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White supremacy takes center stage in a new reimagining of ‘The Merchant of Venice’
(New York Jewish Week) — When William Shakespeare wrote “The Merchant of Venice” 400 years ago, he had almost certainly never met a Jewish person. In fact, in 1596 or so, when he created the infamous character of Shylock — a greedy moneylender who thirsts for a literal “pound of flesh” from his Christian antagonist, Antonio — Jews had been banned from England for nearly 300 years.
Like most of Shakespeare’s work, “The Merchant of Venice” — which centers on Antonio’s default on a large loan from Shylock — continues to be performed in the present day, despite its reputation as “the most vexed single play in the Shakespearean canon,” as New York Times film critic A.O. Scott wrote in a 2004 review of the film version starring Al Pacino as Shylock. At the time, Scott noted that “the first task of any modern adaptation is to confront the anti-Jewish bigotry that propels its plot and informs its poetry.”
In his new play “The Shylock and the Shakespeareans,” Edward Einhorn confronts that bigotry head on. Now onstage at the New Ohio Theatre in Greenwich Village, the Untitled Theater Company No. 61 production that debuted June 1 and runs through June 17 reimagines “The Merchant of Venice” from the perspective of Jacob, a Jewish diamond merchant who is called “Shylock” as a slur. In this new version, while still set in an “ancient Venice, of sorts,” a group of white supremacists known as “the Shakespeareans” have co-opted the public discourse, and Jacob finds himself embroiled with them when his daughter falls in love with an Asian immigrant.
Using contemporary events and framing, alongside techniques associated with the Theatre of the Absurd, the play attempts to explore the continuum between the historical and the modern in order to create a conversation about antisemitism as it exists in our current time.
“What’s really interesting to me is how a lot of this resurgence of antisemitism has such old libels embedded in it,” Einhorn told the New York Jewish Week. “You can see whoever is the latest celebrity antisemite coming out and saying something [they think is] new when it’s actually 500 or even 1,000 years old. I think a lot of people don’t realize how historically embedded many conspiracy theories are.”
Despite its old age, conversations about “The Merchant of Venice” continue to be potent — perhaps even more so today, amid rising rates of antisemitic crimes and statements in the United States and beyond. Contemporary artists continue to grapple with what the play can and does mean, often making use of modern-day politics to propel these conversations.
A “race-conscious” production of “Merchant” at Brooklyn’s Polonsky Shakespeare Center last March, for example, tackled anti-Black racism, while a recent United Kingdom production of “The Merchant of Venice” by Tracy-Ann Oberman sets the tale in 1930s Britain, and Oberman portrays Shylock as a version of her own great-grandmother. Both of these versions make no qualms about declaring the inherent antisemitism of the play — and so, too, does “The Shylock and the Shakespeareans,” which sends the message that such hate is alive and well among us today.
When it comes to “The Merchant of Venice,” Einhorn said that “playing it straight, rather than staging it with a point of view [and context] is not the best choice.” In his spin on the tale, the playwright retains the main storylines of “Merchant”: The plot revolves around an unpaid debt to Jacob by Antonio on behalf of his friend Bassanio, who seeks to woo the wealthy Portia; Antonio is an outspoken antisemite who slanders the very Jewish man who is lending him the cash he needs.
The twist in Einhorn’s play is the analogy to modern U.S. politics — and the rub is that it’s not particularly difficult to make these connections. The Venetian citizens who persecute Shylock in Shakespeare’s play become white supremacists, led by a hateful politician called Shakespeare. They call out “Jews will not replace us,” an intentional reference to the 2017 “Unite the Right” rally in Charlottesville, Virgina. Portia, originally the central love interest who tests suitors and creates the judicial conditions for Shylock’s unraveling, is also transformed: she becomes an over-privileged brat who plays cruel games with people’s lives, treating her suitors with blatant racism and disregard.
“It’s cute in ‘The Merchant of Venice,’ but here it’s scary,” actor Jeremy Kareken, who portrays Jacob in this new iteration, told the New York Jewish Week. “[Portia] is playing games with people’s lives and their destinies. People end up married, people end up dead — she’s playing games because of her privilege. And the people she chooses to believe as judges [in Jacob’s trial] are deeply suspect. That’s why it’s a kangaroo court — it’s such an obvious miscarriage of justice.”
Justice is a central theme of the play, and something that Einhorn seeks to subvert and question. “[In the original], people just accept these things are happening,” Einhorn said, referring to Shylock’s trial, during which the moneylender attempts to get his revenge on Antonio but instead loses everything — even his own identity as a Jew.
The play also calls into question the idea of Jewish identity itself by highlighting the narrative arc of Jacob’s daughter, Jessica, who leaves her Judaism behind to marry her love.
