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White supremacy takes center stage in a new reimagining of ‘The Merchant of Venice’
(New York Jewish Week) — When William Shakespeare wrote “The Merchant of Venice” 400 years ago, he had almost certainly never met a Jewish person. In fact, in 1596 or so, when he created the infamous character of Shylock — a greedy moneylender who thirsts for a literal “pound of flesh” from his Christian antagonist, Antonio — Jews had been banned from England for nearly 300 years.
Like most of Shakespeare’s work, “The Merchant of Venice” — which centers on Antonio’s default on a large loan from Shylock — continues to be performed in the present day, despite its reputation as “the most vexed single play in the Shakespearean canon,” as New York Times film critic A.O. Scott wrote in a 2004 review of the film version starring Al Pacino as Shylock. At the time, Scott noted that “the first task of any modern adaptation is to confront the anti-Jewish bigotry that propels its plot and informs its poetry.”
In his new play “The Shylock and the Shakespeareans,” Edward Einhorn confronts that bigotry head on. Now onstage at the New Ohio Theatre in Greenwich Village, the Untitled Theater Company No. 61 production that debuted June 1 and runs through June 17 reimagines “The Merchant of Venice” from the perspective of Jacob, a Jewish diamond merchant who is called “Shylock” as a slur. In this new version, while still set in an “ancient Venice, of sorts,” a group of white supremacists known as “the Shakespeareans” have co-opted the public discourse, and Jacob finds himself embroiled with them when his daughter falls in love with an Asian immigrant.
Using contemporary events and framing, alongside techniques associated with the Theatre of the Absurd, the play attempts to explore the continuum between the historical and the modern in order to create a conversation about antisemitism as it exists in our current time.
“What’s really interesting to me is how a lot of this resurgence of antisemitism has such old libels embedded in it,” Einhorn told the New York Jewish Week. “You can see whoever is the latest celebrity antisemite coming out and saying something [they think is] new when it’s actually 500 or even 1,000 years old. I think a lot of people don’t realize how historically embedded many conspiracy theories are.”
Despite its old age, conversations about “The Merchant of Venice” continue to be potent — perhaps even more so today, amid rising rates of antisemitic crimes and statements in the United States and beyond. Contemporary artists continue to grapple with what the play can and does mean, often making use of modern-day politics to propel these conversations.
A “race-conscious” production of “Merchant” at Brooklyn’s Polonsky Shakespeare Center last March, for example, tackled anti-Black racism, while a recent United Kingdom production of “The Merchant of Venice” by Tracy-Ann Oberman sets the tale in 1930s Britain, and Oberman portrays Shylock as a version of her own great-grandmother. Both of these versions make no qualms about declaring the inherent antisemitism of the play — and so, too, does “The Shylock and the Shakespeareans,” which sends the message that such hate is alive and well among us today.
When it comes to “The Merchant of Venice,” Einhorn said that “playing it straight, rather than staging it with a point of view [and context] is not the best choice.” In his spin on the tale, the playwright retains the main storylines of “Merchant”: The plot revolves around an unpaid debt to Jacob by Antonio on behalf of his friend Bassanio, who seeks to woo the wealthy Portia; Antonio is an outspoken antisemite who slanders the very Jewish man who is lending him the cash he needs.
The twist in Einhorn’s play is the analogy to modern U.S. politics — and the rub is that it’s not particularly difficult to make these connections. The Venetian citizens who persecute Shylock in Shakespeare’s play become white supremacists, led by a hateful politician called Shakespeare. They call out “Jews will not replace us,” an intentional reference to the 2017 “Unite the Right” rally in Charlottesville, Virgina. Portia, originally the central love interest who tests suitors and creates the judicial conditions for Shylock’s unraveling, is also transformed: she becomes an over-privileged brat who plays cruel games with people’s lives, treating her suitors with blatant racism and disregard.
