact that they saw ‘Schindler’s List’ and they visited the Holocaust Museum. That cannot be the locus of Jewish identity. If we’re going to survive, victimization cannot be at the heart of our identity.”
Reached the next day, Greenblatt said he considered Stephens a friend and described his thoughts on Jewish identity as “powerful and provocative,” but found Stephens’ critique of efforts to combat antisemitism “misguided.”
Greenblatt said the ADL’s functions include collecting data on hate crimes, training synagogues and other Jewish institutions in security and a Center on Extremism that gathers intelligence that has been used to “intercept and prevent plots from unfolding that literally could take the lives of people in our community.”
Greenblatt said he agreed on the value of investing in Jewish education and centering identity. “I profoundly agree that the best defense against antisemitism is a good offense, and yet you cannot deny the necessity of defense, that you will not have a strong Jewish community if you don’t have a safe Jewish community,” he told JTA. “You cannot have what Bret called a thriving Jewish people if they’re constantly under threat. So I just don’t agree that it’s a binary choice.”
Stephens’ remarks about the ADL come at a time when the organization has been under fire from the left and right. While many on the left object to its Israel advocacy and accuse it of cozying up to the Trump administration, right-wing critiques have included accusations that it has supported “woke” policies and that its advocacy has been ineffective in countering antisemitism on the far left and far right.
Asked about these critiques, Greenblatt said that the ADL, as one of the oldest anti-hate organizations in the country, has become a convenient target for partisans, inside and outside the Jewish community, who are frustrated by the persistence of bigotry and eager to discredit their ideological opposites. “I think this blame game is bad for America, and I think it’s lethal for our Jewish community,” he said.
The State of World Jewry speech has been a tradition at the influential New York cultural center since 1980, and has been given by, among others, Israeli diplomat Abba Eban, Nobel laureate Elie Wiesel and the French philosopher Bernard-Henri Lévy.
For the third year in a row it has been delivered by a prominent center-right pundit. Like Stephens, author and podcaster Dan Senor (2025) and journalist Bari Weiss (2024) suggested that the strongest response to a community reeling from antisemitism in the wake of the Oct. 7 attacks is for Jews to turn inward and invest in their own institutions rather than seeking inclusion or protection within broader coalitions.
Elsewhere, writers on the Jewish left, including Eric Alterman in the Forward and The New Republic and Michelle Goldberg of the New York Times, have focused on what they see as a gap between a conservative Jewish establishment and a liberal Jewish majority troubled by the extent of the war in Gaza. While condemning the Hamas attacks and antisemitism on the left and right, they argue that anti-Zionism is not necessarily antisemitism, and Jewish groups should prioritize liberal, democratic values over unconditional defense of Israel.
“I don’t think that we made an ideological choice,” Ingber told JTA, when asked about the recent lineup of speakers. “It’s where the center of gravity is at this moment. Voices like [Stephens’ and] Bari’s and Dan’s are seriously engaging with the complexity of this situation, and in some ways mirror a little bit of what’s happening more broadly in Israel” and beyond.
“I don’t think it means that we endorse their worldview, but it means that the Jewish community is benefitting from their platform,” he continued.
Stephens, who told Ingber that he was a “gadfly” on the typically liberal opinion pages of the New York Times, laid out four arguments in his talk: that the fight against antisemitism is largely ineffective; that antisemitism functions as a perverse compliment rooted in resentment; that Jews should stop trying to disprove hatred through achievement or moral suasion; and that Jewish survival depends on building independent institutions rather than seeking acceptance from broader society.
Stephens questioned whether decades of investment in education, advocacy and monitoring — the core strategies of organizations such as the ADL and campus advocacy groups — have produced measurable results, even as antisemitic beliefs and incidents have increased.
“Does anyone think the fight against antisemitism is working?” he asked.
As evidence, Stephens pointed to polling data showing that “one in five millennials and Gen Zs believe the Jews caused the Holocaust,” as well as the persistence of antisemitic rhetoric in media, politics and academia during a period when Jewish institutions are, he said, more engaged and better funded than ever.
In this, Stephens joined a number of observers who have been questioning the cost and effectiveness of efforts to combat antisemitism, which have surged in recent years.
“The mistake we make is this: We think that antisemitism stems fundamentally from missing or inaccurate information. We think that if people only had greater knowledge of the history of Jewish persecution, a fuller grasp of the facts of the Israeli-Arab conflict, a finer understanding of all the ways antisemitism manifests itself, a deeper appreciation of the Jewish contribution to America’s success and to human flourishing worldwide, that the hatred of us might dissipate or never start in the first place,” he said. “That thesis is wrong.”
Stephens framed antisemitism as a response to Jewish distinctiveness, which acts as a counterculture in authoritarian or conformist societies, and resentment, especially when Jewish communities flourish.
“They do not hate us because of our faults and failures,” Stephens said. “They hate us because of our virtues and successes.”
Stephens criticized what he described as a persistent Jewish impulse to seek validation through their contributions to the wider society — citing Jewish participation in progressive movements and Israeli peace initiatives as examples that failed to reduce hostility.
“Constantly seeking to prove ourselves worthy in order to win the world’s love is a fool’s errand,” he said.
That argument led to Stephens’ fourth and final point: that Jews should invest in building and expanding their own institutions rather than seeking inclusion or protection within broader coalitions.
Quoting composer Philip Glass, Stephens said, “If there’s no room at the table, build your own table.”
“We have superb Jewish day schools, but we need many more of them,” he said. “We have astounding and vibrant cultural institutions… We have extraordinary Jewish philanthropies, but they need to become a primary locus of Jewish giving.”
Just as Senor did in his 2025 talk at the Y, Stephens framed the current moment — marked by rising antisemitism and social alienation — as an opportunity for Jewish renewal and not merely a period of crisis. Referring to “Oct. 8 Jews,” a term he popularized after Hamas’ Oct. 7 attack on Israel, Stephens said he had come to rethink his own definition of traumatized Jews in more positive terms.
“What I should have said was that the ‘Oct. 8 Jew’ was the one who woke up trying to remember who he or she truly is,” he said.
Stephens’ conversation with Ingber was twice interrupted by hecklers, who were promptly escorted out by security. Before the talk, a group of demonstrators outside the venue waved Palestinian flags and chanted, “Free, free Palestine.” Ingber said demonstrators taunted him and others who attended the talk as they exited the building.
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