“Even if you are no longer religiously Jewish, how does that identity impact you in life?” Einhorn mused. “No matter how you’ve chosen to identify previously, when major life events happen, do they bring you back to that upbringing?”
To Einhorn and Kareken, who are both Jewish, it’s not about how one practices the religion or even if one chooses to do so. (Kareken, who is also a playwright of Broadway’s “The Lifespan of a Fact,” is adamant that there is “no wrong way to do it, within the bounds of ethics.”) Instead, it’s about how a person connects to where they’ve come from and how their culture informs the path they take in the world.
At this fraught moment — when polarization among Jews is intensifying and antisemitism is ascendent — these questions feel palpable. Einhorn admits that some audience members have found it too hard to face, walking out mid-play, but overall the response has been one of reflection and consideration.
“It’s working best when the comedy and the ridiculous aspects are working as well as the drama,” he said. “And I could feel that working from the audience reaction around me.”
“The Shylock and the Shakespeareans” will be performed at the New Ohio Theatre (154 Christopher St.) through June 17. For tickets and info, click here.
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Poland’s Jewish museum director returns, 7 years after being pushed out by nationalist politics
(JTA) — The first director of Poland’s leading Jewish museum, squeezed out seven years ago by a nationalist government, is returning to the helm in a symbolic reversal.
Dariusz Stola steered the Polin Museum of the History of Polish Jews in Warsaw from its founding in 2014 to become a breakthrough in Poland’s recognition of its extinguished Jewish past.
But he clashed with the right-wing Law and Justice party, which governed Poland from 2015 to 2023. The former culture minister accused him of “politicizing” the museum through explorations of antisemitism in Poland, and in 2019, he was pushed out despite winning a competition to extend his tenure.
Now, Stola has been reinstated by the new culture minister Marta Cienkowska, who was appointed in 2025 by centrist Prime Minister Donald Tusk. His new term begins on March 1.
“In 2019, the then minister [Piotr] Gliński decided to ignore the results of the competition,” Cienkowska tweeted. “That appointment should have taken place six years ago. Dear Professor, good luck.”
Stola, a historian of Polish-Jewish relations and professor at the Polish Academy of Sciences, called his return to Polin “a victory of justice and rule of law.” When he was not reappointed in 2019, he chose to withdraw so that his deputy director Zygmunt Stępiński could take over. Stępiński will once again be his deputy.
“This confirms that the strategy we took in 2019 was right,” Stola said in an interview. “I lost only temporarily, and we have preserved the autonomy of the museum despite heavy political pressure.”
The Law and Justice government has made controlling Polish-Jewish history a core part of its platform, promising to revive Poland’s pride in its past and eradicate a so-called “pedagogy of shame.” That narrative stifled research on Polish antisemitism and Poles who killed Jews during and after the Holocaust.
Stola drew particular ire from party officials with a 2018 exhibit that documented Poland’s state-sponsored antisemitic campaign of 1968, which purged Jews from their workplaces and forced about 13,000 to emigrate. Former culture minister Piotr Glinski said afterwards that Stola imposed “very aggressive politics” on the museum.
In 2018, the country passed a law that outlawed accusing Poland or the Polish people of complicity in Nazi crimes. The infraction was later downgraded from a crime punishable with prison time to a civil offense, but critics say it had a chilling effect on historical research.
Stola’s reinstatement represents a gradual shift back to investigations of Polish-Jewish history, across cultural and academic institutions, that were dashed by the previous government. Only in the 1990s, after the Soviet Union fell, did Poland begin efforts to reconcile with the murder of 3 million Jews there and the intertwining of Jewish and Polish history.
Though a centrist coalition led by Tusk has governed Poland since 2023, Law and Justice clawed back a sweeping victory with the election of Karol Nawrocki as president last year. Nawrocki, a right-wing historian, has played a crucial role in the party’s efforts to rewrite Poland’s Holocaust history — making Stola’s reappointment a rebuke of the country’s largest political party by its governing coalition.
“The mission of the museum is even more important today, in the face of the dark forces distorting the memory of the Polish-Jewish past,” said Stola.
The post Poland’s Jewish museum director returns, 7 years after being pushed out by nationalist politics appeared first on The Forward.
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India’s Modi Visits Israel, Expresses Support for Jewish State as US-Iran Tensions Mount
India’s Prime Minister Narendra Modi and Israel’s Prime Minister Benjamin Netanyahu attend a welcome ceremony upon Modi’s arrival at Ben Gurion International Airport in Lod, near Tel Aviv, Israel, Feb. 25, 2026. Photo: REUTERS/Shir Torem
India’s Prime Minister Narendra Modi arrived in Israel on Wednesday for a two-day visit that both countries have cast as a chance to deepen relations, as regional concerns mount over the risk of military conflict between the United States and Iran.
In an address to the Israeli parliament, Modi told lawmakers that India stood with Israel “with full conviction” as he shared his nation’s condolences over the October 2023 Hamas attack.