“It’s cute in ‘The Merchant of Venice,’ but here it’s scary,” actor Jeremy Kareken, who portrays Jacob in this new iteration, told the New York Jewish Week. “[Portia] is playing games with people’s lives and their destinies. People end up married, people end up dead — she’s playing games because of her privilege. And the people she chooses to believe as judges [in Jacob’s trial] are deeply suspect. That’s why it’s a kangaroo court — it’s such an obvious miscarriage of justice.”
Justice is a central theme of the play, and something that Einhorn seeks to subvert and question. “[In the original], people just accept these things are happening,” Einhorn said, referring to Shylock’s trial, during which the moneylender attempts to get his revenge on Antonio but instead loses everything — even his own identity as a Jew.
The play also calls into question the idea of Jewish identity itself by highlighting the narrative arc of Jacob’s daughter, Jessica, who leaves her Judaism behind to marry her love.
“Even if you are no longer religiously Jewish, how does that identity impact you in life?” Einhorn mused. “No matter how you’ve chosen to identify previously, when major life events happen, do they bring you back to that upbringing?”
To Einhorn and Kareken, who are both Jewish, it’s not about how one practices the religion or even if one chooses to do so. (Kareken, who is also a playwright of Broadway’s “The Lifespan of a Fact,” is adamant that there is “no wrong way to do it, within the bounds of ethics.”) Instead, it’s about how a person connects to where they’ve come from and how their culture informs the path they take in the world.
At this fraught moment — when polarization among Jews is intensifying and antisemitism is ascendent — these questions feel palpable. Einhorn admits that some audience members have found it too hard to face, walking out mid-play, but overall the response has been one of reflection and consideration.
“It’s working best when the comedy and the ridiculous aspects are working as well as the drama,” he said. “And I could feel that working from the audience reaction around me.”
“The Shylock and the Shakespeareans” will be performed at the New Ohio Theatre (154 Christopher St.) through June 17. For tickets and info, click here.
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Somerville councilors to discuss Israel divestment proposal
(JTA) — SOMERVILLE, Mass. — The issue of divestment from Israel returns to the Somerville City Council in Massachusetts on Tuesday night as lawmakers plan to discuss how to implement a nonbinding ballot question on the matter that passed last year.
The divestment push has divided the city of more than 84,000 residents, which has a long-standing Jewish population. It is located between Cambridge, home to Harvard University, and Medford, a city with which it shares the Tufts University campus.
After Question 3 passed with 55.7% of the residents’ vote in November 2025, the City Council that same month passed a resolution committing to work toward an ordinance within a year to enact the ballot’s goals.
The measure to that effect, introduced in June, would bar the city from investing in or procuring labor, services or goods from companies that support entities identified by the ordinance as violating international law, including Israel.
Unlike the divestment proposal awaiting a November ballot vote in Providence or the binding human rights divestment ordinance passed by Medford’s city council in 2025, the Somerville ordinance specifically mentions Israel and Palestine.
In response to the push for a binding ordinance, 74 registered voters in Somerville submitted a petition for a hearing, which was held in September, before final action is taken, citing concerns about its impact on the city. The issue has now moved to the city’s Legislative Matters Committee, which is meeting Tuesday night.
Among the groups opposing divestment is Shalom Somerville, which submitted the September petition stating that “the sense of belonging and safety experienced by Jewish, Israeli and other residents of diverse backgrounds” is at risk as a result of the ordinance.
Sam Gechter, co-founder and president of Shalom Somerville, said that the ordinance singles out Jews who support Israel, which makes it antisemitic. Deputy City Solicitor David Shapiro also advised in November 2024 that such an ordinance would be “likely invalid,” according to a letter from the Anti-Defamation League and the Louis D. Brandeis Center for Human Rights Under Law.
“I think it’s incredibly irresponsible,” Gechter said, suggesting that the ordinance would slow down governmental action. “But the biggest thing for me is that it makes Jews feel unwelcome in Somerville.”