“Like you, we have a consistent and uncompromising policy of zero tolerance for terrorism, with no double standards,” he said.
Both Modi and Israeli Prime Minister Benjamin Netanyahu, who also addressed the parliament, spoke of terrorist attacks that their nations had faced, with Netanyahu saying India and Israel both faced the challenge of confronting “radical Islam.”
Some opposition lawmakers briefly walked out of the special session, protesting at the speaker’s decision not to invite the head of the Supreme Court, but returned for Modi‘s remarks.
Netanyahu’s right-wing government, which the speaker belongs to, has had a confrontational relationship with the court.
Modi, a Hindu nationalist, became the first prime minister in India’s history to visit Israel in 2017, during which he and Netanyahu took a barefoot stroll on a beach in the northern port city of Haifa.
Both still in power nearly nine years later, the two leaders, who describe one another as friends, are expected to hold talks on artificial intelligence as well as defense at a time when Israel is seeking to increase its military exports.
An Israeli government official said Modi‘s visit would “pave the way for new partnerships and collaborations across many fields.” Bilateral ties were on the cusp of a significant upgrade, an Israeli foreign ministry official said.
US MILITARY BUILDUP NEAR IRAN
Modi is visiting as the United States deploys a vast naval force near Iran‘s coast ahead of possible strikes on the Islamic Republic, with the two countries at an impasse in talks over Tehran’s nuclear program. The Pentagon has also deployed an aircraft carrier to the Mediterranean, bound for Israel‘s coast.
A US attack on Iran could draw Iranian retaliation against Israel as well as US military facilities in Gulf Arab countries, where millions of Indians live and work and send home billions of dollars of remittances each year.
In his speech to lawmakers, Modi vaguely spoke about the challenges facing stability in the region, acknowledging that the landscape had become more challenging in recent years, but made no mention of the US military build-up, or of Iran.
He backed the US plan to end the war in Gaza, telling the parliament that it could lead to peace “for all people of the region, including by addressing the Palestinian issue.”
“The road to peace is not always easy. But India joins you and the world for dialogue, peace, and stability in this region,” Modi said.
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CIA Launches Fresh Social Media Push to Recruit Iranians as Trump Threatens Military Action
The seal of the Central Intelligence Agency is shown at the entrance of the CIA headquarters in McLean, Virginia, US, Sept. 24, 2022. Photo: REUTERS/Evelyn Hockstein
The US Central Intelligence Agency has posted on social media new Farsi-language instructions for Iranians wishing to securely contact the spy service.
The CIA recruitment effort comes amid a massive buildup of US military forces in the Middle East that President Donald Trump could order to attack Iran if talks with the US set for Thursday fail to reach a deal on Tehran’s nuclear program.
Trump began laying out the case for a possible US operation in his State of the Union speech on Tuesday, saying he would not allow the Islamic Republic, which he called the world’s biggest sponsor of terrorism, to have a nuclear weapon. Iran denies seeking a nuclear arsenal.
“They [Iran‘s leaders] want to start all over again, and are, at this moment again pursuing their sinister ambitions,” he said, accusing Iran of restarting its nuclear program, working to build missiles that “soon” would be capable of reaching the United States, and of being responsible for roadside bombings that have killed US service members and civilians.
“The [Iranian] regime and its murderous proxies have spread nothing but terrorism and death and hate,” the Republican president said about 90 minutes into his annual address to a joint session of the Senate and House of Representatives.
The CIA posted its Farsi-language message on Tuesday on its X, Instagram, Facebook, Telegram, and YouTube accounts.
The message is the latest in a series by the CIA aimed at enlisting sources in Iran, China, North Korea, and Russia.
The agency urged Iranians wishing to make contact to “take appropriate action” to protect themselves before doing so and avoid using work computers or their phones.
“Use a new, disposable device, if possible” and “be aware of your surroundings and who may be able to see your screen or activity,” continued the message, adding that those who make contact, provide their locations, names, job titles and “access to information or skills of interest to our agency.”
Those individuals, said the message, should use a trusted Virtual Private Network “not headquartered in Russia, Iran, or China,” or the Tor Network, which encrypts data and hides the user’s IP address.
The CIA declined to comment. Iran’s delegation to the United Nations did not immediately respond to a request for comment.
US envoys Steve Witkoff and Jared Kushner are scheduled to meet Iranian officials led by Foreign Minister Abbas Araqchi in Geneva on Thursday for a new round of negotiations on Tehran’s nuclear program.
Trump has threatened military action if the talks fail to reach an agreement, or if Tehran executes people arrested for participating in nationwide anti-government demonstrations in January.
Rights groups say thousands of people were killed in the government crackdown on the protests, the worst domestic unrest in Iran since the era of its 1979 Islamic Revolution.