A local organization, Somerville for Palestine (S4P), has been a driving force behind both the ballot question and the ordinance, which the group developed in collaboration with sponsoring city councilors Ben Ewen-Campen, Ben Wheeler, Wilfred N. Mbah and Jon Link. “It’s what people voted for,” said Mo Katz-Christy, a member of S4P’s leadership and Jewish Caucus. “We want to follow the will of the people.”
The ADL issued a statement condemning the ordinance in June. It also joined the Brandeis Center in issuing a letter calling the proposal an unconstitutional intrusion into foreign affairs.
Other Jewish organizations disagree. Jewish Voice for Peace Boston has worked closely with S4P to back the measures. “I don’t think that those objections have validity,” said Eli Gerzon, a longtime member of JVP. “As a Jewish organization, we are especially concerned that ‘never again’ really means what it says: never again, that we never let a Holocaust, a genocide happen.”
This article originally appeared on JTA.org.
The post Somerville councilors to discuss Israel divestment proposal appeared first on The Forward.
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A major Jewish museum hopes to join the Smithsonian – at a difficult moment for the storied institution
(JTA) — Philadelphia’s Weitzman National Museum of American Jewish History is moving closer to becoming part of the Smithsonian Institution at a moment of significant upheaval for the storied museum network.
A new congressional commission will study whether to make the museum part of the Smithsonian. Its members were sworn in Tuesday, when they also held their first meeting.
In an exclusive interview with the Jewish Telegraphic Agency, the commission’s new chair Philip Darivoff, a former longtime chair of the Weitzman, and vice chair Dara Horn, a New York Times bestselling author, said that the Weitzman joining the Smithsonian would send a powerful message that Jews are a crucial component of the history of the country.
“It’s a different statement that our country makes when it says that the study of Jewish American history and culture is important to this nation,” Darivoff said. Both he and Horn also hope that a boost in the Weitzman’s profile could combat what they called an “epidemic of ignorance” among Americans when it comes to knowledge of Jewish history and culture.
“This really would be an elevation of the Jewish community,” Horn, author of “People Love Dead Jews” and “The Final Solution to the Jewish Question,” told JTA. “The place that Jews show up in a school curriculum is typically more about the Holocaust” — an area that the author has written critically about in the past as too limiting a view of Jewish life.
Horn believes in the Weitzman project, she said, because she hopes to emphasize the ways that Jews have contributed to American founding ideals such as religious pluralism.
“I’m really interested in the connections between the Jewish story and a lot of our foundational ideas in this country,” she said. Jewish ideas such as the Exodus from Egypt in the Passover story “were inspiring to Americans,” she added.
The wheels for the Weitzman joining the Smithsonian began turning in 2024, when Congress passed legislation in 2024, then signed by President Biden, to establish the commission. The group spent the next two years putting the commission together, and has two years from its first meeting to research and publish a report on the feasibility of such a move — though Darivoff said he hopes to finish the work well before the deadline.
Adding a new member to the Smithsonian has been known to take years, if not decades. The two most recent additions, the National Museum of the American Latino and the American Women’s History Museum, were both long in the works.
Founded in 1976, the Weitzman is already an existing, fully functioning institution — and also already a Smithsonian affiliate, meaning it can share resources with other museums in the system. Unlike a museum being built from scratch, the Weitzman already has a building and collection, which proponents hope could speed the process.”
Dan Tadmor, the Weitzman’s CEO, told JTA that joining the Smithsonian would improve their educational mission.
“We have a national footprint for our educational programming, but of course we’d like to widen it,” he said. “Who would say no to a curriculum that’s been developed by a Smithsonian museum?”
The Weitzman’s bid for increased prominence within the Smithsonian comes as the Trump administration has sought to exert greater control over the latter — home to such storied institutions as the National Museum of American History, the National Portrait Gallery and the National Zoo.
This summer the White House issued a report alleging “radical ideology” in the museums’ content, and Interior Secretary Doug Burgum recently announced plans for signs accusing Smithsonian leaders of ideological bias. Observers say such signs are indicative of larger administration priorities opposing the teaching of historical subjects such as slavery. Smithsonian Secretary Lonnie Bunch III is stepping down at the end of the year.
A representative from the Smithsonian declined to comment to JTA on the Weitzman’s bid, or on its current political conditions.
The commission’s chair and vice chair of the new Weitzman said that the current political upheaval shouldn’t affect their work. The Smithsonian, Horn said, “has lasted through many political winds.”
“I think we see this as a long-term project that’s about the place of Jewish Americans in this country’s history,” Darivoff said. “The Smithsonian is a really important institution for this country, and it is the great museum complex of our nation. God willing, it will be flourishing for centuries to come. It’d be an honor to be included in the Smithsonian.”
This article originally appeared on JTA.org.
The post A major Jewish museum hopes to join the Smithsonian – at a difficult moment for the storied institution appeared first on The Forward.
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Two deaths in Manchester synagogue attack last year will be probed through public inquiry, Britain says
(JTA) — The deaths of two Jewish men in an attack on a synagogue in Manchester last year will be examined through a public inquiry, the British home secretary announced on Monday, a necessary step to include sensitive information in the investigation.
Melvin Cravitz and Adrian Daulby were killed during the attack on Yom Kippur on Oct. 2, 2025, when Jihad Al-Shamie rammed a car into a group of worshippers outside the Heaton Park Hebrew Congregation in Manchester and stabbed two people. Cravitz died from stab wounds and another man, Andrew Franks, was seriously injured but survived. Daulby was shot by police while blocking the synagogue doors to stop Al-Shamie from entering. Two other people were seriously injured.
Al-Shamie, a Syrian-born British citizen, said he was acting for the Islamic State, also known as ISIS, before police shot him dead.
Home Secretary Shabana Mahmood announced the public inquiry in a statement about national security at the House of Commons, saying that “what happened that day must be fully understood.”
“This will ensure that all evidence can be heard, including any sensitive national security material that could not otherwise be fully heard in the coroner’s court,” said Mahmood.
Judge Alexia Durran, the chief coroner of England and Wales, was overseeing inquests into the deaths of Cravitz and Daulby. Durran last month recommended that Mahmood convert the inquests into a public inquiry, following statements from Home Office lawyers that some information from MI5 would be withheld from open court due to national security concerns. A full investigation that involves hearing sensitive material in private requires a public inquiry.
Earlier this year, Greater Manchester Police’s chief constable Stephen Watson said he was “deeply sorry” for a “missed opportunity” to uncover the plot against the Heaton Park synagogue. Watson made the apology after prosecutors revealed that Al-Shamie had two prior arrests for allegedly breaching a non-molestation order and alleged rape, and his mobile devices were not examined until after the synagogue attack.
Mahmood listed “a series of attacks on our Jewish community” in the year since the synagogue attack, including the stabbing of two Jewish men in the London neighborhood of Golders Green, a spate of arson attacks and a “foiled but potentially lethal plot” against Jews in Manchester on the eve of Yom Kippur last month. In the last case, two Iranian men have been charged with terrorism offenses.
“Faced with the threat posed to our Jewish community, we have increased funding to the police by an additional £250 million to boost police presence in key Jewish areas and to tackle antisemitism on our streets,” said Mahmood.
She added, “I know we cannot simply build higher walls around our Jewish community and expect them to live in fear. So we must root out the evil of antisemitism wherever it lurks in society, and this government is committed to that effort.”
Mahmood’s announcement comes days after the Home Office released data showing that hate crimes against Jewish people in England and Wales rose 10% in the year ending in March.
Mahmood said the United Kingdom was aware that “the Iranian state is targeting our Jewish community,” adding that the threat posed to Jews demonstrated “how the lines are increasingly blurring between extremism and state threats.”
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